#and enough to keep going

[elegyofthemoon]

listen i also think 2b is hot but also i am very very tired of walking into the tags every now and then only to see sexy art of her this is not what im here for im here for the existential crisis

[nariarts]

Spent a ridiculous amount of time last night obsessively editing my hand written zines in Photoshop to take away any tiny blemishes so they were definitely readable.

Whatever. Understand or don't.

[thepeacefulgarden]

[snail-day]

Suguru can be a bit manipulative… okay, maybe a lot. But can you really blame a guy for wanting his girlfriend to stay over for more than eight hours? It’s your first night at his place, and you’re just going to leave in the morning?

Yeah, that doesn’t sit right with him.

And it’s not like he’s even being pushy. You two haven’t done anything yet. Even though - god - there’ve been moments tonight where he’s sure his self-control is about to snap.

Like when he let you use his shower for the first time, and he had to pretend he wasn’t imagining what you looked like in one of his towels, hair dripping wet, skin flushed from the steam. Or how he wasn’t sure he’d be able to handle you coming out smelling like him.

Or earlier, in the kitchen - your soft footsteps padding around, your voice all curious and sweet when you asked where he keeps the tableware. That little pout. Those eyes. The way your hips brushed against him when you reached for the cups, and his hands instinctively went to your waist. He prayed - begged - you didn’t feel the hard-on pressed against you. He's a religious man after all.

So when you’re finally nestled beside him in bed, wrapped in his dark, silky sheets, his arms, his scent - he’s desperately reminding himself: Don’t be a pervert. Don’t ruin this. You're too good to me. You're not ready. I’m not ready.

He’s not ready to see what your face looks like when he’s on top of you. Whether you're the type to reach for his hands. Whether you’d whine into his kisses and chase them like you’re addicted to him.

Of course he doesn't sleep well. Not with you so close. Not when he keeps pulling you tighter against him in the middle of the night. Not when all he can think is - Please don’t leave yet.

So, of course, he wakes up before you. Of course he adjusts the blinds just right - so the light doesn’t hit your eyes, but still kisses your skin like a cat sunbathing. Of course he tucks the comforter closer around you, warm and heavy, so you stay cocooned in comfort while he goes about his morning.

He checks in on you often. Teases you when you stir, coos about how sleepy you are. Laughs softly when you grab for his hand, half-conscious. And of course he’s going to make it feel like this is your idea. Staying a little longer. Getting cozy. Not rushing off.

Because the truth is - he doesn’t want you to leave. Is that really so bad?

[keferon]

Don’t mind me I just like to see him go bananas about cartoonish Autobot rules

Maaan…..if Prowl was in tfp he would spontaneously combust at least once a day

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[tempo-takoyaki]

"It would be my pleasure to give you a proper tour and introduce you to everyone."

Here is my full illustration for @svsssbigbang for the fanfiction Night at Cang Qiong Museum by @adventure-waffles! An incredible Night at the Museum x Scum Villain AU! Don't hesitate to also check out the other two artists incredible pieces for this fanfiction: dustmeadowx and qiye!

And since I know that tumblr tends to destroy the quality of my illustrations, here are some close-ups under the cut:

[syoddeye]

knight!ghost x reader. hand-waving details. all vibes, as usual. cw: noncon touching, manipulation

After years beneath your mother’s watchful eye—less a daughter than a jewel kept safe under lock and key—you are at last released.

Invited to accompany your elder sister to court following her marriage to the esteemed Lord Garrick. Your first steps beyond the confines of home toward something far grander. The world opens before you like a storybook.

It’s a rare opportunity for a young lady of gentle birth. The kind of chance your mother spent years safeguarding you against, fearing the pitfalls of courtly life. An opportunity your sister now extends like a gift.

You intend to follow in her footsteps. To make the most of it.

As his carriage ferries you across the countryside, Lord Garrick indulges in his role as guide and guardian. He names estates and their residents you pass, calling out their banners and bloodlines, reciting them from memory like a living codex, its margins filled with his own notations and stories from years of soldiering in the King’s service and court.

Most names you know from lessons or gossip: daughters and sons married off, the odd spoiled reputation and scandal, matriarchs and patriarchs pulling strings. But being the sheltered girl that you are, one name catches your thoughts like a burr. 

Lord Garrick slips a miniature into your hand. It is no larger than your palm, with rich watercolors painted on smoothed ivory: a large man, almost comically set in the tiny frame.

His skin is pale, his eyes a warm, untroubled brown. He wears a slight smile, and his armor gleams with the seal of the King.

“An old comrade—Sir Simon Riley.”

You run a thumb over the edge. “Is he as handsome as his portrait?” you ask, shy as a girl should be when entertaining fancies.

Lord Garrick only grins. “He is, dear one.”

“And noble? Chivalrous?”

“The very image,” he assures. His wry expression is lost on you.

You are too steeped in fantasy to notice. Already imagining the weight of his hand around yours, already composing the vows he might whisper when he asks you to dance. Him, tall and solemn. You, breathless and giggling. 

You do not yet understand how generous portrait artists can be, the choices they make to soften a mouth or warm a gaze.

When you arrive, you trail in your sister’s shadow, a daisy behind a rose, trying not to stare too openly at every knight that turns his helm. Try not to appear too eager.

You curtsy. You dine. You take your place among the constellation of other young and unmarried ladies, each one a little star burning with her own hopes.

Time passes. You thrive. You charm. You are granted permission and invitation to winter beside your sister, a small victory. Come spring, you’ll be presented formally.

On the morning of the first frost, Lord Garrick finds you in the solar, where you sit with your companions and needlework, your thoughts pleasantly idle.

“There’s someone I’m due to introduce you to,” he says. “Sir Riley.”

He offers you his arm, and you take it. He guides you through the winding halls, past tapestries older than your bloodline. The keep quiets as you tread through an unfamiliar wing. The room he stops at is narrow and dark, the hearth cold, the shutters drawn.

It rouses an unsettling feeling in your stomach. A wrong note, a song sung off-key. Doubt prickles, fine as thorns. The chamber is too plain, too tucked-away for an introduction. 

But the man you’ve come to love as a brother—steady, kind Lord Garrick—pats your hand, and the doubt recedes, momentarily quieted.

He bids you wait. He’ll fetch Sir Riley himself.

You let him go with a wobbling smile.

When the door creaks open again, it is not Lord Garrick who enters.

It is Sir Riley. You know him at once, though the helm conceals his face. Your heart skips.

“‘eard you been wantin’ to meet me, girl,” his low voice rolls thick like smoke. Heavy, like the blade at his hip.

You do not move. The knight fills the doorway as he did his portrait frame. Your hands knit loosely before you, trembling.

“It’s…an honor, sir,” you manage. Your eyes dart toward the door, hoping Garrick will follow, show his face. “I wasn’t expecting…That is, I thought Lord Garrick would–”

“Thought he’d stay? Look after you?” Sir Riley asks, stepping inside. “Nah. Garrick’s a busy man. ‘Sides, if it’s lookin’ after y’need, no one’ll do better.”

The door shuts with a click, and the bolt sliding shut might as well stick between your ribs.

You offer a smile, trying to summon the composure that’s served you well in the halls. Yet even your propriety has teeth, and it gnaws at the edges of your nerves. This isn’t how introductions are made. You know that. A lady does not meet a man alone, knight or not, not without a chaperone.

And yet here you are. 

He moves further in, slow and certain, untroubled by the circumstances and its consequences. He unfastens one gauntlet, then the other, metal clinking as he sets each piece aside.

You step back, heart kicking against your ribs.

“I only meant…we’ve only just met, and I’m sure your time is better spent elsewhere—”

He says nothing. His fingers move next to the clasps at his shoulders. One pauldron. Then the other. Each piece comes away with unhurried care, as though he has all the time in the world.

The bulk sloughs off like a shell, revealing more and more of his frame until only the breastplate and helmet remain. You realize then that you’ve backed into the wall.

“I should go,” you eke out. “I’ve no doubt you’re very tired from your duties, and this isn’t right—”

Sir Riley laughs, rough like the scrape of flint.

“You’re a nervous one.”

He reaches up and unhooks his helmet, slow as sunrise. When it lifts off, you are not prepared.

He is not unhandsome, no, but he is not the man in the portrait, either.

His nose has clearly been broken more than once and healed crooked. A jagged scar bisects an eyebrow with a fleshy knot on the end, mirrored by another that pulls taut across his lips. His skin is a map of violence—keloids, silvered cuts, and pitted lines all speaking to a life earned inch by brutal inch.

He tilts his head, eyes catching yours. Rich brown, as the painting promised—but the warmth there is tempered with something else. Hunger. The kind you’ve spied in the King’s hunting hounds. Not the gentle yearning or tender longing you had quietly imagined for yourself.

“What’s wrong? Kyle said you found me pretty, pet.”

The word—pet—snaps like a ribbon.

In its reverberation, you feel the whole truth of it: you are very much alone, and Sir Riley is very much not what you were told.

You open your mouth, but no sound comes. You are caught between alarm and something stranger. It burns low in your belly, confusing and unwelcome.

You look at him again, truly look this time.

And realize: perhaps the artist hadn’t lied or embellished. Not entirely. Perhaps the man in the portrait once matched reality, before war carved itself into his skin. Before duty hardened whatever youth he’d once had.

You try not to flinch when he steps closer, but your body betrays you—a stiffening of the spine, a renewed tremor in your limbs.

Sir Riley notices.

He watches you the way a wolf watches a fox kit or rabbit. Clearly delighted by the prey he’s cornered. He lets the silence sit, lets your discomfort curdle before breaking it.

“You’re more beautiful than your picture,” he murmurs, almost to himself.

Your mouth dries. There aren’t many portraits of you beyond your family’s walls. Yet months ago, Garrick had insisted on one—a secret commission, a memento for your sister, a gift. All before your invitation to court.

You never questioned what became of it.

“I—I should go.”

You move to slip past him, but he doesn’t allow it. One step, and he cuts off your path with his bulk, the door now out of reach. Trapped between the edge of the room and him, the air tastes different—ash and smoke, hay and wet dog. It wrinkles your nose.

You try again. “Lord Garrick—he didn’t say—he never said you—”

“Yeah?” 

He smiles. Not kindly.

“That I-I,” you whisper, heart beating hard enough that you’re sure he must hear it. “That I’d be alone. This isn’t right—”

“Not alone, pet,” he shakes his head. “I’m here, aren't I? I’ll see you well looked after.”

Without pause or permission, he takes your hand.

You could faint.

Your bare hand disappears, swallowed by his callused palm. His thick knuckles are as battered as his face, broken and reset countless times. His thumb brushes the inside of your wrist and applies a brief and slight pressure, just enough to remind you of his strength.

You jerk instinctively, a soft tug.

He doesn’t let go. Instead, he brings your hand to his mouth.

“No need to shy from me,” he rasps.

Your breath catches. 

(You really could faint, but a deep, sharp fear urges you to stay upright. Awake. That to fall now—the alternative—)

He kisses each of your fingers, one by one, unhurried. His lips are cracked. Chapped. Your skin burns under each press. You can’t move. You should, but your feet fail.

He smiles into your knuckles. Almost fond. “You’re shaking.”

You don’t answer. Can’t.

“You don’t know what to do with yourself now, do you?” he drawls. “Bet you had a whole story in that pretty little head. Knight in shining armor, riding in to sweep you off your feet.”

His grip tightens, and he leans in, breath fanning over your cheek.

“Want me to do that, pet? Sweep you off your feet and take you away?”

Your heart screams no.

But nothing comes.

He watches you in that awful silence—measured and methodical. Like he’s trying to decide what to do with you first. His hand, still curled around yours, begins to move again, with new purpose.

He lifts your fingers and guides them toward his face.

You resist, weak and instinctive, and he overcomes it with barely a flick of his wrist.

“Go on. You’ve been staring.”

Your fingertips brush the ridge of the scar across his lip. It’s rough, raised, healed poorly. You flinch, but he doesn’t let go. Instead, he shifts your hand higher, until your touch ghosts over the thick welt at his eyebrow.

“Ugly, isn’t it?” he asks, almost amused.

Your throat tightens. “No—no, I—”

He clicks his tongue. “Don’t lie. Don’t like liars. You scared?”

You are. You’re mortified, shaking with it now—caught between a girlhood fantasy and the brutal reality of the man standing before you. There’s something violent in your own confusion. In the heat crawling down your neck and into your chest, in the tears prickling hot behind your eyes.

He sees it. Of course he does.

And he pounces.

One blink, and then his mouth is on yours without ceremony. It’s a brutal kiss, a claiming thing, harsh and sudden and full of heat. Devoid of the romance you once imagined.

You gasp, startled, but his free hand comes to the back of your head, fingers spanning your skull to hold you in place. He doesn’t let you pull away. He licks into your mouth and steals the air.

It’s too much. He is too much.

When he finally pulls back, your breath is ragged and your tears have finally broken free, hot trails slipping down your cheeks. The horror of what’s just happened crashes over you all at once, like a bucket of cold water sloshed down your spine. Your legs nearly buckle.

He stares, thumb wiping spit from your chin.

“There she is,” he says quietly, near reverent.

You stand there, unmoving. Caught. The pounding of your heart drowns out every thought, each beat frantic, panicked. A bird slamming itself against a windowpane in desperation. You don’t know what to say. You don’t know what you’re allowed to say. The room grows smaller by the second, the walls pressing in.

He studies you, a delicate thing worth examining up close.

“Didn’t think you’d be this sweet,” he mutters, mostly to himself. “Garrick said he had a girl for me. Said you were pretty. Polite. Court-bred. Figured I’d ‘ave to steal into your rooms, take some insurance to make you mine, you know. But Garrick said there’d be no need. That you’d behave. A proper good girl. That what you are?”

His eyes flick over your features—warm cheeks, wet-eyed, lips parted in confusion and fright. His thumb grazes beneath your chin.

“Look at you. Shakin’. Precious thing. ‘Course you are.”

He kisses you again. Harder.

No longer exploratory, no longer testing the waters. His moves as if owed. He takes and takes, lips dragging against yours, breath hot and heavy through his nose. Teeth sink into your lips, imprinting themselves on the pith of your mouth, sucking your tongue. You whimper, but his hand is already sliding down the line of your throat, splaying wide to feel your pulse.

Another panicked noise makes him smile.

He sighs. “Didn’t guess you’d be this soft. Bet you’re soft everywhere.”

Then—

The door bursts open.

A gasp of startled voices—servants. They freeze in the doorway, wide-eyed at the sight of the two of you locked together.

Panic explodes inside you. You jerk back from him, gasping, desperate to speak, to explain—this isn’t what it looks like—but you never get the chance.

Sir Riley doesn’t release you. His arm tightens, his grip anchoring you in place. He turns toward the intruders, unbothered and unashamed. Cold.

In a few short, lethal words, he promises consequences. He names each one of them—their roles, their kin. Swears they’ll feel his hand and blade personally should they utter a word of what they’ve seen.

They flee. Mute. Terrified.

When the door shuts again, it’s like the last breath is sucked from the room.

You’re a mess. Shaking, weeping, mouth swollen and burning. You are ruined. You know it. They will talk. People always do.

With the cuff of his sleeve, Sir Riley dabs your cheek, and then your chin. A mocking taste of the tenderness you’d dreamt of. He hums, too soft for the wicked glint in his eye, and tips your face back up with two fingers beneath your jaw.

“What a predicament we find ourselves in, hm?” he murmurs against your damp skin. “How fortunate that Garrick and I already ‘ave an audience with the King.”

He plants a chaste peck on your cheek.

“Dry your tears, pet.”

He smiles. A pleased shape that rekindles the hunger in his eyes.

“By spring, you’ll be Lady Riley. That’s a promise.”

[blueskittlesart]

i hope everyone in nintendo’s management department dies and goes to hell no matter what and i’m not kidding

[umblrspectrum]

so like is it specifically planets the solver craves or can it get by with just eating dirt off the ground

[technically-human]

Damn

[iamlostandinneedofcoffee]

I like to imagine that every once in a while Red Hood just goes off comms for long stretches of time and comes back bruised as shit and exhausted before logging off for the night and the rest of bat brigade is trying to figure out which villain of the week keeps jumping him.

Eventually they, cause communication is a skill no one learned, just start harassing hood’s men to find out whose turf they are invading only to find out they thought the bats were beefing with Red again cause he keeps mumbling about brats.

Now they are trying to find out which one of them is lying about fucking with Jason and no one is owning up, the trackers they keep putting on him are fizzling out, no one as any idea and Jason ain’t saying shit. But like he’s never properly irritated about it or asks for help nor can they find anything out so they let it go for now (read keep trying to track him to no avail).

And then one night Red Robin comes across Red getting chased and then fighting off a feral looking teenager on the roofs of Crime Alley and just when he looks like he is getting the upper hand another drops down from above (how the fuck the nearest taller building is not anywhere near close enough to dive into the fight from what the fuck?!?) and joins the brawl.

Tim is about to rush in to help Jason before the two teens’ heads turn in unison to him with Lazarus green eyes and look like cats when they see a red dot. Jason panics and before he can grab them, they leap and now Tim is in a cartoon brawl dust cloud and all and Jason has joined in and is calling them all brats and how his gunna whop their ass- and there is a foot in his mouth.

And yet through it all Tim never feels afraid. In fact, as he fights he realises they are keeping up and beating him all whilst smiling and punning(?!? They must never meet dick SHIT DUCK) and that won’t fucking do, so he brings out all his tools and tricks and is getting matching by two raccoon twins. 20 minutes later they are all grinning bloody smiles and just as he is about to slam his bo staff up into into the female looking twin, a whistle is blown.

They all freeze and look over in unison as if they all became shining quadruplets at a giant shit house built fucking man. And like Tim has seen big men. Bane is a big mother fucker. Superman is a big mother fucker, and is also shaped like one. Bats is big but this guy even though his is maybe not as large he feels infinitely more terrifying and that’s before you get to the flaming(fucking literally, how does that even work or stay in the pony tail) white hair.

“Alright enough for tonight or foods gunna go cold. Inside.” A voice bellows across the roof before the man disappears??!? At the mention of food the one top of Tim almost starts drooling, gets up and starts dragging Tim’s still prone body across the roof and off of it OH FUCK AND INTO A WALL WHA and they went through it… well

A couple second later Jason and the other dude stumble in. Jason picks Tim up as he is coming down from that mini adrenaline rush at and puts a arm around Tim, half hug half chokehold, saying “say nothing and you get to join once a week. Say shit and you’re haunted.” And walks off to the kitchen and starts bringing out food.

… safe to say the rest of the bats are now confused why Tim of all people is now turning up bruised as well with Jason, cause if it was him to start why has he started loosing all of a sudden??? And he says fuck all but his weapons and fighting style has got more chaotic and terrifying.

Oh and he seems to be eating… well you win some and lose some

[mobius-m-mobius]

#the Nowhere Man who waits and the God of Stories who watches

[specialagentartemis]

“young witch trying to solve the mystery of her neighbor’s missing cat in a small village in the Alps” continues to be hilarious don’t get me wrong but it’s kind of making me want to take a crack at treating the concept seriously. In this insular rural community, a cat goes missing. A young woman who takes her community’s professed ideals of helpfulness and harmony in witchcraft seriously volunteers to try to find him. Realizes the more she searches and the more she asks around that everyone in this idyllic village is quietly seething with resentment against their neighbors and against the world, that the insularity of her village is harboring a festering social rot that no one is allowed to address. No one can leave. The hills have fallen silent. Something is eating the cats and no one is allowed to address this. Ötzi is there

[aashidoodles]

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that