#sir we can see everything

[iszapizza]

he does horrible things in this comic run but he’s so goofy sometimes look at him

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[justanotherfanfolks]

Book 4: *exists*

Me: Talented, brilliant, incredible, amazing, showstopping, spectacular-

[theinfinitedivides]

'disappear? Joon Oh isn't in the morgue?'

[rocketrouquine]

"It's not about glory. It's not about gettin' what you want. It's about belonging to something when the world has told you you're nothin'. It's about finding the family to kill for when yours are long dead. It's about letting go of ego for something larger. The crew."

Ok, yes. BUT. *stepping on soapbox*

Excuse me, ok, he got an amazing arc where he changed and I went from despising him (I never hated him, I thought he was entertaining in season 1 but very one note villain) to actually adoring him BUT : telling this speech, like, this is what you were always feeling in your soul ?AHEM ! SIR ! I haven’t forgotten your little lunch on deck in season 1 finale when you were speaking about « Izzy’s revenge » all gleeful and dickish while Ivan and Fang were serving you wine and you threatened WeeJohn with no rations just because he vexed your… yes you guessed it EGO.

Don’t get me wrong I really adore the contradiction and the hypocrisy of it all, it’s very on brand. BUT it was clearly the « I’m gonna die » speech.

[ofallthingsnasty]

As someone who has a very 'laissez-faire' style when it comes to clothing, there is something so special about a yandere dressing you up, molding your appearance so that there is no doubt you're the perfect fit. I barely throw my outfits together, even when I go out for the night, how exciting would it be to have it all match? From the underwear to jewelry, daywear to sleepwear- if they care enough, you’ll have a special outfit for every single outing they could take you to (if you aren’t stuck in the basement until further notice, that is). Doesn't matter if they're more on the stylish side like Mirko and Hawks or prim and proper like Nighteye or Overhaul. Especially with someone who has the means to splurge on you and will do so with glee. Sure, some hold it over your head that you need a new coat - but some will find nothing but utter delight in treating you like their little dress-up doll. After all, there is the matter of you trying on every single garment and them being able to either ogle you shamelessly- or downright grope you, obviously finding faults with how the fabric fits around your shoulders, ass, legs.

One might just enjoy seeing you squirm around while you’re ordered to twirl and twist, another genuinely gushes over how good you look. One takes pride in having everything match with them, the other might try to veer your style into something entirely unexpected, might try to turn you into their perfect fantasy. And then you have the ones who either don’t care for getting you clothes or simply can’t afford a huge wardrobe. For them, keeping you naked or minimally clothed is an option as well, one that might be just perfect.

[euphor1a]

Best 4 hours of my life, with the loml ♡

[swanpit]

Who do you suppose would be the most jealous and/or insecure one in the relationship: Death, Puss, or Kitty? If any of them?

would it be weird to say that maybe none? none like how the "usual romance" handle it because god that's really been done to death (no pun intended) if there's insecurity, at least in this post movie context (since puss and death has sorta clear things up a bit in the movie and the character development already happened, after that they probably wont face or have quite the same problem, obviously), if it can count as one maybe there's some moment where puss can try a bit too hard sometimes? the rest probably is easier to explain when i got there but they definitely gonna have to adjust to each other....so yeah tldr probably puss, but not in the way you'd think (at least his would be the most visible)

[killmebythebeach]

So was anyone gonna tell me that s5 is so unbelievably sad or was I supposed to find that out myself.

[semercury]

you know for someone with social anxiety i sure to talk too fucking much.

[verystressedcollegestudent]

if there's one thing i hate more than slackers in group projects its goddamn hypocrites

[foldingfittedsheets]

I worked retail for a long time and people really do treat you like shit sometimes. But between selling sex toys, mattresses, and jewelry I can say definitively I got treated worst selling mattresses.

All three of my jobs were in sales but selling sex toys we were allowed to put people in their place, and in jewelry people didn’t want to misbehave in a fancy setting. But people at the mattress store had no problem yelling at me, hitting on me, or insulting me to my face.

For a while I was managing my own store for the company. I ran a small location and had struggling employees placed with me for rehabilitation. If their numbers improved they could go back to bigger stores. If not, they got fired.

So this meant I was the manager of problem employees. At one point both of my people had a foot out the door. The company was going downhill and changed computer systems and they were fed up. Consequently, they made a ton of mistakes, because they just didn’t care about the job or learning the new systems.

I strolled into work on what was essentially my Monday to a shit show. Deliveries scheduled without product, wrong things on orders, poor expectations of the process, you name it. I spent the entire morning getting yelled at for mistakes that weren’t mine.

The final straw came when a man called furious that his moms bed for her nursing home had a delivery window he couldn’t accommodate. This wasn’t a huge disaster since we still had time to deliver it before she moved. I ran him through the options and he just kept screaming at me. Not for a solution but because I was there and he was frustrated.

My heart filled with malice and a cold fury. A calculating part of my brain had a realization in that moment that I could stay a punching bag or I could strike back.

I quavered my voice delicately, taking in a shaky, warbling breath like I was trying not to cry. “Sir,” I quivered through fake tears, “I don’t know what you want from me! I told you what I can do, I didn’t make this mistake I’m just trying to fix it!” My voice broke pitifully on the last syllables, sounding in all ways like a sweet innocent person being yelled at who’s just trying her best, really!

It was like I’d doused him with cold water. My emotional act was the realization that he was screaming at someone who was just doing their damn job, and he was being an asshole. He hastily made an excuse and hung up.

I had a third employee covering with me from another store that day who heard everything. When I hung up, I looked over to see them watching me with an awed expression. “Did… did you just pretend to cry?”

“I absolutely fucking did,” I said with feeling, “and I’d do it a thousand more times. If that’s what it takes for someone to realize they’re behaving like a fucking prick, they deserve it.” The employee looked at me like I was their hero.

The man called back, apologizing profusely, having magically arranged his schedule to accommodate delivery. He came in later that week with an apology Starbucks gift card. I was gracious in my acceptance.

I pulled it a few more times before leaving the company. I felt no shame in the ruse. If someone behaves so poorly that it’s plausible their behavior would drive someone to tears they deserve to feel absolutely wretched about it.

[confused-wanderer]

It would be hilarious if villains loved Nightwing and were terrified of Officer Dick Grayson.

Dick Grayson- who is used to open spaces and adrenaline- being stuck in a boring bleak office, surviving on shots of coffee and red bull with caffeine that would make Tim concerned.

The thugs soon realised that unlike most of the other cops - Dick was from Gotham.

No one fucks with Gothamites.

Villain *shooting at Dick with machine guns*

Dick *appearing from the shadows behind him*: Boo.

Villain: THIS IS A FIVE STOREY BUILDING HOW THE HELL DID YOU GET HERE

Or

Thief *throwing a counting down bomb at Dick*

Dick: *catching and tossing the bomb at a safe distance before turning round and shooting it so it explodes mid air while running after thief*

Thief: .. what the actual fuck

Dick: Gee look at all that time you had! Shame you threw it away :D

Thief:

Dick: I’m from Gotham

Thief *realising they fucked up* : Please don’t steal my bones

OR

Shooter: *sets elaborate booby traps throughout the houses in an active hostage situation*

Dick *using his training as robin and inhuman flexibility to surpass them with ease*: Ah been a while since I got to have a nice stretch thank you.

Shooter:

Dick:

Shooter:

Dick: .. Hi :)

Shooter: Are you Satan?

AND

In interrogation room

Murderer: I think I’ll take your eyes and add them to my collection

Dick *running on spite and caffeine that could give Superman a sugar rush* : Funny.. I was going to say the same thing to you

Murderer: .. what

Dick: I wouldn’t take your eyes though.. they look like the inspiration behind the whole Medusa’s “look at it and you turn to stone” thing-

Murderer: Hey! Take that back before I gut you

Dick *smile stretching wider without blinking* : oh? Or what? I know everything about you. Who says I can’t kill you and walk out with everyone being none the wiser? I know how to kill someone too..you aren’t special.

Murderer:

Murderer: I’m scared for my safety.

Because the thing is, Nightwing is who Dick really is. It’s who he can be free as, be himself as without red tapes and regulations. Where he can give as good as he gets, and he’s kind and empathetic. He gets to help the downtrodden and goes easy on most of them if they give up right away, not to mention the fact that he never causes permanent damage.

But officer Dick Grayson is a different story. He runs on sleepless nights and no self preservation. Seeing an officer with an uncanny skill set they’re scarily good at, not to mention the cheery attitude he always has scares the shit out of criminals. Cuz no way in hell is a smiling Gothamite not a deranged one. He chases crimes like a bloodhound, and isn’t afraid to make good on threats he makes to ensure they never hurt anyone again.

Bonus if the batfam doesn’t know about this.

Red hood: Shit I can’t believe we ended up in Bludhaven

Red Robin *tying up the corrupt politican* : Since this is a sensitive case, we need someone we can trust to make sure it is seen through.

Red hood: .. So we paying a visit to Officer Grayson?

Politician *screeching* : NO NO NO NO! PLEASE NOT HIM!! JUST KILL ME INSTEAD AND TAKE ALL MY MONEY I CANT DEAL WITH HIM!

Red hood: .. is he fucking serious?

Henchmen: Sir he is. And we agree. Please take our bones and kill us but don’t take us to Officer Grayson.

Red Robin: Wait what did he do?

Henchman 1: He asked boss if the hat was sentient.. and said that if it was would it make that hat the top and boss the bottom.

Henchman 2: Last time we met I tried to shoot him but suddenly my gun was blank and he raised his hand and let the ammo drop

Red Hood: Well even I could do that-

Henchman 2: They were my bullets. I had selected the colour personally.

Red robin *growing concerned*

Henchman 3: He sang a lullaby to a child when we were holding the station hostage, and replaced the people with my family members. He even sang their social security numbers!

Henchman 4: He’s the most dangerous of them all. I ain’t shitting ya when I say he’s as scary as the bat from Gotham.

*all nodding in agreement*

Red hood:

Red Robin:

Red hood: Nah that doesn’t sound like Dick

Red Robin: Agreed. Let’s go there Hood.

*villains’ sobbing intensifies*

[opqrstuv04]

the next person to grimace comically when I tell them I’m an English major is getting backed over with my Kia

[wileycap]

Crackfic Idea:

30-year-old Zuko gets randomly flung back in time to his 16-year-old self. For a couple of hours at a time. At the most random times imaginable. Imagine the potential.

Zuko assumes that it's a dream or a vision, but definitely not real. He tries not to freak everybody out too badly, but he's also fully enjoying himself and seeing all of his friends as their young selves.

ZUKO, as he and Aang circle each other at the South Pole: I've spent years preparing for this encounter. Training, meditating. You're just a [Spirit Shwoop Sound] ... baby Aang!

AANG, confused: Well, more like preteen Aang. How do you know my name?

ZUKO, looking around: Wait, where are we?

AANG: Um... this is the-

SOKKA: Don't answer him! He's trying to get information out of you. You can't give away our location!

KATARA: Sokka, he's standing in the middle of our village. I think he knows.

ZUKO: We're here? This is so weird. I was just here for the Annual Penguin Race.

AANG: THERE'S AN ANNUAL PENGUIN RACE?!

ZUKO: Well, yeah, it was your idea... you gave a whole speech about cross-cultural cooperation and friendship, but I know you just wanted to go penguin sledding with a bunch of people...

AANG: Well, I-

SOKKA: Stop giving him more information! He already knows about the penguins!

Everybody else is confused, bewildered and even befuddled except for Iroh, who assumes that it's Spirit Shenanigans™️ and just fully accepts that his nephew likes tea and hugs and Pai Sho sometimes while being his usual shouty surly traumaball self at others.

ZUKO, stepping into the cabin: Hi, Uncle. I brought you some ginseng. How about a game of Pai Sho?

IROH, tearing up a little: I would love that, my nephew.

ZUKO: I wish we could do this more often, but you live so far away...

IROH, mentally calculating that he lives exactly three doors away from Zuko, and nodding sagely: The rat-viper may never climb the mountain that a hog-monkey can, but the monkey does not know what lies underneath it.

ZUKO, sighing sadly: I know, Uncle. I do appreciate my position in life, even if it has disadvantages.

IROH: Hmm. Your move, nephew.

The crew of Zuko's ship is terrified by the fact that whenever it happens, Zuko is somehow even more hyper-competent, seems to be weirdly calm about everything, and most unnervingly of all, he's polite.

SOLDIER: Here is a report on the best teahouses within three days travel of our current location, Sir. And, uh, Commander Zhao sent a messenger hawk.

ZUKO: Excellent. Thank you very much, Sergeant. I think we can ignore whatever Zhao has to say. In reply, I want you to send him a list of the most famous officers in Fire Nation history, and point out that none of them had sideburns. I want to see if he shaves them.

SOLDIER, sweating nervously: O-of course, Sir.

As a matter of fact, the whole fic could just be Zuko trolling Zhao. It would be glorious.

[a-little-ray-of-fantasy]

An analysis on how Sir Pentious' character design represents his personality and development perfectly (beware of Hazbin Hotel spoilers)

Let's get this out of the way: Sir Pentious is a snake, an animal mostly known for generally believed negative traits such as poison, deceit and betrayal. We don't know WHY he's in Hell, maybe he was a "snake oil salesman" considering he comes from the Victorian times and he's into hyping up what he does, or maybe he was into war. Thing is, he's a Sinner whose design just scream "Evil".

(BTW, a snake could also represent "fertility": looking at you, Egg Boiz!)

He always had eyes all around him not just because of a stylistic choice.

Sir Pentious always felt like he was watched, and had to watch out for any danger.

"Everyone here is too nice: obviously it must be a lie! I can sense they are planning to kill me, but when?! HOW?! I must be PREPARED!"

Sadly, he's been constantly berated by other demons, far more effective in destruction, status, cruelty and charisma. Alastor won't ever bother to remember him, Cherri always ones up him, and the Vs, the ones he admires to most, won't care less about him.

To the point that Vox sent him as a spy without the intention to save him if things were going to fail. Heck, he even openly tells him to die while calling him a failure.

So of course he's got reasons to have trust issues, or taking everything so seriously, being constantly reminded of what he can't accomplish. So he puts an air of grandure that may be very flamboyant, but is VERY frail.

But, if we have to be frank here, his biggest source of insecurities... is himself.

He has eyes on his tail (his softer, more vulnerable side, which is ironically made even MORE lieable to getting hurt because of how sensitive those organs are), and inside his hood, so he could look out better for danger when on alert mode.

Heck, even the mark on his hood kinda resembles one eye.

Problem is, when you see his hood folded, when he's at ease, neutral or sad, those are not looking at outside sources.

They're looking at him, at his back. A constant stare that happens everytime he lets his guard down and shows how vulnerable he is. A gaze that can sense all of his weakness, his struggles, his insecurities.

And it's all him.

Pentious constantly believes that his inferiority complex will fade away once he'll accomplish something grand that will make others accept him. But he is his biggest critic, his worst enemy: HE is the one who believes he's a failure, that he'll never gain approval from others.

This show takes place in Hell, but this is Sir Pentious' personal Hell: insecurity born out of self hatred. Doomed to feel everyone's gaze upon him, including his own. Believing the danger to his self esteem is from others, when it's really from him.

But then he's accepted at the Hazbin Hotel: Charlie forgives him, he bonds with Angel, Husk and Niffty who don't care a bit about what he's accomplished or not, or what he's done in the past.

He feels more comfortable in showing his vulnerable side, and no one judges him for how easy it is for him to get emotional.

Of course he's still very insecure, considering how he struggles to confess to Cherri, but notice how he stops building machines or planning to attack others as soon as he starts bonding with the others: he doesn't have a reason to destroy or attack, now that he knows he's loved.

And his final design, when he goes to Heaven, shows how much he's changed, yet stayed the same. He may have died a hero, but he's still the same awkward snake we've come to love.

Speaking of love, let's talk about that!

No more eyes on his tail, now it's just on his chest (showing he's opened his heart), his glasses are now heart shaped, and even the markings inside his hood resemble kiss marks more than anything else.

And look: the mark on his hood is now heart shaped!

Why all these hearts? Why did all the eyes disappeared from his body? Even his eyes that were looking at his back?

Simple: love. Love defeated his insecurities and self hatred. He died for love.

He died protecting his friends, his new family, his new home.

He confessed and kissed Cherri knowing full well he wouldn't have made it, and yet he went anyway.

The usually cowardly and timid Pentious actually faced a great danger with courage and determination: he acted selflessly by putting himself in harm's way, he didn't steal (naturally) and by going against Adam he did indeed "stick it to the man"!

He used his weaponry knowhow and battle experience not to conquer, but to save his loved ones.

His only thought up until his demise was: "I'll go down protecting them".

And he's been rewarded not only by becoming an angel, but also being spawned directly in front of Emily and Sera, two Seraphim, the highest rank for an angel to have, who have also been depicted as snakes of fire throughout history! Sir Pentious, the lowly demon considered a failure by everyone, actually has been noticed by the Seraphim! He's come so far!

He's now come to represent the REAL symbolism of a snake: the duality of death and rebirth, transformation and immortality (ironically a reference to the fact he's been around since 1888 without ever dying from any Extermination or blessed weapons).

And isn't so poetic that a snake, the "source of the original evil", was the first sinner to ascend to Heaven? Or that this episode was released on February 1st, or National Serpent Day?

And of course, as the Bible itself says:

"Greater love has no one than this: to lay down one’s life for one’s friends."

(John 15:13)

And knowing him, I'm confident in saying he'll keep helping his friends even in his new position, like the soft hearted noodle he's always been, but was to afraid to show it up until now.