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#and written by batman vs superman?
punkeropercyjackson · 6 months
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It's finally here!!!
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Graphic design is my passion LMFAO but as i said i would do a while back,i've created a masterpost of all the Jason Todd content that's worth your time!This is rather long but he's existed since 1983 so!!
Base edit is my little sister @mayameanderings and tagging @coffeemilkcatz and @nanaonmars since they said yes when i asked if they wanted me to!Let's dive in then!
Batman 408-426,Detective comics 568-582,Superman annual 11,New Teen Titans 18-31,Blue Devil 19,Action comics 556 and 594,Batman Annuals 10-12 and Batman(The cult)for pre-reboot Robin!Jason my beloved
Nightwing Year One 101-106,New Teen Titans 55,Nightwing 10(1997)and Legends of the Dark Knight 100 for Dick and Jason siblinghood,Gotham Knights 34 for the short story of him and Alfred and Detective comics 790 for Bruce telling Cass about him as it takes place on Jason's birthday
Lost Days aka the Red Hood prologue
Under The Red Hood(2010)-The original comic is good in it's own right but the movie is leagues better written(Rare comic book adaption exception lmao)
Robin 177 and 182-183 for the actual Tim and Jason beef instead of 'replacement' and 'enemy to caretaker' bs
Azreal:Death's Dark Knight 3(Can't give commentary on this one since i don't know Azreal like that,sorry)
Red Hood and The Outlaws(2016).Unlike the Utrh comic vs the Utrh movie,the original Rhato has nothing positive like the reboot
Not TECHNICALLY Jason BUT Duke is his favorite brother and Stephanie's the only Batfam girl he's truly close to so you should also stan them since he'd want you to /lh
Red Hood:Outlaw for the confirmation that Red Hood loves black women from infinity to infinityyyyy(meaning his love interest Dana Harlowe is introduced and featured as an mc in this run)
Urban Legends 1-6 for his return to the Batfam-Messy tbh but i do enjoy parts of it!
Task Force Z for him and Stephanie being a vigilante team and it has a prelude,that being Detective comics 1041-1043
Unkillables and Joker:The Man Who Stopped Laughing for Jayrose goodies and more of the above
Gotham War if you feel like turning off your brain to look at good art and laugh at dogshit writing
Red Hood:The Hill is his current run and when our queen Dana comes home from comics limbo!!!
The following is a misc list that's not required to include in your Jason knowledge but HIGHLY recommended you do just for fun!
Tiny Titans 23,29,33,39,45 and 47,Bombshells 46,60 and 62,Bombshells United 18-24,Lego Batman:Family Matters,A Death In The Family 2020,Batman:The Adventures Continue,Batman/Teenage Mutant Ninja Turtles 5-6,The Doom That Came to Gotham 2023 and The Teen Titans Go episode 'The Best Robin'(Pre-Reboot Robin Jason rights!!!).Also look up 'Nobody cares about Tim Drake' if you don't know what that is,you'll love it
Jason also appears in the Lego DC Super Villains games that i highly recommend as well especially because my girlfriend is a mega fan of it and i don't know much about Lego Batman 3:Beyond Gotham but please avoid the aformentioned original Rhato,Red Hood:Outlaws and the Gotham Knights game as they feature extremely problematic writing not limited to but including racialized misogyny and ableism and do disservice to Jason himself anyway so you wouldn't want to consume them to begin with if you want to like him.I have mixed feelings on the Arkham Knight and Injustice games series' but they are objectively fairly good so i wouldn't say no to giving them a shot to see if you like them
And for the finale we have Wayne Family Adventures-Definitely a good read but to be totally honest it does Duke DIRTY and it sucks so much of DC to have marketed as his series to not only not follow through at all and make it an ensemble cast instead but ALSO deprive him of his actual characterization and story to make him a demure weak black boy stereotype.I won't judge you at all for liking it if you decided to read it or have already but kindly keep this in mind and consider joining me and my mutuals in our rewrite of it to give our Signal of Hope and Chaos the writing he deserves or at least support us through likes and reblogs!Happy Jason readings and have a good day💕
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batbabydamian · 9 months
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Hey, I started reading Robin son of Batman because of your recommendation (I literally have a print of your post on my phone to not forget lol). Honestly? One of the best things I ever read!!!
Thank you for opening my eyes! Damian has been one of my favorite characters for over a year, but I didn't read/watch much of him because of school, life (and probably an executive dysfunction in the mix).
Maya is incredible. I loved her.
I haven't finished all the issues yet, but do you have any other recommendations?
WAH this makes me so happy, i'm glad you still gave it a shot even with how busy life is!! ;v;
i’d love to give reccs, and i’ll try to go a beginner friendly route! tbh you can pick up whatever here, but since you've read R:SOB i’d immediately follow up with Batman and Robin (2011) #1-8! this first arc is what’s referred to in Maya’s introduction, and it's just. so good.
Main Books
Batman and Robin (2009)
Dick as Batman with Damian as his Robin!
#20-22 Tree of Blood: Dark Knight vs White Knight arc is done by Tomasi and Gleason, the team for the next Batman and Robin series
*Batman and Robin (2011)
Bruce and Damian figuring out their relationship as both Batman & Robin and father & son
imo you can enjoy the ride and read straight through this but i’ll add context to avoid as much confusion as possible since there’s the occasional tie-in or offscreen events, like Damian’s death nbd
Batman Incorporated (2012) #1-10
events leading to Damian's death - affects Batman and Robin (2011) from issue #18
kind of a tough read especially with how Talia's written, but a lot of iconic bits like Batcow, Damian's vegetarian declaration, Alfred the cat, "We Were the Best, Richard."
Robin (2021)
another self-discovery adventure, particularly after Alfred’s death and a fallout with Bruce (and questionable writing choices from his last Teen Titans run)
Batman and Robin (2023)
currently ongoing! after a number of events, Bruce and Damian are back as a duo
Damian Dynamics!
Batman: Streets of Gotham (2009) #7, 10-12
arc where Damian meets one of his first Gotham friends, Colin Wilkes
Batgirl (2009) #5-7, #17
Steph and Damian dynamic! "the bad cop, worse cop" dysfunctional duo
Red Robin (2009) #13-14
early Tim and Damian dynamic that of course includes fighting haha. funny enough, accidentally my first intro to Damian LOL
Teen Titans (2003) #89-92
Dick!Batman has Damian join the Teen Titans. Start of Damian and Rose Wilson dynamic that’s extended in Robin (2021)
Batman: Gates of Gotham (2011)
Damian meets Cass and has a brief team up
Gotham Academy (2015) #7
Damian meets Maps Mizoguchi! they have a few other meetings, but outside of that the series itself is a great read!
Robin War Event (2015)
Robin War (2015) #1, Grayson (2014) #15, Detective Comics (2011) #47, We Are Robin (2015) #7, Robin: Son of Batman (2015) #7, Robin War (2015) #2
Duke and Damian dynamic! not exactly beginner friendly but these are the main issues in order for the event! you can also read the TPB version for everything including Tie-Ins
Nightwing (2016) #16-20, #42, #43
#16-20 Nightwing and Robin arc!
#42 Dick on a mission to save Damian! the one appearance of "Wiggles" the dragon
#43 Dick, Roy, and Damian team-up
New Talent Showcase 2018 "Catwoman: Pedigree"
Selina, Damian, and Alfred the cat
Batman: Prelude to the Wedding - Robin vs. Ra's Al Ghul (2018)
Selina, Damian, and Cheese Viking - Damian's fav game shown in Nightwing: Rebirth (2016)
Monkey Prince (2022) #1-4
Marcus Sun Shugel-Shen's main comic, but Damian features as a fun dynamic here before they're in more serious circumstances in Batman VS Robin (2022)/Lazarus Planet event
Superman (2016) #10 - 11
the beginning of the Super Sons! featuring Maya!
Super Sons (2017)
solitary arcs but there’s a few event tie-in issues later
Adventures of the Super Sons (2018)
literally more Super Sons adventures lol galactic shenanigans yeehaw
Challenge of the Super Sons (2020) 
Super Sons time shenanigans feat. the Justice League
Robin 80th Anniversary (2020)
"Boy Wonders" - brief Damian feature as Tim considers his next step in life
"My Best Friend" - Jon's thoughts on Damian and their dynamic
"Bat and Mouse" - refers to Damian's unfortunate Teen Titans (2016) run at the time of release which follows up with Teen Titans Annual #2 where Damian briefly gives up Robin
Extra Comics!
Superman/Batman (2003) #77
Kara and Damian in a Halloween team-up! also the appearance of "Li'l Matches" lol
DCU Halloween Special '09 "Cavity Search"
Damian out on a solo mission for Halloween night. Immediately after is Tim's Red Robin story "Then and Now: Our Father's Sins" which is more somber in contrast but also a good read!
DCU Halloween Special 2010 "Robin the Vampire Slayer"
a Dick!Batman and Robin story featuring the vampire Andrew Bennett
Cursed Comics Cavalcade (2018) "The Devil You Know"
Halloween themed comic with a sweet short story of Damian alongside Solomon Grundy
DC's Terrors Through Time (2022)
"Trick or Treat" a Super Sons Halloween story
"The Haunting of Wayne Manor" Damian and Deadman story - in the end, Boston kinda refers to Nezha's possession of Damian in Batman VS Robin (2022) which was happening at the time of this release
Batman: Li'l Gotham (2013)
lighthearted series that instantly makes me smile with the silliness and Dustin Nguyen’s art i love this dearly
Secret Origins (2014) #4 "A Boy's Life"
a retelling of Damian's origin story
Detective Comics (2016) #1001-1005
Batman and Robin vs the Arkham Knight (unrelated to the game)
Truth & Justice (2021) #6/#16 - 18 Digital First version
cute story of Damian’s birthday! Juni Ba’s art is so fun!!
DC Festival of Heroes: The Asian Superhero Celebration (2021) “Special Delivery”
short story about Damian! and poisoned pizzas. completely forgot the artist Sami Basri drew Rebirth Damian here before catboy Damian lol Cass’s story “Sounds” is also cute! Marcus makes his first appearance in "The Monkey Prince Hates Superheroes"
DC VS Vampires (2021)
Damian makes appearances throughout this elseworlds book, but the one-shot DC VS Vampires: Hunters (2022) is vampire Damian-centric!
Batman: Black and White (2021) #5
“Father & Son Outing” short story written and drawn by Jorge Jimenez!
Batman: Urban Legends (2021) #20-23
#20 “My Son” Talia and Bruce focus
#20 - 23 “The Murder Club” 4 Parts
Tiny Titans (2008) #33, #39, #45, #47
a few appearances but SO CUTE, LOOK AT HIM
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*Batman and Robin (2011) reading guide
i'm mostly trying to avoid the "what did i just walk in on?" kinda feeling when i first started reading comics LOL i'll list the comics where events take place, but you don't necessarily have to read them to go through this book since things are usually explained as quickly as possible in the first page or so
#0 Someday Never Comes
Talia and baby Damian before he grows up to meet Bruce
#1-8 Born to Kill
just an incredibly solid arc for Bruce and Damian!
#9 Court of Owls Tie-In Issue
Damian VS a Court of Owls Talon. While Bruce is occupied with a home invasion of Talons, Alfred makes a call for allies to protect targeted Gotham public figures from Talons. During Batman (2011) #1-11
#10-12 Terminus
Damian challenges the previous Robins sans Steph
Batman Incorporated (2012) is occurring at this time where Talia has placed a bounty on Damian and there's small mentions of that
#13-14 Eclipsed/Devoured
mostly solitary arc! end of it leads into the Death of the Family event
#15-16 Death of the Family Tie-In Issues
Damian and Joker face-off... Alfred's been kidnapped by the Joker, and Damian goes looking for him. During Batman (2011) #13-17
#17 Life is but a Dream - Death of the Family Epilogue
a sort of subconscious check-in through the dreams of Damian, Alfred, and Bruce. Nightwing (2011) #17 features Damian encouraging Dick after Death of the Family events
#18 Undone "Requiem"
Bruce dealing with Damian's death from Batman Incorporated #8
other reactions to Damian's death: Dick in Nightwing (2011) #18, Tim in Teen Titans (2011) #18
#19-23 Denial, Rage, The Bargain, Despair, Acceptance
Bruce through the stages of grief with some batfam appearances in each. also introduces Carrie Kelley into continuity as Damian's acting tutor.
Batman (2011) #19-20 also addresses Bruce's loss
#23.1-23.4
these could be skipped - villain stories, also related to Forever Evil event.
#24-28 The Big Burn
optional Batman and Two-Face/Harvey Dent arc, #23.1 is part of this story!
Damian's resurrection and return
#29-32 The Hunt for Robin
Ras took Talia and Damian's bodies from their graves, and Bruce goes after him.
-> Robin Rises: Omega
continues events from #32. if you don't want to jump to this, basically, Glorious Godfrey and a bunch of parademons from Apokolips are here for a chaos shard which Ra's put in Damian's sarcophagus. at some point, Bruce gets a hold of the shard where he sees a vision that leads him to believe Damian can be resurrected. Godfrey ends up taking the shard, along with Damian's body since it was emitting the same energy.
#33-37 Robin Rises
Bruce hellbent on retrieving Damian from Apokolips and reviving him
-> Robin Rises: Alpha
necessary to read and continues events from #37! Damian's back with a bang lol
#38-40 Superpower
Damian adjusting to having superpowers and being alive again
Annual #1 2013 Batman Impossible
sweet (and funny) one-shot of Damian sending Bruce on a meaningful scavenger hunt around the world while Damian gets to be the cutest Batman for a bit
Annual #2 2014 Batman and Robin: Week One
one-shot takes place during Damian's absence. after Bruce and Alfred find a mystery gift left for Dick, Dick recounts a story he had told Damian from his Robin days.
Annual #3 2015 Moonshot
one-shot Batman and Robin adventure on the moon!
...and of course after Batman and Robin (2011), Damian's story continues in his first solo Robin: Son of Batman (2015)!
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ficcerspam · 3 months
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DCxDP - ADDITIONS AND NONFICS
Magician!Danny AU - 9.27.23*
Danny learns sleight of hand and goes through Hijinks and Shenanigans. There are some DC offshoots where Zatanna is involved, with some inevitable angst from another user.
In the Interest of Medical Attention Addition - 10.02.23*
DCxDP - Red Hood goes missing. Danny, an eldritch horror tourist, just wants to be helpful. These two things are, unfortunately, related.
De-Aged Danny Angst Addition - 10.06.23*
DCxDP - Danny, having been capture and experimented on, gets de-aged with memory loss and some...physical complications. One of the Bats finds him. Dad!Dick Grayson implied.
Booo-merang Trouble Addition - 10.10.23
DCxDP - Jason gives off an ecto-signature, and tries to find a runaway/hiding/injured Danny in Gotham.
Baby Danny vs. The Joker Additions - 10.16.23*
DCxDP - De-aged Danny in a bat onesie wreaking havoc on the Joker for Funsies, and sort of getting adopted by Jason. There are a plethora of other reblogs that aren't included in the link, but this is where I've mentally stopped the AU at (personally). Highly recommend going through them for the fanart!
Candy Crush AU Additions - 10.31.23*
DCxDP - Additions written for @long-live-astronerd-ghost-king's Candy Crush AU. Dead on Main. LOTS of other reblogs that aren't included in the link, but this is where I've mentally stopped the AU at (personally).
Lucky Rush AU Additions - 12.02.23*
DCxDP - Additions written for @virgamsysxvolumes's Lucky Rush AU. Please go read it, it's so good!!! I've also designed some stuff for this AU, but Vivi has released some official art for the AU in the masterlist too!
Dan Doesn’t Like Danny Addition - 12.27.23*
DCxDP - a short sort of Not!fic where Dan comes to rain his wrath down on Trigon and the JL for different reasons. Lil’ angsty. Twoshot.
Estranged Brothers Dick and Danny Addition - 05.06.24*
DCxDP - Mr. Haley summons Danny to act in the circus, not expecting the Grayson's to take such a shine to him. The Grayson's die and Dick is adopted by Bruce, but Danny has to stay... Oneshot.
Casseroles and Confrontations Additions - 03.10.24
DCxDP - Batman sends a few of the Batfam to Amity Park to investigate the ghost sightings. When they get there, however, Jason refuses to step into the town due to some instinctual feeling he has. Check "#casseroles and confrontations" tag for non-story lore!
NOW WITH AMAZING FANART by @animal-123-crazy
MORE CUTE FANART by @jamiethebee
(a la Thor) ANOTHER! by @leesbian42
Jason, Meet Jason Addition - 05.09.24*
DC - Snippet inspired by Fanart of Red Hood!Jason meeting Robin!Jason. Morbid humor. Artist made their own continuation, just an extra panel that’s hilarious af.
Brother Bizzaro Addition - 05.13.24*
DCxDP - Danny is reincarnated as one of Superman’s clone. He escapes with a fellow clone he names Match (Bizarro, in a Project Match Clone Tube). I write a little snippet of the two at the Gotham Library learning how to read. Highly encourage you to read the extremely abundant reblogs! 
I Had a Nightmare Addition - 05.14.24*
DCxDP - Batman enters the Batcave to find Phantom sitting at the Batcomputer. Strange, for someone who has never been told the location of the Batcave. Angst. (Blood Blossoms)
Teen Titans and the Lost Boy Additions - 05.17.24* [AO3]
TTxDP - "After being on the run for a long time, Danny somehow stumbles his way into the middle of a fight. This leads to him joining the Teen Titans (much to his confusion)."
Reverse Robins with a Desiree Twist Additions - 06.19.24*
DCxDP - What if Damian wished to be the eldest? What if Desiree wanders into Gotham to grant it? Instead of turning Damian older, she turns the rest of the batkids younger in reverse order. (My additions are extremely angsty, a short Damian POV and a follow up Bruce POV)
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acedrawsbad · 6 months
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Okokok so I'm not very big in the batman x superman scene but once I had a dream where I was walking through a DC museum and one exhibit was about queer subtext in the comics vs. being cut out of the film and show adaptations. One specific example they looked at was a scene for a Valentine's comic, written about all sorts of platonic love in the Justice League.
So in the comic, Bruce Wayne shows *platonic affection for Clark by working with botanists and doing research into Kryptonian plant species. He breeds a flower (that looks like a dark red rose) from Kryptonian soil and preserved seeds to give to Clark and offers him to help with research because Bruce believes that Clark and any surviving kryptonians shouldn't lose hope that they can preserve their culture and find new life, even without their home planet.
In the TV adaptation, however, for their Valentine's special the show runners thought it was too queercoded to have Bruce give a flower (basically a red rose) to Clark during the Valentine's episode. So at the end of the episode, Diana gives Clark a rose pretty much without prompting. The panel in the dream details that Diana just giving Clark a rose out of nowhere strips the original scene of all of its meaning. It's never explained why Diana has the rose, whether the rose is important, and never mentions it again. So by changing the scene to make it less queer, the show ruined a perfectly good moment of connection where Clark gets to have hope that his home world isn't completely unknowable to him.
Did dream me make all that up?? Am i crazy? Because that would be a WILD thing for my brain to just spawn in when I barely even watch justice league.
*So in the original comic, a big part of the plot was that sometimes love sits in a middle zone. Not all affection has to be specifically defined and characters can do semi romantic actions without being inherently romantically involved. So Bruce and Clark were shown to be in a "middle zone" in the comic where they do slightly romantic things but with platonic friendship feelings, mostly to express that love takes many forms.
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popawritter12 · 1 year
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Yandere!Clark Kent + Yandere!Bruce Wayne x female!reader
𝕐𝕒𝕟𝕕𝕖𝕣𝕖 𝕔𝕙𝕒𝕣𝕒𝕔𝕥𝕖𝕣𝕤: Bruce Wayne and Clark Kent
𝕄𝕒𝕟𝕘𝕒| 𝔸𝕟𝕚𝕞𝕖| 𝕧𝕚𝕕𝕖𝕠𝕘𝕒𝕞𝕖| 𝕥𝕧 𝕠𝕣 𝕞𝕠𝕧𝕚𝕖 𝕤𝕖𝕣𝕚𝕖: Dc movie series (?
ℂ𝕒𝕤𝕖: Scenes of jealousy, attempted aggression.
ℙ𝕒𝕣𝕥:1 of 1
𝕎𝕒𝕣𝕟𝕚𝕟𝕘: I spent several days trying to do something coherent, I didn't like Batman vs Superman nor did I find a coherent way to make a Yandere story of these two. But hey, this is the final result, which is located after the events of the new flash movie (I mean, the new reboot of the DC world)
{AND YES, I PUT A PHOTO OF BATMAN VS SUPERMAN BECAUSE I THINK IT WAS AWESOME}
⋆ටᆼට⋆ ⋆ටᆼට⋆ ⋆ටᆼට⋆ ⋆ටᆼට⋆
Coffee, cooked mate, tea, black tea, green tea, smoothies, croissants, ice cream.
You smell the sweet atmosphere and feel the warmth of the cafeteria atmosphere fill your soul and body with happiness. As if you have changed from a horrendous and heavy environment to one full of happiness and peace and love, you smile, thinking about what to ask for.
For a few days you longed for a break from work, and finally you had it, you could finally have breakfast in complete peace, without worrying about whether you arrived late or late to a place or to do such a thing.
After talking to the clerk about what you were asking for, you sit down to think about your life, and what you could do today. Walk in the park? Watch a movie? Or maybe just lie in bed and sleep like you've never slept in your life.
Or maybe... visit Barry, one of your best friends.
Yeah, that sounded like a great idea, catch up and talk like they did before they got into college.
But... Something went wrong, something interrupted the little rest you had, and you knew that thanks to the people who suddenly went outside.
As if everything were a chaos orchestrated by destiny, as if it were God who had decided to let humans take the reins of their destiny, you see how a kind of fabric is torn in the sky. A hole in the shape of torn cloth reveals two men, peering out of the gloomy chaos that had ensued.
People watched, took photos with their cell phones or recorded videos, or were directly shocked by the bizarre situation in which they lived. The surreal thing about this fact was that a part of you thought that Barry was in danger.
A pang that runs through your stomach as if it were your body telling you something, forces you to start pushing people.
Elbows, shouts, pushes; everything seemed like chaos with the people who began to mobilize.
You walk out of the cafeteria, looking directly into the hole that had opened up.
As strange as it may seem, or as fearful as you did not express, you were able to see two people in the distance that you casually or conveniently knew.
---Bruce? ---Questions with a small voice ---, Clark?
All the noise that people were making because of the shouting, or just because of the amount of people moving slowly fades away, as if your brain was only focused on the two people who were there, above, staring at you, as if they were watching you. searching.
It is then that the hole gets bigger, and an immediate desire to run or hide from what was going to happen ran through your mind and body taking over you
But... everything was in vain, everything had already been determined, everything had already been done, as if destiny had already been written on a stone.
You can see it, the world you've known, the people you've always loved, or even your very existence disappears.
In a blink, you go from being at work, watching the world be destroyed by something you didn't even understand, to waking up from your bed.
You remove the sheets from your body with violence, throwing the sheets on the floor. You look around you, scared; it was your room, but almost completely different.
Instead of posters of your favorite bands, there are posters of people you didn't know. From titles like "The woman in the cabaza" or "The dance of the end of the world" were movie titles that you had seen in your life.
Instead of losing your mind, or starting to panic, you know you can't lose your mind now.
Inhale, hold, exhale, inhale, hold, exhale.
You kept up the routine for a few minutes, until you even managed to keep the peace, even now.
---Remember; everything is fine, everything is fine, ---You inhale again, trying to keep the peace ---, everyone is alive, it was just a nightmare, it was just one more nightmare.
After a few minutes that at this point seemed endlessly insufferable, a sudden call interrupts your attempt to keep all your ducklings in line.
Seeing the cell phone, which was on top of a small book that was on top of a wooden shelf, you take it in your hands.
"Barry <3"
A small hope that everything was a nightmare appears, so you answer.
---Hello? (Name)? --- You hear his voice, like a worried older brother.
---Barry? ---You questions, happy.
You listen for a moment as if Barry did sounds of a happy person, as if he is celebrating that you still remember him.
---It's good that you remind me...! --- He cuts off his own sentence ---, I mean, I'm glad you're okay
---Yes, I'm fine... ---You answer, averting your gaze ---, I just... woke up.
--- Thank goodness --- He whispers, as if he were nervous ---, by the way, can we meet somewhere?
---Yes, s-sounds perfect ---You whisper, trying to hide your nervousness ---, where can we meet?
---I can hear you're nervous, did you have another nightmare? ---He asks.
You blink a few times, remembering that he knew about the nightmares you had for practically your entire life.
---Yeah... It was horrible ---Your voice cracks ---, I can't believe it felt so real!
---Huh? But if all your nightmares feel real... ---He mentions, confused.
---B-But... I could see as if the world was destroyed, something in the sky opened up! ---You explain, nervous ---. Everything was fine, it was my day off but... when I went outside, something in the sky opened up and...
---Oh... ---He whispered, this time more confused ---.., wait, did it open and something or someone peeked out? Like a person or...
---Bruce and Clark! The two of them peered out of the hole that opened ---You express, worsening your condition.
Barry is silent, it was noticeable that his words were stuck in his throat. It is then that, after a few seconds and listening to you sob with fear.
---(Name)... ---Barry called you.
---And I thought it was a dream because everything was being quite strange, and... ---You explained, getting out of bed and looking at the posters in your room ---, I'm in a stranger's room!
---(Name)
---It looks a lot like mine! But it has very... strange tastes, I've never met any of these bands or movies ---You say, investigating the room further.
---(Name) ---He calls you once more.
---What's happening?
---It was not a nightmare.
---What? ---You ask, before listening to someone knock on your door.
---(Name), I need you to go to the park in front of your house, Bruce and I will be there, okay? --- Explains Barry, you could see that he was trying to stay calm.
---O-Okay... ---You whisper, ending the call quickly, looking at the door.
After a few seconds of mustering as much courage as possible, you go to the door and open it. Your fear is suddenly replaced by surprise when you see who was there.
---Clark?! ---Your voice is shot throughout the house, to your surprise, you can see it there; completely calm.
He was carrying a white ceramic cup with flowers, which seemed to have something inside.
---What's up, (Name)? ---Clark asks, confused ---, are you okay?
You look at him for a few seconds, trying not to say something that would probably be very incoherent. You look at the cup that he was carrying in his hands.
---It's nothing... Did you need something? ---Questions, playing with your hands.
---Oh, nothing, nothing ---He repeats, with his cheeks a little reddish ---, I just wanted to bring you a cup of coffee, as I saw that you didn't get up.
You blink a few times, before seeing how he extends the cup towards you.
---Thank you... ---You whisper, before taking the cup in your hands.
--- By the way, --- He mentions, before suddenly changing his tone --- who was that you were talking to?
You can see that because his body was tense and his tone of voice had changed, he sounded different than what you were used to.
--- It was Barry --- You answer, drinking from the cup between your hands ---, he said he needed me to go to the park near here.
--- Oh, --- His voice changes even more for a moment, erasing the smile on his face, but suddenly it's back to normal.
---I'll go now ---You say, happy ---, say hi to Louis for me.
As you walk past your good friend, he suddenly grabs your arm, not forcefully, and in fact hardly exerts any force in his grip.
--- (Name) --- he calls you ---, can I go with you?
---Hey?
Your smile disappears, before scratching the back of your neck with one of your hands.
---Well... Barry says that Bruce will be there, don't you think it would be better if I go alone?
Yes, you were perfectly aware of the certain tension that existed in their relationship, therefore, it was best to avoid conflicts.
---All the more reason I must go... ---he whispered, tightening his grip on your arm a little.
---That?
---No, no, nothing... ---He lets go of your arm, nervous ---, I just want to make sure you're safe.
---But... I'll be with Barry and Bruce... ---You answer, confused ---Besides...
--- (Name) --- he calls you again, taking you back, now grabbing your arm, --- May I go with you?
You can see that his body acted unconsciously, as if he really needed to accompany you before anything else in the whole world.
"Well...okay." You relent, letting a heavy sigh fall from your lips.
You can see how his attitude and face change, his grip is quickly removed, and a smile appears on his lips.
---Okay --- he whispers.
\(@ ̄∇ ̄@)/\(@ ̄∇ ̄@)/
\(@ ̄∇ ̄@)/\(@ ̄∇ ̄@)/
You can feel how the tension in the air increases with each second of silence that was between the four of you.
---Uh, well... ---Barry whispers, playing with his hands, before walking next to you ---...It's good that we're together now!
---Yes, thank goodness... ---You whisper, before looking at your best friend ---.., Barry, could you tell me about the nightmare?
Bruce looked at you, you could see a soft smile tugging at his lips, before speaking.
---You didn't tell him anything, Barry? ---Bruce asks, intrigued.
---Eh, no, she doesn't know yet ---The young man answers, before looking at you.
---Know what, exactly? ---Asks Clark, again being serious.
---It's complicated.. ---You whisper, before taking a breath ----.., apparently I had a nightmare, as is recurring, but they're telling me it wasn't!
One of your hands goes to your lips, your nails settling between your teeth, until Barry takes your hand.
---Hey, hey, hey ---He's calling you ---, I know this is all complicated, but for now we're not in danger, so let's sit down and...
You can not just one, but two hands grab Barry's wrist, abruptly pulling his hand away from yours.
---Keep your distance, Barry/kid ---Both Clark and Bruce say at the same time.
The surrealism of the scene, along with the sudden reaction of both of you, surprised both Barry and you.
Barry quickly pushes them away, his tone changing suddenly.
---What's wrong with them? ---Barry asks, confused and frowning.
Neither of us could say anything, because you directly speak louder than usual
---What's wrong with all of you? ---You ask, with anger in your tone---. We can't fight now, especially not over something as small as him grabbing my hand! --- You approach Barry, taking his shoulder ---, don't fight, do you really want to make a scene having, I don't know...? More than 28 years?
After the nightmare that seemed to be real, the display of obvious jealousy on Clark's part, and an obvious attempt at another jealousy scene, you were on the brink of losing your mind.
Clark and Bruce don't act like they used to, where did your kind reporter who was actually one of the strongest superheroes on the face of the earth go? Or your good friend who showed you appreciation very rarely? By whom were they replaced?
You can see that both men stare at you, while Barry tried to calm the situation by talking, positioning himself in front of you. But that only caused the look of both of them... Yanderes to intensify, they will begin to lose patience, as if they were on the verge of taking Barry and... damaging him a little, with their own hands.
You know what I mean, don't you, (Name)?
\(@ ̄∇ ̄@)/\(@ ̄∇ ̄@)/
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I don't give a shit what the world thinks; The Bruce that appears in the last Flash movie is great, or at least I like how the actor looks.
187 notes · View notes
northoftheroad · 1 year
Text
Dick Grayson reading in Rebirth and forward
In the last few years, there have been several comics where Nightwing is guest starring that I haven't picked up, so maybe I have missed some smashing comics in here; just saying. As usual, take this list for what it's worth – my personal interpretations and reflections. (Please note that there is a difference between cover date and when a book is actually published, and I might have mixed these dates in the list. I mostly use them to help my own thought process.)
I gather DC lets their creators play in any sandbox/Earth/continuity they want, which means it's a fool's errand to try to understand what, if any, stories from Dick's past are supposed to have happened in the current continuity. But I never claimed to be quite sane, did I...? Here is me, trying to piece together stories chronologically story-wise:
Nightwing vol 4 # 82. Flashbacks to pre-Dick John and Mary Grayson.
Batman vol 3 # 54. Has some flashbacks from when Dick was new in Wayne Manor. He has nightmares, climbs a chandelier, questions why Bruce took him in, and apparently doesn't know Bruce is Batman: nothing special but a few nice pages.
The Precedent. In Detective Comics # 1000 (2019). Bruce's hesitation before he lets Dick become Robin. Unclear if it's supposed to be in the current continuity.
Robin and Batman # 1–3 (2021-2022). A three-issue story that takes place in the days around Dick's twelfth birthday. It's about how Dick eventually chooses not to be "the dark" like Batman, but something better – the light, Robin. Not in the main continuity, but another version of how Dick became Robin (also a first meeting with the other original Teen Titans - in this version, they already had suits and code names when Dick first became Robin).
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Batman: Urban Legends # 23
Hot pursuit. In Batman: Urban Legends # 23 (March 2023). Cute short story; Robin drives the Batmobile for the first time (his second year as Robin).
Batman One bad day: Mr Freeze. (2022) Probably not set in the main continuity, Robin is small and wears a winter suit.
Batman/Superman: World's Finest vol 1 (2022). One of my favourite books from the current era (written by Mark Waid). It has a different tone than other in-continuity books (in a good way), but it is connected; the first story arc is a prequel to Batman vs Robin and the Lazarus Planet event. Dick has been Robin for a few years in the book except for a few panels. My favourite issue is # 6, when Dick is lost in the past, works in a circus and solves a mystery.
Batman/Superman (2019) # 16–21 and Annual 2021 # 1 is an outstanding story with DickRobin, albeit not the main Earth version.
Nightwing vol 4 # 78. There are a few pages of flashbacks, what might be Dick and Barbara's first meeting, fighting bullies at school. The bully, Shelton Lyle, will later turn out to be the villain Heartless – Nightwing fighting him is a story that keeps getting set on hold.
Batgirl vol 5 # 14–17 (October 2017– January 2018). Guest starring Nightwing, including flashbacks to when he was Robin and Dick and Barbara were in High School. Nothing special.
World's Finest: Teen Titans (2023). New book about the Teen Titans (the original five plus Bumblebee) when they're starting, also written by Mark Waid. One issue has been published so far; Robin is struggling with combining Batman's distrust with leading the team.
Nightwing vol 4 # 92. Another couple of flashback pages, from Dick's time as Robin, when he took on more than he could chew and got hurt saving a guy's life. Alfred refuses to let Bruce into Dick's bedroom unless he removes the cowl "and leave your disapproval at the door".
"A little nudge". In Robin 80th Anniversary Special (2020). It's probably not the latest official story about how Dick left Robin to become Nightwing, but I wouldn't mind if it were. Dick leaves Robin by his own choice; Bruce is a bit of a jerk because he's not emotionally mature enough to say, "I know you've grown up and should move on; I'll be fine without you."
Nightwing vol 4 # 79. Flashback page of Dick leaving the Manor, saying, "He fired me, Alfred" (he's eighteen at the time). So evidently, Tom Taylor goes with that version in his writing.
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Nightwing vol 4 # 39
Nightwing vol 4 # 39. Flashback to when Dick was a student in Blüdhaven, after leaving Robin and before he became Nightwing. He goes out to look for a murderer dressed in old workout clothes that looks a lot like his original Nightwing suit. Part of the best story arc of Nightwing vol 4, so don't miss it!
Red Hood and the Outlaws vol 2 Annual # 1. A team-up issue with Nightwing with a flashback to when Jason saw the Flying Graysons. And to their first meeting at Wayne Manor, which didn't go well because Alfred decided to give newcomer Jason Dick's bedroom because the Manor evidently suffers from a shortage of beds... <insert rolling eyes emoji here> Eminently skippable issue...
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Nightwing Annual 2021
Nightwing Annual 2021 (2022). Part of the book is a flashback story. Dick, who lives at the Titans tower, talks about how Bruce fired him and got a replacement. But when Alfred asks him to visit (calling Bruce his father), he comes to see Jason, who complains about how it's impossible to live up to the standard Dick set as Robin. They take the Batmobile (with Alfred's blessing) and head out. It seems to be their first meeting, which makes RHATO vol Annual 2 # 1 obsolete.
Nightwing vol 4 # 89. A team-up with Jon Kent/Superman, starting with a few pages flashback to their first meeting when Jon was getting his powers. Dick is wearing his red New 52 Nightwing suit.
Titans (2016–2019). I think the series was pretty meh, though Annual # 1 and Special # 1 have badass Nightwing moments.
DC Rebirth Holiday Special (2016) # 1, has a nice Titans story but nothing of further importance.
Rebirth Nightwing # 1. Dick returns to being Nightwing after the Grayson run, all set to pretend to work for the Parliament of Owls (see Robin War, part of New 52).
Nightwing vol 4 # 1 (September 2017) – # 4. Better than Batman. Nightwing is working undercover with the Parliament, partnered with the new character Raptor who, it turns out, loved his mum and has a personal vendetta with Bruce Wayne because he took Dick from his roots.  
Monster men. A storyline with the villain Professor Hugo Strange in Nightwing # 5-6, Batman # 7-8, Detective Comics # 941–942 (and some more books I haven't read). Dick is temporarily transformed into a monster and later saves the day by jumping into a monster to administer some antitherapy. Nothing of future importance but some nice panels regarding how well Dick knows Bruce.
Nightwing vol 4 # 7–8 (January 2017). Rise of Raptor. Nightwing discovers that Raptor has been stalking Dick Grayson since childhood. Raptor abducts Bruce Wayne and puts him in a death trap, but Nightwing saves him when he jumps. I quite enjoy the Raptor stories, I have to say.
Nightwing vol 4 # 9 (January 2017). A team-up with Superman, who was not a guy he knew at the time since this Superman had come from the pre-Flashpoint universe and somehow merged with New 52 Superman (no, I still don't understand it). It mostly takes place in Dick's dreams. Known for a quote from Superman: "Of everyone I've met here, you're the least changed from the version I knew. Always confident, always kind, always cool. Dick Grayson – the multiversal constant."
Nightwing vol 4 # 10 (February 2017) – 14 (April 2017). Dick moves to Blüdhaven (I think people got their memories or stolen time back at some time in Rebirth, which would explain how he was new in the city here, but had lived and been a cop there (as in Nightwing vol 2) later in vol 4.) He volunteers for a program for teens at a community centre, where he meets Shawn Tsang/Defacer, an "art terrorist" Batman and Robin once fought back in the day. Nightwing works to prove she and Gorilla Grim aren't murderers.
Batman vol 3 # 16 (April 2017) Has a fun couple of pages with Bruce and Dick, Jason, Damian and Duke at Bat Burger; Bruce warns the boys to stay out of Gotham and out of Bane's way, which Dick, Jason and Damian, of course, disregard. The issue ends with Batman finding them hanging by their necks in the Batcave. In # 17, we see they survived, and Bruce has left them frozen with Superman at the Fortress of Solitude for safekeeping.
Nightwing vol 4 # 15 (April 2017). Dick and Shawn Tsang/Defacer start dating. Interlude with many guest stars whom Dick talks to about his new life in Blüdhaven.
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Nightwing vol 4 # 20
Nightwing vol 4 # 16 – 20 (July 2017). Nightwing Must Die. Nice if you want to see Dick and Damian together again. Shawn is abducted while having a pregnancy scare, and Damian follows Dick to save her. (He went to Blüdhaven because he was upset people counted on Dick to become the Batman after Bruce's retirement, but later confesses he was unsure what his place in Dick's life was now.) Dick is cut with a knife made from the nth metal and see visions of himself from different realities. Villains: Professor Pyg and Doctor Simon Hurt, both from Dick and Damian's time as Batman and Robin.
Nightwing vol 4 # 21 (July 2017). Nightwing and Flash (Wally West) hang out, fights criminals and save each other's lives.
Nightwing vol 4 # 22–25 (August – September 2017). Blockbuster, the villain whose death in Nightwing vol 2 was a huge deal, is suddenly alive and   menacing Blüdhaven and Nightwing again. Dick is job-hunting and ends up taking a job as a blackjack dealer to keep an eye on Blockbuster, who had earlier sold him out to Tiger Shark, a villain Dick fought as Batman in Black Mirror. # 24–25 has a pretty badass fight, Nightwing vs a boatload of villains, and he also saves everyone by hotwiring a contraption to expand a bubble that freezes time. Shawn breaks up with Dick.
Nightwing vol 4 # 26–28 (October – November 2017). Spyral. Huntress/Helena Bertinelli, whom Dick met during the Grayson run (New 52 era), turns up. They work together on a case, ending up at the Spiral headquarter, and start a relationship. 
Batman vol 3 # 33–35 (December 2017 – January 2018). At Wayne Manor, Alfred tells Dick, Jason, Damian and Duke that Bruce intends to marry Selina while the latter two are on some mission in Khadym. Damian is upset because his mother is in Khadym, and Dick accompanies him there in the following issues. Some nice moments here and there, but I've never cared for Tom King's (the writer) grand Batman arc.
Dark Nights: Metal. Storyline 2017–2018. (including Nightwing # 29) where Batman discovers a Dark Multiverse.
Nightwing vol 4 # 30 – 34 (February 2018). Raptor's Revenge. Raptor gets involved in Nightwing’s fight with Blockbuster. Helena/Huntress breaks up with Dick. # 32 has flashback to Dick and Raptor at the circus and the death of his parents. 
Batman vol 3 # 45–47 (June - July 2018). Booster Gold goes back in time to save Bruce's parents as a wedding gift. This completely alters the past, and for some reason, Dick becomes a Batman who fights a city of Jokers with lethal violence. Some amusing wackiness about what has happened to different characters – Selina is a serial killer, Tim has a menial job, and Jason has invented tires that give tire thieves a deadly shock of electricity, but nothing of future importance.
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Nightwing vs Hush
Batman: Prelude to the Wedding. Nightwing vs Hush (2018) is a great issue for a Nightwing fan. Nightwing and Superman are taking Batman for a bachelor’s party, but Hush attacks them and he and Dick are transported to another universe (where Hush perishes, which hasn’t stopped him from turning up back in the main universe). Robin vs Ra's al Ghul has a tiny Nightwing as Damian's "good angel" on his shoulder, which is a fun but minor detail.
Batgirl vol 5 # 25. Takes place just after the failed wedding between Bruce and Selina. Barbara needs a friend; Dick takes her to the empty honeymoon suit. They talk as close friends about love, and Dick comes across as quite the romantic. Quite a nice story, in my opinion.
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Nightwing vol 4 # 35
Nightwing vol 4 # 35–41 (February – May 2018)The Untouchable. My favourite arc of vol 4 so far, written by Sam Humphries (I'm sure he was supposed to stay longer because he talked in an interview about wanting to bring back Dick's Uncle George from Batman vol 1 # 22, but he only wrote the one arc). Includes some flashbacks to Dick’s time as Robin, and when he was a student post-Robin. He starts a new business, Grayson cross train studio.
Nightwing vol 4 # 42 (June 2018). Enjoyable one-shot. Damian tells his pets about how Dick saved him from capture in Tokyo. They pick up a dragon on the way.
Nightwing vol 4 # 43 (June 2018). Another enjoyable one-shot, with Dick, Damian and Roy Harper/Arsenal, bickering and fighting bad guys.  
Nightwing vol 4 # 44–47 (July – October 2018). The Bleeding Edge, a story arc with malevolent virtual reality and the "dark web". Feel free to skip it.
Nightwing/Magilla Gorilla Special # 1 (October 2018). As a crossover with a Hanna-Barbera character, presumably not set in the usual DC universe... But I rather enjoyed it; it was a nice little murder mystery and lots of thinking about the circus and Dick's parents. Though I wouldn't personally rush to the cinema for a movie about The Flying Graysons with gorillas as actors...
Nightwing vol 4 # 48–49 (November 2018). Harm's way, the conclusion of the Dark Web storyline. If you enjoy Nightwing on a motorbike and being a badass fighter, why not? I can't say the story made an impact or had consequences since Dick would spend the following two years (maybe half a year, in-universe) as Ric.
The Murder Club (in Batman: Urban Legends # 19–23, November 2022 – March 2023 ). Martha and Thomas Wayne turn up in the Batcave, apparently taken from the time before they were killed. The story has Bruce, Dick, Damian and Alfred and is good if one like the family feels. (Not sure if any story in Urban Legends is supposed to be "canon" for the current continuity, but time-wise, Damian is dressed in Robin colours, Alfred is alive etc.)
Batman vol 3 # 51 (September 2018). Dick stands in as Batman while Bruce is called for jury duty.
DC's Crime of Passion # 1 (February 2020), has some Dick/Barbara, nothing you can't miss, in my opinion.
Batman vol 3 # 54–55. # 54 goes between flashbacks from when Dick was new in Wayne Manor and apparently doesn't know Bruce is Batman and Nightwing trying to cheer up Batman after Seline dumped him. In # 55, Dick is shot in the head by KG Beast (just another of Tom King's plot points to make Batman as miserable as possible). In Batman # 56-57, Batman hunts down KG Beast. Again, these issues have some pleasant character moments. Still, I'm not a fan of the overall plot or the result for Dick (I've read that Tom King was open to healing Dick magically pretty much straight away, but someone wanted to "take advantage" of the situation...)
Nightwing vol 4 Annual # 2. Partly set just after Dick was shot. Bruce tries to jog his memory by showing him a video of when he was shot, further traumatizing him and leading to him storming out.
Nightwing vol 4 # 50 (December 2018) – 74 (November 2020). Dick lives in Blüdhave as "Ric" and has forgotten everything for approximately the last 15 years. He wants nothing to do with his former family and starts dating Bea Bennett. Meanwhile, four other people use his old suits to go out as vigilantes since the real Nightwing has disappeared. Besides the shot in the head, he is brainwashed (with the help of a magical crystal, if I understood correctly) to help his Talon grandfather William Cobb make him a Talon (he is, for a few issues). The Joker later gets hold of the crystal and makes Dick believe the Joker fostered him and that he is "Dicky boy". He fights the other bats before it's all over...
Nightwing vol 4 # 74 (November 2020). Dick starts to get his memories back.
Batman vol 3 # 99 (November 2020). Bruce gives Dick his Nightwing suit back after two years of suffering (for us readers) with Ric, Talons and Joker War, but not really worth reading for that.
Dark Nights: Death Metal. Reality-shattering, complicated storyline 2020–2021 with lots of evil Batmen. I have read very little of it, but Dick is newly back from "Ric". In Justice League # 53–57 (Doom Metal parts 1–5), he and some others are physically D&E-transformed while fighting. In Dark Nights: Death Metal The Last Stories of the DC Universe, there are some nice Titans moments (also, Batman performs a one-panel "wedding" with Dick and Barbara...)
Nightwing vol 4 # 78 – > (March 2021 and onward) The current run of Nightwing starts (writer Tom Taylor, art mostly Bruno Redondo). After the relaunch Infinite Frontier, parts of Dick's pre-Flashpoint history in Blüdhaven have been restored. He has, for instance, been a cop and lives in the apartment building he bought during Nightwing vol 2. In my opinion, the run is visually great and full of lovely moments between Dick and his friends and family, but it's overly sweet and kind of boring, though many people seem to love the writing too. 
Nightwing vol 4 # 78 (2021). Dick adopts a three-legged puppy (Haley/Bitewing) and is told he inherited Alfred's billions (he is currently richer than Bruce). He now lives in the block of flats in Blüdhave that was ostensibly destroyed in Nightwing vol 2.
Nightwing vol 4 # 80. Nightwing's first meeting with the villain Heartless, who steals hearts. That was 2021, and Dick still hasn't stopped Heartless or spent a lot of time chasing him because of so many interruptions.
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Nightwing vol 4 # 82
Nightwing vol 4 # 81–82. He discovers he has an older half-sister, Melinda Zucco, conceived before John and Mary were married but brought up as the daughter of Tony Zucco. She is sworn in as the new Mayor of Blüdhaven. A big part of # 82 is flashbacks to the Grayson's and Melinda's backstory. Blockbuster, who should already be dead if what happened in Nightwing vol 2 is canon again, turns up as an adversary again (is later killed in # 94)
Nightwing vol 4 # 83. Dick announces The Alfred Pennyworth Foundation to make Blüdhaven a better place for everyone. The first goal is to ensure that no one lives on the streets a month later, "because it's getting colder".
Without a net. Unpublished tales from the DC vault # 2. (2021) One shot that is possibly supposed to take place in the current continuity; there's at least nothing to contradict it. Dick takes on a task because he feels he's the most qualified to dive 30000 feet from a flying castle (?!) into a lagoon.
Robin vol 3 # 5 (2021). The four former Robins chase after Damian, who has temporarily left Lazarus Island and wants to discuss what's happening. He gives them the slip – except Dick, who catches up with Damian and gives him a birthday present. They talk a bit, and Dick lets him go, telling the others that they will tell Batman "That we trust Damian and have faith in him." So a nice issue if you're looking for a few pages of Dick and Damian interaction.
Nightwing vol 4 # 84–86. Part of the crossover Fear State, where Scarecrow wants to control Gotham City using fear gas.
Titans Academy (2021–2022). I was never interested in picking up the book, but I guess it happened parallel to the Nightwing book until the start of Dark Crisis.
Nightwing Annual 2021 (2022). A tale of two brothers, Dick and Jason, now and then (when Jason was Robin). Dick refuses to believe Jason/Red Hood is killing people again and helps him clear it up, combined with a likeable flashback with Nightwing and JasonRobin.
Nightwing vol 4 # 88 (2022). Dick Grayson is targeted at the ceremony for starting to build Haven. It's kind of a nice issue if you like seeing what a great guy Dick is and his friends rushing to his side. Dick gets a new Nightwing suit made by Mr Terrific.
Nightwing vol 4 # 89, Superman: Son of Ka-El # 9. A team-up with Jon Kent/Superman, starting with a flashback to their first meeting when Jon was getting his powers.
"The Director" (in Batman: Urban Legends # 22-23). A story with Dick and Barbara takes place in Blüdhaven; not really my cup of tea, but readable.  
Nightwing vol 4 # 90–91, Dick's building in Blüdhaven is blown up, Barbara is kidnapped, and a master assassain comes after Dick. Guest starring Wally West/The Flash, guest villain KG Beast, the gut who shot Dick back in Batman # 55.
Nightwing vol 4 # 96–97. I think it's fair to say Dick and Barbara are a couple at this stage.
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Nightwing vol 3 # 98
Nightwing vol 4 # 98 (2023). Dick gets his own imp from the Fifth Dimension, Nite-Mite. He ships Dick with Starfire but teleports friends and family in to wed Dick and Barbare. (Ok, I thought it was a rather fun issue...) Introducing Olivia, daughter of Blockbuster, who sold her soul to the devil Neron; Neron is on his way to collect her soul. Nightwing & Co save her.
Nightwing vol 4 # 99. Nightwing catches Tony Zucco, who is violating parole with attempted robbery. Melinda changes her last name to Grayson-Lin.
Justice League: Road to Dark Crisis # 1, Dark Crisis on Infinite Earths # 1–7 (2022). An event where the Justice League is presumed dead (Nightwing is sure they will come back), and super criminals attack en masse. Along the way, "the Great Darkness" tries to take Nightwing as its new host, but he fights it off. At the end of the event, the Justice League disbanded. I'm pretty fed up with big events (great art, though), but Dick is a central character, the first legacy hero, and the light in the dark for Batman. It sets him up as an important leader for the superhero community going forward.
Batman vs Robin # 3 (November 2022). Damian is possessed and recruits the four former Robins to fight Batman for him in this lead-up to the event Lazarus Planet. Dick gets the sword of sin, and Batman, waiting for him to attack, thinks, "Hand-to-hand, the toughest of them all". In the end, Batman pushes Alfred (or rather, some kind of replica of Alfred from the afterlife, as a spy for the demon Nezha) on Dick's sword to get him to hesitate so Batman can knock him out. (I should say I've only read this issue of the book. Damian and Bruce fighting got old a long time ago, IMO.)
Nightwing vol 4 # 100. Heartless stages a mass breakout from Blüdhaven's private prison, which is destroyed. Nightwing talks a lot of the escapees into changing sides. The Titans come to help. Guest villain again, KG Beast. Superman and Wonder Woman asks Dick to lead – not the Justice League, which currently is disbanded – but whatever kind of protection he chooses. Dick buys the destroyed prison to build a new Titans tower there. Dick and Bruce have a heartfelt talk by Alfred's grave, though it's debatable if "I love you, Dad" is in character for Dick to say.
Nightwing vol 4 # 101–104. The Titans work together to save Olivia from Neron. Including Dick getting superpowers like that of Superman, when Neron tries to tempt him. Back-up story of Nightwing and Jon/Superman, working a case at a circus.
Titans (2023). The adult Titans are working from Blüdhaven while the Justice League is (probably very temporarily ) disbanded in this new book. It's only been a couple of issues, but I've been enjoying it so far (though I have a hard time with the pairing Beast Boy/Raven, since I know them well from the NTT ear).
Books clearly set outside the main continuity
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Future State: Nightwing # 2
Future State: Nightwing # 1–2 (2021), Future State: Gotham (2021–2022) As far as I'm concerned, DC's Future State titles are stories from possible alternate futures that will never come to pass. But it was nice to see Dick written as competent and tinkering with inventions. The Future State stories continued in Future State Gotham, where Dick used the enhancing drug Brane to gain an edge in the fight against the Magistrate and assorted villains and, in the end, sacrificed himself. It didn't seem worth reading, from what I've seen.
Future State: Teen Titans # 1–2. Another possible future book, it’s not as good as the Nightwing version, IMO.
Batman Beyond (2016) vol 6. Dick is the mayor of Blüdhaven and has a daughter who becomes Batwoman in this version of Batman Beyond. To my knowledge, he is in a number of issues starting with # 25. 
Batman/Catwoman, a 12-issue Black Label miniseries (2021–2022). Yet another book set in a possible future (or maybe an alternate universe). Dick is the Police Commissioner of Gotham. I haven't read the whole series, but Dick has a minor role.
In the Dark Multiverse, you can see Dick as a Talon, die during the Judas contract or be murdered by Damian if you like. (Tales from the Dark Multiverse: Hush, Teen Titans: The Judas Contract, and Deathstroke (2016) # 50.)
Titans United (2021) and Titans United: Bloodpact (2022) was two limited series that was probably published to lure in readers that liked the Titans tv show, though it wasn't a tie-in. Pretty entertaining Titans stories with different team members. The digital-first Titans: Titans Together book (2020) also didn't connect to what's going on in other books but was all right reading.
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Posted on July 16, 2023. Time will tell if it will get edited/updated in the future. 
188 notes · View notes
thevindicativevordan · 7 months
Note
Thoughts on “Man and Superman” by Marv Wolfman?
Countless Superman origin stories, including one written and titled Superman: Year One by Frank Miller himself no less, and this is the only one that thought to copy the actual structure of Batman: Year One.
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Four issues telling the story of Clark's first year in Metropolis, beginning in Metropolis from the first page. We see Clark arrive in Metropolis, struggle to get a job as a reporter with the major newspapers because he's a nobody from nowhere, wears a "proto-suit" until beginning to wear his classic outfit at the very end, botches his first few attempts at being a hero because he has no clue what he's doing, fall in love with Lois, and ultimately after much trial by fire, become the champion of Metropolis as Superman.
Familiar ground to be sure, culminating as it does in a confrontation with Lex Luthor where Superman promises he will always be around to foil Luthor's plans. If you're a hardcore Superman fan, much of this story will feel familiar to you. Wolfman outright says as much in his introduction, with the long delays this story suffered due to the series it was intended to release under being cancelled, causing similar ideas to be used in other stories. While I can't claim to know who Wolfman had in mind, I definitely saw similarities between his approach to Superman here and how Morrison rebooted him for the New 52.
Even then though, there are some fresh ideas and approaches to be found here that make this take stand out. First and foremost is their approach to the City of Metropolis itself.
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This is not the clean Metropolis of Johns/Frank, or the high tech City of Tomorrow of Waid/Yu. Here, Metropolis is gritty, decaying, a City wholly rooted in the problems of today. An upcoming mayor election pits a right-wing candidate who wants to tackle crime with more police officers, vs. a left-wing candidate who wants to tackle the underlying roots of crime. The three janitors Clark works alongside have to work multiple jobs just to make ends meet, and are immigrants themselves also. A crime wave results in marital law, the curbing of civil rights, and the calling of the national guard "for the greater good". Newspapers Clark applies for tell him he needs to sensationalize his reporting more so the story will sell better. This is not a story with a wide-eyed view of what happens in the modern day when the kid from the countryside moves to the big city and tries to make it big. Despite being written in 2008. it could easily have been written today, a damning indictment of American society to be sure. Metropolis here feels real and fleshed out, and while my preference is for a Metropolis that embraces the freedom of being an entirely fictional creation, I appreciate how Wolfman digs into the human element via showing us the viewpoint of the citizens of Metropolis as Clark listens to them with superhearing, casting them as something of a Greek chorus reacting to the events of the story.
Of course not everything is perfect. Wolfman compares Clark becoming Superman to being a firefighter, a doctor, a soldier, and a cop at various points throughout the narrative. The first two I welcome and agree with. Later two however are extremely dicey, and although this is not a story that exempts our modern justice/policing system from a critical eye, (note that the main villain of the story in Lex endorses the right-wing "law and order" candidate to make sure you know which side the narrative supports) it still does not benefit Superman to have his uniform compared to that of a cop's.
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As a side note, I love that Clark is explicitly poor here. I love that he struggles to make ends meet, that he's working as a janitor while he tries to make his dream of being a journalist for a prestige news organization come true. Being a cub reporter struggling to get a job, he's not living in a penthouse in the center of Metropolis. Clark is flat out broke, and living in a crappy apartment in the slums of the city. It's an approach that Morrison and Morales used for their Superman reboot, and I support that approach wholeheartedly. Establishing that Clark spent his first few years living in the poorer areas of Metropolis does wonders to support his reputation as the "Champion of the Oppressed".
In flashbacks to his Smallville childhood we see that financial struggles were a factor for him growing up, with Martha wanting to donate money to help feed families in need, while Jonathan was concerned about how tight their own finances are before relenting and agreeing. Of the entire Justice League, Superman is the one who has the strongest claim to being the "working class hero", the blue collar amidst all the blue bloods and middle class suburbanites. Most origins brush over Clark's financial situation growing up, but this one is of the rare few which does not, and I think it's all the stronger for it. Especially so given that this origin is similar to Batman: Year One in that it's really a Year One story for two characters - Lex as well as Superman.
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Pitting Superman against Luthor in his first year is old hat, but what I adore about this take specifically is how Lex is explicitly in the "Bruce Wayne" role. Like Bruce, Lex has been gone from Metropolis for multiple years, and makes his return with a plan for reshaping Metropolis in his own image. He's a ruthless monster, willing to kill 500 of his own employees as part of a false flag attack against his own corporate headquarters to garner public sympathy and support. Here the playboy billionaire with a secret agenda and a complete disregard for the law is the villain not the hero. While Wolfman doesn't have the time or pages to dive deep into the rivalry between the two, the class warfare aspect of the feud between Superman and Lex really stood out to me here. Clark lives and works alongside the "little people" and helps them out how he can, meanwhile Lex callously slaughters them in pursuit of his own self-interest.
In the end Lex immediately recognizes that Superman is going to be a watershed moment in history, and is determined to change the world back to when he was on top. I would love a "Year 2" story from Wolfman that skips ahead a bit and pits Lex and another villain against Superman. He has a great handle on the star players here in Clark, Lex, Lois, Perry, and the elder Kents. Give him the Waid treatment and let him build out his own pocket universe if that's something he'd be interested in doing.
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Man and Superman has convinced me that if Wolfman had gotten the chance to reboot Superman after Crisis the way he wanted to, I believe the character would have fared far better during the Post-Crisis era. Perhaps it would not have taken the character as long as it did to start putting the Dark Knight Returns stooge interpretation behind him. If this is the only major work Castellini ever does on the character, then I tip my hat to him for a job well done. Not every artist can bring a level of grit and realism to Superman's world without compromising the character, but he managed to pull it off expertly.
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Kaiju Weeks in Review (July 16-29, 2023)
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Legendary announced a pair of Monsterverse comics during a panel at San Diego Comic Con. They've said nothing further since, and no one posted the panel online, so I have less to tell you than I'd like. Godzilla x Kong: The Hunted is the obligatory prequel comic for the film. From the pages they showed off, it looks like Zid has art duties again (well-deserved) and the monsters that Kong is fighting could be the "swamp kitt[ies]" cut from Godzilla vs. Kong. Release date is February 27. Monsterverse Declassified is going to spotlight some of the series' original monsters, with the previews showing Behemoth, Amhuluk, and Tiamat. (Supposedly Scylla, Doug, and the previously-unseen Abaddon will be in it too.)
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Toho is finally letting Togen's 4K scans of some of its Godzilla films out of satellite TV jail as tie-ins to Godzilla Minus One. Godzilla (1954) and Mothra vs. Godzilla are coming to 4K Ultra HD on October 25, with Ghidorah, the Three Headed Monster, Invasion of Astro-Monster, and Destroy All Monsters on November 22 and Godzilla vs. Hedorah and Godzilla vs. Biollante. Expect them to be as English-unfriendly as Toho's other releases - but a vague promise of "unused special effects footage", combined with some very crisp-looking photos in a recent book, means there's a chance the Frontier Missile sequence from Godzilla vs. The Thing will be included with Mothra vs. Godzilla. That'd be a godsend, considering how elusive an uncropped, uncut, high-quality version of the scene has proven to be.
These releases will easily be the best Mothra vs. Godzilla, Ghidorah, Astro-Monster, and Biollante have ever looked on home video. But with Togen shutting down, it's unclear when the rest of the pre-Shin films in the series will get upgrades. (It's also unclear when Toho will permit anyone outside Japan to use these versions for streaming or home video.) So this announcement feels bittersweet to me.
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We have a release date for GAMERA -Rebirth- (September 7), a second trailer, and a reveal for the final monster: Viras! As @starestream pointed out, there's a lot of Legion in that design (along with Iris in Zigra). And as Maser Patrol pointed out, this is the same enemy kaiju lineup that Trendmasters chose for its toyline back in 1998. Poor Barugon, no one wants to taste the rainbow (and it probably hurts that he's so visually similar to Jiger too). To be honest, this trailer didn't do much for me; a bit too chaotic. Hopefully it'll be easier to tell what's happening in the show proper.
Bandai, of course, has readied Movie Monster Series figures of Viras, Zigra, and Guiron already. We're also getting a prequel manga set 100,000 years before the show.
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Decades after his rampage through the Marvel Universe, Godzilla is barging into the world of DC (where he'll finally meet Batman). Justice League vs. Godzilla vs. Kong is a seven-issue limited series launching October 17, written by Brian Buccellato (who also penned the short "Fight or Flight" comic that will be included in Legends of the Monsterverse: The Omnibus later this year) with art by Christian Duce. The inciting incident is a battle between the Justice League and the Legion of Doom, which tears a hole in reality to let the Monsterverse through.
I'll confess, I was more jazzed for last year's Power Rangers crossover, thanks to the tokusatsu link. This could just be more of Warner Bros. Discovery bashing its toys together. I'm most curious to see if the Legion of Doom makes a bid to conquer the Monsterverse, which with Godzilla and Kong out of the picture is far less prepared for them than the DC universe is for a couple of giant monsters. Superman beats them all, as Ken Yano once said.
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Hiya is stepping further out of S.H.Monsterarts' shadow with a figure of the female MUTO, a character long neglected by toymakers. They showed her off at San Diego Comic Con. Playmates meanwhile releases an ad for Titan Tech Rodan - I'm glad they're not giving up on this delightful subline.
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Summer Smash concludes IDW's middle-grade Monsters and Protectors storyline, which has spanned the entirety of their second go-round with Godzilla. You can tell it was supposed to be another miniseries; Godzilla, Jet Jaguar, and Mothra send Mecha-King Ghidorah and the Xiliens packing pretty quickly. Art's still great though.
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Godzilla Rivals will persist into October with Vs. Mechagodzilla, the magnificent machine being the last of the Toho's Big Five to headline one of these comics. The intriguing logline:
IS YOUR CITY BESIEGED BY KAIJU? DO YOU LIE AWAKE AT NIGHT ANXIOUSLY LISTENING FOR THE MONSTER SIRENS? HAVE YOU HAD ALL YOU CAN TAKE OF GIANT LIZARDS, MOTHS, PTERODACTYLS, AND SHRIMP? THEN CALL TRACER TECH TODAY! OUR STATE-OF-THE-ART ANTI-KAIJU TECHNOLOGY HAS ALLOWED DOZENS OF CITIES AROUND THE WORLD TO FEND OFF THE THREAT OF MONSTER ATTACK. San Palomar, California. It’s a sleepy city with not much going on. That is, until Tracer Tech built their new corporate headquarters there, displacing lifelong citizens and forcing out local businesses. But what is the source of Tracer’s amazing, almost alien technology, and why has it put San Palomar in Godzilla’s sights? And what can a couple of local kids like Alex and Jaz do to protect their city when the King of the Monsters and its robot doppelgänger clash?
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SRS Cinema has opened preorders for The Whale God, revealing this cover art by Bob Eggleton. Special features aren't anything spectacular (they're vaguely described, but I think a couple of essays are included, plus the obligatory trailers). Should be out by the end of the year.
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The disc replacement program for Cleopatra Entertainment's misbegotten Shin Ultraman releases has resulted in an only marginally better product. The opening montage has subtitles now... but like the rest of the movie, they're just copied from the English dub. Dubtitles in 2023... and for a film that already has a perfectly good official English translation, no less. Oh, and they threw in some new visual glitches too. If your local library picks up a copy, I recommend telling them about the disc replacement program (as I've done), but don't give these clowns your money.
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thediktatortot · 1 year
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I really implore fans of media (whatever media it is you enjoy) to understand why a story is told in the way it's told. Even bad stories have a structure and a meaning and if you know the basis of how stories are structured and how the characters fit into that structure, the more you're going to be able to understand the story and better enjoy the characters as a whole.
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What is an Antagonist? An opponent, villain or Rival.
The Villain is a person whose intentions are morally corrupt or anti-human and most off deliberately harmful to those around them.
(ie. Thanos from Avengers, Billy and Stu from Scream, Henry from Stranger Things)
The Anti-Villain is a person who commits corrupt, unjust or morally wrong actions in the belief that they are doing the right thing.
(ie. Magneto from X-Men, Killmonger from Black Panther, Jason Carver from Stranger Things)
The False Antagonist is a person who's viewed by the audience or the characters as a antagonist, but through the story shows themselves to have been falsely labeled as an antagonist or a villain.
(ie. Severus Snape from Harry Potter, Alexei and Billy Hargrove from Stranger Things)
The Hidden Antagonist is a person who's intentions are not shown to be corrupt until later in the story, leading the audience and the characters into a false sense of security.
(ie. Senator Palpatine from Star Wars, Agatha Harkness from Wandavision, Ernesto de la Cruz from Coco)
The Inanimate Antagonist is a non-human force that can be anything from the weather to an illness or an object like a meteor or a car.
The Inner Antagonist is when the main character is their own Antagonist, fighting against themselves through the story.
(ie. Drug use, mental or physical illness, change in morals, desires vs needs)
The Hero Antagonist is a person who's intentions and morals are not corrupt, but they act against the Protagonist in the story.
(ie. The Roadrunner from Looney Tunes, Carl Hanratty from Catch Me If You Can, The Parents of Stranger Things)
No Antagonists is a type of story where there is no direct force working against the Protagonist. This can often be shown as someone living day to day life or there is an unclear singular force working against them.
Stories can often have and most often do, have multiple Antagonists. Some stories use these different types of forces to put even more pressure on a Protagonist and to give depth to the stories they are writing. Often times, nothing is cut and dry when it comes to a persons intentions in a piece of media, but knowing what sort of force they are within the story they are written in can help you understand the Protagonists journey on a even deeper level.
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What is a Protagonist? A lead character, hero or heroine of a narrative.
The Hero Protagonist is a person who's goals are often viewed as courageous, admirable or charitable in nature and often requires a sacrifice or change in order to achieve their goals.
(ie. Captain America from Avengers, Superman from DC Comics, Frodo Baggens from Lord Of The Rings)
The Anti Hero is a person who's actions or morals may be honorable or good, but their actions go against those morals due to necessity or irresponsibility but in the end the audience is rooting for them to win.
(ie. Deadpool from Marvel Comics, Batman from DC Comics, Kali from Stranger Things)
The Tragic Hero is a Hero Protagonist that throughout their journey are corrupted by either surrounding forces or by a fatal flaw within their own character, leading them to fall from the Hero status they once held.
(ie. Anakin Skywalker from Star Wars, Jason Todd from DC Comics)
The Passive Protagonist is a person who's actions are not the leading force of the story, the driving actions of their journey are controlled and moved by other characters and forces in the story.
(ie. Forrest Gump from Forrest Gump, Karl Childers from Sling Blade, Will Byers from Stranger Things)
The Villain Protagonist is a character who is still the focus of the story, but they are not necessarily being cheered to win. These types of characters are often a window into the darker side of life whether we sympathize with them in the end or not.
(ie. Dexter from Dexter, Gru from Despicable Me, Loki from Loki, Walter White from Breaking Bad)
The Protagonist itself does not automatically mean the character is a good person and it's important to remember that when reading or writing. A protagonist is simply the Main Character, the person who the story's focus is about and people themselves are deep and involved people with lives that are different from every other person around them even in small ways.
Understanding a characters role in their story is important for understanding the character on a base level.
I highly recommend watching other videos from that channel and other media analysis channels as the more you know on how to understand a story, the more you will get out of the stories you entertain yourself with or create.
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the-sage-libriomancer · 11 months
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I think it would be fascinating to see an AU where Bruce Wayne/Batman’s archnemesis is Lex Luthor and Clark Kent/Superman’s archnemisis is the Joker, because certain aspects of the villains mesh really well with the thematic premises of the heroes.
Bruce Wayne is deliberately (both in-universe and out of it) the “ideal” of how an ethical rich person should be, and Lex Luthor is a shining example of the unethical billionaire. Not only that, but Luthor rarely goes the costumed supervillain route—a huge part of what makes him so dangerous is that he’s a schemer, a politician, a man with more money and social influence than can be easily undermined. Compare that to Bruce, whose alter ego is frequently written as Bruce’s way to fight whatever corruption and injustice his money and influence can’t fix. If Bruce went up against Luthor, there would be a lot of awkward meetings at galas, mutual charity events, and even potential business deals—so Bruce vs Lex wouldn’t only be a difficult fight for Batman, it would be a direct challenge to Bruce Wayne. Bruce would have to rely on his wits, ingenuity, and acting ability to fight back against Luthor in a showdown of popularity and social standing, which is something I haven’t seen done with many (if any) of Batman’s usual villains.
Meanwhile, Superman vs Joker is just a different flavor of the Batman vs Joker fight, but with interesting nuances. Crucially, Joker would have the same goal for both Batman and Superman: to convince them that some people are simply irredeemable and/or that humanity is fundamentally unsalvageable. Clark already goes up against “irredeemable” people like Lex Luthor, who actively choose to be awful human beings, but Batman’s villains are all deeply traumatized, legally insane, and/or unfathomably sadistic, and Joker is the poster child of that kind of villain. How hard would it be to look at someone who is, ultimately, a mere human and wonder if there really ARE some people who simply can’t be saved? Or worse, who don’t deserve to live? In short, Superman fighting Joker would mean he had to go against an enemy who is actively gunning for his fundamental ideology, in ways that Lex Luthor or Zod never could.
I just think it's neat that the two biggest heroes and their archenemies all have overlapping similarities and parallels. I want to exploit that and see if, given a role swap, you can turn that into an interesting story.
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People do know that there’s a Illuminati group called the court of owls running Gotham since colonial times?
Also I heard there’s a lovecraft creature under Gotham….Bruce should get Zantanna or Constantine to check that out.
Ugh I hate the modern handling of Batman in comics…but as someone who lives in the Chicago area..I know what politicians would do with Bruce money
Yeah people really show that they don't understand Batman, or the root causes of crime and poverty, at all when they say Bruce Wayne should just give all his money away and solve crime like that. But then again, these are the same people that think Elon Musk could have ended world hunger if he just gave a few billion dollars to the UN, so they're not exactly intelligent.
The entire reason Batman exists is because Gotham City is so corrupt at all levels of government the only effective way to stop crime is by going outside the law that's being perverted to serve criminals. The conditions that created his parents murderer is a direct result of government apathy and corruption. Giving money to that corrupt system would just go towards creating more orphans like Bruce.
But Bruce also isn't a violent, unfeeling idiot (when he's written correctly). He's an incredibly compassionate man who has dedicated his life to the chance he might improve things. His business funds multiple charity initiatives and work placement programs. He knows his mission will never be complete. He knows he can't eliminate crime and corruption for good. But he still tries. And his compassion doesn't end with the victims of crime either. He truly believes that even the worst villain can show remorse for their actions and change their ways. (People like to hold Batman and Superman up as examples of total opposites; the cynic vs the naïve optimist. But that's a bad comparison. They're both optimists at heart. The difference is in their adopted public faces.) He believes in redemption. And that's a core part of Bruce's personality that a lot of fans, and an annoying amount of writers, seem to forget or ignore.
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batbabydamian · 16 days
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DC November 2024 Solicitations - Comics Featuring Damian! 🦇
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LITTLE BATMAN: MONTH ONE #1
11/6/24
Written by Morgan Evans
Art and Cover by Jon Mikel
Variant Cover by Patrick Ballesteros
Taking place after the events of “Merry Little Batman,” Gotham City finds itself reeling from the Joker’s attack, and Damian Wayne (a.k.a. Little Batman) is eager to get back into the fight. That’s going to be harder than it sounds, as Bruce now wants Damian to put the cowl aside and embrace the value of his secret identity. After a suspicious guest is found lurking around the Wayne New Year’s Eve Party, it’s up to Damian to find the balance between both of his personas and save the day yet again. See Little Batman in a new adventure from the film’s screenwriter, Morgan Evans, after catching the rerelease of the breakout movie in theaters this winter.
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BATMAN AND ROBIN #15
11/13/24
Written by Phillip Kennedy Johnson
Art and Cover by Javier Fernandez
Variant Covers: Simone Di Meo, Ashley Wood (1:25), Aaron Bartling, and Guillem March (Creature Commandos Variant)
What should have been a run-of-the-mill charity banquet for Bruce and Damian has, quite literally, gone up in flames—and now, without access to their costumes and gadgets, father and son find themselves fighting for their lives at the hands of the mysterious specter known only as Memento. But who is this new villain who set the blaze that threatens to disintegrate the Dynamic Duo, why does it replicate an infamous, century-old tragedy from Gotham’s history, and what is Memento’s connection to the Dark Knight’s past? Nothing can prepare you for the answers to these questions, so join us and bear witness to “Memento,” part two.
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DC VS. VAMPIRES: WORLD WAR V #4 of 12
11/13/24
Written by Matthew Rosenburg and Matthew Manning
Art by Otto Schmidt and Acky Bright
Cover by Otto Schmidt
Variant Covers: by Stephen Segovia and Homare
Gorilla Grodd and Aquaman have had little luck capturing the elusive Damian Wayne, but a mysterious figure arrives bearing a whispered prophecy that could turn the tide of war in their favor. Elsewhere, John Constantine might well be the human resistance’s last hope…just a shame he can’t remember what it was he was meant to be doing. Enter The Spectre to help guide his way! And in the shadows, a new Batman lurks…but what’s his connection to Bruce Wayne?
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BATMAN/SANTA CLAUS: SILENT KNIGHT RETURNS #1 of 5
11/27/24
Written by Jeff Parker
Art by Lukas Ketner
Cover by Bernard Chang
Variant Covers: Dan Mora, Dan Hipp (DC Holiday Surprise Rub & Sniff variant), Kevin Wada (1:25), Erica Henderson (1:50)
Horrors haunt the Christmas season as life-drained bodies litter the countryside, each marked with a strange symbol. The Justice League responds—but it’s a trap! The heroes are pulled from our world, but not before Batman helps Robin escape. Now Damian Wayne must seek out Zatanna and the one and only Santa Claus if there’s any hope of saving their friends and family. Santa comes to the aid of the DCU heroes in the crossover-event sequel you wished for! And you must have been extra good because a wintry mix of DC’s wildest characters arrive this time to face a powerful foe… the Silent Knight!
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*Clayton Henry Main Cover appearance
ACTION COMICS #1077
11/27/24
Written by Mark Waid and Mariko Tamaki
Art by Clayton Henry, Michael Shelfer, and Meghan Hetrick
Death to the Phantom Zone! Superman and Mon-El are reunited at last, but are our heroes too late to stop the impossible threat of Aethyr?! The mad wizard has breached the realm and begun decimating planet Earth…the Super-Family and the Justice League are holding on as best they can, but this sounds like a job for Superman! Plus, can Kara put her feelings aside and carry out the mission Superman gave her?
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popculturebuffet · 4 months
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Supermay! What's So Funny About Truth, Justice and the American Way? (Patreon Review for Brotoman.EXE)
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Hello all you happy kryptonains and welcome back to supermay, a month long tribute to all things man of steel. This week is a two parter as we look at one of the best superman comics of all time, one of the best one shot issues of all time and one of the best deconstructions of "Why don't heroes do whatever they want and kill whoever they want" of all time. I'm not softballing it: this issue is fantastic. We'll also be looking at it's adaptation later this week, the DTV film Superman Vs the Elite.
For now though we're focusing on the original story. What's So Funny... was originally published in 2001 in Action Comics 775, written by Joe Kelly and drawn by Doug Mankhe and Lee Bermejo.
For those not familiar with him Kelly is a comics legend, having helped define deadpool with his first solo book and coming back to the character quite a bit without the dimnishing returns creators sometimes have. He also founded animation studio Man of Action and is one of the co-creators of both Ben 10 and Generator Rex.
Kelly wrote superman for a 5 year run, a nice stretch all things considered and one I wish, like most of 90's and 2000's superman would get recollected. Or at the very least hopefully is on dc universe infinite. It's not AS good as having collections out there, but it's something. But if his stories are anywhere near this good, i'd love to see more of them.
Kelly wrote What's So Funny as a direct response to another book DC was publishing at the time: The Authority. The Authority were created by emotinally abusive grooming coersive dickhead Warren Ellis and entirely good dude Bryan Hitch. I bring up the latter because Hitch seems genuinely kind and deserves his flowers... and the former because it shouldn't be forgotten. Ellis hasn't genuinely atoned, deserved to loose everything he did, and while his talent shouldn't be forgotten, it's only because his talent is WHY he was able to do this. If we suddenly go "Oh he always sucked", it undercuts HOW he was able to do this. Most people he abused were fans of his and it's worth remembering he was talented.. and must ALWAYS be remembered what he choose to use said talent to do to people. I won't go into details as to avoid triggering those of you who have been simiarly abused, but if your curious go to somanyofus.com. What testimonals I have read are heartbreaking.
As for the Authority itself, it was a followup to Ellis' run on storm watch, a book created by Jim Lee about a UN Sanctioned super team that Ellis helped transform, adding in some new creations of his own to revitalize the team. The book was a critical hit and loved at the offices of Wildstorm, the company that published stormwatch and would soon be bought by DC. The problem was it wasn't selling, and Ellis, both feeling bad they were keeping the book around just because of him and wanting to take things up a notch, reconfigured the team into the authority.
The Authority was a massively powerful team, assembled to face massive threats like an army of supermen dispatched by a mad dictator, a colonliast alien-italian empire that wanted to take earth, and God itself who turned out to be an elder god wanting to restore earth to factory settings. Hitch's art made things feel BIG and cinematic, his specality, and helped show just how big comics could be alongside other works before it (JLA) and after it (New X-Men).
The team had swagger, cool powers.. and most important to this story.. no problem with killing. The team carved their way through armies of enemies, killing whoever they had to and in the first two arcs comitted mass murder: Midnighter, the team's batman and biggest asshole, drove their ship through a country just to get at the first arc's big bad, while the Doctor, their magic man and only able to get away with the name because Doctor Who hadn't been revivied just yet, killed all of alternate italy to destroy an alien empire. These steps weren't taken lightly and were only taken because otherwise more death would follow, but it was clear the team weren't meant to be good guys: simply the only ones who COULD do the job.
This changed with the following run, and I read both Ellis' run and the first two arcs of it's followup for proper context. I ddin't necessarily half to and Brotoman didn't ask and was honestly shocked I put in this much extra effort... but I realized if your going to disect a work calling out the other work, you need to have a fresh understanding of what it's fighting against.
So Ellis' run was followed up by comics legend Mark Millar. Millar seems to be a nice guy nowadays, fun to be around, lvoes the buisness, keeps going simply because he can and with one of the largest creator owned rosters of characters around.
In the 2000's though and for most of his career.. Millar was the king of the edgelords. he was the threw it on the ground guy as an actual tangible person. Millar's idea of adult storytelling was some genuine political comentary idaes.. mixed with a lot of sex and violence for the sake of sex and violence, using senstive topics like sexual assault simply to seem "edgy". So naturally the Authority went from "assholes to a point but with limits" to every last one of them saying edgelord shit, mowing down everyone in their path and LOVING it, and fucking everyone they could because Mark Millar likes ot scream
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In your ear while doing nothing to prove he's not a 13 year old boy in a grown up's body. And please note I would gladly review Millar's shit as much as it frustrates me, but will never cover anything by Ellis as long as he lives, as I do not want to give that fucker any more attention than I have to, despite my reactoin to reading the first arc of the authority under him being a resounding
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To give you an idea of what I had to put up with dialouge wise, here's a samping from the first four issues of Millar's run.
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There's more and the bad guys are even worse, but i'd rather not throw that in here on the grounds that I LIKE you guys and I don't want to throw unecessary edgelord bollocks in here that might trigger some of you who've geninely gone through things Millar brings up just to seem more "adult".
So that's where the authority were at, and it's impressive that things escalated so much in four issues less than a YEAR before What's So Funny was published> It's why I read what I did: It's what would've been out there and while Ellis' run had likely bothered kelly, given how the Elitie are depicted and how their leader acts, it's clear a LOT of it came from Millar's work. I mean you have to be a specail brand of douchebag to get a response to your characters being the worst less than a YEAR in.
The bigger reason for this response was how fans reacted: Fans.. LOVED the authority and as tends to happen when you get a shiny new "edgy" team, some asked: "Why doe we need those other guys? If we have heroes willing to kill, topple governments and swagger all the while, why do we need some guy in tights telling us not to?" Superman was seen by some as outdated and as a result was the target of one of the oldest arguments in all of comics: should superheroes keep doing what they do, or should they take the world and force it to be better or else? It's an argument that NEVER seems to go away.
Proving this, DC had just done a story like this 5 years ago with Kingdom Come, which explored both heroes who are worse than the villians and what happens when the heroes take over. And before THAT marvel did Squadron Supreme in 1985, showing what would genuinely happen if a justice league equilvent took over the world. It'll always be a questoin to be had because readers will cycle out and the next batch will ask the same questions. So join me as we look at the answers, see WHY Superman needs to stand against this and why his methods, despite being questioned every couple of years, stand the test of time and the test of someone who had a dream he didn't like.
We open with Superman flying to Libya as superman flies to stop a superterror attack.. in this case a giant gorilla wielding a giant gun and I will pay adam wingard 5 dollary doos if the next Godzilla X Kong Film involves Kong pistol wipping a giant monster with a shot gun. Just saying.
At any rate clark arrives.. to find something truly horrific.
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I give artist Doug Manhke a LOT of credit... despite having only a spread to work with he shows just how horrific this is.. and that's WITHOUT giving anything away about who did it. All we know is suddenly a group with a lot of power saved the day.. but also dropped a giant monster corpse on a city, left said city in ruins, and massacred what was , in all likelyhood an animal who had no say in being made into a giant cybernetic monstrosity. I mean this IS the dc universe with an entire ape city. I could buy Grodd or someone like him growing giant and giving themselves some cable armor to go do some murders, it just comes off more like someone super sized an ape afte rloading it up with hardware and relseaed it on a city and instead of rocgnizing the beast was simply a wild animal, those responsible brutalyl murdered it.
We soon find out who as Clark hears back from the rest of the Daily Planet crew as competing paper the Star, based on the paper Clark worked at in the earlier stories and that grant morrison would bring back for their action comics run, published a gushing story about the four monsters responsible: The Elitie, a super powerful superteam whose leader, Manchester Black even gave a statement "Trust me the old ways are dead in a year you'll love me for this".. then he cut the general he gave the statment too's legs off. It's a great intro: without meeting the guy we instantly know the deep level of prick we're dealing with, and how he'll do a casual violence simply becaues he wants to. Two thousand soldiers died in this attack along with the actual target. Also Jimmy gives a VERY poorly aged joke about watning to shoot the staff of the daily star, which is in character but still feels entirley messed up especially since Columbine had happened at this point. Jesus Jim.
As for who wrote this puff piece that would be Jack Ryder.
For those not familiar with him, Jack Ryder is a "Journalist" and I say so in the loosest terms as in most apperances he's just trying to get attention, being eerly similar to the wave of reactionary assholes we'd see in that decade. He's also the superhero the creeper, a split personality of his who wears a giant boa, cackles and is both awesome and criminally underused by dc. Seriously why they don't use this guy more I don't know. Jack gets more apperances and they can find another strawman or make one.
At any rate Jack's not here to be creepy but to praise terroists while his other self facepalms on the inside. He and clark have debate that is less than civil... and it's telling that clark , who does try to be calma nd kind even when he's pissed off, is absolutely FURIOUS at jack propping these assholes up
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Now what I really like about this scene is Jack is an asshole. He make sa mocking joke before maknig an actual pointa nd dowplays all the innocent people who died. And the ape. Seriously someone feel bad an ape died. Why is it just me.
But he raises one valid point while talking directly out of his ass: "And three months later it would happen all over again"> Jack is wrong about..e verything else. Entirely. Seriously creeper needs to get a body seperator machine asap.. but he's right this shit is cyclical and people want a fix. Even 23 years later.. the world still feels broken. Kelly doesn't like the authority.. but he gets WHY people like them: Their a power fantasy, a group of people killing all the big bad dictators, putting corrupt presidents in check and trying to fix a broken world. Their methods are horrible.. but in a time that' scomplciated, unfair and frightening.. it's so easy to cling to someone who seemingly has the answers. It's why so many people flock to the right: turning to hate is sometimes the easiest solution.
We get a brief interlude with president luthor where we find out just HOW powerful these guys are. one of them, coldcast blinked and it shorted out satilites. As Amanda waller put it superman would need a jetpack and a space shuttle to even come close to their power
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Naturally Lex's position.. is to let it lie. He plans to turn them into cat food, his exact words, if they so much as touch the US.. but for now their fighting other metas for respect.. and given their clearly gunning for superman and badly outclass him.. well Luthor can't resisit seeing how it plays out, letting the leitie have their fun for now.. and seeing if he can get a dead superman out of the deal. He dosen't say that directly.. but he's sure as hell thinking it as hard as he can.
The Elitie aren't resting on their laurels either, releasing a manefsto that amounts to "do bad shit and we'll fucking kill you". Superman talks this over with Steel.. but it's clear their getting to clark.. and the one thing he says makes it clear why "Do you think the world's moved on?". IT's a powerful statment: Clark himself is wondering if this is what people WANT now, if he's outmoded and if he' sreally making a diffrence.
He dosen't have time to answer as a crisis in Tokyo happens .. and Clark gets to be front and center to meet the Elite this time. Sadly.. Clark can't do anything. His body start's slowing down and we later find out it was coldcast of the elite, having done so to stop an army of geneticly engeneered samurai from massacring toykyo... so the elite massacre them instead. And after a good 15 or so pages of setup.. we finally get a look at the future.
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They clockwise from the center; Manchester Black, the groups leader and mouthpiece and powerful Telekenetic, Coldcast, electric man whose deisgn was really not thorught through whatsoever and looks racist as hell, Menagre, a woman combind witha colony of deady creature and the hate, a japanese man merged with a demon that give hims a bunch of magical powers
What's intresting is rather than go 1:1, the elite compress the members of the auhority down from seven people to four so before we move on here's who they represent on the Authority
Manchester Black: Manchester is a combination of the authorities leaders: Founder Jenny Sparks and her successor Jonathan Hawksmore. Sparks is the spirit of the 20th century, had no real fliter and was never all tha tpolite, while Hawksmor was modified by aliens to become one with cities, able to travel between them effortlessly, and was also a jackass in a leather jacket who was dismissive to everyone> both gave grandose speeches and had no respect for anyone else who wasn't on their team. His powers are all him, likely because the electric poewrs were already livewires thing (and thus ported over to another member) and jack's powers were creatively specitic and somethign that might not work on superman, able to have cities eath people alive.. and given Superman's a good dude they likely woudln't.
Coldcast: Electric dynamo. Again that design what the fuck .Seems to be a combo of Jack and Jenny power wise, able to manipuate the ground in addition to electricity... I say seems as I had to look pu their power sets as the story isn't very speciic about them and Manchesters is only known to me because being a telepath and telekenetic are key to later stories starring the guy.
Menagere: Seems to be a comination of the team's two other female members; the Engineeer, a scientest with nanites in her blood that can shape into anything and swift, a woman who can grow claws and has wings, simply combingin the living hive nature of the engineer and making it more biological like swift.
The Hat: The only one that's honestly.. pretty much the same person from the authority just with a diffrent name. The Hat is based on the doctor, an ex drug addict and voice of the earth itself, latest in a long line of doctors who can do whatever he feels like really. That's not hyperbole: the doctor can bend reality and the rest of the authority all had weaknesses: Swift is fast but not super strong, the Engineer can only make things up to the the point her body has enough blood to still function, Hawksmoor's powers only work in a city, Apollo has to have a solar charge built up, something their dimension traveling spaceship dosen't provide, etc. The Doctor's only issue is if someone can cut him off and when that was done in Millar's first arc it still made no sense. It's also why I gather while the rest of the authority keeps coming back now their a full part of the dc universe, Jenny, who was dead, is even getting a mini series in august, the Doctor is just too powerful to bring back without finding some new check and ballance for him that isn't just "he's an ex addict", as we're more senstive to addiction these days, as we should be.
There's two notable omissions: Apollo and Midnighter. Apollo and Midnighter are the book's breakout stars by a wide margin, having been the first to be succesfully integrated into the dcu and being fan faviorites from the word go. The two are stand in's for superman and batman, but still distinct enough to work: Both are a bit darker given their background being raised by manipulative bastard among all manipulative bastards Henrey Bendix and both have unique power diffrences that set them apart: Apollo , as established, charges up his powers with the sun and what he can do is dependant on how much charge he has... but to compesnate for having a bigger reliance on the sun, he can shoot energy and thus wipe out an entire crowd of enemies with one shot and keep going. Midnighter meanwhile has a combat computer in his brain, is a few steps ahead like batman and has regenerating nanite blood, being essentially what happens if batman and wolverine became the same person.. again, and had less restraint.
The two are also married. Yeah, in the 90's, edgelord as they could be... we had two openly queer characters. Not only that the rest of the team accepted them: they'd crack jokes about the two's relationship, but no one genuinely cared the two were gay and given this was the late 90's, that's a HUGE statement. And i'll give credit where it's due: I may not like MIllar's run and only read what I absolutely had to... but he DID end said run with the two getting married and thankfully even with ellis being the worst. if your curious about the two I highly recommend Steve Orlando's run on Midnighter and it's followup Apollo and Midnighter, integrating the two into the dc universe.
So why would they leave out the two biggest characters on the roster? Simple.. their based on Superman and Batman. Having a golden god around kinda undermines the Elite's whole "Take a seat grandpa the new kids are here", gimmick, and if you throw in a batman type guy... it begs the question why Clark dosen't bring in Batman. And while pitting the elitie versus the justice league WOULD'VE been intresting, it wasn't something they had time for: Kelly wasn't writing JLA yet, and while having them appear in superman's book isn't out of bounds.. they had one issue. And my guess is they were squeezing said issue in before they had to start the build up to the big "Our Worlds at War" crossover that year, which started in august. The fact this story happened before that with Kelly presumibly already having stories planned, in less than a year, is a miracle in itself, so I get Kelly didn't really have time to loop in the rest of everyone and thus he trimmed the authority down to four elities for time's sake
And even with a small group... none of them are really fleshed out here aside from Manchester. I had to look up their powers because they got filled in in later stories. Here their just vauge and powerful. It's one of the stories few weakpoints: the rest of the elitie are just jackasses on a power high and that's all their personality is. It dosen't hurt the story a lot as that's all the story really needs and Manchester Black is such an engaging and despicable shithead that you only really need the one ring master for this circus, but it is something I look forward to in the movie, which has the time to flesh this out Kelly simply didn't have here.
Like I said though.. Black is engagin. He's thorughly vile here... but in a way where you get WHY people are trusting this asshole: he gives cleverly worded speeches, takes out bigger bad guys, and generally has a swagger to him. He still has the charm that Sparks and Hawksmoor genuinely had.. but he also has the asshole turned up a notch, again whY I feel that this story is a response to millar: Jenny and Jack were dicks under Ellis.. but Millar just has this very specific brand of dickishness in his characters , especially his mouth pieces, that Kelly captures REALLY well with Manchester. He's a swaggering asshole who answers to no one else and would stop a man from saving lives simply to try and prove he's outdated.
He also gives supes a tour: like the authority, the elite have a ship that's sentient. Unlike the Authority's ship, which is at best a lost child the team basically adopts when they realize it's alive and spend time gently coaxing when they need it to leave earth orbit and face it's abandonment issues, Bunny, the Elitie's hq.. is enslaved by them. They found out it was sapient, found out she didn't like what they were doing.. and cut out her heart to make her more compliant.
Superman understandably isn't here for a tour, he's here to stop them.
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Manchester isn't wrong: some villians don't play fair, the world itself dosen't, and so he raises the question of "why shoudlnt' we". The brilliant thing is while he has a point that the world is in rough shape... it's HOW he phrases it that points out the flaws in his philosphy: "Any normal person could do this if they had the chance".. but SHOULD they. Is it really okay to be a bad person simply because your going after worse people? And superman's answer is a very clear "No". More on that as we go but for now Superman gets sent to a superman themed car dealership for his trouble.
We cut to the Kent Farm, where we get pa revealing he decked a guy insulting clark for the incident. I like that it dosen't shy away from the fact that no, Small Town America is not immune to this kind of thought, giving into hate because it seems like the easy solution. But once again Kelly, rather than be super condescinding, gets into why people might buy into what the elitie are selling: the world is a scary place, and it's easy to buy into someone offering a quick solution, a band aid to the world's problems. To become the evil to stop the evil.
This story, while deconstructing him slightly, does get ot hte heart of WHY Superman is needed, in his worlds and in ours: He's an inspiration. As Pa points out.. clark shows them theirs a better way. That we can be better. Clark himself madea speech like this in JLA a few years before this, a speech I feel gets to the heart of the character and superheroes in general
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That's what a superhero is. not a babysitter in spandex, not the cure to a wounded world... simply someone there to help humanity at it's lowest, when it needs them.. and to inspire the average person to be better. To try and make a bette rowrld even if it seems impossible. And note this dosen't mean ignoring rough shit in the world, both Supermana nd Wonder Woman have gone into dictatorships and saved civliians. It's not letting that consume you. It's hard, so very hard, to not let the world swallow you up hole.. but fighting that every day is heroic. To simply be and to be good to others. It's what makes these guys heoric: they may stumble from time to time.. but they get back up, and do good despite the world shitting on them, or people like Black telling them "your irrelvant". You fight because it's the right thing to do, because it's what you can do to help the world.
Pa is also sure clark can just.. kick the elitie's asses if it goes south.. but Clark isn't. It's not helped by the tide turning against him: while several citizens do doubt the leitie... many support them. An easy fix to hard issues. But the most chilling.. is the children
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That idea that being able to kill somehow makes you better.
Supes still tries to take the high road, stopping the men in black, who in the dc universe apparently traffic aliens. He stops the aliens witht hem with water. no loss of life, no muss no fuss. The Elitie have been watching, and Manchester is utterly bored with this lecture, not taking it seriously and calling supes an idiot when he plans to have the league and the DEO haul these guys in. Black lets supes know these are super black ops people and will just be given cushy job training other guys to do the same. And superman.. just says he'll keep putting them away till they get the point.
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Yeah while i'm on clark's side, and do think the elitei's solution of just.. killing them solves nothing, after all if these guys can be replaced, how does killing a few to send a message do anything? They'll just find more guys willing to do it despite the risk. But at the same time... Superman is smarter than this. We'll see that shortly. He knows better than to just "lock them up again". He'd have Batman look into it, then use the league to make sure these guys got the justice they deserved. He has on his team a telepath with global connections, a recognized ambassador, a king and a billionare and that's just people on the team currently. He can make sure these guys ar eheld acoutnable and find out and bust up who they worked for. Just.. phrase it tha tway instead.
Black isn't impressed.. but his repsonse shows he's somehow worse at this than just "keep beating them and hopefully they'll stop which has worked never times but i'll do it anyway": Have the hat Kill them all.. and their families. Superman naturally punches the hat before he can do this.. and Black decides this is more than enough justifacation to formally go after superman.
Honestly the more I think about this scene, the more I see it as a ploy: Dont get me wrong, given his actions I do think Black would slaughter someone's family as a message... but he does so right after superman genuinely tried to show them a better way, making it clear he hates the lecture and ONLY listned to try and prove some kind of point. He KNEW these gyuys existed, they created menagre.. but didn't do anything about them or give Superman actual advice. He just wanted to strut in and then try and undo everything clark did, all the live she didn't take, just so he'd have the thinest justifcation to pick a fight with superman one on four. As for why not just do this from the outset that's simple: Manchester Black CLEARLY wannted the smug satisfaction of breaking superman, of getting him to see his way, wether it was by sitting out or by being humbled. He wanted this fight from the second he swaggered up, and simply dragged it out this long to humilate superman. He knows this isn't just a battle of two blokes punching each other, it's a battle for the world's soul, a battle of ideals: Black's "kill ema ll and let god sort it out" pessimist versus superman "We have to let them be better on thier own and they can be" optimist.
Lois.. is less pleased, mostly because she's sure her husband is going to die. And I like how the art convey's this too: Lois has more faith than clark in anybody but you can tell by her eyes she's worried about her husband picking a fight with a team on the league's level just to prove a point, to possibly die for it. It's chilling to see lois, of all people, scared. But clark has to go: even if he dies for this, it's, like I said, a battle of ideals. If he backs down more people like those kids find killing fun, the easy way the only way, and the world gets even worse. He has to show the world there's a better way.. because if he dosen't everything he's fought for, everything he stands for slowly slides away and more good people fight and die to preserve his ideals.
Clark confronts them. Naturally they choose metropolis for this final battle.. and naturally Clark says "hell no" to that as he isn't going to put innocents in danger. Black agrees, though he has their ship broadcast it worldwide: he wants the world to know this was a fair fight.
Our fighters head for the moon. Unsuprisingly Clark tries one last time to talk them down. I'd call this suicidal... but it's also Supes. He'll try talking, try reforming people if he can. And it'd be weird if he didn't. The Elitie take this as you'd expect.. Manchester tk's him then they take turns beating himn while he speechifies again.
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Superman is seemingly curbstomped, with Coldcast delivering some electricity to his brain , seemingly blwoing superman up real good.. but as the Elitie brag... a voice is heard
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We then get one of the most bonechilling scenes in comics.. as Superman finally decides to play by The elitie's rules..
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In only two pages for us and two minutes for the elitie.. the team is down, semeingly dead. IT's a terrifying display of just what superman CAN do: take the air away, rip your powers away, or just hurl you into space. We've seen plenty of evil superman stand ins do things like this, the viltrumites from invincible are essentially one long look at that, but seeing CLARK do it.. is something else. Something far worse.
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Superman finishes the fight by seemingly lobotmizing black, taking out the section of the brain that give shim his powers.. and as black cries and breaks down.. Superman.. lifts the curtain
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It's a brilliant twist that also puts all the pieces in place: Clark went alone.. because he had to make it beliviable, and the others were always on standbye. He likely told Bruce and the others what he had planned simply because otherwise.. they would've come to stop him. It's what Clark would want if he really crossed that line.
He simply disabled their powers for now: he gave Chester a concussion: he'll get his powers back.. but will be under tons of psy dampeners befor ehe can.
I love this display: it both shows WHY superman could be dangerous.. and why he isn't. It's easy to be vengeful... it's harder to try and inspire people not to, to keep dreaming ot keep trying to be better. It' sthe hard road but the better one: sure he could kill or take over the world.. but humanity isn't his to take. It's his to help inspire, to make us better by showing what the best of us can do with the gifts they were born with. Chester, like any villian vows he'll be back this isn't over... and clark's response to being told he's dreaming?
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A simple powerful closure: superman is living for some lofty ideals .. but their ones worth aspiring towards, to neve rstop fighting for.. ever.
What's So Funny is an excellent story. It suffers here and there from it's short run time, but still serves as an excellent response to critics of superman while not trying to be patronizing. The grungy art fits the tone of the story and the climax is a thing of beauty. check this one out if you can find it
Next Time: It's Superman Vs teh Elitie. Yes again. This time on the medium sized screen as Kelly expands his story into a full blown animated film.
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dairy-farmer · 1 year
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what do you think about clarktim? tim cheating on conner with his daddy for example or tim cheating on bruce with his own best friend… after sleeping with tim once when he was just a child, clark can never resist tim’s little cunnie. the size difference between clark’s 12 inch kryptonian cock vs tim’s extremely underaged pussy drives him crazy… i love tim getting groomed 💙
!!!!!!!!!!!!!!!!!!! ahhhhhh!!!!!!!!! clarktim is so good!!!! i've only vaguely written about it once in a fic and a little bit here on tumblr but it is soo good!!!!!1 i love the idea of clark having fucked tim when he was a kid. he was freshly robin and trying to prove to bruce he could trust him!! somehow "alien tech" ends up in gotham and superman is also tracing it and he's recently had a fight with bruce and he's not looking for another argument so he's being discrete and well technically the shipment was just outside gotham borders in a warehouse so it's not really batman's jurisdiction- but that warehouse is where tim also ends up. the two of them after spotting each other and doing the whole 'mouths "what are you doing here?" from across the room' find out its not alien tech that was being bought and sold. it was alien drugs. aphrodisiacs. they end up getting drugged while investigating the hidden storage cache containing it and its like ivy's pollen but dialed up to a million and capable of affecting even superman.
the two of them recall the night with startling clarity despite the haziness of what happened. clark especially recalls it, as much as he tries to shove the thoughts and memories away. he can remember his monstrous cock resting on tim's abdomen reaching all the way to a little above his belly button and staring down at tim as his little hands jacked him off, getting him to hardness while clark's fingers fucked and spread apart into a 'V' in tim's little hole. the opening was barely the size of a quarter. it must've been the drugs because tim was so wet he coated clarks entire hand in wetness. the drugs also must've had some muscle relaxant and numbing effect because clark was able to sink in the head of his cock with barely a sound from tim who arched up his naked chest to clark who scattered kisses all across his little breasts, gently sucking on a pink little nipple as he rocked his cock in deeper and deeper into a hot, tight little hole. clark was just too big for tim, if he tried bottoming out he might actually kill him so he contents himself with the sight of being able to fuck a third of his cock in before it got to be too much and tim's forehead cutely scrunched up.
tim's sweet pink mouth fell open and he gasped at each press in of clark's cock, the spongey head kissed the opening to tim's womb. clark groaned at the sight, using his x-ray vision to look down at where he was fucking tim's pretty baby cunt. clark moaned as he watched the fat head of his cock drooling white precum and smeared it against the hot pink of tim's cervix. the lips of tim's cunt were a distressed red flush, a result from the painful stretch of clark's girth and the burning friction of every harsh thrust into him. tim's hands were spread helplessly at his side, his head rolling back and forth as his sweet mouth let out the prettiest sounds at clark fucking him.
the memories of what occurred in that warehouse haunt clark for years to come.
they never tell anyone.
clark out of shame and tim out of the desire for bruce to not know how badly he'd screwed up. sometimes clark will wake up from a dream and be hard and he'll do his best to imagine anyone but tim. his wife, a model he had a crush on as a teenager, old classmates, other capes.
but in the end all he can think about is pulling tim's green robin leggings off and being greeted by a little pink naked pussy that he promptly leaves gaping open and dripping with his heavy, white cum.
when they both came back to their senses on that concrete floor clark immediatly broke into near tears with how hard he started breathing and apologizing and self-flagellating. tim assured him it was alright. he said it hadn't been clark's fault. but clark hadn't believed him. he'd wanted to take responsibility, make up for it.
and tim had gotten this...this odd look in his eye that reminded clark uncomfortably of the look on bruce's face when something went right according to plan. somehow...tim made him promise to not tell batman, he told clark that batman could never know how badly tim screwed up.
maybe it was the drugs still in his system but clark agreed and shakily helped them both clean up and get dressed.
clark flew tim to gotham and dropped him off behind a convenience store where clark bought him a chocolate bar, a soda, and... a morning-after pill on tim's insistence. only that when clark gets up to the register to pay he doesn't have enough money. thankfully tim lent him the remaining amount.
clark felt like the ground could swallow him up with the shame he felt standing in line as tim put down a handfull of twenties but its the shame that stops the indignance from bleeding through when he realized the cashier wasn't even blinking at clark, a grown man, buying a morning after pill for tim, who was clearly a child.
gotham was a horrifying place.
tim swears him to secrecy in that parking lot and clark, in his shame, swears to never tell, believing he's doing the right thing.
but a few years later and clark still never forgets. neither does tim. maybe that's how they wind up fucking everytime they cross paths.
in the watchtower when batman brings him or when red robin is meant to lend a hand they inevitably seek each other out like two homing missiles. clark has superspeed and superhearing and its not hard for him to find them somewhere private both on the watchtower or off. even when tim and superboy, clark's pseudo son begin dating it continues.
bruce has made his displeasure at his son and clark's "son's" relationship known many times and clark is certain he would be even more displeased to know what clark was doing. so he stays quiet about regularly fucking tim's little pussy and asking him if his cock feels as good as conner's.
clark keeps quiet because he never loses the shame he feels at his and tim's affair. he's friends with tim's father, he's conner's father-
if ma or pa ever knew they'd be so disappointed. dick, bruce, and so many others would be so disappointed and conner- he'd be so hurt to know clark was fucking the boyfriend he loved so much, the one he talked to clark about marrying, about having a baby with.
it would ruin too much. destroy too much.
so clark, like the first time it happened in that remote warehouse, says nothing.
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demifiendrsa · 2 years
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DC Studios | Chapter 1: Gods and Monsters
Chapter 1: Gods and Monsters:
Creature Commandos: An animated seven episode series, written by Gunn, that is already in production. Originally a team of classic monsters assembled to fight Nazis, this is a modern take on the concept. The voice actors have yet to be cast but the executives are looking to find people who can voice the animated characters and also portray the live-action versions when the anti-heroes to show up in movies and shows.
Waller: A spin-off of Gunn’s own HBO Max hit series, Peacemaker, Viola Davis will return as the ruthless and morally ambiguous head of a government task force. It is being written by Christal Henry (Watchmen) and Jeremy Carver, the creator of the Doom Patrol TV series.
Superman: Legacy: The movie featuring the Man of Steel that Gunn is writing and may direct, although no commitments on that end have been made. While the two previous titles are meant to be “aperatifs,” in Safran’s words, Superman is the true kick off for the duo’s DCU plans. “It’s not an origin story,” Safran said. “It focuses on Superman balancing his Kryptonian heritage with his human upbringing. He is the embodiment of truth justice and the American way. He is kindness in a world that thinks that kindness as old-fashioned.” A release date of July 11, 2025 has been penciled in.
Lanterns: Greg Berlanti’s long-in-the-works Green Lanterns TV series has been scrapped and the duo have parted ways with the longtime DC series steward. In its place will be a new take on the space cops with power rings. “Our vision for this is very much in the vein of True Detective,” Safran described. “It’s terrestrial-based.” It will feature prominent Lantern heroes Hal Jordan and John Stewart and is one of the most important shows they have in development. “This plays a really big role in leading into the main story we are telling across film and TV.”
The Authority: a movie based on a team of superheroes with rather extreme methods of protecting the planet that first originated in the late 1990s under an influential imprint known as Wildstorm, run by artist and now head of DC publishing, Jim Lee. “One of the things of the DCU is that it’s not just a story of heroes and villains,” said Gunn. “Not every film and TV show is going to be about good guy vs. bad guy, giant things from the sky comes and good guy wins. There are white hats, black hats and grey hats.” Added Safran: “They are kinda like Jack Nicholson in A Few Good Men. They know that you want them on the wall. Or at least they believe that.”
Paradise Lost: The duo describe this HBO Max series as a Game of Thrones-style drama set on the all-female island that is Wonder Woman’s birthplace, Themyscira, filled with political intrigue and scheming between power players. It takes place before the events of the Wonder Woman films.
The Brave and the Bold: “This is the introduction of the DCU Batman,” said Gunn. “Of Bruce Wayne and also introduces our favorite Robin, Damian Wayne, who is a little son of a bitch.” The movie will take inspiration from the now-classic Batman run written by Grant Morrison that introduced Batman to a son he never knew existed: a murderous tween raised by assassins. “It’s a very strange father-and-son story.”
And, importantly, it will feature a Batman not played by Robert Pattinson…
Booster Gold: an HBO Max series based on a unique and lower-tiered hero created in 1986. Safran said of the series, “It’s about a loser from the future who uses basic future technology to come back to today and pretend to be a superhero.” Gunn described it as “imposter syndrome as superhero.”
Supergirl: Woman of Tomorrow: Taking its cues from the recent Tom King-written mini-series, this movie project promises to have a different take than what most think of when the idea of Superman’s cousin comes to mind. “We will see the difference between Superman, who was sent to Earth and raised by loving parents from the time he was an infant, versus Supergirl, raised on a rock, a chip off of Krypton, and who watched everyone around her die and be killed in terrible ways for the first 14 years of her life and then come to Earth. She is much more hardcore and not the Supergirl we’re used to.”
Swamp Thing: a horror film that promises to close out the first part of the first chapter.
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gorogues · 6 months
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Spoilers for Justice League vs. Godzilla vs. Kong #6!
Not tons to say about this, but things are happening and there isn't a lot of standing around talking: Lex has finally put his plan into operation and Batman is countering it with his own giant mech, and even the League of Assassins has sent their pet monster into play. Plus, Grodd uses King Kong and Supergirl to the Legion's advantage and Superman comes out of his coma to confront Godzilla (who is chained with Nth metal at the bottom of the ocean). So there's lots going on, even if the Rogues are basically Legion cannon fodder and not doing much; there probably isn't much for regular villains to do anyway in a melee with giant monsters, mechs, and warriors like Wonder Woman.
I like that Black Manta is still the smartest voice of reason in the Legion of Doom, and the only guy arguing (futilely) that the group is a collective. He's fighting a losing battle, but I appreciate the effort to keep things more egalitarian.
It's interesting that Grodd saw Kong as a god in the first issue but is quite happy to mind-control him now. Maybe that's just Grodd's malicious self-interest at work, or maybe he had second thoughts about Kong's divinity when he saw how benevolent he is towards humanity. Brian Buccellato has always written a particularly vicious Grodd, and he's in fine form here by personally crushing Guy Gardner to death and controlling others with super-strength to do the rest of his dirty work. This is definitely the ape who ripped off Axel's arm and put Roy's head on a pike, and though I think Johns' Grodd was scarier, you can't argue with this Grodd's results.
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