#thinking of writing it

[iheartmoons]

jily fic but there's wolfstar, and dorlene, and fake dating, and past marylily, and pining jegulus which turns out to be nothing, and film nights, and baking together, and bickering, and bi lily, and [queer] james, and actually they're so in love with each other, and they're kids, and its all very real.

[changethecircumstances]

obligatory forced holiday tropes with Ouizzy anyone?

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[evidently-endless]

i think we should remind musicians they can absolutely make up little stories for their songs btw. it doesn’t have to be about them at all. you can invent a guy and put him in situations to music. time honoured tradition in fact.

[sylvies-kablooie]

i do unironically think the best artists of our generation are posting to get 20 notes and 3 reblogs btw. that fanfic with like 45 kudos is some of the best stuff ever written. those OCs you carry around have some of the richest backstories and worldbuilding someone has ever seen. please do not think that reaching only a few people when you post means your art isn't worth celebrating.

[yeehawpim]

a comic about fix-it fanfics

[frankierotwinkdeath]

Y’all want Taylor Swift to be gay so bad but you won’t even write femslash about her

[noperopesaredope]

I wish we had more female characters like Eleanor Shellstrop. One of the most unlikable people you've ever met. Read a Buzzfeed article on most rude things you can do on a daily basis and decided to use that as a list of goals. Makes everyone's day worse just by being there. Dropped a margarita mix on the ground and tried to pick it up, only to get hit by a row of shopping carts which pushed her into the road where she was hit by a boner pill delivery truck, killing her instantly. Cannot keep a romantic partner despite being bisexual. Had a terrible childhood but will die before she gets therapy. Best employee at a scam company. Just the worst but also can't help but root for her to improve.

Absolute loser. Girl-failure. Bad at almost everything. Literally perfect female character.

[plaguedoctorate]

idk man. i just think itd be really cool if sign language classes were mandatory throughout primary school. yeah because it would make communication with deaf kids and autistic/nonverbal kids much easier. and those kids would be accessible to the others so they could make friends and have healthy relationships. yeah. and kids would eat that shit up man. like their own little secret language? they love that.

[whatkindofnameisella]

can you believe that we have fanfiction. that we have websites dedicated to fanfiction. that there is a place that you can go and read tens, hundreds, thousands and thousands of pieces of writing that strangers have made. people who are not "writers". people who come home at the end of the day and have feelings and say, i am going to put that into words. i am going to share those words. short, long, sweet, sad, horny, funny, wonderful words. we are all just human and we all love to make and remake and share that with others. can you believe that.

[echoesoftheinfinite]

There is nothing that attracts me more than a deep, honest, serene, and truly meaningful conversation.

[heritageposts]

Translation: What a shitshow. This years Eurovision has gone to hell. And it's first and foremost the EBU's fault.

Also, excerpt from the same article:

Throughout the course of the Eurovision Song Contest, the EBU has acted as if they live in a parallel universe. Eurovision is one thing, the world outside something else. The EBU has stuck its head in the sand. Shoved the problem under the rug. Held their hands over their ears and shouted LALALALALA. They appear to have done everything they can to pretend it's possible to hold an apolitical event in a world that's on fire. We have come together to be "united by music", they say, but the sharpshooters on Malmö's rooftops have nothing to do with us! In its struggle to remain apolitical, the EBU has become like a small fascist state in itself, where the artists' space for expression and action has been reduced as much as the undergarments of the Spanish dancers. It is reprehensible.

Reminder again to BOYCOTT EUROVISION 🇵🇸

Don't watch, don't vote.

[tanjir0se]

Disclaimer these are just a small sampling of some possible writer traits I’ve noticed either in myself or in fics I read. Also consider a rb for sample size !

[sanguinarysanguinity]

Expanding a thought from a conversation this morning:

In general, I think "Is X out-of-character?" is not a terribly useful question for a writer. It shuts down possibility, and interesting directions you could take a character.

A better question, I believe, is "What would it take for Character to do X?" What extremity would she find herself in, where X starts to look like a good idea? What loyalties or fears leave him with X as his only option? THAT'S where a potentially interesting story lies.

In practice, I find that you can often justify much more from a character than you initially dreamed you could: some of my best stories come from "What might drive Character to do [thing he would never do]?" As long as you make it clear to the reader what the hell pushed your character to this point, you've got the seed of a compelling story on your hands.

[daisywords]

One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.

Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.

It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?

Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.

[littlediscoveredstars]

Headcanon that Jim Gordon used to think Dick’s real name was just Robin. It’s not an unusual name honestly, and there’s nothing particularly bird about his outfit, so Gordon thought nothing more about it when they first met.

Gordon: “Uh, kid, this is a crime scene-“

Dick, hands on his hips (and no pants):“My name is Robin!”

Gordon catches Batman’s frown and assumes it’s because Robin isn’t being careful enough about his name.

But time goes on and no one finds out where the kid lives, so Gordon lets it slide. He’s a cute kid, if a little intense, but it’s fun to watch him grow up with Barbara (yes, he knows about batgirl. Yes, he chewed Batman out for it but decided to ultimately ignore it like everything else).

But then a new Robin comes in. This is a kid again, not a full adult like he was a year ago.

Gordon: “Hey, Batman? What happened to Robin?”

Batman: “This is Robin.” He sounds so unbothered, like he doesn’t realize this is a completely different kid!

Gordon’s concern for this half-mad vigilante skyrockets. Batman has convinced himself that this kid is the same as the first. He’s going through it and the mental gymnastics are more than Gordon can take.

So, he lets it go.

But then that Robin disappears and Batman’s acting up. Nightwing shows up a few times and it never really helps things. Gordon’s getting more headaches than smoke breaks and at this point, he’s really to pull the plug on this whole bat business.

But then Robin comes back again and Gordon’s has it. He confronts this kid, fully prepared to push through whatever gaslighting’s been happening, only for Tim to look at him like he’s stupid.

Gordon: “Kid, who are you really? Because the Robin I met graduated collage years ago and the one after that is dead!”

Tim, with the most judge mental look physically possible: “Commissioner…Robin’s my hero name.”

Gordon: “…Your hero name?”

Tim: “Yeah. I’m Robin, like the bird. Batman and Robin. Heroes. Why would I go around using my real name? That would be stupid and dangerous.”

And Gordon has to call off for the rest of the day, he’s so pissed.