#I've been meaning to write this

[reginrokkr]

𝐂𝐗𝐈𝐕. The second apocalypse, Fortuna and the Neohuman Project.

On the second Apocalypse.

It's important to describe what exactly makes an apocalypse be considered such and not described by other name (like cataclysm) if both are events harmful to Teyvat itself and the living beings that inhabit it. For this, I will make a comparison between Phanes' arrival to Teyvat and the Second Who Came + Nibelung descent with forbidden knowledge.

In the former, although it's unquestionable that the war waged between Phanes and whoever fought alongside him (if any), and the Dragon Sovereigns must've scarred Teyvat one way or another (we know from Sapientia Oramasdis II about the consequences it would take if Apep passed away by releasing all the Dendro energy within it as well as we know that some dragons perished in the combat be it during the first, the second fight when Nibelung brought forbidden knowledge and the Second Who Came arrived or in both, which must've led to consequences on a planetary level), it isn't stated to be in a relevant way worth mentioning. Here, the outcome was clear: the winner would inherit the right to reshape the world, whereas the loser would be subdued. Such was the dynamic between Phanes as the former and the Sovereign Dragons as the latter, and so Teyvat was recreated which caused it more hospitable for the soon-to-be created humans after that.

In the latter, however, it's different. Not only the fact that Nibelung, in all his wish to dethrone Phanes and the Saints, brought forbidden knowledge worsened matters both to himself, his fellow dragons and everything else— but the Second Who Came's presence as well made it so that the entirety of Teyvat as a planet was endangered and it ran the risk of being dying. Not the living beings that inhabit it alone, but the world in itself too. Among the consequences that have been stated, it's known that: forests turned into sand in Sumeru, there was an immense flood that drowned the unified civilization (Enkanomiya fell into an extraplanar conjunction point between the Human, Light and Void realms) and a breakthrough of the plague brought to this world (presumably Abyss energy-related). In order to mend this, Phanes dropped sapphire nails to prevent the world from crumbling so these would purify the land, thus destroying adjacent civilization as an undesired side-effect to his determination to protect Teyvat. Because of the importance of events that befell and what nearly caused to the world, this historical event would be more accurate to point as an apocalypse versus the former discord.

Given everything we've learned about the Cataclysm, even if one could argue that its relevance and what it caused to the world was negative and harmful (which it was), it wasn't on the same level as the apocalypse.

Although it has been teased before that in Snezhnaya it's known that the world will face a new Long Night (or at least among the Fatui, Harbingers and the Tsaritsa) and in René's notes that a catastrophe must be avoided at all costs, this patch of Fontaine shed more light onto what that means: the coming of a second apocalypse. An apocalypse described as a world where no more flowers will grow, a disaster defined for seeing a pool of blood past one's ankles, a world in which after a few hundred years, all birthing waters will dry up and after that, the world will be devoid of light with destroyed civilizations and a shattered sky that can be seen via two methods: through the Book of Revealing or the Looking Glass.

Whatever will lead Teyvat to this state remains unknown, but the Abyss Order's intentions are tellers of an outcome for the world far from desirable given their determination to plunge the whole world to darkness and overthrow Celestia with the power of the Abyss. In essence, the Abyss Order may not be any different than Celestia is due to their determination to potentially change the threads of fate in a similar fashion as there seems to be a divine control over fate that not all gods have access (the Archons) for their own purposes. Even if forbidden knowledge has been erased, there is still a latent star-devouring darkness that endangers Teyvat. Tsaritsa's involvement alongside her Fatui and Harbingers may also lead to undesirable consequences that could lead the world to its downfall, or Celestia's awakening and action may assist in that as well. Perhaps it's all three deeds at once.

This second apocalypse has been prophesied by René de Petrichor and Jakob Ingold, which is not an unlikely thing to happen. A relatively recent element, the Sign of Apaosha, is said to reflect the Abyss and corrupt the land around it (the sign), and it's believed to be a reflection of the "reality" beyond Teyvat's skies. Given that as per René's notes it's known that research on the Abyss [energy] was being conducted as well as other future research that I'll mention briefly, it's not impossible to have witnessed a catastrophe to come. Moreover, according to the Book of Revealing written by René, it's implied that other ancient civilizations might've been aware of this fact (at least the one of the Nameless City or underground palace in the depths of the Chasm, given that these ruins are displayed in the prophetic vision of the future).

On Fortuna.

Fortuna [that which happens without design, remarkable occurrence] (or world-formula, as termed by René) is described as the phenomenon that takes place when a civilization is destroyed and a new one is born from its ashes. Besides prophesying a second apocalypse to come in centuries (since 400 years ago), calculations made in regards of this subject reflect the outcome that no new civilizations will be born unless new variables are introduced "from outside the system". This would increase the magnitude of this catastrophe bound to come.

On the Neohuman Project.

This is the chosen variable by René de Petrichor in order to face the incoming crisis, or better said, ensure humanity's survival in the context that this apocalypse will take place no matter what, hence Teyvat will become an inhospitable world incompatible with life. Starting first with himself and then with Jakob Ingold, René's discoveries led him to learn that the composition of their bodies (changed as a result of these experiments) are closer to that of the Abyss and the Khvarena, paradoxical as it may be. Their bodies don't need nourishment like normal humans do and they possess terrifying self-recovery properties (fact-checked by extirpating ingrown organs close to vocal chords [albeit not for this purpose] and watching them regrow in a matter of few days) and in order to grow stronger, these bodies are nourished with the blood of fell beasts of the Abyss (Elynas in Jakob's case, albeit it was discovered that the Crimson Agate of Dragonspine and Elynas' blood share the same properties). In the present day, Jakob, in the body of an adult human, has been seen taking the form of an Iniquitous Baptist.

This project is seen as a manner of human transcendence in order to adapt to the hostile world that Teyvat will become if the prophecy becomes true. When the neohuman project proved to be difficult and a failure on a new experiment, a new variable has been introduced. Experiments were conducted in more humans and, albeit anti-intellectual and counter-intuitive, it's presumed that in order to transcend one's physical form and personality must be shed and lost and thus a gestalt where memories and other human souls are merged together similar to the principle of merging Oceanids into one by returning to the primordial waters. Ancients (presumably those of the Nameless City) have been already successful in this in the past. René, as the first subject in more modern times (400 years ago), was successful and he was able to see the memories of those human subjects that took part in this project.

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[no-passaran]

Spain lied about not selling weapons to Israel.

Even after October 7th, Spain has sold more than 1 million € of weapons to Israel. Norway and Finland make it possible.

In January, Spain made headlines word-wide when the government's Minister of Exteriors, José Manuel Albares (PSOE), claimed in Congress and later again in a radio interview that Spain had stopped selling weapons to Israel ever since October 7th. Israel's intensification of violence in Gaza following October 7th meant that, on top of decades of apartheid and ethnic cleansing, between October 7th and January 23rd Israel had already killed 28,000 people and forced 2 million out of their home. In this context, many people were demanding their governments stop arming and funding the genocide of the Palestinian people, and here on Tumblr and other social media sites like Twitter I think we all saw the many posts praising the Spanish government for this.

Well, it turns out it was a lie.

According to Albares, "Since October 7th there are no more weapons exportations [from Spain] to Israel". But in November alone, Spain exported weapons to Israel for 987,000€, as was published on the Spanish Government's official website dedicated to exterior commerce (Comex). A researcher from Centre Delàs (an independent centre for peace studies) found it and published it, and it has also been verified by newspapers such as elDiario.es.

This 987,000€ worth of weapons in November was not the only ammunition that Spain has sent to Israel in 2023. In 2023, Spain exported a total of 1.48 million € in war material to Israel.

All of the weapons sent in November come from the factory of Nammo Palencia (Castilla y León), a corporation that is 50% property of the Government of Norway and 50% owned by a public Finnish business. However, even if the owners are foreigners, the ammunition was sent from Spain and thus it had to be authorized by the an organism of the Spanish Government named Junta Interministerial de Defensa y Doble Uso, whose deliberations on whether a weapons exportation is accepted or denied are kept secret. The only cases where they have denied exporting weapons to Israel have been when they thought that Israel would re-sell these weapons to the Philippines.

Spain has had a close relation with Israel for years. As published by the Spanish Government, Spain has sold 20 million € of weapons to Israel between 2012 and 2022. Spain also buys weapons and military software from Israel (for example, the Spanish Intelligence Service has been using the Israeli software Pegasus to illegally spy on Catalan activists, journalists, politicians and civil society members and their relatives to attack the Catalan independence movement), and Spain has continued buying from Israel and allocating defense contracts to Israel even after the October 7th attacks. It is very difficult to track the concessions of public contracts such as buying weapons, but some contracts have been known. For example, on November 24th 2023, Spain bought 287.5 million € of missiles from Israel. This is not unusual: between 2011 and 2021, it is publicly known that Spain bought war material from Israel for at least 268 million €, but experts say that the real number could be two or three times as much.

Spain has also continued allocating concessions to Israel. For example, on December 15th 2023 Spain allocated a contract worth over 576 million € to Israel for a rocket launcher programme. On November 22nd, Spain allocated another another Israeli company to provide missiles for 237 million € at the same time as the Spanish army bought Israeli inhibitors for 1.4 million €. The very next day, November 23rd, Spain signed another military allocation to Israel for 82,600€. The following week, Spain signed yet another allocation with a different Israeli military corporation for 3.7 million €.

Spain also allows Israeli weapon manufacturing companies to produce weapons through their branches located in Spain. This way, Israeli weapons make their way to markets with which Israel doesn't have diplomatic ties but Spain does, like Saudi Arabia. And since Spain is a member of NATO, Israeli weapons produced in Spain are approved according to NATO standards and access it easily. In the same way, these Israeli weapons manufacturers also access European Union defense funds through their branches in Spain. (source).

As I said, I saw a lot of positive posts around when Albares said Spain was going to embargo, but I haven't seen any post about how they didn't do it. I also (personally) haven't seen anything on international media, and barely anything on Spanish media, which is already busy with the PSOE covid material corruption scandal. So I share this in the hope of helping put pressure on Spain to cut all ties with Israel immediately.

SHAME ON EVERYONE WHO GIVES ISRAEL THE MATERIAL AND MONEY THAT WILL BE USED TO MASSACRE THE PALESTINIAN PEOPLE. SHAME ON SPAIN, NORWAY, AND FINLAND.

[technically-human]

THEY CANCELLED DEAD BOY DETECTIVES :(((

Guess they belong to me the fandom now

[andsewingishalfthebattle]

Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.

Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU

[blindmagdalena]

All of a Sudden, There You Are

3k. homelander x gn!reader. pining. pure fluff! an older fic that desperately needed cleaning up. rewritten for a consistent perspective and added 600-some words. gif credit. AO3 link.

As Homelander's stylist, it's your job to ensure he looks his best, whether he's saving the world or saving face in front of the cameras. After nearly a year servicing him, things between you change abruptly.

Familiarity and consistency feed a base need in all of us. So much of what is best in us is bound up in the permanence of those around us that it becomes the measure of our stability. For Homelander, there are precious few things in his life that offer him any such quality of solidarity. People come and go. It's the nature of the business that has always been his life.

He's stopped paying attention to the PA's, interns and other worker ants that rotate in and out. Their faces blend together in a bland sea of normality and mediocrity. They're little more than cogs in the machine of his contrastingly extraordinary life.

Funny, then, that you should catch his attention amidst the insectoid buzz of it all.

It happens quite abruptly. He's just sat down before a brightly lit vanity where it's your job to style his hair and makeup, as it has been for the last several months. You greet him good morning, as you do every time, but for whatever reason... He notices you today.

"Remind me, what's your name again?" Homelander asks, watching you draw a comb from your kit.

That visibly catches you off guard. You offer only a dumbfounded stare for a moment before snapping to attention, smiling sheepishly as you introduce yourself. The name doesn't sound familiar to him. Had he never actually asked? Probably not. There’s rarely a point in bothering.

He hums contemplatively. "You've been styling me for a while.”

"Yes, sir. About eight months now," you say, using the comb to begin working product through his hair. He’s fairly certain this is the most he's ever spoken to you in all that time.

That sounds like both a long while and yet no time at all. It's nothing in the grand scheme of his life, but in terms of the people he sees consistently, that puts you in a shockingly small pool of individuals. Inevitably they move on, whether by choice or because they’ve found a way to irritate him enough that he has them dismissed.

He can recall his last stylist not by their name or face, but by the way they’d always manage to spray product in his eyes. They hadn’t lasted two days. The one before that he can’t bring to mind a single detail of.

Typically humans only become exceptional to him for how they grate on his patience. You’ve somehow managed to avoid making yourself noteworthy in that regard. Before today you had served as little more than a properly functioning gear in the well-oiled machine of his life.

Now it's as though you suddenly exist to him. Blood, flesh, laughter and all.

"Gooood morning," he greets you the next day, once again triggering another flare of surprise in you. He’s aware of the strangeness of his initiation, but behaves as though he isn’t. He flashes you one of his trademark Hollywood grins.

"Good morning to you, sir," you say with an answering smile that catches his eye. You sound pleased, which tickles something pleasant in the back of his own mind. He likes how well you’re mirroring his shift in mannerism.

He waves his hand dismissively. "Please, Homelander is fine. You keep it awfully formal."

You're actually quite pretty, he notices. Not exceptionally so, not like the celebrities and figures of social influence that someone like him brushes shoulders with on a daily basis, but... pretty nonetheless. He doesn't remember you being this pretty before, and speculates while you work whether you've changed something about yourself. He cannot put his finger on what exactly that may be, though.

He’s perceptive when it comes to the things that matter. Until yesterday, you hadn’t.

You laugh sweetly, pushing your fingers through his hair. His eyes flutter shut as you do. You’re good with your hands, much better than the last stylist. He’s sure he made note of that at some point, but in the same way someone notices when a door stops squeaking. You take it for granted after the first time.

"I'm a creature of habit. Might take me a couple tries to adjust," you warn, covering his forehead with your palm as you spritz product into his hair. You never let any of that sticky crap get on his face, much less in his eyes. You take measures to ensure his comfort, even though he’s never scolded you. You seem to do it entirely out of reflex simply because you care enough to.

"Well, you've made it this far. You've got time to adjust," he says. Now that he's seen you, he finds that he doesn't care for the thought of you being gone. More than that, he starts actively looking forward to the time he spends in the chair with you. What used to be a monotonous aspect of the celebrity side of his life becomes a comforting ritual. 

The two of you chat with surprising ease, like old friends made new. He tells you about himself, vents to you about work and personal business alike. In turn he learns about you and the life you live beyond the time you share with him. It’s nothing extraordinary–not like his–but it's yours, and for some reason, that’s enough to make it interesting.

The more he grasps that you are an entire person outside of the service you provide him, the more he wants to know. He doesn’t give a fuck about your elderly cat, but he does like the way your voice changes when you talk about it. His mind drifts when you tell him these little anecdotes, and he wonders what you tell the people in your life about him. He wonders if your tone similarly changes when you do. Do you speak fondly of him? Days turn to weeks. Little by little, Homelander discerns small changes in himself. There’s a slight pep in his step these days. The sun feels a little warmer, the thrum of crowded events less irritating. His attitude towards interviews flips; even the ones he used to dread he begins to anticipate. He knows you’ll have him looking and feeling his finest. He knows that regardless of what awaits him, you’ll have something to say about it that will make it easier to smile for the cameras.

Thinking of you is sometimes all it takes.

When he has nothing on his schedule to be styled for, he sulks. On those days, he misses your laugh the most. 

He makes sure the products he keeps at home are the same as the ones you use. The smell of them reminds him of the smell of you, of your knock-off Dior perfume that fades too quickly after you apply it, which makes it just perfect for his keen sense of smell. The humble subtlety of you, your sincerity and gentleness, have become a boon against the unfeeling corporate reality of his life. On the days he does see you, he begins to miss you before he’s even left you. Now, as he walks to his next scheduled appointment with you, he’s painfully aware of the beat of his own heart. His stomach is twisting in on itself, though he isn’t hungry. If anything, he feels a little nauseous. The closer he gets to the door, the louder the cacophony inside of him becomes. Is he sick? That shouldn’t be possible, but he can’t understand what’s happening to him. Pausing just outside the door, he takes in a steadying breath.

What the fuck is wrong with me?

Taking a moment to collect himself, he gives his face two quick pats on either side, shaking his head. Get it together, he tells himself, stepping into the dressing room. 

“Gooood morn–” Homelander cuts himself short, looking around the empty room. His brows pinch. He isn’t early. Pursing his lips, he takes a brief stroll about the room, clutching his hands behind his back. He peers down the hallway, cutting through the layers of wall with his vision. No sign of you on the grounds yet. He clicks his tongue. 

You’ve never been late. Unable to settle, he paces for a while. He has the thought to call you, but he realizes he doesn’t have your number. Why doesn’t he have your number? It seems such an obvious thing to have despite the fact he’s never needed it.

He’s just pulled out his cellphone to track it down from Ashley when the door suddenly opens and his head snaps up. The initial relief he feels is cut short, turning cold in his chest when the person who steps through the door is most definitely not you. “Good morning!” the woman greets him, her voice chirpy and grating in his ears. She’s not really happy to see him. She doesn’t know the first fucking thing about him. At most, she’s another sycophantic drone who’s only pleased to breathe his air. In his upset, she looks freakishly distorted, her smile overly wide and fake. His leather gloves creak as he curls his hands into fists. “Who the fuck are you?” he asks, voice as measured as he can manage it. His anger hits in an unreasonable surge, hot like lava from a volcano. This woman’s only crime is the fact she’s not you, and yet it’s enough to make him want to rip her head off her shoulders, spine and all. The woman hesitates in the doorway, her chipper demeanor flipping to a fearful one. “Uhm, my name is Lisa, I’m supposed to style you to–” “Where is my stylist?” he interrupts her, prowling towards her like a hungry predator. He says again, louder this time, voice full of anger and anxiety in equal measure, “Where the fuck is my stylist?!” “I– I don’t know!” Lisa yelps, stepping backwards from him. “I was called in as a last minute replacement! They said– they said there was an accident, or–” Homelander pushes her roughly out of the doorway, blowing past her with a frustrated growl. She hits the wall hard before crumpling to the floor like a lifeless sack of potatoes, but he doesn’t even register it. He calls Ashley, stalking down the hallway, his footfalls loud with fury. Why the fuck didn’t anyone think to tell him? “Ashley!” He snarls into his phone the second she answers. “Tell me where the fuck my goddamn stylist is.”

Homelander is at the hospital within minutes. The staff puts up a meager effort to enforce protocols, but he’s The Homelander, and after a lie or two, they eventually let him through. He hates the smell of hospitals. The sickly mix of bleach and illness, the buzzing of the fluorescent lights. They never should have brought you here. You should be in Vought’s med ward.

You should be with him. When he finds you, you’re sitting with the hospital bed halfway reclined, wearing nothing but a hospital gown. The vibrant reds and blues of his suit paint a sharp contrast to the stark white walls of the hospital room when he steps inside. You have a pudding cup in your hand, though you nearly drop it when you see him in the doorway. His hair is woefully unstyled, splayed loose in every direction from his flight. “H-Homelander,” you sputter, choking on your bite of pudding. You swallow, clearing your throat. He’s walking towards you. The closer he gets, the faster your heart beats in his ears. “What are you doing here?” “Are you okay?” He asks, blowing off your question entirely. He blinks and his vision flickers through your clothes and skin alike. He scans your body for internal damage, for broken or fractured bones. You’re not wearing a cast or anything, but he needs to be sure. You nod, clutching at the blanket, wearing your confusion plainly on your face. “Yeah, I’m okay, it’s probably just mild whiplash, but I’m getting an x-ray to be–” “You’re fine,” he breathes more to himself than to you, his relief palpable. He can hear the flustered patter of your heart clearly. With the adrenaline wearing off, he’s beginning to feel that sickly familiar feeling that he had experienced in the hallway; butterflies rampant in his stomach, battering their wings frantically inside him. His jaw feels tight, his tongue too big for his mouth. Staring at you now, frail and precious as you are in this ugly hospital bed, he realizes what’s the matter–what has always been the matter–he is deeply and incurably in love with you. “Are you okay?” You ask, taking in his tortured expression, his wildly wind-swept hair. The obvious concern in your voice and in your eyes churns his already twisting gut. “No,” he says, the response knee-jerk. Even though the room is still, he feels as though the world is spinning around him. “No, I think I’m in love with you,” he says, expression twisted up, like he’s figuring out each word as he says them. Your heart skips a beat, your breath catches in your lungs. It’s as if the words have paralyzed you. Homelander laughs. It sounds a little hysterical. 

“I’m telling you all of a sudden, but it isn’t new with me,” he says, reaching out to cup either side of your face in his gloved hands. “I love you,” he says, voice firmer now, the realization setting in fully. He looks slightly delirious with it. He’s discovered a secret that he should have known all along, that seems so obvious in hindsight. Of course he loves you, because you love him. The gentleness in your hands as you touched his face, the care in your fingers stroking through his hair far longer than both of you knew you needed to. You dedicated yourself like no other to showing him reverence in service of him, and is that not love in its purest form? And yet, you don’t look to share his elation. You look like you’ve been struck by lightning, expression wide and bewildered. You still haven’t taken a breath. Homelander’s smile falters. “What’s the matter?” He asks, tone dropping a touch. “This is good news! Great, even.” For every second that you do not speak, the beat of his heart feels heavier in his chest. Why don’t you look happy? Finally, you suck in a shaky breath. He watches you with all the intensity of a viper poised to strike.

“I…” You hesitate. You lift your hands and grip his wrists, squeezing them through the thick fabric of his gloves as if to convince yourself that he’s really there. Maybe the accident was worse than he thought. Did you hit your head? 

Panic swells in his chest. It hadn’t occurred to him you might not reciprocate. The thought makes him ill.

“I never…” your eyes turn glassy, welling with tears. “Say it!” he wants to shout, his own heart hammering loudly enough to nearly drown out your words.  “I never would have thought–or even dreamed–in a million years that you might love me back.”

love me back.

Like a dying ember roaring back to life, Homelander’s demeanor reignites, his faded smile broadening once more. 

“I realized it when I was worried fucking sick because you didn't show up,” he says, leaning closer to you. He’s brought the scent of ozone from the sky he tore through on his way to you, but all he cares about is the faint smell of pudding lingering on your lips.

He huffs a laugh. “They sent in some idiot to fill in for you. Like they could replace you. I almost tore her head off,” he says, giddy with euphoria. Your expression shifts, brows furrowing. “Wait, what? You almost-” “I’m gonna kiss you now,” he interrupts, his voice a low rumble. He can already taste you in the breaths you’re close enough to share with him, and he’s never been hungrier for anything–or anyone–in his life. You fall silent with a shiver, nodding minutely, eyes falling shut. “Please do.” His lips meet yours in a gentle press. He deserves a medal for not crushing you with the sheer magnitude of his desire. You all but melt against him, settling into his grip as smoothly as you settled into his life, his mind, his heart. When the two of you break apart, you make a breathless noise that shoots through him like a bolt of lightning. He feels hyper aware of your every sound and move.

God, how he wants to feel every part of you. 

You move your hands to touch his face and he leans into the softness of your caress. You’ve been close enough to kiss more times than he can count. The fact it’s only now occurred to him to do so seems like lunacy. Your eyes dip to his lips, your thumb brushes the bottom one. He catches it with a quick kiss and you laugh your sweet bell-chime laughter.

Pushing your hand into his hair, the wondrous joy in your expression becomes tinged with amusement. “And people wonder why I use so much gel,” you murmur, smooth the wild splay of his hair down with both hands, cupping the back of his head. Homelander smiles wide and boyishly, which prompts you to kiss him again.

“I’m not having some kind of brain bleed hallucination right now, right?” You ask quietly, the tip of your nose lightly pressed to his. He brushes his lips against yours between words. “You’re serious?”

“As a heart attack,” he purrs, stroking your cheek with his thumb. Despite the ugly fluorescent lights and the dreadful hospital stench all around, you look resplendent in your joy.

He had been right. It was love that you touched him with. It had been subtle, imbued in your every movement, and for months he had soaked it up until, unbeknownst to him, he fell into it as well.

“Trust me when I say you’ll be seeing a lot more of me from now on,” he says, brushing your nose with his.

Maybe instead of tearing them limb from limb, he’ll send flowers to whoever the sorry son of a bitch that rear-ended you this morning was. Who knows how much more time he would have wasted before he realized he was utterly smitten with you.

[sun-snatcher]

If you're writing for dp3 then Hiraeth from your prompt list would work SO well since they're all stuck in the void! 🤲🏽😭 We need Gambit fics its a DROUGHT HELP

♧ ⎯ LUCK O’ THE DRAW !

summ. You find the Devil himself at the end of the world. Surprisingly, it isn’t the first time you have. It is, however, the first time it hurts. pairing. Void!Gambit x f!Anomaly!reader (established relationship. Kinda. Multiverse be funky like 'dat.) w.count. 1.8k a/n. Because Channing deserved that Gambit all those years ago, and I've come to (attempt to) deliver what the the people have asked. Masterlist here.

MOST PEOPLE MEET THE DEVIL at a crossroads, but you meet yours in— quite literally— the back end of fuckin’ nowhere.

It hurt more than it should.

Your heart practically stutters. 

“Remy.”  

Then he turns, and you wait for the flash of recognition in his eyes.

Nothing comes.

And then. And then.

Realisation— logic. The cold, hard truth: This isn’t your Remy LeBeau. Your Remy had died long before, in a Universe that was pruned and erased into nothingness by the TVA. Your Universe. The joke? That the Gambit before you is merely a variant amongst a million. The punchline? He looks exactly the same as the day you’d lost your own. 

“Well, this is awkward. You know off-shoot Hawkeye here?” Wade says, astonished, before his eyes widened. “Ah. Tragic exposition time for the readers, I see.”

Your mind is still reeling. It feels like someone’s just jammed a chisel straight into your gut. “I— Knew a version. Variant, I guess,” you manage to correct yourself, distracted by the skirting trenchcoat and the all too familiar sound of shuffling cards. 

Christ, it’s like he’d stepped right out of your memories.

Remy’s eyebrows shoot up as he studies you. Something in your chest pulls taut, threatening to snap as he speaks. “Apologies, mon ami. But as far as I remember, I ain’t never seen you before.”

“Ouch,” Wade winces, looking between you both. “What a classic trope! This is like, me talking to my past Mom in The Adam Project. Funnily enough, my Mom was you!” He snorts, pointing to Elektra. 

You ignore Wade and offer Remy a wan smile. “I figured. It’s okay.”

…It is obviously, in fact, not okay. 

You avoid him like a plague shortly after the entire commotion; it’s almost comical. Wade had managed to come up with a plan with the rest of the group, albeit a ramshackle, flimsy one, but you’ve hardly been able to pay attention through the bloodrush of shock rocketing in your head, anyway. 

Being around this Remy is stunningly stifling. 

The lilt of his accent, the sharpness in his smile; the flourishing of cards and the faint hum-drum of kinetic charge against his fingertips. 

You’ve seen it all before, once upon a time. You never thought any of it could ever bring you to this bad of a heel. 

It hadn’t taken long before you’d tried drowning yourself at the end of a bottle of brandy Logan had handed you that night. (The whiskey tames his mordance and makes him uncharacteristically civil. He’d said something along the lines of: Y’need this more than I do, bub; look like you’ve just seen a fuckin’ ghost. Shit, I guess you did, huh? )

“Mais la,” comes a huff. “Ain’t that mine?”

A frisson runs through your heart. 

“Sorry,” you say, barely glancing up from the barrel fire tucked outside the team’s hideout. You’re not quite sure you can handle meeting his gaze. “I know I should’ve asked.”

A playful hum. Remy settles on the log adjacent to yours. “S’alright. No harm done, chèr.”

It takes everything in you not to flinch at the endearment. If he’d noticed, well— he’s smart enough not to mention it. He’s curious and it stands to reason; afterall, he’s never quite seen someone look at him as weathered as the way you do. It’s as if the effort itself to do so would be unbearable.

“Y’kno’, I been told I’m easy on the eyes. Not for you, tho’, eh?” Remy shoots you an amicable smile. It’s charming, if a little compelling. “Guessin’ I made bad on you where y’from? You done been boudéin’ since y’first got here.” 

You let out a laugh. It’s the most brittle sound he’s ever heard come from someone. 

“No, no,” you shake your head. “It’s… You just make me a lil’ homesick, is all.”

Remy bristles with his deck of cards. A Charlier cut; a One-handed shuffle. It’s a mindless tic; your variant used to do the exact same with the exact same ease.

(Such a miracle, you remember thinking once, that there could be symmetries in the Multiverse. Now you learn, perhaps, it’s far more a curse. Either way, you can hear Remy’s doting voice in a distant memory, dimpling coyly at you: “S’just the luck o’ your draw, chèr.” )

You tamp down the memory before it could sink its jowls any deeper in you. 

“You’re curious,” you say.

He makes a noise of assent. Revolution cut; One-handed shuffle. Repeat.

“I ain’t gon’ axe if y’ain’t wanna answer.” 

It’s kind of him. 

You forgot he was like this.

Witty, yet gentlemanly. The way Remy always has been.

Underneath the blanket of the night, the crackle of the flames limn the planes of his face in flickering, hazy saffron. The look in his eyes is sincere as they meet your red-rimmed gaze. It’s been awhile since you’ve seen him, and in this light no less: tall, cutting, strong.

Lively.

The last you’d seen Remy, he’d been drawn out and battered by the war. Not that he’d ever admit it; he always insisted on keeping up his sunny disposition despite the constant losing battles happening. (Sometimes you think you resent him for doing that; it’d felt like he’d taken the light of the world with him when—)

You thank your lucky stars the variant Remy doesn’t make a comment on how you must be staring so openly. It’s a feeble attempt to committing every detail to memory, you suppose, in case you don’t get the chance again.

“In my Universe, a war was waging against mutants.” Your nails tinker against the empty bottleneck of the flat whiskey you’d nursed, thinking of how to cut a bloodshed of a story short; to get your point across before you falter and lose your footing.

“There was a mission sanctioned, and during it— a decision had to be made at that moment. So… you chose. Easily.” Your brows pinch tight against your will. The molten burn returns to the back of your eyes. “You saved so many lives the day you died.” 

Something catches in your throat when you realise your mistake, find yourself amending instantly, “He. He died.”

(It had been swift. A small mercy, all things considered. There wasn’t even a need to check for a pulse when you finally managed to reach for him.)

You’re fidgeting, too, with something in your other hand. Remy catches sight of it only now: a card, sitting pinched between your ringed fingers. Nine of Hearts. Its edges are torn and creased across the face, singed an ashen black. 

A proverbial piece of Remy’s heart, carried to the end with you.

He’d be lying if he said he didn’t feel a cold rush over his body at the sight. 

“…I’m sorry, chèr,” he offers quietly, inadequate as it is. He hadn’t expected that. 

He can’t imagine how haunting it must be to look at someone you’d shared a lifetime with and be met with a complete stranger instead. 

A living, breathing, ghost.

That unbiddable feeling of longing had always seemed to accompany the sight of him; but now it’s different. Now, there’s a blistering, brutal pain to come with; All-encompassing grief, thick as molasses in your lungs, overturning itself like a phantom from wherever you thought you’d buried it a long time ago. 

The only way to smother it would be to reach out, to hold him like you had once before, and isn’t that an ironic inconvenience? 

“No, no. I’m sorry,” you tell him, sigh coming out as an awkward laugh. A breeze passes and you inhale deep to ground yourself. Press your eyes shut momentarily to will away useless tears. “It must be so weird to hear all of this from me about— well, you, technically.”

“Mais, can’t ‘ave all been a bad memory, tho’, right?”

Right. No. It hadn’t been. There’s something else too. An undercurrent. Beyond the grief, the deep ache in your marrows— you think it’s nostalgia. Hiraeth. More bittersweet than it is painful.

It’s… It’s watching mutant schoolkids teaching him UNO for the first time. It’s the bickering over the beignets for breakfast, or your feet on his lap at the couch in the lounge after dinners with the rest of the X-Men. Lazy banter. Conversations that go everywhere and nowhere.

“Yeah,” you agree, feeling something bloom in your chest you thought long lost. “You taught me everything about your home, too. Down South. Told me about the bayou, the cypress trees. Your Cajun, your ways. We used to play Bourré.”

Talk of home has him ducking into a laugh. Remy had been in the Void far longer than the rest (he figures, at least)— he’s very nearly lost most of his fragmented memories to time by now. “Did I? Oughta’ play a game or two wit’ you.”

You buckle at that. “Ah. You were always the better player.”

Then:

He makes the leap before he runs out of steam. “Was we…?”

His finger darts between the space you two share.

“Oh, no,” you override, sheepishly. “No, we, we were good friends and stayed good friends. I was—” Your breath scurries; a reconsideration. “I was glad with that. You had a Southern belle named Anna Marie. A powerful mutant called Rogue. You two were good for each other.”

You must have given yourself away somewhere, though, the way Remy is reading you with a pinned gaze. It’s the same, levelled look you’ve seen before— the kind he gets in a game of cards. 

Something discerning eclipses in his eyes.

He’d gotten the measure of you in an instant. 

“Gambit musta’ been blind blind not t’see you.”

Ah.

You smile. It’s windswept. Resigned. “Well. Doesn’t matter now, does it? My Gambit’s gone. No matter how much I wish I can see him again.”

Remy’s eyes dart to your hands.

“Y’kno’, chèr,” he begins, something spirited in his tone. “In the world of cards, each a’ these and they suits hold a meanin’.”

He flourishes his deck, hypnotisingly smooth with every elegant cut, fan and spring. Every shuffle cascades as smooth as liquid in the sleight of his hands.

“Some of my folks back in New Orleans I remember, they learned me to read ‘em. Now, outta the whole deck? What you got there; the Nine of Hearts is also called the Wish card.”

The small laugh that punches out of you is bell-like. “Really?” 

It’s warm. Bright. Musical to his ears. It washes over him, and he can’t help but hang on to the peal. He wanted to hear it again. 

“Yes, Ma’am.” Remy clicks his tongue as he shoots you a sunny look. “Would never lie t’you, chèr.”

The cracks in your soul don’t disappear, but they surely lighten as you look gently at him. “Huh. Well, I guess I got my wish, didn’t I?” 

He chuckles. 

“Mais, I ain’t your Gambit but—” 

He leans. Reaches out behind your ear with an empty palm, playfully revealing a gilded card from seemingly thin air with a sharp flick of his wrist:

Another Nine of Hearts. His. He hands it over to you, by way of meaning—  I’m here, now.

New beginnings.

You take the card with a smile.

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[asoftepiloguemylove]

TO BE LOVED IS TO TURN AROUND

Portrait de la jeune fille en feu Portrait of a Lady on Fire (2019) dir. Céline Sciamma // 呪術廻戦 Jujutsu Kaisen (2018-) cr. Gege Akutami // Hozier Talk

[shadebloopnik]

Unrequited/One-sided Radioapple but it isn't treated like an angsty end of the world thing.

Imagine they slowly get closer after all the banters, and eventually becoming close friends. Lucifer ends up catching feelings for him, and after a long while, decides to confess and ask Alastor if he felt the same.

Alastor admittedly does not feel the same.

He's getting uncomfortable, struggling to keep his composure because he's DONE this before. He KNOWS how this ends. He remembers Vox and all his insistent declarations of affection and desperate pleas for Alastor to reciprocate; the possessive entitlement. He remembers how all those sickly sweet words morphed into something venomous when he didn't give the lowlife what he wanted. He remembers the anger, the ridiculous notion that it was Alastor's fault why he was so mad, that Alastor led him on and that he obviously deserved something in payment for it all-

So yes, Alastor knows how this ends.

It doesn't mean he isn't disappointed though, because he actually LIKES Lucifer, far more than he ever did Vox. Perhaps not in the way the king might have wanted, but he did. He treasured their little talks, their drinking sessions, their shared love for their instruments, Lucifers singing, their little duets, the banter, the playful jabs, the sparring.

He'd even slowly grown accustomed to the other's touches, not feeling the same surge of disgust and discomfort whenever the shorter man would grab at his arm in excitement, forgetting his usual thoughtfulness of Alastor's touch aversion for the short moment of whatever distracted him. Alastor even enjoyed it at times, relaxing at the feel of soft feathers beneath his claws, or the sensation of gentle scratches against his ears.

Difficult as it was to admit, Alastor had grown to care for the angel, the same way he had for Rosie orv Mimzy.

But no matter how fond Alastor was of Lucifer, it didn't change the fact that he didn't feel the same way romantically, or even sexually. No way in the 7 rings of Hell was he going to lie to Lucifer about either, not going to even entertain the idea of pretending he reciprocated for Lucifer's sake. He respected his friend too much for that.

So a clear, direct rejection it is. It was a shame, but nothing could be done. He said his piece concisely, and waited, shoulders set, back straight, smile and eyes a careful blank canvas as he prepared for the inevitable.

Lucifer nodded, a normal soft smile still in place, "Thank you for your answer, it means a lot."

Which......what? Alastor expected an outburst, or at the very least sharp words.

What he did NOT expect was....acceptance? And not just that but, a happy one? Contentment?????

"You're....alright with that?", he had to ask, he had to. Lucifer was clearly just very good at masking his upset.

But the damn angel just smiled?? And it didn't even look fake, just as bright and soft as his normal smiles, albeit a little confused?? Lucifer smiled at him, his brows furrowing in a bit of confused disbelief, as though Alastor is being the weird one here.

"Uhh, yeah??? Why wouldn't I be??? Yeah I may have some feelings for you but its not like you're obligated to feel the same. Above anything else, we're friends first and foremost and i'm alright with that..."

Then he seemed to have reached his own little conclusion as his words trailed off, because suddenly Lucifer's eyes widened in realization of something, and his words picking up with a sense of panicked urgency.

Alastor would really like to know what Lucifer's supposed realization was about himself because he had absolutely no clue.

"I mean, we ARE still friends right?? I don't- I- I hope this doesn't like- change your opinion of me. You're not- oh gosh I'm not making you uncomfortable am I? I- I won't mention it! You can even forget this whole confession ever happened! We can just go on as before! I don't feel any different or would act any different! Honest! I mean, I don't regret confessing because you deserve to know and I'm not ashamed of my feelings, but I don't want you to be uncomfortable! It doesn't change the way i'll treat you! Or change any aspect of our relationship! I don't even think I like you more as a lover than as a friend! I really, really do love our friendship, it matters more to me than any thoughts of being in a romantic relationship with you! So please just forget it all-"

Alastor let the word vomit wash over him, every word leaving him more confused by the minute.

Because yes, there's the desperation he expected, but...it was more about, convincing Alastor to remain friends?? Reassuring Alastor that nothing has to change?? That their friendship is the most important thing here??

(If anyone asks, no Alastor's heart didn't swell. Only lesser beings would have had the urge to cry, and Alastor is anything but.)

Lucifer is unknowingly reassuring Alastor of every single one of his insecurities about the situation. Because Alastor DID want to remain friends, he cared too much about the man to let it go so easily. It was rare to find people who treasure friendships above romantic relationships.

"I don't tend to forget easily, nor will I forget this one in particular.", he spoke, finally finding his voice. At Lucifer's defeated, pained expression( is their friendship really that important to him?), he continued. "But....yes. I'd like that.. To remain...friends."

He didn't often say the word out loud, being comfortable enough with each other that it need not be reassured with the label. But with Lucifer brightening up like his namesake, relief and happiness palpable, Alastor felt no qualms at declaring their friendship out loud.

So life went on as usual. True to his word, Lucifer remained basically the same. The following weeks were a bit stilted for Alastor, as he put some rather painful distance between him and the angel; limiting their interactions, their usual touches.

Anytime now, Lucifer would break and show his true colors, Alastor would think, waiting for the boot to drop. Lucifer would end up angry, and dissatisfied, and that was that.

But it never happened. Lucifer never expressed discomfort when Alastor avoided him, seeming to be understanding of the others need for space. He was just as affectionate as before, though initially a bit held back, as though gauging Alastor's comfort.

Months would pass, and the king never faltered. Their friendship remained strong, if not growing ever closer than before. Alastor found himself even growing more comfortable with the man. Affectionate touches were becoming common, hugs and head pats and cuddles being a welcome thing, with the reassurance that the shorter king would never disrespect his boundaries.

Lucifer seemed genuinely happy about it, despite being clearly told that none of Alastor's actions hinted at anything romantic. In fact, he seemed ecstatic that Alastor was getting more affectionate towards him as a friend. The embarrassment the radio demon felt at having Lucifer basically tear up (no really, he was crying so hard, full on drama sobbing) with joy in front of him was intertwined with the sheer incredulous fondness he felt for the man at that moment.

They were sitting at a couch one night, more than a year passing since that confession. Lucifer was leaning back, resting against the cushions, while Alastor had his head on the smaller one's shoulder, nuzzling at the crook of his neck, legs tucked close to his body. Both had a book in hand, two nearly empty cups of tea on the table in front of them. Every so often, Lucifer would flex his fingers that rested on Alastor's head, running a digit against the other's ear, often prompting the demon to lean into the touch. White wings enveloped the two, blanketing them against the chill of the night.

As Alastor turned the page of his own book, relaxing into the touch of his dearest friend, he wondered how he ever got so lucky in hell.

[millionsghosts]

I think a lot about how Vash and Knives are perceived and how they actually are. Vash is the one who pushes his feelings back and holds himself together constantly in order to keep pushing forwards, despite how open/silly he seems on the surface. Knives comes across as colder and more logical, but his decisions and conclusions are all driven by his rage and fear and emotions.

Knives makes himself out to be the reasonable one who knows more about the world than Vash (at least in Tristamp), but Vash is actually the one out there experiencing things and learning about life and humanity, meaning he's probably much wiser. This specifically is one of my favorite things about Trigun because it's just so hopeful. Vash is the one who sees the world and everything it has to offer (he was running all over the place for 150 years, dude!), and he's also the one who believes so resolutely that humans are good. I think that's absolutely beautiful.

[kazoimp]

i had to do some fanart for one of my absolute favorite fics, Better To Give by madprincefishhook. when i say it changed my brain chemistry...... 🦉🦎

[juicysnoop]

watched like 7 seasons of buffy in half a month something is wrong with me anyway ... him

[becca-e-barnes]

I’m literally drooling over the thought of sensitive Bucky whimpering and whining while fucking your tits and thighs he’s so pathetic and needy all he wants is to make you feel good and to fill you with his cum even if it overstimulates him

Okay, tit fucking is great and all but thigh fucking is SO underrated in my humble opinion. Could just be the fact I've got a small chest though lmao

It's so fun when you're already really into it and the insides of your thighs are all slick. I feel like Bucky would lose it, getting to see your face and look in your eyes and enjoy your body.

It's a nice one to do while laid on your side, facing each other. Although the angle isn't quite right for him to slip inside you, it's fun to explore the other ways your bodies can steal pleasure from one another.

"This isn't going to work, sweetheart." You can't help but laugh, having already tried everything you can think of to make the height difference work. There's no way to keep this romantic and intimate in that position because there's just no chance of aligning your bodies properly to allow him to press inside you.

"Maybe not. But it feels nice anyway." His eyes flutter shut, gliding his dick over the smooth, soft, warm insides of your thighs, encouraged by how slick and easy your arousal makes the movement.

You adjust yourself to bring your other thigh on top of his length, closing him in on both sides.

You're wet enough that friction doesn't impede his movement too much and there's something oddly romantic about it. Maybe it's his hand smoothing the back of your head or his other hand up your back, pulling your body closer to his.

It's so intimate, watching his face as he whines your name, rutting senselessly against your thighs. The little flush to his cheeks is beautiful and you can't resist kissing the thin sheen of sweat on his forehead. The thick duvet on top of you both, coupled with your combined body heat means the room is far hotter than you'd planned.

You take a second to reach between your bodies, spreading your wet folds and readjusting his length, letting him drag his cock against your neglected clit with each stroke and oh, that's pretty mind-blowing.

"O-oh my God." He whines, desperately fucking himself against your wet cunt, rather than into it. It's a different kind of pleasure to being inside you and while they're not comparable sensations, it doesn't stop this from feeling fantastic.

"Fuck, that's good." You groan, rolling your hips to meet his. Your fingers dip between you once more, gathering some of your slick arousal, using it to glide your fingertips over the underside of his shaft and over his balls.

"Holy shit, that's - fuck." Bucky's hardly got a coherent thought left in his head. He's closed in on both sides by your wet, soft thighs and now your fingers are giving him a different sensation underneath while pressing him against your soaked sex.

"I know, baby. Feels good, doesn't it?" Your fingertips trail lightly back and forth over the underside of his shaft, focusing on the inch or so beneath the tip.

"I can't... I need to cum." He groans, thrusting frantically, clinging to your body to keep you close. Within a few seconds, you feel his dick pulse under your fingertips, his cum coating the inside of your thighs in hot, thick, messy spurts.

He doesn't waste a second, kissing your forehead before kissing your neck and whispering "Good girl. Now let me watch you get yourself off with my cum on your fingertips."

[artbyblastweave]

ask game; Victoria Dallon, aka Glory Girl aka Antares

I've always thought that Victoria's first appearance is quite the bit of deft needle-threading.

The thing about Interlude 2 is that Vicky is our first example of one of this setting's established heroes actively fighting crime- not just swooping in to vulture up the accomplishments of an up-and-comer- and a therefore a major goal of the sequence is to ensure that the audience comes away structurally unnerved by what counts as business as usual for the heroes, set the stage for the hurricane of ass-covering to come. So we have a sequence where she lords her power over a baseline criminal who has no realistic chance to fight back or get away, where she cripples and nearly kills him in a display of excessive force, where she uses her connections to other capes to duck out on the consequences of her excess once she realizes that she's crossed certain moral and optical Rubicons. All of this is gross, all of this speaks to an alarmingly cavalier attitude amongst even the most ostensibly accountable heroes. And from a protagonistic perspective, all of this serves to soften the blow of Taylor's actions at the bank in act three, because we're predisposed to see Vicky as an arrogant, overprivileged loose cannon who'd actually have a significantly higher body count than all of the Undersiders put together if not for the cushion afforded to her by her status as a superhero. A golden child up against the already put-upon underdog.

But. She also does all of that to a Neo-Nazi, who was fresh off committing a hate crime. I mean, if this was violence against a purse-snatcher, a drug-dealer- It would be very, very easy to block this sequence in a way that would set her up as a villain and nothing else for the rest of the work. In The Boys, for example, Homelander debuts by incinerating one bank robber's hand and throwing another a thousand feet into the air to land hard on a parked car, and the dissonance between that casual brutality and his chumminess with the onlookers is the thematic backbone for... basically the entire show, because he was in such total control of the situation that the only reason to do it that way is that he fundamentally doesn't care. In Super Crooks, it's made abundantly clear that the superheroes trying to arrest the titular supervillains are significantly more destructive to the city than the villains are, because their institutional backing removes any incentive to do anything but pursue the flashiest arrests possible for the sake of ratings. But Glory Girl? She's a sixteen year old putting her money where her mouth is on the unconsidered-dilettante suburban-left-ish tumblrite rallying cry of punching a Nazi. She's living out a near-boilerplate superheroic fantasy of righteous violence against an uncomplicatedly righteous target- likely a fantasy entertained at least once by the median cape fan, if we're being honest- and then, in the aftermath, blood on her hands and on the pavement, staring down the full weight of the prospect of actually having killed a person in an unconsidered spate of rage, is very much a panicked teenager about it, scrambling for a way to walk it back.

Which, independent of the specifics of whether this particular asshole had it coming, is the problematic element of this that generalizes- that superheroism in this world is a system that puts the social license to use concrete-shattering power in the hands of a kid with the judgement and attitude of someone scheming up ways to dodge curfew. She's done this before, she's gonna keep doing this, she's gonna keep being two-faced about it with her public-facing golden-girl image. But she wasn't wrong to be angry. And the fact that this is the kind of thing she gets angry about is hard to separate from later beats where she tries to do right by people, hard to separate from her willingness to put herself on the line against Endbringers and the Slaughterhouse 9. It's a bad situation, a horrible system that's guaranteed to incentivize bad behavior, they shouldn't be assigning any of this shit to a 17-year-old. But later on, when things go south for her, the seeds are planted so that she can retain audience sympathy in a way that she likely wouldn't be able to if this story was a banal hatswap, with unfairly maligned "villains" who do no real wrong against supervillains who happen to call themselves superheroes.

[tatakaeeren]

Levi Ackerman | Shingeki No Kyojin Final Trailer