#there's no way that could go wrong

[lifeisstrange-incorrectquotes]

Ryan: I dare you to kiss the first person who walks in the room.

Steph: I'm not just gonna kiss any—

Alex, walking in: Hey, Steph. Hi, Ryan.

Steph, standing up: Well, a dare's a dare!

[theiliad]

making this one binary. no ghost agnosticism allowed. but explain the nuances in the tags if you want.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[equill]

Job promotion (now what?)

Comic 1: Interrogation

Caught him lurking in the background (he was being suspicious in their defense)

Comic 2: Everywhere you go.

[voiider]

I need codependent Danny/Jason as a little treat (for me) and I love the idea of them having some sort of instant connection the moment they meet (bc ghost stuff idk)

Danny who's been dropped in Gotham with no way home (alt universe??) and he's been here for 36 hours and having a Very bad time senses a liminal being and immediately latches onto them heedless of the fact that his new best friend is shooting at some seedy guys in an alley and goes off about how stressed he is and how he can't make it back to the ghost zone and what a bad day he's been having (and it's important to note Danny is a littol ghost boy literally hanging off of Jason's neck as he floats aimlessly) and Jason is like "who are you??" And Danny is like "oh sorry I'm Danny lol" and then just continues lamenting his woes

And honestly ? This might as well happen. Nothing about this Danny guy(is he human?) gives Jason a bad vibe and tbh he's never felt more calm and level headed before so he just keeps up his usual Red Hood patrol and doesn't even think about it when he heads back to a safehouse and feeds Danny dinner (breakfast) before crashing for half the day

The only thing I actually need is Jason meeting up with the bats for some sort of Intel meeting and they're like "uhhh who's that" and Jason is like "that's Danny." And does not elaborate (very ".... What do you have there?" "A smoothie" vibes)

And it takes them a while to realize that these two have known each other for less than 12 hours and are literally attached at the hip

[carnivalcarriondiscarded]

🙃?

[rystiel]

i feel like poolverine easily could’ve been one of those “they’re flirty but it’s mostly unserious” situations, and for most of the movie yeah they were extremely gay, but wade’s been like that with other guys and it was never treated as a serious type of relationship before. they’re willing to die for each other, but even then the romantic aspect of their relationship could be glossed over because it’s a superhero movie, that’s just what they do, and they’re working together to save a whole timeline—it’s not just about them. but then the movie doesn’t end with them saving the day and moving on. i think this’s really the part that sells poolverine as a genuine relationship to me… logan’s leaving, and wade calls for him. he can’t stand to let him go. then he introduces him to his family, and logan stays. he doesn’t really need to stay, but they’ve both decided they’re better off with one another than without

[saturdaysky]

a little divine appreciation

-

God Gale is endgame for Mayhew, and Mayhew couldn't be more pleased 😌

their mutual wizard disease brought them to some pretty low lows, but hey, ignore the tragedy, they're gods now! first order of business is a little worshiping at the altar 😏

Here's the sketch, which I also like:

Got majorly inspired by these lovely photos, one of which I used as a pose reference.

[poorly-drawn-mdzs]

True love is possible only in the next world. For new people. It it too late for us.

(Redraw for @pakhnokh's DTIYS post!)

[utilitycaster]

I definitely need to observe this more but I feel like in a lot of actual play or adjacent (ie, sf podcast) fandoms there's like. a particular fan mindset that takes almost every action from secondary characters in the worst faith possible with the exception of villainous/deeply morally ambiguous characters, and so you get people who will assume everyone is out to get the protagonists EXCEPT for the person who has shot at them 20 times while kicking a puppy; that person is misunderstood and deserved a redemption arc.

[nomoretumbler]

new lab partner!

alt version

[luck-of-the-drawings]

[OLD ART ALERT] A COLLECTION OF SCENES FROM THE GILLIONS CATSCRATCH ARC THAT BROUGHT ME GREAT JOY. i love fishy chips especially when its just gillion being delirious and violent and hostile

[puppetmaster13u]

Got an Idea based off of our Reblogs of @radiance1 Danny Reincarnates as a Clone Prompt.

But. What if, it's in Flashpoint timeline. Now you might say, but wait, isn't that timeline destroyed? Actually there was a continuity where it didn't, and we got to see more of Batman Thomas Wayne. But that's not what I'm getting at Because more importantly? At least for this? Kal is stuck in a lab under Metropolis, treated as an experiment and specimen. Like literally known as Subject 1. He's been there since the ship crashed as a baby, never ended up with the Kents, has never seen the sun or anything. He's kept in a room with red sun lights and is visibly Not Healthy. So why not add in clones to this?

Now does Danny know why he reincarnated? No. He doesn't really remember. What he does know? Is that he's physically baby. And he thinks he might be sick?

He's not to sure what's happening at first, vision not the best while he adjusts to suddenly being aware and able to move. But he recognizes labs. He recognizes cold halls and is understandably upset.

He sees himself in the glass- a tiny toddler with black hair and inhumanely blue eyes wrapped in a blanket that feels scratchy against his skin. Then he's in a room- more akin to a box with a wall cot- too big for him- a desk, and toiletries. And then there's a face peering down at him, gaunt face of a teenager- maybe young adult- looking starved, the same inhumane blue eyes wide in near awe and perhaps a hint of panic as they let out a raspy chuff.

What the fuck kind of place is he at...?

[turtleblogatlast]

Don’t think I ever quite said what my LGBTQ+ headcanons are for the boys, so these are my current thoughts! Always changing of course but this is what I feel most strongly right now.

[tanglepelt]

Dc x dp idea 77

A reveal gone right ends in tragedy.

Danny told his parents he was phantom They accepted him. The problem is Jack accidentally outed him.

Jack and Maddie got questions on why they stopped there hunting and threats to ghost. The two just do catch and releases as necessary as phantom does.

Jack just goes well we don’t want to hunt our son.

Amity Parker’s just accept it. To bad the GIW and government don’t.

This leads to jack and Maddie making a device to get their family out. Ellie is a member of the family at this time. They don’t want to flee into the ghost zone as three of the five are human. Rather they want to make a device that goes to a separate dimension and hope it’s better.

If not just dimension hop.

The Giw break through the defenses of the house right as they finished an experimental version.

Only the kids make it through. Jack and Maddie stayed behind to stop the Giw and get rid of the ghost portal. They didn’t want to leave the GIW with means to destroy a whole entire dimension full of beings who could feel and think.

The three kids end up in the dc dimensions.

The justice league is alerted to a dimensional hop via JLD? maybe. Or some system scanning looking for it.

[chirpsythismorning]

Thinking about the what if El was never interested in Mike romantically, she just assumed she was discourse on the tag today and how it's very possible what could make El fully realize this, is when in s5 she see's Will's love for Mike in real time, for the first time, and she's just like damn! That is not me!