#and figured out what was causing the problem

[tame-the-lion-writes]

Do you think the dog shifters have another reason to be living in reader's place? What if they were hiding out from something and their crush willingly letting them live there was a perfect cover?

Reader was half right when assuming the boys escaped from some top secret government lab. In reality, they’re just on temporary leave cause whatever ethical abomination of a program caused their “condition” got cut out from funding (maybe not do human experimentation @ government, idek), and they’ve been trying to figure out how to go back to semi-regular life. AKA not accidentally terrorizing people or revealing themselves while battling the itch to shift (which feels very much like the itch to sneeze, or the irrefutable instinct when someone says SURPRISE—now you’re breathing manually. Whoops. Sorry bout that.)

They’re in the midst of securing a downpayment on a house together (because pack craves pack and they can’t be apart for too long) when they meet you. Then we get the whole shenanigan with mild stalking that only makes the itch to shift worse, because you’re pack, too! (Again—even if you didn’t know it yet).

Luckily, you bringing them home solves several things:

Rent

Food

Hiding Their Identities

The Need to Avoid Shifting

They probably underestimated how painful it would be to have to go back, but that’s a problem for another time.

[poohsources]

🐝  *  ―  𝑬𝑷𝑰𝑪: 𝑻𝑯𝑬 𝑴𝑼𝑺𝑰𝑪𝑨𝑳 𝑺𝑬𝑵𝑻𝑬𝑵𝑪𝑬 𝑺𝑻𝑨𝑹𝑻𝑬𝑹𝑺.

Troy Saga ❛  do what i say and you'll see them again.  ❜ ❛  what do you live for? what do you try for?  ❜ ❛  say no more, i know tat i'm ready.  ❜ ❛  the blood on your hands is something you won't lose.  ❜ ❛  is the price i pay endless pain?  ❜ ❛  something feels off here, i see fire but there's no smoke.  ❜ ❛  we should try to find a way no one ends up dead.  ❜ ❛  why should we take when we could give?  ❜ ❛  i see in your face, there's so much guilt inside your heart.  ❜ ❛  have you forgotten the lessons i taught you?  ❜

The Cyclops Saga ❛  it's almost too perfect, too god to be true.  ❜ ❛  what gives you the right to deal a pain so deep?  ❜ ❛  your life now is in my hand.  ❜ ❛  remember them, we're the ones who carry on.  ❜ ❛  what good would killing do when mercy is a skill more of this world could learn to use?  ❜ ❛  i am your darkest moment.  ❜ ❛  i don't know where i went wrong but i warned ya', and you failed the test.  ❜ ❛  that's just like you, why should i be surprised?  ❜ ❛  unlike you, every time someone dies i'm left to deal with the strain.  ❜ ❛  i'll remind you i saw you as a friend but now we're done.  ❜

The Ocean Saga ❛  at this rate, we won't make it out alive.  ❜ ❛  please don't tell me you're about to do what i think you'll do.  ❜ ❛  yes, but how much longer til your luck runs out?  ❜ ❛  you rely on wit, and people die on it.  ❜ ❛  you're like the brother i could never do without.  ❜ ❛  and suddenly you doubt that i could figure this out?  ❜ ❛  keep your friends close and your enemies closer, never really know who you can trust.  ❜ ❛  'cause the end always justifies the means.  ❜ ❛  do you know who i am?  ❜ ❛  you are the worst kind of good 'cause you're not even great.  ❜

The Circe Saga ❛  whatever you need to say can wait some more.  ❜ ❛  there's no length i wouldn't go if it was you i had to save.  ❜ ❛  wouldn't you like a taste of the power?  ❜ ❛  don't thank me friend, you very well may die.  ❜ ❛  did you do something to them?  ❜ ❛  if you make one wrong move, then you're done for.  ❜ ❛  you and i are now evenly matched.  ❜ ❛  you've given me no reason to bestow you with my trust.  ❜ ❛  who's to say, with the mistakes i've made that they will be the last mistakes i ever make?  ❜ ❛  this is the price we pay to love.  ❜

The Underworld Saga ❛  all i hear are screams, every time i dare to close my eyes.  ❜ ❛  i no longer dream, only nigtmares of those who've died.  ❜ ❛  when does a man become a monster?  ❜ ❛  now you tell us our effort's are for nothing?  ❜ ❛  how has everything been turned against us?  ❜ ❛  do i need to change?  ❜ ❛  i'm the only one whose line i haven't crossed.  ❜ ❛  what if i'm the problem that's been hiding all along?  ❜ ❛  what if i've been far too kind to foes but a monster to ourselves?  ❜ ❛  if i became the monster and threw that guilt away would that make us stronger?  ❜

The Thunder Saga ❛  you wouldn't have spared me. i made a mistake like this, it almost cost my life.  ❜ ❛  i've got a secret i can no longer keep.  ❜ ❛  you know that we are the same.  ❜ ❛  we must do what it takes to survive.  ❜ ❛  tell me you did not know that would happen.  ❜ ❛  if you want all the power, you must carry all the blame.  ❜ ❛  how are we supposed to trust you now?  ❜ ❛  how much longer must i suffer now?  ❜ ❛  someone's gotta die today and you have got the final say.  ❜ ❛  please don't make me do this.  ❜

The Wisdom Saga ❛  you've made your worst mistake here.  ❜ ❛  this cruel world doesn't give out presents just for being good.  ❜ ❛  you're my friend, i couldn't ask for more.  ❜ ❛  did you know you talk in your sleep?  ❜ ❛  i'm what you want here, i'm what you need here.  ❜ ❛  you don't know what i've gone through.  ❜ ❛  i know your life's been hard, i'll stay inside your heart.  ❜ ❛  life would be so much worse if you had died.  ❜ ❛  you dare to defy me, to make me feel shame?  ❜ ❛  no one beats me, no one wins my game.  ❜

[paper-mario-wiki]

what do you do when you're scared, alone, confused, and don't know how to continue each day without being in agonizing stress and despair

broad question, so you're getting a broad answer:

figure out why. and i don't mean the root of the cause, i mean both the root and the practical effects it's had on you. maybe the root is "government sucks ass" but why specifically does that affect you. what resource is being deprived of you.

and if the answer is "i'm the problem, i suck ass" then ask the same question. what's being deprived of you? what are you unconsciously depriving yourself of? or, what actions of yours are inadvertently depriving you of something?

step 2 is to figure out how to fix it, which i cannot even begin to attempt for you.

[newbiespud]

I'm sure it's been said before but I'll say it myself because why not

The game In Stars and Time makes for a revealing contrast to the movie Groundhog Day in how they treat their final time loop and how that reflects on the main character. (Even though, if I remember right, the dev largely wasn't aware of Groundhog Day when they came up with ISAT.)

Spoilers for both after the break, I guess.

In Groundhog Day, Phil starts out narcissistic and self-centered, has the realization that he can live life without consequences, gets depressed after having tried and done everything that he's got everyone and everything memorized so that nothing can delight and surprise him anymore, and finally escapes when he performs a loop that proves that a better, happier world is within his grasp to make, not something owed to him, and that he is happy with the life he has today, not always pining for his ambitions for the future.

In... In Stars and Time, Siffrin starts out deflecting and aloof, has the realization that they can do this perfectly - 'this' being not only the impossible challenge of defeating the King but navigating their relationships with their party - gets depressed after hitting wall after wall and repeatedly fumbling into faux pas after faux pas with their party, and finally escapes when they perform a loop where their true feelings come out, no matter how ugly, and they're honest about their own desires and wishes rather than trying to keep up an ideal façade.

Plenty of people have pointed out that In Stars and Time subverts the 'escaping on the perfect loop' time-loop trope that Groundhog Day largely codifies. Not only does the 'perfect' loop completely fail, Siffrin escapes on arguably the 'worst' loop, the one where they rightfully worry that they've hurt and alienated their loves ones forever and cannot escape those consequences anymore.

But I don't think this contrast is as direct as it seems, even though one could say that Phil got away scot-free compared to Siffrin and that In Stars and Time is the superior story for portraying a harsher outcome. (I do think that exploration and advancement of tropes is just inevitable and even healthy over time, and Groundhog Day came out in 1993 so of course it and the tropes it spawned deserve modern critique, but I digress.) I actually think that it reflects how both stories and the mechanics of their time loops are built around their main characters. (There's also something to be said about how genre shapes narrative since GD is an existential comedy and ISAT is an action-adventure focusing on interpersonal drama, but that's another digression.)

ISAT makes an impact on the whole time loop genre with its clever subversion, but like all the best subversive stories, it's couched in strong characters that embody its themes.

And to take a broader perspective, the best time loop stories are allegories for the real-life situation of making the same mistakes over and over again caused by your own deep-seated personality flaws, and being forced to finally confront your inner demons and overcome them and become a better, healthier person. (Relatable, much?)

Phil is a man who's never happy with his lot in life, so he needs to learn to find the eternal richness and beauty of what he has within his grasp, and that a better, happier life is something he can make for himself. Thus, he escapes on the 'best' loop.

Siffrin is a person who refuses to share their true feelings and problems with others to the point of self-destruction (and complete reinvention in one aspect), so they need to learn that no matter how ugly and twisted they think they are, being open and honest doesn't mean their loved ones will care about them any less, even when Siffrin is seen at their lowest point possible. Thus, they escape on the 'worst' loop.

It's not just clever subversion, it's holistic circular story structure!

...Though maybe I'm just drawn to these stories because I, too, would like some extra time to Figure Some Shit Out and have that time come with some superpowers along the way, even if it nearly destroys me in the process.

[thatrandomlemononyourcounter1]

The Problems With TMNT 2012 April O'neil (And Why It's The Writer's Fault)

(side note this accidentally low-key turned into an April O'neil defense post, and I apologize.)

Hello everyone! This post was seven pages on google docs so that's fun :D

When I was younger, I thought April O'neil was so cool. She was part Kraang, had multiple guys chasing after her, and was training to be a kunoichi.

As I got older though, and rewatched the show, I realized that while her character was cool, there were a lot of issues with said character.

Now, before I really start, I want to clarify, I do not dislike April! In fact, I still think she's a really cool character with a lot of potential. Unfortunately, said potential has been lost to the grasp of time and space, but that's not her fault.

A lot, and I mean a LOT of people don't like April. The most common complaints I hear about her are as follows. A, she led Donnie and Casey on. B, she's a Mary Sue. C, she got too powerful too fast. D, she's just annoying and two-faced.

Let's start with point number 1.

The Love Triangle between Donnie, April, and Casey is one of the most controversial things in the show. Some people love it, most people hate it, not that I blame them. The biggest point against the love triangle was that it deterred from the characters, and was honestly just kinda gross and cringey.

This could not be more true.

I could make whole other posts on why Donnie and Casey's characters would've been so much better without the love triangle, but this is an April post, so let's talk about April and the first point where the writer's screwed up.

Introducing April as a love interest

If there was one thing that I could take away from TMNT 2012, it would be the fact that they introduced April not as her own character, but a love interest. The fact that they did this set the stage for what April's character was meant to become.

If they had simply introduced April as her own character, then we would've been able to get a better grip on her personality.

But no.

April had never really been a love interest in the iterations before tmnt 2012, and that was because she usually stood in as an older sister figure for the turtles. Yes, some fans shipped April with the turtles, but it was never implied in any of the previous shows that any of the turtles had a crush on April or vice versa.

I don't know why TMNT 2012 decided to change that, but they did.

Making April the same age as the turtles wasn't the problem, and honestly, neither was shipping Donnie and April in the show.

It was how they did it.

In shipping the two of them, they dumbed April's character down to just a love interest, and made her seem bitchy. They wrote her having romantic moments with both Donnie and Casey, and supposedly turning both of them down at other moments.

A Foot Too Big is one of the most controversial episodes in TMNT 2012 period. The episode consists of Donnie rescuing Bigfoot. Bigfoot then proceeds to follow Donnie around like a lost puppy, invade his personal space, touch him without consent, blah, blah, blah. This causes Donnie to realize that just like how Bigfoot is acting is making him uncomfortable, how he's acting around April is probably making her uncomfortable. He then proceeds to tell April that he was going to try and start leaving her alone, and that he understood he was probably making her uncomfortable.

Then, in one of the most controversial moments ever, April grabs him and kisses him, saying "You're my mutant."

Yeah.

Prettttyyyy bad.

I think this incredibly out of character for April, and I think that the entire reason this scene happened was so that they wouldn't lose their most played gag, well tied with making Mikey look stupid after proving him to be smart time and time again, but that's a post for another time.

An excellent point that I've seen made by others was that the whole love triangle was never planned to have a solution, it was there to be played for laughs, which in turn, made April's character suffer for it.

I do believe that April's character would've thrived if not for the love triangle, and I believe that Donnie and Casey's characters would've been better off as well.

Point 2: April's a Mary Sue

Boy oh boy.

First of all, let's look at the definition of a Mary Sue.

"Unrealistically lacking in flaws or weaknesses."

So...people want to call April bitchy, and then call her a Mary Sue, as if being bitchy isn't a character flaw?

This is argumentatively one of my LEAST favorite arguments against April's character, because usually the argue-r defeats themself when they say the statement.

"She's annoying." That's a character flaw.

"She leads people on." That's a character flaw.

"She let herself get controlled by the stupid crystal." That's a character flaw.

April has a lot of flaws, and that's one of the reasons why I think her character could've been really interesting!

Let's take a look at some of the things that build April's character, and therefore make her not a Mary Sue.

April is shown from the very beginning of the show to be more of an action-oriented person, not always thinking things through.

(i.e. in S1 EP6 Metalhead when she went to go investigate the Kraang warehouse by herself or even in S1 EP1 Rise of the Turtles when she tries to come up with a plan to escape the Kraang's holding her hostage)

This is a character flaw, and it's one that we see a lot throughout the show.

April is also shown to be very empathetic. You can see this in multiple instances, such as when Karai admitted that she believe Splinter was her father, and April believed her.

This isn't necessarily a character flaw, but it has gotten her into trouble a few times. Usually her empathetic attitude helps more than harms.

April stands up for what she thinks is right. This is an important piece of her character that ties into her empathetic attitude.

April is sassy sometimes.

April can hold a serious grudge.

But, she can also be forgiving.

April is stubborn.

So, as I've pointed out, April definitely has a personality. It's just that usually, these elements of her character were ignored in favor of the love triangle, dulling down her character overall, and making her sometimes seem like a Mary Sue.

Speaking of the Mary Sue argument, let's take a gander at another requirement for being a Mary Sue, which is "everyone likes them, and people who don't like them are shown to be wrong for not liking them."

This is NOT true for April.

TMNT 2012 had no problems making Karai and April have serious beef, and Karai was never shown to be in the wrong for disliking her, except for when Karai took it a step too far.

Obviously, most of the other characters (who aren't villains) like April, because the other characters that are shown are her friends, or friends of friends.

Another aspect of the Mary Sue argument was that the character was usually too powerful without a reason, or out of nowhere.

This also ties into point number three:

April got too strong too fast/April's too strong

Okay!

So let's get into this point.

When I was a little younger, I used to think that people who argued this had a point, but again, as I've gotten older and applied my critical thinking skills, I realized that this isn't actually true.

Some people didn't like that the show made April half-Kraang, claiming it was too strange, just a way to make a female character seem like a 'girlboss', and of course a variety of sexist comments.

I am among the lovers of half-Kraang April, mostly because I think it was a really interesting take on the character.

But! A lot of people claimed that her "kraang" powers were too strong, making her unlikeable.

You want to know how the writers remedied this?

By making April get possessed by the Aeon crystal! (In my opinion, this was actually a really interesting writing direction)

Whiiichhh...of course a bunch of people also had a problem with.

Look, I can't make you like the Aeon crystal writing choice, and I'm certainly not about to try, but, by making April get possessed, the writers inadvertently added a flaw to their apparent "flawless" glorified love interest.

Now, it's been a hot minute since I watched any of the later seasons of TMNT 2012 (mostly because paramount plus is my mortal enemy (side note if anyone has seasons 3-5 downloaded feel free to DM me wink wink)), but I think I remember April losing some fights.

It wasn't like the narrative made her invincible, is my point.

So yes, April was strong, but she wasn't insufferably strong to the point where it was annoying.

I often see this argument used against Captain Marvel from the MCU as well, and I loathe it with my entire being so.

Now for the "April got too strong too fast" complaint.

I just gotta ask, did we watch the same show? /hj

April was shown to have something strange going on with her since season 1! Her powers were alluded to multiple times, so it wasn't like this was a last minute writing decision.

Her power grew stronger as the seasons went on, and there were a few episodes in each season that showcased this, such as S3 EP7 Eyes of the Chimera.

Yes she was strong in season 5, but that's because it was the last season!

As for her ninjutsu skills, it's the same thing. She'd been training since season 1! She grew as a ninja over time.

Now, for the last point:

April's just annoying.

Yeah, if this is you, I don't know if I can change your mind. Also if this is you, there a many times per season where I agree with you!

But let me tell you dear reader the same thing I tell myself.

It's not the character, it's the writers.

Unless the very idea of April O'neil makes you mad, my guess is that most of the gripes you have with her character are the writers' fault. The not choosing between Donnie and Casey, the 'character trait swaps', all of that was the writers.

None of those things are April's character.

Conclusion:

If you made it all the way down here, and read all of it, I applaud you.

Overall, I can't make you like April, but I can attempt to analyze her character and give you the finished analysis, that is mostly just me blaming all the problems of her character on the writers.

April had the opportunity to be an amazing character, and that opportunity was poured down the drain.

But, there are still some redeeming things about her character, and those things are the things that made me like her.

So, like most things in life, if you focus on the positives, you'll be okay.

This was CJ and her April O'neil analysis, that accidentally turned into a defense post.

Sorry if none of this post made any sense, I wrote it at midnight after a very long day.

[recurring-polynya]

Bleach 129. Suspicion [for Assassination]

I love Captain Hitsugaya so much, how is this remotely his problem? Okay, okay, I can buy the argument that he's got temporary jurisdiction over the Fifth, and maybe Hinamori was even being detained at the 10th, since it seems a little weird to have her in the custody of her own subordinates with no commanding officer around (altho I am pretty sure she was at the Fifth). On the other hand, seems like kind of a conflict of interest to have her own childhood friend as a warden (lol, like the Gotei has ever once cared about conflicts of interest and also like Rukia didn't spend three weeks being co-wardened by her childhood friend and her brother)

However, why does the Tenth's Seventh Seat even know about Renji or Kira busting out? It's not like they were in some central jail facility that lets you sign up for jailbreak notifications. Renji's over at the Sixth. He didn't even get charged with any crimes. B just tossed him in jail because he woke up and chose petty bitchery that morning. On the other hand, Kira, whom I assume was in the brig at Three, was released by his captain. Presumably, this is just...allowed? Are there even rules for detaining people in the Gotei, aside from 'captains do what they want'? It does not seem like it!!

Other bloggers might pin this on bad writing, but this is the best writing to me. How does this supernatural fighting manga so deftly capture this extremely specific flavor of workplace dysfunction? Where the management is so bad that you have to try to run a project without authority over any of the people involved, knowing you will inevitably get in trouble over it, but at least you will meet your deliverables. Hitsugaya is like six or seven years old and is the only person doing any work around here, while everyone else is day-drinking or melting into puddles or straight-up canoodling with the enemy. Ukitake feels like an authority figure, but that man has spent 1000 years learning to slither-out of actually being responsible for things while still giving off the air of competency. Vice-captains escaping prison? Seems...fine. How much trouble can they cause? Lot going on right now, you know? Someone will surely take care of it.

I think it's so great that Hitsugaya is considered one of the main characters of Bleach, especially as far as, like, merchandising goes, and he really has very little to do with the plot, he's just a guy who works here. Anyway, there's some vice captains on the loose, better go get 'em.

[barcaatthemoon]

blades || caroline harvey x reader ||

KK watches you skate.

"Are you listening to me?" you asked KK, already knowing the answer. She had a tendency to daydream around you. It wasn't that she didn't care about what you were saying, just that she got easily distracted. You knew that Leila and almost every single one of her teammates made fun of KK for it. "Caroline!"

"I'm paying attention, I swear!" KK exclaimed. You rolled your eyes and pressed a kiss to her forehead as you got up. "Where are you going? You just got here. The girls aren't even over yet."

"I have practice at 6. I told you that I wouldn't be here for the girls," you told her. KK's face fell immediatley. She had hoped that you would be able to hang out so that she could watch you practice.

You were on an athletic scholarship as well, but yours was for figure skating. KK had been in awe of you the first time she had ever seen you skate. She felt like everything she did was a hack job in comparison to you. That was before she had even seen a single one of your routines. All she had seen was you doing your warm up laps, and from that moment on, she swore that she had fallen for you.

"I wanted to watch today," KK whined. You really didn't want her to blow off her friends for you, but ultimately, it was her decision. You had always been afraid of being one of those girlfriends who caused problems in their significant other's friendships. "How long are you going to be going?"

"Probably pretty late, like midnight or so. If you want to come by later, you can," you told her. KK was absolutely beaming at that. You left her dorm not expecting to see her for a couple of hours at the very least, but you weren't even an hour into your practice when she came in with some of her teammates.

"We have to be quiet, so she can focus," KK told them. Leila was on live, occasionally flipping the camera so that everybody could watch you. KK was so proud of you, talking about you to anybody who would listen. You were on your way to being an Olympian, and KK couldn't wait to watch you win your first medal in 2026. You were already winning almost every single competition you went to.

"You are so in love with her," Lacey said as she nudged KK. You could see them out of the corner of your eye, but you kept your focus on your routines. Your coach had brought you a few suggestions, so you were trying them out. Most of the moves didn't feel right as you practiced them, but you could hear KK cheering you on from the stands.

She was, and would always be, your loudest supporter. Any time that you needed reassurance or a confidence boost, you'd go to KK. It didn't matter that KK had essentially sat there for hours, she cheered the whole practice. Bit by bit, her friends had dispersed and gone home, but KK stayed the whole time. You had planned on walking back to your place, but KK was most likely going to end up driving and staying the night.

"I don't get it," KK said as you skated over towards her. You wanted to try one of the moves one more time, but you needed to take a drink first. It was getting really late, and you didn't want to keep KK up knowing that she had an 8AM class the next day.

"You don't get what?"

"How you do that. I mean, I've been on skates my whole life, but you're so graceful and perfect. It's like you were made to skate and I just stuck knives onto my shoes." You frowned as KK glanced down. As much as you liked having her at your practices, it often ended like this. "If you had stuck with hockey, you'd be skating rings around everyone."

"No, I wouldn't. I tried hockey, and while I was good on skates, I can't take a hit. I'm not tough like you," you told her. KK blushed at the compliment, and the blush only deepened when you grabbed onto her bicep. "Let's get out of here. I want to watch a movie or something."

"Are you sure?" KK asked. You nodded, and KK was quick to help you over the barrier. She made you sit down as she unlaced your skates and gathered your practice bag for you. The two of you walked out of the arena together, and all you could think about was how perfectly you complimented each other as you caught your reflections in the window. "Will you show me something next time?"

"I will, but you're not shooting pucks at me again," you told her. KK laughed at the memory, which she had been shocked you even agreed to in the first place. Technically, it had been Lacey and Leila's idea, but KK had been the one to ask if you'd come with them and practice. You hadn't done terrible, but you were deathly afraid of the puck even in the maximum amount of padding they could manage for you.

[tsxkkis]

# sugawara koushi - next door

a/n: idk why but i really like this one (it's kinda stupid, but i still like it for some reason) :33 anyways, let me tell y'all i HATE school rn i can't stand it but i also don't want it to end.

summary: your next door neighbor is incredibly helpful. and nice, and sweet, and oh so charming.....

warnings: none!

sugawara particularly enjoyed the peace of living alone.

it was a complete one-eighty from the nature of his work; as an elementary school teacher, his day to day life was incredibly loud. kids weren't exactly the calmest creatures on earth, and even though they caused a lot of mischief and problems, he couldn't say he didn't like his job. quite the opposite, in fact - he loved it more than anything, but after a long, tiring day spent with these little monsters, he appreciated some peace and quiet.

that was, until a new neighbor moved in right next to him.

'is everything... alright?'

sugawara was caught off-guard by the sound of his doorbell ringing, even more so when an unknown person appeared right in front of it, a can of what seemed to be anti-bug spray in one hand and a terrified look gracing their face.

you knew that meeting your neighbor for the first time in a circumstance like this one wasn't exactly ideal; you'd much rather come to his door with a freshly made batch of cookies, introducing yourself like in those rom coms your mother used to watch on a daily basis. instead, you ended up in front of sugawara's apartment with fear in your eyes and a request you wouldn't normally make when first meeting someone.

'there's a big, really big spider in my apartment. can you help me get it?'

the silver-haired man blinked at you a few times, as if he was processing your words, which shoot out your mouth at lights speed. he tilted his head to the side as silence took over for a few seconds, popping out of his bubble after a short while, lips curving up into a warm smile.

he stepped out of his apartment, closing the door behind him.

'where is it exactly?'

from that day forward, sugawara didn't experience even an ounce of his previous, peaceful home life. but he didn't exactly complain.

to his surprise, you popped up in front of his door the day after he helped you kill that spider. and the day after that, and the day after that. it was almost a routine for the two of you at this point; every time he came back from work, he would await to hear the doorbell ringing almost impatiently. you became a vital part of his day, and it wasn't full without your presence, so much so that even his old high-school friends, daichi and asahi, could notice that something has changed in the life of his silver haired colleague.

he was shocked to see that after a few months of your little 'thing', you didn't appear at his door.

sugawara immediately took notice of how odd it was; and took action even faster, putting his slippers on as he headed to the door of your apartment, his eyes quickly glazing over the clock hanging next to the door, the time reading barely after 7pm.

he knocked once, and then again, nervously shifting his weight from one leg to another.

he could barely hear some mumbling on the other side of the door, paired with quick footsteps and after a few minutes of waiting, he was met with your face standing on the other side of the door, an apron on and face smudged with something that he couldn't quite name.

'oh, you're alright.' he mumbled, lips curving into a smile the moment his eyes landed upon your figure, a feeling of relief washing over him. 'you didn't show up at my apartment today. i guess i got... worried.'

he stopped for a quick second.

'not that you have to come to my apartment every day, of course! if you're busy then-'

'no, no, that's not it.' you barged mid sentence, opening the door just a little bit wider. 'come in.'

the first thing he noticed was the smell; his nose picked up on the multiple spices mixing in the air together, head turning to the side as he noticed your kitchen being an absolute mess.

it makes sense, he thought. you were just busy. it was nothing to be worried about.

'i wanted to make dinner for the two of us.' your voice echoed from behind him. 'you know, to thank you for helping me so many times throughout these past months. as you can see, though- i'm no masterchef.'

sugawara chuckled when hearing all this; his smile warm as he looked closer at the food.

'it looks perfectly good to me.'

'you don't have to lie.'

'i'm not.'

the apartment fell silent for a short while, the silver haired boy's eyes darting away from the kitchen and towards the open living space, the table already set with candles, even though the food wasn't even half-made, and you took notice of it right away.

'i wanted this to be special.' the tips of your ears turned red, eyes turning away from the man. 'you know, a date.'

a date?

he looked at her, dumbfounded.

sugawara didn't consider himself remotely as interesting as his other friends, so it came as no surprise when they had more admirers than him. he was just kind of... there.

to hear that you, of all people, had thought of him as something more than just a friend, made his heart beat faster.

he smiled from ear to ear, a small chuckle leaving his lips.

'ah, so i guess you beat me to it.' he sighed, his body leaning against the kitchen counter. 'i certainly waited too long with asking you out.'

you looked down at your feet, face flushed pink.

'maybe a little bit.'

'well, i can help you finish cooking this and we can go through with the date.' he proposed, his body involuntarily moving towards yours, taking a few small steps. 'if you'd like that, of course.'

and who would say no to sugawara and his charming smile?

'yeah. i'd love that.'

taglist: @moonswolfie @wyrcan @kitsune-kita @haechansbbg @luvvrgirll @serotoninbarbz @sugaraddict301

[ananke-xiii]

ah yes, of course I have more to say. This time it's not about a specific comparison/trope, more about how angels are perceived by viewers (but also partly by writers, too, tbh).

anything about angels being ethereal and divine etc: I think sometimes the non-in-universe view warps what's canon when it comes to angels. For instance, the way we the audience commonly perceive angels sort of interferes with the in-universe depiction of said creatures. Like, maybe we see angels as ethereal, celestial, incomprehensible figures but in SPN they're anything but. We can very much understand their motives, their feelings and what their agenda is. It's totally not beyond human comprehension, as amatter of fact, it's very much human but it's also NOT human at the same time because angels don't have the same morality as humans do and their notion of "good" and "evil" is quite peculiar, if they even have one. This is also why the "halo and a harp" joke is thrown around quite a few times as a reminder that SPN angels are not "our" angels.

The same misrepresentation happens when it's about angels and love (and sex). It's pretty clear that in SPN (hashtag not all but many) angels are actually very, very, very much interested in sex and love. I'll concede that they tend to confuse obsession for love and that there's a lot of repression/suppression/sublimation/you name it going on in that department but, frankly, it's not something so inherently alien that humans can't relate to.

Anyhow, I don't think it's only the audience's fault, though, as I see SPN writers implicitly inserting their own personal view into the story as well. For example, the idea that Lucifer is the "primary agent of evil" in s14 after we've spent a whole season dealing with how God has traumatized and abused both his own sister and his own "son" and how said sister has, in return, abused and traumatized Lucifer doesn't exactly hold up. I mean, if there must be one primary agent of evil in SPN everything seemed to point to Chuck well before s14's big "reveal". Moreover, from their first appearance in S4 angels have perhaps wreaked havoc more than demons and other monsters combined. Lucifer is admittedly a big problem (among other things because he is an abuser and a general piece of shit) but he's not the only problem in paradise (lol).

Related to the first point, how Dean's in awe with Cas because he's a celestial being etc: this is something that I read in a lot of fics so it's just both my own personal taste and my fic preferences (I like when fics stick to canon as far as possible because I like to see how different minds might have developed a particular storyline) that differ from others and that's fine, to each their own. The thing is, I don't really see it. Maybe S3-4 Sam was more in awe with the idea of angels but after Lucifer I don't think the guy's particularly moved by them. As far as Dean's concerned, I actually see him hating on angels the most. Vampires can be okay, werewolves maybe, he's surprisingly okay with demons as well, but angels? He doesn't like them at all. And I mean this, this is actually interesting because out of all the creatures in the world he hates (and who have hurt him and his family) he ends up getting a best friend/consort who belongs to that particular flavor he just can't tolerate and who probably hurt him and his family the most ("Angels are just monsters with good PR"). As in: Dean finds Cas amazing because he's Cas, not because he's an angel but he IS an angel nevertheless and that alone causes some problems. It makes for a very interesting moral dilemma and an engaging angle to explore where a good chunk of their issues stems from.

[ew-selfish-art]

Dp x Dc wherein learning magic is similar to learning how to play music. 

So basically, the creation of a summoning spell is like a full composition/song made of smaller components or ‘notes’ for things like gravity shifting, and geolocation, and transportation etc. which is why Magic can be taught and spells can be man-made. 

Danny, however, is the equivalent of having Perfect Pitch. He can compose entire songs of spells without really thinking about it due to his royal titles (ambassador/king/high prince) but doesn’t really know how to be specific which lands him in some trouble with Clockwork. His portals are coming along a lot better with the help of Wulf but its critical that Danny learns how to control the range of his magic *something something, for the timestream something* *blah blah according to the will of the ancients blah blah*. 

So put on the course to learn Magic, Danny decides to hunt down the House of Mystery and study up by himself. He’s doing community college online, what could a little bit of Magic self study really do to his schedule? This place has literally every magic resource he could need! 

Turns out he has a roommate in the House of Mystery- John Constantine does not take well to the fact that half of the spells Danny is creating are causing him issues with the JL. Random shit appearing, random shit disappearing, portals everywhere and don’t get him started on the fucking ICE present on every bloody thing the magic reaches. Not to mention there is no reason a normal human kid should be able to have this much power behind his spells. 

John attempts to teach Danny the basics like a little kid gets stickers placed on the keys of a piano. The problem is Danny has the ability to compose entire scores of Magic all on his own, and absolutely abhors the training wheels John is putting on him. 

Danny: You’re patronizing me! 

John: You deserve to be patronized. 

Just like, Danny learning Magic in various ways that you might teach kids to play musical instruments from the various Magic users in the JLD. Causing chaos along the way, found family, the whole nine. Stickers on the instruments for notes, taking away guitar strings that are ‘more advanced’ and replaying Twinkle, Twinkle little star over and over again. 

Danny can play the Magic equivalent of Tchaikovsky’s Swan Lake but cannot play Chopsticks. 

[minhosblr]

T.leeknowsaurus first insta live aka. Minho not being satisfied with instagram's filters for 18 minutes straight

[birbnest]

I've figured it out, why I'm always a bit thrown about people defending Blitz this episode. Like don't get me wrong Stolas has not been perfect and has to grapple with his classism/etc. But like, in my head, I've always gone, 'but that isn't the point of this episode/fight/current conflict' but didn't really have the words to explain. But now I do.

Because, the whole point of apology tour (and everything that built to it) is that even if Stolas was a perfect boyfriend, even if they didn't have the complicated power dynamic and Stolas being really demeaning, etc, none of it matters because it would always have ended the same. Blitz would always set fire to the relationship the moment he confessed his love, it's what he did with Verosika after all. It's what he's implied to have done with more than half the people at the party.

Stolas could have been perfect, and nothing truly would have changed. Blitz right now is incapable of letting someone love him without lashing out. The whole prince thing is just a convenient excuse to yell and scream about, it's not actually the point. Like don't get me wrong, there's truth to it, but Blitz is weaponizing it to shove Stolas away. If he didn't have that, he would find something else to use against him.

I love Blitz, but he's a terrible person. His trauma only explains his actions but doesn't justify them. Apology Tour is the episode that finally shoved in his face his fuck-ups in all their glory, and gave him the wake-up call to finally do something about them.

[awetistic-things]

y’know how you’re down to clean your room and then your parent tells you to clean your room and all of a sudden you would rather die than do it, yeah, that’s how it is for me but with talking

[kacievvbbbb]

I’ve been rereading this lovely fic by @erinyra (it’s great I seriously recommend) and I’ve been doing some thinking and I do think Mihawk should get sick and it could be just like a passing illness or bug but something that lays him out for a bit and while yes I think a sick Mihawk would be adorable and terrifying and I love that for me.

I also think it’d be a way for Shanks to confront his probably latent issues with illness and seemingly untouchable people. After all his captain was as untouchable as they come, literally king of the pirates, but he still got sick and that ruined Shanks life. And here it is happening all over again. Mihawk probably the strongest most unflappable person he knows is sick with some unknown disease (not really his anxiety riddled mind just can’t process what Hongo is saying) And Shanks is not handling it…..well.

Shanks can withstand many things; any manner of injury or bodily harm to him and his loved ones that’s fine they can walk it off. but illness? he does not fuck with illness…

[harmaakarhu]

teeth - 6.30.24

wenduag portrait, still inspired by corky lmao

[helga-grinduil]

beside the fact that todorokis weren't telling touya to stop causing troubles for them and killing people, and instead were telling him to stop burning himself, i feel like telling someone to stop killing people is. also a fair thing to say.