#I'm not much of a writer

[dicenete]

So what if he didn't have the self-discipline? I just thought how cute it is, he simping for MC so hard. Amount of self-control Clavis has is admirable. I think this was from Beast in Heat event? Or maybe it was the AU event where Clavis was a phantom thief? Don't remember anymore xd IkePri Tag Team:

@scummy-writes @goustmilk @solacedeer @m-mmiy @mxrmaid-poet

@pawnkyyy @ludivineikewolf @violettduchess @floydsteeth @wistfulwanderingone

@sh0jun @lorei-writes

[milleemo]

Hellcheer scene that I just gotta get outta my head:

Chrissy is not much of a heavy rock and roll fan, but there's just something about that new Van Halen song that just came out that just resonates with her. So one night, after cheer practice, she waits until all the other girls have left and puts 5150 in the boombox. Track 2 is already set to play and the moment the music starts she's choreographing an entire routine. Alone, in her own little world where there's no dominating mothers or smothering boyfriends, she lets herself take control for once, and tries not to let the song lyrics remind her too much about the budding new friendship between herself and the resident school "freak".

Meanwhile, said freak is heading down the hall after wrapping up particularly riveting epilogue to the epic showdown that was the previous Hellfire sesh, and happens to hear the Dutch Master himself playing from the gym. Curious, he looks in through the double doors and sees Chrissy Cunningham, the girl who just keeps on surprising him, dancing her little heart out.

And here he thought he couldn't fall any more in love with her than he already had.

[emberfaye]

You know what?

I love you, fics that take months to update. I click on the newest chapter and have no memory of this place and get to go back some chapters and rediscover how much i love everything about this story.

I love you, fics that take years to update. I think of you fondly, and know your names, go search for you and see an update from this year and scream, diving in uncaring of any missed details (i will finish the update and read you in reverse because this is a treat you have bestowed)

I love you, fics that probably will never update again. Thank you for being a roman empire for my mind, thank you for teaching me about the ephemeral fandom experience, for inspiring a thousand million what if-s, for being a comfort read and a nostalgia read and a reread.

I love you fic writers, who jump into projects and stories with enthusiasm. I love you when you succeed in pumping out those chapters and that love doesn't go away when you stop.

I love you fic writers who post and then get in your own head and never feel confident enough to update, whether it's at all or whether it's just that one story.

I love you fic writers, who have a fandom or media hurt you to the point of abandoning or having a hard time with their WIPs.

I love you fic writers, who lose interest or have life changes or illness or bad memory. Thank you for being part of the fandom, a core part of the fandom. Thank you for the time spent in the fandom.

I love you, fic writers who try out something new and then stop. You're so valid.

I love you, WIP fics that may or may not ever get finished. Thank you for brightening my day in the way only you could have.

[romansleftshoulderpad]

As a writer, I love going back through the comments I've gotten on AO3. I promise that the minute you take of your time has been appreciated for hours/months/years

[socksonat3am]

In the days after

I dunno what i wanna do with this. I’ve had it for a while but it needs...more.

Anyways, enjoy this little blerby thing i made but haven’t touched for a while. I technically have more but idk what i wanna do with it.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“<They are not warriors. They are children. Your children.>”

“<Oh yeah? Why don’t you tell that to the sky people who won’t think twice when they’re shooting at them!>”

It was another one of those nights. Neteyam’s death had only brought more of them. The mourning was long and hard. It weighed heavily in Neytiri’s heart. The mere thought of him made her hand raise up to the necklace she had taken from his lifeless body. His spirit was with Eywa and his body placed with the ancestors of the Metkayina, his song cord finished, but this little piece of him she couldn’t let go. Under her fingertips the cold beads only reminded her of the hurt she suffered that day.

“<Then what was the point in running away?! If they are just going to follow us and our children still aren’t safe? I trusted you. I put my trust in you Jake, and nothing you promised has come true! I do not know if my clan is safe. Our family is not safe. Our first-born son should be proof enough of that!>”

“<I did everything I could to protect this family! I gave up everything! You aren’t the only one hurting Neytiri. I lost a son too!>”

“<You gave up everything? I lost my father to the sky people. I lost my sister. I lost Seze. I lost my home, twice. Jake. I have been made to flee from my home when I wanted to fight. You gave up everything? I have lost so much and yet I continue to lose. You have given me much Jake Sully, but you have also taken much more than you can imagine.>”

“<What do you want from me Neytiri?!>”

“<I want my family to be safe and protected! Which you cannot seem to do!>”

Jake didn’t seem to react to the venom in Neytiri’s words. He froze for a moment before the eyes that bore down into her own faltered for a moment while hers remained steadfast in their gaze. She felt scorned. And she did not regret her statements. Not yet at least. The realization and pain would only hit after she had enough time to think about it and reflect. He was the father of her children after all. She loved Jake. But she was so angry with him. How could you forgive someone who has done such horrible things to you? How could you not forgive someone who has blessed you with so much? Stones would be laid in her heart tonight when he didn’t return to their shared space.

He’d be back eventually, just like usual. Some nights it was Neytiri that left, others it was Jake. But they always came back to each other. She would apologize later but for now she sat down on the woven flooring and began tracing the patterns in it as an attempt to calm her mind. Her people were known for their weaving of textiles and fabrics but those were for an entirely different purpose than these suspended floorings and walkways. It reminded her of home. A home she may never be able to see again. The thought caused her eyes to drift towards the opening of the Mauri pod she and her family had been gifted to stay in.

[konigsblog]

as my favorite könig smut writer you’re the only one i trust to do dbf!neighbor!könig x early 20s!reader with the dirtiest, sloppiest, most toe curling age gap smut 💗💗

dbf!neighbour!könig?! sign me the fuck up, i could write a whole series for that filthy man!

synopsis; your father's best friend, könig, has been struggling to get himself into a stable, loyal relationship lately. luckily for him, you offer him some sort of release.

tw/cw; age gap/difference, early 20s! reader x late forties!könig, weed use, blowjob, mutual masturbation, PinV, tell me if i missed anything. MDNI 18+ 🍃

photo credits; @ave661

You've had the hots for your father's best friend for quite a while.

He doesn't live very far from you at all. In fact, he lives next door and visits your father pretty often to smoke together and talk about whatever is bothering him, which usually includes topics like König's failed relationships and inability to hold a woman for longer than a week.

Aside from wanting to rant about his horrible, fucked-up love life and to smoke weed with your old man, he wants to see you as well—maybe even more than speak with your father.

When your father is busy doing something else, like washing the dishes or cleaning his car outside, König will excuse himself to the bathroom and will sneak into your bedroom to admire the place. You have plans to move out soon, but currently, you stay with your father inside of your childhood home. König's hand "mysteriously" sneaks into your clothing hamper and begins looking for a pair of panties.

It's alright, you won't notice surely...

And you can't deny your attraction to him. The sound of his familiar, accented voice leaves your knees weak and your panties damp and soaked with the thoughts running through your dirty mind at the moment. You smile at König and talk to him about your plans for college, watching as his eyes flicker from your chest to your eyes, your nipples turning into little stiff buds at the cold breeze in the living room.

Today was like any other saturday; your father was away down the road for some beers with his other friends in the afternoon while König had just arrived home from another fucked-up date, ending like the rest of his dates have. He looks dishevelled and in dire need of some sort of release. He's visibly and clearly pent up and exhausted, rolling himself a joint to relax, leaning against his porch and closing his eyes tightly. He's deep in thought and doesn't realise that you've sneaked up on him, practically jumping out of his skin at your sudden presence.

“Shit, Mäusi— I didn’t see you there... What’s wrong, dear?” He smiles forcefully. He doesn't want to bother you with his shitty life since you're probably all worked up from college and stressed out, but you insist that he tells you what's bothering him. It doesn't take a lot of convincing since it's hard to deny you, especially when you say that you can help him if he explains.

He invites you inside and offers you a joint, in which you gratefully accept and seat yourself beside him, ready to act as a therapist for him.

“Another fucked date with another woman who seems interested in me, but actually isn’t. It seems like I can’t please any women.” He admits through gritted teeth. At the sight of his frustration, you place your hand on his thigh teasingly. “Do you think there is anything I can do to help?” You ask quietly with a mischievous and playful smile plastered on your face. Your voice is seductive and sultry, eyes half-lidded and lustful. God, You really are a tease, huh?

“And what are you hinting at, Liebling?”

König always thought he'd be the one to initiate, but right now, he was struggling to keep his composure and quickly found himself falling for your acts of seduction. You lowered yourself onto your knees and began to unzip his jeans, cocking your head to the side at the sight of his aching cock springing out in your face. You giggled while König pulled his large hands into fists, throwing his head back at the wet sensation of your lips wrapped around his swollen, weeping cock. He'd been dreaming of this moment for months, Liebe.

The things you do to König fucked-up head, Good Lord. He couldn't help the sounds of pleasure running through his lips, his dick painful at your tight grip and pleasure.

His sounds came out pained and guttural, pleased but so on edge and anxious of what your father would think about him after being so touchy-feely with his best friend's daughter. He curses himself out for agreeing to this, feeling like such a pervert despite yearning for more of your addictive, sweet touch. “Feel good?” You question him, knowing he'll get frustrated and will force your head down onto his leaking boner. He huffs and puffs, gripping your hair in a tight fist and pushes your head down with a loud moan leaving his mouth, choking on his groans and grunts.

You coat König's lengthy shaft in your spit to get him slick enough, before seating yourself onto his big lap, your hand stroking and fisting his dick. He slides his fingers into your hole with his eyes wide at the sensation and texture of your gummy walls. He chokes on his pleased sounds as you tease his tip by rolling your soft thumb over his uncut, creamy tip and feel as your folds are stuffed with his thick digits. He pumps them into your soaking cunt and admires the sticky mess left between your fingers, curling his fingers deep inside your gummy cunt.

“C’mere, Taube—Kiss me, please.” He grumbles out, getting obsessive with the pleasure you offer him. He places his lips against yours, making out with you messily and sloppy, the effects of the marijuana leaving him relaxed and at ease with all his concerns and worries forgotten about. His tongue rolls over your bottom lip while you squeeze his dick, whimpering into the sweet kiss. König's fingers begin to pump into you even faster, pulling away to beg you to sit on his cock. You're on edge and shaking pathetically, nearing your orgasm but not quite fully there.

“Sit on it, dear. Don’t be so shy, not now you can’t.” The smell of nicotine sticks to his skin, your thighs shaking as you begin to ease down onto his weeping, veiny dick. König doesn't hold back the sounds of his arousal and euphoria as it burns through his large body, bucking his broad and sturdy hips into your body while cursing you out for being such a dirty tease. You leave König totally obsessed after finally receiving some action after so long.

You bounce on his lap while he fucks his bulbous cock deep into your drooling slit. You gasp and roll your eyes to the back of your head at the ache andd pleasure between your thighs, unable to stop letting out the most perverted and pleased noises. You can feel as König hits your cervix with each thrust and his heavy balls slap against your rear as he drives his hips against your tight rear. Your eyes fill with tears at the pain and stretch, his girthy dick leaving you breathless as you admire the state he leaves your pussy in; raw and sensitive.

König can't hold himself back when you begin to lose control. Sweet, pearly droplets of your sweet arousal run down his boner and coat his length, allowing him to fuck you even harder and deeper with ease as he uses your sweet juices as lube.

“That’s it, little one—God, look how well you’re taking’ me, princess. You’re a mess, such an addictive mess, huh? You’re gonna be an obsession of mine, that’s for sure.” König grits his teeth as he bucks his hips into you even harder, his eyes shut tightly as your walls clamp down around him one last time, filled with ropes of his white creaminess. You pant and heave at the stomach bulge caused by his loads and ropes of his hot release. You grip his jaw to make out with him, your body sweaty and hot with König's cheeks flushed a rosy pink.

You have to sneak back home before your father comes back and asks what you were doing over at his best friend's house. König would be slaughtered if he found out the truth.

You just have to act all innocent, as if König's milky and potent load is oozing out of your hole and dampening your panties at the dinner table.

[inky-duchess]

Fantasy Guide to Interiors

As a followup to the very popular post on architecture, I decided to add onto it by exploring the interior of each movement and the different design techniques and tastes of each era. This post at be helpful for historical fiction, fantasy or just a long read when you're bored.

Interior Design Terms

Reeding and fluting: Fluting is a technique that consists a continuous pattern of concave grooves in a flat surface across a surface. Reeding is it's opposite.

Embossing: stamping, carving or moulding a symbol to make it stand out on a surface.

Paneling: Panels of carved wood or fabric a fixed to a wall in a continuous pattern.

Gilding: the use of gold to highlight features.

Glazed Tile: Ceramic or porcelain tiles coated with liquid coloured glass or enamel.

Column: A column is a pillar of stone or wood built to support a ceiling. We will see more of columns later on.

Bay Window: The Bay Window is a window projecting outward from a building.

Frescos: A design element of painting images upon wet plaster.

Mosaic: Mosaics are a design element that involves using pieces of coloured glass and fitted them together upon the floor or wall to form images.

Mouldings: ornate strips of carved wood along the top of a wall.

Wainscoting: paneling along the lower portion of a wall.

Chinoiserie: A European take on East Asian art. Usually seen in wallpaper.

Clerestory: A series of eye-level windows.

Sconces: A light fixture supported on a wall.

Niche: A sunken area within a wall.

Monochromatic: Focusing on a single colour within a scheme.

Ceiling rose: A moulding fashioned on the ceiling in the shape of a rose usually supporting a light fixture.

Baluster: the vertical bars of a railing.

Façade: front portion of a building

Lintel: Top of a door or window.

Portico: a covered structure over a door supported by columns

Eaves: the part of the roof overhanging from the building

Skirting: border around lower length of a wall

Ancient Greece

Houses were made of either sun-dried clay bricks or stone which were painted when they dried. Ground floors were decorated with coloured stones and tiles called Mosaics. Upper level floors were made from wood. Homes were furnished with tapestries and furniture, and in grand homes statues and grand altars would be found. Furniture was very skillfully crafted in Ancient Greece, much attention was paid to the carving and decoration of such things. Of course, Ancient Greece is ancient so I won't be going through all the movements but I will talk a little about columns.

Doric: Doric is the oldest of the orders and some argue it is the simplest. The columns of this style are set close together, without bases and carved with concave curves called flutes. The capitals (the top of the column) are plain often built with a curve at the base called an echinus and are topped by a square at the apex called an abacus. The entablature is marked by frieze of vertical channels/triglyphs. In between the channels would be detail of carved marble. The Parthenon in Athens is your best example of Doric architecture.

Ionic: The Ionic style was used for smaller buildings and the interiors. The columns had twin volutes, scroll-like designs on its capital. Between these scrolls, there was a carved curve known as an egg and in this style the entablature is much narrower and the frieze is thick with carvings. The example of Ionic Architecture is the Temple to Athena Nike at the Athens Acropolis.

Corinthian: The Corinthian style has some similarities with the Ionic order, the bases, entablature and columns almost the same but the capital is more ornate its base, column, and entablature, but its capital is far more ornate, commonly carved with depictions of acanthus leaves. The style was more slender than the others on this list, used less for bearing weight but more for decoration. Corinthian style can be found along the top levels of the Colosseum in Rome.

Tuscan: The Tuscan order shares much with the Doric order, but the columns are un-fluted and smooth. The entablature is far simpler, formed without triglyphs or guttae. The columns are capped with round capitals.

Composite: This style is mixed. It features the volutes of the Ionic order and the capitals of the Corinthian order. The volutes are larger in these columns and often more ornate. The column's capital is rather plain. for the capital, with no consistent differences to that above or below the capital.

Ancient Rome

Rome is well known for its outward architectural styles. However the Romans did know how to add that rizz to the interior. Ceilings were either vaulted or made from exploded beams that could be painted. The Romans were big into design. Moasics were a common interior sight, the use of little pieces of coloured glass or stone to create a larger image. Frescoes were used to add colour to the home, depicting mythical figures and beasts and also different textures such as stonework or brick. The Romans loved their furniture. Dining tables were low and the Romans ate on couches. Weaving was a popular pastime so there would be tapestries and wall hangings in the house. Rich households could even afford to import fine rugs from across the Empire. Glass was also a feature in Roman interior but windows were usually not paned as large panes were hard to make. Doors were usually treated with panels that were carved or in lain with bronze.

Ancient Egypt

Egypt was one of the first great civilisations, known for its immense and grand structures. Wealthy Egyptians had grand homes. The walls were painted or plastered usually with bright colours and hues. The Egyptians are cool because they mapped out their buildings in such a way to adhere to astrological movements meaning on special days if the calendar the temple or monuments were in the right place always. The columns of Egyptian where thicker, more bulbous and often had capitals shaped like bundles of papyrus reeds. Woven mats and tapestries were popular decor. Motifs from the river such as palms, papyrus and reeds were popular symbols used.

Ancient Africa

African Architecture is a very mixed bag and more structurally different and impressive than Hollywood would have you believe. Far beyond the common depictions of primitive buildings, the African nations were among the giants of their time in architecture, no style quite the same as the last but just as breathtaking.

Rwandan Architecture: The Rwandans commonly built of hardened clay with thatched roofs of dried grass or reeds. Mats of woven reeds carpeted the floors of royal abodes. These residences folded about a large public area known as a karubanda and were often so large that they became almost like a maze, connecting different chambers/huts of all kinds of uses be they residential or for other purposes.

Ashanti Architecture: The Ashanti style can be found in present day Ghana. The style incorporates walls of plaster formed of mud and designed with bright paint and buildings with a courtyard at the heart, not unlike another examples on this post. The Ashanti also formed their buildings of the favourite method of wattle and daub.

Nubian Architecture: Nubia, in modern day Ethiopia, was home to the Nubians who were one of the world's most impressive architects at the beginning of the architecture world and probably would be more talked about if it weren't for the Egyptians building monuments only up the road. The Nubians were famous for building the speos, tall tower-like spires carved of stone. The Nubians used a variety of materials and skills to build, for example wattle and daub and mudbrick. The Kingdom of Kush, the people who took over the Nubian Empire was a fan of Egyptian works even if they didn't like them very much. The Kushites began building pyramid-like structures such at the sight of Gebel Barkal

Japanese Interiors

Japenese interior design rests upon 7 principles. Kanso (簡素)- Simplicity, Fukinsei (不均整)- Asymmetry, Shizen (自然)- Natural, Shibumi (渋味) – Simple beauty, Yugen (幽玄)- subtle grace, Datsuzoku (脱俗) – freedom from habitual behaviour, Seijaku (静寂)- tranquillity.

Common features of Japanese Interior Design:

Shoji walls: these are the screens you think of when you think of the traditional Japanese homes. They are made of wooden frames, rice paper and used to partition

Tatami: Tatami mats are used within Japanese households to blanket the floors. They were made of rice straw and rush straw, laid down to cushion the floor.

Genkan: The Genkan was a sunken space between the front door and the rest of the house. This area is meant to separate the home from the outside and is where shoes are discarded before entering.

Japanese furniture: often lowest, close to the ground. These include tables and chairs but often tanked are replaced by zabuton, large cushions. Furniture is usually carved of wood in a minimalist design.

Nature: As both the Shinto and Buddhist beliefs are great influences upon architecture, there is a strong presence of nature with the architecture. Wood is used for this reason and natural light is prevalent with in the home. The orientation is meant to reflect the best view of the world.

Islamic World Interior

The Islamic world has one of the most beautiful and impressive interior design styles across the world. Colour and detail are absolute staples in the movement. Windows are usually not paned with glass but covered in ornate lattices known as jali. The jali give ventilation, light and privacy to the home. Islamic Interiors are ornate and colourful, using coloured ceramic tiles. The upper parts of walls and ceilings are usually flat decorated with arabesques (foliate ornamentation), while the lower wall areas were usually tiled. Features such as honeycombed ceilings, horseshoe arches, stalactite-fringed arches and stalactite vaults (Muqarnas) are prevalent among many famous Islamic buildings such as the Alhambra and the Blue Mosque.

Byzantine (330/395–1453 A. D)

The Byzantine Empire or Eastern Roman Empire was where eat met west, leading to a melting pot of different interior designs based on early Christian styles and Persian influences. Mosaics are probably what you think of when you think of the Byzantine Empire. Ivory was also a popular feature in the Interiors, with carved ivory or the use of it in inlay. The use of gold as a decorative feature usually by way of repoussé (decorating metals by hammering in the design from the backside of the metal). Fabrics from Persia, heavily embroidered and intricately woven along with silks from afar a field as China, would also be used to upholster furniture or be used as wall hangings. The Byzantines favoured natural light, usually from the use of copolas.

Indian Interiors

India is of course, the font of all intricate designs. India's history is sectioned into many eras but we will focus on a few to give you an idea of prevalent techniques and tastes.

The Gupta Empire (320 – 650 CE): The Gupta era was a time of stone carving. As impressive as the outside of these buildings are, the Interiors are just as amazing. Gupta era buildings featured many details such as ogee (circular or horseshoe arch), gavaksha/chandrashala (the motif centred these arches), ashlar masonry (built of squared stone blocks) with ceilings of plain, flat slabs of stone.

Delhi Sultanate (1206–1526): Another period of beautifully carved stone. The Delhi sultanate had influence from the Islamic world, with heavy uses of mosaics, brackets, intricate mouldings, columns and and hypostyle halls.

Mughal Empire (1526–1857): Stonework was also important on the Mughal Empire. Intricately carved stonework was seen in the pillars, low relief panels depicting nature images and jalis (marble screens). Stonework was also decorated in a stye known as pietra dura/parchin kari with inscriptions and geometric designs using colored stones to create images. Tilework was also popular during this period. Moasic tiles were cut and fitted together to create larger patters while cuerda seca tiles were coloured tiles outlined with black.

Chinese Interiors

Common features of Chinese Interiors

Use of Colours: Colour in Chinese Interior is usually vibrant and bold. Red and Black are are traditional colours, meant to bring luck, happiness, power, knowledge and stability to the household.

Latticework: Lattices are a staple in Chinese interiors most often seen on shutters, screens, doors of cabinets snf even traditional beds.

Lacquer: Multiple coats of lacquer are applied to furniture or cabinets (now walls) and then carved. The skill is called Diaoqi (雕漆).

Decorative Screens: Screens are used to partition off part of a room. They are usually of carved wood, pained with very intricate murals.

Shrines: Spaces were reserved on the home to honour ancestors, usually consisting of an altar where offerings could be made.

Of course, Chinese Interiors are not all the same through the different eras. While some details and techniques were interchangeable through different dynasties, usually a dynasty had a notable style or deviation. These aren't all the dynasties of course but a few interesting examples.

Song Dynasty (960–1279): The Song Dynasty is known for its stonework. Sculpture was an important part of Song Dynasty interior. It was in this period than brick and stone work became the most used material. The Song Dynasty was also known for its very intricate attention to detail, paintings, and used tiles.

Ming Dynasty(1368–1644): Ceilings were adorned with cloisons usually featuring yellow reed work. The floors would be of flagstones usually of deep tones, mostly black. The Ming Dynasty favoured richly coloured silk hangings, tapestries and furnishings. Furniture was usually carved of darker woods, arrayed in a certain way to bring peace to the dwelling.

Han Dynasty (206 BC-220 AD): Interior walls were plastered and painted to show important figures and scenes. Lacquer, though it was discovered earlier, came into greater prominence with better skill in this era.

Tang Dynasty (618–907) : The colour palette is restrained, reserved. But the Tang dynasty is not without it's beauty. Earthenware reached it's peak in this era, many homes would display fine examples as well. The Tang dynasty is famous for its upturned eaves, the ceilings supported by timber columns mounted with metal or stone bases. Glazed tiles were popular in this era, either a fixed to the roof or decorating a screen wall.

Romanesque (6th -11th century/12th)

Romanesque Architecture is a span between the end of Roman Empire to the Gothic style. Taking inspiration from the Roman and Byzantine Empires, the Romanesque period incorporates many of the styles. The most common details are carved floral and foliage symbols with the stonework of the Romanesque buildings. Cable mouldings or twisted rope-like carvings would have framed doorways. As per the name, Romansque Interiors relied heavily on its love and admiration for Rome. The Romanesque style uses geometric shapes as statements using curves, circles snf arches. The colours would be clean and warm, focusing on minimal ornamentation.

Gothic Architecture (12th Century - 16th Century)

The Gothic style is what you think of when you think of old European cathedrals and probably one of the beautiful of the styles on this list and one of most recognisable. The Gothic style is a dramatic, opposing sight and one of the easiest to describe. Decoration in this era became more ornate, stonework began to sport carving and modelling in a way it did not before. The ceilings moved away from barreled vaults to quadripartite and sexpartite vaulting. Columns slimmed as other supportive structures were invented. Intricate stained glass windows began their popularity here. In Gothic structures, everything is very symmetrical and even.

Mediaeval (500 AD to 1500)

Interiors of mediaeval homes are not quite as drab as Hollywood likes to make out. Building materials may be hidden by plaster in rich homes, sometimes even painted. Floors were either dirt strewn with rushes or flagstones in larger homes. Stonework was popular, especially around fireplaces. Grand homes would be decorated with intricate woodwork, carved heraldic beasts and wall hangings of fine fabrics.

Renaissance (late 1300s-1600s)

The Renaissance was a period of great artistry and splendor. The revival of old styles injected symmetry and colour into the homes. Frescoes were back. Painted mouldings adorned the ceilings and walls. Furniture became more ornate, fixed with luxurious upholstery and fine carvings. Caryatids (pillars in the shape of women), grotesques, Roman and Greek images were used to spruce up the place. Floors began to become more intricate, with coloured stone and marble. Modelled stucco, sgraffiti arabesques (made by cutting lines through a layer of plaster or stucco to reveal an underlayer), and fine wall painting were used in brilliant combinations in the early part of the 16th century.

Tudor Interior (1485-1603)

The Tudor period is a starkly unique style within England and very recognisable. Windows were fixed with lattice work, usually casement. Stained glass was also in in this period, usually depicting figures and heraldic beasts. Rooms would be panelled with wood or plastered. Walls would be adorned with tapestries or embroidered hangings. Windows and furniture would be furnished with fine fabrics such as brocade. Floors would typically be of wood, sometimes strewn with rush matting mixed with fresh herbs and flowers to freshen the room.

Baroque (1600 to 1750)

The Baroque period was a time for splendor and for splashing the cash. The interior of a baroque room was usually intricate, usually of a light palette, featuring a very high ceiling heavy with detail. Furniture would choke the room, ornately carved and stitched with very high quality fabrics. The rooms would be full of art not limited to just paintings but also sculptures of marble or bronze, large intricate mirrors, moldings along the walls which may be heavily gilded, chandeliers and detailed paneling.

Victorian (1837-1901)

We think of the interiors of Victorian homes as dowdy and dark but that isn't true. The Victorians favoured tapestries, intricate rugs, decorated wallpaper, exquisitely furniture, and surprisingly, bright colour. Dyes were more widely available to people of all stations and the Victorians did not want for colour. Patterns and details were usually nature inspired, usually floral or vines. Walls could also be painted to mimic a building material such as wood or marble and most likely painted in rich tones. The Victorians were suckers for furniture, preferring them grandly carved with fine fabric usually embroidered or buttoned. And they did not believe in minimalism. If you could fit another piece of furniture in a room, it was going in there. Floors were almost eclusively wood laid with the previously mentioned rugs. But the Victorians did enjoy tiled floors but restricted them to entrances. The Victorians were quite in touch with their green thumbs so expect a lot of flowers and greenery inside. with various elaborately decorated patterned rugs. And remember, the Victorians loved to display as much wealth as they could. Every shelf, cabinet, case and ledge would be chocked full of ornaments and antiques.

Edwardian/The Gilded Age/Belle Epoque (1880s-1914)

This period (I've lumped them together for simplicity) began to move away from the deep tones and ornate patterns of the Victorian period. Colour became more neutral. Nature still had a place in design. Stained glass began to become popular, especially on lampshades and light fixtures. Embossing started to gain popularity and tile work began to expand from the entrance halls to other parts of the house. Furniture began to move away from dark wood, some families favouring breathable woods like wicker. The rooms would be less cluttered.

Art Deco (1920s-1930s)

The 1920s was a time of buzz and change. Gone were the refined tastes of the pre-war era and now the wow factor was in. Walls were smoother, buildings were sharper and more jagged, doorways and windows were decorated with reeding and fluting. Pastels were in, as was the heavy use of black and white, along with gold. Mirrors and glass were in, injecting light into rooms. Gold, silver, steel and chrome were used in furnishings and decor. Geometric shapes were a favourite design choice. Again, high quality and bold fabrics were used such as animal skins or colourful velvet. It was all a rejection of the Art Noveau movement, away from nature focusing on the man made.

Modernism (1930 - 1965)

Modernism came after the Art Deco movement. Fuss and feathers were out the door and now, practicality was in. Materials used are shown as they are, wood is not painted, metal is not coated. Bright colours were acceptable but neutral palettes were favoured. Interiors were open and favoured large windows. Furniture was practical, for use rather than the ornamentation, featuring plain details of any and geometric shapes. Away from Art Deco, everything is straight, linear and streamlined.

[moyazaika]

tbh jaded lawyer darling trying to save yan crime kingpin from getting his ass thrown into prison for life — yet again.

he’s lingering at the court’s steps, entertaining the news reporters with a dazzling smile, the entire world waiting with bated breath to see whether this is the day his billion dollar criminal empire comes crumbling down—

“the whole world knows you did it!”

“are you ashamed of yourself?”

“do you really think you’ll walk away a free man after today?”

that gets his attention.

“darling, don’t ‘ya worry about me,” he turns to the journalist, and tilts his head to the side, pulling out his lollipop from between those lips, curled in a sly grin. “i ain’t gotta worry ‘bout no fuckin’ laws when i got the world’s best damn lawyer on my side.”

a young man, then. thick glasses and braces on his teeth. far too thin and lanky, for all his balls of steel as he speaks up. “are you implying that your lawyer is an accessory to your crimes? a corrupt lawyer for a guilty man on his way to the gallows?”

he hears you approach before he can think to respond. the familiar, expensive echo of the dress shoes he’d bought you the first time you’d won a case, before you’re there where he thinks you belong; right by his side.

“alleged crimes,” you correct, and your kingpin turns to greet you with a million dollar smile. “now, my client will not be taking any more questions. kindly, fuck off.”

cameras flash instantly and countless more mics are shoved into his pretty face, still mesmerised by you, even when you grab him by the back of his collar (unironed, you notice with absolute dismay) and pull him inside, away from prying eyes.

“you’re being tried for sixteen drug and weapons counts,” you hiss, digging your newly manicured nails into his skin, as you pull the lollipop he’s sucking on right out of his mouth with a wet ‘pop’ and toss it to the side, seething. “when will you fucking get serious!”

he only dumbly stares back at you with a slack jaw, and stars in his eyes. his voice dips an octave lower, deep in his throat when he speaks. “oh, i could get very serious if you wanted to give me a kiss. or, y’know, maybe you could act as a replacement to that sweet lollipop of mine ‘ya just—oh, fuck!”

when you stride into the courtroom later, in your neat, pressed suit and slicked back hair, nobody dares ask why the infamous ‘alleged’ crime lord is following after you with a bruise blossoming on cheeks that flush a deep, deep scarlet.

-

the judge announces the jury's verdict, and you don’t even look up from the documents you’re perusing when he’s found ‘not guilty’ in a court of law, yet again—

“jesus fuckin’ christ, i knew you were gonna save me!” your kingpin jumps up from where he’s sitting besides you, pressing his face into your shoulder as he breathes you in with an elated, shuddering breath. “can’t even imagine which ditch i’d be rottin’ in without ‘ya, sweet pea.”

“excuse me, sir.” you pry his hands off you with a detached air of reservation you reserve for when the two of you are in public, but the way your knuckles are white when you gather the countless files and papers of yours scattered on your desk tell him everything he needs to know about how pissed you are. “hands off.”

he knows he’s in for it when the two of you get home, and yet, he looks forward to the sight.

it’s always more… exciting than it should be; when you’ve got him shoved right up against a well, going off about how ‘irresponsible’ and ‘immature’ he is, nails leaving his skin bleeding from how deep you sink them into his body, too caught up in your own irritation to notice or, honestly, care.

and maybe, he thinks, as he follows you out, tonight he’ll go pay a visit to someone after you’re done with him.

a man’s got needs, y’know?

he’s high off the rush of his latest win when he walks up the porch steps hours later. it's really only the latest achievement in a long line he attributes solely to you and your efforts.

he’ll make sure to repay you one day, with all you’ve done for him. he’ll take such good care of you; let you do whatever you wanted to him, as a token of his appreciation for ho hard you've worked to keep him on the streets he rules and out of the prisons he knows he belongs in.

in fact, his efforts start right here and right now; on the steps of a nice, suburban house, that belongs to the journalist with thick glasses and braces and a wiry frame. the white picket fence and 'keep off the grass' sign do little to deter the man outside. then again, the poor bastard could have had gates of iron, and he still would have found a way to creep inside.

he never knew being a journalist paid so well. shit, maybe he should’ve gone down this path instead of, y’know, running a criminal empire. this bastard's got balls of steel, for what he had the nerve to say about you. but it’s okay! hey! he’s here to take care of it for you!

you don’t ever need to find out what he’s done in your name. ♡

he’s very adamant about this, choosing to see the job to completion all alone, slinking away from your critical, watchful gaze—only once he’s made sure you’re knocked out by watching you sleep, crouched by your bedside, for a few hours—to make sure the problem’s all taken care of.

the kingpin rings the doorbell, and patiently waits for the door to open with his scarred hands held behind his back. there’s a glock in his left back pocket, and a silencer in the right. a swiss army knife curled in his fingers, because he’s always been creative.

yeah, can you believe that? his teachers used to tell him he would make a great artist one day. and he is, he likes to think. only that his canvases are a little less traditional, and not in the banksy way. you know how it is! life imitates art... or some hippie shit like that.

there's no rules in art for what you can paint with, right? or what surfaces you can carve up into pretty shapes...

and so, when the lock clicks open, and the handle turns, it’s exactly like he said; a man’s got needs!

so sue him! really, so what if his needs mean his heavy hands are clamping over the journalist’s mouth, twisted into a silent scream—

so what if he knocks the smaller man back, a fist flying to his face, those wide eyes and all, slack jaw stupidly hanging open in disbelief—

so what if he shoves him inside and kicks the door behind them shut?

your kingpin knows what comes with the life he chose, and sullying his name is one thing—but nobody gets to drag your name through the dirt and live.

he makes sure of that, personally.

-

“where did you go last night?” you ask, not taking your eyes off the weekly newspaper in your hands. there, on the front page, a greyscale photo of you and your headache of a client, descending the court’s steps after the verdict. “and why didn’t you ask for my permission before you left?”

the headline, in big, bold letters, splashed above the picture; INTERNATIONAL OUTRAGE AS INFAMOUS DRUG LORD EVADES LAW YET AGAIN. SHADY LAWYER TO BLAME?

“just takin’ out the trash, lovely. don’t you worry ‘yer pretty little mind about it.” as he says that, he abandons his own breakfast, suddenly snatching the paper out of your hands and ripping it up, but not before noting the name of the article’s author, tucking it away for later.

shreds of the weekly paper you hadn't even gotten to read yet fall to the floor, fluttering this way and that. you close your eyes and smile. “haha. funny. well, my ‘pretty little mind’ is telling me to throw the coffee in my hands all over you.”

“tryna mark me up?” he purrs, “if you really wanna wake me up, can i suggest somethin’ else ‘ya could throw at me? or on me, really. but—”

“i’m going to kill you in your sleep, one of these days.” you deadpan, turning back to your food. he’s like a little kid, and you’re not about to indulge him by giving him the attention he so desperately wants from you.

“'yer serious??" he grins, hands flying to his face in elation, a curious blush colouring his skin a deep pink. “you mean you actually wanna step into my bedroom— at night— of 'yer own damn will?“

you take another sip of your coffee, fingers trembling around the cup. don’t throw it at him it’s what he wants don’t throw it at him it’s what he wants don’t throw it at him it’s what—

“damn... guess i should start sleeping naked, then.”

[ramen-writes]

"I pledge to you my life-"

"wh-what?"

"As your protector and knight"

"wait stop. No-"

"to serve you-"

"please stop. Not like this"

"and stand behind you"

"No- stand with me n-not-"

"I pledge to you my loyalty and from this moment on. I shall honor and protect, put your liege before my own-"

"stop. I bid you to take it back!"

"From now my life is yours and I shall serve you with honor"

"This is no oath I ever desire from you!"

"I shall become the sword that will protect you"

"There must be another way-"

"I will aid you to the top"

"There's no height I will reside upon without you by my side!"

"I am your loyal servant"

"No- you're the only one who isn't. You're my companion, my love, the only one by my side. Don't do this, please"

"who will reside behind you until my bones turn to dust and my heart sets to a stop"

"N-no.....please"

[briscoelily]

can't stop thinking about george confirming ghosts can feel each other... it all acquires a new meaning... edwin's gasp as they hug after the case of the two dead dragons... charles' hand coming to rest where his heart used to be in the finale... the one being the only tangible thing keeping the other grounded as they thread over earth like shadows

[wistfulwatcher]

[the-bi-fangirl-biatch]

if i got a nickel for seeing a ship end with a chatacter who leaves to do something greater/fulfilling their purpose and help more ppl, but at the expense of leaving the love of their life alone and letting them lose their previous purpose...I'd get two nickels. which isn't a lot, but it's weird that it happened twice.

[souenkun]

I need the pokemas anniversary to come soon so we can hopefully see volo go batshit crazy again for the second time!!!

[littlefankingdom]

Simple observation I made from reading these comics. DC, stop making their dad an asshole and make him hug them more.

Also, the hugs in these comics:

Tim's hug is not in Red Robin but it's during the run and when Bruce comes back in time.

Cass' hug is weird because they're suicidal freaks who think fighting is therapy. They fought while being drugged, and blew up a brigde. It makes sense for them only.

Jason's first hug (Outlaws) is after he tries to apologize for his crimes and Bruce refuses to let him to do it, because his boy is innocent for him 🥺 (and then, they fucked it up with Ethiopia because they cannot let them have nice things 🙄). The second one (Red Hood & Arsenal) is started by Jason, who is just very happy to see that Bruce is alive, even if he has lost his memory.

[2aceofspades]

TW: Blood/Injury, Implied Death

_______________________________________________

With you

Lil one-shot I guess...??

_______________________________________________

After the dust cleared, it was dead silent. The air was thick with moisture from the dark clouds looming above them all. Someone, probably Raphael, yelled out something Two didn't quite process, his ears still ringing as his vision slowly cleared.

A faint blue glow flickered in the near distance, not too far from where Two was slumped on the ground. More muffled shouts rang out as Two attempted to collect himself, staggering to his feet and trudging over to the source of-

No.

Just the image alone was enough to bring Two collapsing back to his knees. Stupid, he thought.

"H-hey..." One's weak voice just barely got through to Two, snapping him right out of his thoughts.

He stared down at the dimming blue glow, watching it flicker and fade in and out. How the hell are you still here, breathing?

His thoughts became flooded in his head, even more so as he felt his arms cradle his brother's near-lifeless body.

"Did we win?"

Two felt his jaw clench at One's question, feeling frighteningly close to grinding his teeth until they were flat.

Did we win?

The question echoed in Two’s head, as if that would better help him process this moment. In any other instance, he would have deflected and scoffed at such an empty, meaningless question. Did it matter? he thought as he titled his head up, looking around briefly at the wasteland that surrounded them. It was over, that much was apparent.

"Yes,” he huffed, looking down at his brother in his arms as he continued, “Now, shut it and save your strength. Your heart-"

"I know," One croaked out in between a few sputtering breaths, interrupting Two in more ways than one. Two tried to ignore the cast-off of blood coming from his brother's mouth, despising the sickening feeling settling in his stomach as it hit his chin. One smiled weakly up at his brother, his eyes dull and unfocused.

How dare you, Two thought to himself.

His eyes flickered from One's exposed heart, bleeding out and hardly beating, and back to his brother’s face. His brother looked beaten, bloody...broken. It wasn't a look he saw from him often, if at all. It was that damn smile that he watched waver as One's heart beat softer and softer. What cruel irony, Two couldn't help but think, a metaphorical expression brought to life by his stupid, thoughtless, idiotic brother.

Two could still fix this. Even as he held his brother tighter against his own plastron and felt his shirt get soaked by the horrid mix of blood and empyrean; he thought to himself how he'd be the one to fix this.

There was no other choice left.

“Good…” One let out the softest of chuckles, “…we…we can s-start over.”

Something in Two’s own chest faltered, even just briefly. It was enough to shut out the feeling of One’s pathetic coughs and wheezes against him. He watched how One's eyes dulled further, his gaze wandering away from Two's face.

Starting over? That wasn’t ever an option, not one that Two had ever weighed in his mind. He wasn’t sure if that was even an option now. After everything he had done, everything he sacrificed, worked for…his brother still wanted to burn it, bury everything down and out of Two’s reach. One wanted this win, he wanted the impossible.

“Impossible…” Two muttered under his breath.

He heard yet another faint chuckle. And then the dense silence that followed.

_______________________________________________

~bonus doodles~

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