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#writer pains
th3archivisst · 1 year
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Writing is like watching a mildly interesting Netflix program.
It’s fun, and when you start you spend hours on it, but if you make the mistake of taking a break before you’re done, say goodbye to finishing it that month.
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delirium-mind · 1 year
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I miss the way I viewed the world before I knew too much about it
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xenascribbles · 2 months
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the ever terrifying and exhausting cycle of “i don’t want to share my writing bc it feels disheartening when not many people are interested in it” and “i have to post the writing for people to become interested in it”
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latelierderiot · 1 month
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my humble offering to my new obsession 🤲
and without the mask!
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lazylittledragon · 2 months
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mombin pt 9!! it's been too long i'm sorry
(1)(2)(3)(4)(5)(6)(7)(8)
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armageddidnt · 1 year
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I’ve been reading so much Ineffable Husbands fanfic on AO3 lately I thought it was time to put this bad boy together. Hope you can find something entertaining/relatable here XD
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petricorah · 6 months
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scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]
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being a writer is spelling disembowelment correctly on the first try but somehow always screwing up definitliely
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ineedhjalp · 1 month
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*cradles fictional character’s face in my hands* *gently kisses their forehead* i’m going to make you wish you were never born
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jethrowest · 5 months
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let me see you stripped down to the bone…
- stripped by depeche mode
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congratulations! you’ve been hired as homelander’s entire glam squad! what an opportunity! now let’s try real hard not to let the fumes get to you, okay?
pairing : homelander/afab reader
word count : 5.6k
warnings : homelander in and of himself, toxic workplace environment, something akin to stockholm syndrome, fingering, smut. 18+, mdni
special thanks to @blindmagdalena @sehtoast @homeb0ys and @clockworkzeppelin for letting me scream at you about this!
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Homelander is an asshole.
That doesn’t bother you much. You’ve dealt with plenty in this field, which means you’ve learned how to make life easier for all parties. That particular learning curve includes when to stand out and blend in, at times concurrently depending on what variety of asshole they happen to be.
As a whole, the makeup artists and hairstylists at Vought take care of The Seven and go where they’re needed. And as a cosmetologist, you were hired to provide both services for Homelander and Homelander only, which you consider to be one of the most prestigious stamps one could add to their professional passport.
Before you became official, you were colorfully threatened by a Ms. Ashley Barrett, who, after the fact, had no qualms throwing you into the lion’s den to figure your own shit out.
In no uncertain terms were you told that if you fucked any part of this up, your sparkling resume would look best as something to sit her smooth, bare ass on while getting fucked on top of her desk. No lube or protection. It would then be tossed exactly like her salad.
Not an image you could have ever predicted crossing your mind. Honestly, you should have stopped her right there and walked your happy little ass out of her office toward pastures that might have not been greener (you were being handsomely compensated), but certainly not as toxic. While the red flags were a color you couldn’t quite ignore, you were also curious about why they stood out so much more than they did regarding previous employers.
None of this is to say you live under a rock. Anyone who has access to the internet is ambushed daily by these Supes’ personal lives. Homelander’s track record as far as choice in partners went hadn’t been ideal, so you understand that made him less popular at the time. That of course has nothing to do with you or your capabilities.
You opt to wear gray-colored glasses, seeing everything with a neutral blend of black and white. As much as possible anyway.
Nevertheless, curiosity killed the cat. But hopefully not your career.
The first day was awkward to say the least. Immediately, you knew you weren’t going to like your coworkers.
Glints of sympathy changed how they perceived you. A target, whether they intended for this to happen or not, was nailed to your forehead, and it made them buzz around you like avid, greedy wasps keen on seeing how rapidly the honeybee will be brutalized. You didn’t much care for going cross-eyed while staring at that target whenever you crossed paths. They didn’t know you, yet because of who you were working under, deemed you helpless. They didn’t give you a chance to establish yourself before branding you a victim.
Why should you respect them?
Small talk wasn’t entertained either, as their judgment tarnished any future encounters. They ostracized you once you showed no interest in engaging with them. That didn’t disappoint you. You weren’t here to make friends.
You do wonder how those before you fared: if they were jaded when they arrived or if they couldn’t help but succumb to the pressures of being at the top rung of a very unstable albeit sought after ladder.
Ms. Barrett quickly introduced you to Homelander, her parting gift before leaving the two of you alone.
You weren’t completely nervous in his presence. He wasn’t any different to you than the other celebrities you’d worked on, except he could rip you in half like a piece of paper if he was so inclined. But he’s the hero of this country’s story, so really, you should have nothing to worry about.
His demeanor, you noted, suggested arrogance, annoyance, and boredom. All things you’re used to. So you offered your hand to shake, which he eyed with a slightly upturned nose before grabbing, told him it was a pleasure to meet him and got straight to business.
Looking back, he was clearly expecting more out of you. Maybe not a display as excessive as getting on your knees and professing your undying love, but close enough. Somewhere in the middle, perhaps.
Part of you believes he might have also counted on fear. To you, he’s not anything or anyone unknown. Another big name in a fancy suit with impossible demands.
You were given a routine to follow and products to use. You did as you were instructed and found the process to be simple and, as Homelander’s expression revealed, uninspiring.
While you were utilizing a face brush to apply powder, he must have decided he was done enduring your lack of enthusiasm, because he suddenly asked, “What are you wearing?”
You stopped for a split second, no longer than, and continued. “The name of my clothing designer, you mean?”
He scoffed, waving his gloved hand at you, almost knocking the applicator you held to the ground. “No, your perfume. What are the top notes?”
You laughed and that seemed to confuse him. “Why, you want a bottle?”
“I don’t like it.” He sniffed sharply and cleared his throat. “Smells like you should be on the corner selling your used body parts.”
Ding ding ding. Alarm bells and red flags galore. You enjoy a challenge, however, and are a bit of a masochist, so you persevere.
“Well, what doesn’t smell like a cheap hooker to you? I’ll start wearing that instead.”
He cocked a brow, studying you. Trying to figure out if you were being serious or mocking him.
“It’s your first day.” A warning. “Are you on your best behavior, or can you do better?” He leaned forward in his chair, forcing you backward. “You should be working harder to prove yourself. Prove your worth.” He sat back again and shrugged. “Or maybe you really are worth as much as that dumpster juice you doused yourself in.”
At this point, he more than likely envisioned your happy little ass getting offended and storming out of the room. Breaking down, sobbing. Questioning why he was being so rude. One of those or, better yet, a nifty combination.
You’ve heard worse, unfortunately for him. Not always directed at you, but that doesn’t matter. You can handle it.
“You’re absolutely right,” you stated calmly, folding your arms across your chest. He looked at you with pretentious, petulant intrigue. “It is my first day, and I want to make a good impression. Which is why I’m asking you what you would like me to wear so I can continue to keep that good impression intact and, as our professional relationship develops, stay on top of it.”
Homelander’s mouth twitched. He sighed deeply and slouched in his seat, staring at the wall to the left of him. Then he deigned to cast his gaze back at you, resting his cheek on his index and middle finger. He tapped the arm rest with his other hand.
“Ugh, fine. Whatever.” A pause followed that lasted longer than necessary. Were you meant to guess? “Just wear something, I dunno, less. If you would have done your homework like a good little peon, you’d know I have super senses. Highly developed. Can you even imagine what that entails?”
Finally, he freed the canvas you were nearly finished with, and you flicked the soft bristles across the bridge of his nose. You smiled, more to yourself than him.
Felt rather on the nose, as the saying goes.
He didn’t comment on your grin. You didn’t give him time to. But he did huff like you were being obtuse on purpose.
“I can try. And my imagination is giving me some less-than-ideal scenarios,” you replied. Another pause. At least he was letting you do your job again.
You don’t know what compelled you to keep going, but something about his lack of a real answer made you carry on. “Do you have a favorite flower or baked good? Maybe a spice?”
Homelander almost glared up at you. You say almost because, for whatever reason, it didn’t seem like he was directing that harshness at you, though former words and actions proved otherwise. Something inside, perhaps. Or outside of this enclosed space.
“I already told you what to wear. Don’t make me repeat myself.”
You took the hint and remained quiet the rest of your session. Soon, you were done.
As you were packing and tidying up your station, he took it upon himself to stand behind you. He lingered over your shoulder, watching the scene play out like he was director and star and you were barely an ant on the sidewalk he acknowledged before squashing.
The heat radiating off of him was impossible to dismiss, a wall of it barricading your backside. He clasped his fingers underneath his cape and inched closer. You thought he was as close to you as he could get without touching you. He was that warm.
When you glanced up, he was staring at you through the mirror. As absurd as it was, you managed to get chills. Goosebumps broke the surface of your skin.
“Fresh chocolate chip cookies. Straight out of the oven. Like mom used to make.” He flashed an unnerving smile before turning to exit.
From there on out, even after you bent to his will and found a gourmand scent that matched what he described, Homelander tested you. Your work ethic, clothing choice, eating habits, and most of all, patience.
Your parents would ask how you were liking your job, how it was working alongside the Supes- not to mention the most famous of all- and you’d lie through your teeth. You felt you had no choice, Ashley’s threat ringing in your ears.
Resume, bare ass, tossed salad...
Oh yeah, it’s going great! They’re all super flexible. I couldn’t be happier!
At least that pun made you feel a little better about hiding the shame of what you’ve allowed yourself to take on.
This was all in the first few weeks. It started to get a little easier after that, which is surprising considering more was added to your to-do list.
You should have moved on before starting. But, for whatever asinine reason, you didn’t.
Every time you go back to your apartment and assess your appearance in the bathroom mirror, you wonder who’s making who up here. He’s changing your looks more than you are his. You’re like his human doll.
You’ve put up with a lot over the years, but this takes the cake and shoves it in your face. As fucked as it is, the flavor is growing on you. Like a fungus. Growing, nonetheless.
You can’t stop thinking about him.
It’s innocent enough, you try convincing yourself. Making sure you have the right outfit laid out the night before, the right lunch (no onions or fish or anything “freaky”!), etc. He is your superior, after all. You shouldn’t be viewing him in any other light.
He’s the most frustrating aspect of your existence these days, but he’s also the one you’re around the most. His penchant for workplace gossip and how unintentionally funny he is tends to make him palatable, which has regrettably become an understatement.
Months go by. You’ve witnessed how alone he truly is. How he has nothing outside of performing his tricks on Vought’s all-encompassing stage. And when he begins asking for your input, starts doing things for you that are so blatant it’s perplexing, you find your stress and vexation melting into cumbersome fascination.
It’s embarrassing. You don’t have the courtesy of enough time to dwell on your feelings toward the situation either, from beginning to whatever end you might be met with. You suppose that could be beneficial in the long run.
It also hits you when you least expect it; when you really don’t want it to.
Your body doesn’t wait until you finally have a moment alone. It decides, while you’re helping Homelander with his skincare routine that he insisted upon because you know more than these vacuous corporate douche-bags, to heat up without warning and slither from your head to your heart until it grasps you unfairly between your legs.
You try not to step into momentary paralysis. You understand to what extent his powers reach. It’s not like he doesn’t go on and on about them. About himself.
Whatever he notices, it’s not right away. A palpable tension fills the air between the two of you eventually. But it takes a more significant amount of time than you would have anticipated to permeate the natural flow of things.
Fuck, you can’t even be safe inside here, where your thoughts, whatever they may be, are yours. You can’t even have yourself. He has every part of you, and you are willingly relinquishing that control.
Your evening, once you can have it, consists of combing over every decision you’ve made leading up to this strange, disorienting space you find yourself occupying. All it does is leave you exasperated in a much different way than before and with an unsettling observation (or hallucination):
Was that the tail end of the American flag outside your window?
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You are unacceptably late.
Rushing around, you throw on the first top and bottoms you see from your closet and spritz some perfume on your neck and wrists. You don’t check your phone. You’re afraid of what will pop up on your screen. And, frankly, you don’t have the time.
Your only option for transportation is the subway, as you’re sure the special vehicle from Vought is long gone. Why would they wait for someone like you, even if you’re practically Homelander’s personal assistant? One of his only friends. You doubt he has more than Black Noir, and that isn’t as perfect as it appears to the casual viewer.
You dread what kind of explosion you’re without a doubt walking into once you show your miserable ass up. You’re going to smell like everyone on this train. He’s going to go ballistic.
The question remains: why are you continuing to put yourself through this? It’s not your circus, yet somehow, the monkeys have become your liability.
You know, deep down, what keeps you going back. It’s simply too ridiculous to admit aloud.
Making your way past security, hurriedly presenting your badge, you realize you forgot to brush your teeth, or at the very least, gargle some mouthwash. You thank your lucky stars when you open your purse to a pack of gum tucked away in one of the compartments.
It will have to do.
When you open the door to Homelander’s dressing room, you see a couple of employees standing near the counter where the bag of supplies has been opened and rifled through, looking like they might soil themselves, a frantic Ashley, and an extremely pissed off Homelander in the middle of it all.
Reflexively, you cringe. You attempt to wipe any trace from your features, but it’s too late. Ashley is glaring daggers at you and Homelander can hardly bring himself to look in your direction. The others don’t matter to you. They never did.
“I’m so sorry I’m late. I know there’s no excuse-”
“You’re goddamned right, there’s no excuse! I don’t give a shit if god and his whole fucking choir of angels came down from heaven and divinely called you to give them a makeover! What were you thinking?!”
You’re about to answer, though you comprehend her query is more or less rhetorical. She interrupts your slightly open mouth while gesturing wildly, proving your point.
“Oh, that’s right! You weren’t thinking at all, were you?! But I do believe you’ve thought long and hard about what’s at stake here. And you know damn well we at Vought don’t tolerate this kind of sloppy behavior. Not to mention the way you’re dressed! It’s adding insult to injury!” Her hand swipes at the air, the length of your outfit, and you glance down, recognizing how comically mismatched you are. Her correct observation affects you more than it would have months prior, stinging your ego- one of the many things that’s been shelved in order to accommodate the person who won’t even grace you with a glance.
A dramatic groan cuts short any further commentary from the redhead, perpetually stretched thin between her absurd duties.
“Jesus Christ, Ashley, why are your big fucking horse gums still flapping?” Homelander’s booming voice slices through your mind like a jarring, dense migraine. He pinches his brow between middle finger and thumb, eyes closed. “I want you and Tweedledee and Tweedledum t’get the fuck out. Now.”
Ashley is plainly dumbfounded, struggling to see where she went wrong (a pattern when it comes to dealing with the volatile leader of The Seven), mouth agape. She shakes her head. “But sir, are you-?”
“You don’t know what the fuck you’re talking about or doing. Clearly.”
Ms. Barrett turns a shade paler, staring at Homelander and blinking owlishly before snapping herself out of her stupor. She hurries her lackeys out of the room, shooing them along like a pair of misbehaving toddlers. She doesn’t give a final look, no further warning. She merely shuts the door behind her.
You also hear it lock.
What the hell does she think is going to happen?
You should have stopped this while you had the chance. You should have never taken this job. You should have stood up for yourself and walked out. You should have you should have you should-
“Who the fuck do you think you are?”
His caustic tone sends shivers down your spine. It’s unlike anything you’ve heard come out of him. And you’ve heard enough.
Again, you open your mouth. It fills with blood, thick and metallic and more potent than the mint from your gum. You’re silenced by it.
He stalks toward you and grabs you hastily by the shoulders, swiveling you around so you’re face-to-face with the choices you’ve made. Your mirrored image is reflected back at you, exhausted and searching for any last shred of who you might be beneath his heavy palms.
“Look at yourself! Do you even recognize who’s staring back at you?” No.
“What kind of game are you playing, hmmm? Is this… humiliating spectacle you’re putting on for the money? Your pathetic career? Like it’s goddamned rocket science to pick up a can of hairspray and use it. Monkeys have hands.” He makes a noise that’s akin to a snorting horse, exhaling forcefully past his nostrils. “I mean, did you really think you could pull a fast one on me?” He clutches your jaw, squeezing it between middle and thumb. Every muscle in your body tenses, your heart picking up rhythm.
“Spit that fucking gum out. Don’t think I can’t hear you grinding it between your molars like a dumb animal. You aren’t a mama bird, are you? Y’don’t have cute little baby birds t’force-feed your regurgitated leftovers, do you? Eugh, gross.”
You take a deep breath and exhale through your nose. It presents you with a false sense of security. You do as you’re told, and it lands on the floor in front of your shoe, saliva dangling on a thread as withered as your sanity.
Suddenly fresh breath seems like the most insignificant issue, when Homelander himself once made it out to be something earth-shattering.
You’re such a fool.
He leans in and sniffs your throat. Your fingers lengthen and bend.
You’re so many things at once. Confused, angry, nervous, scared. And, to your dismay, warm. God you’re so fucking warm. He’s heating you up from the inside out. You clench your jaw, still held in place by a firm bind.
“Get rid of those ugly clothes. I don’t care what you have to do. I can’t stand the sight or smell of them.”
You shut your eyes. When you open them, all you see is red. The other emotions are smothered in favor of that brand of heat. What happens next is a blur. You temporarily leave yourself.
“Fine. Have it your way, Homelander. You always do.”
Breaking free of his fluctuating hold, you start tearing at what you’re wearing, tossing everything- including your bra and underwear- to the ground. Your shirt winds up with the gum sticking to its loose fabric. You even take your shoes and socks off, not paying any heed to where your belongings go. Just that they’re gone.
You don’t process the glaring fact that you made yourself naked in front of your boss. In front of the most powerful man this country, and possibly world, has known. You don’t care that things have escalated this far. That they shouldn’t have. They shouldn’t have. But guess what? They did. And these are the consequences you both have to deal with.
“You wanna know what game I’m playing?” You turn around, forcing him backward. “It’s funny, I thought you’d be able to answer that for me, considering all the hoops I’ve had to jump through to not only save my ass, but make sure you had someone to talk to at the end of the day! Who on your team can you say goes above and beyond like that for you?!” He blinks at you now, eyes wide. Features fall to the floor where your clothes reside. You have his full and undivided attention.
An impressively dangerous thing to have.
“What more do you want from me, Homelander? I practically live with you without any of the benefits that usually includes! You’re really going to stand here and berate me like I haven’t given you fucking everything you’ve ever asked me for? Because I made one mistake? I gave up my entire world, which I know doesn’t mean shit to you. But it does to me.”
You fold your arms over your chest. Nothing covers it. You have to know before you lose all dignity. So you ask once more, hoping it won’t get lost in this bizarre mess.
“What do you want from me?”
Nothing. He can’t stop staring at you. You aren’t aware enough to be ashamed, but you are aware enough to be upset.
His infuriating silence compels you to bend down and gather what was a barrier between the two of you. You are no longer needed if he can’t do what he does best, which is spout off, leaking bottled words everywhere like a broken faucet. It’s a pretty simple question, you think.
That’s when the glass behind you shatters.
You flinch, pause what you’re doing and slowly stand. Cautious in whatever your next approach will be.
Surveying the aftermath, you’re relieved to find that you’re far enough away from the mirror so no injuries were inflicted.
When you finally lock eyes with the source, you see red. The atmosphere surrounding you heaves like the distended belly of a rotting corpse; hisses like an overflowing tea kettle; pierces you like lightning.
Homelander’s expression is rigid. His jaw quivers. Irises are a bright, shining scarlet. If you try anything rash, you might be next. But, having been around him for so long, you’re more inclined to believe he’s having trouble processing his own emotions. And that might have been one of the only ways to release them.
You drop the top and pants you managed to reclaim. Your brain hasn’t fully recovered from the constant devastating hit it’s taken, so you don’t want to put a name to what’s pushing you forward. You don’t stop until you’re directly in his line of vision.
Swallowing, you carefully extend your hand. The ruby color begins to crumble and give way to the vast ocean you might have drowned in one too many times. You lost track, blocking what you could out. Too real and intimate to accept for a realm that thrives off of inauthenticity and misfortune.
Homelander inhales harshly and you retreat, pupils hooking themselves to his. Searching for any sign you shouldn’t be right where you are.
Of course there are several; unfortunately, you are currently blind to them. Blind to everything but him.
That’s how it’s been for awhile, hasn’t it?
He has a habit of not granting you the luxury of time.
Quickly, he snatches your wrist and brings your palm flat against his cheek. He exhales, eyelids fluttering, nuzzling into you.
It’s so simple, yet it disarms you in ways you aren’t accustomed to.
Homelander basks in this chaste display of affection, and so do you, in awe of how enraptured he appears. Soaking you inside of his pores.
In turn, your cognizance reappears. You nearly topple over, realization infiltrating every part of you.
You’re not wearing a stitch.
A knock at the door startles you both. You glance over in that general direction and hear from the other side, “You’re on in fifteen, Homelander, sir!”
Gazing back up at him, you witness that same fire expand at a rapid rate. You use your other hand to bring him back down to reality, to ground him. It rests against his chest, delving into and cracking his ribs, flaying him open.
What strikes you is how vigorously his heart is beating. How you can feel it through his uniform.
This is how much you affect him. (Can you fathom that you’re only privy to a fraction?) Having evidence of the tiniest reciprocation drains you of any unwanted discomfort.
His fury subsides. You breathe out. He does, too.
“Go sit in your chair. I came here to do my job, after all.” The tenderness with which you speak seems to ease him further, his shoulders deflating with each word.
That aside, you’re playing with a lit match. You’re unsure who’s going to set who ablaze, but you’re willing to go down with this entire building to find out.
He does as he’s told, watching you the whole way like a mutilated mixture of a snarling cornered animal and a man fervently in love. He almost trips into his seat, not an ounce of grace in his gait.
Sacrificing his entire image just to get a glimpse of you.
Whipping his cape to the side, he sinks into the cushion. You get things ready as you typically do, your movements a bit jittery from the adrenaline sending haphazard jolts to your limbs. Despite this, you’re focused. You are more focused than you remember ever being.
You work efficiently, keeping in mind the limit that’s been put on your time.
Homelander bores holes through you. He doesn’t need lasers for that. You’re exposed and vulnerable and he pries what he fostered apart until it’s distinguishable by no one else but him.
You relearn his perfectly manufactured features. Different lights shape shadows you either haven’t seen before or feigned ignorance of. You commit to memory how he looks, smells, feels, the side of your hand grazing his cheek and hanging on.
He’s invigorating, your excitement building to a crescendo you can’t neglect. The heat in your core disperses, most of it congregating low in your belly and behind your expanding rib cage. His pupils drink you in, urgently and violently.
Your arousal is heady. He licks his lips. A hint of a whine caresses your ears and it makes you dizzy.
How could you have ever denied yourself?
You decide to take further control, testing the waters to a greater extent.
It’s your turn to watch him the whole way down. You straddle him, easing yourself atop his taut thighs.
After a few moments of humoring yourself, of pretending to concentrate on your work, dusting his nose with powder, you straighten. Eye contact has not been severed.
You motion toward his hands, balled into tense, repressed fists at his sides.
“Take off your gloves.”
Initially, it feels like maybe you said the wrong thing, or said it the wrong way. He doesn’t budge. You’re patient, however, so you wait like you’ve always done, the warmth from your cunt mingling with the hardness beneath you. Your mouth waters.
At last, Homelander nods and removes his gloves, tugging on the index of each. He places them on the armrests and transfixes himself to you once more.
“Do you want to touch me?” you ask, voice and body staying impossibly still in spite of your nerves.
Immediately, he shakes his head, “Yes,” the first time he’s spoken since your outburst, and without hesitation, reaches for your chest. You close your eyes, falling into his snooping lifts and tugs and squeezes, giving yourself permission to become possessed by the inhibited imaginations of how selfish, how rapacious his touches might be. How smooth his bare hands are, how ardent each digit is.
Leaning into you, he sucks one nipple into his mouth and palms the other, moaning and vibrating against your flesh. He digs his fingers into the pliant softness of your hip, steadying you with disciplined pressure. You squirm, attuned to every minuscule shift.
The lit match is tilted toward you now, swift and stunning. Your fingers release the brush you’ve been holding. It aligns with the slit of the cushion, forgotten and purposeless.
You wrap your digits around the hand on your curves and guide him toward your throbbing center. He doesn’t fight you. Doesn’t stop your movements. Doesn’t scold or challenge you. Instead, he curls his fingers in a way that makes you unabashedly moan, cupping your folds and pinning his thumb to your clit, adapting to your anatomy.
Your wants.
It seems like breaking away from you is a daunting task, but he does for a moment, brow furrowed, more engrossed and invested than you’ve ever witnessed.
“Fuck.” The curse sounds downright edible, your new favorite flavor. Your name tumbles from his lips like he’s been practicing, a sweet, rich icing on top. You gasp, his tongue adhering to you again, swirling around your peak before lightly biting it.
Rocking your hips back and forth, side-to-side, you grind hard into his palm. He strokes you like he’s studied what pace you prefer, how much friction you crave. You’re so wet, even you’re thrown off by it.
Once he’s finished with your chest, he’s back against the seat, unable to peel his gaze from you. Your full, swollen, glistening breasts.
His mouth hangs open, obscene, desperate whimpers slipping from it. Pupils are like whirlpools that drive you under. Drive you mad.
Homelander adeptly slips two, three digits inside your sopping cunt, unrelenting in his intentions to make up for lost time. The voracity of his actions propels you forward, balancing against his chest. He grasps and pulls at your other hip, groaning loudly in your ear, confirming his approval of how close you are to him.
It’s still not enough.
Pulling you even tighter to his blinding sun of a body, he encloses his free arm around you and desperately bucks his waist. “I want… I want… I want…” he chants. Your nails drag up his neck and along his scalp, overwhelmed by his warmth, his scent, him. Your lips ghost the sliver of skin above his collar, making him growl.
You anticipate and dread and yearn for what’s been building for so long. You clench and release, clench and release, clench and release, body chanting with him.
You’re intuitively thankful for the chair’s sturdiness; however, if it would have collapsed, you’re honestly not sure you would have noticed. Or cared.
You hear him come first. Feel the temperature rise temporarily. It’s so sudden and all-consuming that you naturally follow, his name an instinct you can’t help but divulge. You haven’t come down from the turbulent emotions rushing through you earlier, and that combination catapults you over the edge.
Your orgasm draws more deliberate, vehement grunts and sighs of satisfaction from him, as if your pleasure is inexplicably the same or worth more than his.
You can’t crumple into a boneless heap like you want to. You just can’t. You have to look at him. Look at his bliss; the glazed, barren-yet-so-full-of-you expression, of what these months of working in close quarters have done to him.
What you uncover is not what you were picturing. There’s a mixture of that haze with something almost apologetic below the teeming surface. Clouds of red to skies of blue. Destructive in and of themselves.
Sliding his fingers from your wetness, he wraps his lips around each one that was inside of you and spreads them apart. Your slick sticks to his glossy skin and stretches between digits, a generous amount. You whimper at the loss- the emptying, hollow feeling- and watch, mesmerized and delirious as he savors you.
Swallowing you whole, Homelander sweeps his knuckles across the apple of your cheek and presses his lips hard against yours. He wastes no time inhaling your gasps and moans, licking your mouth and the faint taste of mint, stealing it from you. You ingest what you can of him as well, exploring what was open to you longer than you realized.
He then seizes your wrists. It’s a rough gesture that evaporates into gentle circles along your pulse points. Still, you know you’re going to bruise where he turned the key and locked you into place: wherever he is.
A visible sheen coats his lips.
“I want you to tell me I’m good. Great. The best.”
His breathing is labored. So is yours.
He kisses the inside of the wrist smeared with perfume, your fluids, his saliva; ends with your hand and rests his cheek against the slope of it.
“I want you to be mine. All mine. Mine alone.”
You’re shaking. He moves forward and pets your hair, twirls it; grabs your nape and holds his thumb to the front of your throat. Securing you. Keeping you there.
“You have to stay. Be mine and stay.”
You thrum with an ache he forced upon you. He’ll claim you were starving and he was the only one who could satiate.
You nod. You were never going to leave to begin with.
Homelander made you his. And you thanked him for it.
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Me throughout 2020-2021-2022-2023:
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Me the moment AO3 has been down for more than ten hours:
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manincaffeine · 10 months
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sorry i pushed you away i felt abandoned and suicidal
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andromeda-aim · 3 months
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Finished persona5 royal with a friend and i'm continually losing my shit over how much the game hammers home to the player that Akechi's life is the most persuasive bargaining chip that Maruki had to convince Akira to accept his false reality. Beyond the lives his friends were living, nothing changes for him. His family never apologies for sending him away, his classmates still make snide comments about his criminal record, not to mention this is still a world that had him tortured and nearly killed in an interrogation room not too long ago. His life is virtually identical, which can imply that Akira has made peace with what has happened to him. None of that changing would ultimately give him his happy ending or ideal world. Akechi being alive is what gives Akira his happy ending, the person who a literal fucking god of control pitted against him. Because at the end of the day, Akechi doesn't see him as the delinquent with a criminal record, or the savior leader of the phantom thieves. Akira is the product of a cruel unjust game, like himself, strung along by happenstance. Neither boys became strong because they wanted to, this world molded them into weapons to fight each other and see who could make a victim of the other. Akira needs Akechi for his ideal world because to look at Akechi bleeding out in Shido's palace, hear his ragged breathing from the other side of that wall, and pause, is to realize that it could have been him there instead. Which is to say, "I am thou, and thou art I."
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theelvishfiddler · 3 months
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AN ARTIST'S GUIDE TO HANDS
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No, sorry it's actually not an artist's guide to drawing hands. Those are just warmup studies (which I'll talk about in this post.)
This is a guide to Your Hands and how to take care of them when making art.
No one ever sits down and teaches artists how to take care of their hands. They didn’t even teach me this while I was in art college. This is just what I've learned myself through years of pain and scouring the internet for advice.
This is going to be a long one and geared towards illustrative traditional/digital/pen/pencil artists specifically, but artists of other mediums and crafts should take care of their hands too! Well, we all should take care of our bodies in general, but this is about hands.
(advice is below the read more)
First off I'm not a professional or anyone with actual medical advice. I'm just some guy with chronic hand pain who makes art. This advice is free for you to use or discard.
WARMUPS!
Ever sit down in the morning to draw and wonder why your art is so stiff and looks so much worse than what you were drawing last night? It's because you didn't warm up!
You know how for physical sports they all warmup and do stretches before getting into the actual sport. To prevent injuries and all that? Yeah, it's good to do that for art too.
One way to warmup is to just draw lines. Try to keep them as straight as you can. Going up and down and diagonal. Draw squares. Big squares. Small squares. Circles! You are warming up, keep it loose and relaxed! Basically just scribble away.
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(examples. I usually keep going until there is no paper white left. This can double as practice for drawing straight lines without a ruler, which is a great skill to have when freehand city drawing.)
Before hopping right into drawing people you can try doing some quick gesture drawings. Line of Action has timed sessions with a large variety of clothed or nude models. I usually do the 30 min class as it has a nice balance of short and long timed poses. The point isn't to draw nice art, but to warm up. Try to get the basic form down, not the details. I find that doing a full class session can really help my drawings feel more loose and grounded in reality for the rest of the day.
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Some examples I found in my folders. I suggest looking into what a line of action (not the site) is and giving it a try with some of the studies!
COOLDOWNS!
For sports it's to return your body back to your everyday baseline after a workout.
Example; you are working on a big project! A masterpiece! It's detailed and cool! You have been focusing on this for hours and drawing so intensely. But you need to stop working for the day.
A cooldown is for winding down out of the go go go mindset. Put away the big project and do a couple small doodles and sketches. You are relaxing your hand and letting it stretch out. Keep the sketches loose. Let the art happen slowly. Don't polish anything, that can happen another day. Just ease yourself out of drawing.
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...
Cool! Now we get into the meat of this thing.
HAND PAIN
How to avoid it and how to manage it if you already have it.
I love you artists and creatives, I am begging you to please take care of your most important creative tools. I really don't want this to sound like scare tactics like "oooh you better do this or blah blah!" Nope. I just had to learn all this the hard way and I'm extremely passionate about it.
Take this advice or don’t ╮(゚~゚;)╭ I can't tell you what to do, I'm not your dad
Adjustments and Small Solutions
If you are feeling physical discomfort while drawing there are many different solutions to try! Here are some suggestions that may or may not work for you.
Hold your pencil more loosely. Stop gripping that thang so tightly!!! Relax that hand! They make these… squishy pen grip things... I think they are called Adaptive Pencil Grips or Adaptive Writing/Drawing Aids? They stop your hand from being all cramped up by making your drawing tool wider. It's going to take a bit of time to adjust to drawing with it, but it's worth it for those who hold pencils too tightly.
Don't press as heavily. For traditional art, if you find yourself pressing really hard to get darker lines try moving to a softer pencil. Most standard pencils are HB, the B pencils have softer graphite. Experiment until you find the right one for you. For Digital, adjust your pressure settings so you don't have to press as hard to get thicker lines. You should not be pressing so hard all the time, it wears out both your hand and your tablet! It takes a bit of time to adapt to pencil or pressure changes. Try doing some unimportant sketches, they don't have to be good. You are just training your hand and mind to adjust using less pressure.
Draw with your arm and not your wrist! It's small repetitive motions that cause the most strain. You probably hear this one a lot, what does it even mean? It means moving your arm with the motions of your line, and trying not to make too many tiny movements with your just your fingers or wrist. This one is hard! It takes time and conscious thought to change the habit. Tips? Work bigger. Zoom in more. Use bigger sheets of paper.
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(Motions exaggerated for a clearer example)
Change the angle of your drawing surface. They make angled tablet holders, angled desks, angled desktop raisers. Experiment, find and angle that is comfortable and the one that causes the least pain. (It's also good to make sure you don't have to hold your head at an uncomfortable angle when drawing. Staring straight down or hunching over a paper flat on the table can cause pain!)
Compression Glove? Wrist brace/tensioners? Some folks use them and I've been thinking of getting one for years now. I can't give advice on this one, because I don't have experience with it. Look into it if you want!
Managing Pain
First things first.
IF YOUR HANDS START TO HURT WHILE YOU ARE DRAWING. STOP! Put the pencil/pen/paintbrush/whatever down. The art will still be there for you to continue tomorrow.
I know from experience that it's extremely hard to pull away when you are hyper focused on an art piece. It's hard to remember all sorts of basic needs like food or bathroom when hyper focused. But you Need to stop when you feel that pain. (Preferably even before the pain…)
Take Breaks! Let your hands rest when you can. Just like a machine, if you don't schedule maintenance, the machine will schedule maintenance for you. Often that means having to wait a few days for it to return to functional. Best to take a day off from heavy usage or take an occasional 30 min break throughout the day to let your hands rest.
Stretching is important! Full body stretches are good; your arms, shoulders, neck, and spine are all connected, but I'm specifically talking about HAND and wrist stretching. There are a lot of stretches and massages for carpal tunnel and arthritis out there. I find they work for hand pain in general. Move into and out of each stretch slowly. Do not push a stretch if it hurts!! Be gentle!!
I am not a qualified professional and I will not be giving out specific stretches (that is beyond my personal comfort level). There are other artists out there who have made helpful stretching info-graphics which are cool, but I will not be because i don't want to be responsible for someone accidentally hurting themself. Ask your doctor for stretches & advice or look some up on your own.
Don't feel bad about forgetting to stretch frequently! Of course it is good to do it regularly and frequently, but I would be a hypocrite if I said that I remember to stretch daily. Setting timers for stop and stretch sessions can work for some people, but also doing stretches whenever you remember is fine! If you are sitting on the toilet you can idly do some hand stretches. On the bus? Laying in bed? At the beach? Do a couple stretches! Even just once a week is better than… nonce a week.
Using Cold or Heat to treat pain. If you really overdid it, put your hands in some cold water or wrap a cloth around an ice pack and apply it to your hand. Cold works best for me, but warmth works for others. This is just pain reduction and reducing inflammation from overuse! This is not a permanent solution.
If your hand hurts a lot! Frequently! Talk to your doctor? Idk mine has never given real advice. Just gently poked my hand and told me there isn't much to be done about it :/ but there are really good doctors out there who will care and give helpful advice!
Again. IF IT HURTS TO CONTINUE DRAWING. STOP DRAWING! This is not a "no pain no gain" type situation. Drawing so much that you hurt yourself isn't noble, it's just… limiting yourself. You only get one set of hands. These things are very handy to have.
Other Advice
Things I couldn't figure out how to fit into the earlier sections.
Your other hand can't handle the strain! Lets say you hurt your drawing hand... the other hand is right there free to use for art. Right? Wrong. Your other hand can't keep up with the demand, it hasn't been trained to the same extent as your dominant hand, it does not have the built up muscle. If you want to use that hand for drawing you are going to have to use it s l o w l y and train it bit by bit over a long period of time. When I tore a tendon in my right hand I decided to just keep drawing with my left and I got Really Good at it. It only took like two months before my left hand hurt too much to move. Then I had 0 functioning hands to pull up my pants. Not fun!!
People who draw on phones. That is extremely impressive! I'm amazed by the things people can create on such a small space. But phone artists are the ones I see most frequently mentioning hand pain. please please please make sure you are taking breaks. Would a stylus work instead of using a finger?
Outside of Drawing. Sometimes it's things outside of drawing that are causing the pain. For me there are multiple sources, but I also have tiny baby hands. Holding a phone too long causes pain. The handheld mode for my Switch causes A Lot of pain. The way my hand rests while typing on my laptop hurts! Playing tense videogames for too long hurts! Find the source of your pain and make some changes. The same things will apply to most; take regular breaks, do some stretches, and find soft things to prop up or rest your arms on.
Change your Artstyle. This one is more of a last resort. You might have to change your art style if you are getting sharp pains every time you draw. I loved drawing tight clean lines and many small fancy details, but drawing like that left me in so much pain at the end of the day. In 2023 I had to take the better part of year off from illustrations just to learn how to sketch and draw more loosely. I had to learn how to be gentle. To stop gripping my pencil so tightly. Learn! Adapt! You might discover a new style that you love even more!
A lot of this stuff gets more complicated in a work setting where you have to draw fast and long in order to get paid. Things like reducing your workload can help, but that can be... financially rough. But outside of that, it’s ok to be a slow artist. Going full steam and hurting yourself is not worth it.
Aaaaaanyway, thats all folks. Today's rant brought to you by me! The guy with chronic hand pain who always forgets to stretch! The guy who got frustrated with a sketch yesterday and decided to push to keep drawing for just one more hour! The guy who woke up this morning and had to spend 2 hours massaging and stretching their hands. The guy who probably shouldn't have typed all of this out because ooww ow ouch
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If your hands do hurt, it's going to be ok! You don't need to be a speed demon who draws all the time. It's ok to take your time and take frequent breaks. You are going to do great things! Just be gentle with yourself...
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doctorsiren · 30 days
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Artist tip: You never have to suffer alone because you can make characters suffer with you
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writingwithfolklore · 3 months
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Show Don't Tell - Symptoms vs. the Affliction
              Another way to think of show don’t tell is to describe the symptoms rather than tell the affliction. You could say someone was close to fainting—or you could describe their symptoms and trust the readers to understand what they mean: the world swirled around her head, her ears beginning to hum lowly, then louder, increasing into a high-pitched ring. She took a deep breath, her stomach turning over itself. Etc.
              Symptoms can also mean the lump in your throat as a “symptom” of being sad enough to cry, or the warmth of your face as a “symptom” of embarrassment.
              That might sound a bit silly, but I find it really helpful when I’m reading over mine or others work and looking for those places where showing would be better than telling. Have you described the symptoms, or just told the affliction?
              Here’s a short list of “afflictions” and their associated “symptoms” to get you started (but make sure to explore how different characters express different afflictions, even in more odd or unusual ways!)
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Any symptoms I missed?            
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