#a level film

[ariaste]

Me: [sees everyone talking about how Assad Zaman was "literally" coming up with RPF about himself and Eric Bogosian in an interview]

Me: ah, fandom's doing its little "interpret an innocent comment in Some Kind Of Way" thing again, let's go find the video and do our own critical thinking about what was actually said here--

Assad: What would happen if I said-- [words that cannot be interpreted as anything but RPF fanfic]

Me:

Me: ok fandom gets a pass on this one actually

[jamesmarriottistrilingual]

Has anyone here watched City of God?

[ghost-bxrd]

Prompt:

Actor Au!

Where Batman and Co. are the most popular TV series and they’re currently filming Jason’s death.

Only Bruce goes so deep into acting he breaks down for real upon the part where he arrives at the warehouse and digs through the rubble for his child.

[lousolversons]

Lady Gaga as Harley Quinn in Joker: Folie À Deux

[averageperson888]

[zosanbrainrot]

could you draw Chopper? please

I have a lot of things that I'm procrastinating on so ofc I'm gonna draw for asks, that makes perfect sense

anyway, I saw film Gold recently and one of the things I liked was Chopper's outfit he had in the beginning!

[wearenemies]

[sergle]

It really is like. you don't realize until you ask other fat ppl, how common it is for a thinner person to use you as a Fat Sounding Board for their feelings about THEIR own weight.

[writingwithfolklore]

Is it Possible for an Idea to be Beyond Your Skill Level?

                I think writing as a skill is often underappreciated. In that, I mean I think even writers hold ourselves to a standard that no other creator does. Out of all the skills or hobbies, it’s probably one of the least physical ones, which is often seen as the “benchmark” for skill, or the limiting factor in someone improving something.

                For example, musicians get more nimble and can reach their notes quicker and more accurately, allowing them to play more difficult pieces. Athletes get stronger and gain in endurance, allowing them to score more goals or otherwise go farther in the season with their team.

                I see writers all the time who believe they should be able to do anything because they don’t have that physical benchmark to limit how far they can go, and then the draft doesn’t come out how they wanted it to, and they get discouraged.

                Here’s my take, writing as a skill is just like any other. It needs practice. It’s not something you’re either born with or not, it needs to be developed and strengthened.

                With that in mind—I promise your idea isn’t beyond you. No one is ever going to finish a perfect draft on their first try—that’s never how anything works, and it has nothing to do with how “talented” you are.

                Rewrite the scene until it’s capturing what you want it to. Rework that character until they are who you need them to be. Edit until your motifs are coming through. It’s all practice, every draft is another practice towards nailing the end product. Do you think artists nail drawing hands on their first try? What about on their tenth try?

                So why are you holding yourself to this idea that it’s taking too many drafts to perfect?

                It’s okay to keep trying. If you’re really struggling with realizing a concept, take it out of its context. Write the character you want to see in different situations separate from your project. Read how others have done something similar, take notes. Gather sources and inspiration for what you want to do. Reach out to other writer friends for advice.

                Overall, don’t not write because you think it’s beyond you. With a little bit of work and practice, there’s no story you can’t finish.

                Good luck!

[firelise]

Film & TV I Think About A Lot » The Fits (2015) dir. Anna Rose Holmer

You know it's gonna happen to us. Just thinking about what my sister said, you know? What do you mean? I just... I just wanna know how it feels. Aren't you scared? Yeah, but it doesn't matter. It'll happen to us anyway. It hasn't happened to any of the boys. Yeah, but we're not them.

[pentosesuga]

my fav trashy romcom, jodha akbar (2008) <3

[whetstonefires]

So the thing with the Matrix for me, right, was I could never get past the assertion that the motivation for keeping humans alive was as a power source.

That pinged as so so stupid, and was presented so late and half-heartedly, that I could not understand it as a sincere part of the premise. Like. We're told very dramatically and pretty early that the world was mostly destroyed by humans 'scourging the skies' to block off all solar radiation in the effort to shut down the solar powered robots, evidently forgetting that all life on Earth is solar-powered also. Too comedically dumb to be really tragic imo.

So to pivot from the premise 'there is no life on earth, other than human beings, because the sun is gone' to 'the humans were kept alive as batteries' is an impossibility for me. Our ludicrous mammalian bodies, incredibly inefficient engines entirely reliant on continuous indirect consumption of solar energy to even survive, were somehow yielding a net output? Not only that, but one superior to nuclear or geothermal???? Bullshit.

I mean. Bull. Shit. I cannot. We just underlined in the backstory how all life on earth relies on the sun! Because life is expensive just to maintain and requires constant external energy input! We get milk from cows by keeping them alive, but that's because they turn the grass energy into something easier for us to process; no such mechanism is proposed for humans consuming dead humans and somehow producing a form of energy more useful to the Machines than just waiting for the corpses to dry out and then burning them to run a goddamn boiler.

This makes the direct opposite of sense.

It had to be in-universe propaganda, right? Another layer of the deception? It couldn't be the real reason. It was too implausible. Which meant I was still waiting to find out why the machines were really bothering with humanity and the Matrix.

I would have accepted without quibble the revelation that humans have special psychic energy that the machines were harvesting; that's dumb but in a comfortable, comprehensible, and above all internally consistent sci-fi kind of way.

I would have been quite open to the idea that the machines relied on human consciousness for their own development to true sapience, and the Matrix was primarily an AI nursery with the enmeshed human brains providing complex inputs, that one's actually cool.

There are a lot of explanations out there aside from the dumb official one, or the Occam's Razor one where they were just keeping some humans alive out of sentimentality! I'm really not that picky!

So anyway I never managed to emotionally engage with the Matrix films well because I had this unresolved 'motives of primary antagonist??? cause of fundamental scenario??????' thing making most of the actual plot twist and drama feel kind of boring.

My sister maintains that this is something wrong with me, that I'm refusing to suspend my disbelief and engage correctly with the text, and this constitutes a hostile, bad-faith and therefore illegitimate reading.

(She hasn't actually said this last part and I'd respect her position more if she did, but this seems to be the broad thrust of her emotional position when she starts shouting.)

I maintain that if a central plank of your sci-fi premise relies on going 'fuck the basic principles of thermodynamics and biology this is a vibes-based system' you should be very careful to avoid invoking the relationship between basic thermodynamics and biology in your core worldbuilding.

[segretecose]

what were they feeding joaquin phoenix on this set why does he look like a yassified version of himself in every shot

[thefabelmans2022]

so like. oliver wants power and privilege, right? we all understand that, okay? good. oliver was born into relative privilege as the son of a middle class family who gets into the most prestigious university in the world. he will probably get a good job and make money and become upper middle class. he'll retain his relative privilege and probably get to exercise power over working class and poor people. but that's not enough. he's not the most privileged, the most powerful. he's surrounded by people who are of a higher social class than he is and they're beautiful and magnetic and they'll never have to work a single day in their lives and neither will their children or their children's children all because their great great great great great great great times seventeen grandfather owned the land where serfs farmed and then his great great something grandkids invested the inheritance in the colonies and the slave trade and now they do nothing but they're always the most powerful person in the room. that's the kind of person oliver is surrounded by at oxford and ESPECIALLY at saltburn, and no matter how much money he eventually makes the only land his family owns is a two storey house in the north of england. he wants that kind of power and privilege and it is completely unattainable except through birth. is that clear now or

[pollenallergie]

polaroid from the set of Hoard

posted by dir. Luna Carmoon on instagram

you can bid on this polaroid and many others (all signed by Luna, I think??) from the set in the Cinema For Gaza Auction!!