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#the author is not their characters
bookofmirth · 8 months
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hi! i have a kinda strange question about the bonus chapter with az, bryce, and nesta (so pls ignore this ask if you haven’t read it yet and don’t want to be spoiled!!) there’s a conversation in the chapter where bryce explains what bombs and guns are, and at first azriel responds that such horrible weapons shouldn’t exist, then later nesta says something along the lines that it doesn’t matter if terrible weapons exist bc people will hurt each other regardless. (hopefully i didn’t switch azriel and nesta’s opinions, i lost the source that i read the bonus chapter from lol). do you think this was intended to be a commentary on gun control/gun laws or am i reading wayyy too deep into things? that’s how it came off to me and i had mixed feelings on which side sjm was trying to portray as right since she ends with nesta’s statement and doesn’t really bring up the issue any further. because yes, people will try to find ways to hurt each other, but it’s definitely a lot harder without easy access to guns. or maybe it was meant to show the different worldviews that nesta and azriel have, more about their characterization than a political commentary. idk i’d love to know your thoughts!
Okay this is such an interesting question because on the one hand I actually did think the same thing? It was just too similar to arguments people make irl about guns for me to ignore. But on the other hand... I sorta blinked, and then moved on.
It was Nesta, here is the quote (from my Walmart copy that showed up today woohoo):
"And people would still kill each other, even without those weapons," Nesta said gravely. "The wicked will always find a way to hurt and harm."
Honestly, I don't think we are reading too much into it because Crescent City as a series has already been posing these sorts of questions. sjm has had these characters make some very clear statements on politics and disadvantaged groups (e.g. humans) and terrorism and what are "appropriate" ways to rebel in this series.
It's really important not to confuse an author with their characters. Just because she writes a character who says X, doesn't mean that she as an individual also believes X. So imo, trying to attribute a character's political stance to her personal stance is very slippery. I say that because I don't think we could take Nesta's statement and say that sjm is pro gun rights or something, you know? SJM didn't make this statement, her character did. Writing fiction is not an implicit condoning of the actions within that work of fiction.
The philosophical stances that these characters take on the conflicts within this series is one of the things that turns me off from it. It's inconsistent given the context, what we know certain characters experience simply because of their identity, and... I think I've mentioned this before? But hosab really doubled down on the idea of respectability politics, to me. Respectability politics, for anyone who doesn't know, is the idea that if people just acted polite, asked nicely, and stopped being rude or mean, then they would be granted all the rights they ask for. Which is absolutely ridiculous and a tool for control. But the series really has me questioning whether sjm thinks it's a legit demand to make of people who are being disadvantaged, given how the narrative treats the human rebellion (and any other fae or angels or whoever who tries to rebel against the Asteri). Like if the human rebels just stopped blowing things up, maybe the Asteri and Vanir wouldn't oppress them so hard, jeez!!!
That's a fancy way of saying Bryce's stance on discrimination annoys the fuck out of me. Not just hers, but many of the characters' stances.
That is only somewhat related to your question, but I hope you understand why it came to mind haha. While I do hesitate to attribute any specific political leanings to an author because of what they have written, I do think that is makes more sense to wonder in CC than in her other series, given that politics, discrimination and stratification are major themes of the series.
If you have thoughts about what I said, I am curious to hear them!
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luna-azzurra · 4 months
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Body language cues for a few emotions
Happiness:
Smiling genuinely, with crinkles around the eyes.
Open body posture, with relaxed arms and shoulders.
Leaning forward slightly towards the person or object of interest.
Making eye contact with a warm and engaged expression.
Anger:
Tightened jaw and clenched fists.
Furrowed brows and narrowed eyes.
Standing or sitting with a rigid and tense posture.
Pointing fingers or aggressive gestures.
Raised voice or speaking through gritted teeth.
Sadness:
Downcast eyes and a drooping posture.
Slumped shoulders and shallow breathing.
Avoiding eye contact and withdrawing from social interaction.
Sighing or a subdued tone of voice.
Tearfulness, with watery or red eyes.
Fear:
Widened eyes with dilated pupils.
Raised eyebrows and a tense facial expression.
Frozen or rigid body posture.
Backing away or seeking physical distance from the perceived threat.
Trembling or shaking, especially in the hands or legs.
Surprise:
Raised eyebrows and widened eyes.
Mouth slightly agape or forming an "O" shape.
Leaning forward or recoiling backward in response to the surprise.
Quick inhalation or gasp of breath.
Rapid blinking or blinking more than usual.
Disgust:
Curling the upper lip or wrinkling the nose.
Narrowing the eyes and raising the upper eyelids.
Turning the head away or physically distancing oneself from the source of disgust.
Covering the mouth or nose with the hand or a tissue.
Expressing verbal disgust through phrases like "ew" or "yuck."
These are just some examples, and individuals may display variations in their body language based on their personality, cultural background, and the specific context of the situation.
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deception-united · 5 months
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Writing Tips Master Post
Character writing/development:
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Character Voices
Creating Distinct Characters
Suicidal Urges/Martyr Complex
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Building Tension
Plot devices/development:
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Consider Before Killing Characters
Foreshadowing
Narrative:
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (+ More)
Transitions
Pacing
Writing Prologues
Dialogue Tips
Writing War
Writing Cheating
Worldbuilding:
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Book writing:
Connected vs. Stand-Alone Series
A & B Stories
Writer resources:
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Writer help:
Losing Passion/Burnout
Overcoming Writer's Block
Fantasy terms:
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
How To Name Fantasy Places
Ask games:
Character Ask Game #1
Character Ask Game #2
Character Ask Game #3
Miscellaneous:
1000 Follower Post
2000 Follower Poll
Writing Fantasy
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bebx · 29 days
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the :) AO3 gives you after telling you you’ve already left kudos on a particular fic is my archenemy because what do you mean :) ? what do you mean I’ve already left kudos here? have you read my favorite author’s work? look me in the eyes and tell me one kudos is enough. I’d give them a thousand kudos and my kidney plus my firstborn. what do you mean I can only give them one kudos??????
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theplotmage · 18 days
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Principles and Laws of Magic for Fantasy Writers
Fundamental Laws
1. Law of Conservation of Magic- Magic cannot be created or destroyed, only transformed.
3. Law of Equivalent Exchange- To gain something, an equal value must be given.
5. Law of Magical Exhaustion- Using magic drains the user’s energy or life force.
Interaction and Interference
4. Law of Magical Interference- Magic can interfere with other magical effects.
6. Law of Magical Contamination- Magic can have unintended side effects.
8. Law of Magical Inertia- Magical effects continue until stopped by an equal or greater force.
Resonance and Conditions
7. Law of Magical Resonance- Magic resonates with certain materials, places, or times.
9. Law of Magical Secrecy- Magic must be kept secret from the non-magical world.
11. Law of Magical Hierarchy- Different types of magic have different levels of power and difficulty.
Balance and Consequences
10. Law of Magical Balance- Every positive magical effect has a negative consequence.
12. Law of Magical Limitation- Magic has limits and cannot solve every problem.
14. Law of Magical Rebound- Misused magic can backfire on the user.
Special Conditions
13. Law of Magical Conduits- Certain objects or beings can channel magic more effectively.
15. Law of Magical Cycles- Magic may be stronger or weaker depending on cycles (e.g., lunar phases).
17. Law of Magical Awareness- Some beings are more attuned to magic and can sense its presence.
Ethical and Moral Laws
16. Law of Magical Ethics- Magic should be used responsibly and ethically.
18. Law of Magical Consent- Magic should not be used on others without their consent.
20. Law of Magical Oaths- Magical promises or oaths are binding and have severe consequences if broken.
Advanced and Rare Laws
19. Law of Magical Evolution- Magic can evolve and change over time.
20. Law of Magical Singularities- Unique, one-of-a-kind magical phenomena exist and are unpredictable.
Unique and Imaginative Magical Laws
- Law of Temporal Magic- Magic can manipulate time, but with severe consequences. Altering the past can create paradoxes, and using time magic ages the caster rapidly.
- Law of Emotional Resonance- Magic is amplified or diminished by the caster’s emotions. Strong emotions like love or anger can make spells more powerful but harder to control.
- Law of Elemental Harmony- Magic is tied to natural elements (fire, water, earth, air). Using one element excessively can disrupt the balance and cause natural disasters.
- Law of Dream Magic- Magic can be accessed through dreams. Dreamwalkers can enter others’ dreams, but they risk getting trapped in the dream world.
- Law of Ancestral Magic- Magic is inherited through bloodlines. The strength and type of magic depend on the caster’s ancestry, and ancient family feuds can influence magical abilities.
- Law of Symbiotic Magic- Magic requires a symbiotic relationship with magical creatures. The caster and creature share power, but harming one affects the other.
- Law of Forgotten Magic- Ancient spells and rituals are lost to time. Discovering and using forgotten magic can yield great power but also unknown dangers.
- Law of Magical Echoes- Spells leave behind echoes that can be sensed or traced. Powerful spells create stronger echoes that linger longer.
- Law of Arcane Geometry- Magic follows geometric patterns. Spells must be cast within specific shapes or alignments to work correctly.
- Law of Celestial Magic- Magic is influenced by celestial bodies. Spells are stronger during certain astronomical events like eclipses or planetary alignments.
- Law of Sentient Magic- Magic has a will of its own. It can choose to aid or hinder the caster based on its own mysterious motives.
- Law of Shadow Magic- Magic can manipulate shadows and darkness. Shadowcasters can travel through shadows but are vulnerable to light.
- Law of Sympathetic Magic- Magic works through connections. A spell cast on a representation of a person (like a doll or portrait) affects the actual person.
- Law of Magical Artifacts- Certain objects hold immense magical power. These artifacts can only be used by those deemed worthy or who possess specific traits.
- Law of Arcane Paradoxes- Some spells create paradoxes that defy logic. These paradoxes can have unpredictable and often dangerous outcomes.
- Law of Elemental Fusion- Combining different elemental magics creates new, hybrid spells with unique properties and effects.
- Law of Ethereal Magic- Magic can interact with the spirit world. Ethereal mages can communicate with spirits, but prolonged contact can blur the line between life and death.
- Law of Arcane Symbiosis- Magic can bond with technology, creating magical machines or enchanted devices with extraordinary capabilities.
- Law of Dimensional Magic- Magic can open portals to other dimensions. Dimensional travelers can explore alternate realities but risk getting lost or encountering hostile beings.
- Law of Arcane Sacrifice- Powerful spells require a sacrifice, such as a cherished memory, a personal item, or even a part of the caster’s soul.
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harbingerofsoup · 1 year
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there’s death of the author and then there’s whatever the fuck is up with danny phantom
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anneapocalypse · 2 years
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So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.
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25 Prose Tips For Writers 🖋️✨ Part 1
Hey there!📚✨
As writers, we all know that feeling when we read a sentence so beautifully crafted that it takes our breath away. We pause, reread it, and marvel at how the author managed to string those words together in such a captivating way. Well, today I'm going to unpack a few secrets to creating that same magic in your own writing. These same tips I use in my writing.
But before I begin, please remember that writing is an art form, and like any art, it's subjective. What sounds beautiful to one person might not resonate with another. The tips I'm about to share are meant to be tools in your writer's toolkit, not rigid rules. Feel free to experiment, play around, and find what works best for your unique voice and style.
Power of Rhythm 🎵
One of the most overlooked aspects of beautiful prose is rhythm. Just like music, writing has a flow and cadence that can make it pleasing to the ear (or mind's ear, in this case). Here are some ways to incorporate rhythm into your writing:
a) Vary your sentence length: Mix short, punchy sentences with longer, flowing ones. This creates a natural ebb and flow that keeps your reader engaged.
Example: "The sun set. Darkness crept in, wrapping the world in its velvet embrace. Stars winked to life, one by one, until the sky was a glittering tapestry of light."
b) Use repetition strategically: Repeating words or phrases can create a hypnotic effect and emphasize important points.
Example: "She walked through the forest, through the shadows, through the whispers of ancient trees. Through it all, she walked with purpose."
c) Pay attention to the stressed syllables: In English, we naturally stress certain syllables in words. Try to end important sentences with stressed syllables for a stronger impact.
Example: "Her heart raced as she approached the door." (Stronger ending) vs. "She approached the door as her heart raced." (Weaker ending)
Paint with Words 🎨
Beautiful prose often creates vivid imagery in the reader's mind. Here are some techniques to help you paint with words:
a) Use specific, concrete details: Instead of general descriptions, zoom in on particular details that bring a scene to life.
Example: Instead of: "The room was messy." Try: "Crumpled papers overflowed from the waste bin, books lay spine-up on every surface, and a half-eaten sandwich peeked out from under a stack of wrinkled clothes."
b) Appeal to all five senses: Don't just describe what things look like. Include smells, sounds, textures, and tastes to create a fully immersive experience.
Example: "The market bustled with life. Colorful fruits glistened in the morning sun, their sweet aroma mingling with the earthy scent of fresh herbs. Vendors called out their wares in sing-song voices, while customers haggled in animated tones. Sarah's fingers brushed against the rough burlap sacks of grain as she passed, and she could almost taste the tang of ripe oranges on her tongue."
c) Use unexpected comparisons: Fresh similes and metaphors can breathe new life into descriptions.
Example: Instead of: "The old man was very thin." Try: "The old man was a whisper of his former self, as if life had slowly erased him, leaving behind only the faintest outline."
Choose Your Words Wisely 📚
Every word in your prose should earn its place. Here are some tips for selecting the right words:
a) Embrace strong verbs: Replace weak verb + adverb combinations with single, powerful verbs.
Example: Instead of: "She walked quickly to the store." Try: "She hurried to the store." or "She dashed to the store."
b) Be specific: Use precise nouns instead of general ones.
Example: Instead of: "She picked up the flower." Try: "She plucked the daisy."
c) Avoid clichés: Clichés can make your writing feel stale. Try to find fresh ways to express common ideas.
Example: Instead of: "It was raining cats and dogs." Try: "The rain fell in sheets, transforming the streets into rushing rivers."
Play with Sound 🎶
The sound of words can contribute greatly to the beauty of your prose. Here are some techniques to make your writing more musical:
a) Alliteration: Repeating initial consonant sounds can create a pleasing effect.
Example: "She sells seashells by the seashore."
b) Assonance: Repeating vowel sounds can add a subtle musicality to your prose.
Example: "The light of the bright sky might ignite a fight."
c) Onomatopoeia: Using words that sound like what they describe can make your writing more immersive.
Example: "The bees buzzed and hummed as they flitted from flower to flower."
Art of Sentence Structure 🏗️
How you structure your sentences can greatly affect the flow and impact of your prose. Here are some tips:
a) Use parallel structure: When listing items or actions, keep the grammatical structure consistent.
Example: "She came, she saw, she conquered."
b) Try periodic sentences: Build suspense by putting the main clause at the end of the sentence.
Example: "Through storm and strife, across oceans and continents, despite all odds and obstacles, they persevered."
c) Experiment with sentence fragments: While not grammatically correct, sentence fragments can be powerful when used intentionally for emphasis or style.
Example: "She stood at the edge of the cliff. Heart racing. Palms sweating. Ready to jump."
Power of White Space ⬜
Sometimes, what you don't say is just as important as what you do. Use paragraph breaks and short sentences to create pauses and emphasize important moments.
Example: "He opened the letter with trembling hands.
Inside, a single word.
'Yes.'"
Read Your Work Aloud 🗣️
One of the best ways to polish your prose is to read it aloud. This helps you catch awkward phrasing, repetitive words, and rhythm issues that you might miss when reading silently.
Edit Ruthlessly ✂️
Beautiful prose often comes from rigorous editing. Don't be afraid to cut words, sentences, or even entire paragraphs if they don't serve the overall beauty and effectiveness of your writing.
Study the Masters 📖
Please! Read widely and pay attention to how your favorite authors craft their prose. Analyze sentences you find particularly beautiful and try to understand what makes them work.
Practice, Practice, Practice 💪
Like any skill, writing beautiful prose takes practice. Set aside time to experiment with different techniques and styles. Try writing exercises focused on specific aspects of prose, like describing a scene using only sound words, or rewriting a simple sentence in ten different ways.
Remember, that developing your prose style is a journey, not a destination. It's okay if your first draft isn't perfect – that's what editing is for! The most important thing is to keep writing, keep experimenting, and keep finding joy in the process.
Here are a few more unique tips to help you on your prose-perfecting journey:
Create a Word Bank 🏦
Keep a notebook or digital file where you collect beautiful words, phrases, or sentences you come across in your reading. This can be a great resource when you're looking for inspiration or the perfect word to complete a sentence.
Use the "Rule of Three" 3️⃣
There's something inherently satisfying about groups of three. Use this to your advantage in your writing, whether it's in listing items, repeating phrases, or structuring your paragraphs.
Example: "The old house groaned, creaked, and whispered its secrets to the night."
Power of Silence 🤫
Sometimes, the most powerful prose comes from what's left unsaid. Use implication and subtext to add depth to your writing.
Example: Instead of: "She was heartbroken when he left." Try: "She stared at his empty chair across the breakfast table, the untouched coffee growing cold."
Play with Perspective 👁️
Experiment with different points of view to find the most impactful way to tell your story. Sometimes, an unexpected perspective can make your prose truly memorable.
Example: Instead of describing a bustling city from a human perspective, try describing it from the point of view of a bird soaring overhead, or a coin passed from hand to hand.
Use Punctuation Creatively 🖋️
While it's important to use punctuation correctly, don't be afraid to bend the rules a little for stylistic effect. Em dashes, ellipses, and even unconventional use of periods can add rhythm and emphasis to your prose.
Example: "She hesitated—heart pounding, palms sweating—then knocked on the door."
Create Contrast 🌓
Juxtapose different elements in your writing to create interest and emphasis. This can be in terms of tone, pacing, or even the literal elements you're describing.
Example: "The delicate butterfly alighted on the rusted barrel of the abandoned tank."
Use Synesthesia 🌈
Synesthesia is a condition where one sensory experience triggers another. While not everyone experiences this, using synesthetic descriptions in your writing can create vivid and unique imagery.
Example: "The violin's melody tasted like honey on her tongue."
Experiment with Sentence Diagrams 📊
Remember those sentence diagrams from school? Try diagramming some of your favorite sentences from literature. This can give you insight into how complex sentences are structured and help you craft your own.
Create a Sensory Tour 🚶‍♀️
When describing a setting, try taking your reader on a sensory tour. Move from one sense to another, creating a full, immersive experience.
Example: "The old bookstore welcomed her with the musty scent of aging paper. Dust motes danced in the shafts of sunlight piercing the high windows. Her fingers trailed over the cracked leather spines as she moved deeper into the stacks, the floorboards creaking a greeting beneath her feet. In the distance, she could hear the soft ticking of an ancient clock and taste the faint bitterness of old coffee in the air."
Use Active Voice (Most of the Time) 🏃‍♂️
While passive voice has its place, active voice generally creates more dynamic and engaging prose. Compare these two sentences:
Passive: "The ball was thrown by the boy." Active: "The boy threw the ball."
Magic of Ordinary Moments ✨
Sometimes, the most beautiful prose comes from describing everyday occurrences in a new light. Challenge yourself to find beauty and meaning in the mundane.
Example: "The kettle's whistle pierced the quiet morning, a clarion call heralding the day's first cup of possibility."
Play with Time ⏳
Experiment with how you present the passage of time in your prose. You can stretch a moment out over several paragraphs or compress years into a single sentence.
Example: "In that heartbeat between his question and her answer, universes were born and died, civilizations rose and fell, and their entire future hung in the balance."
Use Anaphora for Emphasis 🔁
Anaphora is the repetition of a word or phrase at the beginning of successive clauses or sentences. It can create a powerful rhythm and emphasize key points.
Example: "She was the sunrise after the longest night. She was the first bloom of spring after a harsh winter. She was the cool breeze on a sweltering summer day. She was hope personified, walking among us."
Create Word Pictures 🖼️
Try to create images that linger in the reader's mind long after they've finished reading. These don't have to be elaborate – sometimes a simple, unexpected combination of words can be incredibly powerful.
Example: "Her laughter was a flock of birds taking flight."
Use Rhetorical Devices 🎭
Familiarize yourself with rhetorical devices like chiasmus, antithesis, and oxymoron. These can add depth and interest to your prose.
Example of chiasmus: "Ask not what your country can do for you – ask what you can do for your country." - John F. Kennedy
Even the most accomplished authors continue to hone their craft with each new piece they write. Don't be discouraged if your first attempts don't sound exactly like you imagined – keep practicing, keep experimenting, and most importantly, keep writing.
Your unique voice and perspective are what will ultimately make your prose beautiful. These techniques are simply tools to help you express that voice more effectively. Use them, adapt them, or discard them as you see fit. The most important thing is to write in a way that feels authentic to you and brings you joy.
Happy writing, everyone! 🖋️💖📚 - Rin T
Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!
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intermundia · 1 year
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my favorite thing about anakin as a character is the inherent nuance lucas wrote into his story, like he's neither an innocent victim nor an inherently evil monster, he's just some guy put in a series of Situations and ultimately failing the test of his humility and self-control. he was certainly flattered and shaped by the devil, spiraling into something unrecognizable, but he chose to take every step down the pathway to hell. lucas knew he would lose a certain demographic by making him basically a greedy pawn in the larger story, not a righteous betrayed macho badass, but he did it anyway. he made him an awkward romantic and a loyal friend, a generous boy and a brilliant teen. he made sure he had all the positive qualities that meant that he had potential to be so much more than vader, but it was clearly his choice to lie, murder, and fully squander that potential. there are no excuses for what he became, no acceptable reasons to commit mass slaughter. he became an unbelievably selfish and impatient man, reckless and wantonly violent. hayden captured that nuance so well, nobody can match the sweetness of his smile and the absolute horror of his scowl on mustafar. to view him through a single lens as either pure victim of manipulation and (canonically unsupported) emotional neglect, or a creepy evil villain, denies the heart of his story and the weight of his tragedy. he's neither an angel nor a demon, he's both and neither, he's deeply human, a classical tragic hero with a flaw of greed. lucas made a choice with the prequels to tell a story that not everyone wanted to hear, and the result was a character that i think is one of the best of modern pop culture, mostly because he feels to me so very, very ancient and eternal.
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joeyhazell-art · 4 months
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Kicking off pride month with some delicious dungeon lesbians 💖🧡 I’ve been sucked into this anime and I have no regrets.
Like this? Check out my pride sale here!
insta | twitter | kofi | commission info  
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katakaluptastrophy · 1 year
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Periodically, I remember how absolutely fucked up the necromancers in TLT are meant to look. Like, necromancy does an absolute number on people physically.
Harrow is "rather small and feeble".
Necromantic Ianthe is "the starved shadow" of her non-necromantic twin.
Our first description of Palamedes is "a rangy, underfed young man" who is "gaunt".
Silas is "knife-faced...He had a necromancer build."
Ianthe parodies make-over scenes in House novels with "if the hero’s a necromancer it’ll be described like, ‘His frailty made his unearthly handsomeness all the more ephemeral'"
Jod acknowledges to Wake that even small children with aptitude would look odd to non-House eyes: "“I have access to any number of cute pictures of necromantic toddlers with their first bone. They don’t make for fat-cheeked roly-poly babies, but they’ve got a certain something."
In As Yet Unsent, Judith brags about her previous physical fitness: "I could run a kilometre in ten minutes, which was among the fastest for my adept group in the junior reserves." Which is about double the time you might expect for a physically fit woman her age.
In non-necromancer-friendly New Rho, Harrow's body is mistaken for a child's and has to be explained as a result of starvation and trauma to seem plausible: "Pyrrha explained without missing a beat that what with everything Nona had gone through she had been ill and still didn’t eat very much, which was why she was so knobbly and undergrown. The nice lady said that yes, many of the children had problems like that, but it was still hard to imagine Nona was anywhere over fourteen, wasn’t it?"
Tamsyn Muir's descriptions of the Canaan House gang on Tumblr back this up: "Judith is somewhat less completely scrawny than other necromancers on the cast, though she should be less built than Marta is", Palamedes is "seriously underfed" and "bony", Harrow is "scrawny".
And that's just what I can think of off the top of my head - I'm sure there's more.
Anyway, necromancers aren't slender in a conventionally attractive way, they're gaunt in a concerning way...and probably the only reason no one instantly clocked that Coronabeth wasn't a necromancer was because they all just thought it was par for the course that a Third House princess would have had a lot of plastic surgery flesh magic.
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hylianengineer · 7 months
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A aromantic prince has been turned into a frog
It's a curse only true love can break
So he spends months trying to fall in love, trying to stop being who he is because god dammit he's not a frog either!
After yet another unsuccessful date, he begins to despair for his future which is looking more amphibious by the minute.
A loud noise disturbs his brooding as something comes crashing through the undergrowth. He's barely gotten his little froggy feet underneath him before a tiny (but still quite big if you're a frog!) hand is scooping him into the air.
A little kid sees the frog on the grass.
They grab it before he has the chance to protest and kiss him square on his slimy little head.
He transforms back into a very confused human.
No, this is not a Renesme moment, gross. Not romantic love or even friendship, just the blind joy of a kid who thinks frogs are super cool. The child loves every amphibian she's ever set eyes on, but that doesn't make it any less real. And she grows up to be a biologist who studies frogs, because of course she does. The prince pays her tuition as thanks for returning him to his proper form. She was like 4 years old at the time and doesn't even remember the frog incident - there's just some random rich dude paying for her college because of something she doesn't remember, but she's not complaining because grad school is expensive as heck.
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joseefinwrites · 7 months
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Ultimate "Know Your Character Inside Out" Template
The ultimate template for creating a character, without losing your mind, while you're at it.
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Character Background Template ... (open)
1. Name:
2. Age:
3. Gender & Pronouns:
4. Physical Appearance:
   - Hair color:
   - Eye color:
   - Height:
   - Build:
   - Distinguishing features (scars, tattoos, etc.):
5. Background and Upbringing:
   - Where were they born and raised?
   - What was their family structure like (parents, siblings)?
   - Describe their childhood environment and upbringing.
   - Were there any significant events or traumas in their past?
6. Education and Skills:
   - What level of education did they receive?
   - Did they excel in any particular subjects or skills?
   - Have they pursued any additional training or education since then?
7. Personality Traits:
   - Describe their personality in a few words.
   - What are their strengths and weaknesses?
   - How do they typically react under stress or pressure?
8. Motivations and Goals:
   - What are their short-term and long-term goals?
   - What drives them to pursue these goals?
   - Are there any fears or insecurities that motivate or hinder them?
9. Relationships:
   - Who are the most important people in their life?
   - How do they interact with family, friends, and acquaintances?
   - Do they have any romantic interests or significant relationships?
10. Past Experiences:
    - Have they faced any major challenges or setbacks in the past?
    - How have these experiences shaped their beliefs and values?
    - Have they experienced any significant losses or tragedies?
11. Worldview and Beliefs:
    - What are their core beliefs and values?
    - How do they view the world around them?
    - Are there any cultural, religious, or philosophical influences in their life?
12. Inner Conflict:
    - What internal struggles do they face?
    - Are there any unresolved issues from their past that continue to affect them?
    - How do these inner conflicts impact their decisions and actions?
13. Connection to Outer Conflict/Plot:
    - How does their personal journey intersect with the main plot or external conflict?
    - What stakes are involved for the character in the larger story?
    - How do their goals and motivations align (or conflict) with the central conflict?
 
(Shorter) Knowing Your Character Inside Out Checklist
Personality Traits:
   - Introverted/Extroverted
   - Optimistic/Pessimistic
   - Assertive/Passive
   - Empathetic/Self-centered
   - Logical/Emotional
   - Adventurous/Cautious
   - Honest/Dishonest
   - Ambitious/Content
Beliefs and Values:
   - Religious beliefs (if any)
   - Moral code
   - Political beliefs
   - Views on relationships
   - Attitude towards authority
Fears and Insecurities:
   - Common fears (spiders, heights, etc.)
   - Deep-seated insecurities (failure, rejection, etc.)
   - Traumatic experiences (if applicable)
Desires and Goals:
   - Short-term goals
   - Long-term aspirations
   - What motivates them to pursue these goals?
Strengths:
   - Intellectual strengths
   - Physical abilities
   - Emotional resilience
   - Social skills
   - Unique talents or abilities
Weaknesses:
   - Personal flaws
   - Areas of vulnerability
   - Bad habits
   - Limiting beliefs
Backstory:
    - Family background
    - Childhood experiences
    - Significant life events that shaped their identity
    - Education and career path
    - Previous relationships
-Josie
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cy-cyborg · 5 months
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Forgetting your character is disabled isn't a "good representation" flex: Writing Disability Quick Tips
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[ID: An image with “Writing Disability quick tips: Forgetting your character is disabled isn't a good representation flex” written in chalk the colour of the disability pride flag, from left to right, red, yellow, white, blue and green. Beside the text is a poorly drawn man in red chalk looking down confused at his leg, one is drawn normally, the other is drawn to resemble a basic prosthetic. He has question marks above his head. /End ID]
For a while, I was involved in the booktok and Tik Tok writing communities, specifically parts of the community focused on more diverse books and authors. During this time, I noticed a reoccurring pattern when people were highlighting stories featuring disabled characters, or even promoting their own books, and that was how often people would say "I kind of forget they have [insert disability here] because they're such a badass."
The intention behind this statement is (usually) good, with people trying to show that their disabled characters are self-sufficient and don't fall into the tired old sad/helpless disabled person trope, however, you can - and very much should - do that without erasing your character's disability. If you find yourself forgetting your character is disabled, or your beta and pre-release readers are commenting about forgetting it, then there's a good chance that's exactly what you've done - and as a disabled person myself, if I see that statement being used in your marketing in particular, it's a giant red flag and a sure fire way to make sure I give the book in question a skip.
Remember, disabilities (especially major ones) are a part of your character's identity, and they're important regardless of the character's personal relationship with it. Even if your character doesn't specifically identify with the label of disabled or doesn't really care that much, it's should still be impacting their daily life, even in small ways. If you're finding yourself forgetting about a major part of your character's identity, it might be a good idea to check and make sure their disability is having an impact on the character.
I see this comment most often with amputee characters, and to me, it's a pretty consistently good indication that the author has treated their character's prosthetic as a cure rather than the mobility aid it is. It's far from unique to amputees, mind you (I talked about this a lot when I was discussing the character of Toph from Avatar), but it's when I tend to see it the most. Remember that mobility aids and other forms of assistive technology and assistive magic (if it's a fantasy story) are just that: they're aids, they assist, they shouldn't be cures.
Of course, this wasn't unique to Booktok, I've seen it on nearly every other social media site with a writing and book-focused community at some point, but Tik Tok was just where I spent the most time and it seems to be where I see the most people specifically gloating about it.
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What you HAVE TO know about your characters
Name:
Appearence:
Age:
Role:
Why the have that role, not based on the plot but based on the characters core beliefs and how that affects the plot:
Beliefs:
Motivations:
Who they were raised to be vs who they are/are becoming:
Plans for the future:
How they feel about themselves and how it affects their behavior:
Why do they even matter:
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killjoy-prince · 7 months
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House M.D. but it's when Wilson says House's name
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