the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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A Wild Battinson (Social Media AU)
Part 45 (Masterlist)
(Part 46)
@bruciemilf it’s been months bestie but it’s tradition
If you follow me on my main, you know I haven’t actually been gone. I’ve just been on a few side quests. I’m also being fought over by two companies rn so that’s fun (and completely stressful, please I’m just a 22yo teenage girl) but we’re BACK for a limited time! Idk I’ve got like at least five parts in my drafts so let’s see what happens.
TOODLES
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I'm so fucking sick of amatonormativity dude. Someone on Reddit left a comment that was basically like "the majority of people need a romantic relationship to be happy, it's how we're wired" and I responded saying that I disagreed and that more and more people (especially women) are finding fulfillment in other relationships and are happy being single.
I got heavily downvoted.
Of course most people like being in a committed relationship, but you don't have to be aromantic or asexual to enjoy being single. Maybe more people would like being single if we as a culture stopped pushing the narrative (especially on women) that being single is lonely, horrible, and depressing and that you need a romantic partner to be a complete person.
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I see a lot of incomprehension online about our pension reform and the anger it generates in France, and what it often boils down to is "why are they so angry, 64 is plenty young to retire?"
I don't agree, but even if I did I would still oppose the reform. Here are some of the reasons why:
We already need 43 full years of work and tax contributions to be able to retire. Which means college-educated people were never going to retire at 64 anyway, let alone 62. This reform is aimed at people who start working early, mostly in low-paying jobs.
There's very little provision made in this law for hard/dangerous/manual labour.
There's no provision made for women who stop working to raise their children (51% of women already retire without a "complete career," which means they only retire on a partial pension, vs. 25% of men).
At 64, 1/3 of the poorest workers will already be dead. In France, between the richest and the poorest men, there's a 13 years gap in life expectancy.
Beyond life expectancy, at that age a lot of people (especially poorer, non-college educated) have too many health-related issues to be able to work. Not only is it cruel to ask them to work longer, if they can't work at all that's two more years to hold on with no pension
Unemployment in France is still fairly high (7%). Young people already have a hard time finding work, and this is going to make things even harder for them
Macron cut taxes on the rich and lost the country around 16 Billions € in tax revenue. Our estimated pension deficit should peak at 12 Billions worst case scenario.
While I'm on wealth redistribution (no, not soviet style, but I think there should be a cap on wealth concentration. Nobody needs to be a billionaire.): some of the massive profits of last year should go to workers and to the state to be redistributed, including to fund pensions. The state subsidized companies and corporations during the pandemic, Macron even said "no matter the cost" and spent 206 Billions € on businesses. Now he's going after the poorest workers in the country for an hypothetical 12 Billions??
Implicit in all of this is the question of systemic racism. French workers from immigrant families are already more likely to have started their careers early, to have low-paying jobs, are less likely to be college-educated, more at risk for disabilities and chronic illnesses, etc., so this is going to disproportionately affect them
This is not even touching on the fact that he didn't let lawmakers vote on it, meaning he knew he wouldn't get a majority of votes in parliament, or that 70% of the population is against this law. Pushing it through anyway is blatant authoritarianism.
TL;DR: This is only tangentially about retirement age. The reform will make life harder for people with low incomes, or with no higher education, for manual workers, for women—mothers especially, for POC, for people with disabilities or chronic conditions, etc. This is about solidarity.
Hope (sincerely) this helps.
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