#I'm keeping it a big secret so NO SPOILERS!

[creatingblackcharacters]

One of my other favorite Black characters is Jax Amboy from 5 Worlds, a sci-fi/fantasy graphic novel series!

He's a robot and a sweetheart who cares about his friends a lot, but struggles with social situations, which I relate to. In this world, it's illegal to make robots that look too human, so he has to keep the fact that he's a robot a secret. His friends, the other two protagonists of the series, know he's a robot, but it's a pretty close kept secret.

I'm also a fan of his design (except for the blue eyes), teal and gold just look really good on dark skin.

He's also a sports star! I think it's really fun that the robot character is also the sporty one, it's not something I've seen before. We don't see a lot of him and his old teammates, but we do get some scenes of them interacting and his teammates seem like they like him and see him as a friend. Jax is like, really popular among sports fans too, because he's a very skilled player. He uses that popularity to help him and his friends on their mission (saving the worlds. All five of them).

The company in charge of his sports team tries to stop him from going on his worlds-saving adventure, but he fights back and always tries to do what's right no matter what. I don't think he's a good person "in spite of" being a robot, I think it's more just a part of who he is. Being a robot comes in handy a lot for him, and it's a big part of who he is, but it doesn't make him any less of a person.

There's more about him but I don't wanna give spoilers. I'll just say that his arc is about connecting with his humanity and accepting himself. And show another image because he's precious.

In conclusion everyone should like him as much as me because he's awesome.

I'm actually a big fan of his design! He reminds me of Astro Boy, if Astro Boy had Black people in it (idk, I never watched it). Teal and gold are absolutely bangers on brown skin. They don't miss. He's so adorable too, oh I love this!

I just realized his name is Jax Amboy, like "am boy not robot" 🤣🤣🤣 that's silly and clever.

[the-ninjago-historian]

I'm about to put a ship in this fanseason that NOBODY saw coming.🤣

[fyodcrs]

If the manga goes like this, too, well that's just incredibly anticlimactic and disappointing.

[muninnhuginn]

Glancing at the Qian Jin-Xiao Li duo then at the Lu Guang-Cheng Xiaoshi one and realising that from what we know Qian Jin was originally the by-the-book type and even now is incredibly careful and thorough. Meanwhile, Xiao Li went along with the photo shop trio despite knowing how unbelievable it all seemed and was willing to arrange Lu Guang's safety in a less traditional way

Qian Jin especially in the past is much more aligned with Lu Guang personality-wise whilst the more flexible and intuition-based Xiao Li is more aligned with Cheng Xiaoshi

[frozenambiguity]

Very long Initial thoughts and first impressions on the Caribert Archon Quest in the tags. Spoiler alert!!

[arolesbianism]

Alright boys pack it up no more rain world posting new oni dlc is coming out in less than a week

[moineauz]

જ⁀ 𝐅𝐀𝐍𝐂𝐘 𝐘𝐎𝐔 , various ! pt two

synopsis: his voice lines about you as his beloved partner

including: boothill, aventurine

side comments: my first voice line fic was well received and for that I thank you all <3 so of course this is for all my boothill and aventurine lovers out there! (including myself for boothill...)

extra: gn reader, angsty and fluffy moments, I genuinely loved writing boothill's, minor spoilers for both favourites: boothill word count: roughly 1000+

care to see the first part? includes dr. ratio, jing yuan, & blade!

𝐁𝐎𝐎𝐓𝐇𝐈𝐋𝐋

WHO ARE THEY? I "Out here askin' question huh? Well if you're that curious... then you better listen close."

FIRST MEETINGS? "Met them on a bullet train in a neighbouring star system. Turns out we were chasing after the same fudge-heads. You could've seen them- a sly creature that's who they were, whipping out the most slick sniper I've ever seen. I'd reckon that was one of the most thrilling fights I've ever had: came out with dents all over my arms and a broken gun. Their bullets nearly punched a hole through my cheek... hah!"

GREETINGS? "They may be a load of dormant gunpowder, but they sure are sweet! Full of laughter and courtesy. But I'll let you in on a little secret... ( Name ) likes to walk in, pretty as always- and plant kisses all over my cheek before they even say a word."

PARTINGS? "Being a Galaxy Ranger means never staying in one place. ( Name ) is no Galaxy Ranger... I'd reckon it's better that way."

ABOUT US: SHOES IN THE HOUSE "I can't exactly 'take off my shoes' now can I? But ( Name ) likes to keep the house tidy and I best not anger them... like that one time- anyways, we came up with this whole fudging system just to keep the bottom of my damn boots clean! It's fudging ridiculous! *Chuckles* I can't help it, but ( Name ) is understanding. Even if I trudged through all the grime in the universe- they'd still wipe it all off."

ABOUT US: FAMILY "You see, ( Name ) has this big family. Siblings, cousins, extended cousins, aunts and uncles, you name it. We were on their home planet once, and I finally understood where ( Name's ) knack for puttin' a real good home together came from. Their family lives in the countryside where all you can see are open fields, lush hillsides, free-roaming animals and wildflowers. Consider it a quiet paradise. They even grow their own food for fudging sake! Everythin' made by hand and land. Darlin' nearly coaxed me into joining them for dinner once, but I knew better. Best not spoil the family get-together."

CHAT: HATS N' POSES "Personally, I like my hat and flare the way it damn is. How would fightin' be without it? But of course, your partner has to be a cheeky tease about it."

CHAT: WARMTH " I've seen it in the movies- those fudging 'romcoms'- and read it in books. When it gets cold... I'm no help. Can't do much except reach for a blanket and wrap them up. But even then, metal and skin don't fudging work."

PASTIMES DONE TOGETHER? "Count me in on a dance sugar plum! Have to admit, darlin' has a fair share of good dance moves. Nothin' like a hard-earned victory being celebrated with a cool glass of whisky and a smooth dance."

ARGUMENTS: "Bitter things that's all they are. Leaves you knocked out cold. Reminds you of all the things you can't take back."

SOMETHING TO SHARE: "Following the hunt ain't an easy task. But someone has to punish the wretched. That's the thing about the hunt- you get cold, hard. Sugar follows another path that doesn't make any fudging sense to me. But that doesn't matter. None of that ever mattered, not to them, not to me or even the hunt. Call it selfish, but I'd like to one day settle down... Just like their family. Out where no one could find us."

WHO ARE THEY? II "They call me their 'sweet lover'. But really it should be me saying that. If anything I am the sweat of their brow- a nuisance at times. But they still love me. They still fudging love me."

EXTRA: IPC ENTRY "Normally, Galaxy Rangers travel alone. However, we have seen the wanted Galaxy ranger- Boothill- be accompanied by someone who appears to be a vagabond follower of Xipe. Despite the information we possess, the relationship between Boothill and his supposed 'partner' is very limited."

𝐀𝐕𝐄𝐍𝐓𝐔𝐑𝐈𝐍𝐄

WHO ARE THEY? I "Fancy meeting you here- oh? A rumor you say? Rumours do have peculiar ways of reaching the ears..."

FIRST MEETINGS? "All business ventures possess their gains and losses. However, I did not expect my pockets- alongside others- to be picked on a night meant to celebrate the Strategic Investment Department. The person who did it played their cards exceptionally well. I applauded them and the subtlety of their skills."

GREETINGS? "Despite their rather cunning nature, ( Name ) is quite kind... shockingly so. I thought their smile was a chip they played for their own meticulous advantage. *Chuckles* I was wrong, there was simply nothing to understand behind that smile."

PARTINGS? "One transaction after another, the universe keeps spinning. Don't keep up, you fall behind. Simple. I don't have to worry about that around them, or at least, for a while, until another wager must be made. Until the peck on the cheek is over."

ABOUT US: LOCKET "( Name ) has a keen eye for trinkets and bought- well stole- a locket for the two of us to share. I keep it with me, a lucky charm if you may."

ABOUT US: NAPPING "Personally, I don't nap. But, ( Name ) is a terrible influence and says I should. I must admit, waking up to them in the afternoon is not a bad way to spend my time."

CHAT: THEVERY "( Name ) is a thief... a good one at that. Oh don't worry, they struck a deal with the IPC. Primarily on their terms because they have been such a nuisance to the IPC. It's rather amusing seeing the IPC chase their own tail. We've definitely shared laughs over it."

CHAT: CONFESSIONS "Who could possibly love something so broken? It's like keeping a clock that won't tick or a deck of cards missing a queen. Sometimes, I wish they didn't care so much. It would be... easier."

PASTIMES DONE TOGETHER? "Of course, a good game of cards is a fun way to pass the time. *Chuckles* Though, ( Name ) is a terrible player. Not that I mind, I'll guess I'll play the role of 'loser' this time around- best you not tell them."

ARGUMENTS: "What else is there to say? Nothing. That part is the worst."

SOMETHING TO SHARE: HEART OF GOLD "( Name ) steals to give to the poor. It's their motto... I saw them once with a group of kids on a planet in a distant star system. They were giving back to the orphanage- the smiles on the children's faces when given toys, marbles to be exact, were so bright."

WHO ARE THEY? II "In all honesty, I'm not quite sure. However, what I do know is that luck finally worked in my favour... I'll hold onto that for as long as I can."

EXTRA: DR RATIO'S OPINION "The gambler- without hesitation- will bet 'all in' even if it means his own life hangs in the balance. However, amongst the chaos of his bets, there is one person who will drag him back to reality... ( Name ). Aventurine will never gamble nor forfeit the one person who truly understands him. Even I don't fully understand the gambler's crafty nature. I suppose a thief is the only one who can and more importantly, will."

masterlist.

[queenofthequillandink]

Steph's new roommate's little brother was absolutely a meta.

The two of them weren't really trying particularly hard to hide it, but they weren't mentioning it either, so Steph just... followed their lead. Especially because Jazz, while a little neurotic, was a pretty good roommate and new some truly innovative things to make in the microwave with whatever was in their dorm fridge.

But anyway, back to the meta thing. Steph could totally back it up.

Jazz was from the Midwest somewhere, one of the "I" states. (Indiana? Illinois? Iowa? Steph could never keep them straight.) From the way Jazz talked about her parents and the things she said to Danny, Steph could tell that the Fentons still lived there and Danny with them. Yet at least four nights out of seven, without fail, Steph would come home from a long night studying or vigilante-ing to find Danny in their dorm room, usually passed out on the futon. As though Gotham wasn't halfway across the country from Indiana or Illinois or Iowa.

"Our parents are pretty loud," Jazz explained with a quiet grimace, the first time it happened. "Like 'keep you awake at all hours of the night' loud. I told Danny he could sleep here when he needs to, is that okay? Tucker's parents are great, but they'll kick him out eventually."

"As a sleep-deprived college kid, I wholeheartedly support sleeping wherever you can get it," Steph whispered back. "As long as he doesn't eat my half of the food, I'm not gonna tattle to the RA."

"Thank you thank you thank you!" Jazz squealed, flapping her hands. Steph darted a glance at the teenager passed out on their futon, but he didn't even twitch. "Oh, don't worry, you have to be loud enough to wake the dead to get Danny up," Jazz said with a smirk.

"Alright. Makes things easier, I suppose," Steph said with a shrug, moving to sling her backpack onto her bunk. "He gonna be here in the morning?"

Jazz narrowed her eyes as though Elder Sister Glare could penetrate dreams. Hell, maybe it could. "He'll be at school before you wake up, if he knows what's good for him."

School. Which should be halfway across the country. Sure. Well, Steph could recognize a topic that Simply Wasn't Spoken About and unlike the rest of the Bats, she actually respected her roommate's personal privacy. "Cool."

So. Definitely a meta. Teleportation, maybe? Or superspeed or flying, she supposed. Whatever it was, the kid was clearly only using it to get a good night's rest in a safe space, so it wasn't really Steph's business.

At least neither of them had noticed she was a vigilante. It was an impressive secret to keep in such close quarters, if Steph did say so herself.

~*~

Jazz had clocked that Stephanie was Spoiler in a week and a half. And it only took her that long because she was distracted by orientation. The girl wasn't exactly subtle. Especially not with her injuries. Jazz had three years of experience watching someone come home injured and try to hide it, and while she was better than Danny, it still wasn't good enough.

Still, Steph wasn't making a big deal of Danny portalling into their dorm half of every week. And, like she had with Danny, Jazz wanted Steph to trust her enough to tell her herself.

And if this meant that Jazz spent a good portion of her first semester figuring out the rest of the Bats' identities based on Steph's friends and acquaintances, well. That was between her and Steph's scary-but-sweet girlfriend who read her like a book as soon as their eyes met.

[no1deepspacehater]

⸻⋅☾SYLUS - NSFW ABC's☽⋅⸻

TW: Spoilers, General TW (It's Sylus, c'mon now) and mentions of CNC (he doesn't like it, it's just mentioned)

AN: Since he's come out i've been spending so much time exploring his character and unlocking his myths!! This man has me in a chokehold. I'm so sorry Xavier.

A = Aftercare (What they’re like after sex)

He’s gonna have you in his hold for a bit, he’s not a big cuddler, but he wants you to come down nicely. So it’s a bit of him watching you relax and whipering how good you were etc for a bit.

Then, mostly for him, he’s gonna have a bit of wine (he’s such an alcoholic).

He’ll offer you a bath and shower, which he does take even if you don’t want to (remember, aftercare goes both ways, this is his way to relax.)

But don’t worry, if you want some cuddles he’s willingly, after much teasing of how much of a needy kitten you are.

B = Body part (Their favourite body part of theirs and also their partner’s)

Everything is his favourite part.

But if he has to choose, his arms and hands.

He’s put a lot of hours into training, without his evol he can still strangle the light from someone’s life on his own and punch the daylight out of them too.

For you, he is an ass and tits man. Why does he have to choose? He can and will have both.

Loves to see a curvy dress on you that shows off your physique. His hand is so quick to slide around your waist, proud to have a good looking person like you by his side to show off.

C = Cum (Anything to do with cum basically… I’m a disgusting person)

Thick, clear ropes of the stuff. He almost gets annoyed with how messy it can be.

Not that he’s opposed to covering you with the stuff, no he just prefers to fill you with it.

Loves tasting you, and having you coat his entire hand with your essence.

D = Dirty Secret (Pretty self explanatory, a dirty secret of theirs)

During his surveillance of you (stalking), has watched you bathed and shower at least once or twice.

Didn’t make it a habit, even he has lines, but he’s found himself enraptured with just watching you do these simple things.

It weird because he doesn’t watch you masturbate, nor masturbate himself really during the times he watched you shower.

E = Experience (How experienced are they? Do they know what they’re doing?)

Knows about sex. Fucks.

He’s experienced, you can’t tell me otherwise. He’s had a few workers here and there.

He also knows that just because he has experience with other women, doesn’t mean he knows all about your likings.

But trust, he’ll spend all night learning you.

F = Favourite Position (This goes without saying. Will probably include a visual)

Reverse and regular cowgirl, surprisingly.

Bet let’s dissect, even though you’re the one on top of him, he’s of course in control.

He has no trouble holding you down on top of him, or moving you up and down on him.

And of course, the sight is beautiful to him, he’s in close reach of everything, and of course, most of the time you have no other option to be face to face with him.

Where he can really see wha’t going on in your mind.

G = Goofy (Are they more serious in the moment, or are they humorous, etc)

I wouldn’t say he’s overly serious, but if you call his constant teasing humorous then he’s fucking hilarious.

But yes, he’s more focused on whispering the most outright naaesstttiest filth close into your ear while you come undone before him.

H = Hair (How well groomed are they, does the carpet match the drapes, etc.)

Shaved down to a minimum and neat. He has his own (very high quality) clippers for down there. Takes pride in his look.

Wouldn’t mind if you like to keep things natural, but does like to have things low for you as well.

Hell, he’ll go crazy if you have some type of design on it!

I = Intimacy (How are they during the moment, romantic aspect…)

He’s more of a dirty romantic.

But he can be sweet, in his own way.

Telling you how much he adores you, your sounds, your body.

Soft touches, handling you delicately at times.

And he keeps you pretty close during the act, lots of skin to skin touching.

His kisses range from feather light to deep kisses, and leaving marks is definitely one of his acts of affection.

J = Jack Off (Masturbation headcanon)

This might be crazy, but hear me out.

I do not see this man masturbating often.

Maybe like ONCE in a literal blue moon, like if he’s deadly bored. (And let’s face it, he’s too much of a busy man to be bored.)

Also, he’s the most powerful man in the N109 zone, and basically has most of Linkon in his hands, I’m sure he will find someone (You) that will satisfy his needs.

K = Kink (One or more of their kinks)

Need I say, BLOOD KINK!?!

Yeah, he get’s down like that, and I will die on this hill.

He’d love to see your pathetic attempts at trying to make him flinch as you draw a blade against his skin, it winds him up.

Won’t go too crazy on you, but let’s just say you’re going to need a bandage for that bike mark.

Ropes, whips, cuffs, he’s into that entire scene, anything to make you submit to him.

Vibrators are common place, one of his favourite things to do is to watch you fall apart without even laying a finger on you.

L = Location (Favourite places to do the do)

One of his many secluded castles or cabins. He can get you as loud as he wants there.

Not that he really cares if anyone hears the both of you.

Prefers to be in a comfortable place really, but doesn’t mind if you want to get dirty in a semi-public place (Like a private room, clubs, office).

M = Motivation (What turns them on, gets them going)

Seeing you stand your ground.

Once, you pistol whipped a high ranking gangster during an undercover mission, after he ‘joked’ about a female being in a room. Then you proceeded to berate him and his whole crew coldly and put him in his place.

He was rock hard after that. Wanted to take you then and there.

Also has a thing for you being bratty, replying smartly to his teasing. Makes him want to fuck it out of you.

Seeing you dressed up. He knows you’re not materialistic, and neither is he, but seeing you in a fitting outfit that you bought with his card (that probably cost thousands), drives him crazy.

N = NO (Something they wouldn’t do, turn offs)

Consensual-non-consensual, or noncon stuff. Yes, he likes when you’re bratty and put up a fight a little, but not in that way. (He sees the effect of trafficking in the N109 zone, and doesn’t feel comfortable seeing anyone portray that.)

Anything that involves other types of bodily fluids, yes, that type of stuff. He finds it weird.

O = Oral (Preference in giving or receiving, skill, etc)

LOVES a blowjob with all his cold heart. Would never say no. He can be kind of a head pusher, because he knows it ticks you off, but if you’re not comfortable he can resists, he just likes to hear you choking on him.

Does also like to eat you out, only if you’re cool with him doing it to the point of much overstimulation (he’s going to do that anyway).

P = Pace (Are they fats and rough? Slow and sensual? etc.)

Definitely prefers Slow, sensual, but DEEP!!

You swear, you don’t know how he does it, but he’s gotten to places you can’t even reach with a dildo.

He’ll go wild sometimes and fuck you with sharp, sudden movements, because he’s close but he wants you to come before him (But he won’t tell you that).

Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)

Prefers to have his way with you.

He can get busy at times, so he’s not always available for that. He tends to disappear randomly in the night and show up randomly.

If you beg him enough, rile him up enough secretly, he will not hesitate to push you up against a wall in an alleyway and give you what you’re asking for, just know that he always ties up loose ends, and we will be continuing later.

R = Risk (Are they game to experiment, do they take risks, etc.)

He’s very open, apart from the hard no’s.

Likes the heart pounding excitement from taking new, kind of dangerous risks.

Won’t do anything that will put you in serious danger or grievous harms way.

S = Stamina (How many rounds can they go for, how long do they last…)

If it’s night, he’s going to town.

But that’s mostly because he’s taking his time with you.

Short refractory period after the first 2-3 times, then after the 5th time he’s just focused on making you cum.

If it’s the day, let’s say about 2, maybe three rounds max. He’s definitely less energized because he’s normally asleep.

T = Toy (Do they own toys? Do they use them? On a partner or themselves?)

Not really toys, since the handcuffs, muzzles and whips have actually been used for other affairs... But they’re multipurpose, anyway, or so he says.

Does invest in vibrators and the like when he sees how much he can do to you with them.

U = Unfair (how much they like to tease)

Do you really have to ask this, for SYLUS?

The man was practically born to tease. You think it’s his new way of trying to kill you, or drive you insane, at least.

If he’s really feeling like a prick, he’s denying your orgasm a couple times, and punishing you hard if you do, by overstimulating you until you’re shaking.

V = Volume (How loud they are, what sounds they make)

He’s not a moaner, honestly, if he wasn’t talking you through it most of the time it’d be deadly quiet.

He’ll let out a grunt here and there, a breathy sigh that still gets you weak occasionally.

But of course, he’s talking you through it, and his vocabulary is quite expressive.

With his baritone voice, he could be talking about pineapples and it’d still get you going.

W = Wild Card (Get a random headcanon for the character of your choice)

He knows the twins have been trying to eavesdrop sometimes.

Once, you asked if they could watch, and he allowed it.

He can always tell when they're there, and tells you that you spoil them too much.

X = X-Ray (Let’s see what’s going on in those pants, picture or words)

Big, I don’t care, argue with the wall.

Okay okay, more length than girth if we’re being real, but he’s not skinny either.

At least 9 inches. He’s GIGANTIC, look at him! Def a shower.

VEINY!! Decorated from tip to balls.

His entire shaft turns red from stimulation, the tip being the brightest. It rivals his eyes.

Y = Yearning (How high is their sex drive?)

Surprisingly not that high, honestly.

Sure, he likes to tease and rile you up, but it’s not like he’s expecting or wanting sex just because.

Can go pretty long without it honestly, there are other ways of having his fun with you.

Z = ZZZ (… how quickly they fall asleep afterwards)

Unless it’s in the morning/day, he’s staying awake.

Sex is one of the few energy-inducing activities for him that will keep him awake for hours.

Will probably play with your hair, or just lay by you for a while until taking a short nap himself, maybe sipping a few wines to relax him.

[joelscruff]

one day i'll feel alright (joel miller x reader) 18+

here it is... the Big One. i've been hyping up this part of my soft!dom joel series for a while now (probably too much, i'm sorry) but i'm so excited to finally share it with you guys. i just wanna note that this is not the end of soft!dom joel by any means. i wanna keep writing for these two as long as i can, just probably nothing else as long as this lmao 💖 enjoy! | masterlist summary: joel must finally face his demons when you don't return from patrol. rating: 18+ explicit warnings: fem!reader, age difference (reader is mid 20s, joel mid 50s), dom/sub dynamics (joel is dominant but not degrading or aggressive), hurt/comfort, angst, praise kink, dirty talk, bathing together, oral (both f and m receiving), unprotected p in v sex, size kink, orgasm denial, comeplay, come eating, yall this one is SO filthy be warned word count: 15k | ao3 spoilers: this contains vague spoilers for part two of the video game (and most likely for season two of the show). nothing too major (joel does NOT go golfing in this fic).

The patrol schedule is posted on Monday morning outside the community center and you're one of the first people to look at it, eyes frantically scanning for your name as your heart pounds in your chest. There's no way, you think to yourself, still searching, He wouldn't actually talk to Tommy about a schedule change.

You finally find your name and feel those annoyingly familiar angry tears begin to burn in your eyes.

"Fuck you," you mutter under your breath, shaking your head, "Fuck you, Joel."

You're no longer his patrol partner.

You briefly consider going to his house, pounding on his door until he answers and screaming in his face about how ridiculous and immature he's being, but you realize that doing so would make you just as immature. Instead, you just decide to pretend it never happened, like you never patrolled with him to begin with.

"Steve is nice," one of your friends says to you later, "I like him, you'll get along."

Who the fuck is Steve? you want to ask, but then remember that it's his name that has replaced Joel's on the schedule. To make matters even worse, you're no longer going up to the ski lodge and are instead going out past the perimeter, a patrol location known to encounter raiders pretty often. Fantastic.

--

The next time you see him is that night in the dining hall, sitting in his usual corner by himself and gulping down bites of chili like he hasn't eaten in weeks. It used to be endearing, those big bites, now it just pisses you off.

He doesn't look at you. Over the past few weeks you'd grown accustomed to him peering over at you every so often, giving you small smiles to acknowledge that he saw you and remembered what the two of you shared every weekend. Neither of you would talk about it; it was private and belonged on the mountain, which you were fine with. At least he'd give you those looks, those smiles, and remind you that you were his pretty girl, his little secret.

Now his lack of acknowledgement, his purposeful ignorance of your presence, it makes you feel sick. You end up having to excuse yourself before you do something you'll regret. Like punch someone.

--

Steve is nice, but that's your first immediate problem with him. He's too nice. He talks too much, constantly trying to fill a silence that doesn't need it, asks you way too many questions and doesn't seem even vaguely put-out when you give him the most basic possible answers. He's young, probably in his mid-thirties, and you find yourself desperately missing the long and comfortable silences you shared with Joel, his gruff sighs, his breathy chuckles, his music, his books, his age. You realize pretty quickly that you view Steve as a boy and not a man, despite him being older than you. Internally, you tell yourself you need to get a grip.

Your new patrol location isn't as bad as you'd first thought; you're stationed in an abandoned cabin in a wooded area past the perimeter. It's cozy and inviting, kind of reminds you of the ski lodge, which quickly makes you feel depressed. You both take turns circling the area - although at first Steve had suggested you do it together; you'd vetoed that immediately. Your main responsibilities are checking traps and watching out for infected. It's actually a bit more engaging than your previous patrol which you feel slightly grateful for; it's nice to feel busy. And to shut your thoughts up.

At the end of your first patrol with Steve you both walk back to Jackson together in the early morning, him still continuing to chat and tell you things about himself regardless of whether you respond. You're almost back to town when you notice that you're suddenly on the same path you and Joel used to take, the one that leads up to the mountain. You stop in your tracks.

"What time is it?" you ask, interrupting whatever Steve had been prattling on about.

He looks down at his watch, "Almost six," he smiles at you, "We'll be back just in time for breakfast."

Almost six; around the time you and Joel would usually be reaching the bottom of the mountain. Your eyes scan the tree line, brow furrowing as you search for any sign of him making his way down the path. Steve stands there awkwardly, waiting for you to say something.

"Should we...?" he gestures toward the path you're both on, toward town, and you bite your lip in thought.

"Just gimme a sec," you say quickly, still searching, "I wanna say hi to my old patrol partner."

"Aw, that's sweet," he says with a smile, and it's so earnest and endearing that you can't necessarily be annoyed, "My old patrol partner, we-" he starts chatting again, buying you some more time.

Not more than a moment later, two figures suddenly emerge from the trees: Joel and Tommy. You feel your heart start to pound as they walk down the path, neither seeing you and Steve standing there until they're almost directly in front of you. They're caught up in some kind of deep conversation, you might even call it an argument judging by Tommy's stiffness and Joel's flared nostrils.

Tommy sees you first, giving you a wave and a smile, then nudging Joel. Joel follows Tommy's eyeline and suddenly freezes in his tracks, standing still on the path while Tommy continues to approach you.

"Good patrol?" he asks, nodding to Steve, "No trouble?"

"No, sir," Steve says, eager and polite, kind of like a golden retriever puppy, "No problems whatsoever."

"Glad to hear it," he looks at you again, "Hey, mind if we meet later for a chat?"

You wonder if he wants to chat about whatever he'd just been arguing about with Joel. Intrigued, you nod, "Sure."

Joel reaches you then, pace slow and hesitant. You turn to look at him, trying not to let the anger you feel toward him completely overtake you; the last thing you need right now is to either start crying or yelling.

"Hey," you say with a stiff nod.

"Hi!" Steve says beside you, and you try not to wince as he puts his hand out, waiting for Joel to take it, "I'm Steve."

Joel simply stares at him, then his hand, and then looks at you, eyes dark and cold. His gaze slips between the two of you back and forth for a few seconds, expression unreadable, then continues down the path without speaking.

"Meet me by the stream 'round noon, alright?" Tommy says, backing away to follow Joel, "I'll bring you lunch."

You watch as he catches up to Joel, says something to him, but Joel doesn't respond and just keeps on walking ahead, pace quicker and quicker. You're still just standing there watching their forms get smaller when Steve finally speaks again:

"He's...uh...friendly."

You laugh without humor, hitching your pack up your shoulder and starting to walk, "Oh, you have no idea."

--

You meet Tommy around noon by the stream like he'd asked, crossing the bridge and giving him a small wave of acknowledgement as you approach. He's got a paper bag with him; lunch, just like he'd promised.

"Tuna fish," he says with a kind smile, chuckling at the face you make as he hands the bag to you, "It was either that or egg salad."

"The dining hall must stink today," you reply with a scrunch of your nose, but you take the bag gratefully, "Thanks, Tommy."

"No problem," he gestures toward the bench he's sitting on, inviting you to join him, "Let's talk."

He talks and you mainly listen, nodding along every so often and chewing your tuna sandwich thoughtfully. He starts by thanking you for "everything" you did for him and Maria, which you quickly dodge because all you'd done is take a patrol off his hands - a patrol that's gone back to being his again, but he doesn't mention that part. He talks about how big a help you've been, how he's glad you're here, all the basic stuff he's already told you before. You're almost done your sandwich when you realize he's talking complete bullshit.

"Tommy," you say, balling the paper bag up and shoving it into your pocket, "If you wanna talk about Joel, just do it."

He freezes, recognition dawning in his eyes as he sighs and presses his fingers to the bridge of his nose. It's a habit he and Joel share, and you can't help but feel an ache in your heart when the image of Joel doing the same thing crosses your mind.

"I'm sorry about the switch," he finally says with a deep sigh, "Joel told me to do it. Not asked, told. He was pretty obstinate, told me it wasn't workin' between you two anymore and he wasn't gonna stay on ski lodge if you were there."

The words sting, even coming from Tommy. You swallow the last of your sandwich and cast your eyes down to the stream, watching the water ebb and flow as Tommy continues to speak.

"I just want you know that if I had it my way, you'd still be up there with him," he says it earnestly, and you understand now why he'd led with all the compliments and reassurances; he'd thought you didn't know why you'd been switched.

"I know," you say quietly, "Tommy, I know it was Joel's idea. He told me last patrol that he was gonna ask you to take me off ski lodge."

"But why?" he sounds genuinely confused, "It was working so well, Maria and I thought you had a great thing goin'."

You nod slowly, refusing to look at him, "We did. But I guess he never told you any details?"

You sense him shake his head beside you, "No, I spent almost the whole patrol trying to get him to talk about it and he wouldn't. Just kept saying it wouldn't work anymore and that he wasn't gonna say anythin' else about it. Stubborn, my brother. Always has been."

I know, you want to say, believe me, I know.

"So I figured I'd ask you."

You finally look over at him then, "There's not much to say, Tommy."

"But there's somethin'," he leans forward, looking concerned, "I know my brother, I know when he's hidin' somethin'. There's somethin' he's not telling me and I want you to tell me 'cause otherwise I'm just gonna assume the worst."

"Which is...?"

He sighs, leaning back against the bench again, "I don't even know."

You touch the back of your neck awkwardly, trying to decide how to word it. There's absolutely no way you're giving him all the details - or any details for that matter - but you do owe him some kind of explanation considering he's now losing his free time again over this.

"Me and Joel, we..." you bite your lip, "We had...." you sigh and shake your head, "Okay, what I'm about to say does not leave this bench, Tommy. You can tell Maria but that's it."

"Oh shit," he says, eyes going wide, "Were y'all fuckin' up there?"

You groan, leaning forward as your arms fall to your knees and you cover your face with your hands. He's not necessarily correct, but somehow the reality is much more embarrassing to admit. You don't say anything in response, confirming his suspicions.

"Jesus Christ," he says, voice full of genuine surprise, "I was...holy shit, I was not expectin' that."

"Anyway," you say into your hands, skin turning bright red beneath your fingertips, "It's over now and he doesn't want me up there with him anymore, that's all you need to know, okay?"

"Yeah," Tommy says immediately, "Yeah, sure, of course. I wouldn't dream of -" he makes a weird noise, "God, I did not think that's what was goin' on."

"Sorry," you wince, pulling your hands away and sitting up again to look at him. He looks genuinely uncomfortable, arms crossed as he shifts next to you on the bench, cogs turning in his mind. He's probably thinking about what exactly the two of you have been doing up there when you're supposed to be patrolling and the very thought makes both of you cringe simultaneously.

"No, don't apologize, I asked," he shakes his head again, eyes still wide, "I, uh, I won't tell anybody, no worries."

"You can tell Maria," you reiterate, "I don't want you keeping anything from your wife."

"I'll tell her but I doubt she'll believe me," he's staring ahead, still in shock, "You? With Joel? I'm sorry but..." he laughs loudly, still shaking his head, "I didn't think my brother had it in him."

You make a face and stand up, "Okay, that's my cue to leave."

"No, sorry, I'll leave," he stands up as well and digs his hands down into his pockets awkwardly, "I'll uh... be at the bar, if you need me."

He goes to cross the bridge but stops halfway, turning slowly and giving you one last kind and gentle look, apologetic.

"Hey, I'm sorry it didn't work out," he says, and you can tell he means it, "You're real sweet, my brother's just an ass."

"I know," you say with a small nod, "You did warn me."

"I did," he says it sadly, looking down at the stream, "He has his reasons, though. Maybe he'll tell you one day."

"Maybe."

He turns back around and walks away, leaving you standing there alone by the stream with an ache in your heart that won't go away.

He was pretty obstinate, Tommy's words echo in your head, told me it wasn't workin' between you two anymore and he wasn't gonna stay on ski lodge if you were there.

You stare at the steady flowing water and try not to think about how much it hurts to know he really said that to Tommy. Is that how little you mean to him? How little what the two of you shared meant? You've known the whole time that it wasn't a "real" relationship, you haven't even kissed him for god's sake, but it was a relationship nonetheless. A little weird, a little timid, but soft and new and safe and warm. And all along you'd just been a distraction for him.

In the deepest parts of yourself you've known this all along, remembered how many times in the past few weeks he said that it would be the last time, that he couldn't do it anymore, and you'd just continued to persist and persist until he'd finally had enough. You hadn't really thought he'd end it, didn't think he really meant it.

The tears start flowing before you can stop them. You continue to just stand there dejectedly, staring at the water and trying to figure out what exactly it is about you that made him simply stop caring - if he even cared to begin with.

A rustle of branches makes you jump and your head snaps up, looking toward the sound. A short distance away you catch a bush moving in an unnatural sort of way, shaking back and forth like someone had been watching from behind it. Quickly, you dash forward and pull the leaves apart to find the culprit.

No one's there.

Hurriedly you wipe your face and walk across the bridge, shoving your hands back in your pockets and hoping someone hasn't just witnessed your moment of weakness. And if they have, they'd better keep it to themselves.

--

Another week passes without any acknowledgement from Joel. You decide to stop eating in the dining hall because it hurts too much, instead grabbing your meals to-go and eating them either in your house or by the stream. On one occasion you'd arrived at the stream at the same time Ellie had decided to sit and practice guitar, freezing in place when you saw her. You hadn't spoken since that one very brief conversation months ago when she'd asked about your scars. You hadn't known then what you know now.

"Hey," she'd said with a nod, then went back to strumming aimlessly on her guitar, "You can eat your lunch here, I don't mind."

You'd shaken your head and taken a step back, "No, that's okay, sorry," then you'd turned and practically run away from her, not entirely sure why.

She reminds you of Joel, you dummy, you'd thought to yourself on the walk back home, biting down on your lip and trying to keep the tears at bay this time. Everything reminds you of Joel.

--

On Saturday morning you hear a knock at your door. You're still in bed, confused and bleary eyed as you sit up and wait to hear it again, just to be sure you're not still dreaming. When you hear a second series of knocks you practically tumble out of the bed and run downstairs, blanket trailing behind you as you dart to the front door.

It's Joel, it has to be Joel, he's here to apologize, he's gonna kiss you and tell you he's sorry.

You yank open the door and feel your face fall immediately when you see none other than Steve standing there, hands on his hips. He grins at you but it falters slightly when he looks down and sees that you're still in your pajamas.

"Morning, sleepy head," he greets you, reaching forward to playfully bump your arm with his fist, "Looks like someone missed their alarm."

You stare at him, vision still slightly blurred from sleep. You reach up to rub your eyes so you can see him clearer, make sure he's actually standing there in front of you. Yup, he is.

You force yourself to smile back - something which takes a lot of effort but he seems to find genuine - and reply, "My bad, I guess I did."

"No worries," he says with another wide grin, "We got some time before we need to leave, no rush!"

You force one last smile and shut the door in his face, trying not to slam it - even though you really want to. You look at the clock on the wall over your fireplace and make a face: 4:30. He woke you up at 4:30, half an hour before your alarm.

"Steve, I swear to god," you grumble to yourself, heading for the bathroom as you drop your blanket to the floor and clamor back up the stairs; there's no point in going back to sleep, you're wide awake now and pissed.

You know who'd never do this? Joel.

After a shower and a quick bowl of cereal you head back out to meet Steve, prepared to put on your best everything is great impression again. You stop dead in your tracks as soon as you open your door.

"Listen, sir, I think you should leave," Steve is saying, voice cracking slightly as he talks to the figure in front of him.

It's still dark outside; the sun hasn't come up yet and everything is muted and hard to make out. It takes you a few seconds to figure out who Steve is talking to, the figure shrouded in shadow and half hidden behind Steve's tall form. You feel your face go pale when you hear him reply.

"You didn't answer my question," the growl is unmistakably Joel's and you grip the edge of the door in your hands tightly, not opening it all the way as you eavesdrop. What the fuck is he doing here? What question?

"I don't think I owe you a reply," Steve replies, attempting to stand his ground but sounding pretty pathetic, voice shaky and high, "I think you should move along, sir."

"What the fuck are you doing at this girl's house at four in the fucking morning?" Joel practically spits, taking a step toward Steve. In response, Steve takes a step backward. He's not a confrontational guy, you know that from the one patrol you've spent with him, "Answer me."

"I'm her patrol partner," Steve finally says, putting his hands up in defeat, "I'm waiting for her to get ready."

"Patrols don't start 'til five thirty."

"It's true, I swear, you literally met me last week!"

That seems to stump Joel, and he must be trying to figure out what to say next when you shove the door open and walk out onto your porch.

"Joel, what the fuck are you doing?" you ask, voice steady and firm. He looks over at you in surprise, backing away from Steve. Is it just your imagination or did his expression soften when he saw you? But that doesn't matter now.

You walk down the steps of your patio and stand in front of Steve, shoving him behind you lightly, "Steve, I'll meet you at the gate," you say firmly.

"But-"

"Steve. Please leave. I'll meet you in a few minutes."

"...Okay," you can't see him but you hear him walk away from you, trudging down the gravel path in the opposite direction. Once his footsteps are faint enough, you finally address Joel again.

"What the fuck are you doing here?" you repeat, "Why are you berating Steve in front of my house?"

"Who the fuck is Steve?" Joel asks; the question of the hour.

"My patrol partner," you reply, shaking your head, "I mean, you should probably know that seeing as you're the one who switched with him."

"I don't know who I switched with, Tommy did that," he retorts, looking away from you, down at his boots, "Wasn't my decision."

"Right, 'cause nothing's ever your fault, right?"

He looks back up, a glint of emotion in his eyes that you've seen only once before, "You have no fucking idea," he says, voice heavy and gruff, "Don't even-"

"Don't even what, Joel? You're the one standing in front of my house at the ass crack of dawn yelling at some guy you've never even talked to before. Steve's actually great, by the way," you're laying it on thick but you don't care; you want him to think you've moved on, "Patrolling with him is much better than patrolling with you."

He raises an eyebrow, "Is that so?"

"Yeah," you lie, cheeks going red with anger, "He actually talks to me."

"And fucks you, I gather?" he says it with a hard edge that makes your blood run cold.

You stand there just staring at him, mouth agape as he lets what he just said wash over you. You inhale and exhale deeply, feeling those godforsaken tears sting in your eyes as you take a step away from him, genuinely fearful that you might end up slapping him or punching him or doing something you shouldn't.

"Fuck you," your voice is small and broken and the tears are already flowing, "Fuck you, Joel."

His expression changes then, and you know an apology is coming. You put your hand up before he can speak, shaking your head.

"Don't," you say, firm and solid, not bothering to wipe your tears as they flick off your face into the grass below, "We're done." You turn on your heel and stomp away from him, feeling a sob wrack through you as you cross your arms and speed walk to the main gate where you know Steve is waiting.

Joel doesn't follow you.

--

Steve knows better than to question you about what happened. As soon as you'd approached him at the gate he'd seen your tears and the shake of your head when he'd opened his mouth to say something. Ten minutes later you were on your way out to the cabin again without either of you saying a word.

Now you're back on patrol with an aching heart and a huge lump in your throat that won't go away no matter what you do, trailing the perimeter back and forth with your head hung and eyes downcast. Joel's words repeat over and over in your head like a curse, damning you into a feeling of guilt that you don't think you really deserve. You haven't done shit with Steve, the assumption that you'd just immediately moved on from your sexual relationship with Joel to another man makes your blood boil. Who the fuck does he think you are?

Do you really even know him? This whole time he's remained so secretive and aloof, mysterious and cryptic. You hadn't pushed him to reveal more about himself, hoping eventually he'd open up to you, but he never did. Just kept you on a short leash with good girl and pretty girl and the way he'd look at you in those moments where you bared yourself to him.

But you're not much better, you remind yourself with a grimace, and you know it's true. You never told him much about yourself or your past. Yes, you would've, but you didn't. And you're the one who kept asking to get off with him, kept expecting more and being disappointed when he wouldn't give it to you even though he was clear about his boundaries.

"But that doesn't give him the right," you mutter to yourself, still walking through the muddy grass, deep in thought, "It doesn't make what he said okay."

No, it doesn't. But maybe he's hurting more than he lets on. Maybe this isn't as cut and dry for him as you'd thought. Why the fuck had he been snooping around your house so early this morning? He only lives a few houses down from you; had he seen Steve and felt he had to protect you? Does he actually care about you, as much as he tries to put on a front that it's only been sexual between you two and nothing more? Is that why he's been so distant?

You suddenly realize that you've gone much further than the perimeter, continuing to walk ahead instead of turning back and circling the area. You freeze, eyes scanning around as you try to discern exactly how far you've gone.

"Fuck," you mutter, turning around and starting to walk directly back the way you came, hoping it'll lead you right back to where you're meant to be.

--

It doesn't.

You'd been so lost in thought that somehow you've managed to lose the original path, the tall grass hiding any sign of your own footsteps. This is only your second time out here so nothing looks familiar; it's all grass and mud and trees and rocks. How long have you even been walking? Joel had once admonished you for not having a watch, said one day it was gonna bite you in the ass; you hate that he was right.

"Steve?" you call out, unsure if he'll be able to hear you since you don't know how far you've trailed from the cabin, "You there?"

No reply. You stop again and do another quick glance around, looking for anything that seems familiar to you. But no, this isn't the ski lodge perimeter where you'd grown accustomed to each tree, each stump, each rock. Nothing here is even vaguely telling you exactly where to turn.

You feel the dull throb of panic beneath the surface of your emotions but you quickly shove it down; you're good in situations like this, you've certainly been through enough shit to not get frightened over being a little lost. You've been lost before, you'll figure it out.

All the same, you keep track of the sun's location in the sky as you continue your directionless trek, noting that it's directly above you; noon. You have plenty of time before dark to find your way back, no sweat.

--

It must be around three o'clock when you finally make it back. Relief floods your entire body as you walk into the clearing and see the small wooden cabin sitting there still and picturesque, exactly how you'd left it. You bend down, closing your eyes and pressing your hands to your knees to take a few deep breaths and ground yourself. The panic had started to really settle in about an hour ago, but luckily it hadn't gotten to a point where you'd been too afraid to keep going.

"Steve," you say loudly, still breathing deeply, "I'm back."

No reply. You open your eyes again, heart still thumping in your chest as you eye the cabin for any sign of him. You walk over hesitantly, feeling a knot forming in your stomach when you open the front door and are greeted to a dark and empty cabin.

"Steve?" you say again, voice shaky.

No reply.

Fuck. He must have gone looking for you when you didn't come back to switch. Either that or he went back to Jackson, but you can't see a guy like Steve doing that. The way he'd stood up to Joel this morning, as embarrassing as it was, it had been enough to show you exactly what kind of man Steve is. He'd definitely gone to look for you. It's only fair that you do the same for him.

You grab a roll of twine from the cabin and start your search, making sure to mark the trees every now and then so you can find your way back again. You'd been advised in your patrol orientation not to do this because of raiders, but you doubt Tommy or Maria will give you shit for making sure you and Steve actually make it back to Jackson alive.

The thought makes the panic start to rise again, but you keep going.

--

You keep hoping you'll find some sign of Steve, but it's been about two hours and nothing has caught your eye. The twine is starting to run out and you fear you'll have to go back to Jackson without him, which will undoubtedly start a panic and a huge search party, all because you got a little distracted. This shit with Joel doesn't even matter anymore - you can't believe you let it affect you how it did. And now Steve is paying the price.

Another hour passes and you're preparing to turn back when you see it out of the corner of your eye. You freeze, hair standing up at the back of your neck when you look down to see shiny droplets of blood painting the grass.

You lean down instinctively, eyes wide, reaching forward to touch one of the many large red drops. It shivers beneath your finger, not yet fully dry. It's fresh.

Without hesitation you stand back up and pull your pistol out of its holster, cocking it and holding it steadily in front of you as you start to walk again. You have absolutely no idea what you're expecting to pop out at you; raiders? Infected? Or maybe Steve just cut himself somehow and you've taken your gun out for nothing.

A loud scream suddenly pierces the silence of the forest.

"STEVE!" you scream back, face going pale as you begin to sprint through the woods, gun still in front of you, "STAY WHERE YOU ARE, I'M COMING."

It's the last thing you say before you suddenly feel something tight grip your ankle and send you flying into the air, gun falling out of your hand. You find yourself completely upside down, entangled in a net.

Fuck. Fuck. Fuck. You sway back and forth in the thick netting, trying to find your gun somewhere below you, but you quickly become much too dizzy to discern absolutely anything. You hear Steve's scream again, further away this time, and your blood runs cold. The panic takes over and you can't speak.

Please, you think to yourself, shutting your eyes tight and trying to keep the dizziness at bay, please don't let me die before I see him again.

It's not Steve you're thinking about.

It doesn't take long for the blood to rush to your head, for your body to go completely numb as you hang there upside down, completely alone. You pass out within minutes.

--

It's pitch black when you wake up.

You're no longer hanging from a tree in the forest, no longer tangled up in a net. Instead, you're lying on what feels like a concrete floor. Your head is pounding, lips dry and parched. Your whole body feels heavy and achy, so much so that you can barely move.

"She's awake," you hear a voice say somewhere close by; it's female and sounds familiar, but not enough for you to place it.

You hear the squeaky hinges of a door opening, then a few hushed whispers that you can't make out. The door shuts again and you swear you hear the sound of a deadbolt being locked in place.

"Where am I?" you finally whisper, voice rough and broken, "Let me go."

"You're in Jackson," the female voice replies, kind and gentle, "You're safe now."

"Who are you?" you can't bring yourself to open your eyes, unsure if this person is really telling you the truth.

"It's Ellie," the voice replies, and recognition dawns on you immediately, "Remember me?"

You nod slowly, wincing at the pain as you continue to lie there on the floor, "Y-yes."

"When you didn't come back this morning they sent out a search party. Tommy found you hanging in a tree, brought you back right away."

This morning? So you must have been hanging there all night. Jesus, no wonder you feel the way you do.

You finally open your eyes then, and are beyond relieved when your vision isn't dizzy and blurry like it had been before you'd passed out. You spot Ellie a few feet away, leaning against the wall with her arms crossed, peering down at you with a soft expression.

"Steve?" you whisper.

Her brow furrows, "They found him too. I don't know the details but he was hurt pretty bad," she shakes her head, "They're gonna do everything they can."

You nod again, swallowing and wincing at the dryness of your throat, "C-can I have some water?"

"Oh, fuck, of course," she reaches behind her and grabs a bottle, then walks over to you. Her movements are slow, hesitant, and when she hands you the bottle her arm darts out and back extremely quickly.

You stare at her in confusion, slowly bringing yourself to sit up. She backs away from you again, presses herself against the wall and crosses her arms again. It's like she's feigning nonchalance.

Reality dawns on you.

"Am I bit?" you manage to whisper, clutching the water bottle tightly.

She swallows, looks directly in your eyes, "We're hoping you can answer that for us."

You slowly bring the water to your lips, mind racing. You try to remember anything beyond getting caught up in the net but there's absolutely nothing. If you'd been bit afterward, wouldn't it have woken you up? Wouldn't you feel the pain somewhere on you now?

You drink the entire bottle of water and place it next to you on the floor, then you begin to feel your body, placing your hands back and forth all over yourself and trying to find a particular spot that feels like it might have been bit. You come up blank; all that you feel is a steady ache from being numb for so long.

"I don't think so," you finally say, crossing your legs and bringing your hands to rest in front of you, "I feel okay."

"We only found you about two hours ago," she says softly, "So we weren't sure. This is where they keep people for observation, people who might be infected."

You assess your surroundings. You must be in some kind of shed; it's small and there's no furniture, only a single lightbulb hanging from the ceiling. If you'd woken up alone you probably would've thought you'd been kidnapped. Your brow furrows and you look over at Ellie in confusion.

"If I might be bit, why are they keeping you in here with me?" you ask, bewildered, "It's not safe for you."

Ellie kicks her heel and shrugs, "I don't know, they just thought you shouldn't be alone when you woke up."

She's lying and you don't know why, but you don't have the energy to press her further. What's important is that you're not alone, and you appreciate that. You watch as she inhales deeply, lost in thought, then brings her fingers to the bridge of her nose and squeezes. Just like Joel.

Joel.

"Does he know?" you suddenly whisper.

You didn't say his name but she clearly knows who you're talking about. She sets her lips in a firm line, "Yeah."

You place your head in your hands and sigh loudly, shutting your eyes tight. You suddenly feel like you want to cry, just at the thought of that big, broad, grumpy man being told that you didn't come back from patrol. Had he been upset? Annoyed? Angry? Scared?

"He's freaking out," Ellie answers for you, voice quiet, "He punched Tommy in the face."

"What?" you stare at her, eyes wide, "Why'd he do that?"

She laughs softly to herself, shaking her head, "Tommy wouldn't let him go with the search party."

Your face scrunches in confusion, "Why not?"

She looks away from you then, eyeing the closed door, "Because Tommy thought his feelings would get in the way," her voice is slightly shaky, like she might cry, "He thought if they found you dead, Joel might not come back, might try to find the motherfuckers who did it and make them pay."

You're already shaking your head, "That's dumb, he wouldn't do that."

Ellie laughs again, turning back to look at you, "You really don't know anything about Joel, do you?"

You stare, waiting for her to speak again. She adjusts her position, slowly sliding down the wall and sitting across from you with her knees pulled up against her chest.

"Joel's killed a lot of people," she says quietly, looking over at you with tired eyes, "I mean, a lot of us have, I'm sure you have too. We've all done shit we're not proud of," she thumbs a tear on her jeans, biting down on her lip, "But when it comes to the people he cares about... Joel doesn't do things halfway, never."

You swallow, "Ellie, I don't think Joel cares about me in the way you're thinking."

She smiles then, small and hesitant, but still a smile, "As I said, you don't really know much about him. Not like I do."

"But-"

She puts a hand up, "I know about the two of you. I overheard you and Tommy talking last week."

You remember that afternoon by the stream, the rustle of the bushes, when you'd pulled the branches back expecting to see someone but found nobody there.

"That was you?" you ask, eyebrows raised, "By the stream?"

She nods, "I showed up to play my guitar and you guys were already there talking. I wasn't gonna listen but then I heard Joel's name and..." she sighs, looking down at her knees, "I might not be talking to Joel right now but I like to know what he's up to."

You nod slowly, "So...you heard about..."

"The mountain, yeah," she makes a face, "Listen, I don't want the details, trust me, but I wasn't surprised when you said that, not the way Tommy was anyway," she giggles, "I love seeing him get all uncomfortable, it's so funny."

You snort, shaking your head, "Please, it was so awkward."

"He really had no idea, but I think I did, somehow," she smiles again, wistful, "As I said, I might not be talking to Joel but that doesn't mean I don't look out for him, watch him, make sure he's doing alright," she looks down again, "I'm not heartless, okay?"

"I know," you say earnestly, "I know you're not."

"I knew something was different with him. He's been so quiet and sad, doesn't talk to people very much anymore, but these past few weeks it was like he had a pep in his step, like the old Joel was coming back," she smiles at the thought, "And then I saw the way he'd look at you in the dining hall, all those little smiles. And at first I was like...gross. But then..." she sighs, shaking her head, "I don't know, I think it's cute how much he likes you. How much you changed him."

Her words elicit a warmth in your chest, soft and safe, like the feeling of being in Joel's presence. You wrap your arms around yourself, huddling forward and continuing to listen.

"We were eating breakfast when Tommy announced the search party this morning. As soon as he said what had happened I looked over at Joel. He looked like he'd just received the worst news of his life," her voice shakes again, like she's on the verge of tears, "He ran up to Tommy, started asking questions about the search, when they were starting, what way they were going, all that. Tommy told him that he couldn't come, they argued, Joel punched Tommy and then I had to practically pull them apart."

"You?" your mouth is agape, "You stopped the fight?"

She nods with another small smile, "As soon as Joel realized it was me pulling on him, he stopped. I told him I knew about what was going on, I said I'd stay with him until you came back safe and sound."

You feel tears prick in your eyes at the words, "That must have meant a lot to him."

"It meant the world to him, I know that," she says quietly, "I haven't talked to him for a long time, I'm sure you know that."

You nod, "I do."

She's silent then for a few moments, staring at the closed door again. When she finally speaks, her voice is shakier than ever, "I sat with him in his living room until they got back with you and Steve. He wanted to see you but they wouldn't let him, so I volunteered to stay with you. That's why I'm here."

She leans back against the wall with a sigh, biting down on her lip. You see tears beginning to brim in her eyes and you look away, knowing you wouldn't want someone staring at you if it was you getting emotional.

"He's lost a lot, you know," she says softly, sniffling a little bit, "He lost his daughter a long time ago, and a woman named Tess he really cared about," she takes a breath, shaky and full of emotion, "He almost lost me, too. That's part of the reason we're not talking."

You stare at the concrete floor, letting her words sink in. A daughter? Joel had been a father? And Tess, who was she? A girlfriend? A wife? Clearly someone important, and he'd lost both of them.

You've been through your share of trauma, experienced your own losses, but never to that degree. You'd never gotten close enough to someone to really feel a loss like that, can't even imagine what it would feel like. Your heart aches for him; that stoic, quiet, and mysterious man who'd let you in but kept you at arm's length... for reasons you're beginning to understand.

You stand up slowly, wincing at the aches you feel, your skin feeling prickly and uncomfortable as your circulation continues to regulate. Ellie's words cycle through your mind as you stretch, ringing quiet and tender in your ears; I think it's cute how much he likes you. How much you changed him.

"When can I see him?" you ask softly, still avoiding looking at her as you pull at parts of your clothes, searching again for a bite you're pretty sure doesn't exist.

"I'll ask Maria," Ellie replies just as quiet, standing up as well and walking over to the door, "If you were bit you'd be showing signs by now, I think you're okay."

"Ask her about Steve too, please," you add, "I need to know if he's alive."

She nods and opens the door, then goes outside and shuts it behind her. You hear the deadbolt slide back into place.

You burst into tears.

--

Ellie returns with Maria about ten minutes later, both of them looking at you with kind and sympathetic expressions when they find you standing in the middle of the room sobbing your heart out. Without hesitation, Maria walks forward and wraps her arms around you tightly.

"It's okay, sweetie," she says softly in your ear, rubbing your back gently, "Steve's okay, he's gonna make it."

Ellie looks down when she says this, and part of you knows that she knows you're not crying about Steve.

--

They walk you home slowly, Maria on one side and Ellie on your other. You complain a bit, telling them you're okay to walk on your own, but neither pay your stubbornness any mind, just keep their arms linked through yours as they walk you to your house.

You're on your street when you see two figures up ahead, and your heart starts to pound harder and harder in your chest the closer you get. Because you know who it is.

Joel and Tommy are leaning against the banister of Joel's front patio, talking quietly to themselves. You grimace at the sight of Tommy's black eye but feel relief flood through you when you see that he's smiling at Joel, clearly no animosity present.

"Look who's up!" Ellie says loudly, and they both turn to look in your direction.

Joel freezes, staring at you for a few brief seconds of recognition before he's suddenly throwing himself from the patio and sprinting toward you. You feel both Ellie and Maria release you from their grips, right before you're suddenly enveloped in the warmest, sweetest, most sincere hug you've ever received in your life.

Throughout all these months of knowing Joel, he's never truly touched you. Sure, he's touched your hand, shook it during your official introduction, helped you stand up here and there. He's touched your face once, your lips twice. And he's touched you where you longed for him to, begged him to, but only for a moment, just one touch. Gentle, tender, but never long enough for you to really feel him the way you've wanted to.

Now he pulls you close without any hesitation, no rules, no consequences. He presses his lips to the top of your head and whispers your name over and over until it sounds like a mantra, a prayer.

"Joel," you breathe, and you feel the tears start up again as you shut your eyes tight and just feel, listen to him say your name and hold you like you'll fall apart if he lets go.

"I thought I lost you," he says, voice rough and emotional, "Before I could even tell you how sorry I am."

"Shh," you squeeze him tighter, burying your face in his strong chest, "Don't worry about that, I'm here. I'm okay."

He holds you impossibly tighter and you hear the unmistakable sound of a sob rip through his teeth, tears dripping from his face into your hair. You pull back just enough to look up at him, see him peer down at you with an expression on his face that you've never seen before, impossibly soft and fond, eyes bright and yearning. Love.

"I'm sorry," he repeats, inhaling shakily, "For everything."

You shake your head furiously, "Joel, it's oka-"

"It's not okay," he interrupts, voice breaking again, "I'm so sorry. Not just for what I said yesterday, but for everything else. For pushing you away, making you feel like it was your fault, I'm so fucking sorry," he pulls you in again, his hand coming up to cradle the back of your head, "God, you have no idea how bad I've wanted to just hold you like this. I was such a fucking coward."

"You were afraid," you whisper, shaking your head, "I understand, Joel, I get it."

He lets out another sob, squeezes you tighter, "Don't let me go," he breathes, "Please don't let go."

For the entire hug you'd thought he was the one holding you, but you now realize that for him it's the other way around. You feel yourself start to cry harder as you pull him in tighter and just stand there, arms wrapped around his middle, face pressed against his chest as the beat of his heart thrums steadily in your ear. You both inhale and exhale deeply, moving as one being, one solid force. He kisses your head again and you melt further into his touch.

"I'm gonna head back to town," you hear Maria say softly nearby, probably to Tommy and Ellie, "Tommy, can you go check on Steve, make sure he's still doing okay?"

Joel stiffens at the name, suddenly pulling back from you to look over at Maria, "He alright?"

Maria nods, "Yeah," she turns to look at you then, expression serious, "He told us that when you didn't come back to switch patrols, he got worried, went out looking for you. Ended up running into a group of raiders, the same ones who set that trap you fell into. They stabbed him a couple times but nothing critical, he managed to get a few hits in himself before he got away, led them in the opposite direction."

"Jesus," you mutter, feeling guilt rush through you, "Are they still out there?"

"No," Tommy replies, shaking his head, "We took care of it. Steve knocked 'em around pretty good but we made sure none of 'em were breathin' by the time we left."

You nod slowly, still in Joel's embrace, "Tell him I'm sorry," you say quietly, "It's my fault."

"Shhh," Joel pulls you close again, rubbing your back gently, "Don't worry about that, let's get you inside."

"Make sure she has a bath," Maria says quickly, "Keep her warm, give her some food."

"I'm not a hamster," you groan, and you're surprised to hear Ellie laugh behind you. You'd forgotten she was there.

Joel suddenly pulls out of your embrace, still holding you with one arm while he reaches toward Ellie, "Come here," he says softly, "Please."

She shakes her head, taking a step back, "I'm going with Maria," she bites her lip, looks down and then looks back at Joel who's still staring longingly at her, "But I'll meet up with you later, okay?"

"Okay," he says quietly, voice still shaky, "Promise?"

She nods, gives him a small smile, "Promise."

--

"Where do you wanna go?" Joel had asked you softly, "Mine or yours?"

"Yours," you'd whispered immediately, no hesitation, "Please."

You now find yourself in Joel Miller's house, somewhere you never really ever pictured yourself. It's pretty similar to yours but there are a few differences, namely the amount of books and art. You hadn't known that Ellie was an artist; there are drawings all over his house, some in frames, some just laid around, all signed by Ellie, all beautiful. There's a picture she drew of him that he has framed on his fireplace, and you find yourself picking it up with a smile.

"Bath's almost ready," Joel says quietly behind you, and you spin back around. He looks at the picture in your hand, smiling softly, "Ellie drew that."

"She's really talented," you reply with a smile, "Wonder where she gets all this artsy fartsy stuff from?"

He chuckles, still standing a few feet away from you, "It's a mystery."

You place the picture back down and turn to look at him, feeling a nervousness in the pit of your stomach that you haven't felt around him in a long time, not since that first night together. Things are different now, it's palpable, and both of you are aware of it.

"Will you take a bath with me?" you ask quietly, unsure.

He nods slowly, eyes trained on your face, "Of course I will."

--

The bath is warm and welcoming. Joel had told you to strip down, get in, and that he'd be back momentarily with some food for you. You can't help but feel a little disappointed that he hadn't stuck around to watch you undress, but maybe it would've been inappropriate considering the circumstances.

You ease yourself under the water, a satisfied moan escaping your lips as the bath completely envelops you. He's put something in the water to make it smell good, lavender or vanilla. It instantly relaxes you, the heat of the water and the delicious smell making you feel completely at ease.

You lay there for a few minutes in silence, eyes closed, focusing on your breathing and bringing things back into perspective. You're okay, you're safe. Steve is okay, he's safe. You're both back in Jackson. You're with Joel, you're in his bath tub, he's downstairs making you lunch. Everything is okay.

Ellie's words filter through your brain again, distant but present; He lost his daughter a long time ago, and a woman named Tess he really cared about.

A light knock on the bathroom door shakes you from your thoughts. You smile, "Come in."

Joel enters the bathroom, bowl of soup in one hand and a tall glass of water in the other. He places them on the chair next to the tub, eyes avoiding you as he focuses on the task at hand. He kneels by the tub and spoons some of the soup carefully, then finally looks at your face as he brings the spoon to your mouth. You open, letting him feed you, letting him take care of you.

"Good?" he asks softly, gaze still on your face, ever the gentleman.

"Good," you say with a smile.

He feeds you a few more spoonfuls, smiling fondly at you as you eat. After a few moments of this you put your hand up, shaking your head, "That's enough for now, why don't you get in with me?"

His gaze finally falls then, looks at your body beneath the water, sees your nipples poking through the surface. He sighs, leans back a bit on his knees and shakes his head.

"I don't know if that's a good idea," he says quietly.

"Joel," you say quickly, voice steady, "Don't pull away from me. Not now. Not anymore."

He looks at your face again, expression sad and distant, "I'm afraid," he admits, "I'm afraid of being close to you."

"I know," you whisper, and you reach over to place your hand over his, stroking him gently with your thumb, "It's okay. It's okay to be afraid."

"I've lost a lot of people," he whispers, tears shining in his eyes, "I thought...I thought if I let myself get close to you, if I gave you what you wanted...I'd get attached. I'd fall for you," he says it earnestly, voice breaking slightly on the last few words, "But here I am, fallin' for you anyway."

You smile at him, soft and loving. You squeeze his hand and slowly sit up in the bath, putting yourself on display for him. His eyes don't leave yours, but he swallows and tenses his jaw at your movement.

"Bad things have happened to the people I care about," he says quietly, barely a whisper, "And you're young, you're beautiful, you have this whole life ahead of you and I'm-" his voice breaks and he looks down again, tears cascading down his cheeks, "I'm scared you'll end up like those people, dead and gone because of me."

"Joel-"

"And I'm scared I don't deserve it," he interrupts, looking up at you again, mouth trembling, "I don't think I deserve love. I don't deserve someone like you 'cause of everything I've done."

"What about Ellie?" you ask softly, squeezing his hand reassuringly, "She's alive and she loves you."

He scoffs, shaking his head, "She hates me."

"She doesn't hate you," you mean it, leaning forward to cradle his hand in both of yours, "I talked to that girl for the first time today, really talked to her, and I can see it plain as day. She loves you more than you could ever know, Joel."

"She stayed with me today," he whispers shakily, nodding slowly, "She sat with me 'til we knew you were safe."

"And you think that's hate?" you ask softly, "Joel, that's love."

He looks at you again, expression pained. You bring his hand to your lips, press a gentle and tender kiss to every knuckle, showing him how much he's worth, how much he means to you.

"I'm afraid," he repeats through his tears, watching you kiss him, "I'm afraid to want you the way I do."

You release his hand and lean back slightly in the tub, extending your arm for him to take, gazing at him with all the love and care you can muster, "Get in with me," you whisper, the splash of water the only sound in the room save for your heartbeats, both of which you swear you can hear, "Don't be afraid."

His eyes cast downward to your lips and he swallows again, then looks back up into your eyes, "Okay."

You watch as he stands up and starts to unbutton his shirt. You can tell that he's extremely nervous, his fingers trembling as he fights to get each button open.

"I'm gonna close my eyes," you say tenderly, "And when you're ready, tap my shoulder and I'll let you in behind me, okay?"

He nods slowly, fingers frozen on the third button, "Okay," he repeats.

You close your eyes and lean back, listening to the rustle of clothes beside you as he undresses. You're not used to this Joel, the one who seems powerless and submissive. You're not usually the one giving him orders, it's always been the other way around. You know he's just nervous, afraid of being close to you like this, and all you want is for him to feel relaxed again in your presence, feel like himself.

After a moment he taps your shoulder; you lean forward in the bath and feel him ease in behind you, his legs entrapping yours along the edges of the tub. He seats himself down, places his hands around your middle and pulls you in close. You feel his groin press against your lower back; you've never felt his cock before, and somehow the casual intimacy of his softness pressed against you makes you smile.

"You can open your eyes," he whispers, then presses a gentle kiss to the back of your neck.

You do as you're told, immediately seeing the way his legs are splayed out in front of you, long and strong beneath the water. You've never realized how small you are compared to him until this moment, completely enrobed in his body, heart thrumming against your back.

"This is heaven," you whisper, leaning back against him and closing your eyes again, "This is what I wanted, all along."

"I think you wanted a bit more than this," he replies with a chuckle, kissing your neck again, "And you'll get it, I promise. Let's just...let's just sit here for a little while first, alright?"

"As long as you need to," you murmur, and you swear you feel him smile against your skin.

--

You bathe together for a long time, just laying in each other's embrace and enjoying the company. Being this close to Joel truly is everything you could have ever hoped for, his strong arms wrapped around you as he noses your neck and breathes you in, holds you against his naked body like you're meant to fit there. He's so big and warm; you've never felt more safe.

At one point you scooch back a bit in this embrace, feel your ass unintentionally rub lightly against his cock beneath the water. Neither of you say anything, but you both slowly become aware of the way he hardens, begins to grow larger against you.

A few moments later the head of his cock is pulsing against your lower back. Your eyes are lidded, heavy, head bobbing backward to nestle at the base of his neck. His hands on your belly move upward to cup your breasts, holding you firmly and securely against him.

"Joel," you whisper, "Touch me."

The words bring both of you back to the ski lodge, the power he holds over you there, the way you're always at his mercy. You hope, despite the new situation, he'll be that person again for you. You crave it, need it.

"Not yet," he murmurs in your ear, "Be patient, pretty girl."

There he is.

You swallow, close your eyes and submit completely as he palms your breasts, tweaks your nipples between his fingers gently. You whimper pathetically, shuffle back against his cock again, feel the hard length of it along your back.

"You were a bad girl yesterday," he whispers in your ear, tongue darting out to taste your skin, making you shiver, "And today. Gettin' lost like that, makin' me worry..."

"M'sorry," you murmur, hands moving down to grip his thighs as he brings your earlobe into your mouth and sucks it, "Didn't m-mean to make you worry."

"I think," he whispers, breath hot against your skin, "I'm finally gonna have to punish you."

The words send tingles up and down your spine, eyes almost rolling back in your head when he sucks your earlobe again, eliciting sounds from you that only he knows how to generate. You squeeze his thighs tighter, feeling your pussy begin to pulse beneath the water.

"How?" you breathe, voice weak.

He releases your ear and noses your cheek, brings one of his hands from your breasts and rests a finger against your chin. He turns your face to the side, urging you to look at him. His eyes are dark, full of want and desire, and you know you're completely at his mercy.

"I'm gonna fuck you, baby," he whispers, "Gonna fill that pussy up with my cock."

The words send you into a tailspin, a guttural whine escaping your lips as your fingers press into his thighs, rubbing your own together to seek some purchase against your heat. He smiles, presses a gentle kiss to your temple, drops his hands and places them over yours, big and strong.

"I know that's what you want," he whispers, entangling his fingers with yours over his thighs, "But I'm gonna give it to you over and over again, gonna make you come as many times as I want, 'til you're begging me to stop, tellin' me it's too much, that you couldn't possibly come again," he squeezes your hands, licks a stripe up the side of your neck, "And then I'll give you another one."

"Please," you breathe, voice broken and full of desire, "Please, fuck me, Joel. I need it so bad."

"I know you do, baby," he whispers, "So be a good girl for me and do as I say, okay?"

"Okay," you whimper, leaning back in his embrace, feeling his cock prod your back.

"Say it."

"I'll be your good girl," you whine, trembling under his gaze, "I'm your good girl, Joel. Only yours."

He groans softly in your ear, "That's right, baby," he releases your hands from beneath his and cups your breasts again, squeezing gently, "Now, open yourself up for me."

With trembling fingers you reach beneath the water and pull your lips apart, using both hands to spread yourself for him. The water tickles you, makes you quiver in his grasp as you slowly push your middle finger inside.

"There you go," he whispers, "That feel good, pretty girl?"

"Y-yes," you whimper, throbbing around your finger.

"Add as many as you like," he tells you, "Need to be nice and open for my cock."

The very thought of finally having him inside you makes you whimper again as you add a second finger, feeling his familiar gaze on your cunt. It's so different this time, feeling how hard he is against you, being in his naked embrace while you obey his commands. This is nothing like being in his lap when he'd been fully clothed, holding you open for him. This is sex, pure sex that you know is going to last hours.

"Look at that," he murmurs when you've started to pump three fingers in and out of yourself at a steady pace, "So full for me, already ready to come, huh?"

You whimper, leaning back against his chest, feeling his wiry hair rub against your cheek. Without any hesitation he suddenly reaches down and presses his index finger to your clit, making you cry out in pleasure.

"Remember when I touched this clit for the first time?" he murmurs in your ear, circling it softly over and over, "Remember how you came just from a little touch? So sensitive, baby. Such a good girl."

His words send you over the edge, making you squirm and shake in his embrace as he gives you your first orgasm of the day, coaxes it out of you easily. You whimper when he touches your wrist, pulls your fingers out to replace them with his own.

"That's one," he whispers, sliding his index finger inside your heat, and you're not sure if he's talking about the orgasm or the digit. You're too blissed out to care, head bobbing against his neck again as he fingers you, adds a second and presses his lips to your ear, "Baby, she's so tight," he breathes, teasing a third at your entrance, "How's my cock gonna fit?"

"Mnnhnngg," you can't make words, looking down beneath the water at where he's fucking you relentlessly, fingers so big and thick compared to yours, his thumb toying with your clit.

"Can't even talk, huh?" he whispers, "Need to come again, I bet."

You don't think you'll be able to, not yet; you're so overstimulated but he just continues to fuck you with abandon, rubbing your clit with every thrust of his fingers. You arch back against him, his cock throbbing against your ass. Your fingers dig into his thighs again and he chuckles in your ear.

"Can't do that, baby," he whispers, "Play with your pretty little nipples for me, show me how hard they are."

You bring your trembling hands to your breasts, squeezing your tender nipples between your fingers and feeling another orgasm start building in your tummy. How? It's so soon since you had your last one, how the fuck can he give you another one so quickly?

He pumps his fingers steadily in and out of you, watching as you play with your nipples. He leans forward and presses a gentle kiss to the skin of your left breast, inches away from where your fingers are pinching.

"Put it in my mouth, pretty girl," he murmurs against the skin, nosing the little bumps and dropping his jaw. You whimper at his words, squeezing your breast and dropping it downward so he can wrap his lips around the sensitive bud. You groan, feeling his tongue dart out and begin to lick tiny circles around it.

Seconds later, you're coming again. You shake and shiver and then go completely still in his arms, eyes rolling back as he continues to suckle at your nipple. He removes his fingers, thumbs your clit one more time, then releases your breast with a light pop.

"Two," he says quietly, smiling at you, "Good girl."

--

Somehow you make it to his bedroom. Exactly how, you're not sure. You're so wrecked from having two orgasms in ten minutes that you feel like jelly, but you're vaguely aware of him picking you up from the bath and carrying you to his room, putting you in his bed. You lay there like a starfish, arms up and legs wide as you breathe heavily, chest heaving.

"So sleepy," he says tenderly, stroking your cheek, "You ready for bed, baby? Wanna stop?"

Your eyes snap open and you shake your head frantically, only to see him standing there with a wide smile on his face.

"I'm kidding," he says with a laugh, "Don't worry."

You roll your eyes and look up at his ceiling, "Ass."

"There she is," he replies warmly, "Missed my feisty girl."

"She never left," you say with a wink, turning to look at him; he's shuffled closer to the bed, standing over you with his cock in his left hand, slowly stroking up and down. Your lips part unconsciously, eyes going straight for the plump and wet head.

"Yeah, you wanna suck it, huh?" he says quietly, thumbing exactly where you want to place your tongue, "Tasted my come twice but never had me in your mouth, how naughty."

You look up at him from under your lashes, smiling playfully, "I'm a good girl, promise."

He smirks, "Are you? Then show me how a good girl sucks cock."

You don't need him to ask you twice. You sit up on the bed and slide forward, watching as he releases his cock and lets it bounce upward toward his stomach, big and thick. You've never been so close to it, never seen it in broad daylight like this; he's huge, so wide and girthy with a big vein trailing along the underside all the way to the head, fat and leaking. With a shiver you lean forward and suck the tip into your mouth, trying not to smile when you hear him release a deep sigh.

"'Atta girl," he groans above you, his hand immediately coming up to cradle the back of your head, "That's my good girl."

You swirl your tongue around the head of his cock, swallowing down everything he's leaking and then starting to bob your head along the shaft, reaching up to grasp the base firmly in your hand. He tastes like the bath; lavender and vanilla, mixed with a salty and masculine flavor that makes your mouth water.

"Oh, baby," he murmurs, watching as you take his entire length in your mouth with barely any hesitation, the head hitting the back of your throat without even making you gag, "That's it, take the whole fucking thing, just like that."

You're aware of the fact that you don't have a gag reflex; you'd thought about telling him a while ago, thought maybe it'd convince him to let you blow him, but you'd never been brave enough to say anything. Now, you're glad you never did. Hearing his absolute wonder as you take his entire length is more than enough.

"Oh, fuck," he groans, watching as you pull back almost all the way and then push yourself forward again to fully envelop him, the tip repeatedly prodding the inside of your throat, "Jesus fucking Christ."

You swallow around him and look up from underneath your lashes, eyes wide and burning. He looks down at you and immediately slips his cock out of your mouth, taking a step back and putting his hands up in surrender.

"Okay, okay," he says quickly, hissing through his teeth, "I'm gonna come if you keep goin'. Fuck."

You look at him with faux-innocence, eyes wide, "Did I do something wrong?"

He shakes his head, inhaling deeply and taking another step backward, "You're gonna kill me, baby," he curls his hands into fists, and you swear his cock bobs again completely on its own, like he's about to come without even being touched. The thought makes you shiver, "I know I say that all the time, but I mean it. You're gonna kill me."

You giggle, falling backwards on the bed again and stretching out your arms and legs, closing your eyes and listening as he does a quick pace around the room to distract himself from the orgasm his body is threatening to have. You just laugh and rotate your legs back and forth, feeling an immense amount of pride that you're not the only overly sensitive one in the room.

"You think that's funny, huh?" he asks you, and your eyes snap open to see him kneeling in front of you at the edge of the bed.

"N-no," you say, but your smile betrays you. He looks at you darkly and suddenly grabs your legs, pulling you closer to the edge of the bed and pushing your thighs apart, "Oh," you whimper, looking down at yourself, seeing where he's looking, where you're wet and dripping all over the sheets.

"Messy," he whispers, "Such a messy little pussy."

"It's yours," you tell him, as if he doesn't already know, "It's your little pussy."

"I know, baby," he leans forward and presses a gentle kiss to your inner thigh, "I've wanted to taste her for so long."

You quiver at his words, brow furrowing as he presses another soft kiss to the opposite thigh. He licks a stripe along the inside, just outside your lips where you're puffy and swollen. He kisses your mound, drags his tongue down and down and down until it swipes lightly against your clit.

"Joel," you moan, throwing your head back and fisting the sheets. He pulls back and you look down again to see him smirking at you, eyes suddenly bright and playful again.

"Tastes like heaven, baby," he says softly, then ducks his head down and pushes his tongue inside you with no warning.

You let out the loudest moan of your life as he begins to eat you out, tongue alternating between twisting and licking your insides and then suckling on your clit like he'd done with your nipple, circling it inside his mouth relentlessly. You writhe beneath him, so much that he has to press his hands firmly against your belly to hold you down.

The noises you're making are practically inhuman, uttering almost a completely different language under your breath as he coaxes more ridiculous sounds out of you. You quickly realize that looking down at him is a mistake; the sight of his greying curls splayed across your pubic bone and the shape of his curved nose pressed into the hair on your mound, his eyes closed in pleasure as he sucks and licks and devours, just the image alone brings you close to the edge.

"I'm gonna come," you manage to squeak out, and he pushes his hands harder against your belly, the added pressure making you groan louder than ever.

He pulls his mouth away.

"No," you breathe, shaking your head wildly with wide eyes, "No, no, no, don't stop. Please don't stop!"

He smirks at you, removing his hands and leaning backward to release you completely from his grip. You stare at him, completely bewildered.

"Joel," you cry, real tears starting to form in your eyes, but not from sadness or anger - this time, you're just horny. "Joel, why?"

He still doesn't speak, just sits there and watches you groan in disbelief, your hands coming up to cover your face. You buck your hips into the air, seeking some kind of pressure, but nothing helps.

"Joel," you repeat, "This is mean."

"I told you I was gonna punish you, baby," he says it with faux-disappointment, like he's not the one who makes the rules, "I'm the one who decides when you come. And what I just did is exactly what you just did to me."

You pout, sitting up on your hands and giving him a dirty look, "That's not fair, you told me to stop, I would've kept going."

"But if you'd kept going, how would I have been able to do this?" he asks, and suddenly he's standing up and leaning over you on the bed, knees sinking into the mattress as he hovers above you.

"W-what?" you ask, but you know the answer as soon as you feel the wet head of his cock gently prod your entrance.

"This, baby," he murmurs, and pushes himself all the way inside.

You almost let out a scream, squeezing his sheets in your hands as his huge cock practically rearranges your guts, feeling him in your stomach as he reaches his hands up to entwine his fingers with yours, plying them away from the sheets.

"Oh, she wasn't ready, was she?" he asks quietly, nosing your neck and smiling at the incoherent noises coming from your throat, "Poor little pussy, never had something so big inside of her, huh?"

He stays still inside of you, letting you get used to his wide girth and thick length, so large within you that you feel like you're going to burst. You continue to make odd noises, twitching under his grasp, and it takes you a few seconds to realize that you're coming. You're coming, just from having his cock fully sheathed inside of you.

"Three," he whispers in your ear, pressing a soft kiss to the skin there, "That's three times now, baby. Such a good girl for me."

Your pussy pulses and throbs around him, aching and burning in the most perfect way. How does he know exactly what you need? How does he know exactly what'll get you there?

"You're okay, baby," he murmurs, stroking your hair gently as you convulse around him, "You're doing so well, takin' it all so good."

You've never felt so full in your life. You've only ever had sex a handful of times, only ever actually been with two other men. If you had to compare them to this, you'd laugh in their faces.

"Big," you finally find your words, barely a whisper, "So big."

"I know," Joel kisses your temple, pulls back to look down at you with a gentle smile, "I'll wait 'til you get used to it, don't worry."

It's only then, looking up into those big brown eyes, that you realize you still haven't kissed him. He's got his enormous cock inside of you, stretching every inch of you open, and you've never kissed him.

It's like he's suddenly thinking the exact same thing. You watch as his brow furrows, lips parting slightly as he leans down and presses a sweet and gentle kiss to your lips, your eyes closing as you kiss him back with a hunger you've never known. You slip your tongue inside his mouth and he grants you entrance immediately, breathing deeply against your face as he sucks you in, lets you taste him. You can taste your own wetness on his tongue and it makes you moan against his lips.

"You're so fucking perfect," he breathes against your mouth, closing his eyes and rubbing his nose against yours, "My perfect girl, always so good for me."

"I'm yours," you remind him, voice weak and shaky, "I'll do whatever you tell me to, Joel."

He inhales deeply, removing his hands from yours and trailing them down your body to hold you closer to him, wrapping his arms around your torso and trailing his fingers up and down your back.

"You can move now," you whisper, still pulsing around him, "I can take it."

"I know you can, baby," he murmurs, "Such a good girl."

It takes a few slow thrusts, your mouth still eliciting the most unhinged sounds as he fucks you at the slowest pace imaginable, but eventually you build up a rhythm. He's so big, it's hard to believe he's actually fitting inside of you. You'd only ever seen his cock from a distance, in darkness, never realized how fucking huge he was. You can't believe you'd even managed to fit all of him in your mouth.

"I'm close," you groan in his ear, your own hands coming up to grip his back tightly, loving the feeling of having him pressed so close to you as he fucks you, "Give me my fourth, Joel, fucking give it to me."

He laughs lightly in response, pulling back to look down at you, "Not much of a punishment anymore, is it?" he says with a smirk, shaking his head, "Now you're begging for it." He slows down his thrusts, eventually stilling inside of you and pulling almost all the way out, letting the head of his cock sit inside your pulsing hole.

"Look at that," he says softly and you sit up to follow his gaze, looking down at your already fucked-out hole, his cock only connected to it via the fat head that sits nestled at your entrance, "Look at all your come on my cock, pretty girl."

You notice the white and glistening spots along his cock, feeling your cheeks go red at the recognition that it's all from you. You bite your lip, chest heaving breathlessly as he carefully pulls the tip from your hole and places it against your clit.

"Oh, fuck," you whimper, watching as he gently rubs the head in circles on your clit, his tip continuing to leak and making you even more slippery than you already are.

"Here's number four for you, baby," he murmurs, and pulls back his cock to lightly slap the head against you, the pressure immediately making you moan. He slaps it again, a little harder, and you have to bite down on your lip again to stop the onslaught of little whines you're threatening to make.

"Come," he says firmly, deliberately an order, and slaps the head of his cock against your clit one last time, delivering the final push.

Your eyes roll back again and you fall back on the bed, body twitching as you come for the fourth time, feeling his eyes on your pussy as your hole pulses and throbs around nothing.

"Good girl," he whispers, and seconds later you feel his cock slide back inside of you, exactly where it belongs, "There you go."

You lay there completely limp for a few seconds, body only moving with the thrusts of Joel's steady pace. You finally open your eyes again, see him kneeling on the bed above you. He's holding your lower half upwards, hands digging into your hips and thumbs splayed across your tummy.

"Use me," you breathe, eyes closing again, "Just use me for a few minutes."

He groans, a guttural and fierce noise that rips through the silence of his bedroom. You relax completely, melting into the sheets and letting him take what he needs, take and take and take, using you like his personal fuck toy, something you'd only dreamed about and never thought would ever actually come to fruition. Your arms hang limp and loose off the edge of his bed as you inhale and exhale, trying to get your energy back as fast as possible so you can come again.

Because you know he's not gonna let you off at number four.

After a few more steady thrusts you slowly sit back up on your elbows, looking at him through hooded and tired eyes. He can see that you're close to being completely done, smiles gently at you and slows his rhythm.

"Welcome back," he says softly, leaning down to pull you up so you're level with him. He repositions the both of you so his legs are circling you, yours coming up to wrap around his lower back as you sit on his cock. He pulls you closer, cradling the back of your head and pressing kisses along the side of your face, "I know you're tired but I'm gonna give you one more, baby, just like I promised."

"I know," you whisper, voice shaky.

He holds you in his wide arms, completely envelops you as he fucks up into you steadily, nose and lips pressed against the side of your face as he brings himself closer and closer to release, continuously whispering a thread of dirty things to you, building you up.

"Such a tight fuckin' pussy, all for me," he murmurs, "So wet and pink and perfect, takin' me so good, so fuckin' full of cock."

"Joel," you whimper, leaning further against him and letting him fuck you mercilessly, letting him push you closer and closer to your fifth orgasm, "Keep talking."

"Okay, baby," he whispers, brow furrowed, "Okay, pretty girl. So fuckin' good to me, so fuckin' pure and perfect, lettin' me fill this little cunt, lettin' me fuck it so deep," you scratch at his arm, tension building in your belly, "Waited so long for me to give it to you, begged for it for months, and now you have it. It's all yours, baby. You get this cock whenever you want now, just say the word."

He reaches down and rubs your clit with his thumb, feeling you tense against him as your orgasm overtakes you. You shake in his embrace, moaning out his name one final time before you start to come, heart pounding and chest heaving as he releases your clit and hugs you close to him. You tremble beneath him, feeling completely spent, almost boneless in his lap as he keeps fucking you.

"Where do you want my come, pretty girl?" he asks you through clenched teeth, "You still want it in your mouth?"

"Yes," you say immediately, eyes widening, "In my mouth, please."

Without another word he pulls you from his lap, watching as you fall backwards on the bed weightlessly.

"Christ, I fucked the shit outta you, baby," he says, genuinely shocked at how blissed out you are.

"You did," you reply softly, feeling a smile cross your face, "Can't move anymore."

He gives you a gentle smile, walks around the bed and aims his cock toward your face, "Here's your reward, baby, open up, nice and wide."

You do as you're told, feeling an immense amount of pride and satisfaction as you finally get what you've been craving for months. He strokes his cock once, only once, and suddenly ropes of thick white come are painting your tongue and lips, your cheeks, your chin. He groans, long and low, watching as you close your eyes and take every drop he gives you, watching it all pool on your tongue, dribble down your chin.

"Fuck," he breathes, and you open your eyes again to see him staring at you, eyes still dark and pupils blown wide, "Swallow it, pretty girl."

You close your mouth and swallow all of it, reveling in the salty taste on your tongue and in the back of your throat. You bring a trembling hand to your mouth, push the leftovers from your cheeks and chin past your lips, swallowing a second time.

"Good girl," he whispers, leaning down to push your hair out of your eyes, "That's my good girl, did so fucking well for me. Did everything I said."

"I'm yours, Joel," you whisper, voice completely wrecked, "I'm your good girl."

--

He cleans you up tenderly, pressing kisses to your skin every now and then as he takes a warm washcloth and wipes you down, pays extra attention to your sensitive spots and lets you lay there in peace. He's so sweet, so gentle, you'd hardly know it was the same Joel who walked out on you back at the ski lodge.

But it is the same Joel. He's just finally let himself have what he wants, finally let himself give you what you want. When he climbs in bed beside you and wraps his arms tightly around you, you've never felt so desired in your entire life. He kisses your face all over, whispers praises, tells you how beautiful you are, makes you feel wanted.

"You asleep?" he asks you softly, hands running up and down your arms soothingly.

"In and out," you murmur back, "You really did a number on me."

He chuckles quietly, kisses your cheek and holds you tighter, "I know. It was okay, right? I didn't go too far?"

"It was perfect," you reply sincerely, leaning back into his touch, "It was everything I ever wanted, better than anything I imagined."

He smiles against your skin, "Good, I'm glad."

You both lay there in the silence of his bedroom for a few more moments, listening to each other's breathing. He kisses the back of your neck, noses your skin and inhales your scent.

"Are you still afraid?" you ask quietly, "You can tell me, I want you to be honest."

He takes a few moments to reply, sighing deeply and bringing one of his hands down to hold tightly to yours. You squeeze his back, quietly reminding him that you're here, that you're not going anywhere.

"I am," he says softly, voice barely a whisper, "But not so much anymore. I think it'll be easier now."

"It will be," you reassure him quietly, tightening your grip on his hand, "I'm here for you, okay? Every step of the way."

He nuzzles into your hair, presses himself against you and sighs contentedly, "Okay."

You close your eyes, focusing on the perfection of this moment, the feeling of his body so close to yours, warming you up and keeping you safe. You can't help but notice how perfectly your bodies fit together, how right it feels to be lying together like this.

"By the way," he whispers suddenly, "You'll be my patrol partner again, right?"

You grin, tilting your head back slightly so his cheek brushes against your temple, relishing in the feeling of his stubble against your skin, so natural, so easy.

"I thought you'd never ask."

i can't believe how long this took me to write but i'm so glad i finally finished it. this isn't the end of soft!dom joel, but i would consider it the end of their story, most likely. i'll probably write some more smutty one-shots for them, but i doubt i'll write anything for them again with this much detail. i feel pretty satisfied with this.

let me know what you think!!! i love hearing yalls feedback, it makes me so happy. i also have a kofi if you'd like to leave me a tip. thank you so much for reading 💖

[uraniumbones]

For those of you keeping up with the book of Bill and it's accompanying website and the bill cypher backstory. THE PARALLELS GOT ME FUCKED UP.

Spoilers incoming.

people love to talk about the dynamic between Stanford and Bill. Sure, interesting. But you know what people aren't talking about? Stanley and Bill. Specifically referencing the website (thisisnotawebsotedotcom.com)

If you input Stanley a bunch it will eventually open a new document instead of eBay pages. The page mocks Stanley and reveals his secrets or whatever. One of the clickable options on this page is "HOW HE BEAT ME". Each time you click into this is an increasingly deranged meltdown about how it shouldn't have been possible. Calling him a "cheap trick loving, past-denying overgrown child protected from failure only by a force field of denial and shamelessness" among other things. And when further pressed accuses you of acting like "those PREACHY INFANTILIZING AUTOMOTONS AT THE THERAPRISM who are SO OBSESSED with getting me to TALK about my "FEELINGS"." After that he spirals further eventually talking about "how much pain I'm in" and only in code admitting "I can still see through the eyes of everyone I've ever..." presumably killed.

If you don't know shit about Euclydia read the wiki page on it, it's not long. tldr Euclydia is bills home dimension, which he destroyed and killed every single inhabitant of in blood and fire. He did so (accidentally?) in an attempt to show them the third dimension which (because of a genetic mutation) only he had the ability to see (with his eye). Please also note when Stanford asks about his home dimension Bill says it was"destroyed by a monster".

In the website's many documents it repeatedly makes reference to Bill's parents and how much they loved him, his home, his childhood (he wore velcro sneakers it's actually incredibly cute), the ways in which he was different and not easily accepted.

Now knowing all these things. A pattern may emerge to you. Are you seeing it? Are you seeing the patterns yet?

Obviously Bill hates Stanley because he's stupid and still he somehow beat Bill. That's annoying, maddening even. But I believe it goes beyond that. He hates him all the more passionately because Stanley reminds him of himself. The poem at the end of the Stanley password on the website summarizes it best "always dragged his family down / One mistake, disowned, denied, / only thing to do was hide." Destruction of his own family, running and hiding from his own mistakes. "Reinvent, retry, reload" trying again in a new life. "When your actions make it worse, / When they see you as a curse," Making things worse where you have tried to make them better. "Give the wheel one last spin, / Take your chips and go all in" this is what weirdmagedon was for both of them. and this is where their lives differ "And lucky stan- the rolls on black, / he got his life and family back. / His big break it finally came, / Redemption from a life of shame." AND THERE IT IS. Stanley got his family back. Bill didn't. (Which is what it seems he was attempting). Stanley got his redemption. Bill didn't.

Stanley was a lonely kid fuck up just like Bill was. And he absolutely hates Stanley's guts for it because he hates his own guts for it. And all this time they're the same, just trying to fix those mistakes, to have their family back again, to be loved again. They both have this facade of untouchable aloof levity, the same insults Bill hurls at Stanley may as well be hurled at himself. "Protected from his failure only by a force field of denial and shamelessness"? "Cheap trick loving, past denying overgrown child"? You can see Bill goes from being outraged and insulting Stanley, to denying a deeper meaning to those feelings (and calling you a therapist), to talking about how much pain he is in (seemingly over all the people he killed in Euclydia), all without any specific prompting. Just pushing. Bill is the one that connected those things. Bill hates Stanley (at least partially) as an act of self hatred. Because he has made the same mistakes and can never forgive himself for them. AND (at least partially) because Stanley is not only just like him, but now just like him if he had succeeded. Stanley got his "Redemption from a life of shame". and in so doing actively prevented Bills.

Now do you see what I'm saying about THE PARALLELS?!

[amxrany]

!! CHAPTER 7 / DIASOMNIA ARC SPOILERS !!

I think I'm gonna have fun reading Jamil's segment so you all should read it too (Jamil's Dream):

Meet in a Dream is out here working overtime because we are now in Jamil's Dream. But something's wrong, Kalim, who is their newest addition seems to be fine (he even gushes to Silver how cool dream hopping is) but Vil is out here dying 💀. Like legit he was incredibly unstable that they had no choice but to split into 2 teams while he recovers. Silver and Ortho stay to help Vil while the rest go and find Jamil.

The other group is currently in Camel Bazaar (reference to the scalding sands event). They were planning to look for Jamil but it's really hot so they decided to rest for a bit and get some coconut juice. (Extra part: Sebek wanted to look for Jamil but Grim kept looking at the food so he just gave up and started eating as well) Kalim is the one who gets it for the gang, and when the shopkeeper tells Kalim to pay, he just says put it in the Asim bill. But the shopkeeper doesn't recognize the Asims and thought they were thieves and started calling for the police. But luckily Silver, Ortho and Vil come in just in time for Silver to pay the guy to avoid getting into trouble.

Kalim's confused as to why the shopkeeper doesn't recognize him because he's known since he was a kid, but we find out why by just seeing the images of Kalim's "estate"

This is where we get the Jamil reveal. It turns out in this dream, Jamil's the son of the sultan (this also makes Najma a sultana, which is absolutely slay) and the Vipers bought the Asim's properties due to financial problems

(ngl him in that outfit is making me feel fuzzy inside)

But anyways we see Jamil in a parade similar to that of Kalim in Book 4, thus we have another rhythmic portion

(so this actually says that Jamil does like Kalim's parades, if it was him in the place of Kalim. Kalim also acknowledges that Jamil's having a good time here)

We then see the statue of Jafar, in which everyone recognizes because it's in NRC, except Jafar looks like he's playing golf here lmao. Jamil sees Kalim and tells him to change because he isn't wearing the right uniform

Then Kalim talks to Jamil like always, but Jamil tells him to be more respectful in speaking. But he isn't really mad because Kalim's always like that. The rest instroduce themselves as the NRC Film Club, who are planning to film a video using the estate's facilities. Jamil's salty as always and it seems to be going normal as he tells Kalim to prepare things for the guests and while Kalim tries to, he still messes up.

Jamil thinks as to why his family kept Kalim despite being an idiot. Then Grim is thinking why is Jamil still bitter in his own dream. That's when see the magic carpet again (YAY), this causes Kalim to accidentally slip up and tell Jamil how they got it; it causes Jamil to leave for a moment.

But Kalim doesn't stop, he continues to tell Jamil of their memories together but Jamil keeps denying it. Kalim brings up about how 2 years before going to NRC, Jamil protected him from harm. Then, he spilled the events of Book 4 (as requested from the others). BUT THEN FAKE!KALIM APPEARS AND PROTECTS JAMIL. He's a lot more mature than real life Kalim, this causes the darkness to take Jamil and we're forced to fight Fake!Kalim.

Without thinking, Kalim just straight up jumps in with Jamil and the gang has no choice but to follow him. Similar to Vil's dream, we land back to the events of Book 4 but for some reason Azul is also controlled here like 😭😭😭????

(jamil being azul's no.1 hater fr)

Jamil makes Azul spill all the school's secrets (hey lemme in on it too /j) and is planning to use this information to defeat the other dorm head. He even drags Leona and says he doesn't deserve to be dorm head cuz he's lazy 😭

And after defeating the dorm heads, he's gonna go after the headmage and take over the school (we love a man who dreams big and jamil for headmage fr)

BUT KALIM SUDDENLY COMES IN AND DECKS JAMIL IN THE FACE 😭. HE CALLS HIM AN IDIOT BUT JAMIL IS NOT BUYING IT SO THEY START DUKING IT OUT

(THE GIRLS ARE FIGHTINGGGG)

But yeah Kalim yells at Jamil for being pathetic for just getting what he wants by manipulating everyone, then Jamil butts in by telling him that someone stupid doesn't have a say. They continue to duke it out and in the background Sebek wants to stop them but Silver said "nah let them fight it out" because the best way to say things is by punching ❤️

IT SURPRISINGLY WORKS AND IT WAKES JAMIL UP 😭and Kalim gets really happy and jumps around. But the darkness comes back and tries to swallow Jamil so he pushes Kalim away, but Kalim wouldn't let go so they start fighting again 💀. But in the end, Jamil gets swallowed and meets his overblot self and learns to accept it thus starting the fight between the two

Jamil says he's the genie of the lamp, tired of living in a cramped space and would now dedicate himself to fulfilling his wishes. He returns to the place with Jafar's statue with the Fake!Kalim, who asks what he can do for him. But Jamil tells the Fake to fuck himself 😭 because he finds it weird that Kalim's like that and wishes for the dream to just end

The gang find Jamil and Kalim tries to tackle him but Jamil dodges it, saying that he's easy to read. Kalim asks Jamil to join them, and he accepts. However, Vil has to stay behind because he doesn't feel well and Kalim stays behind as well because of the injuries he got from Jamil (he does summons ice from Kalim's wounds tho). The others will go on ahead and wake the others. Jamil asks where they're going but Ortho says it's a secret, probably because the moment Jamil finds out they're going to Octavinelle he is going to find his way out of there.

But that is all for this chapter, hoo boy that was a lot but I'm glad that I managed to cover it. I'm really excited to see the Octavinelle segment knowing that it's Jamil we have, the biggest Octa hater but I do know it's gonna be funny

So yeah ima knock myself out now bye bye

Previous: Kalim's Dream

[nitrowyverine]

I thought playing Obscura would help me get rid of my brain worms. no, it just gave me new ones. For Obscura, specifically.

I'll be adjusting the format from my TOUCHSTARVED expanded thoughts post. Brain dump after the cut!

[Demo/CH 1 spoilers are included]

(Header Image from Itch.io page! All images in this post are either from there or the Rotten Raccoons tumblr page)

Design/gameplay thoughts:

In full honesty without fluff: this game fucks immensely.

The setting for Obscura might be my new all-time favorite, like, ever. Mystery underground scandalous marketplace??? Under a mountain???? it's a diverse and vast city that's still elegantly contained and claustrophobic, but in a spicy way. The worldbuilding and flavor is excellent. I really want to run a TTRPG in a similar setting now, since its an area with so many possibilities.

CH. 1/the "demo" has a LOT of meat on it. It's got different endings, variations, a whole soundtrack. Speaking of sountrack-

Obscura is also one of the few games I've put on the soundtrack to just to vibe to. The soundtrack is SO good, and sets such a strong mood/tone. I think it complements the game perfectly.

Allot of people have mentioned it, but I am also a fan of the Safeword pause menu. It's a nice and comforting touch, especially when the game can get so intense. It lets players take a breather if they need it, but also doesn't interrupt the intensity/mood of the game for someone who doesn't want a break from the narrative.

Now, onto character specific thoughts!

Cirrus:

IN MY HOUSE WE DON'T BELIEVE IN NOT STARTING OUT STRONG

Shout outs for having your asexual option in the dating sim be. The kinkiest guy there

Cirrus is a bit too intense for me, however, that is NOT a bad thing in the slightest. I think his route is well done for those who are up for his brand of intensity.

I might still play his route because. damn this boy's issues got me curious about his backstory. ($10 on mommy issues)

I had the hardest time getting to Cirrus's good end during my playthrough because having pretty much any self-preservation instinct around Cirrus gives you a bad/neutral ending. He's the only one I had to pull the guide out to get the best ending. (I think I'm just too sassy)

I get medusa vibes from Cirrus. The snake imagery is more likely tied to the lunar church, but his staunch reluctance to take his own mask off makes me wonder (this is mainly referenced in asks answered by the Rotten Raccoon studios). Refusal to let people see his eyes + snakes + power + slightly unnatural abilities to influence is, something.

I am shaking this man like a snowglobe WHAT IS YOUR DEAL I MUST KNOW MORE

(I am. metaphorically shaking him like a snowglobe. I would never shake this man im terrified)

CONCLUSION: Most likely to shame you for your anime choices. Least likely to be normal about it when you ask for help peeling an orange.

Keir:

HERE COMES BIG MAN

yeah he's tied for favorite right now. the slow burn in his plot is just too good? big man....freckles...secret soft side...im weak

he's so nice I keep forgetting. He kind of kidnaps you? not even kind of he just drags you off the street and goes "you live in my house now". Even Griff calls MC a stray early on. My man really said "Here's a convenient lost human I'm dragging them home now"

oh my GOD they were ROOMATES

I definitely was too nice to him in my first playthrough until I realized he does need (and want) to be sassed to death.

this man is like 6'6 and the canon-ish Vesper height from the CG is 5'4. THE HEIGHT DIFFERENCE. This kills the man (me)

The sprite of Keir's ears blushing SENDS ME INTO A FRENZY

I quite liked the gameplay style of Keir's route. I was so focused and invested as soon as I realized I needed to remember specific directions to save the heist group during timed decisions

Something I haven't seen discussed yet: I'm mega curious about the dagger Keir has on his outfit. It's specifically pointed out in text that it's high-quality, and I vaguely remember an ask that Rotten Raccoons answered that said it's a status symbol. (The dagger also just looks SO cool. and....it looks like Francesco's...?)

(My bet is that he either 1. stole it. or 2. got it from Oleander during their tryst (WHICH WE ALSO NEED TO TALK ABOUT-))

CONCLUSION: Most likely to be gifted a "WORLD'S BEST DAD" mug from his similarly-aged peers. Least likely to live down that one time he ate soap because he thought it was edible.

Francesco:

someone keep the "silver dust" away from this lad im scared

Originally, I was least looking forward to playing Francesco's route since I just wasn't interested in his initial concept. After playing his route though? It was excellently done, and I genuinely had fun. It was refreshing to have a character more naive than Vesper, so more cultural aspects were explained and we got a good alternate perspective on the marketplace. Also, it got REAL spicy in new and exciting ways the other chapters didn't. I'm really looking forward to the next chapters with his route!

I totally love the contrasts in his design and his character. He's got both bright red and blue highlights in his design, his outfit is very pointy and angular while his hair/smile is soft and flow-y.

And in his personality, he's both sweet and open, but extremely cagey about some information, and quite pragmatic when he wants to be. I think he's way smarter than he lets on.

that doesn't mean I don't want to bridal carry him and tuck him into bed at night after a all-nighter party

I do think Fran's slightly looser demeanor could lead to him being even more brutal than the other LI's. Remember that one anime clip (Found it, it's this one from Danshi Koukousei) where a group of friends wants to fight for fun, but one of the friends asks why they need rules in a fight? And said friend is shown like secretly holding a rock and was ready to use it? that's Fran. He would not have chill and does not heed the rules.

"Protect the boy", but mostly to prevent him from tasting blood. Because if that happens we're all fucked

CONCLUSION: Most likely to eat that M&M off the ground because you dared him. Least likely to beat the puppy allegations.

Oleander:

Oleander is tied for favorite with Keir. Oleander is just *chefs kiss* LOOK AT HIM. inscrutable......

Somewhere in an ask answered by Rotten Raccoons studio, they mentioned that for Oleander's route, they were going for a "Sexy boss situation that doesn't feel like a work safety violation". They hit that right on the nose; there's intrigue and a power imbalance, but in a non-restrictive or terrifying way.

I love being involved in the business part of his route. I keep making decisions like "Hmm yes my primary goal is to romance Oleander. But what would be the smartest business move here? How do we advance our agenda?"

Also, I do love playing a sexy evil secretary in a vn. love having a job and being evil at it AND being paid money. 10/10

That dance scene is everything I could have ever wanted no notes

I am fascinated to find out more about what he's been up to since his last trek into the marketplace. Seems like people are trying to kill him all the time anyway, so what would be enough to cause him to leave?

he's like an angler fish, but the lure is his booba

I relate to Oleander in that. I have too many online usernames because I can't stick with one. People get my 800 online names mixed up often. He has the same problem, we're basically twinsies

This man is pretending to be a himbo like his life depends on it (It probably does). He's too smart though, I know for a fact he has at least three different schemes going at any given time.

CONCLUSION: Most likely to be able to help you properly lace a corset (this man knows the boot-to-the-back necessity of the process). Least likely to be allowed to be banker during monopoly night.

Vesper:

black mask enjoyer 4 life

(all three are good I just wanted to say which one I picked. And to add my conclusion section)

CONCLUSION: Most likely to get their shit rocked by a falling piano. Least likely to survive an argument about pineapple on pizza.

Concerns:

With how separate the four routes are, the game could potentially feel like four separate visual novels all in one universe. Maybe I haven't played enough VN's, but there is a feeling of separation between the routes.

In the very beginning of the game, when you're picking your route, I wish there was a bit more heads up/information between who you're picking. For example, I had a rough idea that going into the church is where you'd find Cirrus, but only from information outside the game. I didn't know sticking around for the brawl would push you into Kier's route. It's overall pretty vague to which route you're going based on only in-game information.

Misc thoughts:

Vesper: "How are you going to keep me?? ;)" Keir and Oleander: "crimes" Vesper: "Wh-" Keir and Oleander: "you're an accomplice now congrats we're in this together. wanna get drinks"

catch my socially anxious ass wanting to be under the mountain and wear masks so I don't have to make eye contact with strangers all the time. at least its a fun thought to have when I mask for covid

OKAY FRANCESCO AND KEIR'S DAGGER MATCH? AND ARE RED/BLUE LIKE FRANCESCOS OUTFIT? DOES IT MEAN ANYTHING??? probably not but I do like the pretty knives....

For real, I got the brain worms for this game, I'm on the edge of making a big ol playlist. the headcannons? They go on my friend. they go on. I'm laying awake at night thinking about what each character would order at a coffee shop

by the time I publish this post. I did start working on the playlist

yes, I've also designed my own vesper, its such a prime opportunity for character design.

Obscura also may or may not have inspired me to get involved with an otome jam game team, more on that in the future possibly.....

OVERALL: I got the first chapter/demo of Obscura for free from Itchio/steam. High marks for writing, sound, art, game design, all of it! I am on the edge of my seat waiting for CH2.

TL;DR: If you haven't played it, and love spicy and dark stories, go play it! Part one is free! and fantastic.

Itch.io

Steam

[mapoeggplant]

skip to loafer chapter 62 analysis // spoilers

skip to loafer reiterated its message of "i love you as a person" in a soft and fun chapter. and with that, takamatu-sensei prepares us for a new arc that promises to be full of unforgettable moments.

(since the translation is still very fresh, i'll try to focus more on using the raws not to spoil anyone. i hope you understand that!!)

honestly, i find light chapters like this the hardest to analyze on their own, especially ones like chapter 62 that brings back several loose ends in order to tie up another knot before continuing the journey. so, instead of analyzing the chapter itself, i'm going to bring back some old debates and fit them into this new phase of each character.

even though friendship was the main point of the chapter, in my opinion mika also deserves her own spotlight since, in one way or another, she basically served as a bond between the two groups.

in the case of the boys, her name is brought up when shima reveals that he invited her to his travel group, without much thought of the consequences. this causes a certain amount of anger in mukai, who was the person who witnessed very closely mika's reactions before and after the confession (and even later, when she was talking to nao by the beach). however, he’s also one of shima’s oldest friends, so he knows exactly what he been through, which is te exactly reason why he acts impulsively. 

it's as if he were between two different oceans, not knowing which way to go, since both are too turbulent for him to navigate. it's hard for mukai to completely side with his friend, since mika's feelings are still very vivid to him, but he knows all the difficulties that shima went through regarding her own internal terrors, that’s why he holds himself back to not curse him or anything. what he ends up choosing is the safest rote, which is to scold him with an open heart, making sure to show that what he did was wrong. in the end, he won’t explain it to shima the exact reason why he’s mad because he knows he doesn’t have the rights to speak for mika, that’s why the message gets a little confusing for shima, who’s still learning and growing (and honestly, the reacting of stop to understand where mukai was coming from is actually a big step for him, which i appreciate). 

in the case of the girls, mika is also the only one who, up until now, knows about the events before and after the confession. she can see the sincerity and kindness behind shima, who continues to respect and see her as a friend, but it's hard not to assume a protective position when the new person to be affected by the same feelings is mitsumi, someone who she became so important to her. and that's where her growth as a character is slowly revealed.

mika has always created her own barrier and has had difficulty opening up to the girls. and that didn’t start recently, since she have been dealing with her insecurities for as long as she can remember. mika spend most of her childhood alone and had a hard time to make friends when she started her teenage years, which led her to have a very abrupt start when she met mitsumi, yuzu and makoto. for her, it has always been very difficult to see herself in a group of friends and to be comfortable with herself to the point of expressing her mind clearly. 

as the story go by, we can see how comfortable mika is now with the girls, but old habits are hard to erase. even with all her conversations with nao and the peace she feels around her friends, there are still a lot to be unfold and a lot to grow. 

however, for her to grow, she needs to keep trying. and that’s when she choses to shine in this chapter: she finally manages to open up to mitsumi and reveal the secret that corrupts her so much. 

ever since mitsumi confessed the relationship she and shima had, mika has been struggling with indecision about whether to open up or keep the event forever as a bad memory from the past. it's hard for her, since she doesn't want to lose mitsumi's friendship or the other girls', but she also needs to accept what happened in order to finally say goodbye to them. it's not that she doesn't have her feelings cleared up inside her or that they still have a chance to blossom again. what really hits her is the fact that she's hiding something she considers important from her best friends, which might results in a awkward situation later on. 

the moment mika admits out loud that mitsumi is much more important in her life than any past crush, mika is finally saying goodbye to this weight she's carried for so long and can finally start another chapter in her life. now, she no longer has anything hidden or needs to walk on eggshells — the love she embraced and the love she receives are enough for her to stand tall. 

the development of skip to loafer's friendships is indeed something that needs to be celebrated. throughout the narrative, we are constantly reminded that the story itself is built on the idea that love doesn't need to be romantic to be true, it just needs to be felt. loving someone is accepting their flaws and understanding their scars, like mukai and shima; loving someone is being vulnerable, like mika and mitsumi; loving someone is going out together to buy clothes for a trip they've been waiting for.

it's beautiful to see how the girls care about mitsumi and her feelings, but still root for her happiness and are excited for her. it's beautiful to see how they're always together in difficult times, whether they're big or small (or even medium, like what's the right outfit to wear on a date. that's very important for a teenage girl). 

and for shima and mitsumi, it’s cute to see how shy they are around each other and how they are allowed to slowly understand their feelings. the narrative doesn’t force them to anything at any point or rushes them to a resolution, what it does is explore the nuances and difficulties of dealing with your first ever romantic love, specially when you were never allowed to explore your own feelings in the first place (like shima), and the fear of losing a best friend that you cares so much (like mitsumi feels). 

i don’t think this is the calm before the storm, but i do believe takamatsu-sensei is getting us ready for what’s coming next. i do believe this will be a very decisive arc for a lot of characters, but it will also birth many more plots for us to explore.

thank you so much for reading 💛 don't forget to support the author if you can and also thank the translation group!!

and if you're interested, i wrote a while ago an analysis about skip to loafer's "i love you as a person" message. just click here to find it!

[erinwantstowrite]

Let me just quickly say, cross-overs can sometimes get REALLY difficult to map out and write in a cohesive way but you have absolutely NAILED IT!! I absolutely ADORE LoF!!! I usually don’t even bother reading fics with the ‘Richard Grayson is Richard Parker’ premise cause I felt like they were super confusing and overcomplicated but this fic?? SUPERB. ABSOLUTELY INCREDIBLE. OH MY GOD I ADORE IT. Everyone’s characterizations are so nice and wonderful aaaaaaah!!!! <33333

Ok ok I did actually have a question as well: would you be willing to share what your writing process looks like in terms of a chapter you’ve already posted? I was just wondering since I’m also currently working on my own fic (it’s been a few years but I managed to get fixated on an idea and it grew legs lol) and I’m currently fighting the organization of it haha.

How do you keep track of the plot points and/or foreshadowing you want to get a ‘lightbulb!’ moment for later? Do you have any tips?

Thank you so much! I absolutely adore your writing AND your art is so gorgeous omg it adds so much to the incredible story :DDD I hope you have a good day!!

I have a secret: I actually didn't like "Richard Grayson is Richard Parker' tag for a while for the same reason. Sometimes they felt like they missed the mark or it's just. A thing that's there? I almost didn't include it for LoF, but I'm glad I did because it changed the direction in such a big way.

Another secret: this made me incredibly happy because I have read so many wikis and scoured the internet to make sure that I had enough info on both fandoms so LoF could make sense to anyone who's reading it, whether they know Spider-Man, Batfam, or neither at all. Sometimes I worry a lot before I post that I'll miss a mark and will confuse people.

As for the question: I definitely am willing to share what my writing process looks like!

Be prepared for under the cut, I love to yap. It's in my blood to yap. And that's why it took a minute to get to this ask haha

(Spoilers for Leap of Faith!! Everything mentioned has already been published ((Chapters 1-11))

I had to go and find out which chapter I wanted to use as an example and I think we're gonna go with Chapter 5 for the most part :)

My writing process is, as described by alighterwood:

I think the description fits because while I'm all over the place, I have to be very detail oriented and I store everything in one spot.

Starting with the overall process, what I find is most helpful for me, when organizing, is having a notebook rather than doing it all digitally. I've been using a 70 sheet notebook that I had lying around waiting to be used, and as of yesterday, I officially filled the entire thing front to back. It's been an incredible help, for a lot of reasons, but mostly because it's a lot easier to remember something I physically wrote down than it is to remember something I typed. I'm now on to my second notebook for LoF, and I might even have to get a third.

In another ask, startupkat asked me this:

And I shared a little about my outline process there, but I'll try to go into a little more depth here. Emphasis on little because this is so long.

I write a truly insane amount of outlines in this notebook.

This is just what I can show you, but a good chunk of the notebook is just outlines. Over and over and over again. That's because they're always changing/adapting based on so many different factors. Sometimes I get to a chapter I thought I had fully planned out and then realize it just doesn't work anymore. Other times, I get to the chapter and realize I don't want to write that anymore/isn't as interesting as I thought it would be. A few times I got halfway through a POV of a scene I was struggling on and decided to switch POV's, which will change up the outline for a chapter every now and then.

Which is why I don't write incredibly detailed outlines and try to keep it vague until I actually get to that chapter. It's a lot less daunting to rewrite a chapter outline than it is to rewrite the entire outline.

Fic outlines and Chapter outlines look a lot alike.

This is what I said in the other ask, but I didn't elaborate on it all the way.

I make a list just like that, and then I try to put it in chronological order/in an order that makes sense. I keep the Fic outline vague by writing down "Goals" for a chapter rather than scenes. But I also keep notes to myself if I really think something is important. The more important I think a scene needs to be, the more details I write down to make sure my future self recalls what I had in mind when I thought it up.

Really simple example:

Chap 1 Goal: Peter gets to Gotham and meets Babs while running around. Meet Nightwing too? Get shelter.

Chapter 2 Goal: Bats are like "???" about Peter. Batfam dynamic important... Peter stalking Batfam back? Peter meet Batman >:)

When I get to a chapter, that's when I make a far more detailed list of wants/needs/goals. It's the Step 2 from the Step 1. Here are some examples from Chapter 5:

Needed to have:

More POV's from universe 1299 (Peter's home universe)

Tony's POV more specifically, how he's doing/feeling, what he's figured out

What they've figured out on 1299 side vs what's going on in 1300 (Gotham)

Explaining more about Peter's trauma/his past

Dick learning more about Peter, and vise versa

Wanted to have:

Ned being a more central character

Natasha :)

Loki being a little shit

Tony and Cap bickering

Peter talking to Nightwing again

The last name Grayson

Gymnastics!!

(This is the shortened list, because the chapters are so long)

When I looked at this list before writing my outline, I had to figure out how I could incorporate everything. If I needed more 1299 POV's, and I wanted Ned, Natasha, and Loki, there's one scene accounted for. I had to get their side of things and wanted that trio together. I needed a Tony POV, and I wanted Tony and Cap bickering, so those went together, plus I got 1299's POV of Ohnn and his plans explained.

I needed to have Peter explaining more about his trauma, and Dick and Peter to talk/get closer. I wanted a Nightwing POV, to have Peter say his last name, and them doing gymnastics. I knew Peter wouldn't willingly talk about that, so I had him have a nightmare. Not only did it give readers perspective but it made Peter more susceptible to talking to Nightwing because he was more emotionally vulnerable/lonely, and that's how that scene came together.

That's when I would write down the chronological order of these events by writing out "Scene Blocks." (This is what I wrote down but my handwriting was so bad I can't subject y'all to it):

scene 1- Ned talking to Loki. Natasha should be nearby and observing Loki's behavior. They are not on friendly terms. Ned is more worried about Peter than he is as to what Loki could be up to, so Natasha takes on that role.

scene 2- Tony is freaking out about Peter being in an alt dimension. He should attack Ohnn when he's not prepared for it. Beat his ass? Beat his ass. Cap there too.

scene 3- Peter's nightmare. "Ben, where do you go when you die?" "Where do you think?" "With you. Where you went."

scene 4- Nightwing and Peter.

Of course, things come to attention when writing. Like originally, Tony and Cap were arguing in the Tower. But it was a little too much like his and Natasha's argument, and I kept in mind that Tony is smart. Sometimes I forget that the characters are smarter than I am, so I have to account for what they would figure out. So Tony would have picked up the puzzle pieces and come to more conclusions than I originally thought about, and I figured he'd be way more proactive about it than just. Being in the Tower and waiting.

Which means that that scene ended up being as listed above: having a squabble with Cap, learning more about Peter's dynamic with the Avengers in this universe, and seeing how Tony is reacting to it by throwing himself head first into trying to capture Ohnn.

I'll realize I need something else to be mentioned or put in and I'll have to shimmy things around, but that's basically how it goes.

As for other forms of organization:

Keeping a timeline is so important because it tells you a lot about the environment your characters are in. It's also important to remember what a character has on them, what money they've spent, who they've met/who you have mentioned, every alias that is being used, to read your work and write down edits you want to make before you make them, to write down ideas beforehand of situations you can use, and, most importantly: MAKE A MAP!! This has saved me so many times. Sometimes your brain WILL trick you or make it harder on you to envision a scene. Make a map of where your characters are physically!! It will save you too!!

As for foreshadowing and plot points, I'll let you in on yet another secret:

Your subconscious is doing a lot more than you think it is.

Sometimes when I foreshadow something, I didn't even know I was until I got to it. I very often go back to read chapters that came before this to see what I've mentioned and what I haven't, and when I do, I'll see something and go "I have to bring this back" or "I almost forgot about that!"

Other times, I am very aware of what I'm foreshadowing, and that's because I follow a mystery plot formula. You have to keep in mind everyone's intentions, all the time. How are they feeling? What are their motivations? And: what are they doing right now, while this character is doing this?

Like Beck and Ohnn. From the very beginning, I knew I had to make sure that it was obvious Ohnn wasn't working alone. From there, I had to weave through the story and slowly build him up as someone who's working behind the scenes. Even from Ned's first POV, I made sure to mention that this person knows Tony and is tech savvy.

My biggest tip is to make sure you reread your work or at least skip through it, because sometimes you don't even know that you placed something there.

And sometimes, it's very purposeful. :)

I hope this helped! I really tried to keep it short but I am insane and the process is sooooo long. It sounds complicated but it really is simple when you're actually doing it I swear

[jayden-killer]

can you write realistic miguel x a civilian male! reader? like how would he react when other spider people find out that he's with a guy? would he deny and try to avoid his boyfriend in front of people? what would be his thought process dating another man? how do you think they'd end up together? (I have a lot of questions haha)

It's my first time writing a male!reader and I'm scared I messed up the request😩😭I still hope you will like it, I realllyyy tried my best!🙏

Reminder that requests are open at the top of my profile!

Miguel with a civilian male!reader.

•You and Miguel both met when he worked at Alchemax. You were both colleagues. Of course, you didn't know he was Spider-man at all, you discovered it by yourself: his strange disappearing, his not-so-normal behaviour...

•And that's why one night, in a bar, sharing a beer, you said all drunk: "I know you're Spider-man, Miguel." He paused, then widened his eyes and laughed. Taking a big sip of his beer, he said: "Now you gotta keep the secret, huh?"

•But that's not the only secret you two shared. Two more beers and then you found yourself kissing in the bathroom of the bar, Miguel's hands on your waist and tongue down your throat. So, you discovered you weren't just colleagues lmaooo.

•Dates went well, incredibly well. Miguel was happy for once: he finally had to be happy, and he wasn't going to ruin another good thing in his life. He wasn't even going to hide his relationship with you. Hell, why would he?!

•He doesn't have problems dating another man. Gender laws to him are not a problem. If a person makes him happy and likes him for what he is, then he'll fall, slowly but hard.

•Miguel proudly has a photo with you in his lab, in the Spider-Society HQ. There's you, hugging him from behind, while he has his hands on yours, making you jump on his back, all happy. Whenever a Spider enters his lab, and notices the photo, he wouldn't care. Nope. Who cares what the Spiders think of him? He's happy, and that's okay with it.

•if there are any homophobic Spiders in the Society, he's going to take care of it personally. Spoiler: it won't go too well.

•He enjoys cuddling and holding hands BUT only in private. He has a high reputation, and doesn't want to be seen as cuddly and vulnerable by all the members of the Society. Though, doesn't mean he won't spoil you etc.

•He loves cooking for you, doing your laundry, and cleaning because I think his love language is acts of service.

•But, if you leave a kiss anywhere on his face In public, he'll go R E D.

"Conejito, tengo algo por ti."

Your eyes moved from the newspapers to Miguel's soft smile. What could it be? Wait...why he has his hands behind his back?

He removed his hands from his back to show a bouquet of colourful flowers, and that's when you found yourself by him, taking the gift and sniffing it. It smelled like heaven.

"What...? W-Why this? It's not our anniversary, is it?!" You panicked a bit. He chuckled, shaking his head and taking one of your hands. "No que no lo es, amor. I only wanted to make you a little gift." To Miguel, your smile was enough to be the most beautiful gift ever given.

He placed a kiss on your lips, titling his head so you could intensify it. You thought about how Miguel changed these months with you: he looked happier, healthier...

"You’re the best, Miguel."

"Because you bring out the best of me."