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#This makes it a little more clear as to why we put characters where we did
mentalmeles · 2 days
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Well. While the brain rot has me, I wanna talk about some lines in ‘Trust Love’ that have been bothering me lately. Mostly how they blatantly reference Penny and how she just might return once more.
Yes, it’s that kind of Penny posting. If you don’t subscribe to the Penny 3.0 theory or think she should stay dead, please carry on and let me have my silly little thoughts in peace. Also this is 100% Nuts and Dolts propaganda. I will not apologize.
ANYWAY! Onto the lyrics!
Right now, your hopes are shattered / Just pointless ever after
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This line obviously talks about the loss of hope. Penny, time and again, has been the character to symbolize hope. The most obvious time this has been done was during Jinxy’s auction in Volume 9.
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Ruby is inexplicably drawn to the jade marionette, which we all know turns out to be one of Penny’s swords. (And ofc let’s not forget that weapons are considered an extension of their owners in this world.)
Without knowing why, Ruby wants it and tries to wager for it. But Jinxy asks for something in particular—something Ruby has lost.
“Enough hope to fill [a] jar.”
I also want to point out that the pov making it look like the jade marionette is fitting inside the jar as well as the star charm tied around the top are not at all coincidences. This is the show telling us point blank that Penny is the personification of hope. Or at least Ruby’s hope.
But Ruby just lost her. She has no hope left.
But in time, you'll find / Through love, your power just shines
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(I felt the need to put this gif here since it is exactly what plays during these lines in the Volume 7 intro, so let’s just sit and think about the implications of that for a moment. Cool? Cool.)
When you don't know where to turn to / And you're sure all hope is gone / When the day you waited for won't come / And dark won't yield to dawn / Trust love and open up your eyes
Now these lines are what get me. They talk about Ruby losing hope and direction, caught in darkness. Now, while this is the intro song for Volume 7, it’s clear that Ruby has not lost her hope yet. If anything, she just got a big chunk of it back.
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And I’d argue that even In Volume 8 when shit has hit the fan and it just keeps coming and coming, Ruby hasn’t lost her resolve yet. There are definitely moments when she comes very, very close to it and she falters, but she does end up maintaining it for the most part.
(I can't find it, but imagine the gif where Ruby is looking down at Penny's unconscious body and is tearing up while saying "It's all...too much." Wow. Such a pretty gif.)
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(It's also funny how these moments where Ruby's doubts are the strongest are taking place when Penny is seriously wounded and incapacitated, now isn't it? Surely that's just a funny coincidence...)
But then she and the rest of team RWBY fall into the Ever After and, after learning about Penny's second death, Ruby's mental state just falls deeper and deeper.
But then the lyrics tell Ruby that all she has to do during this dark and harrowing moment is to 'trust love.' Who's love is she supposed to trust? The song has been relating to keeping hope up till now, so it's not a stretch to say that she's supposed to trust the love she had for Penny, platonic or otherwise.
Trust love, the truth is there, but sometimes in disguise
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These lines are certainly interesting when put into the context that they're also related to Penny somehow. Personally, all I can think of is when Penny transferred the Winter Maiden powers to Winter. I'm definitely not the first to mention this, but it's awfully suspicious that the aura glow was yellow and not green, isn't it? Sure, there were motes of green, but that isn't what happened when Fria gave Penny the powers previously. So why the change? Unless the truth, while there, is disguised. The truth is that Penny is dying and giving up her power, but it's disguised somehow...
The way's uncertain but we're together / Movin' toward the light / When we trust in love and open up our eyes
Mention of Ruby being together with someone. Obviously, this could just be referring to team RWBY or the whole group being together, united under the mission of saving Remnant from Salem. But, again, when mostly every other line has been tied to hope--and by extension Penny--, it's hard to believe it's talking about that. So, maybe a reunion with a certain someone that hasn't happened yet? A reunion that will bring Ruby back towards the light--towards regaining her hope--once and for all? I mean, if Ruby's character arc in the second Justice League crossover movie is where her arc will go in the show proper, it's not too far of a stretch.
(The reason I mention the Justice League crossover movies is because Ruby's arc in the first movie was very reminiscent to the arc she had about her leadership role in Volumes 7 and 8. So, since she became very self sacrificing in that movie, diving headfirst into mission after mission with no regard to her safety, maybe that's what will happen in Volume 10 too? Maybe having the potential of getting Penny back will be the thing to make her stop?)
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Anyways... I don't know if any of this really made any sense and I might just be rambling nonsense, but yeah. Some things that I noticed and felt the need to shout out into the ether.
Thanks for reading!
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quietwingsinthesky · 6 months
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can we talk about the meep’s pronouns moment in the star beast again? i want to talk about the way it’s set up. in any other show, this would have been a joke. it would have been, “oh, look at this trans person getting so up in arms about the doctor assuming this alien’s pronouns. isn’t that an insane thing to care about?” and then that would be where it ended, the entire point being that asking for pronouns is ridiculous, that a trans person pointing it out is ridiculous, and we should be laughing at Rose for bringing it up.
but. it’s not. Rose says, “You’re assuming he as a pronoun?” in a tone of voice that, to me, at least, reads as someone who has been in this situation many, many times before and been laughed at for caring. who has been the butt of that joke. who starts this dialogue off from a defensive position because every time before she’s ever asked in earnest, she’s been shut down.
and then the Doctor says, “True. Yes. Sorry. Good point. Are you he or she or they?” The Doctor acknowledges Rose’s point, apologizes for glossing over it, and makes an effort to ask. Hell, the moment is even used to set up the Doctor connecting to the Meep more like he will when the Meep mentions having two hearts; they both share “the” as a pronoun as a pronoun.
(and I’m reading through the transcript right now to check, but as far as I can tell, yeah. The Doctor does then use “The Meep” to refer to the Meep for the rest of the episode, not any other pronoun.)
It’s a very brief moment, but it feels intentionally made to invoke those jokes, to take them and say, ‘no, why would this be a joke, we’ll take it seriously.’ Expectations subverted brilliantly. The Doctor says trans rights.
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deviousdiesel · 2 months
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#so that dotd rewrite is out and i have some thoughts on it but i wouldn't know where to put them.. maybe in here bc i don't actually feel -#- like making a whole ass text post. this is coming from me as criticism and not hate.. just some crit from one fan to another if you get m#SPOILERS AHEAD >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>#first off props to the team because this was obv a labor of love - 4 and a half years to make a feature long fan movie is hard work#and the animated stuff was a really nice touch and very commendable - you don't see them too often in big fanworks#in terms of the story well.. there are some things i like and some things that i don't (personally) again no hate#i'm aware this is a rewrite and boy howdy it IS a rewrite - though i am a bit sad that percy doesn't end up being the protagonist and it's#- thomas that has to play hero again.. like i kinda get it but what made the original dotd stand out was that percy was given the spotlight#so i spent an ungodly amount of time wondering when percy was gonna take charge or step into the main story to resolve the problem.. sigh#i liked that they tried to give norman more of a character bc a lot of characters do often get neglected in the series but it was kind of -#- hard to sell that for me? the twist in this rewrite was very creative and i do appreciate it but i guess it just ain't for me#“different” is ok and this is just one of many fan rewrites for this particular story#if there was something i enjoyed.. i guess the beginning was still kind of exciting because the set up was honestly like hype a bit#i liked that diesel and d10 actually got to interact face to face and there are clearer dynamics established for the diesels#and also. silverband's performances as d10 will always be fun he does a fantastic job voicing him (how d10 stole xmas will still be my fav)#my criticisms for this movie also derive from the pacing and the voice acting - i found it hard to try and understand tones sometimes -#- because the delivery felt so off.. like don't get me wrong not everyone in the fandom is a voice actor but if we're using static faces -#- for these fan works the delivery has to be a little more clear or else it'll sound like you're reading from a script.. sorry yall :"|#for the pacing i found it a bit hard to parse when some things were going on and how fast things were progressing#as well as the crashes.. that's also another thing bc i couldn't tell bc of the sfx and audio balancing - it could be better..#i wanna say. muffled voices do not substitute for a “far away”/off-screen voice bc i still can't hear it :“|#there were a lot of throwbacks and references to older thomas media/movies but some of them felt a little.. much?#if this is a dotd rewrite why are we getting some parallels with tatmr.. but i digress. at least they made diesel beef with duck a bit#there's a lot more i could say but i'm keeping those to myself. at the end of the day this fan movie was hard work for everyone involved#and you can tell some of the folks were having fun in there - props to them! i'm always glad to see more fan works in the community#we've come so far we're making feature length fan stories and rewrites that's crazy! i hope to see more in the future#fauxtrainpost.txt
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princesskeda · 2 years
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How would you rank each antagonist from the oniverse?
Thank you for this ask! This was actually super fun to do! I'll give a bit of an explanation as to how we ranked them, cuz we kinda went above and beyond haha. I purposely left out a few antagonists who played super minor roles, like Dorhn and Warrack. I also didn't include very many grey characters in this lineup. So characters like Phos, Iona, or even Rook are not included. While technically antagonists at certain points in the story, they are still considered allies for the most part. And no I didn't include Garmadon or Harumi, I felt it best to only include OC villains.
I created 4 categories that I think encapsulate everything important and rankable about a villain and gave them a score out of ten for that category, and then added it up to get a total score of villainy and ranked them based on that.
The first category is overall Appeal. This refers to attractiveness, charisma, and if they were fun to write/read. So right off the bat very subjective haha
The second category is Impact. How much did their actions or presence impact the story and characters? How many characters did they impact? So this includes any kind of damage emotional, physical, or phycological in nature that they inflicted. We also kinda stretched it to include far-reaching effects or indirect influence, like how the Island's creation triggered the Dragon Oni war for example.
The third category is Motive. What drives the villain to do the things they do? This one was a little harder to pin down. For this ranking I considered a villian doing things for the sake of being evil as a 1, and a 10 is when the villian is doing things because they believe its the right thing to do, or they are so committed to their own belief or desire be it good or bad that they will stop at nothing to accomplish it. So basically the difference is whether they had a strong sense of reasoning behind their actions or not.
And finally, we have the Power category. This one was def the most straightforward. It mostly just came down to who was the most difficult to defeat. Be it with shear power, overall skill and cunning, or political influence.
1st
Evynn
A (10)
I (9)
M (7)
P (9)
35
2nd
Zerek
A (7)
I (10)
M (9)
P (7)
33
3rd
Island
A (8)
I (8)
M (3)
P (10)
29
4th
Saesh
A (9)
I (4)
M (6)
P (6)
25
5th
Matilda
A (8)
I (5)
M (5)
P (4)
22
6th
Ves
A (7)
I (4)
M (8)
P (2)
21
7th
Imgloss
A (7)
I (5)
M (3)
P (5)
20
8th
Ottan
A (8)
I (3)
M (3)
P (4)
18
9th
Jarule
A (2)
I (4)
M (6)
P (5)
17
10th
Baron
A (3)
I (5)
M (3)
P (5)
16
11th
Bula
A (3)
I (4)
M (7)
P (1)
15
12th
Quazir
A (3)
I (3)
M (5)
P (2)
13
13th
Adelaide
A (2)
I (3)
M (5)
P (2)
12
14th
Pazzol
A (2)
I (2)
M (2)
P (5)
11
Feel free to let us know your opinions! Do you agree with our rankings? Did we forget someone? Is there anyone you would move up or down? Let us know who and why! This was a ton of fun thank you!
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uzurakis · 4 months
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NEARLY C★UGHT IN THE ACT!
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featuring: fushiguro megumi. itadori yuuji. gojo satoru. geto suguru. (characters are all aged up)
NSFW MDNI. fuck! ya almost got caught screwing . .
n. been in the drafts for way too long.. cz i needa clear my reqs but idc! i’ve been wanting to write this for the longest time. enjoy my lovelies <3
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GOJO SATORU. “s-shit, how much i’ve missed this view,” gojo was sitting in his office desk, slighty pulling your hair to guide you to the rhythm he wanted. you felt yourself melting into him with his warm shaft in your mouth, ever soo big and too much for you, bobbing your head up and down.
just then, a sharp knock echoed through the room, startling you both. your heart raced as you instinctively tried to pull back from gojo. “s-satoru, we—“ his hand gripped your scalp more firmly than before, making you swallow his shaft until it hit the back of your throat. in other words, he didn’t fucking care. “just do your job, darling. and relax, they won’t come in.”
“even if they do come in, we’ll just say we were having a very hands-on discussion.”
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GETO SUGURU. “i’m sorry, princess,” he whispered beside your ear as he hit you raw from behind, both pressed against each other in the dim light of a public restroom. his hands gently putting your hair to the side, “i just, ngh, need you so badly,” whilst his lips found yours again, silencing any further protest.
the sound of footsteps outside the door made you freeze, heart pounding in your chest as the door handle rattled. “someone’s out t-there,” you tried to say as you held back the moans. yet not only your heart was pounding like crazy, it seemed your boyfriend was also still pounding your walls despite the chance you two will get caught screwing in public.
“j-just a little longer,” he pleaded as the groans left his lips again. “i can’t get enough of you.”
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ITADORI YUUJI. watching movies together was the original plan, until itadori’s cock twitched because you were sitting on his lap. your ass brushed against his bulge and that’s it. he couldn’t hold it any longer.
a split second later his boxers are on the floor, your panties pushed aside as he rocked your waist front and back. better than the movies, he thought, “i’m havin’ a nice view, baby.” you circled your hands on his shoulders when suddenly you heard a knock on the door. “shit,” itadori murmured as he panicked, slowing down the pace a bit. “i’ll handle this.”
“uh, 10 minutes! don’t come in!” he shouted deafeningly, you were certain that if the person still opened the door, they must have hearing problems to miss that loud shout. “see? problem solved. now, where were we?”
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FUSHIGURO MEGUMI. with a frustrated groan, he hovered above you, laying your leg on one of his shoulders and pumping two digits in and out of your hole while he ran a hand through his hair. “why did you have to sneak in here? tsk,” a groan fell from his mouth, “you’re going to get us caught one of these days,” he grumbled, but his fingers playing around your pussy said otherwise.
“because i—ah,” you were the one squirming under his touch, “i-i wanted to be with you—“
“fushiguroo, are you there?” came the voice from the other side of the door. megumi sighed, his expression quickly shifting to one of annoyance. “busy!” he called out, forcing his other fingers over your throat to stop you from making any noise, and tried to keep his voice steady while fucking your insides. “idiot, just keep quiet, okay?”
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@uzurakis
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masterhallmark · 6 months
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Rant incoming
I feel like the problem with a lot of Disney's live action remakes (and arguably Wish) is they're trying to appeal to a crowd that no longer exists, namely the people who used to claim that the Disney Princesses were sexist.
All the interviews tend to include, "Well she's not chasing a MAN anymore" which...almost no one sees the princesses like that, anymore. Virtually NO ONE still believes the princesses are man-chasing sexist caricatures of women.
Cinderella is now hailed as an abuse victim who stayed strong long enough to get help to get out of her situation. Anyone who says she should have saved herself is basically regarded as a victim blamer. And it's very clear in the film she wasn't looking to marry the prince, she just wanted a night off. She was the only one who wasn't in line to meet him. She didn't find out she met the prince until he went looking for her!
Snow White is now hailed for her negotiation skills, ability to calm down after extreme stress (she had a moment of panic and had to cry for a bit, but who wouldn't after finding out The Queen hired someone to kill you?), and ability to take charge of a house of adult men. And again, she was an abuse victim, this time trying to escape ASSASSINATION ATTEMPTS. While she dreamed of her prince, it was secondary to her main goal of SURVIVAL. There are also entire video essays about how Snow White gave hope to people during The Great Depression.
Everyone acknowledges that Ariel wanted to be human BEFORE meeting Eric. We all know she was a nerd hyperfixating on humans, and also standing up to her prejudiced father.
We understand Sleeping Beauty wasn't the main character, the Three Good Fairies were, AND PHILLIP WOULD NEVER HAVE BEATEN MALEFICENT WITHOUT THEM! He literally depended on them! WOMEN SAVED THE DAY! But even then, is it really such a sin for a girl to fantasize about romance and fall for someone with corny pickup lines?
We all understand Jasmine just wanted someone to treat her LIKE A PERSON. She rejected every Prince before Aladdin because they treated her like a prize. So why did they need her to want to be Sultan? How did that make her more feminist when she already wanted to be treated like an equal and have a say in her future? Is it only empowering if you want a career in politics?
We admire that Belle, despite living in a judgemental village, was kind to everyone (even though she found the village life dull), and her story teaches girls that the guy everyone else loves isn't always a good guy. What's sexist about teaching girls about red flags? And she didn't start being nice to The Beast until he started treating her with respect and kindness.
Do I really NEED to defend Mulan or Tiana? I think they speak for themselves.
Rapunzel was yet another abuse victim who just needed a little help to get out of her bad situation. In this case, she also needed to learn that she was an abuse victim, and that what Mother Gothel did WASN'T normal, much like many victims of gaslighting.
And don't get me started on the non-princess animals.
Perdita had a healthy relationship with Pongo to the point she was open to express her pregnancy fears to him, and was ready to TEAR APART Cruella's goons for daring to touch her puppies as well as adopting the other puppies. Like, she was so ferocious the goons mistook her for a hyena! She's basically that "I AM THAT GIRL'S MOTHER!" scene from SpyXFamily if Yor were a dog. She and her husband were a TEAM.....but they made a Cruella live action to turn her into a girlboss?! The literal animal abuser!? THAT'S the woman you wanted to put on a pedestal when Perdita was RIGHT THERE!?
Duchess kept her kittens calm after they had been catnapped and was classy as heck. Nice to everyone regardless of social class during a time period where that was uncommon.
Lady stood up to Tramp when she believed he had abandoned her and didn't really care about her. She found out he was a heartbreaker and was like, "Nuh uh. No. You are not doing that to me! You put me through enough."
Miss Bianca from The Rescuers was IN CHARGE the whole movie, and was willing to risk life and limb to save an innocent child. THAT TINY MOUSE TOOK ON ALLIGATORS! And she picked Bernard to accompany her because he was the only one who wasn't ogling her. And then in the sequel SHE DID IT ALL AGAIN! I wish I were as brave as her.
Like, the public haven't accused these ladies of being sexist caricatures since 2014 (Actresses and actors don't count, they're out of touch like the rest of Hollywood) yet Disney is operating under the assumption that the public still thinks that way, hence all the "sHe'S nOt AfTeR a MaN iN ThIs VeRsIOn" talk.
The live action remakes are trying to attract an audience that doesn't really exist much, anymore, and back when it did exist, was comprised mainly of people who didn't actually watch the films. The Disney princesses are no longer seen as sexist, and feminine qualities are no longer seen as weak or undesirable.
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squidthusiast · 3 months
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Ok, but why do I imagine Eight being the unofficial child of Pearl x Marina?
Because I imagine Eight was minding their business and all of a sudden, Pearl would slam the paper down and said “You’re adopted now”
Basically OTH at the start of their world tour haha, I love that they took Eight with them.
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I have more detailed thoughts under the cut for those interested in my ramblings, analysis and interpretations of the characters.
Disclaimer: This is my own take on it, don’t let it ruin your fun!
I personally don’t really subscribe to the fandom’s ‘pearlina moms’ headcanon.
On the one hand, I am an absolute sucker for the ‘found family’ trope, and I definitely think Agent 8 and OTH fit in it!
On the other hand, I think people immediately put Pearl and Marina into the ‘parenthood’ box, a little too eagerly. Not saying this specific ask is that, btw, it just reminded me of some instances i’ve seen.
I personally think that the relationship between OTH and Agent 8 is a little more nuanced & sibling-esque, for the following reasons:
1. Within canon, we often see 8 being referred to as a friend by both Pearl and Marina.
Pearl does it more explicitly (see that one interview at her house), whereas with Marina it’s more insinuated (ex. In the Side Order dev diaries, she starts calling Agent 8 as ‘Eight’, which is stated to be a name used by their friends).
Pearl seems to be an accidental-duck-parent of sorts who haphazardly collects octoling teenagers & young musical talent. It goes in line with her whole mentor-esque leader personality, and i’m sure these disoriented teens find relief in an idol who seemingly knows what she’s doing (she really doesn’t).
However she doesn’t act in a parental manner. More-so like your estranged gay cousin who hit it big in another country and is down to show your queer little butt the ropes.
Marina on the other hand seems to have a more empathetic approach with Agent 8 (opposite to Pearl’s brashness). Marina clearly connects with Agent 8 through their shared experience as defected octoling soldiers, and probably sees her younger self in them. She’s already caring as it is, but this is accentuated during octo expansion given the circumstances.
I feel however that, unlike Pearl, Marina has a bit of a harder time actually forming a bond with Eight at the beginning. Their similarities (seemingly) end at their shared experience, and probably leaves Marina awkwardly wondering how to approach them further. What we can assume though is that they become closer friends during OTH’s world tour, given the events described in the Memverse Dev Diaries.
Meeting Eight during difficult circumstances (OE) and helping them get out creates a sense of camaraderie between them, which probably devolves into genuine care, established friendship and a strong bond amongst the three overtime.
2. Pearl and Marina are very career-centric both in Splat 2 and 3.
It is reasonable that the two young idols, who see their fame and musical recognition rise spectacularly & fast, are not particularly interested in settling down at this point in their lives.
Now entering her late 20s, Pearl is most definitely still interested in keeping the ball rolling with Off the Hook’s international success. Her character often points towards restlessness, freedom and discovery. There has definitely been character development in regards to her maturity in Splatoon 3, but these aforementioned traits are still ever present in her demeanour & decision-making.
Marina on the other hand can be seen slowly blossoming from a supporting character to being her own person. She definitely develops more self-confidence by Splatoon 3, but is still naturally bashful. It’s clear that she is allowing herself to explore & open up to new things for her own sake. She remains a caring and somewhat nurturing individual, but she is at a stage where she’s learning to live for herself and not for others.
Parenthood (and all the responsibilities and sacrifices it entails) at this moment of their lives would probably freak Pearl out, and stunt Marina’s personal growth.
3. The age gaps between OTH and Agent 8 are too close for it to create a parent/kid bond.
This makes their relationship a little hazy in regards to roles; 8 is still young enough that they may seek out rolemodels and mentors (still relatively influenceable), but they’re also nearing their 20s. By this point they are fairly self sufficient, have a sense of their personal values & identity, and they are relatively responsible & mature.
Pearl and Marina are 8’s seniors by approximately 4-6 years. However, in Splatoon 2 they’re entering their early 20s and their career has just begun to take off.
They are both still relatively youngsters, albeit older & more mature(? glancing at Pearl) youngsters than 8. This places them in a position where they can guide 8 and offer certain support and resources, but lack the maturity and experience of a full-fledged adult. This would approximate their relationship closer to that of siblings in a family setting.
Pearl & Marina are also less likely to feel a duty towards Eight as an adult would with a child. Instead, the latter’s circumstances are more likely to incite feelings of rapport and compassion as a fellow young inkfish.
Now, with all of this said, I will acknowledge that friendship/found family is MUCH more nuanced than a strict binary.
From personal experience in my last years of college, I did find myself caring for my fellow freshmen as though they were my kids, in certain ways. Hell, I called them my kids.
I acted as a proud parent whenever some of them achieved something, attempted to pass down my knowledge to them, and was protective of them to a certain extent.
They also annoyed me sometimes, like younger people do haha. And i’m sure I annoyed them too!
So I wouldn’t put it past OTH to call Eight their kid and have this mentor/parent-esque rapport with them in certain circumstances.
This is all based both on canon & my own interpretations of it, but still closely aligned to what has been shown in-game.
So if you have a different interpretation of Agent 8 and OTH, that’s great! I love to see people’s personal headcanons. Ultimately, Agent 8 is meant to be somewhat of a blank slate for the players to mold, with some hinted-at personality traits of their own.
As long as you have fun with these characters, that’s all that matters. This is just my personal opinion on their relationship in-game.
If you read all of this, you deserve the biggest golden star for listening to my incessant yapping 🤲⭐️
Feel free to bother me about this or other opinions you may have in my inbox, just be kind please!
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little-hermit-crab56 · 11 months
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I've been writing for a while so I thought I'd share some writing tips I've learned along the way.
1. Never sacrifice the flow for a quirky line.
That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.
2. Dialogue is a dance.
Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.
3. Show don't tell is a guideline, not a rule.
Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.
4. If it's boring to write, it's probably boring to read.
If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.
5. Everything needs to have a purpose.
I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.
6. You don't need to explain everything all at once.
I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.
7. Write in a way that comes naturally.
I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.
8. Try to make us feel connected by cutting out certain words like "felt".
"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.
9. We don't need to know every physical detail of your character.
I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.
10. You're allowed to be vague.
Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.
11. Writing is a skill that takes practice.
Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.
12. Leave your work to rest.
I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.
And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.
Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.
I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.
I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.
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brekker-by-brekkerr · 3 months
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There's no way you can convince me the writing for Eloise in part 2 of season 3 was good.
We're expected to believe that Eloise Bridgerton, who gets so upset about injustices to women, who cares deeply for her friends, would hear about Cressida's issues and be like "hmm yeah sucks to suck."
And people can't say it's because Eloise is only concerned with herself because we've seen her get so upset about the plight of other people, we've seen her going and engaging with conversations outside her circle, we've seen her empathizing with Theo and his circumstances, we've seen her trying to hunt down LW to help Pen back before she knew the truth.
JUST THIS SEASON we saw Eloise go to Cressida's house to check on her because she noticed that she was acting off. So you can't even tell me Eloise doesn't care about her. I feel like the writers are trying to gaslight the viewers in part 2 to thinking Eloise didn't ever care that much about Cressida when WE LITERALLY SAW THAT SHE DID. Cressida even says Eloise was a great friend to her.
Yeah, I understand that Eloise has a lot going on right now, and so to some extent, I could see her not being as present for Cressida as she needs. That happens. But the level to which they made Eloise act like she doesn't care is so insane and is clearly just to prop Pen up.
Eloise heard Cressida tell her about her circumstances so she should understand why she's doing what she's doing.
It just felt like such an insane 180 for Eloise to turn around and suddenly be like "Cressida is a viper" and "our friendship was falling apart anyway" and "I should never have trusted her," when the last thing we saw before part 2 was them BEING GOOD FRIENDS!! And when Cressida hadn't done anything bad, she just claimed to be LW RIGHT AFTER she had explained to Eloise how messed up her circumstances were and that she needed help getting out of them.
I get that the show was going to put Eloise and Pen back together because they have such a clear bias towards her character, but did they have to decimate Creloise in the process? Is Eloise not allowed to have multiple friendships?
Like, Pen can do all these terrible things and cry and be like "sorry about that" and it's fine El and her can be besties everyone will love her and forgive her. But Cressida was sometimes mean (and the show goes to lengths to show us how she became that way, even explicitly spelling it out with her mother's comments about how she raised her to believe in "every woman for herself" AND shows Cressida acknowledging her mistakes and showing true change and growth) and lies about being LW and she's dragged through the dirt, she's "the absolute worst," every single character says awful things about her while we see snippets of her in this dark awful house with her life falling apart and this is supposed to be something we root for?? Literally why. Why even make Cressida sympathetic if this is what you're going to do with her.
It feels so out of pocket for Eloise to be saying Cressida is soo horrible and etc. etc. when we SAW their friendship before. We saw Cressida taking in what Eloise was saying and making changes, we saw Cressida challenging Eloise's beliefs and making Eloise self-reflect. Eloise got a peek into how awful Cressida's home life was and into the kind of good person Cressida could be and that's just suddenly thrown out the window with such little support to back it up.
Even if Creloise just HAD to stop being friends, weren't there better ways of going about it? Couldn't they at least have waited till after the fake LW paper came out bashing the Bridgertons for Eloise to break off the friendship? Yes, that was Cressida's mom writing that, but Eloise wouldn't know that and that would more logically line up with Eloise's random coldness towards her.
Still, why exactly do they have to stop being friends? Why can't Eloise have different kinds of friendships, especially one like hers with Cressida that challenged her, one where they mutually helped each other become better people? I love that Eloise is going to go off on this adventure to Scotland and meet other people but could she not also have retained her friendship with Cressida??
I would have loved to see the Eloise I know and love in part 2 teaming up with Cressida to help her, scheming together, doing everything in her power to help her bestie because that's who she is. That's what we should have seen. Maybe it would take her a second to get there, since she was already wrapped up in the drama with her brother and Pen, but she wouldn't just completely brush off her friend. She would do something.
And I could go on about how messed up it was for the writers to make it pretty clear how bad things have become for Cressida and then make her face the most consequences ever, while Pen gets to ride off into the sunset all happily ever after despite doing things 1000x worse than anything Cressida ever did. I'm actually disgusted.
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moonyasnow · 4 months
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Sleeping Beauty's Tentative Prince.
PROMPT : They kiss you in your sleep
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CHARACTERS : Ace, Jack, Malleus, Sebek
CONTENT : fluff and angst, pre-relationship, they are PI-NING, the fae have…strange priorities. or maybe it's just Lilia in particular(Malleus' part), internalized racism (Sebek's part)
I do NOT condone doing this in real life to someone who hasn't consented. But this is fiction so fuck it we ball
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While you were awake, he could not show the affection to you that he wished he could, caught up in his own fears it might not be reciprocated and could strain your current relationship.
But in sleep, you would never know. In sleep, he could more easily deliberate upon his fondness for you, as much confusion, anxiety, fear, hope and longing as they brought him.
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Ace
Ace Trappola portrayed himself as a 'coaster extraordinaire', gliding only where turf is smooth, dancing through life without a care in the world for anything besides goofing off with his friends. Stuff like 'love' and 'romance' wasn't on his radar, deciding he'd rather steer clear of it after an experience dating in middle school that left him feeling so utterly...bored, not really there, as having to live up to some ideal decided by his partner. Was that what all those books and songs and movies was hyping up? He felt lied to! It wasn't fun, and he couldn't understand how his now ex-girlfriend, or anyone else for that matter, really thought of any of that stuff as desirable!
The 'ghost bride', Eliza, was really just a personification of everything that made him want to steer clear of it. After she finally decided to shuffle off this mortal coil for good, along with her equally ghost— to Idia's utter relief— husband, too tired from all that fighting to really feel like it was worth it, he decided he'd rather crash at Ramshackle than walk all the way back to Heartlsabyul.
You declared you'd make it a sleepover, which was why he was laying in a sleeping bag on the musty living room floor of the ancient, decrepit house, creaking and groaning from the wind and its own whims. You laid next to him, on a mattress(unfair of you not to bring a second, by the way), sound asleep. He was kinda envious of you in that moment, you know?
Despite how dead tired he was after not only all the battle stuff but cleaning up the cafeteria on top of it, sleep just wouldn't bless him with its embrace. And desptire how much he didn't want to, especially not after all the other first-years— including Deuce, the bastard— made fun of him for the thought he'd already put into it...he found the topic of 'love' spinning around his head again.
He sure as hell didn't want the kind that Eliza'd idealized it to be. The others claimed that he, out of all the other suitors, did at least seem to know what he wanted. "...someone you can laugh with, and cry with...someone who'll stick with you through all the hard times..." He felt flustered and like an idiot recalling he'd said that for the entire room to hear, even more so due to the fact they'd caught on he was actually being genuine.
Then for some inexplicable reason he got an urge to turn his head to look at you. You looked about as tired as he felt. By that meaning you looked terrible. Or so he'd say if you were asking him why he was staring. Why was he staring? Probably because he was concerned. Just a little bit. Crowley already threw enough shit your way on the regular anyway, now you have to deal with this, too. And he never understood why you still tried so hard.
You, while not even having magic, had still given it your all during those battles, throwing rocks and twigs and even a goddamn wall-mounted candlestick— or well, that used to be wall-mounted, though apparently not as well as anyone thought they were if you could just pull it off the wall— at the ghosts. It phased right through them, obviously, but it'd annoyed and distracted them enough to make his and the others' job a whole lot easier. It was long past time for him to take back everything he said about you the first day you met by the school's Main Street.
You really had become an all-in-one janitor, photographer, therapist, and law-enforcer in one in the time you'd been here. It really wasn't fair. But you'd once told him it was easier since you had him and the rest of the braincell squad around. And he had to admit, it was the same for him. When it came to you in particular. Sure, he liked Deuce, and maybe Grim too just a little bit, but having you there was...special. He's not sure how he would've dealt with the incident at that one absolutely horrible unbirthday party and his Housewarden's total freak-out if you weren't there...or if, before it, he'd have had to spend the night in Ramshackle all alone with just the ghosts for company.
His eyes widened. Wait... He started to feel warm from top to bottom. He didn't mean it like— you weren't— y-you were just buds! You know? Friends. Just friends. And then he wanted to strangle someone when he realized those words tasted bitter in his mouth. Getting up on his elbow and looking at your sleeping face he couldn't place every thought whirring through his head. He thought you were kinda pretty or whatever, sure, but it's not weird to think your friend is pretty! And maybe...
No. Try as he might, every new excuse he came up with for why that couldn't be the case was just that; an excuse. He liked you. As more than just a friend. Maybe he kept trying to deny it because of how different this felt to his middle-school girlfriend. He thought she was cute and all, but he felt so alone when he was with her. Like she was seeing some boyfriend-shaped cut-out in place of him. He never felt alone when he was with you. And he sure as hell would never take a whole day's worth of public transport to school on a break for anyone else.
But it's not like he was planning for this. It felt strange, the way you went from 'best friend' to 'best friend I wanna be with' in his mind. Because, those categories weren't supposed to intersect, were they? Or could they? It just felt weird.
…But when he got past his initial shock, he realized that, thinking of you that way felt…natural. It was strange. Strange that it wasn't something he had to psyche himself up for. Maybe he was more like Eliza than he initially realized, in that way. Not noticing that kind of love when it was right in front of him. Maybe he'd also gotten caught up in that idealization of love, never realizing before that love actually could be with someone like that…someone he cherished like a best friend.
Laying down again and turning his whole body to face you properly, he stared at you. You really were pretty. Not in that way where you see someone and can just tell whether they're pretty or not. Not in the attraction kinda way either. Well, there might have been a little bit of that too. But mostly, there was just something...special, about you.
About your face, and your eyes, hair, shoulders, nose, chin, neck, hands and just— everything. Just looking at you made him feel warm. It usually did. But especially in that moment. It was weird, how just thinking those things seemed to jump-start his heart like some old motor, because now it was racing in the night. He found himself leaning closer, until his breath fanned at your lips. Looking at you from such a close proximity was weird. Sure, he might wrap an arm around or lean it on your shoulder pretty often, and do things like flick your forehead or your nose to see you pouting at him, but you'd never really been this close before. The tips of your noses were touching.
He was planning on moving away. He really was. But then you shifted in your sleep and your lips brushed softly against his.
As quickly as he could, he almost leapt backwards and turned his back to you and hoped to the Seven you didn't realize. Not then, not the next morning— not ever.
He closed his eyes and tried to go back to sleep, and calm his racing heartbeat.
Sadly for him, he laid awake all night thinking about it and didn't get a lick of sleep.
He kinda hoped he could do it again one day. With you awake this time, of course. Yeah...with you, it might not be so bad. The Underworld would freeze over before he ever told you that though. Well, that was hyperbole. He just wanted to make sure you wouldn't like…laugh at him for it, or something.
…Maybe accidents weren't so bad sometimes.
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Jack
Having grown up knowing that his parents, his grandparents, and most likely their parents and grandparents too, were mated for life— that they found each other and that was it— Jack Howl had always been sure that's how it would go for him too. That when he found 'the one' everything would be easy, and make sense instantly. And when he started to feel a strange new pressure in his chest around you, a desire to protect you more than even his other friends, he was sure that this was it. Yet something happened which he hadn't considered.
The person he fell for wasn't another wolf beastperson, nor any other kind of beastperson or mer who mated for life. You were human. And humans very much did not mate for life, as much as some might claim they would like to. For the first time he started to feel a bit of doubt about his future life plan. He was sure you were 'the one' for him… But now he had to start to contest with the fact that, he might not be 'the one' in your eyes.
So, he thought…he would try to court you in some way. Make it clear he could be a good partner for you.
During the second night at Vargas' training camp, when Grim hadn't returned from going to get blankets with the others, you had become so worried that you tried to run off to go looking for him. And Jack felt like he had no choice but to go with you; he would never risk you running into the shadow while alone. It definitely wasn't the smartest decision, and he had tried to stop you. But you had argued against him, insisting you wouldn't just leave Grim behind, no matter how much danger it put you in. That was something he had always respected about you; you always looked out for those in you pack. And he agreed to go with; he'd do the same for you— and then some— if you went missing, after all. But an hour of walking later, and you both realized that…you were lost. Now, not only was Grim gone, but those who remained at camp would think you both were gone, too.
You two had been walking for hours searching for the way back to no avail, when you had given up, swaying on your feet, saying you couldn't take another step. His eyes shot up in surprise, having been too caught up in getting you both back to camp to consider you didn't have anywhere near his levels of stamina, his ears flattening against his head with both guilt and a bit of embarrassment— guilt at not having realized you couldn't keep up, and embarrassment at not remembering the way back well enough. More like shame, really. He felt sure camp was the safest place for both of you right now, yet in his haste to follow you to make sure nothing jumped out at you, he'd neglected to keep good enough track of the scents around you both to be able to lead the way back. That wasn't how a good partner was supposed to behave! He was supposed to be able to make sure you were safe.
You were the one to suggest, with the night being so cold, that you sleep close to one another. He balked at the suggestion once it left your mouth, trying to hide the furious blush he knew would overtake his face if he let it— letting you see him like that would be way too embarrassing to consider; he was supposed to be cool! So you'd know he could protect you! Not act like some lovesi— o-overly affectionate— puppy! But when you reasoned that it was to conserve heat, to make sure neither of you ever became cold enough for it to be truly dangerous, he had no argument against it, and so was forced to go along with it. He didn't want you to freeze, after all. And no, don't misunderstand him! His tail did NOT just start wagging! And if it did, i-it was just nerves! N-not at being close to you— the shadow! NOT TO SAY HE COULDN'T TAKE ON THE SHADOW IF IT APPEARED—
He had to force himself to keep quiet, lest he put his foot in his mouth again.
He'd assumed you would just be sleeping next to each other. So when you slotted yourself right in his arms, your head on his chest, he froze in place, begging for dear life that you weren't hearing the way his heart was now racing. No matter if you did or not, you soon fell asleep. But Jack, like a protective guard dog (a comparison he didn't like but couldn't exactly deny at this moment) stayed awake for a while longer to make sure the area was truly safe, leading to him becoming lost in his thoughts.
He was confused why you were here at all. You weren't even part of a sports club! Or any club at all, for that matter; running errands for Crowley ate up too much of your time for you to be able to join one. But you were still here. You had claimed it was better than spending that time in school figuring out a way for a magicless student to succeed in magic assignments, Grim not often being fond of cooperating if there was no tuna involved, much to your frequent frustration. But it still really didn't sit right with him that you got caught up in all this when you were only meant to be there to take pictures. He thought Crowley should definitely compensate you for this, since you got caught in danger due to him making you go along with them. But by now he'd wised up enough to realize that was never going to happen. The thought began to really get on his nerves.
It was insane, how Crowley treated you like some slave with no mind or will of your own. Even worse, a disposable one he kept throwing at problems— dangerous problems...he still wasn't over how close you'd come to being seriously injured in the fight at the Mostro Lounge— that should have been CROWLEY'S job to handle. He almost began to growl just thinking about it. The mere thought of you, his m— friend...his good...friend...being hurt in the slightest scared him. Enough that his arms unconsciously tightened around you. The scent of your hair, a reminder you were currently not in danger, put him at ease. He exhaled in silent relief.
…If…
After you both graduate, if he asked you to come with him back to his home in the Shaftlands, what would you say? He'd be able to keep you safe. Make sure you never had to live like this again. What with your status as not being from this world and thus having no legal identifying paperwork, getting a job would probably be hard for you. So he'd get a job and support both you and him. And Grim, of course— if Grim was your pack, he was Jack's, too. He was already sure his family would love you, and welcome you with open arms. And then one day down the line he'd—
He couldn't bring himself to finish his thought, face having grown far too red. But his tail wouldn't stop wagging. He might have thought of it before, but that was when you weren't literally sleeping in his arms. You being so close just...made everything feel too real.
He took a deep breath to clear his mind. What mattered right now was that he would keep you safe. Take care of you. Now…and hopefully, you'd allow him to do the same in the future.
But the fuzzy, excited feelings brought on by the thought he didn't finish didn't leave him, them and your scent lulling him further into a comfortable sleepiness. So close to sleep and overflowing with affection, he didn't even notice, let alone have the sense to stop himself, from placing a kiss to your forehead, snuggling up closer to you to make sure you kept warm, unconsciously smiling against the top of your head as he, too, was claimed by sleep.
It just felt so...right, to hold you.
…The next morning you were confused by why he refused to look you in the eye.
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Malleus
Malleus Draconia, crown prince and heir to the fae Kingdom of Briar Valley, was used to spending his time alone. Used to having only his guards and mentor for company. Used to spending hours wandering through empty stone hallways and rigorously up-kept gardens where none but he, his beloved gargoyles, and the occasional critter dared wander.
Perhaps that was because of him.
Though he came to Night Raven College to 'broaden his horizons', after the first few months or so of classes in which he was left to work alone even on group projects, smelling the fear of his peers in the air, he had all but given up on finding an actual friend. Someone who would stay by his side not out of duty or necessity, but purely out of desire to.
The way you haphazardly seemed to stumble into his life and make a home for yourself in his hollow ruin of solitude had still not caught up with him, even months later.
It was late in the evening, the old decrepit clock in Ramshackle had just struck 12. You were on the couch, leaning against him, asleep on his shoulder as he read a book. Or at least, he had been trying to. For all of five minutes. The soft pressure of your body leaning against his arm had made him lose all focus for anything not related to you. So here he was, staring like a fool at your sleeping figure.
That you, so small and fragile compared to him, were not afraid of the dragon by your side— the horned beast with power enough to destroy most of the school with less than a snap of his fingers— never ceased to amaze him. Yet it was on nights like these, when you were too tired to go for your usual evening walk with him yet still wanted him near, that left him most awestruck. Not only did you say, with your own words, that you wished to be by his side despite your lack of energy…you trusted him enough to fall asleep in his presence. Leaning against his shoulder, no less. It intoxicated his heart with pride, peace and longing in equal measure.
Yet, it only occurred to him the first time it happened that he had never seen another's sleeping face before. At least, not with their knowledge. He had seen you resting through your window on his late-night strolls before. Yet this was different. You allowed him this. If he did not already think you were the most beautiful thing his eyes had ever bore witness to, he did once he saw the gentle, peaceful expression on your face so close. He couldn't help but liken you to the sleeping princess in the old story of the Thorn Witch from his homeland. Sleeping so peacefully…all whilst leaning against a dragon.
His heart ached with feelings he had no words for as he stared at your face, streaked with moonlight, book long since forgotten. Cupping your cheek, he cursed the leather gloves keeping him from truly feeling your skin. In the back of his mind he harbored a fear he dare not put into words: that were he to feel your skin against his, it would be a point of no return, and he would never be able to go without it again. A curse to one such as him, who— his logic was much too aware for his liking— would be forced to grow accustomed to losing the touch of all things in time.
Yet his emotions, not bound by logic of any kind, wondered if you would like that. If him discarding his inhibitions and letting his gloveless hands roam every inch of your body would delight you the same way the mere thought did him. One part of him told him that 'yes, you would'; he was the fae prince, one of the most talented mages alive. He could keep you safe, give you anything you could ever desire. Yet another part of him said 'perhaps not' with barely any hesitation. He was a dragon, feared by man and fae alike for his power which could wipe out whole nations, should he desire to. The conflicting answers left him with a confusing sense of whiplash, not knowing which to trust. Yet, since you were not, unlike many, afraid of him, he found himself hoping your answer would fall more in line with the former…
Heart filled with trepidation and yearning in conflict with one another, he searched his mind for that always comforting anchor of knowledge that was Lilia's words. All that came to mind regarding the matter of kisses was that 'it was not to be done once the sun had set', which to him was good enough reason to force himself to abstain. Or at least, so he'd hoped. He wished to listen to his mentor's words, clung to them when his own young mind felt overcome with what he wished to do instead of what he ought to do…yet found he could not. At least, not fully.
Holding your warm hand in his which was cold beneath his gloves, the heat still slowly seeping from yours to his, yours appeared so small. As Malleus resisted the urge to rub his nose against yours, he felt his pulse beat in his throat. A metaphorical fire lit in the candle of his heart, flaring higher as he slowly neared your lips.
At the last second he managed to force himself to place his gloved hand gently over your mouth, placing a light, chaste kiss to the back of it.
He yearned to traverse further, to not have this self-imposed barrier in his way, to truly know if your lips were as soft as he imagined them to be, if they tasted as sweet. It was difficult to draw a line for himself. But, despite pouting through it, he still did. Once more recalling Lilia's words of wisdom: it would be impolite to steal your first kiss— or at least, so Malleus assumed it was— without your knowledge, after all.
After that he made up his mind to keep himself in check. That was enough for tonight, he thought and tried to return to his book. But his thoughts never stopped drifting to you.
It equally unsettled and enthralled him.
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Sebek
The son of a human father and a fae mother— a fae mother who went entirely against the norms and expectations of her people and culture to marry a human man, a man whose people had hurt hers, and whose union with her had barely been accepted, much less understood— to say that Sebek Ziegvolt feels many conflicting emotions interacting with humans would be an understatement.
He, having seen the scorn his parents' union brought his mother, had vowed as a young child that he would 'never be stupid enough to choose to marry a human'. For he, at his young age, fully believed it was something he had control over. And he still did well into his teens, Lilia's explanation that love cared not for what people had decided, while he admired, revered and respected the older fae greatly, was still not quite enough to persuade him that there could ever be a possibility of him, Sebek Ziegvolt, proud knight of the Lord Malleus Draconia, deigning to fall for a mere human. He couldn’t understand the appeal in any way, shape or form. Human were weak. Fae— he— were strong.
What use had the strong for the weak?
But when you saw him freezing in the cold winter air, you wrapped your scarf around him. He, predictably, began to chastise you, claiming through a runny nose that as a human you were weaker than he and that he could handle this cold, and would not lose to mere weather— which was evidently not the case, as his own words were cut off by a big sneeze, to which you simply laughed. What nerve you had, he thought, for you, a mere human, to laugh at him, Sebek Ziegvolt. To laugh at his weakness! But his thoughts stopped dead in their tracks when you removed the hand covering your mouth and he saw your smile. It was...dazzling. A depiction of beauty which he had only heard described before.
In his daze he almost missed you taking a napkin out of your pocket and wiping away the mess under his nose, still smiling at him the same way.
Though he chided you, claiming to not need it, he was powerless to stop the stutter in his heart at your gesture. The tip of your finger grazed his jaw for a fraction of a second as you withdrew your hands, and it haunted his dreams for weeks. And the gentle smile on your face, showing, as far as he knew, nothing but sincere care for him, was enough to make him feel as though he didn't need the scarf at all.
It was...dizzying.
He saw his displays of weakness as just that: weakness, not vulnerability. In his eyes he must not have either to be able to be a good, no, even passable knight to his Young Master! Deep down he knew his Lord Malleus was already strong enough to not really need a knight. But he could never shake the worry it was on him, that he didn't need a knight because Sebek wasn't knightly enough. That was why he worked so hard. His position, with Lord Malleus, in life, had to mean something. Make him mean something.
But you never seemed to care for how he thought of it, showing him small gestures of kindness over and over again. In time he found he had begun to expect those small gestures, despite how he might still had insisted they were unnecessary. That you continued them despite his insistence...warmed him, just like when you lent him your scarf— which he always returned to you each day, knowing you would wrap it around him again the next.
At first he was sure you must have bewitched him, cast some manner of curse upon him— forgetting the fact that you, as magicless, would not be capable of such a feat— for he could find no other logical explanation for what the feeling of full-body lightness and heart-stuttering you brought upon him could be. At least...none he wanted to listen to; none that made sense to him.
You were human.
What he could never let himself be.
And he, the knight of Malleus Draconia, couldn't make the same strange choice as his mother, no matter how highly he respected her.
Yet whether he wished to or not, they'd taken hold of him, struck his heart like lightning, leaving a permanent mark of you on his very being.
It was shortly after that incident that he had, one evening, come to Ramshackle in search of Lord Malleus, and instead found you on one of the Dorm's benches, looking moments away from sleep. For a moment, thoughts of his search for his liege left his mind. When he asked what you were doing out alone this late at night, interrogating you like you'd broken some kind of curfew Ramshackle didn't have, you smiled and said you were waiting for Malleus to go on your usual evening stroll with him. Something about that gave him a sour feeling in his chest. For you or for Lord Malleus, he couldn't say.
Huffing, he said he might as well wait with you. You said nothing at that, just smiled and patted the spot next to you. Reluctantly, he did.
You sat in silence for a while, him trying to ignore the way so many feelings he couldn't figure out the meanings of stung at his chest. He was so caught up in his mind that it was only once he'd finally figured out something to say to you and took a deep breath that he realized his shoulder felt heavier, and he looked over to see you leaning against it, sound asleep. He was about to begin to scold you for falling asleep while waiting for his Young Master! It was bad enough his Lord Malleus had to endure the tardiness of Silver on acount of the latter's propensity for falling into slumber at any given moment! But when he looked at your face again, the words, for once, froze in his throat and fizzled away.
The way your mouth was left slightly agape, leaving a small trail of drool running down your chin, really should have appalled him, been seen as something pathetic, left him feeling distaste of some kind. But when you'd still smiled at him when he had snot running from his nose, how could he?
Maybe it was fine to…let you sleep. You didn't fall asleep like this often anyway…
As gently as he could, so as not to wake you, he lifted your body up and sat you in his lap, shifting and angling himself to allow your legs to still hang over the edge of the bench, now exchanged for his legs. He looked up at your sleeping expression in reverence, bringing his thumb to wipe away your drool. In his other hand he took yours, which had been hanging limply at your side. With his other arm around your waist to keep you from tipping over, he leaned his head, cheeks burning, against your shoulder, yours falling atop his as he did.
Closing his eyes, he pressed a tender kiss to the back of your hand.
His heart fluttered with a novel tenderness...yet not one he found he minded. He would guard you as you slept. Care for you in your 'weakness', just as you had him in his.
To love a human might not be something he was yet capable of. But, if you would extend to him the same, not a half-fae, but him...
...he might be able to love you.
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First of all I just want to say: Thank you thank you thank you SO MUCH to everyone who engaged at all with my last (and first) writing post! > <
Knowing people like my writing was such a massive motivation-boost to me! I tend to struggle with perfectionism and feeling like my writing isn't good enough by my own standards, so all that stuff is very, very appreciated!
I also wanna say sorry if any of them seemed OOC— aside from Malleus, I don't feel as confident in writing these characters as I do for the characters in my first post, since I don't know them as well yet. A big thank you to @yuurei20 for their TWST character fact sheets (found here) for the help! And also to the people who contribute to the the English TWST wiki!
Lastly: A reminder if you didn't already know, that I do, in fact, take requests! Coming up with WHAT to write is usually the hardest part for me; when I get past that I have a blast! ^^
...Also I think doing the research for this has skyrocketed Sebek up my 'favorite TWST characters' list because damn. That's rough, buddy. And honestly same in a way. His part was definitely my favorite to write.
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caughtthedarkness93 · 4 months
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Not to do more Furiosaposting (and SPOILERS AHEAD), but a couple more things I noticed on a second viewing:
• I think Dementus is being honest about how he lost his family when Furiosa confronts him about it, and that's a big point the film is making. Furiosa isn't like Dementus when she finally chases him down. But she recognizes that she could become like him - a vile, cruel warlord who uses his own pain as an excuse to run roughshod all over the wasteland, smashing everything in her path, using her pain as an excuse to take from others. By that point, she's already a part of Immortan Joe's war machine. She is already complicit. And he does say to her that killing him won't give her what she wants. She resists the idea, but ultimately, it sure seems like she realizes he's right. And ultimately, that leads to her big choice - make a positive change rather than simply trying to hurt the people who hurt you. Granted, she still does do plenty of hurting the people who hurt her (Nice face you got there, Joe, be a shame if something happened to it). But the big, real legacy she builds is taking the Citadel in the name of a greater cause than fueling Immortan's cult of cruelty.
• Praetorian Jack is also complicit, honestly. And it's something he seems to recognize. He outright says that he's looking for a righteous cause. There's a lot we don't know about this man. He tells us very little of his history, nor do we know why he chooses to ride for Immortan Joe. But we do know that after meeting Furiosa, he wants to do everything in his power to help her. She becomes his righteous cause. So the whole film, Furiosa is kind of pulled between those two directions - Dementus, and Jack. Do you defeat the pain you carry by throwing it back to the people who gave it to you? Or do you seek a righteous cause to build it into something positive?
• Perhaps one of my biggest takeaways is related to Jack's death. It's not until Dementus kills Jack that Furiosa gets really set on revenge. Like she clearly loathes Dementus before that. Her first time meeting him as an adult, she goes straight for her gun. The camera highlights their relationship a lot, and I'm pretty sure her vengeful drive towards him has its own musical motif - listen for that driving, distorted noise that you hear sometimes. But revenge doesn't become her biggest driver until after Jack dies. Even as she feels clear hate and rage towards this man, she's still set on getting home all that time. But when Jack dies, she goes out of her way to try to kill him. And, relatedly, when Jack dies, she loses the arm that has her star map tattoo on it. So to put it another way, when she chooses to commit to vengeance, she loses her way.
• We need to consider perspective and narrator here, as this isn't like Fury Road where it's from the point of view of Max, who was directly there. Because this film's opening shot isn't of Furiosa. It's of another character - it's of the History Man. The first line belongs to him - "As the world falls around us. How must we brave it's cruelties?" The closing narration is his as well. Something that sticks in my head more and more is Dementus' ultimate fate. What gets me about it is that it feels implausible. Not only for Furiosa as a character, but for the way the series usually handles injuries. So George Miller was a paramedic before he was a filmmaker. In fact, his work as a paramedic is what partly inspired the first Mad Max film and what funded it. And in these films, Miller has put his medical knowledge to use. The characters' injuries are usually handled in a realistic way, with a few flights of fancy for people to make it through frankly absurd car wrecks. You see this especially in Fury Road, which takes the time to establish that Max is a universal donor twice so it makes sense to have him give a blood transfusion to Furiosa at the end. It talks about the ultimate effects of her collapsed lung and how to treat it. The injuries in these films feel realistic in a way movie wounds often don't. Dementus' final fate does feel a little complicatedly cruel for someone as pragmatic as Furiosa, but what really gets me is how medically implausible it is. We're supposed to believe that Dementus has been stuck in the citadel with a peach tree growing out of him for five years without dying? I...kinda don't. Why does this matter? I think it signals that aspects of the story fall to unreliable narration. These films are campfire stories from a world that fell and rose again. Always have been. But this one has a more direct narrator. The History Man is telling this story. It is filtered through his perspective.
• And that adds another layer to things, considering Furiosa and the History Man's backgrounds. We see the History Man, we see a guy who is clearly horrified by Dementus' actions. When Furiosa's mom is getting executed, he cries. He tells Furiosa that she needs to make herself indispensable - likely because he feels that it's the best way to protect her. But he still does Dementus' bidding, often without question or argument. In a word, the thing that ultimately separates the History Man from Furiosa is that where he was complicit until the very end, Furiosa chose to rebel.
• And I guess if I had to boil it all down, I think there's a great big takeaway from this film. Don't seek hope. Become hope.
Man, I love this movie.
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needfantasticstories · 4 months
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“Many places I have been
Many sorrows I have seen
But I don't regret
Nor will I forget
All who took that road with me”
-The Last Goodbye by Billy Boyd
This is an Adjuration by @not-freyja, after 86 chapters, 300k words, and 10 months of joy, laughter, tears, heartbreak and love, has finally reached its end. 
Adjuration is a tragedy that is nothing short of an act of love. That much is clear in the passion and dedication put towards the story, the characters, and the message Freyja is trying to convey. This fic will teach you about love. About death. About the inevitability of existence and why despite knowing it will all come to an end, there is still meaning in trying and hoping and loving each other. In loving yourself. You will laugh, you will cry, you will hope and you will despair as you read this story, but you will not be able to put it down.
It’s hard to say goodbye to something that has been so important to and loved by so many people. So we won’t. Instead, we will say thank you for this incredible journey and the community this fic has built. For the friendships that have been made and the endless inspiration you have given us. Thank you for wanting to tell a story, and for letting us join you around the campfire to listen.
Thank you.
(If you like Linked Universe and haven’t yet read Adjuration, see below for spoiler free reviews of this fic and artist credits.)
This is an Adjuration is the kind of story you fall in love with, the kind of story you think keep thinking about long after you put it down. The kind you keep finding hidden details in after you think you’ve got it figured out. 
The characters are distinct and people with their own voices, motivations, relationships and histories. You’ll have your favourites but love them all. They influence how you’ll see the characters in everything else. 
It’s full of moments where everything clicks and everything before is recontextualised in a way that’s so satisfying and make the whole story very re-readable. A time travel story where all loops are already closed, where you can know but not yet understand what will happen. It’s long, complex, and beautifully, meticulously planned and detailed. It’s clever and considered, funny and heartbreaking. 
A story that whispers ‘it matters’ over and over. It is worth it to love, it is worth it if it doesn’t last forever, it is worth it to give someone a little more time, it is worth it to fight. It’s about loving others and your world and finding grace for yourself. 
It’s loss and tragedy and the cruelness of fate. It is the sacrifice and the breaking. 
Full of heart to both fill yours and break it in the best possible way. 
It’s about love. Always.
By @toyouhellohowareyou
Sometimes, it’s hard to explain to others why art moves us.
I could tell you This is an Adjuration will make you cry, laugh, and sit at the edge of your seat in anticipation. And it’s probably true - I did all of that as I read, often with a coffee in one hand, early in the morning as I got ready for the day. 
But that’s not the reason why I’m writing this.
The real reason is how it followed me during the rest of the day.
You see, at a certain point I realized this isn’t a story about Links going on adventures. Well, it does feature Links, and they do go on adventures, so let’s talk about that for a minute.
The first thing that caught my attention about this book was the characters. Each individual is unique, interesting, and exciting to follow. Not only are the Links individually compelling, but one thing that stands out in Adjuration is how the relationship between each Hero and their own worlds matter, and these connections shift, evolve, break and grow as the plot progresses.
Freyja does an incredible job of bringing together impactful storytelling with humor and heart. This is an Adjuration starts with an interesting premise, and then twists and turns in directions you wouldn’t expect. It’s rich in thought-provoking moments, soft joy and intense action, blended in with carefully crafted time travel and magic.
Adjuration sucked me into the world it builds, combining believable characters with fascinating stories, an unnervingly devious antagonist, plot twists, and lovingly crafted details that slip unnoticed until you’re surrounded on all sides. It made me cheer for characters I feel as if I’ve known intimately for years, made me worry for their safety as I would for that of a loved one, kept me hunting for hints and hidden references, pulling on a thread to try to find the end only for it to twist and loop into itself and show me a completely new side to the story.
Yes, This is an Adjuration is a fanfiction piece that explores the winding river flow of the Legend of Zelda timeline and how the stories of each Hero merge into each other. It also stands out for its heavy emotional content, and it doesn’t shy away from angst and hurt.
But to me, Adjuration is an epic journey that taught me how the choices we make, make us in turn. It’s a tragedy that deals with pain and healing, and it bares naked the non-linear nature of grief. It’s a celebration of the things that make us unique, of our flaws, an essay of the impact of little acts of love. Indeed, it’s a story about love.
I can tell you now, This is an Adjuration moved me. It still does. It has a special way to surface in my mind in unexpected ways at seemingly random times, from something as simple as tossing an apple core, to watching a lightning storm in the distance, or finding a picture of an old friend.
And every time, without fail, it makes me think about love.
By @sunny-porridge
This is an Adjuration is a wonderfully and beautifully crafted story about love, loss, and choice as the various incarnations of Link come together and travel through time. Freyja seamlessly weaves a tapestry of setup and payoff across different timelines and loops, in the best-constructed time travel plot I’ve ever seen on page or screen. Even at its surface, Adjuration is an emotional rollercoaster involving tragedy and the soft moments that make that tragedy worth it. But the deeper you look, the more meaning you can pull from every chapter of this amazing work. This work has made me cry, squeal with delight, and think more deeply about its themes all while having an absolute blast reading it. So in summary: READ IT. READ IT. READ IT NOW. YOU WILL NOT REGRET IT.
By @life-in-winter
While I love that every chapter is emotionally enthralling, with carefully woven, visceral tension you crave in any good story, yet Adjuration is more than that, and you feel it in the careful weave of each character and plot point. Nothing is lost or unanswered. It's the kind of story that, by the end, makes you stop and take a hard look at your own life. Are you appreciating the now? Are you savoring joy? Are you so wrapped up in fear that you can hardly take care of yourself? Do you know who you are?
This story is more like an external experience. It's riding atop a tsunami. How do you handle that ride, Link?
There aren't enough words to describe how amazing this fic is.
@needfantasticstories
Artist credit
Legend: @gia-d
Hyrule: @bittirsweeteer
Time: @toonblade
Sky: @noorahqar
Warriors: @whitewinterstar
Wild: @weavingstarlight
Twilight: @bluury2
Wind: @thewitchdoctor39
Four: @lunaopus
Red: @peepthatbish
Blue: @glowingmin
Green: @winterfen
Vio: @waterfallstream
Shadow: @deleetrix
Wolfie: @linkiscool333
Fierce Deity: @awildsilver
Ravio: @lele5429
Malon: @tooner-tastic
Dink: @passerinesoncaffeine
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cy-lindric · 9 days
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bonjour cy-lindric, j'ai une petite question. when I was a young person, I read The Three Musketeers and then eagerly started to read Twenty Years After and was so upset at what had happened to my beloved young heroes that I put the book down and never picked it up. what do you think, should I try again?
Bonjour !
After reading The Three Musketeers, I also wasn't sure I wanted to read Twenty Years After, and I took a break inbetween both to read something entirely different (The Locked Tomb, iirc). I think my reason for that was kind of the opposite of yours ; I enjoyed T3M a lot and loved the characters, flaws and all, but by the end they had somewhat crossed over the line into being Too Awful and the lack of retribution left me a bit frustrated. I didn't see it as a failing of the story - on the contrary, their strong character flaws and downfall in the conflict with Milady is one of the most emotionally intense and compelling parts imo - but I wasn't sure I felt like hanging out with these guys for a few hundred more pages at that point.
If your vision of the characters as a young reader was a very positive and perhaps idealized one, I can imagine why you might not have enjoyed entering into Twenty Years after. The illusion of glory has worn off ; the characters have separated, they live unremarkable lives, and their personalities have evolved drastically with the passing of time. It's almost a brutal return to reality.
For me though, it added layers of characterization to the point where now it's clear to me that this version of the Inseparables is by far the one I prefer.
I hope it's ok if I take the opportunity to talk at length about what I like about TYA below the cut. TL;DR : I love that Twenty Years After is a more realistic look at the big four's personalities and how they evolved while still keeping them thematically coherent, and that TYA makes them confront the reckless and cruel shit they did in their youth.
Spoilers ahead obviously.
We've often talked about how T3M is at its core a story about the end of knighthood. It's a tongue-in-cheek approach at chivalrous initiation, set at edge of the modern world, inbetween the time of ballads about knights in armor and that of adventures about journeying gunmen and soldiers. I think TYA embodies that particularly ; the story of people who have carried the last of these intense, dangerous chivalric ideals in their youths, and who have now grown into middle aged adults who need to find their place in the world.
For a good chunk of the book, the big four are separated into two teams ; that in of itself might discourage some, but imo it's genius. Instead of the natural two-by-pairings, Dumas goes for a d'Artagnan+ Porthos and Athos + Aramis split on opposite sides, which makes for good drama and develops lesser explored dynamics. D'Artagnan and Porthos form a scrappy team of opportunists with money on their minds, and Athos and Aramis a more idealistic duo fighting for a noble lost cause. I think it's a bold choice but also premium sequel writing.
I also love the way the young and wild characters we knew evolve into middle aged men ; at their core, they're still the same, but they've all changed and struggled against the sunset of the golden age in their own ways.
D'Artagnan, after knowing such adventures and subsequent rapid social ascension in his teenage years, has been met in his adult life with the harsh reality that he is, in fact, not a noble knight but a soldier on payroll. His modest origins give him little hope for any further career advancement, and he takes on a new mission in his early 40s for a man he has no devotion for and a cause he doesn't care about, simply because he is bored and broke. D'Artagnan still has his quick wits, his strategic talent, his fencing skills, but he has grown out of the excesses of pride of his teenage years. I loved meeting him again in TYA, and it made so much sense to me that his bouts of anger and aggressivity would be a youthful trait that he'd ended up taming. He also realizes now a lot of what seemed like funny adventures and necessary violence was actually kind of fucked up ; that was a shock to me, as their shenanigans are treated so lightly in T3M, and tbh it healed me a little. Grown up d'Artagnan is cunning, calculating, down to earth and realistic. My foxy little man. I love him.
Porthos, likewise, has been struck by the weight of reality. He has made the sensible choice and got married to the rich widow who sugar mommied him in the first book. Now she's passed, he is rich, but he still fails to earn the respect of the high society he evolves in because he's not high born enough. Like d'Artagnan, he's stagnating and bored and now that he goes back adventuring it has nothing to do with the queen or the kingdom or honour ; it's about getting his damn nobility title.
Athos, on the other hand, is the eternal knight : the only truly high born of the four, and still hopelessly holding on to a time gone by. It's no surprise imo that his storyline brings him into the english civil war, doomed to fail at saving a king who'll end up executed right in front of him. TYA acknowledges more clearly than ever that at 28 yo, Athos was a depressed alcoholic, and an embodiment of what an excess of aristocratic righteousness can do. In TYA, he is sober and moisturized and a DILF, and now he's running around frantically looking for absolution for his numerous crimes. It's delicious.
Aramis is maybe the hardest pill to swallow. TYA confirms the T3M hints that he isn't really the prim and proper romantic boy he acts like he is, and that he's possibly the most hypocritical and ruthless of the four. It might be a harsh one for Aramis fans who like him better as a cute bean, but I love the early onset of remorseless conniving bloodthirsty ambitious Aramis. Another harsh bit might be the evolution of Aramis and d'Artagnan not really liking each other ; they were always the least close combination, and imo it makes sense that their personalities would clash. I think it's clever and compelling conflict.
Now, obviously, if you've cared enough to read all this and if you know me a little, you know that a huge highlight of the book for me was its late-appearing antagonist, Mordaunt. Mordaunt is the son Milady had with her english husband. Because of the Musketeers' intervention, he's grown up in poverty and has been denied his father's inheritance. He's now a Roundhead working for Cromwell, and set on avenging his mother at all costs. Mordaunt, unlike his mother who was this beautiful and dangerous force of nature, is very uncool and pathetic. She was the primordial snake, he's the gutter rat. Obviously, I love that in and of itself, but it's also kind of striking image of the wretchedness of what they've done to her, a fucked up little goblin ghost come back to haunt them as they're trying to make their life worth living again. This time, their enemy is not a cunning political rival with a flamboyance of body and mind akin to their own ; it's a shitty little guy with bad skin who wants to kill the king and punish the murderers. Watch out babes, it's the modern world coming for you.
Of course, they're the Four Musketeers, and they did what they had to do, so they get together again and swear friendship and keep going their way. But they're also old guys with difficult personalities in a world that's never going to be the same. I think it's a cool book.
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inlovewithpandora · 3 months
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ੈ✩‧₊˚ — Summers Of Pandora ᝰ Day 2 - One Bed
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Artists — Neteyam x fem!Omatikaya!reader
Lyrics — You and Neteyam spend the night together on an overnight hunting trip and while you’re trying to sleep the mighty warrior can’t keep his body under control
Music Advisory — nsfw content (18+), porn w/ little plot, aged!up Neteyam, suggestive/allusions to sex, best friends trope, one bed trope ᝰ this fic does contain aged!up character smut so if you don’t like that type of content please don’t interact and continue scrolling!!
Duration — 767 words
Index — pänutìng - promise • ftang - stop
Words From Artist — This is my first writing smut for Neteyam and it was fun writing it! Always feel free to comment and reblog, I love reading y’all reactions! I hope you enjoy!!
Current Platforms — event m.list・main m.list・event taglist ・prompt list
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“Neteyam, move over. You’re all over me.” The agitation in your voice is clear while you try to scoot over, trying to give yourself more space so you can get comfortable and finally get some rest.
“If you haven’t noticed this bed wasn’t created for two people.” He replies with a groan while trying to keep his body from slipping off the edge of the bed.
“Fine, just turn on your side or something. It’ll give us a little more room.” You whisper through a yawn while flipping on your side, turning your back towards him and pulling the woven blanket that you and Neteyam are sharing over your body.
Neteyam has a feeling that this idea isn’t a good one but he wants to keep you happy and doesn’t want to put up a fight since it’s so late and you both are tired from the hunting trip today. “Uhm, okay.” He turns on his side, the side that’s facing your back, the side that gives him the perfect few of your beautiful ass and round hips. While Neteyam tries to focus on anything other than your body he notices you scooting back, making a low hiss fall from his lips. “W-Wait, y/n.” He says hesitantly while shifting his hips back, hoping you stay still.
“Stop poking me Neteyam, it’s too late at night to be playing around.” You wiggle around a little, trying to find the perfect position and get comfortable.
“I’m not, I pänutìng.” He breathes heavily while placing a hand on your hip, trying to calm your movements down. “ftang moving around so much, you’re making it worse.”
“Making what worse?” You ask in a confused tone, not understanding what Neteyam is talking about. Once you turn around to see face Neteyam you see his face all flushed, his normally blue cheeks gaining a purple hue, making you wonder what that could be about. “Neteyam, how many times do I have to ask you to stop-” You place your hand where you feel the poking in your back, wanting to grab whatever hard thing is giving you discomfort, but what you feel against your palm isn’t what you assumed it was going to be. When you realize it’s Neteyam’s hardened cock in your hand your eyes bulge open, not expecting to feel your best friend's length tonight.
At first you don’t know how to react to what’s going on but you can’t help but feel a sense of warmth spread through your core when it registers that you caused Neteyam to become erect. You’ve always had a crush on him but you never knew he felt the same, now you finally have your answer. Since his feelings are clear and you’ve always fantasized about pleasing Neteyam, why not take this opportunity and give him a nice little handjob and help him achieve the sexual release his body is clearly asking for.
“y/n…” He mutters out while looking down at your hand grasping his cock, feeling it throb the more he thinks about you touching him because he’s always wanted this moment to manifest he just didn’t think this is how it would happen. He doesn’t want to seem weird for enjoying this lovely accident that you both stumbled upon but he can’t help it. “M-Maybe we shouldn’t- you shouldn’t do this…”
“Why not? I just want to help out my best friend, it’s the least I can do after causing it.” Your fingers work their magic to untie the strings that hold his loincloth together and once they unravel you lay eyes on his cock, swollen and veiny with droplets of his pre-cum already making an appearance. Your thumb gently swipes over his leaking tip, teasing his slit before moving your hand downward and slowly stroking his cock, already eliciting sweet groans to fall from his lips. “Just relax, Neteyam. I’ll take care of you.” You whisper softly in his ear before gliding your tongue around the shell of his ear and making your way down his neck and to his jaw, covering each inch of skin you touch in kisses.
In a million eclipses the mighty warrior never thought he would see the day where Eywa would grant his wish to share an intimate moment with you but here you are, giving him a handjob and him crumbling in your hands and succumbing to your pleasures. Now he’s thankful that his father made him come on this overnight hunting trip, this is so much better than being alone in his mauri and jerking off to the thought of you.
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Fanbase — @eme1hyst @o-kingston @erenjaegerwifee @Kaydoux @biaaaaaaaa1 @hikotaru @thisaintredwine @lexieeeeeeeei @that-gurl25 @Peanut713521 @anemonelovesfiction @32saucy-minx @rae @bigdikzaddy @laylasbunbunny @merlinbtch @morisim @btsiguess-kpop @sussybaka10 @galactict3a @shima @eyrina-avatar @headsincloud9 @buble787635 @normspellmann @em-x0 @sliqeramx @lexasaurs634 @yetanotherattemptatanaccount @myh3artttt @savagemickey03 @neteyamyawne @neteyamsblog @deadgirlrin
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— all rights reserved © INLOVEWITHPANDORA 2024. all fanfics belong to me, do not copy, translate, repost nor recommend on tiktok any of the works seen here.
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yumeka-sxf · 1 year
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My thoughts on Spy x Family: EYES ONLY Guidebook (English ver) - part 1
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I finished reading through my copy of the English version of the SxF manga guidebook "EYES ONLY." There's tons of fantastic information about the series, but I wanted to share my thoughts/commentary on parts that were the most interesting to me. Since there's so much content to cover, I'll be dividing it into a few different posts. Also, rather than go in the order of the book's sections, I decided to group the content based on topic. This first post will cover Endo's comments about the characters individually, as well as information about Garden.
Endo's Q&As and comments about the characters
Loid:
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I like that Endo provides a reason for why Loid wears a WISE logo pin as it's something more than one fan of the series has questioned! And I totally agree with Lin about his "lack of distinctive features." Compared to so many other anime characters, especially shonen main characters, Loid's design is so plain, particularly in his hair and clothes. At least in his spy outfit he has a gun to make him a little flashier, but when he's in his casual clothes, he literally just looks like "some guy," haha. But that also makes sense for his character.
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I love how Endo gave specific numbers for comparing Loid and Yor's strength (Yor: 10, Loid: 6-7)
Anya:
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I did notice what Endo is talking about how Anya's design changed over time. But that can be said for all the characters really, and it's definitely not uncommon for manga-ka's styles to evolve as they get a better feel for their characters and world.
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He mentions the classical language thing that was also brought up in chapter 42. Definitely makes me think that will somehow tie into her backstory.
Speaking of Anya's backstory, there was this little excerpt about the researchers at the lab. So one thing we can say for sure about her past is that she was not treated well there at all (which has been hinted at in the series).
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Endo also discussed the origin of Anya's pink hair (namely, there really isn't any origin, lol).
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Yor:
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Interesting that he spent the most time designing Yor, and also about the origin of her stilettoes. And his apology to the cosplayers for that bonus feature about Yor's hair, haha.
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I had to chuckle when he said they can't measure her strength because she keeps breaking the instruments! Also the fact that she hasn't learned how to make a single successful meal since the stew…Endo is such a savage sometimes, lol. But keep in mind that this book was originally published over a year ago, and obviously we know from recent chapters that her cooking is improving. I also like that he mentions that she has left witnesses to her work, like in Extra Mission 2. I wonder if that will be a bigger plot point somewhere down the line.
Like Anya having pink hair, Endo expresses some regret about making Yor an assassin (but his laugh makes it clear he's not terribly hung up about it!)
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Bond:
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I know some people are bothered by the fact that Yor is Bond's least favorite. But I think Bond's (initial) dislike for her originated from the chapter where he assumes he would have died from her cooking. Also the fact that Anya put the idea in his head that she would "murder" him if he did something she didn't like, like shun her food (which is obviously heavily exaggerated). But again, this book was published over a year ago, and the most recent chapter revealed that he definitely doesn't dislike her even if she's not his favorite. It's perfectly normal for pets to have family members they prefer over others for whatever reason.
Franky:
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I love that Franky does charity work. I hope we'll see that in a future chapter.
Fiona:
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It's interesting that he ranks Fiona's combat ability so low, especially when you consider what she did to Wheeler in the recent arc. But to me, that wasn't so much a display of combat prowess as it was totally raw, uninhibited willpower.
Yuri:
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I love his blunt answer about whether Yuri has other interests besides Yor. Also intriguing that he mentions Nightfall when discussing Yuri's combat ability…maybe those two will meet eventually?
Information about Garden
Since Garden is still such a mysterious entity in the SxF universe, I tried to gather everything about them that the book mentions.
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It's interesting that Yor sees Shopkeeper as her mentor since he taught her survival skills in her youth. The book also raises the question about how Yor found Garden in the first place…maybe something Endo will expand on in the future?
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So the information Franky gives us about Garden is exaggerated? Gah, that just makes them even more mysterious!
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The above was a cool bit of trivia...so it seems like the secret police might know more about Garden than WISE. Perhaps Yuri will find out about Yor's real identity before Twilight?
Continue to Part 2 ->
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bloop-bl00p · 19 days
Text
In defense of Octavia
TW: Lots of Trauma Dumping, Mention of abuse
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She’s been wronged way too many times in this fandom for some reason. Look at her vibing, how can you hate her?
I’m a fan of Helluva Boss, mainly because of its potential but the quality dropped dead in the second season. We’re gonna talk about a character I’ve seen other fans misinterpreting in favor of the so-great Prince Stolass.
I want to talk about her mainly because I do what I want and because after studying her character I just realized that she’s just like me. Especially regarding her relationship with her father, I see myself in my younger years.
All of that to say…
She has all the right to feel abandoned.
Octavia obliviously has a stronger bond with her father, it shows in her behavior and little background details
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When she wants to draw her family, she draws her and Stolas, we mostly see her being happy with him which leads me to think that she’s emotionally neglected by Stella. To her, Octavia is just an ‘egg’ that fell off her and she doesn't care about the impact killing Stolas could have on her daughter.
Despite being emotionally absent, Stella has a much more physical presence than Stolas. Most of the time Stolas is alone in his castle which leads me to think that Octavia is somewhere else with Stella. They did mention the two went on a weekend somewhere. This leads us to this question…
How can Octavia feel more close to her father?
Here’s the thing, I see a lot of my family dynamic here. My mom doesn’t pay attention to me at all, she doesn't want me to bother her and she makes it clear. My dad, however, who’s absent like 90% of the time, always tried to spare time with me. He explained to me that he was working and why he was doing all of this (I was like barely ten) but it never prevented him from trying to play with me, sharing his hobbies, going on a walk, and else.
He was there emotionally and, as a kid who was bullied, had no friends at all, and a mother who didn't give a damn, I cherished this relationship.
I believe the exact same thing happened with Octavia, we never see her with friends or even outside the castle, she’s isolated. Stolas has Prince duties, we’ve seen him carry them in the shows, hence why he’s mostly absent leaving her with her mother. But, at least when she was a kid, he tried to do stuff bringing her to Loo-Loo Land or being the one to comfort her. That is why she clings to her father, he’s the only one who actually shows her love and she’s terrified of losing that.
Regarding her mother, Stella obliviously doesn't care about her so the feeling is reciprocated. From a narrative standpoint, Stella is an unpredictable force of nature getting angry for pretty much anything that doesn't go her way. So Octativa learned to not cross her mother's path.
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I know this expression, this is the “Oh fuck… they’re at it again?” she’s used to her mother's constant screaming, she's used to her parents fighting.
She did say they were a time when a parent didn't hate each other, which to me refers to the time when Stolas tanked Stella’s abuse. But, that doesn’t mean that Stella wasn't abusing him in front of a younger Octavia, she’s erratic and they did imply that she can get physical in her toxic behavior. Since Stella was passive, it was probably mostly harmful comments.
Putting personal things here, my mom was also very abusive to my older sibling. Since I was extremely young I learned not to ‘be a burden’ to avoid being abused as well, which includes things like not talking to her unless she does it first. Whether Octavia is aware of the physical abuse or not, she must know enough to know that it’s a bad idea to annoy Stella.
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This is the only picture where we see her seemingly having a good relationship with Stolas, which to me feels like she’s faking it considering all we know about the family.
She has a pretty shitty household but her relationship with her father make it bearable until Stolas did a 180°
He randomly started to prioritize Blitz and don’t spill me the bullshit of ‘he’s trying’ he stopped trying long ago.
Let’s analyze this episode by episode:
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In Loo Loo Land, Stolas seemingly tries to rebuild a visibly strained relationship with his daughter by bringing her to a park she liked when she was a kid. To this, she immediately responds with an “I’m not 5 anymore.” and an “I rather kill myself.” There’s no room for miscommunication, she doesn't want to go there, and she won’t enjoy it as much as she did back then. Still, he decides to go there, showing that he doesn't listen, and, he brings the one the thing that is currently ruining his already horrible marriage because of his own actions. Blitzø.
He’s trying to spend time with his daughter after a long time (this is mentioned in the episode) and he decides to bring in that one guy he’s hooking up with to deliberately make sexual remarks about him in front of her.
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She’s uncomfortable the whole time, not just because she allegedly doesn’t like listening to her father's comments but because she doesn't like the park. She said it, yet Stolas doesn't acknowledge it, he doesn't realize the faces she makes which are to me pretty communicative of her annoyance and discomfort.
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This is not even subtle body language, yet he only notices it when she runs off. The worst part is that he still finds a way to think about Blitzø when his daughter leaves.
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He looked upset that Blitzø didn't follow him! Did he expect that guy to pursue him constantly? He was in the middle of an argument with his daughter, I personally would have stepped away to give them space to talk and reconcile. But no, apparently Blitzø should be at his beck and call all the time.
But you know what, after all of this. He still apologized. That absolutely does not negate everything he did during the day but, at the end of it, he finally listened to her and even brought her to a place she actually wanted to be. Which is good, he acknowledged her discomfort and did something she liked.
Until Seeing Star.
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Look I know Stolas was busy with Stella but he clearly doesn't care about her and her stuff.
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Don’t tell me he couldn’t pinpoint Stella’s location with magic and teleport all of her belongings to her. Their discussion was barely about the furniture, he could have said that they were gonna be delivered and hung up the second he saw Octavia. Arguing with Stella is pointless, he’s the number one guy that should know that! Why does he continue to insult her, he’s just fuelling the fire!
Moving out her belongings would have been 10 times faster if he just hung up the phone, then he could have had a more mindful talk with Octavia without the constant bickering of his ex-wife.
But he didn't for some reason, fair enough, I guess. The writers do whatever they want. Anyway, Octavia got angry and ran to go see the stars on her own.
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So, Stolas’ castle is in Pride but my point still stands, Octavia had the time to run from home and make the way all from her father's place to the city, find the specific building Blitzø held his organization in and Stolas didn't notice a thing.
You cannot tell me Stella managed to get his attention for that long AND you cannot tell me that his castle is close to the shitty disaffected building and the populace. His daughter ran off and he did not notice a thing.
Not only that but he has the nerve of blaming Blitzø for not watching the book. Like, dude! You should have watched your daughter instead!
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Then he spills out more bullshit.
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I don’t know Stolas, how could you possibly find her when you were shown to have countless abilities to do so?
Like bubbles projecting the image and locations of people.
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Or that on time when you possessed corpses and one woman just to go full eldritch monstrosity just for one that one guy you’re cheating your wife with. And don’t whine about “They don’t love each other.” it’s still affecting his family, mainly his daughter so it’s still bad.
Of course, you do all of that without your grimoire without any problem, brushing it off with a…
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I guess he forgot his ‘ways’ when it came to Octavia. But honestly, Loona literally found her easily just by looking at her Instagram account, couldn't he just call her or something? The girl had her phone the whole time and he didn't just think of calling her.
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Me when I forget that I have teleportation power when I am in an enclosed space with nobody is looking.
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You’re certainly not worrying right now. Via literally told him to his face that she was scared and he kept flirting with him even though he once again caused her to run away because of his neglect.
He’s not trying his best, THIS IS NOT TRYING!
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No Loona, his daughter communicated very clearly issues related to their relationship, rather than reassuring her and being there for her as much as it’s realistically possible (he still has duties to carry), he gets in an avoidable petty fight with his ex and keeps an unhealthy dynamics with an imp he's been obsessing over. He doesn't focus, his priorities aren’t straight, and now Octavia feels abandoned.
I did mention that I had a good relationship with my father back then, but it stopped abruptly. His focus changed and he went out with friends after work and gradually stopped spending time with me. Until we never spent time together again, (to give you an idea the only moment where I could see him was in the morning for breakfast) now that can sound silly but I was a child, with no friends and a neglectful mom, losing the only good thing I had in life broke me. I knew his schedule, I knew he was spending time with work buddies and that just stung my self-esteem even more leaving me feeling like a burden when I was just a kid who wanted to feel love.
This is why I don’t like the “He’s trying.” I know what a trying struggling parent looks like and I know what happens when they stop. If you keep trying to do something and you’re constantly failing, either your technique isn’t the right one or you’re not and you’re convincing yourself you are.
And then there are people that’ll tell me that “He lived through the abuse of Stella for years for her.”
If you read all of this then I don’t feel like I need to explain how Octavia was at least partially exposed to Stella's toxic behavior and was affected by it.
For those who don’t know how it feels to live with an erratic mood-swinging person, it’s pure constant stress. You have to think constantly before you talk or move because you know that if you fuck up you’re gonna pay the price. And if you still eventually mess up you can never know with these types of people! You can’t defend yourself because the punishment will be far worse. You are ALWAYS in the wrong.
So he lived through the abuse of Stella just so his daughter could get neglected and abused in a less physical way?
The difference between my parents and Octavia is that they love each other. Stolas doesn't give a damn about Stella, he did say he was nice at first because he empathized with her they were in this shitty situation together, and fine, it's reasonable. But she never changed! Stella stayed the same! Why didn’t he leave her when he stopped carrying about her?! There’s no trauma bounding, Stella isn’t guilt-tripping or manipulating him, they got the child he could have divorced her easily without consequences! If anything, she’s the losing part of this divorce she’s lower in the hierarchy! “Andreaphul will get angry.” HE’S A MARQUIS! Hierarchically speaking Stolas is far more important and he mopes the floor with his peacock ass!
Am I supposed to be empathetic with that one dude who willingly let his daughter grow up in a hyper-toxic environment with an emotionally neglectful and unpredictable wife?! Am I supposed to believe he cares when he kept sleeping in his house in his bed with the same guy his daughter clearly is worried he’s going to leave her with?! Really?!
Don’t ever tell me that this is trying.
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