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#set me free supremacy
newyorkangelbaby · 2 years
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my ranking of joshua bassett’s discography because i can
1. lifeline
2. only a matter of time
3. set me free
4. used to it
5. all in due time
6. she said he said she said
7. sad songs in a hotel room
8. finally free
9. feel something
10. we both know ft sabrina carpenter
11. smoke slow
12. different
13. la
14. would you love me now
15. i’m sorry
16. doppelgänger
17. sorry
18. telling myself
19. secret
20. lie lie lie
20. anyone else
21. crisis
22. heaven is you
23. do it all again
i just feel like you can learn a lot about who i am by the top five songs in general and honestly i’m not mad, but how do i seem to you ?
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readingloveswounds · 8 months
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salle J of the bnf is ideal
end of the hallway = fewer people. elevator to get to it = even fewer people. SCARY elevator to get to it = you get the point
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jadenvargen · 7 months
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free online james baldwin stories, essays, videos, and other resources
**edit
James baldwin online archive with his articles and photo archives.
---NOVELS---
Giovanni's room"When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy. This book introduces love's fascinating possibilities and extremities."
Go Tell It On The Mountain"(...)Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves."
+bonus: film adaptation on youtube. (if you’re a giancarlo esposito fan, you’ll be delighted to see him in an early preacher role)
Another Country and Going to Meet the Man Another country: "James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit." Going to meet the Man: " collection of eight short stories by American writer James Baldwin. The book, dedicated "for Beauford Delaney", covers many topics related to anti-Black racism in American society, as well as African-American–Jewish relations, childhood, the creative process, criminal justice, drug addiction, family relationships, jazz, lynching, sexuality, and white supremacy."
Just Above My Head"Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land."
If Beale Street Could Talk"Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche."
also has a film adaptation by moonlight's barry jenkins
Tell Me How Long the Train's been gone At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. 
---ESSAYS---
Baldwin essay collection. Including most famously: notes of a native son, nobody knows my name, the fire next time, no name in the street, the devil finds work- baldwin on film
--DOCUMENTARIES--
Take this hammer, a tour of san Francisco.
Meeting the man
--DEBATES:--
Debate with Malcolm x, 1963 ( on integration, the nation of islam, and other topics. )
Debate with William Buckley, 1965. ( historic debate in america. )
Heavily moderated debate with Malcolm x, Charles Eric Lincoln, and Samuel Schyle 1961. (Primarily Malcolm X's debate on behalf of the nation of islam, with Baldwin giving occassional inputs.)
----
apart from themes obvious in the book's descriptions, a general heads up for themes of incest and sexual assault throughout his works.
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webslingingslasher · 1 year
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i'm a sucker for angst to fluff. what if parker's friends say some mean things ab your body but parker doesn't defend you. that night, you won't cuddle him, you won't even sleep in the same bed because you don't wanna disgust him... and peter has to make it up to you.
parker is a dunce!!! peter supremacy!
Peter had two sets of friend groups. 
The first one was the original one. Kids he grew up with, suffered through high school and flew into the freedom of college with him. The group you knew the most of, they were the closest to him and nearly the entire group became your friends too. Weekends spent smashing drinks and staying up too late before hitting up a diner for greasy burgers at four in the morning. 
Then the second group, which you did not know well, don’t know how Peter knows them and can’t fathom why Peter would entertain them. 
It’s split like this. 
With friend group A, he’s Peter.
With friend group B, he’s Parker. 
You don’t like Parker; not one bit. 
Parker can be stark, blunt, bold and cocky. 
It was the friend group, they made him believe he was one of them so sometimes he acted a little too much like them. It wasn’t ever too bad, just the stuff you know he normally wouldn’t feed into, he gorged. 
His friend, leader of the group, Nick, said it in passing. It’s not the first time you met, granted you try to spend as little time as possible with them but you also won’t give them the cold shoulder. The mutual understanding with friend group B is that you both are there for Peter’s sake, it just makes things easier. 
Nick threw his beer back, foam swirled to the top. His long arm extended to the seat next to him, his watch clicked against the chair top. 
“I’m surprised you didn’t bag someone with a better body, Parker.” A sharp wink is thrown at your boyfriend, and in response he snorted, “yeah, right.” 
It was sarcastic, you’ll give him that. But he didn’t give more, you waited for the ‘real funny, but don’t talk about my girlfriend like that.’ However, he just rubbed your shoulder and sent a small smile, almost like he was saying, ‘you know how it is.’ 
You didn’t miss the tiny curl of Nick’s lip when you shook Peter’s hand off your arm. 
If he couldn’t stand up to his friends over a shit comment then why would you let him put his hands on your body, knowing everyone thinks he could do better?
—------------------------------
Peter frowned when you pulled away from his grasp, he was going for a hug but you floated away. You were quiet on the ride back, not starting conversation but not letting it fail either. 
If Peter could describe your emotion right now it would be ‘fine.’ 
“C’mon, gimme a hug.” 
You cross your arms, “you sure you want your hands on me?” 
Peter reaches out and tries to pull one hand back with the other but his right hand breaks free and grabs you, “I can’t control them! They need you too much.” 
Sometimes it’s really, really hard to be upset with him. 
“I’m gonna take a shower,” you pull away, forcing yourself to stand up for yourself, if the situation was reversed you’d shut it down at the dinner table. Not smile sympathetically and give him an ‘oh well!’ 
“Want company?” 
Disappointment covers your features, “not really.” 
He wouldn’t stand up to defend the body he loves but he wants to be first in line to use it. 
“Oh. Okay, if you want I’ll make us some ice cream cones and set up a movie?” 
You shrug, “sure.” 
Peter knows what’s wrong but he views it as a boundary issue between his friends and him, not you. He knows what he needs to do but doesn’t want to involve you further. 
That message doubles down when you told him you would sleep on his couch tonight, he woke you up after the movie to take you to bed when you shrugged him off, “I’ll sleep here tonight,” that never happens, ever. 
“No, c’mon, I’ll carry you.” 
His hands slipped under your thigh when you rolled over, “if it wasn’t so late I’d be at home. Consider yourself lucky that I’m still here.” 
So, Peter presses a kiss to your temple with an “alright, honey. Goodnight, we can talk in the morning, okay?” 
When he walks away you mumble under your breath, “hope you dream about girls with better bodies.” He hears you, it takes everything in him to not bring you with him. 
—----------------------------------
Noise woke you up. 
The room was bright, sleeping in the living room left you exposed to nearly every window in the apartment. Peter’s room was dark and cool, if you were in there it could be well into mid morning before you rose. 
There was a blanket on you that wasn’t there last night, it’s one from Peter’s room, he keeps an extra by his bed for you. The sun peering in warmed up the room and you started to feel just a little too warm. 
You almost forgot why you were awake until you heard a cabinet shut loudly and a soft curse murmured from the kitchen. Peter was up early making breakfast, you know he feels largely guilty. It almost makes everything okay. 
It took heat swarming your face for you to pull the blanket away, the cool breeze from his ceiling fan felt really good. You yawn, then cough from a dry throat. 
“Baby?” 
You sniff, nothing more than a harsh breath, “morning.” Your voice croaks from the couch, you hear shuffling, steps get louder until you looked up at his face peering over you. 
“I slept like shit, how about you?” 
You stretch your arms over your head, “no complaints.” 
Peter recognizes you’re still mad. 
“Waffles or pancakes?” 
You grin, “french toast.” 
Peter leans over the back of the couch, his lips puckered. “Deal,” you push his chin away. “No kisses, you’re on time out.” 
He wanted to wait until after breakfast but he really can’t last that long without a kiss. 
“Okay, come here.” 
You got up and followed him, he grabbed his phone sitting on the counter and gestured to taking a seat at the breakfast bar. Peter unlocked his phone and tapped around, he handed it towards you, you looked at him confused before he wiggled it. “Take it, read it.” 
Taking his phone you looked down, it was blurry and you had to blink a few times. Peter busy with moving around the kitchen. 
A text thread between him and Nick. 
“hey man, I know you didn’t mean anything by it but you hurt some feelings by that comment tonight. From here on out no jokes on or about her, cool?” 
“Ah shit man, my bad. I didn’t mean to get you yelled at, no jokes about the lady in front of her from now on.” 
“I mean don’t joke about her, ever. It’s not cool to me, and it disrespects my girlfriend.” 
“Say less, I’ll tell the guys, no more jokes about parker’s girl.” 
“Appreciate it, man.” 
A small pout takes over your face, he texted it last night after you got home. If you can track it back it would’ve been around the time you were in the shower, unprompted he stuck up for you. 
Peter stood up for you, he had your back. 
You assumed he didn’t, but he just didn’t make a scene. He kept cool and calm until he was back at home, in regards to not embarrassing you or his friends and maybe damaging either relationship. 
You click your tongue, your boyfriend meets your eyes, he’s awaiting a response. 
“Well, now it’s hard to be mad.” 
“I will always defend your honor, sweetheart. Just because I don’t do it at that moment doesn’t mean I wont, okay? I love you and you are absolutely the hottest woman I could ever bag, alright?” 
You respond with countless kisses and cuddles, Peter needs to nearly peel you off his body so he can use the stove safely, but not one complaint utters from his lips. 
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alpaca-clouds · 1 year
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The Punk-Factor of Punkpunk Genre
So, when I posted my history of Solarpunk, someone (probably not in good faith) asked: “So, what about the punk in all the other punk genres?!” towards my request to put the punk back into Solarpunk. And given that my autistic brain obviously cannot just let that stand… You know what? Let me talk about the other punk genre and in how far they are “punk”. I tried to be as exhaustive as possible, though there is a good chance, that I might have missed some of the punkpunk genre. So feel free to add.
Trying to judge the punkiness I do not assume punk as simple counter culture, but a specific ideology. Quote from Wikipedia:
[Punk ideology] is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, anti-consumerism, anti-corporatism, anti-war, imperialism, conservatism, anti-globalization, gentrification, anti-racism, anti-sexism, class and classism, gender equality, racial equality, eugenics, animal rights, free-thought and non-conformity
Most of the artwork here has been taken from concept art of either of the examples listed.
Sorted from most futuristic to pre(historic). Yes, the list is long.
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Cyberpunk
We start with the OG punk genre, the one after which all other punk genre were named. Yes, you could argue that in fact the two genre following are more futuristic – but Cyberpunk kinda just had to start the list.
As a genre: Given that Cyberpunk had its start completely in literature it is the best defined in this regard. Taking place in a late stage capitalist dystopian world in which most is owned by megacorps who don’t follow anyone’s laws but their own, the protagonists usually are social outcasts fighting against their own oppression, trying to keep themselves alive in a world hostile to them. With cybernetics always being a core of the genre, it also tends to deal with the question of humanity in a “ship of Theseus” sort of way. How much can the human body be altered, before the human vanishes?
As an aesthetic: Cyberpunk is the most punk in terms of aesthetics, really. There is a lot of punk and grunge going on in terms of character design. Neon hair colors, fishnets and thorn up jeans jackets can be found here. As well as of course cybernetics on the characters. The world usually is a megacity with a stark divide between rich and poor, tons of neon signs, a slight Japanese influence, flying cars and somehow a constant downpour of rain.
Punk-Factor: Cyberpunk is the one punk genre, where the “punk” was chosen very knowingly as a name. Usually the protagonists are “punks” fighting for their place in the world against a suppressive capitalist system. (Also, they usually fit the punk aesthetic, if they don’t wear leather dusters.) It should be noted however, that especially in newer western Cyberpunk often the punkiness vanishes more and more – for the same reason we have so little Solarpunk: media that outright confronts the problems of capitalism is just less supported.
Examples: Neuromancer (1984), Mirrorshades: The Cyberpunk Anthology (1986), Snow Crash (1992), The Matrix (1999), Dredd (2012)
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Biopunk
As a genre: As a genre biopunk is still fairly ill defined, as it mostly shows up as a subsection of Cyberpunk. Rather than the characters having cybernetic implants (or additionally to it) they are augmented on a genetic level. This can be all sorts of augmentations, changing anything from appearance to giving characters higher strength and agility, giving them claws or night vision, or in some cases even “magic” powers. Usually the genre tends to be set in worlds similar to Cyberpunk. In fact it might well be set in a cyberpunk world, only that characters with bioaugmentations exist parallel to those with cybernetics. Additionally, though, there is a subsection of this genre, that concerns reproductive rights.
As an aesthetic: Ironically biopunk is even less defined as an aesthetic. There is not a lot of biopunk art out there and most that exists can go in different directions. As such it often mixes elements from other punk aesthetics – like Cyberpunk, Steampunk or Dieselpunk – with an assortment of bodyhorror elements.
Punk-Factor: It is hard to define the “punkiness” of a genre, that barely exists for the most part. Usually, when it is set against a Cyberpunk backdrop, it might be very punky, but in other settings those punk elements vanish.
Examples: Ribofunk (1995), Altered Carbon (2002), Bioshock (2007), The Windup Girl (2009)
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Nanopunk
As a genre: Like Biopunk Nanopunk mostly exists as a subsubgenre to Cyberpunk, often being set in a mostly Cyberpunk world, only that instead of or additionally to Cybernetics, the technology used to alter the human body is nanites. These serve the same function as the genetic manipulation in Biopunk, giving the human in question more strength and agility and at times more or less magical abilities. There is one common plot that comes up again and again, with an AI or megacorp turning the nanites against the people they inhabit or trying to control them.
As an aesthetic: Aesthetically Nanopunk does not have much in terms of its own identity. Most artworks relating to Nanopunk feature a similar aesthetic to Cyberpunk, with megacities and lots of neon.
Punk-Factor: This genre is so small, that it is kinda hard to judge the exact punkiness.
Examples: The Diamond Age (1995), Prey (2002)
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Solarpunk
As a genre: Being another genre, that started as such, Solarpunk is a bit better defined. Solarpunk usually takes place in a world post-strive. It is post-capitalist and decolonial in its settings, usually featuring a world that has either formed against the backdrop of preventing climate collapse or in the aftermath of it. A lot of it features people rebuilding – or alternatively building communities. It always features elements about living in harmony with nature or trying to do so. So far, the genre is mostly defined by short stories, partly because there is still disagreements within the movement, how far a conflict can be taken to still qualify as Solarpunk.
As an aesthetic: Solarpunk has a very strong aesthetic definition, mostly featuring all sorts of cities and urban areas, that incorporate natural elements into the urbanity, with greenery growing on roofs and concrete car-centric streets being replaced with more natural, walkable areas. The character design aesthetic is not quite as clearly defined, but usually features natural materials and patterns usually seen within indigenous art.
Punk-Factor: Contrary to what many say, Solarpunk is fairly punk, as it very much embraces the entire anti-hierarchical, anti-capitalist mentality. With the big difference, that the punk mentality is no longer counter culture, but the mainstream culture.
Examples: The Dispossessed (1974), Nausicaä (1984), Laputa – Castle in the Sky (1986), Princess Mononoke (1997), The Summer Prince (2013)
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Lunarpunk
As a genre: Lunarpunk is pretty much a subsubgenre of Solarpunk, just as Nanopunk and Biopunk are sprung off from Cyberpunk. It is so far ill-defined as a genre, but the general consensus is, that it is set in solarpunk-esque worlds, but with a heavier focus on mysticism or spiritualism, at times outright including magic. It also tends to feature a lot darker places, being set in underwater or underground settings – or alternatively at night.
As an aesthetic: Lunarpunk is far more of an aesthetic than a genre so far. It features dark places, often with bioluminescent elements in it. Often featuring a mixture of black and dark blue with lighter blue, violet or light green elements shining in the middle of it. Mushrooms – especially glowing mushrooms – feature repeatedly in artwork.
Punk-Factor: Given that Lunarpunk is barely defined as a genre it is hard to estimate the punkiness in it. If it gets more stories, will those still feature the anti-capitalist and anti-hierarchical messaging we see in Solarpunk? This should be the defining factor. Some of the artworks use little aesthetics from the punk scene, but nothing much more.
Examples: Bioluminescent: A Lunarpunk Anthology (2023)
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Hopepunk
Honestly, I had no idea where to put this one, given that it might technically be set at any time and place.
As a genre: Hopepunk is very much a genre, not an aesthetic. It has been defined as the opposite of grimdark by its “inventor/name-giver” Alexandra Rowland. The basic idea is to create fiction that instead of taking a dystopian, defeatist and violent approach, takes one defined by hope and to some degree pacifism. As such the genre can be set in any setting, real or fantastic. It mostly is defined by the protagonists taking opposition to cruelty and violence, fighting for a better world and, crucially, also partly archiving it. Other than in usual Cyberpunk, where the best possible ending, tends to be, that the protagonists get to live a somewhat better life themselves, Hopepunk aims to better the life at least for groups of people.
As an aesthetic: Being fully a genre, Hopepunk has no aesthetic associated with it.
Punk-Factor: Hopepunk is punk less in the sense of the protagonists or things happening within the story, which might or might not be punk, but was named such rather because it is considered counter cultural towards the gross of media at the moment, that often strives for a “realistic, gritty, grimdark” outlook on the world. Basically it is saying: “Hope is punk.” I will not make any judgement on whether or not this is true.
Examples: The Long Way to a Small, Angry Planet (2014), Mad Max: Fury Road (2015), The Good Place (2016)
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Mythpunk
As a genre: Another one, that does not really fit into a temporal sorting system, because once again it can be set anywhere between the stone age and the far future. The basic idea is, that the story interweaves postmodern storytelling with elements from mythology or folklore. This can mean mythological, genre-traversing retellings, but it can also mean, that mythology seeps into any given story bit by bit. As such the genre with probably the most media in the subgenre is Urban Fantasy, which often borrows from mythology and incorporates these elements.
As an aesthetic: Mythpunk as an aesthetic is a bit strange. There is definitely a mythpunk aesthetic that exists, often mixing familiar elements with elements from mythology and folklore (at times also including quasi-folkloric works of literature, such as Alice in Wonderland and the Wizard of Oz). Often just a bit dark and twisted.
Punk-Factor: To be perfectly frank, for the most part, there is not a lot of punk to be found in this genre. While there have been definitely punky stories told within the genre, this is more a story decision than something inherent to the genre.
Examples: Pan’s Labyrinth (2006), Over the Garden Wall (2014), Inscryption (2016)
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Dustpunk / Rustpunk / Desertpunk
As a genre: Kinda grouping those above all together, because people argue about what they might entail and in some interpretations they kinda are similar: Post-apocalyptic stories set in a world of sand and rust. Often featuring a loner character, having to go up against everyone to ensure his own survival – and at times being forced to learn, that the lonerness might not win him (and most often it is a him) anything.
As an aesthetic: Aesthetically this tends to be very much post-apocalyptic, maybe in some cases with some more classical punk elements added to characters and surroundings.
Punk-Factor: Given that there is neither a system to rage against – nor a new, less hierarchical system – usually there is not that much punk outside of some aesthetic choices. Neither tend those stories go into constructing worlds of mutual aid or working against oppression.
Examples: Anything Mad Max should count for this.
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Atompunk
As a genre: Atompunk usually deals with themes connected to the cold war – in some cases directly, in some indirectly. Often it overplays the American ideals that were pushed for during the cold war era and portrays scenarios in which American Exceptionalism slowly reveals itself as the dystopia most punks already know it to be. Outside of this vague idea for the setting, the genre is less described, as there is less of a clear script an Atompunk story might follow. So, little description of who might be the protagonist and what their role is.
As an aesthetic: The aesthetic of Atompunk borrows heavily from the Raygun Gothic aesthetic. So, futurism, as it was imagined in the 1950s and 1960s, with heavy influences from late pulp age science fiction art.
Punk-Factor: The aesthetic in this is definitely not punk. The stories often have some vague punk ideas of recognizing how fucked up the world has become, but given the genre is fairly wide in terms of stories, it is hard to give a definite answer to how “punk” it is. One can definitely tell punk stories within this genre, though.
Examples: Hitchhiker's Guide To The Galaxy (1978), Fallout (1997), Futurama (1999)
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Dieselpunk
As a genre: Dieselpunk is once again an example of “strong aesthetic, but no clear genre identity”. Generally, Dieselpunk is concerned with the interwar period, but might cover either of the world wars. In some cases the genre features alternate timelines, in which one war happened and not the other, or in which another faction won, with the technological development being influenced by this as well. But as a genre it is not much defined. A lot of stories building on Lovecraft’s legacy feature Dieselpunk in some regards. And there is definitely a subsection of Dieselpunk stories centered around “what if Nazis won” or “what if Nazis somehow went underground and did their own technological development after the war”. Also, there are a lot of stories about pilots of war planes in this genre.
As an aesthetic: As an aesthetic Dieselpunk is more clearly defined. A lot of bare metal and the sorts of technology you would expect from this era, often with retro-futurist and art noveau elements in between. A lot of the fashion within the genre is defined by pilot and military clothing of the times, but at times also dipping into “roaring 20s” fashion styles.
Punk-Factor: In this genre I would generally say: “If the story involves punching Nazis, you might get a couple punk points – but otherwise this is not really punk.”
Examples: The Iron Dream (1972), Brazil (1985), Dark City (1998), Iron Sky (2012), Bitter Seeds (2010)
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Teslapunk
As a genre: Yet another one of these, that exists mostly as a vague idea, with no clear definition. The basic idea is a world, that works on Tesla’s inventions. And as those of you, who watched Doctor Who, might know, Tesla sorta, kinda already invented the internet or had an idea of what it could be and how it could work. So a Teslapunk world is based in an alternate timeline, but might in fact go into light futurism. There is not much in this genre though with a unique thematic identity, as stories that use Teslapunk as a backdrop rarely have coherent themes.
As an aesthetic: The aesthetic of Teslapunk is basically “Steampunk, but with Tesla-coils and electricity”. Which is not a big surprise given that Tesla came from the same era that would also be the inspiration for Steampunk. So, we have a lot of Victorian fashion, maybe some light augmentation, airships, and – again – all the tesla coils you can muster.
Punk-Factor: As, again, I think punk is more about themes than aesthetic, this is once more not really possible to judge, because there do not seem coherent themes within the genre so far.
Examples: The Prestige (2006), Sherlock Holmes: A Game of Shadows (2011), Bioshock Infinite (2013)
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Arcanepunk
Another one of those that do not neatly fit into the timeline…
As a genre: Arcanepunk takes place in a world, where both magic and technology have developed. In some cases both developed side by side, in others, we might have a technological world, that suddenly discovers magic by some happenstance. The fact is, though, that both exist parallel to each other or might at times be intertwined, with technology being powered by magic. This can exist at different technological stages, usually featuring settings inspired by the late 19th or early 20th century. But usually futuristic stuff that includes magic might be considered Arcanepunk, just as might stories that mix 18th century technology with magic. While also a vague genre, there is a repeating theme of magic being hoarded by those in powers and the poor and downtrodden finding ways to still use it in their own advantage.
As an aesthetic: Given that Arcanepunk’s setting is defined by the co-existence of magic and technology, rather than a specific technology, Arcanepunk has less of a defined aesthetic. Never the less, we have a part of punk aesthetics that often come up, as a surprising amount of Arcanepunk features characters with neon colored hair.
Punk-Factor: Another genre that is rather thin, yet, there is a surprising amount of stories featuring some punk ideas of fighting against an oppressive system and being counter culture to a main culture build around suppression.
Examples: Too Many Magicians (1966), Shadowrun (1989), Bartimaeus (2003), Arcane (2021) duh
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Steampunk
Steampunk was the second genre to pick up the “punk” suffix and hence is as much responsible for the punk-punk as Cyberpunk as the originator.
As a genre: Being named as early as it has been, Steampunk kinda suffers the same issue as Cyberpunk itself. There is a lot of ideas there, but some are only vaguely defined. In general, though Steampunk always takes place in a world where the steam engine became the defining technology and was never replaced with the combustion engine. As such cultural aspects from the steam era, especially Victorian England and the Belle Epoche, still carry over for longer, than they did. So often we will see noble households based around similar values as the puritan Victorian English families, while the very poor are made to work in workhouses. At times we might also see themes of colonialism here. In some cases magic might exist in these worlds, as might electricity for some aspects. There is often a heavy inspiration from Jules Verne and H.G. Wells. Though it is still hard to define the “stereotypical steampunk story”, given that Steampunk offers a wide variety of stories, from adventure stories and romances, over to stories where people rise up against the Victorian-esque society.
As an aesthetic: Steampunk as an aesthetic is very much influenced by Victorian aesthetics and the time period of the late 19th century, mostly in the USA, Great Britain and France. But as all other punk genres it knows very well: “If it is worth doing, it is worth overdoing,” so steam-related elements are added to everything. Could
Punk-Factor: In the original idea for Steampunk was a lot of punk. “What if we took Cyberpunks ‘rage against the unjust system’ and made it 19th century” they asked. But given that the genre branched out so much, it is not necessarily there in all the stories. There is a ton of stories where people rage against that steam powered Victorian machine – but also a ton in which the Victorian world gets idealized and romanticized.
Examples: Thief (1998), The League of Extraordinary Gentlemen (1999), Wild Wild West (1999), Clockwork Century (2008) – also half of all Sherlock Holmes adaption made after 2000 in any medium usually use Steampunk elements
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Silkpunk
As a genre: Silkpunk is hard to define, despite there being a clear definition. The reason for this is, that the person who coined the term – Ken Liu – had a very specific idea in mind. He explains that the idea is of a world that has technology as language. In which form is as important as function, is made to speak a language all of its own. Inspired by ideas from W. Brian Arthur and Chinese philosophy. However, what the wider Science Fiction and Fantasy community made from it was “Steampunk but East Asian!” But given he coined the term (and also the alternative feels vaguely racist) I am going to go with Ken Liu for this. While Silkpunk will usually be set in an East Asian inspired world, the central idea is about the duality of technology, which will also be addressed within the stories.
As an aesthetic: As said above, the idea Liu had for it was a world that features some technology, but technology that is as much about form and communication through it, as it is about function. So the technology here has strong visual ideas. At least that was, how Liu intended it. Once again, the wider community made “Steampunk, but East Asian” out of it.
Punk-Factor: There is not a lot of stuff in this genre for now – however so far I do not manage to see a lot of punk ideas in it, even though some of Liu’s stories definitely feature the concept of challenging a higher power.
Examples: Dandelion Dynasty (2015), The Black Tides of Heaven (2018), The Tea Master and the Detective (2019)
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Clockpunk
As a genre: Once again storytelling in this genre is not really defined, but the worlds diverge a bit before the wide adaption of steam, instead featuring mechanical devices powered by coils and springs and somehow kept alive, often at least implied through some form of arcane magic that gives “live” to these mechanical inventions. Most examples of Clockpunk, however, tend to show up as settings for parts of fantasy stories. Any fantasy world might have this “Clockpunk” area, where protagonists might travel. Especially games tend to feature this. While there is definitely a trope of the “mad inventor” often going along with this, few other tropes stand out.
As an aesthetic: The aesthetic of Clockpunk tends to take some inspiration from the early 19th century, but tends to add a lot of gears to everything, with even city wide gear constructions keeping things working. We often will find mechatronic characters, such as wind up soldiers or wind up dancers.
Punk-Factor: Once more, there are so few stories told, that it is kinda hard to speak about how punk this is. Most stories told so far, however, do not feature punk elements.
Examples: The Great Mouse Detective (1986), Hugo (2011), Clockwork Planet (2017)
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Whalepunk
Please note: This is one of those genre, I would love to see more in, though so far it is barely explored.
As a genre: And you might ask: “Why do you even name those genre, that exist mostly in theory?”, to which I might answer: “Because I am a nerd.” As all these retrofuturists genre, Whalepunk imagines mostly an alternate historical timeline, where the technology that became defining was based around whale oil. This means that in Whalepunk often whalers or harbors play a big role, though as the genre is again very thinly spread, it is hard to say what “THE whalepunk” formular is. It seems there is a tendency, to mix some mysticism or magic into the genre, though, as the idea of hunting sea monsters often plays into it as well. Good chance that it could at some point merge with Cthulupunk (which I did not name separately, because most of it is either covered in Whalepunk or Dieselpunk).
As an aesthetic: The aesthetic of Whalepunk is basically “Steampunk, but with more sailors, ships and sea monsters”. There is definitely a bit of Oceanpunk mixed into it as well, with some aesthetics being somewhere between Steampunk and Dieselpunk. (Which is kinda ironic, because whale oil was mostly used in the early 19th century.)
Punk-Factor: And again. There so far is not a lot of connective thematic tissue within that genre, so exploring themes is kinda hard.
Examples: Dishonored (2012), Dredge (2023)
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Oceanpunk / Piratepunk
As a genre: It really is hard to divide the Piratepunk out of the Oceanpunk, though some might call it different. The idea here is that this genre features stories mostly set on the ocean and often more heavily leaning into fantasy, than science fiction. While the worlds might feature technological elements, they will almost certainly feature magical elements of some sort. The characters will usually be seafaring one way or another and stories might involve any sort of adventure. There might be a storyline, though, about one company or nation trying to control the seas – often times through magical means – with the characters often unwillingly being made to oppose them. This genre might also take place in a post-apocalyptic setting with a flooded planet.
As an aesthetic: While the aesthetic is not clearly defined, there is a good chance that it borrows heavily from the late 17th and early 18th century and the golden age of piracy, when it comes to both ships and fashion sensibilities.
Punk-Factor: Pirates, at least as far as modern media imagines them, tend to be very punk, as they tend to inherently oppose any sort of government and what not. While the punk is not there in all of the stories, a lot of the most popular stories from the genre will feature at least lightly punky elements.
Examples: One Piece (1997), Pirates of the Caribbean (2003), Assassin's Creed IV: Black Flag (2013)
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Dungeonpunk
As a genre: So, the idea of the genre is basically “What if Cyberpunk, but Dungeons & Dragons?” Usually set in a vaguely medieval world, this world still shows the same corporate corruption as your usual Cyberpunk world. Adventurers are just another resource to be exploited by the system, their day job involving going on yet another dungeon crawl. For this there might be some technology entirely powered by magic, with those magic items taking over the same functions technology might have in a Cyberpunk world. And yes, indeed some brave dwarf, elf or halfling might rise up and challenge the corporate dungeon syndicate. (As you might sense: Yes, this genre tends to be at least partly a bit of a parody of the punkpunk idea. Though it also can be played straight as “Cyberpunk conflicts, just that all technology is somehow magic.”)
As an aesthetic: This is once again one of the examples, where there is a clear idea behind it – but absolutely no clear aesthetic, as this genre might cover anything from medieval settings to a lot more modern stuff.
Punk-Factor: The base idea, being heavily inspired by the base idea of Cyberpunk, just from a very different perspective. But too many people read the genre as “Magic Technology, yay”, in which case, no, it is not punk.
Examples: Dungeons & Dragons can be played this way, also Final Fantasy VI – XIII definitely counts.
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Sandalpunk
As a genre: I mostly include this for the sake of it, because this genre tends to boil down to “fantasy set in ancient Greece or Rome, but with vaguely anachronistic elements”. It might also include alternate history stories (even going so far as Science Fiction) based on the idea “What if Ancient Rome/Ancient Greece never fell?” There is no real overarching themes, even though I could imagine some interesting way one could build those up. So far, though, it is mostly a vague gesture towards: “SciFi Fantasy, but with more ancient civilizations.”
As an aesthetic: The aesthetic is usually just Ancient Rome or Ancient Greece, but with more magic or anachronistic elements.
Punk-Factor: Given the super vague nature of the genre and the fact that it seems more like a genre of hindsight (with most media being declared this having been released even before 2000)… Nobody wrote those stories to be punk. The one punk thing I can see about several of these stories is people challenging Gods, but… That’s about it.Examples: Hercules: Legendary Journeys (1995), Xena: Warrior Princess (1995), God of War (2005)
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Stonepunk
As a genre: The basic idea of Stonepunk is, that it is set in a stone age world, but with the technology being pressed towards a very anachronistic end, which is often played for laughs. Basically it gives stone age people a modern seeming world, though not really. Often enough this is used to make a point about the modern world and parody it in some regard. An argument can be made for stories, that feature stone age technology people being somehow subjected to modern technology (for example through time travel or space travel) also possibly falling into this genre.
As an aesthetic: Usually the aesthetic of Stonepunk is one of an overplayed stone age setting. The clothing characters might wear are not what we know is historically more accurate but really just “everyone wears a pelt around their shoulders”. Meanwhile stone age tools get spun to be used as all sorts of modern technologies.
Punk-Factor: The genre does usually not feature punk themes. However, the nature of parodying and challenging the modern world tends to be punk in its own merit, I assume?
Examples: The Flintstones (1960), The Croods (2013), Horizon: Zero Dawn (2017)
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That's it. That's the list.
Feel free to add to it.
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elexaria · 9 months
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i managed to indoctrinate one of my irls into soap mactavish supremacy and she agrees that soap would be a switch.
and its been on my mind how johnny would beg like a dog for pussy, like a good boy 🥺
NSFW — minors dni!!
(brief mention of a mommy kink LOL)
“yer killin’ me here,” johnny grumbles quietly as he watches you dress in front of him. thick, child bearing hips on display for the entire world to see as your hands reach up to mess your freshly curled hair. your quite literal little black dress made you look like a goddess, and it was killing your boyfriend with how hot you looked. “yer gunna be the death o’ me.”
“it’s only for a couple’a hours, johnny.” you coo, reaching down to cup his stubbled jaw in your soft hands, pressing a gentle kiss to the bridge of his nose. he whines, pouting like a lovestruck puppy from where he was sat on the edge of your bed.
it had been a few months since you last had a girl’s night out with your besties, when was the last time you got to let loose and have some fun with them? you loved johnny, but you reckon it’d do you some good to get out the house and let your hair down.
“see you later, babe.” you wave him goodbye, grabbing your keys as you make your way out. still moping around with a face like a slapped arse, john reluctantly lifts his hand to wave goodbye.
“see ye, hen.” he mutters quietly, still pouting.
a few hours pass, and you stumble through the front door with weak legs akin to a newborn fawn. “fuck,” you huff out as your toss your keys into the bowl by the front door, eager to kick off your heels and get out of the god forsaken tight confines of your dress.
the dress that really made the blood of passers by sing as their eyes bore into your cleavage spilling from the cups of the dress. how your thighs seemed to pool out underneath your weight as you sat down, tender skin just dying to be gawked at. it’s like you knew how good you looked.
“johnny—!” you sing aloud, pottering through your small apartment with your heels in hand. “joooohn— you asleep?” you hum, peeking into your bedroom. he wasn’t there.
“hmm. takin’ a dump or somethin’—“ you squint, taking a look over your shoulder to your en suite. nope, he wasn’t in there either.
“fucks sake, john william mactavish, where are you?” you whine out, chucking your shoes and bag down as you begin to attempt to reach around to unzip your dress. frustrated huffs and shouts erupt from your throat at your desperate pawing at the finicky little zip, dying to set yourself free.
“need help?” a voice leers from behind you, almost knocking all the air from your lungs as you squeak with surprise.
“yes—“ you murmur, throwing your head down as you shuffle back towards johnny. it felt like you were standing there for ages, just waiting for him to unzip your dress. confused, you turn around, eyebrows furrowed. “wh— what’s taking you so long?” you pout, cheeks flushed from your night out on the town.
and that’s when you see him, hungrily glaring down at you with those innocent blue puppy dog eyes that serve as a stark contrast to the anticipation that runs through his veins. his breathing is steep, you can hear the faint exhales as he continues to stare right through you. holding onto his thick forearm for support as you drunkenly sway side to side, your eyes widen as you spot it.
a thick, aching throb pressed so harshly against his grey sweatpants.
fuuuuuuck.
and then it all makes sense. his childish whining and pouting, the hesitation to unzip your dress. the poor scotsman is so hard, it’s teetering towards painful. unbeknownst to you, the poor thing was tight fistedly pumping at his furiously red cock, hunched over on the edge of the bed as soon as you left. thinking about how he’d die happily if you let him crawl over broken glass just to lap away at your gorgeous pussy, how he would die a proud man if you just let him worship you the way god intended when he put the two of you on earth as soulmates.
“oh… johnny,” you whisper out, a hand absentmindedly reaching low to gently graze the pads of your fingertips against the cockprint in his joggers. a hushed hiss is sucked through his teeth, his eyes narrowing at your touch. oh, how you relished in how he melted against your touch.
now, that wasn’t to say you didn’t love it when he was furiously rutting into you with his large hands splayed across the small of your waist, his thighs slamming into your voluptuous ass at a maddening pace.
“so… fuckin’… mmh— all mine, yeah? yer all mine, aye? say it, say yer all fuckin’ mine. fuck, lass— need ye to say it—“
“all.. yours— mmh—! fuck, love-“
but there was something about having johnny, your 6ft boyfriend with burly muscles and a thick scottish lilt, on his hands and knees begging for you to fuck him.
and this evening was no different.
with a wicked grin growing on your lips, you can’t help but push yourself onto him. “poor, poor baby. so hard, hmm?” you crooned as you stroke against his erection, his body shivering under your touch. he pouts once more, hands either side of your hips as he feels his cock stirring. your fat tits heave against his lean chest, eyes innocently blinking up at him as though you had no idea why he was so turned on. it’s just a little ol’ dress, after all.
“fuck, hen. yer— fuck,” he barely breathes out, trembling as your small hands press against his hard cock, making him whine even more. it turned him on even more as you grin up at him, knowing how wrapped around your finger he was. he would die for you without hesitation. even more so if he got the chance to fuck you one last time.
“use your big boy words, baby,” you hum, a frown on johnny’s lips as you pull away— leaving his poor cock twitching for more.
“please— let me fuck you— please-“ he chokes out as his hands reach down to squeeze and paw so lazily at the mounds of plump fat that drape so beautifully around your curvaceous body. his pleading is akin to a mantra, repeatedly rolling from his tongue like the most steadfast and devote man kneeled before the altar.
you swat his hands away from your body, chuckling as he winces with a childish pout. oh, this was gonna be fun. almost like clockwork, johnny falls to his knees— his messy head of hair burying against your groin as he presses kisses to your thighs. he can smell how delicious you taste, if only you’d let him lavish your flavours. still, he’s repeatedly begging like a dog for you.
“please, by all that's holy— I need a taste of ye so badly, bonnie lass."
his hands are desperately pawing at the roll of fat at the bottom of your ass, crooked fingers grazing the sensitive skin between your thighs. it makes you tense, feeling that bubbling anticipation that coils in your lower abdomen. you swear you can feel a bead of wetness slowly drip from your cunt already.
“baby,” you breathe out like a confession, your hands reaching down to gently hold his cheeks, thumbs rasping against his stubble like a timeless ritual. his puppy dog eyes are peering right up at you, now pleading wordlessly for you to just give in. to put him out of his misery. that look makes you almost cave in right then and there. how touch starved and desperate he looks on his knees, his fingers still shaking against your delicate skin.
with a nod, you gasp at how quick he is to pull you into his lap, panting like a dog in heat as he practically rips the zipper right off of your dress. you slap his hand, huffing with furrowed eyebrows. “careful! it’s new!” you whine out, splaying your chubby thighs out as you straddle your boyfriend.
like a dance as old as time, you suddenly find yourself bare against johnny, stifling your groans as you’re milking his aching cock with a tight fisted grip. his eyes are focused on your tits, how they jiggle with the maddening pace you’re pumping him with. he’s choking out, breathing in bounds and leaps as you keep on edging him so wonderfully.
“please— fuck, yer gonna—“ he grunts, his knuckles whitened as he grips your fat thighs so tightly, you know it’ll leave dark bruises when you both wake up.
you had a strict no touching rule when it came to his begging. he could look, but he couldn’t touch you.
he could watch at how the blood rushed to your perky nipples, tits swaying and heaving. his eyes could only longingly stare right at your drenched cunt, the dim lighting of your bedroom making your slicked folds all the more appealing to his hungry mouth.
“gunna…. cum—“ he pants out so needily, his hips furiously bucking up to meet your white fisted shafting. and just as you feel the muscles in his cock strain in your hand, churning ropes of cum from his swollen balls— you stop. johnny groans aloud, his lonely cock left twitching angrily.
“fucks sake, lass. please, am fuckin’ beggin’ here—“ he groans once more, head resting against your shoulder as he lazily presses kisses to your neck.
“please.. let me cum, i’ve been so good— waitin’ like a good boy. tried tae wank earlier but it wasnae the same—“
his words are like music to your ears. his fingers creep between your thighs once more, eager to touch you. all the air in your lungs evaporate as his calloused fingertip gently swipes against your swollen clit, your hands raking through his mohawk with a tightened grip. “fuck, johnny—“ you sigh out, allowing him to touch you after so long. “such’a… good— good boy for me—“
“aye. please, i need tae fuck ye so badly, lass. please— need ye to ride me—“ johnny sighs out, his aching member throbbing against his abdomen as he lets his fingers dip into your cunt, almost succumbing to an orgasm at the sensation of your thick, warm juices just running so deep inside of you. you needed him just as badly as he needed you, and it was very evident in how you grabbed his wrist, your other hand pushing him onto his back.
how beautiful did johnny sound as you slowly sank down onto his girthy cock, tears in his eyes as your cunt fluttered against his sensitive tip. “oh, fuck— fuck,” he gasps out, his big hands gripping onto your hips as you began to bounce so greedily on him, obscene wet skin slapping against each other echoing around the four walls of your bedroom.
“mommy needed this so badly,” you splutter out, your voice hoarse with pleasure as you let johnny rut up into you, frantically panting like a mad man whilst he reaches to thumb at your clit. “such a good boy, yeah? fuck, gunna—!”
and just like that, johnny growls as he feels your cunt tighten against him. with a loud mewl, you throw your head back as you’re pushed past the precipice of a gut wrenching orgasm— trickles of squirt spreading out over his happy trail as johnny continues to buck his hips up into you.
“gunna cum— oh, fuck—“ he cries out, eyes clenched shut as thick ropes of cum spill up inside of you, a sigh of unbridled relief escaping his lips. oh, it felt so good to finally cum— never mind the fact that he got to cum inside of you. he swore he could see stars as he let you ride out your high on his pulsating shaft, sucking air through his teeth as you both fall silent.
“jesus christ,” johnny groans out after what feels like forever, gently patting your hip with a boyish grin. “i meant what i said, ye know. yer gunna be the death o’ me.” he chuckles, sitting upright as he presses a gentle kiss to your lips. with a content sigh, you lean close, allowing him to wrap his arms around you to draw you closer.
“loved yer dress, by the way. couldn’t keep ma hands off’ae ye. hell, couldn’t keep ma hands off maself after ye left.”
what a charmer.
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cowboywithacunt · 4 months
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CONTENT WARNING ;
This blog is an 18+ only kink/nsfw blog. I'm going to be posting explicit text and images. Please be aware that some of my kinks may be triggering to others! A full list of my kinks and limits are under the cut.
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TAKEN ANON EMOJIS ;
👁️, 🐶, 🫐, 🐰, 🦊, ☠️, 🐕, 🐈‍⬛, 🐾, 🦋, 🧸, 🥩, 💐, 🪲, 🐊, 🐺, 🇨🇦, 🤖, 🎲, 🦌, 🌙, 🐻, 🐦‍⬛, 🐻‍❄️, 🌀, 🗽, 🎉, 🪐, 💫, ✨, 🐹, 🐉, ☄️, 🌷, 🦕
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RULES BYF ;
🐄 DNI: Men DNI blogs, detrans/misgendering/trans fetishization blogs run by cis people, cishet men, weight loss/thinspo blogs, feederism blogs, MAPs, minors and ageless blogs
🐎 My asks and dms are open to anyone! Please respect my boundaries, and don't send me stuff that involves kinks I list as a limit. Also be aware that I might not always respond! Sometimes I just ain't got the energy, don't know what to say, am offline, or just aren't interested at the moment. I'm fine with sexting, pics, and roleplaying. Do not message me several more times if I don't respond to your first message.
🐄 I block liberally! It's nothing personal, just how I curate my experience. Please don't circumvent blocks for any reason.
🐎 Feel free to claim an emoji, but I will remove you from the claimed emojis list if you don't send anything for a long while. It's nothing personal, just a way of keeping organized! If you start sending asks again I'll put you right back on.
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INFO ABOUT ME ;
🐎 I'm Harvey! 22, transgender (FtM), he/him, bisexual, country boy who's learned to embrace it as a thing people are into lol. Currently living on the west coast, originally from Georgia. I'm fat and hairy and masc, take it or leave it. 5'5". Deer boy tbh 🦌
🐄 I'm strictly masc, have been on T for about 4 years, and I got top surgery done last summer. I don't have bottom surgery, and probably never will.
🐎 I'm happy to be a dom or sub for any and all genders! I enjoy both roles equally. Same goes for topping and bottoming. I'm about as versatile as a guy can get!
🐄 Asks and dms are open to anyone who's interested!
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KINKS, FETISHES, ETC ;
🐎 Humiliation and degradation; includes exhibitionism, voyeurism, pet play, free use, and force fem/masc.
🐎 CNC; includes rape play, dubcon, somnophilia, intoxication, primal play, and kidnapping.
🐄 Fauxcest; may include some ageplay elements, such as MILFs/DILFs, cougars, etc.
🐄 Monster fucking; werewolves, vampires, tentacles, you get the picture. May include non-human genitalia references.
🐎 BDSM; mostly pertains to bondage, but some light impact play might also be present. Nothing beyond spanking or slapping!
🐄 Overstimulation and understimulation; too many orgasms and not enough orgasms. Edging included in this.
🐄 Misc; wilderness sex, cowboys/rednecks, putting city assholes in their place, T4T, bears, butches, sex toys, fighting for dominance, light gun/knife play, medical settings, older men/women, trans supremacy, furries, leather. Open to trying new things!
🐎 Breeding; specifically in terms of big messy creampies and crazy wild sex, not pregnancy.
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🐎 I do not tag any of these on reblogs! If you genuinely cannot stomach one or more of these things, just do your mental health a favor and don't follow me. Keep yourself safe!
🐄 Please keep in mind that all fantasies I post about are in the context of consensual roleplay between adults.
LIMITS ;
🐎 Heavy blood, gore, death, necrophilia.
🐄 Scat, watersports, emetophilia. Very light omorashi stuff is fine, but not preferred.
🐎 Detrans, misgendering.
🐄 Choking, beating.
🐎 DDLG and similar kinks that focus on infantalization.
🐄 Race play; if someone wants to call me a stupid little white boy or something, that's fine, but anything even edging towards white supremacy isn't cool with me
🐎 It's okay if you're into the above things! I won't yuck somebody's yum. You can follow and interact. Just please don't send me asks or dms involving those kinks, and be aware that I may not follow back if you post a lot of one of these.
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TERMINOLOGY FOR ME I'M OKAY WITH ;
🐎 Sir, mister, bitch, faggot, whore, slut, masc terms, sweetheart, darling, buck
🐄 Dick, cock, t-dick, clit, cunt, pussy, chest, hole(s)
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TERMINOLOGY FOR ME I'M NOT OKAY WITH ;
🐎 Daddy, puppy, fem terms
🐄 Tits, boobs, vagina, front hole
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If you're not sure about something, just ask! I don't bite!
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ellieluvr420 · 8 months
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You’re Mine (Ellie x reader angst one shot)
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DEALER ELLIE SUPREMACY!!!!!! 🧎🏻‍♀️🧎🏻‍♀️🧎🏻‍♀️
It was silent, neither of you moved or spoke, your eyes were fixed on each other, neither of you daring to look away. Your eyes were glassy and bloodshot and hers were cold and dark, your nose was sore and running as you sniffled holding the tears in your eyes that were begging to be let free. You didn't understand how a girl that shows you as much love as she does could hurt you so bad.
disclaimer: I am in fact british and I've tried to use american vocab in we meet again, darling because I imagined the story set in a US city (NYC in my mind but i left it blank so people could imagine whatever city they wanted but i digress) and i did not enjoy doing that bc ik i still make mistakes and i think it looks goofy so one shots and headcanons and stuff will probs be set in britain, sorry if that is a bit annoying <3
You and Ellie had went to a party at a friend's flat, you had dressed up nice and Ellie had admired you while licking her lips as you got ready.
"You look unreal babe."
"Thank you. Want me to do your makeup after?"
"Yeah but don't blind me this time."
"I didn't fucking blind you, you blinked it into your eyeball, who blinks without warning when you're doing mascara?"
"Someone that blinks normally." You scoff at her and go back to getting ready ignoring her victorious smirk in the mirror.
As you arrived at the party you were both in a great mood, you're immediately greeted by some friends as you walk in and Ellie kisses you on the cheek and takes her leave to go set up on the sofa. Immediately she's swarmed by people looking to get their fix, some wanted weed, some wanted blow, she always had a variety when she went to a party and you can't help the hot feeling in your core as you take in her sitting there, legs comfortably spread with a cigarette hanging from her lips. She had dark grey baggy jeans on, with a black t-shirt that poked out from her hoodie that matched the colour of her jeans, her black converse poke out from the jeans and you never aren't amazed at the state of them, you bought matching converse together and you're both wearing them tonight but they look like entirely different shoes. Her silver chain with a charm that's the first letter of your name is laid on top of her hoodie and the view makes you swoon. Her auburn shaggy hair cut is concealed mostly by her small black beanie, you had played with the hair on show at the back of her neck on the way here, you always loved when she wore a beanie, something about it was just so hot to you.
You had been dancing for hours and chatting when Ellie grabs you and drags you away from your conversation.
“Come on, we’re leaving.”
“Is everything okay?” She doesn’t answer she just continues dragging you out of the flat, she doesn’t release her tight grip on your arm until you’re walking through the door of your shared home. There was a red mark where her hand was and you watched as she froze when she saw the mark.
“Babe what’s going on? Did something happen with a deal?” She chuckles, it’s dark and full of mockery.
“You just don’t fucking get it do you? Are you really this stupid or are you just an attention whore?”
“Excuse me?” Your ears rang as her words hit you, you felt a stabbing pain in your chest as tears pricked behind your eyes begging to release, you couldn’t give her the satisfaction so you chewed on your bottom lip and blinked away the tears while you attempted to swallow the lump in your throat. “What the fuck are you talking about Ellie?”
“You! Fucking parading yourself everywhere and if that wasn’t enough you had to fucking hump Lucy right in front of my fucking face.” She yelled as she walked closer to you, you walked backwards trying to keep some space but as your back hit the wall she closed in on you. “Do you need me to remind you who you belong to hm?”
“Fuck off Ellie.” You push her off of you with every ounce of strength as the dam breaks and the tears begin to flow down your cheeks, you storm away to your shared bedroom with a delusional hope that she wouldn’t follow. You slam the door behind you only for it to immediately be slammed open again, the door smashes into the wall and you stay frozen with your back turned away from her.
“Fuck off Ellie? seriously that’s all you have to say? How about I’m fucking sorry.”
You spin to face her at her statement. “I’M SORRY? I have nothing to be sorry for Ellie. I did nothing wrong.”
“Bullshit.”
“Fine Ellie, tell me exactly what I did wrong then.” Your voice comes out nasally and choked as the tears don’t falter in their pace as they race down your cheeks. You meet her eyes and the look of contempt only makes you sob more.
“You put on that skimpy outfit you know will get you attention then we go to the party and instead of coming to see me and sit with me and make it known that you’re mine, you literally speak to every single other person at the party. You were all over everyone, I’m sure they were embarrassed for you because I fucking was. No wonder you feel like they don’t like you as much anymore, they probably don’t. Oh and just to top it off you then danced with Lucy right in front of me giving me a front row seat to her wandering hands and you being all over it. You’re fucking out of order.”
You scoff at her, you’re genuinely stunned at how she could be so horrible. Ellie had never been like this with you, you were speechless.
“Yeah exactly now you’ve got nothing to say. If you’re gonna be a slut at least own it.”
“What the fuck did you just call me?” The tears had stopped, you weren’t upset anymore you were furious, a red film was over your vision as you stomped over to her until your faces were inches away from each other. “Go on. Say it again.”
“I said you’re an attention-seeking slut.” She spat the words out with a venom and a switch flipped in your head. You didn’t speak you just started walking around the room throwing all your essentials into the first bag you could find. She watches while still for a second but as she realises you’re packing she rushes to start taking all the things out of your bag.
“Don’t Ellie. I don’t want to speak to you right now. Leave me alone.”
“No, you’re not leaving.”
“I’ll do whatever the fuck I want.” She keeps removing the things that you’re packing from your bag until you huff and give up going to look for your car keys. “You can’t drive anywhere, you’re drunk.” You hated to admit she was right in the moment but you knew it wasn’t worth the risk.
“Then I’ll get an uber.” You start searching for your phone until you turn to see Ellie holding it in her hand. You storm over to her but she holds it above your head so you can’t reach. “Ellie give it back I’m serious.”
“I said you aren’t leaving.” The tears begin again as you feel helpless.
“Why do you fucking care? I’m just a slut right, not your girlfriend of three fucking years.”
It’s quiet as you both stand processing everything that’s been said, tears are streaming down your face but you don’t feel like you’re crying anymore. Ellie stands shifting her weight from one side of her body to the other as she fidgets with her fingers. She looks up at you and her heart breaks knowing she’s the reason you’re so upset after having such a good night.
“Why didn’t you come and see me all night? You always come and sit with me while I do my deals at least for a little bit and you didn’t. I rolled us a pink spliff to smoke together and you barely even came near me until you started grinding up against Lucy.” Her voice is soft and quiet, she sounds ashamed of herself because she is, she’s ashamed that she’s let her insecurities cause her to be horrible to the best person in her life, she felt sick with herself, she caught a glimpse of herself in the mirror hanging on the wall of the living room and all she saw looking back at her was a monster.
“Ellie if you wanted to spend time with me you could’ve come and got me. You know I always want to spend time with you, I hadn’t seen loads of those people for ages so I was just catching up. But if you wanted me to come sit all you had to do was come get me and you know I would’ve sat with you until we left. I was dancing with Lucy my straight best friend of 12 years for fucks sake. If something was going on there it would’ve happened already.”
“You sure it hasn’t?” Ellie knows it hasn’t, she knows you would never do that. But her brain isn’t connected to her mouth anymore, her jealousy is the only thing controlling her actions right now, she feels like she’s watching a horrible film where the main character does the opposite of the right thing at every turn.
“You are unbelievable. I have been nothing but a loyal and loving girlfriend to you, I do not deserve this and I don’t have to prove anything to you but seeing as I have nothing to hide, my phone is in your hand. Go on Ellie, if you don’t trust me, go through my phone and prove yourself wrong.” She looks down at the phone but doesn’t make a move to unlock it. Her stillness only ignites the fire of your rage more. “Go on! You know the password, it’s your birthday! So go on Ellie, admit you don’t trust me and go through my phone.”
She stays in her place looking at your phone until she sighs and holds it out to you. “Of course I trust you. You just- you don’t notice how many people’s eyes are on you wherever we go, and it’s never bothered me, I love it, I love that you’re as beautiful as you are, I’m proud to be next to you but when we were at that party all I could see were people trying to take you from me and when I looked at you all I could see was you leaving me.” She sniffles and you see a single tear run down her face that she wipes away as soon as she can. You take your phone from her hand and throw it down onto the sofa next to you before walking to stand right in front of her. She avoids your eyes but you gently nudge her chin so she looks at you.
“Ellie, no one else could ever make me leave you. I love you, you are my world, my heart beats for you Ellie, it has since the day I met you. What will drive me away is if you take out your insecurities and jealousy on me instead of talking to me about it. I won’t stay around to be treated like this. I am better than this and I deserve better than this, I will help you work through this but not if you’re going to do this again.” It was like what you said was the end of the world as she immediately broke down into sobs, the sight stopped you in your tracks as Ellie never cried. You moved slowly like you were handling a bomb as you cupped her cheeks, your hands had barely touched her face before she was pulling you into a bone-crushing hug as she continued crying into your shoulder. You stroked her hair gently and let her cry until she calmed down enough to sniffle and take a deep breath.
“I’m sorry, please don’t leave me. I’ll fix it, I won’t get jealous anymore I swear I’m sorry.” She mutters into your shoulder as she cries more, her grip on you tightened almost like she was physically trying to stop you from going anywhere. You wrapped your arms around her neck and cuddle into her more as you walk backwards toward the sofa pulling her down on top of you.
“I’m not going to leave you and we can work on this together, you’re allowed to get jealous but you need to be able to discuss it with me instead of attacking me. I’m sorry for making you feel forgotten, I had no intention of doing that but I’m sorry that I made you feel that way anyway. I love you Ellie and you are the most beautiful person I have ever met, I am so lucky to have you I would never want anyone over you.”
She looks up at you and presses a light kiss to your lips, so sweet it almost rids your lips from the salty remnants of your tears. “I love you more. Thank you for being so good to me.” She doesn’t seem entirely convinced by your description of her but she appreciates the reassurance more than she can explain.
You wrap your legs around her waist and squeeze her so tight you hear a choked groan leave her lips involuntarily. You make eye contact that neither of you break as you brush your knuckles over her cheek.
“I really am sorry. You know I didn’t mean anything I said, I’m sorry, please forgive me.”
“I do El. But it won’t happen again.”
“Never.” You share a timid kiss and she lays her head down on your chest to listen to your heartbeat, it had always soothed her, she feels herself calming and sinking into you until she looks up to see you already looking down at her with a devious smirk. “What’s up babe?”
“You still got that pink spliff from earlier?”
“I love you so much.”
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the-himawari · 23 days
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A3! Usui Masumi - Translation [SR] The King Who Holds Supremacy (1/2)
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*Please read disclaimer on blog; default name set as Izumi
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Izumi: (I’ve reached a stopping point in my work, so I’ll go ahead and take a break.)
Kazunari: Ah. Here you are, Director-chan!
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Izumi: Hey, what’s up?
Kazunari: Alright, hear me out. Are you interested in an Alice collab café?
Izumi: An Alice collab café?
Kazunari: There’s a café that changes its concept every month and I hear this month is gonna be Alice in Wonderland… lookie, it’s the shop on this site!
Izumi: Ah, I might’ve passed by it the other day. It looks like a cute space with fairytale vibes.
Kazunari: The thing is, I got these café tickets from a friend of mine but I can’t make it ‘cause of work… If you’re free then you should go, Director-chan!
Izumi: Are you sure? Thanks.
Kazunari: Btw, they’re pair tickets so feel free to invite someone else! Ah, shoot. My remote meeting’s about to start. ‘Kay. Catch ya later, Director-chan~!
*leaves*
Izumi: (And he’s gone… Kazunari-kun sure is busy.) (Pair tickets, huh… who should I reach out to…) … (Well, if it’s Alice, then it’s gotta be…)
-pause-
Masumi: Zzz, zzz…
Tsuzuru: Are you still sleeping, Masumi?
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Mazumi: Zzz…
Tsuzuru: Geez… I’m going out, alright?
*door closes*
Masumi: … (Tsuzuru’s going out, so I’ll get back to my nap—)
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*knock, knock*
Masumi: …
*knock, knock*
Masumi: …*Sigh*.
*opens door*
Masumi: Who the—.
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Izumi: Ah, Masumi-kun. I’m sorry, were you sleeping?
Masumi: Director…!?
Izumi: Now’s not a good time… is it? It looks like I caught you at a bad time, so I’ll come back again later…
Masumi: It’s fine. Totally.
Izumi: I got tickets to an Alice in Wonderland café from Kazunari-kun. If you don’t mind, would you like to go together?
Masumi: I’ll go. Even if I have plans, I’ll make time.
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Izumi: Yeaah, I'd like for you to prioritize your plans… But that’s great if you’ll come with me. Thank you.
Masumi: No, thank you for inviting me. I’ll definitely go with you no matter what.
Izumi: Ahaha… I’m looking forward to it then.
-pause-
Shop clerk: Thank you very much~.
Izumi: The food was delicious and the decorations inside were so elaborate. It was fun just looking around.
Masumi: For me, it was more fun looking at you.
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Izumi: Huh? The roses made out of playing cards were so cute though. I bet those are hard to make, huh~?
Masumi: …
---
| next
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fettuccin-e · 1 year
Text
The Devil In Me
Kinktober Day 8: Rough Sex
Tags: Matt Murdock x Reader, afab!fem!reader, unprotected piv (pls wrap it irl guys dont be dumb), rough sex, degradation, slight sadism/masochism, black suit supremacy, matt is kind of violent but thats rlly just who he is yknow (w/c: 1.6K)
A/N: so like even though most of my shit has rough sex this is like a little rougher than i usually write. but theres fluff at the end because i literally cannot help myself lol (I have been using prompts from this list by flightlessangelwings!)
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When Matt comes home to you bloodied and battered, fists curled at his sides and jaw clenched, you aren’t afraid. He’s dangerous right now, a man at the end of a wire, teetering dangerously over the edge of insanity.
He’s been pushed and pushed, the devil within him restless and feral. You know that he’s still the man you love; he’s the same Matty that cooks your favorite foods and listens to audiobooks with you and takes you for walks through Central Park.
You love Matt, and the devil that lives within him. To love him is to accept them both, and you do, without hesitation.
So when he stalks toward you, every inch of him dangerous and volatile, you don’t flinch away. You smooth your hands over his scratchy cheeks, thumbing gently over his lips. Soothing an animal. He brings his hands up to grab your wrists, holding them still against his face. He’s practically vibrating with unshed energy, aching to be set free.
“Need you, please,” he rasps, his voice quiet and rough. It’s more of a question than anything else, you know it is.  He always asks, never wants to hurt you. You know that if you were to say no, he’d simply kiss your forehead. He’d tell you he loves you, like he always does, and would go out again. Distancing you from the devil. You’ve never considered saying no, after years of being beside him. These nights are for you as much as they’re for him. They’re brutal, sometimes painful, but you crave them, crave him.
“Yes,” you whisper back to him, and that’s all the confirmation he needs. He growls, and his hands move to grip your hips, hard enough to bruise. They likely will, and later, Matt will kiss them, murmuring little apologies. You’ll giggle at him, telling him that he shouldn’t apologize. You’ll press on them while staring at the mirror, relishing in the soft ache.
Matt kisses you hard, all teeth and spit and tongue, before turning you until your back presses flush against his chest. You let your head lay back against his shoulder as one of his hands snakes down your stomach and under your panties. He cups your pussy without any finesse, his hands rough and calloused against you. 
“So fucking wet,” he grunts, and you whine as his hands part your cunt to run a thick finger over your clit. Your hips jerk forward, chasing his touch, but Matt uses his other hands to shove your hips back against him again. You can feel the thickness of his cock through his clothes, pressing against your ass. Against your better judgment, you grind back against him. Testing, teasing. Something you should never do with a caged animal.
“Fucking-” he chokes out, sounding almost angry. “Bend over for me. Now.” You nearly trip over your own feet in your rush to get to the couch. You can feel how soaked you are, your pussy slick and ruining your panties. You slide them off, but as you reach to take off your sleeping shirt, an old Fogwell’s tee from Matt’s dresser, the devil is already upon you. 
“I said,” he murmurs, “bend over.” He grips your shoulders, shoving them over the back of the couch until you brace yourself with your hands on the cushions. The edge of the couch digs into your lower stomach, but you can barely feel it, your anticipation clouding your senses. Matt smooths a rough hand over your ass, you barely have a moment to breathe before he’s landing a rough smack against you. Pain radiates through you, and you can feel yourself leaking for him. You choke out a soft moan at the impact, and shake minutely as Matt chuckles darkly.
“Fucking slut. You like getting hit? Fuck, you’re soaked, you love it, baby. I know you do. I can fucking smell it.” You whine as Matt leans over you, his lips brushing against your ear. “You can’t run from me, sweetheart,” he whispers, and you swear that you could pass out from the mixture of anticipation and pure lust running through your veins. 
You can hear the rustle of fabric behind you; the undoing of a belt, the sound of a zipper. Your hips twitch minutely when you feel Matt’s hard cock press against you, sliding against your sensitive pussy. The thick head notches against your entrance, and suddenly, Matt is pushing in, in, strong and unyielding. The stretch borders on painful without any prep; Matt is big on a normal day, but he feels even bigger tonight, bullying into your clenching cunt without remorse.
“So fucking tight, shit,” he mutters behind you, and you can only whine in response. He doesn’t give you a moment to adjust, not like he usually does. He uses you, taking and taking without remorse, desperate for it. He pulls out roughly before plunging back in, making you feel every thick inch of him. He works himself in and out of your sopping pussy, clothed hips slapping against your bare skin, chafing it raw and red and aching. Your hips jerk with every unrelenting thrust, barely able to take it as Matt takes you like a fucking toy.
“Yeah, fucking take it. You little slut, my fucking slut. I own you, I own this fucking pussy, you hear me?”
“Yes, yes, God Matt, fuck, I’m yours. I’m yours, baby,” you slur out. You feel hazy, your vision blurry as Matt fucks you. He can barely ever miss the most sensitive part of your pussy in this position. His cockhead jams into your sweet spot again and again, unrelenting and nearly painful with how much pleasure rockets up your spine. One of his hands presses against the small of your back while the other reaches up to wrap his arm around your neck. He pulls you up, your hands leaving the couch cushions. You have no other choice but to grip onto the forearm pressing into your neck as Matt forces you to arch into the air. 
Matt’s thrusts get deeper, pulling out less and less, until he's simply humping into your cunt like an animal. Choked out whines of “Matt, yes, yes, fuck, oh my God, Matt,” escape unbidden from your throat.
“That’s right, sweetheart. I’m your God right now. I’m the only one who can fuck this pussy, I’m the only one that knows how much of a whore you are.” Matt’s voice is raspy, overwhelmed and absolutely primal. You nearly scream as the hand Matt has on your stomach snakes down to toy with your throbbing clit. “I’m the only one,” he mutters, “who can make you cum. Right?”
“Yes, Matt, yes, please, please make me cum.”
“Fucking cum, slut. Cum for your God.”
You really do scream as Matt pinches your clit, rough and painful, and suddenly, you’re clenching hard around his cock, your nails digging harshly into his forearm. Matt fucks relentlessly into your pussy as you ride out your orgasm, his thick cock bullying you open, breaking you apart. Your orgasm wanes, but Matt just keeps driving himself in. You’re sensitive, so sensitive; your pussy feels used and achy, but Matt just keeps going. Little tears are starting to leak down your cheeks, and fuck, Matt isn’t stopping. He isn’t stopping, isn’t slowing down.
“Matt, I’m so- I’m so sensitive, baby, you gotta-” you slur, but Matt cuts you off with a swift smack to your over-sensitive clit, your body trembling with the pleasure-pain of it all.
“I don’t have to do anything, you got that? You said I could take you, and I fucking will.” His cock keeps jamming into your pussy, and you can feel your wetness sliding down your shaking thighs. They try to clench themselves closed subconsciously, trying to run from Matt’s onslaught, but it’s a fruitless battle.
You can feel another orgasm building in your stomach, the knot within you clenching tighter and tighter. Matt chuckles from behind you, mocking you as your cheeks burn and your eyes roll to the back of your head.
“Can feel this fucking pussy clenching again. You really gonna cum again, sweetheart? Even when you’re trying to run, you’re still a fucking whore. I always give this pretty pussy exactly what she needs, right sweetheart? God, she’s sucking me in, like you don’t want me to leave, baby.” Matt’s fingers are still pressed against your achy clit, his thrusts shifting his fingers maddeningly up and down. You’re going to cum, you’re going to fucking cum.
“Give it to me, gorgeous,” Matt growls, and he lifts his hand away from your clit just to slap it back down again, sending stinging, glorious lightning straight up your spine.
You have the briefest thought about the unlikelihood of your survival before you’re screaming all over again, your pussy clenching like a vice. It’s nearly painful, your orgasm. You feel like you’ve been ripped apart, destroyed by Matt’s touch. 
Your chest is heaving, shaking, as Matt’s hips begin to stutter in their thrusts.
“Fuck, fuck this pussy’s so fucking good. So fucking tight, ah-” Matt groans, loud and unabashed as he presses himself as deep as he can into your cunt, filling you with his thick cum. You’re weightless, held steady only by Matt and his strong arms. He slips out of you, and you whimper softly at the feeling of his cum running down your slick, ruined pussy.
You barely feel it when Matt turns you in his arms, lifting you into the air to carry you into your shared bedroom. The silk sheets are comforting and cool on your overheated body as Matt lays you gently onto them. He lays next to you, wrapping his arms around you and pulling you close. You can hear him vaguely, like you're underwater, cooing about how you are are, how perfect. You breathe against his warm, strong chest, relishing in the closeness.
“Thank you, sweetheart,” Matt murmurs into the quiet of the room, and you press a kiss to his skin.
“Mhm,” you mumble. “Love my Matty, love my Devil too.”
“Yeah?”
“Yeah,” you sigh, nuzzling into his chest.
“Well,” Matt whispers, “If I’m your devil, you’re my angel, sweet girl.”
“Hm.” You say. You can already feel yourself drifting off, safe and warm and loved. “Yeah, I guess I am.”
“I know you are.”
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the-milk-monarch · 9 months
Note
Hello! I just want ya to know that u are my favorite writer for tdi in all honesty. I love how thought out your work is and how detailed it is. I saw that you wrote for Cody If so, could you possibly write a thing about how they would act if the reader was Chris’s favorite intern, and would sneak free gifts to help them in challenges (not that big just little small things) like a sweater for when they are somewhere cold, or a cookie if chefs cooking was bad. Could they also be confident and funny? (Strong reader supremacy).
I know you have a lot on your plate, it’s ok to deny or take as long as you need. Feel free to use this idea for other charecters :)
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I love this gif
☣ Aw that's so sweet to hear, tysm!! I never thought anyone would enjoy my writing so much so that's really lovely to hear 🫶 I try my best to write well thought out stuff bc I honestly enjoy thinking about it lol
[𝙲𝙷𝚁𝙸𝚂'𝚂 𝙵𝙰𝚅𝙾𝚁𝙸𝚃𝙴 𝙸𝙽𝚃𝙴𝚁𝙽 𝚂/𝙾]
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Summary: Reader gives Cody their jacket at Yukon + general headcanons. ☢︎ | Total Drama | ~1k words | gender-neutral reader ♡ | Cody ⚠ | haven't rewatched the episode so I'm only writing the episode as I remembered it with the help of the wiki lol
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[𝙲𝚘𝚍𝚢]
⚠︎ | setting: Total Drama: World Tour
Cody really likes being around you.
You emit energy that just gives him that daily boost.
Whether it's your confidence and lightheartedness or a good joke, he usually has a smile while hanging around you.
He also likes to join in on playing the comedian with you if he feels creative, so you're a fun duo!
He's curious why Chris likes you so much.
I mean, he can see why, you're like, the best person ever to be around, (in his opinion) but still.
And you're kind enough to share anything extra with him!
You got him by a surprise when it first happened, as at the time you were friendly, but only briefly spoke to each other.
Next on the trip list was "Yukon". You knew it was gonna be cold. But being the TV host's favorite intern wasn't that bad, you knew you were probably gonna get decent clothing. As you expected, the temperature was freezing. But of course, Chris couldn't be cold, so he got himself a cozy and stylish jacket. You and Chef also got the blessing of getting something warm to wear, unlike the rest of the campers. You felt some hope after Chris announced that he ordered the jackets for the others, but it quickly washed away when you heard his response to Heather that "they should arrive in six to eight weeks". You sighed, but ultimately you were helpless to do anything. You took a liking to Cody, he was fun to be around and you thought his "tough man" was both entertaining and kinda sweet. I mean, at least he tried, right? You started talking in the short moments when you both had a break and a chance to interact with someone in between the challenges. You never went out of your way to help anyone as it was technically cheating, but you felt like you had to do something when you saw Cody freezing after he fell into the cold water and Sierra had to rescue him. You saw her throw him on the land from the floating ice block, thinking he's somewhat safe now, until you heard the abrupt sound of him hitting the nearby mountains which made you cringe from the secondhand pain. Once the camera focused on the other contestants trying to make it through the challenge, you sneakily approached Cody, who was visibly shaking while laying on his back and processing what just happened. "Oof- Dude, you alright?" You hovered above him with a concerned look on your face. "Y-Y/N?" He managed to stutter out while the cold tried to shut up him up. You offered him a hand so he could get up, to which he accepted with a shaking grip. Without a word, you gave him the only thing you had on you, your jacket. "T-That's for me?" He asked, a bit in disbelief for your kind act. "Of course, I can't let you freeze to death." You quickly explained with a smile on your face. "But what about you?" He questioned once more, seeing as you had nothing else to put on. "Hey, I haven't fallen into the freezing water, did I?" You pointed out, although you appreciated him worrying about you as well. "R-Right." He flashed a shaky smile and extended his hand as you passed him the clothing item. "T-Thank you." He tried to keep his teeth from grinding, which stopped as soon as he put it on. The cold was still biting your ass, but at least you felt good knowing he wasn't about to die anymore. Cody started to feel a bit awkward seeing you start to shake, though. "Hey- now that you're the one being cold, I feel kinda selfish here." He admitted, halfly-joking. You took a second before responding. "Well- There's always an option with huddling for warmth" You responded, also halfly-serious. You didn't mind close contact and free warmth, so you hoped Cody wouldn't either. "Unless you got cold feet." You heard a slight chuckle come out of his lips after your words. "Okay. But only to break the ice." He put on a grin which showed his goofy tooth gap. He was pleasantly surprised with the amount of casualness from you, but also a bit lost on how to act, so he resorted to lightning up the mood as well. You reciprocated the giggle and stepped closer, feeling his body against yours. He hesitated a little, but finally embraced you into his arms. "Don't let Sierra see you though, you might make some enemies with her after that." He warned you only slightly serious about it.
Cody was far more casual and friendly with you after that one kind gesture.
And with time, he began to see you as legit one of the closest people he got to meet on the show.
But the thing that made him enamored in you was when you got to his heart through his stomach.
You knew that the teams had to endure Chef's horrible cooking each time they lost, and you were glad when you didn't have to worry about the food being a probable cause of your death when Chris gave you your share of the meals. So, naturally you also wanted to grant that opportunity to your close acquaintance as well. Per usual, you approached Cody after you had a moment to yourself. "Hey Codemeister, what's up?" He turned his head towards you as he heard the familiar tone of your voice. "Y/N, hey!" His face lighted up and he straightened his back to properly look at you while sitting on the crappy, wooden seat, "Had your dinner already?" You asked casually, sitting next to him. "If that's what you call it- yeah." He cringed at the economy class food. "Why?" "Well, I just had this cookie that i conveniently kept for you, so..." You slightly teased as your hand slowly got the packaged, delicious goods out of your pocket. "What, dude, no way!" He gasped slightly as he saw the cookie in it's glory. "It's mine?" "Yeah." You nodded with a smile, already happy about his excited reaction. "You're amazing!" He attacked you with a hug without thinking twice. You felt Sierra staring daggers at you.
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thebrickinbrick · 4 months
Text
Jean Valjean Takes His Revenge
When Jean Valjean was left alone with Javert, he untied the rope which fastened the prisoner across the middle of the body, and the knot of which was under the table. After this he made him a sign to rise.
Javert obeyed with that indefinable smile in which the supremacy of enchained authority is condensed.
Jean Valjean took Javert by the martingale, as one would take a beast of burden by the breast-band, and, dragging the latter after him, emerged from the wine-shop slowly, because Javert, with his impeded limbs, could take only very short steps.
Jean Valjean had the pistol in his hand.
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In this manner they crossed the inner trapezium of the barricade. The insurgents, all intent on the attack, which was imminent, had their backs turned to these two.
Marius alone, stationed on one side, at the extreme left of the barricade, saw them pass. This group of victim and executioner was illuminated by the sepulchral light which he bore in his own soul.
Jean Valjean with some difficulty, but without relaxing his hold for a single instant, made Javert, pinioned as he was, scale the little entrenchment in the Mondétour lane.
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When they had crossed this barrier, they found themselves alone in the lane. No one saw them. Among the heap they could distinguish a livid face, streaming hair, a pierced hand and the half nude breast of a woman. It was Éponine. The corner of the houses hid them from the insurgents. The corpses carried away from the barricade formed a terrible pile a few paces distant.
Javert gazed askance at this body, and, profoundly calm, said in a low tone:
“It strikes me that I know that girl.”
Then he turned to Jean Valjean.
Jean Valjean thrust the pistol under his arm and fixed on Javert a look which it required no words to interpret: “Javert, it is I.”
Javert replied:
“Take your revenge.”
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Jean Valjean drew from his pocket a knife, and opened it.
“A clasp-knife!” exclaimed Javert, “you are right. That suits you better.”
Jean Valjean cut the martingale which Javert had about his neck, then he cut the cords on his wrists, then, stooping down, he cut the cord on his feet; and, straightening himself up, he said to him:
“You are free.”
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Javert was not easily astonished. Still, master of himself though he was, he could not repress a start. He remained open-mouthed and motionless.
Jean Valjean continued:
“I do not think that I shall escape from this place. But if, by chance, I do, I live, under the name of Fauchelevent, in the Rue de l’Homme Armé, No. 7.”
Javert snarled like a tiger, which made him half open one corner of his mouth, and he muttered between his teeth:
“Have a care.”
“Go,” said Jean Valjean.
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Javert began again:
“Thou saidst Fauchelevent, Rue de l’Homme Armé?”
“Number 7.”
Javert repeated in a low voice:—“Number 7.”
He buttoned up his coat once more, resumed the military stiffness between his shoulders, made a half turn, folded his arms and, supporting his chin on one of his hands, he set out in the direction of the Halles. Jean Valjean followed him with his eyes:
A few minutes later, Javert turned round and shouted to Jean Valjean:
“You annoy me. Kill me, rather.”
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Javert himself did not notice that he no longer addressed Jean Valjean as “thou.”
“Be off with you,” said Jean Valjean.
Javert retreated slowly. A moment later he turned the corner of the Rue des Prêcheurs.
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When Javert had disappeared, Jean Valjean fired his pistol in the air.
Then he returned to the barricade and said:
“It is done.”
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In the meanwhile, this is what had taken place.
Marius, more intent on the outside than on the interior, had not, up to that time, taken a good look at the pinioned spy in the dark background of the tap-room.
When he beheld him in broad daylight, striding over the barricade in order to proceed to his death, he recognized him. Something suddenly recurred to his mind. He recalled the inspector of the Rue de Pontoise, and the two pistols which the latter had handed to him and which he, Marius, had used in this very barricade, and not only did he recall his face, but his name as well.
This recollection was misty and troubled, however, like all his ideas.
It was not an affirmation that he made, but a question which he put to himself:
“Is not that the inspector of police who told me that his name was Javert?”
Perhaps there was still time to intervene in behalf of that man. But, in the first place, he must know whether this was Javert.
Marius called to Enjolras, who had just stationed himself at the other extremity of the barricade:
“Enjolras!”
“What?”
“What is the name of yonder man?”
“What man?”
“The police agent. Do you know his name?”
“Of course. He told us.”
“What is it?”
“Javert.”
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Marius sprang to his feet.
At that moment, they heard the report of the pistol.
Jean Valjean reappeared and cried: “It is done.”
A gloomy chill traversed Marius’ heart.
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goth-pod · 8 months
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Goth-Pod Ep 6: Bruce Wayne
Welcome back to goth pod! Come with Juda Boone to start the discussion on Gotham's most well-known name.
[goth-pod is a fictional in-universe podcast based on the DC comics universe. Juda Boone is an original fictional character, not based on any real person or known comic book character.]
Transcript under the cut
Hello everyone and welcome back to Goth-Pod! Your Gotham based podcast. You're listening to cape supremacy believer and host, Juda Boone.
Gotham, we have a problem. A problem that we have let run loose and unaccounted for for far too long. 
That Problem? Bruce Wayne. 
I know I said I wasn’t going to explain who Bruce Wayne is, but the man has been running rampant in our fair city and I finally feel the need to speak my peace. 
Did you know that Bruce Wayne gives a major portion of Wayne Enterprise profits to local charities? Actually- he’s responsible for all the major renovations and expansions of the children's hospital for the past decade. 
I mean, I can’t believe no one is talking about how ridiculous that is. He could obviously be putting that money to better use elsewhere. Like a private jet. 
Or maybe- maybe he should lose his ludicrous petitioning for keeping the City park clean and instead fashion a huge W-shaped building over it. 
It’s just hard, as a Gotham citizen, to see this man be so annoyingly good at being a Father. Doesn't he know that there is a very lonely office that he should be attending to? Keeping vulnerable children out of the vulturous media is truly just inconsiderate to his many raving fans.
I’m concerned about what sort of precedents this could set for other people in his position. Celebrities, CEO’s, Billionaires- with a B. They might start getting ideas to act as people and treat others as people should Wayne continue this kind of behavior!
Free Resources for the Gotham community, healthcare and livable wages for his employees? Who does this man think he is? 
And I want to say that this is not coming from a completely outsider perspective. My family has been personally effected by this. My uncle used to be at an entry-level position at Wayne Enterprises. And thanks to W.E’s scholarship program for all employees, he was able to go back to school with a full ride. 
Gotham City, with it’s grime and criminal underground and villains, shouldn’t have Bruce Wayne.
But we do. And if it wasn’t obvious, I have been sarcastic for most of this episode.
Bruce Wayne, behind the glitz, is someone who cares deeply about the city. I don’t feel entirely comfortable pointing at a rich man and going “Don't worry, he's one of the good ones!” Which is probably why I formatted this episode the way I did. 
Bruce Wayne isn’t the “Prince” of Gotham for nothing. Now, I feel like there's an old adage about.. Heroes.. And what they may or may not wear.. Huh, I can't think of it right now. Let me know if you guys remember it. 
Thanks for joining. I’m Juda and you’re listening to Goth-Pod. Until next time, stay safe, Gotham.
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alpaca-clouds · 2 months
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Actually, Solarpunk Is Very Punk
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So, let's once again talk about why Solarpunk is in fact very, very punk in its core - even though, of course, a lot of people do not really embrace the punk aspect and rather engage in something I would call Solarcore. Still: Both the genre and the movement (and yes, it is a movement) are quite punk in its core. The people who claim otherwise either don't know jackshit about Solarpunk, or they don't know what punk means.
Let me quickly get out my nice punk definition from this punk-genre overview.
[Punk ideology] is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, anti-consumerism, anti-corporatism, anti-war, imperialism, conservatism, anti-globalization, gentrification, anti-racism, anti-sexism, class and classism, gender equality, racial equality, eugenics, animal rights, free-thought and non-conformity
Solarpunk, surprise, is concerned with exactly those things. At the very core it is concerned especially with environmentalism, anti-colonialism, anti-consumerism, and general ideas of equality. Many among the community are also very concerned about animal rights.
If you have a look into the Solarpunk Manifesto - the document that very much helped define the genre and movement in the early days, you will find this quote there:
The “punk” in Solarpunk is about rebellion, counterculture, post-capitalism, decolonialism and enthusiasm. It is about going in a different direction than the mainstream, which is increasingly going in a scary direction.
A big part of Solarpunk was always to go against this idea that a "bad future" is inevitable.
In a way Solarpunk is also very much a counter movement against Cyberpunk - a genre (less a movement) - that very much started quite punky, but ended up basically loosing all the punk. While originally Cyberpunk usually was about people fighting a really oppressive system, even if the protagonists could not win, before becoming more and more accepting of those dystpian futures. By now Cyberpunk is often more about characters just being assholes in the dystopian future to get at least a somewhat good ending for themselves - rather than rebelling against the machine.
Of course, as a genre Solarpunk does not necessarily involve characters rebelling. While some Solarpunk stories very much tell that kind of narrative, others are set after the rebellion and ideally at a point where those things that Solarpunk as a movement is fighting against, are already "defeated".
And other than what people will claim: Yes, that very much is punk. It is punk! Rebellion is not just about the fight against an oppressive system, it is also about what comes afterwards. So, yes, that is very much a part of punk.
Now, yes. It should be noted, that a lot of people titling something Solarpunk do kinda miss this point. Partly because of the stuff I will talk about later this week, partly because they really only know tumblr-Solarpunk, that is 99% aesthetic, and about 0% rebellion for the most part. But that is also why I will call out those for not actually being Solarpunk.
And yes, we do need more Solarpunk stories that are actually Solarpunk and not just aesthetic. We really do.
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freelancearsonist · 6 months
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✨ wip wednesday ✨
thank you to my love @covetyou for the tag <3 this is actually perfect bc i've been stumped on what to work on so i need y'all to decide for me
free falling love addict [dieter bravo]
this was supposed to be a porn w/o plot one-shot and is now a 5-part series full of feelings 💀 basically dieter falls hard and fast for a non-binary co-star who just so happens to be playing his daughter. there's a lot of drama and uncertainty and angst and it's a whole roller coaster ride (thank u to @beskarandblasters for the title and an absolutely STUNNING graphic that y'all will see later)
You wake up from your four hours of sleep with a little clearer mind, surprisingly. Dieter’s hot and he’d be a once-in-a-lifetime lay, but you’re playing his daughter in this show. How seriously do you want to be taken in this industry? Because banging the actor who plays your father in your first serious project is decidedly not the route to being taken seriously as a moviestar; in fact, it’s the kind of scandal that could end your career before it even starts. You shower, do your basic morning skincare routine, get dressed, and head to set. All the while, you chant your new mantra: Dieter Bravo is off limits no matter how badly you want to play right into his hands. His big hands. His big meaty hands that you want all over your–
(untitled) dad's best friend wedding joel [no outbreak joel miller]
BILL X FRANK SUPREMACY. this is bill x frank's world and we are just living in it. but anyway it's 2013, no outbreak, we're fixing the timeline, reader is frank's adopted daughter and maid of honor, joel is bill's best friend and best man. there's an age gap and a lot of trying to deny attraction until it all comes to a head and they work out their frustrations in the coat room after the wedding
You would’ve sworn, when you first met him, that an elaborate wedding would be the very last thing Bill would want. And yet this has been as much his planning as it has been your dad’s. It brings so much joy to your heart that your dad has found someone who matches him so completely. You couldn’t be happier for them; and at the same time, you couldn’t be more miserable for yourself. Because, as dedicated as you are to making this day perfect for them, Bill’s best man and long-time friend is maybe even more dedicated. He’s been turning this wedding into a friendly competition between the two of you, trying to one-up you at every opportunity he gets. It’s infuriating—especially when he wears that smug grin that’s become his signature expression around you. It’s torture, too, because all you want to do is kiss that stupid smirk right off his handsome face.
(untitled) blind date [dieter bravo]
basically dieter goes on a blind date with someone who has no clue who he is (you) and falls in love so hard
He never should’ve agreed to this—and really, it’s not even his fault that he did. His assistant should know better than to ask him questions when he’s a joint and a half in.  Maybe it’s a sense of obligation after he pushed her into the pool last week—in his defense, she really needed to loosen up—or maybe he’s just plain lonely. Whatever it is, he’s here, the champagne is good, and there’s no point backing out now. He takes another peek at his watch and lets out a slightly-too-loud groan. You aren’t supposed to be here for another ten minutes, and he’s already been seated and drinking for fifteen. How Jennifer—the aforementioned assistant—managed to get him here early, he’ll never know. But he does know it’s the first and last time he’ll ever be early for an engagement; the anxiety of anticipation is far too stressful. Plus, he’s worried it makes him look desperate—too eager to meet a complete and utter stranger.
(untitled) dieter crashing your graduation party (consensually) [dieter bravo]
this is my baby 🥹 probably the most self-insert thing i will ever write tbh. yet another series that was supposed to just be a one-shot, i haven't actually planned how many chapters this is going to be yet but i know what i'm doing with the story line lol. basically your family throws you a graduation party when you finish cosmetology school, and because you're antisocial and don't want a huge crowd you tag people that won't/can't come on your invite post--but the one person you thought for sure wouldn't come actually shows up and it sets off the craziest series of events
The crowd has lulled a bit, and you’re just about to go find that bar you’ve been so excited about when someone you do recognize walks up the brick path to the gate. And god help you, your jaw actually visibly, physically drops. You blink once, twice, and then once again for good measure. But he’s still there–not wishful thinking, not a mirage. He’s real and solid and here. Dieter Bravo stands on your garden path with all the air of a god amongst men. He’s dressed in black from head to toe–perfectly tailored black suit pants and an open suit jacket over a silk button-up shirt. If it was anyone else, he would be overdressed; but he manages to make it look like the perfect mix of messy and put together.  There’s a part of you that still thinks maybe it’s not him, that the dark sunglasses he wears hide the eyes of someone who has an uncanny resemblance to your favorite actor. But the other, larger part of you knows. You’re face to face with Dieter fucking Bravo.
(untitled) joel x hairdresser [jackson era joel miller]
i think this is going to be a 2-3 parter bc god forbid i write anything short. basically you're the resident hair stylist in jackson, and joel has hair that needs to be cut. he does you little favors in turn bc that's how jackson runs, but he ends up falling for you in the process
He starts to see traces of you everywhere, and he’d be bothered by it if thoughts of you weren’t so soothing.  He sees wildflowers while he’s out on patrol and thinks they would be perfect to replenish the vase on your counter. He finds hair gel in a nearby drugstore and wonders if it’s something you could use. He pulls anatomy textbooks from a shelf in an abandoned library because he remembers you mentioning that you’d like to expand your services to include massage. He has to remind himself that he shouldn’t be thinking so much about someone who’s half his age–that it’s borderline creepy to see so many things and want to bring them to you as offerings. But then again, that’s how Jackson operates. If he wants a service, he has to be able to give something in return. And he wants your services most of all.
(untitled) shotgunning filth [lucien flores]
the doc title pretty much says it with this one 😂 i've only just started this one but here's what i have:
You see his car in your driveway when you get home and it makes you shiver.  That stupid mint-condition hot-rod red 2003 Ford Thunderbird activates the most ridiculous Pavlovian response–your heart rate quickens, your stomach tightens with anticipation, your pussy starts preparing itself for the inevitable delicious torture you’re about to endure.
and if you want to hear more about any of these options, pls send me an ask i love talking about my stories :)
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cynthiav06 · 4 months
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People usually don't like Pernico because of Nico's age, but they still like Solangelo. What is your opinion about these two ships?
Personally, I don't think it's the age difference that sets off most people.
It's the idea that the Big Three are all more closely related than others and, therefore, should have sibling relationships. So, a lot of people believe in the idea of a little three sibling relationship.
I mean, Nico wasn't even aware of any time passing in Lotus Casino, so that time gap doesn't even count. Percy is only two years older than Nico otherwise, so it's not even a significant difference.
And there's another layer to it that they believe since Percy didn't share Nico's feelings, Nico still pining after him is an injustice to Nico. (Nico stans tend to be a bit overprotective). So it is considered that Percy wouldn't properly love Nico properly if they got together, which I believe is untrue because Percy, out of all characters, loves completely and passionately always.
Sometimes, it's about the debate between the strongest demigods . Since Nico stans are believers in Nico supremacy over Percy even though canon doesn't really support that nor does Nico himself believe that, shippers think shipping him with Percy would clash and Nico supremacy won't work in Pernico.
I like Pernico in general, given the unique nature of their connections. How it's built on such mutual care and respect and a level of deeper understanding and even admiration with a ton of angst and misplaced guilt on both their parts.
It's a really interesting dynamic to work through for sure and I was quite into it initially but I really haven't seen any really good fanfics about Pernico around, so I am not really super convinced on why they would work so well so if you or anyone else has any good recommendations feel free to let me know.
(I like their dynamic together, and I think they are capable of creating a really unique connection, but I have read so many posts on big three kids sibling dynamic I kind of got swept in that).
As for Solangelo, I am not super into them, and I think their initial relationship was a bit hastily established, but they work well enough. Will however has the purely selfless nature to both accept and understand Nico's flaws and not call Nico out on it condescendingly and work through them with him without triggering any past trauma of his.
But i really believe Nico needs to process some stuff for himself before he gets into any relationship. I haven't read their book yet but will see but the fanarts of them were really awesome.
Sorry, I really haven't given much thought to either ship yet, but if you guys have some good fic recommendations or posts, feel free to send me those.
Nico, I think, doesn't really need to jump into any relationships right now, but regardless, these two would be my top ships.
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