#such a character who is just SO the product of his environment

[minnieposting]

i want to talk about robins trailer again!

following up from this post + a cool thread i saw earlier compiling lots of details i didn't notice in the trailer! (and the morse code post)

mostly really interested in the fact that this whole thing is filmed and directed by sunday

(sc from twt thread)

i said earlier that robin must feel like she doesn't want to let down both sunday and the family, both as his sister and the "pride of the family". but this clearly shows that he's the one pulling the strings, or at least one of them.

(as i type this out, i realize the usage of "pulling the strings" could relate back to the imagery of puppets we've been seeing. they are present in robin's trailer and also seen in the 2.2 penacony trailer)

(and of course, another puppet on strings...)

not sure where i'm going with this because tbh i got side tracked because i had the realization while writing. just some cool consistent puppet imagery, obviously symbolic, just don't feel like thinking about this rn lol

ANYWAY, my original train of thought was going towards sunday being a huge pressure on her, whether intentionally or not, he's clearly got his own shit going on... but i also feel like this gives new meaning to something else i pointed out a bit ago (post)

sunday is always right behind robin! she's always in the spotlight while he looms in the shadows. another thing tho, the same person who posted that twt thread i linked to pointed out that our bird friend is seen in the corner watching robin perform (x)

in the upper right corner!

(though, ive seen speculation that the bird is not sunday's but the dreammaster's! either way, sunday is still the most involved with her in the context of my post...)

now, going back to what i really want to talk about in the first place - director sunday. i do think this is more symbolic than anything, and coming from robin's perspective as this is her trailer.

sunday is a perfectionist obsesed with control and robin's public image may not be spared from that. she may feel that sunday is essentially breathing down her neck, whether or not sunday is aware he's making her feel like this. i've always thought that sunday's perfectionism and his obsessiveness have bled into his love for his sister and their relationship as a whole. again, she clearly does not want to let him down specifically, especially when they're supposedly working towards a childhood dream.

it's just! this whole thing about freedom, or the lack of it. robin is a caged bird and that's become explicit in her trailer. who knows wtf sunday's deal is, but he's also clearly under SO much pressure, he's the head of the oak family and ALSO needs to be nothing less than perfect. dude had a whole speech about it. i also imagine they both don't talk about any negative feelings related to this, maybe even wanting to keep up appearances around each other too.

i feel like i dont have anything else to say. i just mainly wanted to talk about some observations and stuff. i am very much looking forward to 2.2 coming out later, im SO excited to dig into sunday because he is the most intriguing and mysterious to me. their relationship is just so so so interesting, im so excited to see it in all of its glory later.

and mandatory note bc i am an anxious person, i do a lot of talking out of my ass and this is just exactly that.

(uh i scrolled up to read this post over and saw i linked back to a morse code post and didn't talk about that at all. well there's SOS morse code in robins trailer! that's fucked up! what else can i say)

[pomodoko]

The Shuro hate because of the latest episode is pouring in and I cannot even begin to tell you how upsetting it is to see someone who is so much like me be berated by people for being so called "ableist" and "misogynistic" and simply "the worst". He is a product of his environment (a different country, which means a different culture), and sure his love for Falin may be one-sided, but it is still love, and it's love enough he's risking hunger and sleeplessness and self care to find her. Even Chilchuck pointed out that him proposing spontaneously is just something people in his country do. He is not shallow with his love. The same can be seen with his frustration with Laios. It's borned out of miscommunication and cultural differences, and it is clear, very clear, at the end of the episode that he cares deeply for both Laios and Falin. He's envious of Laios's personable and straightforward nature, and he admitted to it. He gave Laios a way out (via the magic bell) and promised to give him his aid when Laios is in trouble. He is a complex and well-written character, and he deserves more than just people shallowly trashing on him.

Also Shuro is also autistic to me but in a different way Laios is ✌️ Come on: hyperfocusing at the cost of your health? Relying on social cues to predict how people think? Too awkward to correct Laios from the fact that he's been saying his name wrong the entire time (his real name is Toshiro)?

Edit: Honestly? Genuinely? I also think a lot of the hate that Shuro receives also borderlines antagonistic because he's "getting in the way of Farcille" (he has not shown any creepy attitude towards Falin) and racist. Genuinely I think a lot of American/Western fans are super racist towards Shuro. He's angry at Laios's mistakes the same way Chilchuck and Namari do (overstepping boundaries, being ignorant of cues, etc) but nobody thinks twice about giving Chilchuck and Namari the pass. How come this repressed man from the equivalent of fucking Feudal Japan gets the boot? Is it because he fought Laios out of fear and the trauma of seeing his team die and his love interest be made into a monster thanks to dark magic? Does his apology and offer to help not count? You people are hypocrites.

[quartings]

The original Gravity Falls pitches and pilot just dropped!!

(Link for those who want it)

For those who don't wanna look through all of it, here are some highlights I found!

Interesting changes from the pitch (What Alex Hirsch showed Disney to make them greenlight the show):

Stan’s secret was that he’s secretly protecting the townsfolk from weirdness, nothing to do with Ford. No mention of Ford in the pitch at all. Stan also wanted Dipper and Mabel to be his successors in this version.

Mabel used to be the unhygienic one instead of Dipper.

Wendy was brunette and didn’t work as the Mystery Shack cashier, instead selling veggie juice out of her van.

As such, Soos (Jesús in this version) worked the register in addition to his handyman job in this version. He was a bit less of a hard worker here, watching telenovelas on the job sometimes, but still loves his job and is extremely loyal to Stan.

Robbie was almost exactly the same, parents’ backstory and all, but there’s an interesting note that he occasionally clashed with Gideon in this version (which we never got in the final show)

Speaking of which, Gideon’s last name in this version was Garrymore instead of Gleeful.

Gideon used to personally harass and prank Stan, going out of his way to vandalize Stan’s stuff himself.

Manly Dan was always planned to be Wendy’s dad. In this version, he hates the idea that his hipster daughter prefers conserving the environment instead of chopping down forests

(For those who wanted more Wendy episodes, I’m surprised Hirsch didn’t use this as a conflict for one of them- it makes her interesting without costing any of her “coolness”)

Sheriff Blubs was originally Sheriff “Blumps”. Durland has the same name likely because Hirsch said he’s named after a real guy.

With no Ford and no Journal mentioned, episodes were originally very different-

“The President’s Cabinet/Irrational Treasure.” Instead of via the journal, Dipper and Mabel find a record of Quentin Trembley in a box buried in the yard. No Pacifica mentioned here.

“Secret Dungeon” Dipper becomes obsessed with a recalled arcade cabinet. Mabel must try and save him by finding the original high scorer.

“Thtupid Thursday” One of the many ‘Shining Twins’ episode concepts Hirsch wanted to do. Dipper and Mabel learn ‘twin telepathy’ from some creepy twins, and soon regret it.

“Periodic Mabel” Mabel invents her own element for the science fair and Dipper is jealous.

“Only the Clonely/Boyz Crazy” The exact same episode just without Candy and Grenda. Sev’ral Timez is called “ReelBoyzzz” in this version.

“Big Dipper” With surprisingly no tie to Little Dipper, Dipper asks a fortune teller to make him older so he can win Wendy over. But she makes him 22, so he and Mabel have to undo the spell.

“Sweater off Dead” Mabel buys an antique sweater and is possessed by the soul of the granny who last wore it. Stan is terrified by the spirit because she reminds him of his ex-wife Marilyn (Deep Edalyn Clawthorne lore???) so Dipper must “Swexorcize” his sister and save her.

“Teed Off/The Golf War” With no Pacifica, this was originally a Dipper vs Gideon episode- No Lilliputtians, either. Instead, the 13th hole is cursed and traps the cast in a time loop.

Now, changes from the Production Pitch (I’m guessing for when the show was already greenlit and this was a way to brief crew members on what the show would 100% be about)

Stan’s secret (likely the portal) and the journal are now set in stone.

Emphasis on continuity and character development. Nothing gets “reset” by next episode. All plot developments are permanent.

All character names and designs are locked in. Pacifica has now been added, as well as Waddles, Gompers, Lazy Susan, Candy and Grenda, and McGucket (No mention or hint at his past here)

Interesting to note is that there is still zero outright mention of Ford and Bill in this version, even though multiple episodes were seemingly in production at this point.

Manly Dan’s conflict with Wendy from the original pitch is still here. Making it even more mindblowing that we never got it in the show

Blubs and Durland are described as a little more playful instead of mean like in the original pitch.

All episode examples made it into the show with no changes this time. They are Tourist Trapped, Legend of the Gobblewonker, Fight Fighters, Boyz Crazy, and The Land Before Swine.

[wileycap]

So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.

So.

It's okay. B, maybe a C+.

That's it.

Now for the spoilers:

The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.

The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.

The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.

Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.

The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.

The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.

Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.

In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.

And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?

Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.

In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"

They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.

It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.

To sum it up: Netflix Avatar is a mile wide, but an inch deep.

[myeagleexpert]

Yan!Batfamily x Singer!YN (neglected)

Inspired by @@gotham-daydreams's fic, your work is wonderful and makes me think about many things…. One of the things I think about is if they found Reader from her music…. Reader here is heavily inspired by Naomi Jon, she is an independent singer from Germany, she regularly makes videos on youtube about makeup, shopping on websites, tiktok foods, things like that. She is a very fun person to watch and I highly recommend you watch it, all her videos are in English. (one detail is that she doesn’t talk much about her family, and lives with her friend Vincent and boyyy every time I read about Reader from Not [ ] fics I remember her. If you disagree, that’s okay, I still like the idea of ​​YN’s glow up <3) “Have you seen, come and read my diary Then you will see, that you don’t mean shit to me” – MANTRA- Naomi Jon

I imagine that while shopping at a store, Steph liked the store’s playlist and went to look for who was singing it.

Imagine her face when she finds out that the person she was listening to… was the YN everyone was looking for. She immediately discovers her YouTube channel, social media… and everyone immediately starts binge-watching and stalking all of her videos

Dick would be the type of person who would learn the choreography for your music videos, just to dance with you. He swears he can be the fun older brother you need, he can be in your videos too! And cook! I don't think he wears makeup, but he would watch all your makeup videos because he likes your reviews, and when you make a joke or mix up the language in the video he finds it so funny that he can't help but laugh. He wants to test out the latest skincare products with you and wants to travel together! You look so different now, with bold eyeliner and colorful hair, Dick wonders if you've always been like this and he was just blind because he didn't see it. Come on, he didn't know you had this fun and easygoing side, let's spend more time together, okay?

“This dress deserves… THE BUSINESS WALK!”

Jason sees how you've grown, and how much better you are away from Gotham. Like a flower that blooms only when it's in a clean and suitable environment, you've brilliantly transformed into who you are. But a part of him, the biggest part, thinks you'd be much safer around your family, where they can protect you. You sing and post so many videos on the internet, what if someone comes after you? Let your brother stay close, okay? And who is this friend who lives with you anyway? He is not trustworthy - no. It doesn't matter if you've known him since you were kids and have lived together for a long time. Another thing I bet he would do is join you on the days when you dye your hair in the craziest ways possible, he has some experience with dye, you know?

“C’mon FriendReader, this is the plan for this hair dyeing technique. Yes, all seven colors are here!”

For those who neglected Reader and pretended you didn't exist, he is your #01 Fan now. Tim definitely listens to ALL your music, and is 100% connected to your social networks. He watches and rewatches all your videos, they are so interactive and relaxed that he has the illusion that he is living it all with you. He's the type of person who eats while watching your videos, and watches them before bed, and when he's having a particularly stressful situation he'll lock himself in his room and watch one of your vlogs, because your voice has such a calming effect of normality that for him, it's like at any moment you'll open his door asking to try a 2-ingredient recipe you saw on TikTok.

“Timothyyy~ try this recipe I saw on tik tok!”

Damian is an interesting case… because he discovered that his precious blood brother has a side to him that he never saw. When he walked into your room and looked at all your memories, all your pictures of your achievements, all your music sketches he KNEW you were talented, but when he saw you in action in your videos and shows it was like a cartoon character came to life. YOU came to life! Definitely buy all your merch, and talk about you all the time to John. Do you still have two cats?? Enough, the kidnapping is you and them two.

“My next show will be…”

Bruce goes back and rereads your journal drafts and realizes how much your music has really changed, your focus now being only on your fans and not your family. Like everyone else in the family, he watches your videos daily and keeps thinking “I could give her a bigger box of surprises so she can record a video” “Did she think that dress was pretty? I could buy her a better one, shinier and pinker, just like she wanted.” When you post a video of the backstage of a show and all your lively preparations, he can’t help but feel guilty for the thousandth time that day. He should be by your side right now, a father should be behind the scenes giving you comfort and strength to go on the show. He should be in the front row cheering when you realized your dream of going on stage for the first time. The whole family should… You’re trying so hard, your dedication is palpable in your videos and shows. The little girl grew up and became a dreamy woman, but who do you run to when you need to cry? Let him be your comforting shoulder now, let him come into your life again.

“I made this song especially for you, my fans!”

When Alfred put that video of YN’s childhood on TV, where she performed in a school play, to remind everyone of her absence, he couldn’t be more proud of his work when weeks later he hears her voice coming from one of the boys’ rooms. It's you singing one of the songs, the batboy repeating it for the tenth time. Your voice has changed, from a childish and angelic voice to a woman's, your looks have gradually gained confidence and personality, but your “presence” in the mansion is ghostly. He feels so happy for you, you are externalizing to the world what he has always seen: that you are incredible. Alfred doesn't need to marathon your videos to feel closer to you, he already has affectionate memories, he already has albums from when you were a baby and tested recipes with him, he already has videos of you training to sing when you were little… But he still watches your videos because unfortunately, even with him you lost contact. He watches the videos like a grandfather watches his grandson's stories “Oh? Are you in Tokyo now? How wonderful, dear, remember the coat.” “Oh dear YN, I don't think this recipe will be good for you…” “Yn, be careful with the scams on these strange websites!”

“Guys, I know what you’re thinking… BUT maybe combining onion and chocolate CAN work.”

[starseungs]

from the past, beyond the present, and into tomorrow. ksm. ( teaser )

kim seungmin x fem!reader — following the last wishes of her beloved grandmother, y/n finds herself moving back to her family's hometown. deep into the countryside and miles away from the bustling noise of the city, the change was supposed to be a new experience. that was, if only the mayor's son didn't bring along years of unknown familiarity with him.

GENRE/S — drama, slight angst, slight fluff, just sentimental, soulmates au, multiple lifetimes, high school au, a slowburn • teaser: 2.1k words (10k+ overall fic)

WARNING/S — y/n gets referred to with she/her pronouns, setting is heavily influenced by japanese environments (but still made vague enough for other preferences), main characters are aged eighteen, possibly more to be added upon release.

NOW PLAYING — tracing that dream by yoasobi

( ✒️ ) this is the product of seungmin covering one of my favorite songs ... now im gonna make him a shoujo anime love interest !!! and yes the teaser is long asf. i, too, am concerned about the total word count of this fic. (road to 20k wc i guess)

( 📌 ) STATUS: UNRELEASED • TAGLIST IS OPEN !

2024 ⓒ starseungs on tumblr. do not steal, repost, or edit.

You had dreamt of a specific scene once when you were thirteen.

At least, you were the one who considered it a dream. It was something you had tried to bury in the depths of your mind—locked away in a tiny chest placed in the furthest corner and behind closed doors. If it were someone else, you knew that they would’ve already exhausted all means to figure out what the dream meant.

After all, it certainly wasn’t every day that you got to dream of something that felt so vividly real to the point you could’ve sworn it was a memory.

But it wasn’t. It could never be.

Why?

Because in no reality could an authentic memory be of a time that shouldn’t even exist yet.

“I won’t ask you to congratulate me,” the vessel you were seeing the world through spoke. In the scenario being played out, you could feel yourself smile warmly. You could only guess why the positive action was contrasted by such a somber tone of speaking. “Never once have your eyes lied in front of mine.”

The sound of joyous laughter that surrounded the area almost felt too jarring to compare to the mood present between what was supposed to be you and another male. He sat completely still, unmoving amidst the dim evening despite your earlier comment. Flickers of embers from the sizable-looking campfire reflected in his eyes, telling of the fact that the absence of a response was not because of a lack of focus but rather his inner thoughts getting swallowed up by the burning flames.

His looks would range him older than eleven. Yet, you didn’t seem phased by it—not even in the slightest. Perhaps this was something you should have expected. The voice that came out of you was notably not one of an eleven-year-old either. So you gave up on the matter.

Instead, you waited for an answer to what you had previously uttered. Even if it was just a simple hum that came out of his mouth.

He let the fire crackle a bit more.

“Does it make me a bad man to say that I envy you?”

The breath that you didn’t even know you were holding escaped your lips the second he spoke. “I’m afraid I don’t quite understand what you mean,” was your reply.

The silence came back for a second. Surprisingly, it didn’t seem as heavy as the one you two had just broken. You watched his movements, almost mesmerized, as he took his eyes off the fire. The concentration only faltered when his sight came up to meet yours. “You’re off to go do greater things over in the big city,” he starts. “And yet, here I am, getting left behind in this quiet town. A place not a single soul even yearns for—where everyone starts off but never stays.”

It was odd. The way you felt your heart race at his words.

To be completely honest, you didn’t think much of what he had just said. You didn’t even know exactly what it meant—both for you and for him. Yet, the sudden spike of adrenaline in your veins told a different story. It was making you feel breathless while also making you tear up.

“You could always come with me.”

He shook his head. Did he just reject your offer? “It’s no use. My life’s responsibilities will still lie here. What would I even gain from leaving this place?”

Another beat. You could care less if it was of silence or your heart. In what seemed like a blink, the environment felt too overwhelming for you to function in. It was almost like you were sinking. Down deep to who knows where.

Though muddled, you tried your best to bring yourself back to the forefront by listening to the variety of other sounds outside the small bubble you two had created. Children running around screaming with laughter, adult men howling with amusement at whatever conversation they were in, and a female voice yelling to prepare the fireworks.

How fun. A celebration right next to a brewing storm. All under the same night sky.

“But,” you forced the words out. “You also have your own dreams.” His eyes softened at the mention. The way your heart shattered echoed a little too strongly throughout your body.

“That’s why I’m letting you go like this.” The young male smiled, making sure to let you know it was only directed at you. “So that at least one of us gets to achieve them.”

Your lips quivered. “Why do you speak as if I’m never going to come back for you?”

Silence again. You were beginning to develop an intense dislike for them.

“That’s just the way the world works,” was the response that came to soothe your growing anxiety. “It doesn’t revolve around a certain person. And it certainly doesn’t revolve around me. Go and live the life you want without any regrets. When the time comes that you’ve done everything you’ve wished for in life, come and find me again.”

A shake of a head.

“I could always just stay.”

A weak chuckle.

“Then, neither of us will be able to grow.”

A clench of a hand.

“What if I take too long?”

A minute passes by. You’ve come to really hate these momentary pauses.

He stands up. “There will be no such thing,” the young male assures you, moving closer only to stop at arm's length. You fought the urge to reach out and hold him. “Even if it takes multiple lifetimes, I’ll always be here. Waiting for you.”

“What if you forget about me?”

The world fell into one last hush. Your well-held tears finally started falling one-by-one, just like the first drops of rain. He sighs at your state, taking another step forward.

“I really don’t think I ever will.” He cups your face gently to look at him. “That’s why to you, who my heart will always choose in every lifetime—”

A loud bang. You watched as the fireworks bloomed into the sky through his glistening eyes.

“—Please live well until you come back to me.”

Hushed whispers filled the room.

You should’ve expected this. No matter the place, all high schoolers were bound to be the same, either one way or another. If you really had to make sense of it, your best guess would be that it was simply human for them to act this way. Universal traits are what makes a species. Perhaps you would’ve found it much more uncomfortable if the students in front of you didn’t find your situation interesting. After all, the genuine interest seeping out of those youthful eyes did make the atmosphere a lot lighter. At the end of the day, you could never actually fault them.

Still, enduring the poor attempts of adolescents trying to keep their curiosity hidden for more than a tick of a clock was harder than you thought. A part of you so badly wanted to believe that it was because this whole ordeal was tiring—bothersome, even. Unluckily for you, your brain knew a little bit too much for its own good.

Next to the classroom’s front door, one of your female classmates drops a pen accidentally. You watched it roll down two seats away, only to stop underneath the chair of a guy who was animatedly discussing something with another that was to his right. The latter enthusiastically reciprocated the conversation; his seemingly dominant hand spinning a blue-colored pen while doing so. You balled your hands, only to release them not even a beat later. They felt slightly damp.

You were nervous.

“Settle down now, class!” The homeroom teacher, Mrs. Cheon, ordered. Like well disciplined soldiers, the students quickly ceased all sound. Their undivided attention made you swallow heavily. “Starting today, we have a new addition to our class. Let’s all listen to her introduction.”

Your eyes almost popped out of their sockets at her order—only barely holding back from painting shock all over your face. This was not the plan you were made aware of. You wanted to protest. Throw a tantrum like a little child at the way she had just thrown you into a den filled with lions with no choice but to fend for yourself. Back in the faculty room, she had clearly stated that she was the one who was going to introduce you to the class. What was the point of asking you all the standard information about yourself if she wasn’t even going to use it?

Mrs. Cheon merely stood there, anticipating for you to start. Her neatly managed fingers were laced together behind her back, presenting the dark purple dress she was wearing in all of its glory. You kind of wished it was brighter; just so you could complain about her blinding you without seeming rude. Now you realized that you shouldn’t have trusted her words in their literal sense. It was foolish of you to believe that all you had to do for your formal introduction was to stand there until you were settled.

You took a discrete, heavy breath.

“Hello to you all. My name is Y/N,” you start off as cool as you could manage. “Eighteen. I just moved here from the city, so I am still in the process of getting familiar with the environment. Please take care of me.”

If you could give yourself a pat on the back at that moment, you would’ve. Unfortunately, you had yet to get a grasp on how things worked around here, so it was probably better not to do anything that would make you stand out more than you already did just by being new. And who even transfers schools two months into their last year of high school? Plus, with their stares so intently directed at you like they were studying a fascinating specimen, you couldn’t lift a single finger anyway. So you settled for pursing your lips instead.

A male student with puffed cheeks from the second row raised a brow at you. You bit your cheek lightly. Great.

“It seems like that’s all for Y/N’s introduction,” Mrs. Cheon says, clearing her throat. You internally glowered at the way she awkwardly moved on. You could only wonder how painful your introduction now seemed. “You’ll be seated next to Seungmin. Raise your hand, please.” She ordered.

To which not one soul followed.

If you had not enforced every single ounce of control you had, you were sure your jaw would’ve dropped to the ground. This was already proving to be one of the worst moments of your life, and yet life seemed way too eager to make it even more unforgettable. Your eyes snapped to the figure sitting on the slot in the back row, right next to the windows.

Granted, you already knew who this ‘Seungmin’ was. It was quite obvious, really. The only other desk free to use in this entire room was the one next to the guy you were currently burning a hole through with your gaze. He was staring out the window without a worry in the world, seemingly lost in his thoughts. His posture screamed relaxation, and anything more than that meant infusing into the wooden chair he was leaning back on.

While normally you would have found this guy relatable, right now you could just wish that he finally acknowledged Mrs. Cheon’s call so that you could now erase your presence for the rest of the day.

Luckily for you, it seemed like your homeroom teacher was also getting impatient.

“Kim Seungmin!”

The male with the same name as the one just yelled out leisurely broke off his staring contest with that one cloud in the sky to give you two at the front a glance. It was then that you finally got a good look at him.

His black hair was cut short, brushed down into bangs, but not enough to cover a notable undercut. Despite his clean appearance doubled by the meticulously ironed uniform that hung on his figure, his face was grim in a way that showed great dislike for the situation. You wanted to scoff at the frown decorating his lips, sending everyone the clear message that he had just been bothered. Fighting off the urge to twitch an eye at the slight scrunch of his nose was proving to be the most difficult challenge of the day.

“Oh?” He reacted monotonously before raising his hand as requested. That obviously meant he did hear Mrs. Cheon. “Yeah, here.”

You grit your teeth, already feeling an overwhelming sense of annoyance radiating out of you. From what it looked like, he felt it too—shifting his gaze from Mrs. Cheon to meet yours. Yet, your eyebrows furrowed as the feeling dissipated the moment your eyes locked.

Huh.

How come he seems awfully familiar?

FIC TAGLIST ━ STATUS: OPEN — ASK OR COMMENT 🫶

@fairyki @hysgf @euncsace @comet-falls @starlostseungmin @ameliesaysshoo @hyunverse @wnbnny @xocandyy @minluvly @moon0fthenight @estellaluna @hanjsquokka @starlostastronaut @soobnny

[whenmemorydies]

See this?

Carmy is about to pull this shit. He is really about to go in and likely blow up one of the only good relationships he has left from The Beef. After yelling at Tina from the pass. After stressing out everyone and their fucking dog cos he thinks this is acceptable behaviour if its all in service of a star?

This part of 3x03 Doors was such a jagged scene for me because of a few things (including what I've said above). What else got me:

Tina is someone Carmy knows, that Carmy loves (go back to their scene in 1x08 Braciole talking about Mikey. Go back to Carmy's soft "hey Tina you go ahead, you take the night off okay? I got you.");

Tina is an older woman of colour who has made the commitment to skill up so that she can work at The Bear after working at The Beef. Carmy has seen the work she has put in but in this moment, he pays none of it any mind. Imagine being T. Imagine how that would feel. Imagine how it would feel knowing all we know after watching Tina's journey in 3x06 Napkins. The thing is, Carmy doesn't need to know all of T's backstory to know his behaviour is unacceptable. The fact that he knows some of it and proceeds to act in this way is just more evidence of his white privilege showing its ass.

Carmy does not have the self reflexivity here to look at his young, white, male self yelling at this older WOC and see how fucked this is: how he's become another white guy in a litany of white men barking at workers of colour, not seeing Tina for the whole human she is but reducing her to a means of production. The racial dynamics on this show are so evident but don't get talked about nearly enough. I know the writers have crafted those dynamics on purpose because as beautiful a character as Carmy is, he's also a product of his environment as a white chef trained in a highly racially segregated field. This has repercussions for his relationships in season 3, particularly with the BIPOC characters in his life. @november-rising speaks about Carmy's behaviour in relation to Black women's experiences of love and professional recognition devastatingly here. Read their post and the reblogs.

While this shit made me so mad this season, it was also in character - as I've said here - for a white guy trained in fine dining to revert to established patterns of behaviour. Though, I'm gonna need the writers of the show to show US that they did this on purpose and have Carmy ATONE for this shit in season 4. Otherwise, what kind of redemption arc will this man have? This shit is hurtful to the BIPOC characters and BIPOC viewers of this show in no small part because white men the world over have a LONG history of using BIPOC people as a means of production and as a means of production alone. If you're unsure about this, please go look up the Transatlantic slave trade. Please go look up the history of colonial indentured labour. Please go look up The British East India Company. Please look up the forced labour regime in the modern prison industrial complex. Please go read a fucking book. And no I'm not saying Carmy is responsible for the slave trade (LMAO please hold fire if this is where your mind is going). I'm saying BIPOC folks carry with us a long ass history, an intergenerational history of this shit. But guess who else does too? White folks. So don't act like they dont.

This shit is also hurtful because we know how respectful Carmy can be. We’ve seen him in seasons 1 & 2. We know he knows what being a practical ally looks like (even if he may not have the language to name what he was doing) when he made sure to bring the staff of The Beef with him to The Bear and invested in them accordingly. We know he loves and respects them, none more so than Sydney. But there were so many times where he did not act like it in season 3. And when folks have got histories - not just personal but cultural too - as long and as loaded as we ALL do, actions account for a lot. What you do is the shorthand for who you are in the world, whether you like it or not.

Ok back to the scene.

Who comes in and simultaneously saves Carmy's ass and ANOTHER of his relationships? Who protects Tina and keeps the kitchen from exploding AGAIN?

Who supervises her sous chef like a fucking pro?

Sydney. Sydney. Sydney.

And who knows that he's in the presence of greatness but doesn't know how to articulate it cos he's not integrated, not by a fucking long shot. Who needs to attend some anti-racism training along with Al-Anon and therapy (so he can get the benefit of understanding his role in this system and get a better understanding of his own mind)?

Yeah you Carmen, you.

Better get on that shit before you lose the woman who is the beat to your whole heart another means of production to a chef who's going to pay her better, give Syd insurance from the jump and total creative control. Just saying.

[portablechemist]

This is a small thing, but I find it so interesting that the lyctors wear iridescent white robes. The text describes them as being the color of an oily sheen on water, and there's symbolism there of course, but a thing I've discovered (while trying to do a TLT cosplay) is that white iridescent fabric is always polyester. Plastic-based, terrible-for-the-environment, beloved-of-fast-fashion polyester. It doesn't breathe. Every time you wash it, it leaves behind microplastics in the water (which is maybe something to be examined about the Mithraeum's water recycling system). It's a major product of the oil industry, an industry which is heavily contributing to, if not spearheading, climate change.

And I think it's just so incredibly in character that John - the man who was given the power to save the Earth but instead started WWIII, trapped Her soul in the body of a Barbie, and has used Her as his personal power source for a myriad without a care for what She wants - picked a polyester fabric as the symbol of the First House.

Likely, he didn't even think about it.

[zundely]

Having more dragon age thoughts- this time about my dwarves, and partially about Varric.

So, hot take to lead with- Oghren is actually a much better and more insightful character to criticse dwarven cast system and culture then Varric. The best dwarven companion we ever got is obviously Sigrun but I feel like this one is pretty much self-explanatory, so I feel much more compelled to talk through our two lovely dwarven gentleman.

First thing I want to say is that, while I usually feel need to say that I do not hold anything against Varric as a character, his disdain for dwarven culture is something that bothers me a little. Especially since he is one of 3 dwarven companions we get across whole 3 games, and by far the most popular one. He is actually pretty similar to Sera at times in a way he views his own heretige but the games refuse to address it. Which is a shame because I think his view on the culture he was basically excommunicated from before he was even born should be a bigger deal then some quips about beards and getting antsy any time he steps near a thaig. Like Varric clearly has some very very complicated feelings about all things dwarven- something that no so subtly is a mirror of his very very complicated feelings on his brother who was much more of a 'real dwarf'. It feels like in an attempt to distance himself from what his brother represented Varric also felt a need to distance himself from anything too dwarven. But at the same time we see that it's something he never really let's go off- he is moved by his ancestor's fate in Legacy dlc questline, he keeps up with dwarven politics, he will get a bit miffed at mere mention of him not looking your standard dwarf.

However since dwarven culture doesn't come up half as much as elven one in later games we never really get to do anything with Varric's internalized issues. It's just sort of becomes a running joke that he is "not like other dwarves, that guy he HATES deep roads and he doesn't have a beard". And while that in itself is fine, not all characters have to focus on their relationship with their culture it becomes an issue when Varric is the only companion representative of said culture through 2 out of 3 games. It means the game has much less opportunities to present us with fun lore in an organic fashion because Varric is too busy making sure we know he hates it here. Like why I am more tempted to take Iron Bull to a dwarven ruins the Varric.

Oghren was ultimately a much better point of reference for dwarves because he is a product of this environment and he is surprisingly insightful and self-aware about it. And despite the multitude of ways in which Orzammar failed him he still cares about it. He still takes a lot of pride in his heretige even if all it really brought him is being rejected for becoming the thing it wanted him to be- a killing machine.

And now I am stuck on one hand wishing that there will be SOMETHING done with Varric's not feeling dwarfy enough- on the other however if Varric will be the only dwarven companion in DA:D I am going to scream. I am sorry all the Varric fans, he is either coming back in an advisor style role or I do not want to see him . It sometimes feels like the writers are not comfortable with writing dwarves and they use the 'least dwarfy dwarf' Varric as a get out of jail card and I just want something new.

[babyangelsky]

There may be something happening with the Colors™ in Love Sea but it's not just that...

This post began life as me wanting to talk about how amazing Peat's styling and wardrobe are and how much sense they make for his character, but as I was watching this week's episode, I noticed something that made me want to switch gears.

Then I went back and watched the preview and the clown in me stirred from its slumber.

But I do also wanna talk about Peat's styling. In episode 1 he arrived on the island looking like this:

He's dressed all in black, he's wearing slacks, dress shoes, and a long-sleeved shirt. In other words, he does not look remotely like someone who knew they were going to a tropical island. The only thing that has any business being on his body are his sunglasses.

But he doesn't stay like that! A few hours later, he arrives at the beach bar looking like this:

He's in sandals, the pants he's wearing look like they're made out of a lightweight fabric, and his top is loose has an open weave.

And this time, he does stay like that. For as long as he's on the island, he's in sandals and either shorts or lightweight pants and his tops are all either very loose and breezy or made from a woven fabric.

He does still wear dark colors but the basic components of his outfits are the same. Why am I harping on this? Because that's the point.

His outfits make sense!

He's on an island! It's hot, he's spending time at the beach and getting sand everywhere and he's DRESSING LIKE IT! He arrived looking he wasn't coming to an island but he packed for an island! He chose clothes that suited his style and that made sense for the environment. He looks expensive and beautiful and COMFORTABLE!

And in a world where we constantly see these poor BL actors sweating out every ounce of fluid in their body because they've been dressed like it's not hotter than the hinges of hell in Thailand, having a character dress like he knows where he is feels like a GIFT. This production is truly making fantastic choices.

Having said all that...

In noticing Tongrak's wardrobe, I noticed something else.

Woven fabric has texture to it and because so many of the tops we've seen Tongrak in are woven, he's always wearing something that's either textured or looks like it has texture. And Mahasamut?

He is always dressed in bright colorful patterns.

Do you see where I'm going with this?

They aren't color coded in the way we've come to know, they're primarily what I'm gonna call fabric coded: textures are Rak's, patterns are Mut's. But they are also color coded in the sense that Rak's textured tops are always a solid color and Mut's tops are always multicolored.

I may very well be wrong, I may very well be proving why I live at the circus but there was a moment in episode 4 that told me that I was on the right track.

Look what Mook chooses when she goes shopping with Vivi.

A WOVEN TOP IN A SOLID COLOR. She picks it because that's what she usually buys for Rak! Because that's the style that he likes!

But then the show went and teased me because we don't actually see what Vivi picked for Mut, the person they were actually shopping for.

THEN THE PREVIEW CAME IN CLUTCH AND GAVE ME THIS

VIVI BOUGHT MUT PATTERNED CLOTHING! The patterns aren't multicolored because he wasn't the one choosing them himself but they're still patterns! We can even go one step further and say that the patterns are in his brand new sugar daddy's colors.

AND WE WILL BECAUSE LOOK AT THIS! LOOK AT THE BALANCE!

I don't give one singular fuck if Tongrak can admit he's in love or not, THE COLORS AND PATTERNS DON'T LIE AND THIS IS A COLOR AND PATTERN EXCHANGE!

If at any point in this show there is a colorful pattern on Tongrak's body, I am going to lose my mind.

[elderwisp]

On Repeat - an oc tag

rules are pretty simple, pick as many (or as little) oc's as you'd like and find a song that you relate to them the most! feel free to mention why too! o and tag some more ppl too! that would be cool! i tag: @goldenwaves @acidheaddd @dejasenti99 @earthmoonz @moonfromearth @stinkrascal @matchalovertrait @lynzishell @sirianasims @vicciouxs @gvaudoiin-tricou @smulie @living-undead @pralinesims @lucidicer @literalite @nepotisim @mattodore @madebycoffee @daniigh0ul @changingplumbob @yukikocloud @cinamun @moonwoodhollow @youredreamingofroo @acuar-io @raiiny-bay

deep dive below ⇣

Frances Dubois:

Something about the whimsical instrumentals backed up with the haunting vocals almost reminds me of someone stuck in a loop. There's repetition in the chorus that solidifies that feeling. I also like the juxtaposition of the French lyrics, like the second singer is aware and has a desire to change. When I think of Frances, I envision someone in limbo and part of that is the inability to make a decision. She finds herself stuck, in a way, her anxiety makes the decision for her because doing nothing is something. Whilst Icarus has helped nudge her into making decisions such as aiding her in graduating, speaking to Atlas, and supporting her in her audition. there's still this internal desire to make that move on her own. The first time we see her do that is when she decides to kiss Icarus, which in a way, pushed her back into her loop as it didn't end well. As of current events, she's avoided him since.

↬ sometimes - mattyeux and princess chelsea

Daniella Álvarez:

This song to me encapsulates someone who has had to be independent at a very young age. The beginning opens with spoken lyrics, "She asked me who's taking care of me, I said, 'I take care of me'" and whilst incredibly empowering, there's always that question of how did we get here? Dan is the eldest of two younger siblings. In fact, there's quite the age gap between her siblings and if we look at Valeria, she also looks just as youthful. Dan is the product of an unplanned pregnancy as well as a bit of a narcissistic mother. The disorderly environment in which she's been given, learning to be a caretaker of her siblings and the constant pressure of success has lead her to have self-sufficient character. Whenever I think about her dynamic with her friends, I'm reminded of this scene, and she's the glue that is trying to hold the chaos together.

↬ taken care of - suzi wu

Kai Castillo:

Christ this song is so good. The instrumentals backed up by the vocals, feels a bit somber. Throughout Tessellate, Kai hides behind the fact that he has these feelings towards Atlas and they've started to bubble over into jealousy as Atlas's relationship grows with Kai's sister, Taryn. I also love that there are a lot of comparisons here to Lucifer Morningstar and religious elements. Kai's relationship with his religion is somewhat of a paradox as he is a closeted gay man to his parents, his sister and church. In fact, he does a lot of things that would bring quite a bit disapproval. He's unforthcoming, somewhat suspicious because his secrets have given him a reason to be. His story is of one that falls from grace.

↬ i am the antichrist to you - kishi bashi

Atlas Dubois:

While Paul Julian Banks narrates a song about struggling with addiction, I noticed there's a bit of a different beat in comparison to the rest of Interpol's songs. The tempo is much slower, as if exhaustion has set in and we're barely moving along. When we meet Atlas, it's at the beginning of a fresh start, not really knowing what has happened prior. Slowly throughout, we pull back minor details that entail his complex struggles with addiction. What initially started out as a bit of fun, became all consuming, allowing any given opportunity to be a reason why he should use. The bridge of this song also discuss the contrast between himself and his partner discovering his addiction for the first time. There's also a change in his tone during that that I find to be so neat! It does remind me a bit of his relationship with Taryn. I do know that addiction lasts a lifetime, and that love doesn't solve it all, but I also know that right support is the most important.

↬ rest my chemistry - interpol

[ghouldtime]

Scare Actor! Ghost

No thoughts, head empty. Only full of Scare Actor! Ghost

Scare Actor! Ghost who:

Only thought of the idea after seeing an ad for one on the telly one day. He immediately thought back to his brother Tommy and their youth

Though he didn't have fond memories then of the skull masks Tommy used to wear to freak him out as he grew up, he'd long since adjusted to it and wore his usual mask at work in part as memory (as well as for anonymity and intimidation)

Wearing the mask also helped him separate 'Ghost' from 'Simon', but Simon still hung onto the masks in remembrance of his brother. Carrying that part of him, even if he had long since passed away, helped him stay connected to why he kept fighting for the world

Seeing the masks and actors trying to get a scare out of others brought him back to specific memories of his brother, nostalgia flowing through him in a bittersweet way

What better way than to keep his memory alive than to partake in such things? Though the difference is people at haunted houses were ones who WANTED to be scared, he's not there to create anything more than good memories

Luckily he has that large form and intimidating nature that make him a natural at it - it meant getting hired was a breeze and doing his job came naturally

Usually is cast as a butcher character. He did work as a butcher so he already knows the routine. And he fits the role. He's a big beefy dude who can work a knife. Hauling fake carcasses is easy work as is standing there, twirling fake knives

Has a variety of masks. He doesn't usually wear plain skull ones because it's too... basic most times for such an environment. He wants to keep that work separate and not chance anyone recognizing him.

He has a zombified face, a Frankenstein pig's head, and a boar's skull mask - he has them with him so he can switch if needed mid-job

Made the masks himself. He thought the ones offered in stores weren't to his vibe and felt too cheap and inauthentic. Not to mention, he already made his skull mask for his main job. Soap wasn't fully wrong when he joked about the mask making

Is skilled in a variety of crafting techniques that he's picked up over the years due to needing something to keep him busy in his down-time so he can feel productive and keep himself mentally there

Quickly becomes a fan favorite. Not only did he have the intimidation factor, but he had the mysterious, haunting vibe that drew people in

Is a natural at hiding in the shadows and moving silently. Stealth is his middle name which means he's getting the best jump scares there are

Can follow the group throughout the house for ages before they realize something is off. They only know when it's too late

Doesn't keep to a routine. He knows better than to stick to predictability. It keeps things refreshing and means if anyone dares to go through twice, they won't be experiencing the same thing

Usually isn't a chaser or one who runs after. Instead he's methodical and calculated as he tracks movement throughout the building, herding the crowd to the right area and picking them off one by one

Figures that cold, calculating steps as his 'victim' of the night is cornered with no way out is a whole lot scarier than just screaming and chasing them

Enlists the help of junior scare-rs, aka the kids going through. The little menaces who try to spook the scare actors or who put on a brave face as usually taken aside by him to help get at their parents or friends (it's always worth it to see the looks on their faces)

He's still a gentle giant. He might be playing the role of a cannibalistic butcher or a crazed serial killer, but if someone appears particularly distressed, he'll leave them be or will even take them aside and behind the scenes if they're clearly not enjoying it

Is well loved by any haunted house he works at. Due to his crafting skills, he's often helping out the props department. His strategic thinking means he can coordinate better scares among the actors too and adapt to everyone's strengths which creates a WAY better atmosphere where everyone can be in their element

Works with the makeup department, helping to correct their work to make sure it's the most realistic looking gore-y effects when possible. He never says how he knows why it would look like that, but sure enough, it always looks better when they listen to him

I love Scare actor! Ghost. I need to write for him for REAL and there's a reader insert on the way as a WIP cause I can't get it out of my head

(I'd love to write a haunted house actors AU for TF 141 and the other guys/gals too 😭)

[mirai-e-jump]

Ohsama Sentai King-Ohger Photo Book: ~King of Kings~ Main Cast Member Interviews Support Cast Special Comments (translations below, LONG POST)

(other pages)

Sakai Taisei (Gira Husty)

-The Director's valuable advice on how to play Gira in a natural way-

I think that we were able to complete filming without any issues due to the support of many people over the past year.

As an actor, I was inspired alot by the many career actors in the King-Ohger cast. In particular, Morioka Yutaka-san, who played Douga, and Masato Yano-san, who played Racules, both of whom I had many opportunities to work with, were very important. However, both of them didn't give me any specific advice on the set. They always had the attitude of, "You're free to do whatever you want to do," and I was grateful for that more than anything.

Filming was done in front of a green screen in the studio, which was a special environment, but since I personally didn't have much experience in filming dramas, I had no objections to it at all. Sometimes we filmed on location, so experiencing the "live scenery" and "atmosphere of the site" was nice, but in our situation, we felt uncomfortable unless we were in front of the green screen (laughs). It had become such a normal thing for us.

As for the performance, at first I couldn't understand the Director's intentions and was just figuring it out in my head, but then Director Kamihoriuchi Kazuya told me, "Feel it with your heart," and that's when it became easier to act. After that, I feel like I was able to take on the role of Gira more naturally throughout those days of filming.

Also, I think we showed "Gira two years later" in the new chapter partly through the visuals and direction, such as his costume and hairstyle, but I also wanted to play the role showing a more relaxed side in my own way.

-The wonderful thing about Gira is that he's always there for others-

What I was most mindful of throughout the year was definitely the relationship with Racules. I wasn't told of any future developments, so I was surprised when I read the scripts for episodes 41 and 42. Even though he's his older brother I played the role with a strong sense of, "Overthrow Racules!" I had heard during filming for episode 20 that he was going to reappear later, but I had no idea he was destined to carry such a cruel burden……That's why I was deeply moved by our joint fight scene in episode 42.

After that, in episode 43, I'll never forget the scene where we hold each other's hands. Compared to Yano-san, I think I'm still inexperienced in some aspects of acting, but I did my best in my own way, so I'd be happy if you could grasp the feelings the two of us have.

From episode 48 to the final episode, many of the cast members who've helped us in the past reappeared, and the motivation on set was even higher than usual. The main Director of the last three episodes was Kamihoriuchi-san, and the six of us who play the roles of the kings have absolute trust in the Director, but he's also someone who's uncompromising in his approach to the play, so I worked hard to "hang in there until the very end."

The final day of filming was the scene in the final episode where the six of us are untransformed. I personally didn't intend to be overly emotional just because it was the final take. However, when the Director said "OK!," the cast and crew involved in the production, including Yano-san, who wasn't supposed to be filming that day, gathered around. I thought, "So many people were watching over us" and became overwhelmed with emotion……I think I probably cried more than anyone else (laughs).

Looking back on all the episodes, I think that Gira was always portrayed as a character who stood by someone's side. He always tries to understand people's feelings, regardless of whether they're a king, retainer, or a citizen, and I thought it was wonderful to see that kind of attitude as I played Gira

As time goes on, please don't forget about Gira!

Watanabe Aoto (Yanma Gast)

-Yanma's coolness is the charm that Director Kamioriuchi possesses-

Currently, when I look back at Yanma from a year ago, I feel alittle embarrassed because he seems so childish (laughs). I've jokingly said to the staff on set things like, "I want to reshoot that scene," but on the other hand, I felt that it was a performance that only I, who had just encountered Yanma, could give. That's just how I feel right now.

As for my role, it was largely created together with Director Kamihoriuchi Kazuya. In the beginning, I read stories about real kings and books by various leaders, and I tried to express them through "moving performances." In response, the Director told me to, "Take a more confident stance," and from that point on, I had the image of, "Even if he doesn't say much, his coolness will be shown through his actions." To be more specific, Yanma has something in common with Director Kamihoriuchi himself. I think that the Director's charm as a person is reflected through Yanma.

What I remember well from early filming was the N'kosopa scene in episode 2. We spent the whole day filming in the cold during the middle of winter with the participation of members of the TTFC (Toei Tokusatsu Fan Club), and it truly felt like a king and his people overcoming their difficulties as one. Episode 2 in particular was the one where I read the script repeatedly after my audition, so I'll never forget the excitement I felt when I saw the finished footage.

Every episode is filled with memories, but the developments that take place two years later starting from episode 27 stirred me up. At first, I thought he was going to be alittle more mature and relaxed, but now that his hair was a blonde pompadour, I decided to play a more active role. In episode 35, when they all go to take back the invaded N'kosopa, I felt Yanma's growth compared to episode 2. The actual successful recapture took place in episode 39. During that time, for the main episodes of Hymeno, Kaguragi, and Rita, Yanma had many funny moments, and as I played him I thought that even though things were tough, he doesn't stay down, which is another cool thing about him.

-The fans are part of the production!-

When he was being manipulated by Hilbil in episode 44, the interaction with Gira had many homages to the past. Usually, there are many opportunities for Yanma to say something preachy, but in this episode it's the opposite, and Yanma catching Gira's fist is also a reverse pattern from episode 17.

Also, defeating Hilbil using the 10 combination King-Ohger for the first time in a long time was a hot development, and in the end, we both said the exact same lines as in episode 2, being, "Lowlifes like you…(-Gira), Should know your place…(-Yanma), On your knees! (-both)."

From episode 48 to the final episode, new assets have been created, and I think that the viewers will enjoy the spectacular visuals until the very end.

In the scene where the "King's Proof" is returned, only my mouth is shown, and the Director told me, "The love you've received is too great, so it's okay if you cry." I intended to act dignified, but those words were like magic, and I was immediately overcome with emotion.

Other hot developments include the reappearance of major characters, and the relationship between the kings and the people they're meant to protect is also noteworthy.

Even after all the battles were over, Yanma still had work to do, and I was able to play the role of Yanma, who's always looking forward until the end.

After working on it for a year, first of all, I'm relieved that filming was completed successfully, and I'd like to take this opportunity to express my feelings of "thank you" to the many people who supported us.

Personally, I believe that King-Ohger was created by everyone, and the fans are also a part of the production. I'd be happy if you could think of us six kings from time to time.

Murakami Erica (Hymeno Ran)

-The key to playing Hymeno is "how to deal with life"-

Hymeno has a selfish side, but if she shows it too forcefully, her position as a king will be in danger. Of course, it's not just being selfish, and the reason was depicted in episode 3, but reading the script and actually doing the performance gave off a different impression, so I explored this through the opinions of the people on set and through interactions with the cast. Also, after learning about the setting in which her parents were murdered in episode 7, I thought that Hymeno's key point was "how to deal with life."

I was acting without knowing what was going to happen next, but it was interesting to see things in a different point of view once all the facts were known, such as the foreshadowing of the anesthetic in episode 8 being revealed in episode 42. It was like reading a serialized manga, and there was a competition among the cast to see who would get the new script first (laughs), and the person who got it first would upload a photo of the script to our group chat.

Personally, my favorite episode was episode 28. I had alot of conversations with Kaku So-san about playing Kaguragi, and I was able to see a side of Kaguragi that I had never seen before, and I think we were able to deepen our understanding not only of our characters, but also of the cast. Other than that, I also enjoyed episode 36. The matchmaking competition was hard to endure because everyone was trying their best to make me laugh, like Yanma's weird face when he was being controlled by Jeramie (laughs). Also, Hymeno, who was being impersonated by Kamejim, casually crossed her legs even though she doesn't usually do that. The uglier the fake becomes, the brighter the real one shines, so I was conscious of the gap between the two while concealing her true identity.

When I got involved with Rita in episode 5, Director Kamihoriuchi Kazuya told me, "I want you to perform the role of Hymeno as if she's aware Rita will be hard to deal with." At first I thought, "Hymeno and Rita are incompatible, huh," but as they got closer and closer through Moffun and the "Wrath of God," I feel that they've become a very special person to Hymeno. That's why when Rita came to Ishabana in episode 30, Rita may have just been fulfilling their duties, but I thought it was cute that they misunderstood that Hymeno had gone out of her way to meet them. To be honest, I was pretty excited to film the tea scene (laughs).

-I was lifted up by Hymeno's inner strength-

The existence of Grodie, the enemy of her parents, was revealed in episode 30 and defeated in episode 47, but before that, I personally thought episode 46 was important. Jeramie decides to use his"King's Proof" to give life to the immortal Grodie, and Hymeno accepts his decision. There's a conversation between the two of them where they said, "It's okay to cry" and, "I'll ruin my makeup." The script was based on the answer I gave to screenwriter Takano Minato-san when he asked me, "What do you want to do?" I suggested that if a little girl was crying and Hymeno came to her, she might say something like, "What a waste of a pretty face" or "Your mascara will be ruined" to keep her positive. When I opened the script, I was surprised to find that she wouldn't be crying, but I was happy because I wanted to show Hymeno's strong will!

In the end, it was an "all star" effort, and I was thrilled that she was reunited with her parents in episode 49. Although the scene took place while both of them were concentrating on providing treatment, they were able to communicate without having to talk, and I felt a sense of closure within Hymeno. In the final episode, it was cool to see everyone stand up against Dagded, there were some unexpected surprises, and we were able to reach a truly wonderful ending.

All 50 episodes are filled with the passion of the cast and staff, and I think that no matter which episode you watch, you won't be disappointed. During all this, I myself was lifted up by Hymeno's inner strength, and I'm so glad that I was able to work with all the cast members until the end. I hope to see you again in the future, such as the FLT, so please continue to support us!

Hirakawa Yuzuki (Rita Kaniska)

-Playing the role of Rita by moving their "mind" with their whole body-

The role of Rita is an "immovable" character, so the performance doesn't focus on movement, and their face is visible only through their left eye and you can't see their facial expressions, so it was difficult in the early days of filming. The solo performances were particularly difficult. In episode 12, there's the trial scene where Jeramie is listening to them, but since only my eye was visible, I was concerned that my blinking or the direction of my gaze might convey nuance that I didn't intend. At that time, Director Kamihoriuchi Kazuya gave me advice of, "If you perform by moving your mind with your whole body, it becomes an expression, so you don't have to be caught up in performing with only your left eye." This gave me confidence and made me think, "Maybe there's more I can do."

When talking about Rita, their relationship with Hymeno is also important. In addition to being king, Rita has the role of Chief International Justice, so there was a part of them that drew a line between themself and others, but after the interaction with Hymeno was depicted towards the end of episode 16, Rita was able to separate their work and private life, and the areas where they could express themself gradually became clearer. I thought that when they had tea together in episode 30, it was another scene that brought them closer together.

Also, Karras and Shiron are like parents to Rita. In episode 16, we learned some of Rita's past, which I thought could be reflected in future performances. After that, everything came together in episode 30. When I read the script and learned of Shiron's death, I was personally shaken, and during filming, I was able to fully feel Rita's feelings while acting. Also, while they were determined to seal Grodie in this episode, Hymeno stopped them from doing so, and it reminded them once again of how valued they are. Episode 30 is an unforgettable episode, not only because of their relationship with Hymeno, but also in the sense that Rita became stronger after preparing to die.

-It was a year of pursuing the role of Rita that I envisioned-

I was very happy to receive lots of feedback on SNS for the Idol episode.

The stage scene was only about two lines long in the script, but the set they created was so beautiful, so I went into filming thinking, "I hope the viewers will enjoy it."

It was the most difficult time for me, learning dances and recording at the same time as filming, but I have the impression that I did my best as "Hirakawa Yuzuki" in this episode, even though I was playing Rita.

Towards the end of episode 45, it was very exciting to see Kaguragi and Rita, who had never had a chance to really interact before, working together. Since we often filmed separately, when we met, Kaku So-san and I would report to each other with, "How did that scene go?"

I was also impressed by the scene in episode 48 where they launch the evacuation plan "Zero." It was really hard even for me to admit that they couldn't defeat Dagded, but I think that's just how much I got into the role.

At the end of the story that spanned a year, six people with very strong personalities come together, and if just one of them were missing, the story could not be completed, so I think it concluded in a way that was truly typical of "Ohsama Sentai."

Looking back, I had wanted to play the role of Rita since the audition stage, and being able to pursue my own vision of Rita for a year was an invaluable and truly precious experience.

Now that filming's over, I feel sad, but I hope that people will look back on the show after it's finished airing, and I hope that it grows into a show that'll continue to be loved forever.

Kaku So (Kaguragi Dybowski)

-Until I did the difficult role of deceiving and tricking people-

In the beginning I was told that the role of Kaguragi was a character that deceives and tricks people, but at the same time, the Producer said, "Please don't make him someone that people dislike," and I thought, "No, that's going to be difficult" (laughs). In a way, Kaguragi has conflicting aspects, but in episode 4, the resolution within me improved, and I began to enjoy playing the role more.

Also, the "Hweh?" response when he's acting silly in episode 8 wasn't specifically written in the script, and when I first tried to just do the facial expression, Director Yamaguchi Kyohei said, "I want it to have alittle more impact," so I also added the voice. It's thanks to the Director that I was able to emphasize his personality.

Then there's the relationship with his younger sister Suzume. Kamura Mami-san, who plays Suzume, had such a convincing performance from the first day that it made me think, "That's Kaguragi's sister," and through her I was able to bring out the comedic side of my performance alot more.

All the episodes are memorable, but if I had to pick one main episode for Kaguragi, it would be episode 37. While I've always played the role that rides the line between good and evil, that episode gave more weight to the fact that he carries a tragic past, and I myself became more fond of Kaguragi. The honest and pure Kaguragi I played in the flashback scenes are literally just me (laughs), so it was easy to do. His voice is usually deep and threatening, but at that time I tried to show his "difference" by using a tone that was closer to my actual self.

It was also interesting to perform the scene where he and Racules, played by Masato Yano-chan, were trying to expose each other's secrets. However, I wasn't sure about their relationship, and one time when I asked Yano-chan, "Do you know when they'll become friends?," he left me hanging with, "No, I don't know" (laughs). I first found out about their backgrounds when I read the script for episode 42. In retrospect, he was mostly absent in episode 36, was he perhaps discussing things with Racules behind the scenes? The line at the end of episode 37, "Let's take the dirtiest road ahead from now on," was also foreshadowing.

As for Kaguragi, he probably believed in Suzume and followed Racules, and I believe that he carried out his own will even though he was prepared to be deceived.

-Even now, Kaguragi's in my heart!-

Towards the end of episode 45, it became a main episode between him and Rita, someone he had little chance to interact with up until then. It was a new experience for me to work with Yuzuyan, and we enjoyed each other's presence. The scenes where they both communicate their feelings were performed separately because I spoke to their partner Morphonia, but even though they weren't in the same space, it was really cool to depict that they shared the same mindset. Kaguragi may be deceiving on the surface, but deep down, he just wants to make people smile, and I was able to portray that side of him.

The final episode completes the story, but there's also some room that allows you to use your imagination, which is what I like about it. If it ended properly, that'd be sad, wouldn't it? During filming, I worked hard until the end, but I'm personally the type of person who likes to joke around and have fun while doing it. I'm glad that we were able to spend time in a cheerful atmosphere until the very final moment.

Even after all filming finishes, I still have many more opportunities to play Kaguragi, including performances at Theater G Rosso and the FLT, and I still feel as if Kaguragi is in my heart.

Having a stance like Kaguragi's may not be easily rewarded, but I think it's filled with what's important for people to live their lives.

Whenever you feel like giving up or are having a hard time, I'd be happy if you could remember Kaguragi and think, "Let's do our best!"

Ikeda Masashi (Jeramie Brasieri)

-Jeramie, who's been alive for 2,000 years, shows his "composure"-

In my situation as Jeramie, I started out as the narrator, so my job began with voice recording. The other five had already started filming, and looking back, it feels nostalgic, as when I first greeted them, I was overwhelmed by their flashy costumes and everyone's aura. I made my first appearance as Jeramie at the end of episode 11, where I was suddenly performing with a mask on.

My real appearance began in the next one, episode 12, and since his character is set to have lived for 2,000 years, I thought I should have a certain amount of freedom in my performance. At the time, I still wasn't used to being on set, but it's not good to get nervous, so I just gave it my best shot. I was really happy that everyone was willing to talk to me during this time. Thanks to them, I was able to open up right away.

In the beginning, I think Jeramie was a character who he himself was hard to read between the lines (laughs), but as the story progressed, his growth was also depicted, which I personally found very rewarding to perform. In particular, I think that episode 26 was a turning point for Jeramie. Just before Desnarak VIII dies, the scene where they exchange the lines, "You'll become king, and make them see, that the Bugnarak are here" and, "You'll be there too……" is one of my favorites in the entire show. Desnarak VIII is family, as they share the same name "Narak," and the, "You'll be there too" was an expression of his feelings that he didn't want him to die, as Desnarak VIII's existence was a major factor in Jeramie's resolution to become king.

-The final episode had a perfect conclusion and everyone was satisfied-

After entering the new chapter, in episode 29, there was a scene in which I play a major role as the mastermind behind everything. It was difficult to find the right balance, but I acted with so much enthusiasm that I was willing to yell at everyone. As Jeramie, I wish for peace more than anyone else, as I want to protect everyone at the expense of myself, so I faced the situation as best as I could, which was both noble and heartbreaking.

Then, in episode 31, everyone fought to clear my (Jeramie's) name. I feel that Jeramie, who has been lonely for such a long time, had finally made true and kind friends. Also, the line "I love you" that he says to his mother (Nephila) in this episode really moved me. In episode 12, for those words he said, "There's no phrase in this world that's more cliche," but I didn't realize he would capture that foreshadowing so effectively.

There's a scene where he fights together with his mother towards the end of episode 49, and I'd like the parents who watch the show to pay attention to the relationship between us as parent and child.

Also, in episode 47, it was really intense when Grodie was given the "King's Proof." For Jeramie, the "King's Proof" is "eternal life," so he'll no longer be immortal if he uses it……The determination to reach that point was no ordinary feat, and it must've been very worrying. That's why the scene where Jeramie talks with Hymeno in front of the setting sun after making up his mind left such an impression on me. Marie was able to convey her thoughts clearly, so I was able to naturally get into the role, and I think the two of us were able to create a performance that worked well together.

The final episode perfectly portrayed Jeramie's role as the storyteller, which had continued from the first episode, and the story comes to a perfect conclusion based on what had happened so far. I was talking to everyone on set, and deep down, we feel we were able to end the show properly.

More than anything, I'm really satisfied that I was able to spend a year with this group. Throughout the year, I'm sure each of us had our own hard and painful times, but seeing everyone's faces on set made me feel at ease. I'm very grateful to the five of you who played the roles of king.

Ohsama Sentai King-Ohger: The Kings Group Discussion Over the past year of filming, the bonds of the cast have gradually deepened. Looking back on filming, we asked them about their "true opinions" that they can only talk about now.

-Fun memories from the past year-

Kaku: The first topic is "fun memories." Does that mean the casual conversations we all had while filming? (laughs). We all talked in the moment and everyone would laugh and go "wahaha" alot.

Hirakawa: On the other hand, filming alone made me feel really lonely. It was natural for me to be with everyone else.

Murakami: It was part of our daily routine to go out and eat with everyone after we finished filming. It was fun~.

Watanabe: Also, the day before the broadcast was part of the fun!

Sakai: It's really exciting to see your own performance on screen. And then there were the reactions after the broadcast.

Hirakawa: We were popular every week on SNS.

Kaku: Each time, the character with the most active role would be trending.

Ikeda: For me, the recording sessions were also fun.

Murakami: I'd see footage for scenes I wasn't in for the first time during the recording, so that was alot of fun too.

-The many true selves that everyone's seen-

Murakami: After spending time with everyone, the first thing that surprised me was that Taisei actually likes to play pranks.

Sakai: Eh? I've never played one once.

Kaku: That's a lie!

Murakami: You did stuff like add wasabi to our kaisendon (laughs).

Hirakawa: It was really spicy! (laughs).

Murakami: Or before our cue, you'd shout, "Whaa!" from behind us.

Sakai: I never did that~

Ikeda: Yes you did~

Hirakawa: He did that to me too (laughs).

Murakami: It was also abit surprising that Aoto, who I thought was cool at first, would also mess around.

Watanabe: Eh? Really?

Hirakawa: It's also surprising that he pretends not to know. Actually, he's "in charge of being cute" (laughs).

Murakami: Yeah, "the person in charge of being cute."

Watanabe: When I first learned about the cast of the kings, I thought I was going to be the "cute one" (laughs).

Hirakawa: That's what we're saying!

Sakai: For Marie, even when we were filming late at night and everyone was tired, she had a fun aura surrounding her.

Kaku: Her jokes were amazing. We listened to these awkward jokes as we continued to perform at other sites.

Murakami: My nickname became "Mood Breaker."

Watanabe: Eh? This is my first time hearing that!

Murakami: Are you a liar?

Watanabe: That's a really straightforward insult! (laughs).

Murakami: Ahahahaha.

Sakai: The usual pattern is that Marie suddenly says something strange and everyone laughs.

Murakami: At first, I thought, "I have to do this properly," but halfway through I gave up (laughs).

Hirakawa: No, you gave up early on.

Murakami: Ehehe (laughs).

Kaku: For Masashi, he tried his best in the beginning to join in, but soon the two of us started speaking nonsense in our dressing room.

Ikeda: Conversations where you turn off your brain.

Kaku: That's it (laughs).

Watanabe: Definitely, when I passed by Masashi's dressing room, I often heard his voice from inside.

Ikeda: I have a loud voice!

Watanabe: Not a single sound came from the dressing room me and Taisei shared (laughs).

Sakai: You two seemed to be having fun.

Murakami: Yuzuyan is the youngest of the members, but she's like an "older sister" in some ways.

Ikeda: Yeah, she has the image of a caring person.

Kaku: Still, you're the youngest in your family, right?

Hirakawa: Yes!

Watanabe: It's fine now, but when we first met, she wouldn't even look me in the eyes (laughs).

Hirakawa: I'm a shy person, but I usually talk alot to hide my shyness. However, I was really nervous at the beginning of King-Oher (bitter smile).

Watanabe: And now, you're a lively person!

Sakai: I'm also from Kyushu, so I felt a sense of familiarity from the beginning. That's why I don't think you had any major changes from beginning to end, right?

Hirakawa: But, at some point, I started speaking with a dialect.

Sakai: Ah, that's right.

Murakami: Yuzuyan gave her all from the beginning.

Hirakawa: That's because Kaku-san, the oldest of our group, affectionately embraced all of us.

Kaku: Yeah! Say more of that!

Ikeda: Because of that, there was an atmosphere on the set where we could talk about anything.

Sakai: He really brought the five of us together.

Kaku: That makes me happy! Thank you (laughs).

Murakami: How cute~

Kaku: No, this is seriously embarrassing.

Hirakawa: (to Watanabe) Aren't you in charge of being cute?

Watanabe: (laughs).

Kaku: Conversely, I was saved by everyone's good character. That's why I wanted to support everyone. I've always felt that way.

-Feelings I want to share with everyone now-

Kaku: If we were to take this opportunity to say a few words to everyone, I'd first start with Masashi. Thanks for always messing around with me!

Watanabe: I hope Masashi will continue to do well with his friendliness.

Sakai: I want to work together again with you even after this job ends!

Hirakawa: I really appreciate the way you always looked out for everyone during filming.

Murakami: When we all go out together, he takes the initiative to invite us. Thank you for creating so many memories.

Ikeda: Eh! I'm so happy! Marie has always been cheerful, and I hope she continues to do her best with her cheerful and beloved character!

Murakami: Yeah! I'll do my best!

Watanabe: I hope you keep that smile on your face.

Sakai: She has the kind of character that I wish I had as a childhood friend or something. You always had a smile on your face and brightened up the set.

Kaku: For her performance, in the Hymeno episode (episode 36), Hymeno, who was being impersonated by Kamejim, was really interesting. I'd like to see a performance like that in a different production.

Hirakawa: Marie has always supported me with her "harmonizing" spirit. On the other hand, from now on, I hope to be able to help her as much as possible.

Murakami: Yuzuyan is the one who has always been there for me. I think that's her strength, and I hope she continues to be there for many people.

Hirakawa: Of course! Thank you.

Kaku: Despite being the youngest, she was the hardest worker in our group. During the idol episode (episode 38), even though she was having a hard time during filming, she simply said, "I have to practice tomorrow and the day after tomorrow, and then the day after the day after tomorrow I have a costume fitting." That's what gave me courage and energy.

Watanabe: She was more aware of her surroundings than anyone else. You helped me there too.

Sakai: That's right. When I was alittle out of the loop, she'd casually come over to me.

Watanabe: I'd say it's okay to think for yourself from now on.

Ikeda: Right, take care of yourself more.

Watanabe: Be selfish.

Hirakawa: Well then, I guess my goal is to be Hymeno (laughs)

Murakami: For Kaku-san, when the time came, he'd show off his "dependable big brother" nature.

Ikeda: He's got a heart as generous as the universe itself.

Hirakawa: I asked Kaku-san for alot of advice during filming, and he always listened to everything. I'm sure I'll be asking him for advice again in the future.

Kaku: Please do, please do!

Watanabe: When I got heated, he'd calmly give me advice from an adult's point of view. I also got alot of advice from him.

Sakai: I'm not the type of person who can talk to others about things, but there were times when Kaku-san sensed that I was at a loss and approached me. That made me really happy.

Kaku: I was alittle worried that you'd all think, "How annoying" (laughs).

Murakami: Aoto seemed like he was laid back, but even when times were tough or difficult, he always made it a point to help liven up the mood.

Ikeda: Usually, Nabe-chan and I notice the same things. We'd both go, "Hmm?"

Watanabe: That's true! (laughs).

Ikeda: That made me happy.

Kaku: Also, he had a super funny and cute character. He made me laugh so much.

Hirakawa: In the beginning, I wasn't the type to talk much, but I was happy to open up to Aoto!

Sakai, Murakami, Kaku & Ikeda: Right?!

Watanabe: No, I think I opened up first.

Hirakawa: We opened up to each other. At first, I thought we'd never get along (laughs).

Watanabe: Eeeh~?

Hirakawa: I kept watching you from different angles, and then you spoke up unexpectedly. I spoke up too.

Ikeda: Such words! (laughs). (*she used alot of onomatopoeia)

Sakai: Aoto and I are the only ones who are the same age.

Ikeda: That's true

Sakai: Especially in the pilot (episodes 1-5), I still wasn't used to things, but I was really inspired by Aoto's good acting.

Watanabe: No, on the contrary, I was focused on Taisei.

Murakami: Taisei had a huge burden on his shoulders as the main character, and it must've been extremely difficult for him, but I thought it was really amazing that he didn't come off that way at all.

Ikeda: Yeah, I definitely respect that.

Hirakawa: You must've had a much harder year than us. Still, you never said "It's tough" or, "I'm tired" at all.

Sakai: No, there were times when it was tough.

Hirakawa: It's amazing that you never showed it.

Kaku: Taisei had alot of trial and error in the beginning, but halfway through, I learned alot from him, including how to switch between emotions and how to act. What'll happen when you play a different role in the future? Right now, I'm very excited about Taisei, and wonder what kind of actor he'll become in the future.

Murakami: After all, he's the "leader."

Ikeda: Thank you for being the leader of King-Ohger!

Sakai: Same here, thank you everyone!

Murakami: Even after this job ends, I want to see you all again.

Watanabe, Hirakawa, Kaku & Ikeda: We'll definitely get together again!

Retainer Cast Special Comments From the cast members who fulfilled their roles as competent followers, supporting the kings of each country, their comments have arrived.

Morioka Yutaka (Douga) Profile: A strong retainer who served as part of the entourage for Racules. After that, he went job hunting in the other countries but wasn't hired, so he became the retainer for the next king, Gira, and protected the country.

"Please tell us what you respect about Douga."

Morioka: He's someone who values etiquette, does his absolute best in everything he does, and lives his life honestly through his own convictions. He has a strong will that allows him to sincerely offer advice to his king, but I also like the fact that there's a part of him that's somewhat out of the ordinary and we get a glimpse into his cute side.

"What are your impressions of Gira and Racules (including Sakai Taisei and Masato Yano), and were there any memorable moments during filming?"

Morioka: I think that both of them have a perfect link between their own personalities and those of the roles they played. Sakai Husty-sama is kind to everyone, and his natural side that's visible in his hard work is endearing, which makes me smile when I see him on set. Yano Husty-sama built his performance with great delicacy and precision. He truly is Racules. Their appearance have a certain "aura" that allows me to be their retainer without forcing myself to be aware of it.

"Give a message to the character you played!"

Morioka: Douga, you must be exhausted from the many things you had to do to support your country and family…..Sometimes, it's good to spend time relaxing and not think about anything.

"What was your most memorable moment in King-Ohger?"

Morioka: It'd be episode 21, the episode where Douga's job hunting. I have fond memories of the staff working together to support me to the best of their ability, even in the silliest scenes, including the wonderfully strange costumes and props as I traveled around each country. Then, after the short but intense performances with the other retainers of each country, there was the serious last scene with Gira-san. It was great and I'm truly grateful.

"A message to all the retainer members of the other countries!"

Morioka: Shiokara, don't address the kings with "you." Sebastian, despite your appearance, I'm in awe of your physical ability. Kuroda, I'd like to learn from you your excellent fighting skills. Morphonia, you should try to be alittle more motivated everyday. (*form of "you" meaning you're inferior to the speaker)

"Please give a message to the fans of King-Ohger."

Morioka: This was my first time participating in the Super Sentai series, and I was surprised and moved by the amount of energy and love shown by all the tokusatsu fans, and I was able to make it through this because of everyone's support. I can only express my gratitude. Your words on SNS and other sites have been well received. Please continue to love King-Ohger!

Chiwata Yuhei (Shiokara) Profile: When they first met, he saw Yanma as a yankii with a bossy attitude, but admired him after learning of his manly spirit. After that, as Yanma became king of N'kosopa, he became his retainer.

"Please tell us what you respect about Shiokara."

Chiwata: There's alot, but the most important would be his charm. You could call it junior colleague energy, but I think he's good at building relationships and closing the distance with people. I was never good at such things, but as I got older, I began to realize the importance of it and started to practice, and little by little, my weakness turned into my strength. However, I'm still not as good as Shiokara-kun, so I'd like to use him as a reference (laughs).

"What are your impressions of Yanma (including Watanabe Aoto), and were there any memorable moments during filming?"

Chiwata: I feel that Yanma is a character whose emotional growth was depicted throughout all the episodes. I think it's cool that he's able to calmly, sometimes violently, confront everything that happens to him, and then use what he learns from it to take the next steps in his life. I think this is also due to Aoto's acting ability, so Yanma and Aoto are one and the same! The most memorable moment was in episode 10. I still vividly remember thinking that the way he created the atmosphere of the scene was wonderful, just like Aoto.

"Give a message to the character you played!"

Chiwata: Thank you so much for your hard work! Keep up with the most coolest Yanma-kun and follow him wherever he goes!

"What was your most memorable moment in King-Ohger?"

Chiwata: It's episode 35. I was very happy that Shiokara's character, which had been built up, was given depth, and that his past of being very different was depicted. It was a really hot development, and as an actor, there were many scenes that required alot of passion, so even preparing for it was fun. Until the actual performance, I would read the script everyday and think, "How would Aoto react if I did this?" Normally, I don't discuss the scripts with Aoto, so imagining it was part of the fun. What's more, we wouldn't know the title of an episode until the week before it aired, so when I saw the title, "Don't Cry Slack Jawed Tanuki," I was moved. The last bit of the episode was a perfect fit. Furthermore, I was overwhelmed with emotion when I heard that it was (screenwriter) Takano Minato-san who came up with the idea. I was also very happy that this episode won a special award at the "Toei Tokusatsu Fan Awards 2023."

"A message to all the retainer members of the other countries!"

Chiwata: Originally, I don't think the Super Sentai series featured so many sub characters. This is because there are already six members making up the main cast. However, I think the reason why the retainers have become so beloved is due to the fact that we all played appealing characters, and continued to support the main cast, who played the kings, in different ways in each country. This resulted in the popularity of "retainers". And for that, I'm grateful. Thank you so much!

"Please give a message to the fans of King-Ohger."

Chiwata: First off, thank you so much for sticking with us for the past year. I still think about how fortunate I am to have been involved in this production in the long history of the Super Sentai series. It was a great experience for me to see everyone's excitement online every week, and to then go to the set feeling like I was carrying everyone's voice with me as I performed. In this show, each character stands out, and I've seen the characters moving freely in everyone's minds through fanart, and I feel that this was a production that has been truly loved by everyone. There were alot of things that made me feel like, "Ah! I see, I definitely think Shiokara would say that! I think I'll do it! I want to play Shiokara like this!," and they were alot of fun to see. I also felt a real love for the people who participated as extras and prepared costumes for the different countries. Thank you so much. The Super Sentai series is revised every year, but I hope that King-Ohger will remain in your hearts forever. And, for those of you who are children now, I'd like you to go back and watch it again when you grow up. I'm sure you'll see it differently. Until then, let's meet again soon!

Yoshimitsu Hiroto (Sebastian) Profile: His real name is Romane Dearborn (aged 25). Under orders from Hymeno, he was given a "butler looking" elderly appearance through special makeup, and changed his name to "Sebastian" when he became Hymeno's retainer.

"Please tell us what you respect about Sebastian."

Yoshimitsu: I think that Sebastian's willingness to fulfill any of Hymeno-sama's selfish requests is worthy of respect. Sebastian's life was saved by Hymeno-sama, so he must be absolutely obedient to her orders. Well~ I think Sebastian understands the kindness and compassion that goes beyond Hymeno-sama's selfishness.

"What are your impressions of Hymeno (including Murakami Erica), and were there any memorable moments during filming?"

Yoshimitsu: I think that Murakami Erica-san is an impeccable young lady. There are no complaints when it comes to her appearance. She's bright and has a great personality! In addition, she's positive. Even when she's depressed because the performance isn't going as well as she'd like, she doesn't let it get her down, saying, "I've gained this experience, so I can use it in the next performance." In the first place, I don't have time to hold back (laughs). She had a hard time sitting down on set. When I asked her to "sit down," she replied, "Because all the extras are standing, I can't sit," which shows just how considerate she is. She's a really good kid!!

"Give a message to the character you played!"

Yoshimitsu: When playing Sebastian, my hair is slicked back, I wear glasses, and I have a mustache. His appearance is balanced by the fact that he wears a tailcoat, but while in casual clothes, with his "slicked back hair, glasses, and mustache," wouldn't he stand out? On the train ride home from the set, there wouldn't be that many people who'd sit next to me, right? (laughs). Well, that's because I did ride the train looking like that.

"What was your most memorable moment in King-Ohger?"

Yoshimitsu: Was it episode 25 with the 20 person combination? If I'm remembering right, I rode in God Scopion. It was a fresh new experience for me, both the cockpit and the controls. Also, episode 36, where Romane Dearborn appears, personally left a deep impression on me. It was Sebastian with his special makeup removed. We find out how the super handsome Romane Dearborn ended up in the special makeup, and why he serves Hymeno-sama as a butler who changed his name to "Sebastian"……It's my favorite episodes because it depicts the bond between Hymeno-sama and Sebastian.

"A message to all the retainer members of the other countries!"

Yoshimitsu: To all the retainers, thank you so much for getting along with me. Douga-san and Boshimar-san are relatively closer in age with me, so when filming ended in the evening, we used to go out and drink alot. Morphonia-chan was my partner who liked to talk with me alot about old man stuff. I also talked to Shiokara-kun and Kuroda-kun about various things. From now on, please continue to support Sebastian!

"Please give a message to the fans of King-Ohger."

Yoshimitsu: Thank you very much for your support of King-Ohger over the past year. No matter how interesting a show is, it's not complete unless everyone watches it. This time, King-Ohger has been seen by so many people, and I think everyone involved in this production feels happy. If it remains in your heart and you remember it someday, King-Ohger will live on forever!! Thank you so much.

Hasegawa Kasumi (Morphonia) Profile: She's Rita's retainer and candidate to ascend to the throne as Gokkan's king. While she has a lazy personality, she's always concerned about Rita and never gives up on her work despite complaining.

"Please tell us what you respect about Morphonia."

Hasegawa: Even though she complained about it, no matter how difficult the environment or situation was, she was able to do her job. And, she never gave up on communicating with Rita. If it were me, I would've given up halfway (laughs). I also respect her quick thinking and ability to look ahead. She's a surprisingly capable kid (laughs).

"What are your impressions of Rita (including Hirakawa Yuzuki), and were there any memorable moments during filming?"

Hasegawa: I think Rita was and still is an interesting person. It's great that we're able to see them in many different situations, with the self they show on the outside and the real them. They're pure in a good way. When I first met Yuzuchin, I thought, "Waaah! It's Rita!! Rita's appeared!!" (laughs). When you talk to her, she's even friendlier, kinder, and more dependable than Rita. My partner. Also, I guess our most memorable moment was……the kabedon. I couldn't stop laughing (laughs).

"Give a message to the character you played!"

Hasegawa: When Chikyu is at peace, please relax and enjoy eating oranges under a kotatsu. Make sure to apply for paid vacations and eat lots of delicious food. Also, please continue to support Rita.

"What was your most memorable moment in King-Ohger?"

Hasegawa: It's episodes 10, 25, 38, and 45. I was impressed by the gradual deepening of her relationship with Rita. While reading the scripts, I felt that the way Rita and Morphonia relationship grew closer was very endearing. I remember that even when I was actually performing, there was a warm feeling within me. And the more we filmed these scenes, the more I came to love Rita.

"A message to all the retainer members of the other countries!"

Hasegawa: Douga-san, We look forward to welcoming your career change at Gokkan any time. Boshimar-san, I've had almost no interactions with the real Boshimar-san, so let's meet in Hakabaka if you get a chance. When the opportunity arises of course. Shiokara, I've been curious about this for awhile now, but what's up with your curly bang? Sebastian, you've been a great help to my Rita. Thanks for your continued support. Kuroda-san, next time, please treat me to some delicious food. Gerojim, you're alittle bigger than the others, so please consider your range when moving. That tail will hit you.

"Please give a message to the fans of King-Ohger."

Hasegawa: Thank you for supporting King-Ohger up to this point! Even though there were many strong "personalities" among the kings, they were able to reach the same goal in the end. Through this production, I also learned the strength of valuing one's own individuality and respecting the individuality of others. I hope that King-Ohger, which was created by many people including myself, will remain in everyone's memories. And with that, see you later!!

Kanzaki Hajime (Kuroda's Actor) Profile: A male kuroko who serves as the retainer to Toufu's king, Kaguragi. Although his face isn't shown, his movements are gorgeous and he's got a very nice voice.

"Please tell us what you respect about Kuroda."

Kanzaki: It's possible that he's known Kaguragi for a long time, but since becoming his retainer, he's kept the "king and retainer" relationship, and has been thinking and acting in accordance to his position as a kuroko. He's sometimes missing, but he has a cute side. And, he has a nice voice (thanks to Toriumi Kosuke-san!).

"What are your impressions of Kaguragi (including Kaku So), and were there any memorable moments during filming?"

Kanzaki: He's big! Of course, he's also tall, but his muscle mass and costume makes him look even bigger. In his spare time, he does muscle training with Masato Yano-san and others, and he'll work on his shoulders using a folding chair, so he's definitely stoic! Other than that, when the Director gave me the "OK" for a take in the film where I use a trampoline as Kuroda, he was happy and said, "You did it!" He's a magnificent man, not only with his body but also with his kind heart, it's as if he's Toufu's mother nature!

"Give a message to the character you played!"

Kanzaki: I read somewhere that originally there was no role for "Kuroda," but I started speaking lines along the way, and I'm grateful for this blessed year. Once the matter with the Uchu King has been settled, please take a good rest.

"What was your most memorable moment in King-Ohger?"

Kanzaki: It's episode 9, where I spoke as Kuroda for the first time. It was also fun to mess around with the other retainers! As for Toufu, it would be episode 37. It was like a Taiga Drama that condensed Kaguragi's past, which had been told little by little in the main story and the film into this one episode, and I was relieved that abit of Kuroda's past was also revealed.

"A message to all the retainer members of the other countries!"

Kanzaki: Boshimar-sama (Fukuzawa Jubun), I have fond memories of being mistaken for (Masato) Tsutamune-san when I first met him (laughs). He has a strong passion for acting, and I learned alot from him. I got goosebumps when I played the role of a soldier against him! Douga-sama (Morioka Yutaka), It was great that you got to play the role of a handsome old man with a family. On the other hand, when you were being interviewed in various countries, you were really funny and your actions were cool! Your style is good! Shiokara-sama (Chiwata Yuhei), He was always thinking stoically and calmly about how to make the viewers happy, which was a great inspiration! His style is good! Sebastian (Yoshimitsu Hiroto): Thank you so much for talking to me in your spare time and for thinking about a bunch of ideas for the flow of the performance on set! It's a pity that you couldn't do a backflip……If the opportunity arises, let's film it! Morphonia-sama (Hasegawa Kasumi), She had a "floaty" vibe, but she knew what was expected of her and was very stoic on the inside. It was wonderful to see her naturally embody what a senior colleague once told me, "Create fans among the staff." It's a pity that she couldn't do a back handspring……please do it if the opportunity arises! Gerojim-sama (Saitou Kenya, Suit Actor), With Gerojim's arrival, the retainer team became even more lively. The delicate acting that linked Seki Tomokazu-san's voice with his large body was wonderful! It's a pity that you couldn't perform a reverse somersault……If the opportunity arises… (laughs).

"Please give a message to the fans of King-Ohger."

Kanzaki: Everyone, thank you so much for supporting King-Ohger. It was a very meaningful year for me, as I was able to see the scenes in a different way than usual in the Action Club, I was able to appear on TikTok while rubbing shoulders with talented performers, and I was able to become part of the merchandise. Thank you so much for your letters and presents as well! I'll study so that I won't have any trouble when Kuroda appears again, thank you for your continued support!

Seki Tomokazu (Gerojim's VA) Profile: He's a Kaijim equipped with mayfly BNA and can mimic the appearance of humans by applying light refraction. He's currently working with Jeramie, who has become the king of the Bugnarak.

"Please tell us what you respect about Gerojim."

Seki: Ultimately, I think it's his unwavering faith. Even when he's lost, troubled, or frustrated, in the end, he tries to follow through with his beliefs. I respect his heart and attitude, which is like a blue flame, quiet but never extinguished.

"What are your impressions of Jeramie, and during recording, were there any episodes with memorable moments?"

Seki: First of all, I'm disappointed that I didn't get to work with Ikeda Masashi-san, who played Jeramie, even once during recording. When I saw Jeramie's performance during the broadcasts, I felt that his soft demeanor, intelligence, and his somewhat lonely appearance were all wonderful. I'd like to directly talk with him in person someday!

"Give a message to the character you played!"

Seki: I'm so glad you found a nice place to belong. I hope you'll feel safe and secure at Jeramie's side for all eternity.

"What was your most memorable moment in King-Ohger?"

Seki: That we were all able to ride the Shugods with the kings! I've ridden in Robo's as an enemy in previous productions, but I think the opportunity to ride a Robo in the Super Sentai series is very valuable! Even though it was just my voice, it was great to feel like I was in the fight with them!

"Please give a message to the fans of King-Ohger."

Seki: This year has flown by! I'm sure that everyone else feels the same way. However, I believe that the story will continue! Please continue to support King-Ohger, and let's see where we end up, together!

[rhysdarbinizedarby]

Our Flag Means Death season 2 shot a crucial scene in the Avatar 2 tank

A behind-the-scenes look at how Taika Waititi and Rhys Darby shot their big merman moment

[Warning: The below contains MAJOR spoilers for Our Flag Means Death, Season 2, Episodes 3]

Season 2 of David Jenkins’ pirate comedy-romance-drama Our Flag Means Death has finally premiered on Max, with an opening three-episode arc that’s guaranteed to get the series’ fandom buzzing. The third episode in particular ends with a sequence that feels like it was intentionally crafted to inspire the crowds of fan artists who have turned the series into an obsession. Polygon talked to the series’ VFX supervisor, David Van Dyke, about what went into shooting that sequence — and how James Cameron’s Avatar: The Way of Water helped out.

At the end of episode 3, Ed “Blackbeard” Teach (Taika Waititi) is in limbo after being assaulted and nearly killed by his crew. There, he meets his former captain Benjamin Hornigold (another of the series’ historical pirate characters, played by Mark Mitchinson), who tries to help him through his emotional crisis over being abandoned by Stede Bonnet (Rhys Darby). Except Hornigold mostly helps by pointing out Blackbeard’s failings, then tying a stone to his waist and throwing him off a cliff into the sea — where he sees a vision of Stede as a fish-tailed merman, coming to save him.

“Just so you know, Rhys and Taika did very well underwater,” Van Dyke told Polygon about shooting the scene. “Rhys is not an Olympic synchronized swimmer, but he’s a strong swimmer. They were both very comfortable underwater. They both did a really good job of being mermen.”

Van Dyke says he was originally asked whether he could do the scene with CG versions of the two men, for safety reasons. He explained that it was possible, “but that’ll cost millions and millions of dollars, and we don’t really have that.”

Instead, he ended up shooting the scene practically. Season 1 of Our Flag Means Death was shot on a soundstage in Los Angeles, but for season 2, production moved to New Zealand. That gave Van Dyke a lot of advantages in terms of shooting natural backdrops to use on the production’s giant virtual environment screen, and in using experienced crews from past special-effects-heavy productions, from Peter Jackson’s Lord of the Rings movies to James Cameron’s Avatar movies.

“There were definitely a few pieces that were serendipitously to our advantage,” Van Dyke says. “New Zealand was where they shot a lot of Avatar stuff, and there just so happens to be an enormous tank on the lot. There are a bunch of Avatar crew who are SCUBA certified, because they’ve been shooting in that tank forever. This was not something we had to figure out — we didn’t have to send a bunch of grips and lighting technicians off to SCUBA school. So they were there, they had really amazing underwater photography teams, and obviously a really good stunt team that was able to train up Taika and Rhys to make sure the scene was working.”

Van Dyke points to New Zealand’s thriving mermaid freediving community as a boon when it came to designing Darby’s merman outfit. “There are a lot of incredible mer-tails out there,” he said. “We were able to take those, and [costume designer Gypsy Taylor] and her team brought them together to make these beautiful physical pieces, so Rhys was able to actually sell it and do the performance underwater.”

For Van Dyke, the sequence really started with the cliff-jump sequence, which actually used considerably more CG than the underwater shots. “That cliff sequence was a great culmination of effects, merging physical photography and our LED wall, because you can’t really put those two guys on a thousand-foot cliff,” he said. “The insurance alone would be out of control. Also, we’re not really in the business of having people fall to their deaths.”

The cliff sequence began with sequences shot off New Zealand’s Bethells Beach, using drones to capture images looking inward from the ocean and photogrammetry of a specific ledge for production designer Ra Vincent and the art department to reproduce in the studio.

“The wide shots use production plates of those cliffs, and the tighter shots use photography we shot specifically to build out the stitching of the cliff sequence,” Van Dyke said. “Hornigold and Blackbeard are standing on a cliff set. We tied in drone plates of the actual cliffs so we can see the ocean and really set up how terrifying [the drop would be]. Then he falls into the ocean, falls into our tank.”

Once Waititi was in the tank, the next step was the shot where the stone tied to a rope around his waist pulls him deep underwater. That part of the scene required more conventional, practical production trickery than the rest of the sequence.

“The tank is massive, but it’s not 300 feet deep. It’s pretty darn big, but it’s never big enough, as they say,” Van Dyke says. “So when Taika is being tugged by the rock, we actually shot that sideways. By turning the camera sideways, you get more length to the shot. The problem is the bubbles — they should be streaming off him and then rising to the surface, but if you’re going sideways, they’re going to come off him and then go up, perpendicular to him. So we took over with CG to make sure our bubbles were traveling toward where the surface was supposed to be.”

The CG in the underwater sequence was mostly used to hide the lighting and rigging necessary to shoot it, Van Dyke says. “Anytime you’re shooting anything underwater, there’s gonna be a lot of gear. There’s no way you can get around that. So we’re making sure we have [convincing deep-sea] lighting and the bubbles. And then there’s his performance — that’s a real performance.”

For Van Dyke, the real complication was the costuming and makeup for both Darby and Waititi. “Taika’s wig — I was amazed that thing stayed on so long. It’s a long shoot. He was shooting all day, all weekend. But things stayed on. It’s a heavy weight. And Rhys is really working underwater, so his tail has to be working, so it all feels seamless.”

The shot in the underwater sequence that seems most likely to be a CG creation has both men just floating deep in the sea, facing each other above a seemingly endless abyss. Again, Van Dyke says, he used very little CG for that shot, and it was mostly to hide the tank walls.

“In that case, we were not shooting sideways,” he said. “It’s essentially a locked shot. It was about getting them at the right depth underwater, and making sure the shafts of light above them were working properly. We don’t have to track as much, we don’t have all these moving elements, we don’t have to worry about where the bubbles are going. That one was really just about cleaning up the tank, doctoring out the sides of the shot, where we can see the water receding into blackness, then giving the base of the tank true depth, so it really feels like they’re suspended a hundred feet below the surface.

“Obviously, a fair amount of CGI and visual effects had to go into it. But at the same time, it was a moment where we really needed to let the story take over, and have the visual effects just get out of the way, man.”

The first three episodes of Our Flag Means Death season 2 are now streaming on Max.

Source: Polygon

[mania-sama]

A Look into Mental Health: Jujutsu Kaisen Analysis

"Being a child is not a sin." (Nanami Kento, Jujutsu Kaisen)

With the release of Chapter 251, I've seen many horrible takes from dudebros saying that Megumi has "sold" the team. This makes me unreasonably angry because of course it does, so obviously my next plan of action is to take all of my hour-long rants about the mental health of JJK characters and put it here, where said dudebros will never see my (correct) analysis in their entire life. Oh well.

One thing Gege is really, really good at is creating believable, undeniably human, and complex characters. Every character has a different set of motivations, beliefs, ideals, and especially mental states. The constant theme of Jujutsu Kiasen has been "Strength vs Weakness". While the clearest interpretation can be seen through the physical attributes of the characters (Gojo being the strongest sorcerer of his time due to his abilities, and Miwa being one of the weakest, again, due to her abilities), it is also directly applied to the mental strength of characters. No two characters are able to withstand the same trauma and come out the exact same, just as no two real people can process the same trauma. Not only is it a result of nature, as people are genetically different and therefore process information differently, but a product of nurture - in other words, character motivation and environment.

This is where we come to the current state of the manga, Chapter 251. The fated Yuuji vs Megumi debate. I keep seeing people wildly misunderstanding these two, and why it's so important that Megumi isn't standing up to fight, why he isn't able to handle his trauma, when Yuuji can.

Gege writes phenomenal characters. And I want to express just how well done they are, making Jujutsu Kaisen actually kind of deserve its popularity, because some people only care about power scaling. I'm going to touch on Megumi last, because understanding all of the other characters' makes his visible struggle that much more impactful.

1. Geto Suguru

I want to start this mental health analysis with Geto. He is the best representation of depression I've ever seen in Shonen. It doesn't take a hundred chapters to showcase a character's downfall. It doesn't take a hundred significant events to cause a character to break down. Gege shows the best, realistic mental breakdown using only a handful of chapters, and still makes it slow and painful.

Depression can start because of a big event, but it doesn't take more for it to worsen. Untreated, depression runs a vicious course that eats a person through slowly but effectively. It isn't one screaming session, hands clutched over the head and cursing God and the world. It's everything piled onto each other. It's coming to the end of that pile and realizing that nothing will ever change.

This is Geto Suguru's story. He has a big event: the fight with Toji and the failure to save Riko. But his mental health journey was fated to decline, even without the fight and failure. The root issue of his depression came from his ability: Cursed Spirit Manipulation. As long as he kept devouring the embodiment of every vile, human emotion, the more he would lose himself to that vileness. He wasn't changing anything; he couldn't help but continue to swim in negativity because that's all he could do.

Gege wasn't making a commentary on Geto's ability. He was talking about people, as they are, and how staying in a bad situation will not always make you stronger. It can, and most likely will, make you worse. A direct comparison to the sixteen-year-old Geto would be a sixteen-year-old at school, surrounded by people who bully and pick on them with harsh words. The kid will eventually consume all of that bullying, all of that negativity, into their being, because there is simply nowhere else to go. School is mandatory; they can't just leave. They eventually feel isolated, with all that vileness piled on. Even if they have friends, those people could never understand what it's like to put up with humiliation and cruelty day after day.

It's not rational to push away a support system, but who said human beings are always rational? People make mistakes. They don't make the right decisions. Geto didn't. He saw someone offer him a chance at change, a possible light at the top of his pile and twisted it to match his overwhelming negativity. He left and swore to destroy the world that made him the way he is, just as that bullied child may turn away from school and society in whatever form that may take.

I want to touch on the physical aspects of Geto's depression, too. I noted this in a previous analysis I did on him (his character is just that amazing, what can I say?), but Gege knew that the mind can't be affected alone. Geto was drawn with deep eyebags, a nod to an inability to sleep or needing to sleep all the time. Depression makes you tired all the time. Everything becomes difficult. He sits with his back hunched, resting his weight on his knees, like sitting upright is too hard. When someone speaks to him, he blinks and takes a second too long to look over or respond, like speaking takes too much energy. To me, it even looked like he was becoming thinner. It's extremely difficult to maintain a schedule of exercise and mealtimes when your mind is fighting an active war against itself.

Again, a beautiful representation of depression. Geto means a lot to me in this aspect.

2. Gojo Satoru

In comparison to Geto, Gojo's horrible mental health is a lot subtler. Depression isn't the correct term, but you don't have to be depressed to be sad. Sadness is his stagnant state; he has moments of bliss, goals to work towards, a reason to keep going, to continue living, to continue chasing the sun over the horizon, but he does return to the same place he is always at when the lights turn off and he's painfully reminded of this one fact: he is isolated.

All of Gojo's problems start and end with isolation. From the moment he was born, everyone knew he was different. He knew he was different. Through glimpses of his childhood and honestly reading between the lines, it's obvious he never played with kids his age. People don't just develop a superiority complex with their only drive to be better than literally everyone else for no other reason than to get better. It comes from somewhere, and in Gojo's case, it's from his young childhood. It seriously messed him up; even now, he can't shake the lesson that "Strength is the only way to success and happiness".

This is what made Geto so important. Geto was somebody who could share the burden of being the strongest. Geto was someone his age who understood him in a way Shoko could not, though they both were able to see Gojo beyond his capabilities as a Jujutsu sorcerer. Gojo then had somebody to base his moral principles on. Because he couldn't connect with anybody else, he had no basis other than strength. Geto taught him why it was important for the strong to protect the weak.

Then everything went wrong. Gojo became isolated again in his strength and lost the only person who could plausibly stand with him. "Are you the strongest because you're Gojo Satoru, or are you Gojo Satoru because you're the strongest?" Gojo was young, then, and fresh-faced into his newfound godhood. He didn't kill Geto in that moment because he wanted to deny the claim that he is nothing without his strength, that he isn't as shallow as he was raised to be.

But he knew better. He grew older, he killed his best friend, and he realized that he was nothing without his strength. He never got over Geto. In order to cope with the guilt of being unable to save him when he left, he adopted a whole kid, thinking that if he wasn't strong enough to save Geto, maybe he could save Megumi. But there it is all over again - he never broke from the cycle of strength defining his worth. Saving Megumi would define his strength, right? It would prove Geto wrong, right? He raised Megumi under the same logic (that the only way to save his sister is to be strong), only ridding the boy of the crushing isolation.

In this way, Gojo isn't mentally weak. He didn't abandon society and everyone who loved him, instead choosing to hone the trauma of his isolated childhood into a weapon and teach the next generation to be better than himself. He isn't depressed, but he isn't happy. You can't be happy if you're alone all of the time. He hoped Megumi could be someone to stand by him, but in the end, he failed to save Megumi. His strength couldn't save him, just as it couldn't save Geto.

He isn't mentally strong. He isn't weak, either. He is horribly, painfully average. He's not weak enough to be saved, but not strong enough to save others. His childhood plagues him, but not to the point where it prevents him from living. He killed Geto but was unable to bury the body. Gojo is everything he never wanted to be.

As it turns out, strength can't buy you happiness. Gojo may have understood that, but he couldn't abandon it, even to the bitter end. Just as a human struggles to shed their conditioning. Not everyone can break the cycle, but we are always trying our best to work with what we've been dealt.

3. Okkotsu Yuuta

I'm putting Yuuta in between Gojo & Geto and Itadori & Megumi because he is, in a way, a bridge between the two. Geto and Gojo have lived their lives; their stories are complete and ended in tragedy. Itadori and Megumi's are not. They are still actively struggling and fighting their physical and mental battles; their stories have yet to be completed.

Yuuta's story isn't technically completed (ignoring everything that happened in the recent chapter with him for the sake of MY mental health), he is still a success story. He is the average protagonist who started from the bottom and ended up at the top. Only he, as Gege has done time and time again, has a slightly stronger focus on mental health than most other Shonen. He is success where Gojo & Geto failed, and the success that Itadori & Megumi are narratively striving for.

At the beginning, Yuuta was depressed and suicidal. He was bullied at school and involuntarily hurting others. Instead of becoming resentful of the world, he pushed all of the vileness inward. His guilt caused him to try to take his life, presumably multiple times, but Rika stopped him before he could succeed. His life was effectively out of his hands; he felt powerless with all of the bodies stacking around him, and he couldn't atone for "his" actions.

His mental health, as it was, was in shambles. Gojo then offered him a way forward. Yuuta's mental health did not improve overnight. It was when he made friends at Jujutsu High, and developed a support system, that he was able to relieve his anxiety and realize that life is not so bad after all. That all of this pain and suffering and loss - it will pass.

The most important thing to acknowledge when it comes to Yuuta is the sheer fact that he was not alone, nor did he allow himself to be alone. Unlike Gojo, who still had Shoko and Nanami after Geto left but refused to connect with them, Yuuta allowed himself to get close to those around him. They didn't know the suffering he'd undergone for so many years. They didn't know what it was like to be him, but that was okay. He knew that they had empathy, that even though they could never experience his life, they could still be there for him now when he falls.

When given the opportunity to surrender, Yuuta stands in the face of one Geto Suguru and swears to protect his friends and fight with Rika. He's so far removed from the boy who tried to kill himself at the beginning of the manga, and that's because he let himself be changed. He did not succumb. He had friends, he knew. People that would miss him if he left, and people whom he would regret leaving.

This stays consistent with his character. He doesn't let himself become isolated in his strength or his experiences. He's much stronger than everyone else in the room, he's a special grade and he knows that, but he still treats everyone like they are equals. Like they are his friends, like they are people who could share this burden of existence with him. This is something that Gojo couldn't accomplish, which lends to the fact that Gojo had a very off-hand teaching method when it came to mentoring Yuuta. Instead of influencing him under this idea of strength conquers all, he let Yuuta develop far away from the ideals of the Japanese Jujutsu Society.

And, in the end, the fact of him being physically strong - a special-grade sorcerer from the get-go - never helped him in his mental health. In fact, it made him miserable until he learned to get a handle on Rika. His winning or losing that fight with Geto wasn't the point of his character, it was reckoning with the fact that he is okay now. That he can embrace the ugly part of him with dignity instead of guilt.

4. Itadori Yuuji

Itadori's entire character is that he has an unbreakable spirit. As the only one who can bear the soul of Sukuna, he started off like Yuuta, only on the opposite end of the mental health spectrum. When we first see him, he's happy, spending his afternoons with the Occult Club and watching movies.

... What happened?

Like Geto, everything piled on very slowly. So slow that I'm not even sure he felt the true effects of everything he experienced up until the fall of Shibuya. It starts with the death of grandfather, whose parting words "Just save as many people as you can" haunt him even now during the final fight with Sukuna. He was never given time to properly grieve his grandfather, just as he never had time to grieve the brother curses, Junpei, Nanami, Nobara, Gojo, Higurama. At the end of it all, when the fighting is over, I have to wonder what will become of the boy that realizes he's lost most of the people he loved.

The one time he did try to process it, when he realized that he couldn't control Sukuna, was when he broke down in Shibuya. Sukuna leveled an entire city. For the boy who never wanted to kill another human being for fear of devaluing life, the weight of his weakness killing thousands was crushing. Then Nanami died. Nobara died (still hanging onto that unknown status but I digress). Both are right in front of him, and powerless to prevent Mahito from disintegrating their bodies. So, obviously, Itadori broke down. The boy with the unshakeable spirit, the only person who could contain the King of Curses, has his psyche completely shattered.

He laid on the ground, and he wouldn't have gotten back up if there wasn't somebody to help him, to be there with him. Todo pulled him back together, stitched back up the broken into somebody who has allies and people to fight for. Itadori has the success that Yuuta had, only Itadori did not come out of it with better mental health.

After the breakdown, his unshakeable spirit was nothing more than the will to keep fighting. He cares little for himself, and he tries to distance himself from people to prevent them from dying from his cursed hands. He is jumping, quickly, down the same rabbit hole that Geto fell down. One big event, and they realize just how tall the pile already is, and that it will never stop growing. Unlike Geto, however, he continues to get overbearing support from those around him. Against his will. He can't push them away, for they refuse to leave his side. Yuuta, Choso, Megumi, even Higurama. They won't let him fall. This makes him better off than someone alone, in a sense. He can withstand his trauma when others may not.

Even so, even so, there is only so much support, the lack of self-isolation, can do when the traumas keep actively repeating. When he says that he will gladly die to defeat Sukuna, it is not said with the same tone that another Shonen protagonist would say it. Take Naruto for example. If he were to go into a battle to protect, say, Sasuke, he would scream, "I'll die to protect him." We understand that his willpower is stronger than his self-preservation, but we don't get the idea that he actively wants to die. He'll die if he has to. Now, Itadori says the same thing, but about saving Megumi. He says, "I'll gladly die." There is something different. His willpower is leaps and bounds stronger than his self-preservation, but that's not only it. There is an undercurrent of severe suicidal ideation prevalent in Itadori's tone. It's not that he will die to win, it's that a part of him wants for this to be his final fight. For it all to be over. To save Megumi, then atone for the sin of being too weak to save Shibuya, or being unable to stop the Culling Games, or letting Megumi get hurt when all he wanted was to keep him safe.

I'd call it more along the lines of passive suicidal ideation. He doesn't plan to kill himself, but what would it mean for him to go into dangerous situations without protection? What would it mean for him to succumb to his wounds after he wakes Megumi's soul and kills Sukuna? To not even try to seek medical attention? He's guilty. He believes everything that happened in Shibuya and after is his fault. When faced with the executioner's sword, he was ready to die for his sins, if not for the goal of ending the Games. There is a fine line between willing to die for those you love versus wanting to die for those you love.

Right now, Itadori is fighting to save one person, like his grandfather said. He is not fighting to survive. And that's what people fail to understand about Itadori when they compare him to the other members of the cast. These power-scaling dudebros don't understand that their favorite OP main character has fallen apart at the seams, that his unshakeable spirit to save people doesn't include himself.

5. Fushiguro Megumi

Here we finally come to the question: Why can Itadori take it when Megumi can't? There is a very similar quote that you probably think of whenever you hear this question asked. It's from The Outsiders: "Dally is tougher than I am. Why can I take it when Dally can't?" The answer to this question that Ponyboy gives is the same we can attribute to Megumi. "And then I knew. Johnny was the only thing Dally loved. And now Johnny was gone."

The entire reason Megumi became a Jujutsu sorcerer was to protect his sister. When he was five years old and probably too young to understand most of the words Gojo said, he accepted the offer of training to become a sorcerer in exchange for Tsumiki's happiness. Every day, he fought to protect her. He only had one goal in entering the Culling Games: to prevent Tsumiki from having to participate.

It's easy to attribute Megumi's constant attempts at summoning Mahoraga to a lack of will to live - suicidal ideation, the same that Itadori now experiences. On one hand, I do understand that he has a fundamental lack of care for his own life, but on the other, I don't think that he intends to throw it all away every single time. He just didn't know any better. Ignorance can lead to death as easily as intentionally seeking it out. That's why he changes his habit after Gojo gives him a lesson in risking death versus dying to win; Megumi still has someone to live for, after all.

Megumi's mental health was already rocky from the start. Not that it was in shambles like Yuuta, but he wasn't fully stable. Like a lot of teenagers, he's moody, somewhat reclusive, and only really likes one or two people maximum. Teenagers aren't known for their sunshine mental health anyway.

Megumi was given time to grieve Itadori after he first died. This trauma of losing him in front of his eyes stuck with him, but he was allowed a grace period of two months to grieve with Nobara. He experienced Shibuya, too, but he still had that one important person to protect. His mental health was alright at this point, all things considered. As long as his sister was alive, he would be fine.

Sukuna knew this. So Sukuna killed Tsumiki using only the Ten Shadows Teqchnique. The one person Megumi spent his whole life dedicated to, was killed by his own cursed technique, his own failure to suppress Sukuna.

In the void of his soul, Megumi was alone. Truly, utterly alone. The only person nearby was Sukuna, the murderer of his sister, the murderer of thousands upon thousands of people. He drowned in the ceremonial bath of crushed curses to hold his soul down in the depths of despair, literally drenched in all of the vileness the world has to offer. Sukuna killed Gojo using Mahoraga's adaption ability, and before that, Megumi was forced to take several of Gojo's mind-altering domain expansions.

Already, he had given up. He gave up when his sister died, but the rest ground a pointed spur into his neck. When Itadori shakes his soul, Megumi is repeating, "That's enough." He was at the end of his rope a long time ago. What more is there to keep living for? He doesn't want to live with the blood of his sister, the blood of the man who practically raised him, and the blood of countless others drenching his hands.

Sukuna killed all of these people, not Megumi. But then, Sukuna killed of those people in Shibuya, not Itadori. Why can Itadori take it? Why can he keep fighting when Megumi lays broken on the ground? Itadori wasn't alone. And Megumi has never been known for his unshakeable spirit. That is the one thing that Itadori can hold over everybody else, the one trait that everyone admires. He was born to shoulder the burden of the world. Megumi wasn't. Megumi wants to die. He is not passively suicidal, for he has no goals left to complete, a plan to die within the body no longer inhabited alone. He is suicidal. He would drive a stake through his heart if it meant relieving his pain. He doesn't want to do it anymore. He's had enough.

And Itadori was in this position once, too? Perhaps not as directly, but he was there. Here is the moment that the protagonist gives the motivating speech to will someone to keep fighting, that life is worth living. I realized today that this is not something Itadori has done yet. He hasn't had a grand speech that's not been about his own willpower. He's never encouraged someone else to keep living in the way that you would expect from the main character. This is his moment, I suppose. He needs to be the person for Megumi that Todo was for him. He has to show Megumi that he isn't alone.

He needs to save Megumi when, all those years ago, Gojo couldn't save Geto.

I don't think some of this fanbase understands how horrible Gege has to be at writing if he just. Let Megumi get up to fight in Chapter 251. All this time, he has shown how Megumi has been defeated. He showed him crumbled on the ground, unmoving. It shouldn't be a surprise that all of the measures Sukuna took to ensnare Megumi's soul worked. Megumi is suicidal after the people he loves have all died because of his technique. God forbid a sixteen-year-old is unable to cope with his trauma alone.

Honorable Mentions:

There are a lot more characters in this story that represent/show mental illness that I didn't go into depth on but are worth mentioning. It was easier to only talk about the major characters since we spend so much time with them and I can fully flesh out everything that should/can be said about them. Anyway, here are a few more that are notably well-written in their mental struggles:

Yoshino Junpei. His story arc follows very similarly to Geto, except he is the bullied student I was making a reference to. Depressed, alone with a mother whose habits he can't stand, he turned to someone he thought could provide him a better life. Interestingly, he is a good representation of the type of children that tend to be groomed. That's surely what happened to him. Mahito used him, then discarded him for his own gains.

Ieiri Shoko. Her main struggle can be seen through her smoking habits. She's been through a lot, lost so many people, and has to keep healing sorcerers only for them to die. Eventually, she was able to come to terms with this. She kicked her smoking habit at the same time she kicked the vicious mental cycle of caring too much about the patient on her table. It's no wonder she picked up a cigarette, for the first time in a while, when Geto led the phantom parade.

Zenin Maki. She works as a very good contrast to Megumi. They both lost their sisters, the people they loved the most, but she turned all of her grief to killing the Zenin clan and gaining Heavenly Restriction. But this, this is because she could do so. There is simply nothing Megumi can do as a soul trapped in his own body. Her grief made her stronger, while for most, it made them weaker.

Inumaki Toge. He isn't seen a lot, but his story is ultimately quite compelling. A boy who hurt many when he was young. He turned his guilt into kindness, a will to protect. He tends a garden to raise plants healthily, for God's sake. He's one of the examples that shows Yuuta that your past actions don't define you, but instead, what you choose to do going forward.

I am not proofreading any of this before I post it. Sorry if it is borderline unreadable with spelling / grammatical errors.

[pianokantzart]

Do you think Mario's portrayal in the movie was a little too different from the games? I understand that they needed him to have a more well rounded personality, but I just can't help but wonder why they didn't make him more of a soul who is defined by having this sort of contagious positivity with a skip in every step. Think characters like Joy (Inside Out), Pinkie Pie (MLP), Steven Universe, Star Butterfly, Mabel Pines, Rapunzel (Tangled) and so on.

Mario of course still has a can-do determinator attitude about life, and he does still have his moments of excitement, but it's a lot more subdued. He spends a lot of the movie being rather irritable, somewhat impatient, and burnt out. Of course this can still happen to characters that are defined by being consistently upbeat and positive, but that's only when they hit very serious rock bottom moments.

Do you think the sequel should try and make Mario's personality a little more like his portrayal in the games or should they just stick with what they did for the first one?

I think a more happy-go-lucky Mario could work, hypothetically, but not with the backstory he was given in the movie, which leans pretty hard on him being an underdog in every sense.

The difference between Mario and all the characters you listed is Mario was neither sheltered, nor put in any position where he was encouraged to continually exhibit a bubbly, positive attitude.

Mario is a Brooklyn man who has just recently managed to work his way up from hard labor to blue collar, and has spent most of his life having his dreams and ambitions dismissed and put down.

He's by no means disillusioned with the world, but he's built up defenses to make sure everyone knows that neither he nor his brother are easy targets to be bullied or walked all over. He is optimistic, but he's swimming against the current, and it's worn him down. (Heck, judging by the concept art, it looks like there were plans to make him even more exhausted and despondent than he was in the final product.)

But now that Mario's in an environment that values his ambition and optimism, he's got room to develop into something closer to the Super Mario we're all familiar with. As much as I hope for some slight change in character between movies, I can't say I'd be too disappointed if he stays the same on account of how much I really really love Hothead Stressball McDaddyIssues Mario. But I'm banking on him being at least a good deal happier now that he's living in The Mushroom Kingdom.

It's a nice little mini-arc to give him in what was essentially Mario's origin story.