#「 meta 」 — ❛ no one can hurt me now. ❜

[to-the-all-blue]

On my walk home from the cafe I was thinking about Sanji (as one does) and how every influence in his life for 19 years screamed at him to hunker down, stay silent, and never appear weak.

As much as I love Zeff and know he loved Sanji, it's clear he has such a straight-laced and unflinching view of masculinity and what it means to be a man. The environment on the Baratie was an extension of that.

It was a machismo world where affection was hidden behind kicks to the head and insults. The kind of environment where cutting your hand or something gets a response of "what? You call that an injury? Don't cry over nothing". Where outright kindness has to be dragged out of people, and then immediately covered up with a half-baked insult.

Throw into that environmemt a little boy who is desperate to prove he's not the failure he was told he was, and out pops a man who wears his heart on his sleeve for "acceptable manly emotions" but who hides real emotions behind anger, and hides pain (physical or emotional) altogether so as not to seem weak.

Tack onto that the idea that the only surefire way to show love is through self sacrifice (his mom + Zeff), then of course Sanji will be all sorts of jacked up.

We see throughout the series how Sanji is so unwilling to be vulnerable or to even admit he's feeling hurt at all. Plaster a smile on, make some comment about loving women, and voila! He's the man's man everyone expects. No need to worry about him. After all: he's strong.

...🥺

[angerworn]

------samhain, and the month of october, are particularly precious to the sanders family (or morgan, as she's all that's left.) in their private religion, hunters celebrate the entire month as a festival dedicated to their personal losses, the celebration of their lives, and the changing of the season. as the end of harvest on october 31st, hunters believe it signifies a new chapter and holds fast to the idea of death in the cycle of life.

it is also the time of year when the veil between worlds is at its weakest, with the apex of that period on samhain itself.

traditions set that hunters decorate their homes in protective charms, bone chimes from animal offerings, and seasonal items to signify their participation. in deference to their gods they clear altars somewhere on their property and burn incense and other offerings at dusk. if a hunter family has a pact with a witch, oftentimes the witches are invited to participate as the magic helps strengthen the offering to the gods.

hunters often take the week of samhain off from their work, and many will try to return home to celebrate with their families.

there is a small chance they may be visited by the spirits of their deceased loved ones, if their remains are buried by their homesteads and the appropriate charms and decorations have been hung.

while morgan has never been visited by the spirits of her family (seeing alex regularly is enough), she does pay special homage to each of the hunters and her mother - as well as eli's parents (as morgan's family shares a mausoleum with them.) their tombs are in a clearing in the woods on morgan's property, and she has a space set for herself there ---marked and all.

she takes a private pilgrimage through the woods to lay flowers and other gifts and observes the day in near-silence (easy, since she lives alone and nobody knows where she is.)

and while alex is often left with the most vibrant flowers, eli's grave always bears an amulet charm that morgan spends the month gathering, grinding, and putting together ---a symbol of her lasting love of him.

[r3ynah]

I just like the idea of Red hood having a medic, that always finds him whenever and wherever.

Like my boy danny, can and will go to different measures, so he can just find the boss of the crime alley alive and well.

Getting hurt? No you aren't, patched him up and forcefully tucked him into bed with a kiss, Getting depressed? No you aren't, Wrapped him in a blanket and just let him read his novels all day and feeding him, Getting kidnap? No you aren't, Cue the corrupted video of Danny breaking in the kidnapper's lair and just freeing Red hood, No blood was shed that night, well not from Red hood that is.

Danny was something else Red hood will tell you if you ever bring up his Medic into a conversation, he would stare at the man with heart eyes as he accompanied him to do random check ups on people under Red hood's care in his civilian persona. Danny may seem weak and brittle but he can give a punch if he really wanted to, He was mysterious but at the same time so open.

Danny was prideful as he wore the medal of being the only one that knows Red hood's real apartment, and the only one that could break in and enter without getting his presence known, just to make sure the crime lord was sleeping and eating properly.

Red hood practically made a joke out of this and would always tell everyone that his medic will be mad, if he isn't in bed by curfew, and he needed to be back at his house by 10:00 sharp or he'll get dragged and thrown, who knew the all so scary crime lord had a bedtime, criminals and civilians often leave him be when the clock strikes 9:50 pm afraid of enraging the meta medic.

__

"I am telling you B, I can't do that right now, its almost my curfew." Red hood sighed in frustration, he was currently standing in the middle of the bat cave, ready to run if batman tried to talk again.

"This is an important, case Hood, and it requires your participation" Batman stood still, face devoid of any emotions " Afterall it has something to do, with crime alley, there has been a meta spotted, and its creating havoc all around the place."

Jason, blinked, blinked twice, then thrice

"Is that it?"

"Jason, can't you see that this person's dangerous, they had already committed several crimes of arson, assault, and destruction of property, this person is abusing it's powers."

"No im not." An offended voice, called out from the side. all head turned towards the source of the voice, only to be greeted by 6'1 tall boy, who had black hair and blue eyes, and looked just round in his younger adult years. "In my defense they deserved it, won't give me a discount when i literally had a coupon." he rolled his eyes in annoyance.

"Who are you?" Batman asked, his guard up "And how did you get in here?"

"Red hood's medic and the meta you've labeling as dangerous, nice to meet you, and it wasn't that hard to spot this lair if you have x-ray vision" Danny greeted happily offering a handshake, which the dark knight didn't take, Danny retreated his hand in awkward silence.

"That was so sad" Jason cackled, as he pointed at Danny who gave him the middle finger.

"Shut, Its 10:30 pm, your bedtime was like 15 minutes ago, you don't get to talk until you're taller than me." Danny pointed at him.

"Fucking funny, im laughing" Sarcasm was laced in Jason's tone as he glared at Danny, before giving a sigh. "10:30 already shit, time does fly fast, when you're fighting a man in a furry costume" Red hood stated, as he walked towards Danny who only rolled his eyes.

"Bye B, i hope to not see you anytime this week or the next week." He nonchalantly waved bye to the older male, while walking towards his medic.

he turned his head to meet Danny's gaze, then smacked his arm making the man stumble. "Come on, now boss man do your thing"

Danny gave him, a glare before shoving him playfully, he then turned to look at empty air and practically ripped out a dimensional portal out of it, and pushed Jason in it who tripped.

"Bye Mr.Batman, it was nice meeting you" Danny bid farewell as he closed the portal on the Man who looked like he can use a break.

[losyanya]

I could not wrap my mind around why Aziraphale was so Stoked to make his offer to Crowley to return to Heaven, when it's so clear to all of us that it's the last thing Crowley wants, that the very offer is so hurtful to him. I mean, the angel was about to POP with his good news!

Aziraphale is prone to assume what's best for the other person and what the other person is thinking (see him telling Crawley "I know you!" in 2500 BC, when they hadn't even seen each other since the Flood 500 years ago. Yes, he was right about Crawley in that situation - but that's still one presumptuous statement). But where did it all go so wrong on this particular line of thought?

I think it goes back to the last time we see Azirpahale refer specifically to Crowley's angelic origin.

It has been brought up previously by @kedreeva and others, such as in this discussion, that this line was Already a tentative offer for Crowley to seek safety in return to Heaven, or at least an expression of hope that things could back to the way they were. And Crowley does not say "I don't want to go back to being an angel". He says

It's old history. It's not worth bringing up because it has passed and will not return.

What Crowley says is

And he means "The angel of the past - that's not me. It is no longer me, and has not been for ages. I am what I am now - take it or leave it."

But what Azirphale hears is "HEAVEN WON'T FORGIVE ME. There is no way back and it's not worth talking about BECAUSE THEY WOULD NEVER EVER LET ME BACK IN."

So of course he races back from Metatron to tell Crowley that yes, yes they would! yes, he Can be forgiven!

Aziraphale reads into Crowley's words a well-suppressed wistfulness... that is not there. I hear the echoes of so much post-s1 meta and fic saying "now that the Armageddon is over, they need to have a chat, they need to go back to what was said in the bandstand, painful as it was, and talk it through!"

I think they never brought it up once.

[cobragardens]

Notes on the Scene in Job's Basement

Crowley is not tempting Aziraphale here. He's experimenting on him.

Getting Aziraphale to sin, or even getting him drunk, is not Crowley's intent in this scene. Eating food, taking pleasure in food, drinking alcohol, and even being drunk are not sins in most of Judaism or Christianity (and they're certainly not sins in British Christianity, regardless of any church's doctrine). When Aziraphale turns down alcohol, Crowley just suggests he try food instead; so it's not important to Crowley what Aziraphale tries, but it is important to him that he try something.

This scene is also the first time (chronologically) we see that Crowley likes to drink and likes to be drunk.

We know from

and from

as well as from Book Omens and Word of God that angels have no instinct beyond curiosity pulling them toward eating or toward gender. From this we can reasonably presume they have no instinct toward Beverages either.

That means that in this moment--

--Crowley is very likely the only metaphysical entity he knows on either side of the divide, or even knows of, who has ever experienced a physical pleasure.

And he probably has some Lingering Questions about it, like we all did the first time a physical pleasure blew our minds. Like,

Is it this strong for everyone?

Is there something wrong with me?

Am I going to hurt myself if I do this, like, a lot?

And it's not like the poor creature can ask anyone, because the answers for humans aren't necessarily going to apply to him.

So when he sees an opportunity, Crowley gets that one angel he knows who'll talk to him to try a human thing, and then he watches to see if physical pleasure hits the angel as hard as it hit him.

And that's why he looks so creepily pleased when it does.

Apparently it is this strong for everyone and there isn't anything wrong with him. Now he can relax and get sloshed without worrying, and he even has someone to talk to about how rad human stuff is.

A Dip Into Speculation

We know because we're shown this isn't the first time Crowley has gotten drunk that, watching Aziraphale, Crowley understands what he's seeing. I think it's really interesting that Crowley doesn't laugh at Aziraphale at any point during this scene, and he doesn't correct the way he's eating, either.

Maybe it's because this is what it was like for Crowley the first time. Maybe he got so drunk he passed out and woke up in a puddle of his own sick. Maybe he got so drunk he passed out and didn't wake up at all, and there was Paperwork and he had to get used to a whole new corporation just when he'd got the hang of having legs in the old one. Maybe somebody had to show him how to use a fork or whatever they had going on for eating utensils in Ancient Mesopotamia. I distinctly remember having to learn as a small child to chew with my mouth closed. There is every possibility Crowley doesn't consider the way Aziraphale is eating to be worthy of ridicule because whatever Crowley did the first time was worse.

Maybe he wants to leave Aziraphale set up for later embarrassment over his table manners. Aziraphale was a judgy bitch about the wine.

Or maybe it's something like Let him have this one. There can be rules to it later; let him just enjoy it, once, like a little kid with both fists in their birthday cake.

Maybe it's desire. There is some textual evidence for this. Once Aziraphale learns to eat properly, the way he does it is very attractive, and we know Crowley loves watching him do it.

I don't think it's overreaching even to interpret David Tennant's physical performance of Crowley watching Aziraphale eat as one of sensual or erotic pleasure. I mean--

I'm not saying it absolutely has to be erotic, but it's not a reach, or even a full extension of the elbow, to read it that way.

There's another meta somewhere [I'll link it when I find it again; if you know this meta, please drop it in comments!] that discusses how this exchange in Job's basement is filmed like an erotic scene.

Like Crowley, we all want to kiss this face.

Aziraphale isn't eating prettily, but he's eating lewdly, ravenously, desirously, and it's lit like romantic sex, not like gluttony. Whether that's funny or poignant or hot may depend on the viewer. Here's how Crowley's handling it:

Srs tho, any frame of this scene could have been painted by Artemisia Gentileschi.

Or maybe--and this is my favorite of the available interpretations--maybe this is what it was like for Crowley the first time and he doesn't interfere because he wants Aziraphale to come out of this as someone who's had the same experience Crowley's had so Crowley won't be so totally alone in having had it.

[deadsetobsessions]

Alley Drunk!Danny pt.5

If Danny hadn’t thought about quitting and going to rehab before, he’s definitely going to do it now.

It had been one of those days. Danny had sluggishly managed to usher Jason to school- pulling himself together for their walk to the building, because he wasn’t stupid and this was still Gotham- before going home and relapsing. He knew, going into the first bottle, that he was going to regret it. But he still hadn’t felt the buzz, so he went out to get more.

“Just one. I can stop after, if I want to.”

Spoiler: he could not, actually, stop if he wanted to. Because he didn’t want to, which was the whole problem.

So, one bottle became two, two became three, three became six, and by the time the sun slipped below the horizon, Danny had a pile of bottles scattered around the couch and an intense look of self hatred set upon his brow. He was buzzed, but his stupid ghost biology refused to absorb anymore alcohol.

“Stop brooding, Danny. It’ll hurt your brain.” Jazz said, a hint of worry around her joking insult. “You’re forgetting something important.”

“Wha-?” He mumbled out back at the haze of her-hah- ghost.

The door clicked open. Danny whipped his head to wards the door, snarl on his face and ready to lunge at the intruder, when he came face to face with a scuffed up Jason.

They froze simultaneously, but before Danny could do anything, Jason’s hands tightened on the door knob. The kid’s eyes darted to the floor, where the bottles laid, and back up at Danny’s face. What he found there must not have been good, because he took a step back.

It was fear.

Danny felt his heart drop and his throat go dry. The self hatred doubled in size and weight, but he smacked it down in favor of scrambling for the words- anything- to fix the damage his stupidity and addiction caused.

“Jason.” He said, voice raspy. Had he been screaming again? Good start, good- nope. Never mind, Jason is using the door to shield himself now. Danny glanced outside and-

“Oh. I- I didn’t realize it had gotten so late.” He turned back to Jason, who eyed him warily. “I- I forgot to pick you, didn’t I.”

“…I can walk back by myself.” The hesitant but full of bravado reply made Danny’s ghostly obsession to protect rear its head.

“Still. I’m… I’m sorry, Jason.”

Jason evaluated him, noticeably eyeing his open hands and purposefully lax posture, before stepping inside. He doesn’t close the door behind him- clearly leaving it as an option just in case he needed to bolt. Danny stood up slowly. Jason watched him, and his hands. His smaller hands- Ancients, Danny was scaring a kid- curled up into fists.

“What… how did you get hurt?”

“Got mugged.”

“Are you okay? No- wait,” Danny flooded his liver and blood stream with ectoplasm, and his head instantly cleared. Ah, the agony of being coherent.

Danny subtly shook his head to clear his thoughts. Focus.

“Of course you’re not.” Danny stepped away from the incriminating bottles, slowing to a stop once more as Jason shifted backwards like he was either going to spring at Danny or bolt out the door. “Why don’t we get you patched up? And you can tell me about your day. That I missed, when I forgot to pick you up and that I’m really really sorry for.”

Danny held his breath as Jason considered it. “Are ya drunk?” Jason asked, tilting his shoulder to slide his Wonder Woman backpack down, hand clutching at the opposite strap. A good bludgeoning weapon, even if Danny would rather be electro shocked to death again before he ever hurt Jason.

“No.”

Jason raised an eyebrow, scoffing as he looked down again. Danny recognized the motion, a bolt of heavy nostalgia slamming into his chest as he remembered another red-head doing the same thing when he tried to bullshit his way out of something.

“I was buzzed but… I’m a meta. Alcohol doesn’t exactly affect me. I had to drink a lot to even get buzzed, and it’s gone now.”

“Y’er a meta?” Jason straightened, not completely losing the vigilance, but less tense.

“Yes. I’m completely sober right now, I promise.”

Jason stared at him, inhaled, and relaxed. “You better be.”

“Cross my heart and hope to die.”

“Whatever.”

——

Danny placed the bandages over Jason’s cuts.

“I am so, so sorry I didn’t pick you up.”

Jason shoved at his shoulder, grumbling “I c’n do it myself.”

“I know. You don’t have to, though.”

The kid looked away for a moment before softly admitting, “I was… worried. Cuz, I thought somethin’ happened.”

Danny swallowed the lump in his throat. Jason slipped more into his alley accent the more upset he got these days, having learned some of the local accents at his new school and regularly swapping those out instead of sticking with his alley accent.

“Thank you. For worrying about me. I’m okay.”

“No, you’re not.”

Point. From the mouth of babes came the painful truth, right?

“No. I’m not. But I will be. I’ll go to rehab, Jason. I don’t want to forget picking you up again.”

“Whatever.” Danny hid a smile as Jason ducked his head, looking endearingly like a grumpy duckling. Like, Jazz, when their parents made those blueberry ectoplasm pancakes she liked but thought they’d forgotten that she liked.

“And thank you, Jason, for coming back alive. I- I should have been there, but I’m so glad that you’re okay.”

“I want waffles and ice cream for dinner.”

“Yeah, we can do that.”

“Wow, you musta felt real bad if you’re letting me eat that for dinner.”

Danny grinned down at the head of black hair (with their red roots once more poking out) and ruffled Jason’s head. “I let you eat like five chili dogs in one go. This should not be surprising. But I’ll let you skip the veggies today too.”

“… No, I want the veggies too.”

Danny let out a bark of bright laughter.

Yeah, there’s no way he’s ever risking Jason looking at him like that again. The kid looked like he thought Danny would come swinging at him, despite their previous meetings where he had, perhaps and with plausible deniability, swung for Jason, but never against him.

That night, after he tucked Jason into bed, Danny signed up for rehab. As a matter of fact, Jazz’s words coming into mind, Danny also signed up for therapy. For him and Jason. Yeah.

——

Off camera, they talked about why Jason react to bottles and hands the way he does, and why he’s so scared whenever Danny slips back into his addiction. I’m just rlly too tired to write it.

——

Danny, who thought his addiction wasn’t that serious and that he could stop anytime because he stopped for Jason: I’m cured!

Also Danny: drinks as soon as Jason goes to school

Danny was one hundred percent using Jason as a crutch and when he felt like Jason was safe, he slipped back to his habits. The only reason Danny’s not dead- well, deader than he normally would be- is because ghost biology makes it so that alcohol is cycled through quicker. Like the Flash, but less fast? Anyways, he had enough to make him lose track of time and forget important things (Jason) and that’s what addiction can do to you, amongst other things.

Jason might seem calm but that’s actually a combo of his go to trauma response (fight) and his experience of 1) being on the streets and 2) living with a previous drunkard coming into play. Also, you might be like what kind of kid wants to eat veggies? And to that I answer: KIDS THAT NEVER HAD ENOUGH TO EAT. I would have killed for a veggie stir fry with a lot of chicken back as a kid lol

On a lighter note, the whole time they’re having this interaction, I kind of imagined it as two chickens just kind of dancing around each other.

[actual-changeling]

this one is thanks to a post by @thegroovyfool because she is very much correct - we do not talk about aziraphale's "i need you" enough.

so once again, with a deep breath and a sigh, welcome back to alex's unhinged meta corner, where i tear apart the confession scene frame by frame. i'm gonna say, watching this particular clip over and over and focusing on aziraphale's face almost took me out.

let's get into it.

first, how about a little look at our starting point. (any blurry screencaps are due to a LOT of movement on michael's part rip)

crowley is very pointedly facing away from him, he turned after aziraphale said "we can be together - angels!", presumably because being offered exactly what he wants in the one way he cannot have it fried his brain, cause besties it surely fried mine.

aziraphale on the other hand looks openly desperate, which is why he says "i need you." more on that later. let's have a look at how he says it, because michael "microexpressions" sheen is putting in the work.

to me, he seems close to tears, his eyes are glistening in that specific "i'm about to cry my eyes out" way i know from looking in the mirror while crying

he is trying to get crowley to listen to him and to turn around. he wants crowley to face him, which is something most people tend to want during an argument. talking to someone who is not looking at you tends to make someone frustrated and like they're not hearing you/do not care about what you have to say.

aziraphale looks close to despair, his i need you is a plea to crowley to come with him. he is opening himself up not just emotionally but physically, too.

he slightly leans forward, his arms are raised and seem to both slightly grasp for crowley and point towards his chest/heart for emphasis. the pure pain visible on his face knocks the air out of me every single time i look at it.

aziraphale is admitting to needing him, something he has never done before, hell, he has told him the exact opposite on numerous occasions. i don't need you. and while they both knew it was a) a lie and b) a way for him to deal with his conflicting emotional standpoints and cognitive dissonance, it still hurt crowley every. single time.

crowley was there for him no matter what, he knows aziraphale needs him but he came back and remained at his side even when he was pushed away and more or less openly insulted. he endured it all.

aziraphale saying i need you now is pretty much a slap in the face but also what crowley needs to hear. as with everything that happens during the entire conversation, the timing is fucked up and they're talking past each other.

in my opinion, that is why crowley does not react.

only when aziraphale turns spiteful and starts questioning his understanding (aka calling him stupid without outright saying it) does he re-enter the conversation.

aziraphale, however, is upset. now, i will put on my tinhat for just a second and turn up the insanity because there are two more things i want to talk about.

first, the little stutter at the beginning.

"i ngk - i need you."

my question is - why? why does he stumble over these words in particular when it does not happen with any other sentence? the only other time is right after crowley walks away with his "good luck", he stumbles over crowley's name.

so, in short, it happens when he is either caught off-guard or saying something incredible emotional.

and this, everyone, is where i go unhinged in my interpretation.

what if he initially did not want to say "i need you?" what if he was so caught up in getting crowley to stay/come with him that he did not think and almost confessed another three word sentence?

what if he was about to say "i love you" but stopped himself because no, that's too direct, they don't do that, they can't do that. it goes against EVERYTHING they have silently build over the last six thousand years. so he chokes on it. he chokes on it and instead he says "i need you" because it means the same thing.

i need you. don't leave me. come with me. be an us. go off together.

i forgive you. i love you.

they say it over and over again because that's the only way they can say it.

that is why aziraphale is so angry and upset after saying it. he told crowley he loves him, he needs him, and all he got in return was silence.

the funny part is that this code may have worked before, but it no longer does. crowley is too hurt to listen to what aziraphale is trying to tell him, and aziraphale is equally as hurt and also not listening anymore.

the funny part is that it stopped being about love and started being about sides again. my side, your side, our side. choose a side, choose our side, choose me.

the funny part is that beelzebub and gabriel told them what they need to do, i found something that mattered more to me than choosing sides.

[bet-on-me-13]

Symbiote Ellie Phantom AU

After she was saved from Destabilization, Ellie gained a nifty new power. She can Melt on command and move around freely, which is just a really fun power, even if she is a bit weaker when she uses it .

But one day, she gets really badly hurt. Like, Really Hurt. Let's say the GIW got a lucky shot and managed to capture her, and experimented on her for a week before she managed to escape.

She can't keep her Human Form stable anymore, but her Goop Form is good enough for now. All she needs to do is find an Ectoplasm Rich Environment and try to heal up the best she can. Hopefully Danny will find her after she misses her monthly Visit.

She ends up in Gotham while searching for a place to heal, but the GIW is hot on her tail.

She needs a place to hide, and the only way she can think of is to overshadow somebody and pretend to be them while the GIW passes her by.

So she jumps into the nearest person she can find, a girl close to her age jumping across Rooftops.

But since she was in her weaker Goop Form, she can't enter a person without their permission. So she slides up to the person in Goop Form, jumps on her Back, and telepathically asks her for help, begging for permission to hide in her for a bit.

The girl she tried to overshadow was Cassandra Cain.

After some begging, Cass agrees and Ellie sinks into her. Again, she can't fully Overshadow her, so she's basically a passenger until Cass decides to give her some control.

The GIW passes by them, and Ellie tries to leave Cass only to realize that she can't. Since Cass was exposed to the Lazarus Pits, she is has a weird Biology, and since Ellie already had a Wierd Biology being a Halfa Clone as a Pile of Goop, they somehow can't leave eachother.

Cass gets a new Roommate, but instead of sharing an apartment, its her body. It's honestly not that bad, Ellie can give her some of her old powers and she can still communicate by making a Goop Head come out of Cass's shoulder.

They get along really well too, Ellie can ways be there for Cass whenever she needs somebody to talk to, and Cass is the Supportive Older Sister who helps Ellie talk about her feelings.

The Bat Fam also doesn't know. They figure that this will probably be fixed soon enough, so there's no real reason to tell her Family. They do find out after a few weeks however.

Cass accidently uses Ellie's powers in front of one of her brothers, which causes them to tell Bat's which means the entire family knows by the end of the day.

Cass has to explain the situation and introduces her new little sister. "This is Ellie. She's a Meta who escapes a secret Government Organization and asked for my help to hide from them by hiding in my Body. Unfortunately, we can't split up because her powers reacted strangely to the Lazarus in my blood. She is now my sister. You are not going to make her leave, I will not let you."

It takes a while, but the Bat Fam ends up accepting her. They do end up looking into that "Secret Government Organization" though, and find that they have been experiencing Raids by an army of Ghosts for the last few weeks.

"Oh right, I missed my monthly visit to my brother." Says Ellie from Cass's shoulder. "He must be looking for me, no biggie."

It's definitely a Biggie.

[im-totally-not-an-alien-2]

Halloween prompts year 2, day 1

Danny had no idea what he was doing. There. He admitted it. He had found a book of spells that reminded him of Sam and stole it on instinct. He didn't have much money after running away. He didn't even have the chance to grab one of his Go Bags as his parents fired on him.

Good news was that ghost powers made it very easy to steal stuff. Now with a book that has actual magic spells in it? He'd never go hungry again! It was kinda weird though. New dimension or not he didn't think a grocery store would sell multiple copies of spellbooks just out in the open like this. They were clearly new and a product or modern manufacturing so it wasn't like it was some ancient relic or anything.

Hmm. A mystery for later then. In the meantime he was going to go around Gotham turning rogues and random jerks into frogs! It went pretty well. There was a mass Arkham breakout not too long ago and Danny was having an absolute blast sneaking up and froggifying people while wearing a cheap glittery devil masquerade mask. Once suitable frogged he trapped them in a magic bubble and left them on the rooftops for the bats to find.

This went awry however when one of the local vigilantes, Robin, tried to attack him from above. On reflex he turned Robin into a frog and freaked out, "Okay. Crud. Okay. I can fix this!" He said while picking up the tiny vigilante, "Just promise not to hurt me and i'll turn you back!"

The angry ribbiting told him that the vigilante would agree to no such thing, "In that case," Danny used his ghost powers to make a human sized ice cage and placed the frog inside. The cages bars were thin but sturdy. It would take Robin only a few good hits to break out of it but by that time the mysterious magic user would have had a head start.

Unfortunately, Danny had just started the spell that would turn Damian back when one of his siblings, Tim, got the jump on him...and got similarly froggy for it. Now there were two frogged bats and a startled magic user.

Danny looked up at the rooftops to see more and more bats staring at him. And the just froggified Red Robin. And the frog version of regular Robin. In a cage. This looked bad. After dodging a batarang Danny apologized to the frogs and quickly yelled, "Not today satan!" At batman before dropping a smoke bomb and teleporting away.

Later at the batcave Damian and Tim were placed in different enclosures to keep their new forms healthy and to prevent any frog on frog violence as they sort this out. At first they thought this was a meta who could turn people into frogs but that was quickly ruled out due to Damian and Tim both typing on devices and telling them about the ice powers.

Thus begins Danny's attempts to find the frogged siblings and turn them back before he gets stabbed by an angry bird and Robin and Red Robins attempts to escape to find this magic user cause it was clear that he had cursed them by accident and had wanted to turn them back right away.

They're family keeps trying to stop them though saying its too dangerous to go out as a frog and they don't know what that magic users intentions were. They didn't really have much choice however seeing at Constantine couldn't help them.

The trench coated brit and said this magic was like nothing he had ever felt before and he would have to do some research. Which lead to the boys swinging across rooftops as amphibians and probably making more than a few people question what was in thier coffee.

[spenglernot]

STORIES TELLING: NED LOWE AND THE DEATH OF POOR REPRESENTATION IN OUR FLAG MEANS DEATH

In history, Ned Lowe was one of the most sadistic and violent pirates in the early 18th century, so he’s an obvious choice for a villain for season 2, episode 6 – Calypso’s Birthday.  What is interesting is what the OFMD writers chose to do with him.

Lowe announces himself to the crew of the Revenge with great fanfare (cannon ball attack) and gets right to the point.

Ed is thoroughly unimpressed.

Cut to Ed and Stede tied up while Ned attempts to set the mood so he can monologue about why he wants to kill Ed.

Ed knows what’s coming. He is going to suffer but he still can’t be arsed to meet Ned with anything but vaguely bored dismissiveness (and Stede is happy to play along).

Up on the deck, Ned prepares the crew for his big, dramatic moment of symphonic torture.

Note that the Revenge crew is tied down, braced by vices and generally unable to protect themselves from imminent torture and possible death, but their spirits are up. They don’t seem terribly fussed.

Then Stede uses his people positive management style to happily orchestrate a worker uprising in Ned’s crew.

Ned’s crew responds instantly; severing their allegiance to Lowe and telling him off.

The crew sails away and talks profit sharing while Ned dully threatens to hunt them down.

Ned is now a prisoner of the Revenge crew and seems entirely disinterested in his own survival.

And Ned sinks to the depths, without struggling at all.

There is a lot going on in this episode: pay and labor equity direct action, gay love engagement bliss, kink humor, Stede being a hero and saving his crew by playing to his strengths, then having to decide whether to kill in cold blood and feel the consequences of that choice. Ed having one more reason to be done with piracy (while being so impressed with and fond of Stede), and then watching his man make a fraught choice and having to deal with the fallout from that. (And, damn, I haven’t even mentioned the passionate sex bit.) Anyway, back to the point.

Now for the the meta part

The Ned Lowe sequences are perfectly in keeping with OFMD’s signature blend of madcap violence, humor, and big emotional gut punches. But something about Ned Lowe just strikes me as off for this show.

Ned is seriously threatening the crews’ lives, so why don’t they take him seriously?

Why does Ned have such a boring, throwaway backstory?

Why is Ned so nonchalant about his own death; like it’s a foregone conclusion?

Why does Ned have a silver violin and silver spurs on his slip-on dress shoes?

Why is Ned sartorially monochromatic?

And then I realized who Ned reminds me of.

This guy,

Earnst Stavro Blofeld in the James Bond film Diamonds are Forever (1971)

And this guy,

Scar in Disney's The Lion King (1994).

And this guy,

Xerxes, 300 (2006).

And it sure seems like Ned Lowe isn’t just an episodic villain. He is an archetype of the one-dimensional, stereotypical queer-coded villain that has been endemic in film and television throughout history. The OFMD writers have a lot to say about what to do with this kind of character:

Don’t respect him.

Feel free to openly mock him.

Don’t let him take your joy, even though he will hurt you.

He won’t disappear on his own. You have to throw something at him (take action) to make him go away.

Once he’s in the water, he’s content to drown. He’s not into what he’s doing any more than you are.

Oh and, just to be clear,

The LGBTQIA+ community has a very long history of turning shit media into better stories. So, hey, big media, prepare to have your crap characters wrecked (improved).

Now, back to our transformative pirate show with rich, complex queer characters and a multi-layered plot that surprises me every week and makes me feel big feelings - most of all, joy.

Final thought: I do wonder if Ned Lowe is monochromatically silver as a tribute to/poke at, Hollywood and the silver screen.

This meta was written before OFMD season 2 has fully aired. No idea what’s going to happen in the finale (and I’ve generally fled social media to avoid spoilers). I’ll be back, looking at everyone’s fascinating posts after episode 8 airs.

[halfagone]

Is it Canon or Fanon?

A little over a week ago, I received a very thought-provoking ask that wondered whether the Fenton parents could be considered good parents after everything they've done throughout the show. I did leave a response to that ask, and you can find the original answer here. But even afterwards, it had me thinking:

Why did we start depicting Jack and Maddie as Bad Parents to begin with?

I aim to answer this question through canon evidence to see where this argument might have come from. Now, something to keep in mind is that we still tend to ignore canon a lot of the time, so there may be some people who won't take this meta to mean all that much anyways. But for the purpose of fanfiction, we have to acknowledge that there needs to be an in-universe explanation to these events and sadly, the 'it's a Butch Hartman show' or 'it's an early 2000s cartoon' excuses don't really cut it.

So let's start with some basic stats. There are 49 episodes to the Danny Phantom cartoon (we will not be using the Graphic Novel, A Glitch in Time, for examples); 20 for the first season, 17 for the second, and 12 for the third. If you looked this up on Google, you might notice that these numbers don't line up with the episode list provided. This is because I counted any two-part episodes as one for convenience's sake. Season 2 has three two-parters: "Reign Storm", "The Ultimate Enemy", and "Reality Trip". Season 3 has "Phantom Planet".

Jack appears for 43 of those episodes, although he does not have any speaking lines in the episode, "Frightmare". Maddie, on the other hand, appears in 40 episodes. The three episodes that Maddie does not appear in, but Jack does, are as follows: "Memory Blank", "Flirting With Disaster", and "Double Cross My Heart".

Let's Start with Season 1:

"Mystery Meat": Jack is shown as dismissive to Danny and his friends' preferences, telling them, "True, I've never seen a ghost, but when I do, I'll be prepared. And so will you, whether you want to be or not." Later on, when Sam and Tucker are visibly shaking and Danny is panting from exhaustion, he doesn't realize something is off about this. When Jazz offers to drive Danny to school, the Fenton parents quickly assume that she's a ghost and go off to track them down... even despite her previous argument that she was mentally an adult (should I be concerned that Jazz called Danny an 'abused, unwanted wretch' to make a point to their parents?) A POINT TO MADDIE, she worried about hurting Jazz if she really wasn't a ghost but Jack quickly dismisses that, as their ghost-hunting device only hurts when gets into human hair (spoiler alert, it gets into Jazz's hair). She also insists that Danny is not a ghost, but unfortunately she ultimately doesn't try to stop Jack when he insist Jazz is a ghost. Standing aside and letting abuse play out does not mean Maddie is innocent of hurting her daughter too.

"Fanning the Flames": When Jazz and Danny are struggling to study for an upcoming test, Jack decides that they should put their kids into the 'Fenton Stockades' which is basically an iron maiden. And yes, the Fentons have an entire floor that is meant to torture people. I feel like that should probably be addressed at some point. A POINT TO MADDIE, she stood her ground and refused to let him put their children inside, and even locks him inside instead.

"Teacher of the Year": After hearing displeasing news about the state of Danny's grades in a parent-teacher conference, Maddie lectures Danny by saying, "Get this straight Danny. You're a Fenton. Fentons get As. Or in your father's case, B minuses." Before this, when Danny tried to explain himself, Jack shuts him up with, "Now that's enough of your sass talk mister." Do a lot of parents act like this? Yes. Does that make this a good, conductive way to help your child improve their grades? No, it does not. In fact, Maddie's response in particular probably reinforces the idea that Danny doesn't fit in with the rest of his family and further proves that Jazz is the favorite child. Not a great parenting moment.

"Fright Knight": In this episode, Jack tells Danny, "If I didn't consider it a sign of weakness, I'd weep with joy!" Not a very promising sign when a parent tells their child that it's wrong to show emotion. It's especially telling, however, when it's crying from joy and not even sadness. Yikes.

"13": This is the episode where Jazz 'dates' Johnny briefly, and we see Danny stalking them on their dates. I've seen people give Danny a decent amount of flack for that as well, so this would be a good time to say that the Fenton parents were there too and even encouraged him to keep stalking his sister. Danny was wrong to ignore Jazz's privacy like that, but he definitely learned it somewhere.

"Public Enemies": Here we see more of the Fenton parents' aggression towards ghosts. We get a line from Jack: "I'm gonna tear that ghost kid apart into a million different-" Notice something here? He recognizes that Phantom is a ghost 'kid' and yet still fully intends to shoot at him with the intent to hurt if not straight-up kill him. The only time Maddie disagrees with him is to insist that she does the dirty work because she has better aim than him. These are not the type of people you should let children stay with.

"Maternal Instincts": Okay, I gotta say it, this is a really cute episode. We get to see Maddie reminiscing over how close she and Danny used to be and wishing they had that bond again. Unfortunately she does get some points docked off for deciding what they should do as a bonding activity instesd of asking what Danny wanted to do and maybe learning more about his interests and who he is as a person now that he's a teenager. But there is this really sweet moment where Maddie tells Danny 'I love you' at the campsite which absolutely melted my heart and then later on when she saves Danny from the ghosts, Danny tells her she's awesome and gives her a hug. So sweet. But then she kinda ruins it by asking her son to act as a distraction and- Please do not ask your teenage children to keep skeevy old guys 'entertained' when you know he's a creep. A POINT TO JACK, while all this is going on he's defending his daughter and even shouts, "Back off, she's a minor!" That's some Dr. Doofenshmirtz energy right there, I respect it. He also talks about making Jazz an action figure, which was a really cute moment amidst the chaos.

"The Million Dollar Ghost": This episode is filled with some great Danny-Jack bonding moments and goes to show how much Danny cares about his father that he's willing to get caught to make Jack feel better about himself. We also get to see how much Jack cares about how Danny views him and he wants to be someone in Danny's eyes. Unfortunately, this is the episode where Danny gets lectured for not doing all his lab chores, such as cleaning the beakers and changing the ecto-filtrator- despite knowing that the portal could blow up if they don't change in time and knowing that Danny is bad at cleaning his own room. And we literally get a scene where Jack knocks something over and tells Danny to clean it up because he was too busy running around to do it himself. Is it important to give children chores? Yes, it teaches them responsibility. You should not be asking them to deal with hazardous, dangerous chemicals that can literally cause an explosion capable of killing people. Something to keep in mind.

Now let's look at Season 2:

"Doctor's Disorders": In this lovely (sarcasm) episode, we have Jack saying to Danny's face: "Poor Jazz. She's always been my favorite." I don't feel like this one needs much more explanation for how horrible this is. Also, this isn't really too relevant to the bad-parent-thing and more to the "they wouldn't take Danny's reveal well under other circumstances" thing, because Maddie literally says to Tucker: "Everybody knows humans can't have ghost powers." Which would technically, probably, dehumanize Danny in their eyes.

"Identity Crisis": There's one line in particular in this episode I wanted to point out, which is from Jack where he says, "Safety features? Why, safety features are for punks." ...I know this is probably supposed to be a joke, but when you think about it, it's even worse than you might think. In fanon we do tend to stress how forgetful the Fentons are when it comes to lab safety, but it's one thing to forget and it's a whole other thing to purposefully dismiss it. I could even argue that we're doing the Fentons a service by characterizing them as simply forgetful.

"The Fenton Menace": This is one of the episodes I referenced in the original ask as well, for its... plethora of concerning material. There are lines such as, "Whether it's air land or sea I won't stop until we capture a ghost and tear it apart. Molecule by molecule." A POINT TO MADDIE, she told her family she loved them by saying, "Nothing like spending quality family time with the people you love." However she immediately loses those points when she and Jack attempt to 'spin the crazy' out of Danny. The episode transcript reveals Danny's reaction to this, which is described by, "Danny screaming, his face and hair flying around. Zoom out to show him strapped to a table, which is attached to a metal arm. Zoom out to show the metal arm connected to a centrifuge-like device on the ceiling." As well as, "Danny is shaking, hair sticking up with bags under his eyes." Is this supposed to be a joke? I wouldn't know because quite frankly, I'm not laughing.

"The Fright Before Christmas": So in this episode we learn why Danny hates Christmas! Which is because he got peed on by a dog. As a baby. What kind of parent lets their baby get peed on by a dog? Again, child neglect is a criminally punishable offense, and if they had left him out, in the cold, with dog piss on him, we could have had a lot bigger problems here. They also ignore both their children for most of this episode due to their arguing, although they go back later on and tell Danny that he shouldn't be alone for Christmas and where was all this concern before?

"Secret Weapons": Ah... This is the episode where it happens. Here we get the infamous interaction. Please note how a ghost is referred to as an 'it'. Not a person, not even a kid. But an 'it' that can feel pain that will go ignored.

Jazz: "Does it hurt the ghost?" Maddie: [laughs] "Oh, Jazz! You know your father and I don't care about that. Jack: "Yeah! If we hear it scream, then we know it's working."

"Micro-Management": At the very end of this episode, Jack makes a comment to Danny, "I'm so proud. Our boy finally has the physical prowess of a 60 year old president. Here's to you son." Clearly it's meant to be a compliment, but I don't know about you guys, but I wouldn't take this as a compliment.

"Masters of All Time": This one takes a more distressing turn, because after Maddie catches Danny for snooping around, she has his strapped down to a table and fires a laser at him to interrogate him, thinking he's a ghost (though the laser doesn't hit him, just threatens him, which... isn't much better). And this is after he's already insisted that he's her son. He is still very clearly a child, and even if she doesn't believe that he's her son (for admittedly understandable reasons, people usually remember when they bear children), the fact that she strapped him to a table at all does not look favorably on her. Especially when he very clearly believed that she was his mother, and he was her son. And she still did this to him. Yes, there were time shenanigans involved, but that doesn't make this any easier on Danny just because he knows the truth.

"Reality Trip": This episode showcases that the Fenton parents can actually be decent parents. While they have a hard time believing the truth at first, they do eventually accept it. However, it is still important to remember that Danny could have never known what their reaction would be, so his fear is understandable and rooted in real concern for his life. Here are some of the best points from this transcript:

Jack: "Imagine, our own son has had ghost powers all this time and has kept them a secret from us. [confused] But we love him! [turning to Maddie] I wonder why he didn't trust us enough to tell us." Jazz: "[sarcastically] Hmm, let me guess. [mimicking Jack] "Hey, Maddie, let's destroy the ghost!" [mimicking Maddie] "No, Jack, let's dissect the ghost." [mimicking Jack again] "I know, let's catch the ghost and rip it apart molecule by molecule!" [normal voice, sarcastic again] You guys are so understanding." [Jack and Maddie drop their gazes, ashamed.]

Moving onto Season 3:

"Eye for an Eye": This is more a passing mention, but Jack seems to be a little obsessed with the GIW and huge fans of their work, and you do see it some more in "Livin' Large" later on in the season as well.

"Girls' Night Out": We see Jack trying to make an effort with Danny in this episode again. I did point out in the original ask reply that Jack was obviously trying to be a good father for Danny, which definitely deserves some points. However, it is still important to point out how generally uninterested Danny was in the bonding activity. It goes back to how Maddie ignored the chance to give Danny a choice, and how dismissive they tend to be towards him. I still want to award Jack a point for looking for advice from 'Father/Son Relationships For Stupids!' but I do so half-heartedly. Their interactions in this episode definitely reek with discomfort, but considering everything that has gone down in between now and "The Million Dollar Ghost", that does make sense.

"Torrent of Terror": This is another instance of extreme lack of safety precautions- the airbags don't deploy? In the GAV??? Somewhere out there, OSHA is crying.

"Forever Phantom": Maddie and Jack show a lot of anti-Phantom rhetoric in this episode. So this tracks how uncomfortable and/or threatened Danny might feel at home. Some examples include:

Jack: "He keeps this up he's liable to make people forget he's nothing but a putrid rancid ball of self-aware protoplasm."

Maddie: "Don't be fooled sweetie. He's up to something. Remember that time he attacked the mayor? Or stole everyone's Christmas presents? Once a filthy ghost always a filthy ghost."

"Livin' Large": Something to remember, the GIW intend to fire a missile into the Ghost Zone after gaining access to the Fentons' portal. While they didn't have the password right away, it cannot be understated that the Fentons basically gave away their house in exchange for wealth. Thankfully the missile was just a fake and not a real weapon of mass destruction, but do not mistake this to mean that- had it been real- the GIW wouldn't have gone through with it. And the Fenton parents would have been just as responsible.

And that concludes our canon research for this argument! Let's wrap things up with some stats. Of the 49 episodes in the show, we have evidence in 21 episodes. That is roughly 43% of the show, and this does not include comments that Danny has made about his parents and how they treat him. Obviously, at the end of the day, human error is possible. There is always a chance that I could have missed another piece of information, or perhaps another thoughtful addition to this list. However, 43% is no laughing matter.

Yes, the Fenton parents had their shining moments, but with all the other evidence presented that overshadows those little gems, can you confidently say that they are good parents? And most of all, if you were in Danny's shoes, would you say the same thing?

It's easy to excuse this as a cartoon. When you're writing in this world, playing with these characters, that excuse instantly evaporates.

Thank you for reading, I hope you all learned something about the Fenton parents like I did.

[battlekidx2]

I'm making this post purely to shout out some incredibly talented fanfic writers from the Hazbin Hotel fandom and my favorite works of theirs.

Did anyone ask me for this? No. Will I post it anyway? Absolutely. The writers in this fandom are too good.

The first fanfic writer I want to shout out is @prince-liest (ao3 link)

I absolutely love their get cared for idiot (Alastor) series (not the official name but they called it that in one of their asks jokingly so it's now the default in my head).

Knock, Knock! It's Your Worst Fucking Nightmare! (this fic gets it!!!! This is what I meant when I said Alastor is growing a heart and part of him is raging against it. He still has ulterior motives and a massive amount of pride and part of him feels like that growing fondness is getting in the way, but he can't stop it. I need to stop before this becomes a long ramble. I've written a couple thousand words on this idea, but this fic is just a better use of your time than any meta I could ever write and way more entertaining :D )

Happily Ever After, and Other Shit Nepotism Can't Buy

The Last Bus Stop in Hell, Now Boarding (Please look at the tags for content warning. Angel and Alastor body swap story.)

They're amazing at balancing on that razor's edge with Alastor where there's a heart in there (really deep) and he's unintentionally growing attached to the hazbin crew, but he doesn't lose his edge. He's still manipulative and an asshole and can easily be the scariest guy in any room. He's in hell for a reason. A+ characterization at all times.

They're so good at writing the complicated dynamics he has with the residents, especially Charlie, and I enjoy how they expand on Alastor's potential dynamic with Angel Dust.

Anything they write from Lucifer's POV is gold too! My favorites are:

Take Two and Leave a Voicemail!

The Care and Keeping of Homo Angelus

I am also 100% here for their Aro!Alastor agenda and I'm enjoying their fic I Love Her, I Love Her Not so far!

The second person I want to shout out is @grayintogreen (ao3 link)

Their series Red Roses and Dead Things consistently gut punches me.

Just like Princeliest, they are also fantastic at balancing on that razor's edge with Alastor. A+ characterization for everyone and I love how they write HuskerDust. It's so soft, especially in the aftermath fic for Learn that Even Death May Die called If My Love Is Tomorrow, I've Forgotten Yesterday (that fic hurt in the best way).

The way they explore the aftermath of Learn that Even Death May Die is incredibly impactful. They capture the unique grief that comes from the reality that there are some things you won't get closure for so well that it's painful.

I can't say enough good things about their series. Genuinely go read it.

I found @lediz-watches (ao3 link) before the first season of Hazbin Hotel dropped (I've been a fan of the hellaverse for a few years now and have been enthralled with the Hazbin Hotel pilot since I first watched it in 2020) and I really enjoy their fics.

My favorite is Suffering Kindness. I love the Charlie and Alastor dynamic they explore in this story. I think I'm just a sucker for the Charlie and Alastor dynamic in general, but this fic hits all the right notes for me. (written pre-season 1 but man is it good. 100% recommend)

LeDiz also has a lot of one-shots/collections of one-shots that are very fun.

The Cure for Inexorable Boredom

Dollface (one-shots about Alastor theories. My favorite is the 3rd one. So fascinating!)

Choice Words (one of the few explorations of Alastor and Vaggie's dynamic that I've found in the fandom)

Don't Say It

I have to shout out @ckret2 (ao3 link) and their phenomenal fic You’ve Got a Face for Radio. This is such an amazing aroace!Alastor fic. (Embarrassingly it was this fic that made me realize I was most likely aroace myself. I’d had fleeting moments of suspecting it but it wasn’t until I saw my experiences laid out in a character explicitly written to be aroace that I put the puzzle pieces together. -_- some of these passages were too relatable.) I cannot express how much I love this fic.

I also like their fics Dumpster Baby and Bitter Grapes.

I have one last writer I want to mention because this is getting really long (whoops). The last one is tiredoflofteranditsshit and their Assume He Has a Heart series (because my favorite character and how I interpret them was not obvious enough already with the fics/authors I've recommended. I had to make it more obvious).

These fics are massive (17k and 26k words) and so much fun. Definitely worth the read. Yet another series that follows up season 1 and explores Alastor’s growing connections and how he lies to himself and pushes against it. Love this series and there’s a lot to sink your teeth into :D

[hollowingearth]

I'm sorry but the more I think about the Rebirth ending the more I love it actually like. The whole trilogy has been a meta commentary of sorts and, specially, Aerith's death is at the epicenter of it. She both dies and doesn't die exactly because us, as an audience, want both things to happen.

People have been clamoring to be able to save Aerith since 1997, there were fake hidden hacks, AU fictions, retellings, everything. Everyone has been at Squeenix's doorsteps begging them to let us save her. Like, it's at a point where the "Square will let us save Aerith if you pay for the DLC" joke is much more than a decade old.

On the other side, there's this very expressive unwant for any change whatsoever from the source material. It's not a feeling that is exclusive to FF7 either, there's this very clear pushback against any new remake/adaptation that deviates, even slightly, from it's original. People don't want new content, they want the old one they experienced when they were younger, but prettier, they want to both feel the nostalgia and experience everything as if for the first time again.

From that camp, I think the most prominent argument is that FF7 is about loss, right? And they're not wrong. Aerith's death is the crux of the story, it's the very thing that made FF7 as known as it is, there would be no actual weight to what it's trying to tell if the heroine doesn't die in the middle of it, an unexpected, hurtful, avoidable death. What's the point of a narrative about grief if you can just... avoid losing someone? Avoid having it be cruelly taken from you?

And yet, you see, if want someone to die, if you want something to be taken from you, are you really losing it? In the original, part of the impact was that no one could see it coming, it was a straight representation about how death is sudden and takes away opportunity from you. Aerith doesn't go into the sleeping forest willing to make a sacrifice for the greater good, she has barely started her adventure, she makes a promise to go on the highwind, the group is one location away from finding out more about her ancestry and her family.

That's not true for the remake, tho. Everyone knows about her fate, about what is going to happen to her. That's probably the most spoiled moment in video game history. I personally knew about her death before I truly understood what Final Fantasy even was. So now we have an audience that is extremely aware of what, when and how her death is going to happen. That's why the Confluence of Worlds is put at that moment, because it's the single most expected moment in the entire triology, it's the one moment that made the narrative resonate so well.

The impact is impossible to recreate now, even for newer fans of the series. People want a 1:1 retranslation but such a thing would always be a gimmicky shadow of it's original. It's why the focus shifts, now the most emotionally impactful scene is not the killing of her but of her goodbye, in the church after the dream date. "Thank you," Aerith echoes "It's been fun", a callback to her conclusion on Remake where she says "I'm grateful for all the words we shared. All the moments and the memories. You've made me more happy than you know."

So she dies and she doesn't, both at the same time. Effectively in limbo now, narratively explained by lifestream shenaningans. We put her there ourselves, by refusing to move on, refusing to accept her death but also refusing to change, allowing a different outcome. I don't think that's necessarily a bad thing, at least, Aerith's words sound like the very sincere feelings of the developers, who are grateful for all the love we all have powered into their work all these years.

I just love it so much, I could spend hours talking about it.

[itshype]

How I Met Your Brother (DC x DP)

Dan joins the Justice League - not as part of his rehabilitation, but as a reward for doing so well.

Tucker makes the grave mistake of mentioning Dan in front of Jazz. And as an eldest sister myself I would not be happy about an alternate version of my sibling being left completely alone in the world, no support, no family to then be turned into a psychopath. And I would be furious for them to then be imprisoned - not for life but for all time?

However, unlike me, Jazz is the world's foremost authority on ghost psychology. She has Dan out of his Thermos and in a larger enclosure within the week.

Now, a lot of fics have Jazz as a magical therapist who can say a few sentences and make any bad guy cry. Sorry, not today though.

First, they resocialise Dan like a feral cat (solitary confinement does make people get loopy), sitting outside his enclosure and hanging out, doing homework etc. This sort of gets him to figure out emotionally that he's no longer in the timeline where everyone he ever cared about died.

Danny discusses with him how many nightmares he's had over just the idea of losing his entire support network the way Dan did and he can't imagine what he's been through. But no emotions are not, in fact superior to having negative emotions.

After a few months, he decides that he does in fact want to actively try and get better. He goes to a therapist (because family members can't do therapy!!!) who's just unhinged enough to get a kick out of counselling a ghost from an alternate timeline.

There's only one relapse. Clockwork fixed it and they don't talk about it.

A month or so later they let him out of the enclosure for good. They offer to symbolically destroy it but Dan thinks they should keep it just in case.

While Dan's humanity has returned, his actual human half is gone forever. But he's interested in doing something with himself. He can't get a GED, or a degree, or be an astronaut. Maybe something in entertainment?

Tucker makes the grave mistake of mentioning that the Justice League headquarters are in space. Dan isn't as powerful anymore now he's no longer a halfa, but he knows he's handy in a fight. He loves space and due to having them repeatedly and ineffectively implemented against himself - a deep knowledge of international war tactics.

NGL, this isn't where I thought this story was going. But Dan is now an international politics, war policy and foreign affairs expert, I guess.

He helps a fair bit on the team, but his key contributions are his encyclopaedic predictions of how different international communities will react to events. If an out of control meta in Paris takes down the Eiffel Tower, he predicts which countries will immediately 'crack down' on their superpowered citizens - that sort of thing. It's invaluable for their PR team and young meta safety.

He's a friendly guy, doesn't judge anyone for losing control of their powers or going 'too far' on a villain who hurt their friends and family. And he never shuts up about his kid brother who is apparently also his best friend. He briefly mentions a baby sister he's never met and that makes everyone pretty sad.

He doesn't consider this Jazz his sister. He's already had a sister named Jazz and isn't looking for a 1:1 replacement. This Jazz is more like a mum-friend. However, he never had a Danny or an Ellie in his last life.

"My little brother told me about the trick to this level in Doomed 17, want me to explain what you're missing?"

"Sorry, I really can't possess you, even for 'anti mind-control' training. That isn't how overshadowing works, you can't become immune without exposure to ectoplasm in dangerous doses. No, I can't get you some pure ecto, my baby brother would kick my ass to hell."

"Yeah, my baby bro and I both wanted to be astronauts, I died so it's not in the cards for me anymore, but he has a real shot still, we're all rooting for him!"

Most Justice League members think he's a dead eldest brother with living siblings he's still in close contact with.

It's all fun and games until he tries to take a bullet for Batman during an ambush and it's actually an amnesia ray designed to make Batman forget about a specific case until the bad guy can complete his plan.

"I killed you all before, and I will do it again."

[virgo-79]

Aziraphale wants, with all his soul, to repair something that cannot be repaired. And I'm not talking about Heaven right now.

I've read so many fabulous meta posts about people's various takes on what was going on in Crowley and Aziraphale's heads and hearts in that last shared scene. To me, ultimately it boils down to one thing:

Aziraphale wants to undo what has been done to Crowley. Not him being a demon, precisely, but him being hurt. Him being ever made to feel lonely and sad and angry and unwanted. Making him an angel isn't about giving him back a better status; it's about Aziraphale trying to undo the things that have hurt him.

But there is no erasing trauma.

Making Heaven better for Crowley, with Crowley, even if it could be done (which i don't believe is possible, and i don't think the show intends us to believe is possible), wouldn't change the fact that he was cast out for curiosity and doubt and questions. That harm has been done. Crowley has healed from it, may well still be healing -- but he has been changed by it, and there is no going back.

"It can be like it was before," Aziraphale says, and there is so much love meant in that. I can make it all better, I can undo what hurt you.

But he can't.

And when Crowley says he understands better than Aziraphale, this is what he means. Heaven will never be his home again. What happened to him can't be undone, and the place that did it and the power behind that place can't be fixed by Aziraphale.

You can't undo trauma; you can only move on.

[artemismoorea03]

DP x DC Prompt: I Couldn't Just Let Him Die

So one thing I don't think is touched on enough is the fact that Danny never wanted to be a hero. Like, yeah, we all know he didn't want o be a hero and he makes a joke about it but when we actually think about it this was a life he choose because nobody else was there to help. The main reason?

He didn't want people to get hurt.

Something Batman would relate to.

Now, while I love the idea of Danny absolutely beating the shit out of Joker or any villain who absolutely deserves to have their shit rocked by a kid who is only 5'5" and weighs at most 120 pounds, when we actually think about Danny's character what's more likely? Again, no hate to any of the people who do those fics, keep it up, I love seeing Joker get his just deserts.

But hear me out.

Warnings for fighting, violence, and DC typical weapons.

There was a new meta in Gotham and he was driving Bruce crazy. This kid showed up out of the blue with absolutely no information on him anywhere online or otherwise with tech so outdated not even Oracle could hack it. The only thing Bruce knew about the kid was that he called himself 'Phantom' and that he was a teenager around 14 years old.

Other than that the kid had been a pain in the ass.

Muggings? Phantom took care of it by saving the person then lecturing the person until a Bat or police showed up then literally vanished.

Fires? Phantom would fly in and out of burning buildings repeatedly with no care for his own safety. No mask, no fire protection, nothing but the thin suit he wore.

Kidnappings? Don't worry, Phantom had it handled long before Batman could even get the call to help! EVEN WHEN IT WAS ONE OF HIS OWN KIDS WHO GOT KIDNAPPED!

Granted, Phantom never got in the way of a fight but the amount of evidence that was lost due to what he was doing and how he was doing it was inconvenient. Fingerprints got wiped, evidence of what started fires were covered in an unmeltable ice, kidnappers took off the second their captive was freed and were practically untraceable after that.

It wasn't until a massive Arkham breakout that he actually got to properly meet the kid. Every prisoner had broken out and the city plunged into madness as heroes ran around like chickens with their heads cut off. Villains against heroes, criminals verse vigilantes, villains verses criminals - it was a madhouse.

Batman could hardly keep track of it all but when one of Penguin's men threw a bomb into a crowd and it landed near Joker's feet there was a long silence. It was like the city had fallen silent all around him as Batman tried to get to the bomb.

Joker was a villain.

Joker had hurt his family, killed millions of innocents including his own son, but he was sick. He didn't deserve to die.

Apparently Phantom agreed because he flew faster than Batman could track him shoving Joker away from the bomb before encasing the bomb in ice.

"Hey! What's the big idea shovin' me, bub?!" Joker said, seemingly forgetting about the bomb that was still in the kids hand. Joker walked right up to Phantom, glaring down at the shorter male who just looked at him. "Think you're some kind of hero?!"

Phantom blinked, "I feel like answering that is a trap."

Joker grabbed Phantom by the front of his shirt, "A funny guy, huh? Think you can out joke the Joker?"

"Again. That feels like a trap. I'm not trying to do anything, Clowny. But I wasn't about to let you die."

Joker glared, "Why?"

Phantom slipped out of Joker's hands somehow, much to Joker's confusion. "Because that's not who I am. Criminal or not, I'm not going to let you die if I can protect you."

"Who says I need protection?"

Phantom held up the bomb again with a deadpan look. "Lucky guess." He said, then suddenly noticed something to his right. "Oh, gotta go. Later Clowny."

"IT'S JOKER!" Joker shouted after Phantom as he flew away. "Batman! Teach your baby bats some manners!"

"He's not mine, Joker." Batman said, marching over, grabbing Joker's wrists and cuffing them behind his back.

Not yet anyway. But with a mentality like that... maybe this pain in the ass could learn a thing or two from a Bat.