#go and tell a kid that

[chompe-diem]

gnashing my teeth So hard someone please talk to me about “a child has a duty to his father, but a hero has a duty to the world”

[glow-in-the-dark-death]

Ghosts Tell Me

~

Ghosts gather near the place where something bad is going to happen,

Danny with his ghost sense tends to notice before anyone else and tends to react outwardly before the danger even happens, gaining a reputation of seeing the future,

Ghosts also tell Danny things, causing Danny to know more about situations and the people around him, it comes of as suspicious.

~

Danny pulling away a snack from his coworker: "Careful your allergic to these ingredients!"

Coworker: "How the hell...I've never mentioned that to anyone."

~

Danny on a phone call with his friends while doing his nightly walks in Gotham: "Yeah so apparently the second Robin who is now Red Hood has very personal beef with the clown here cuz he got killed by him after being sold out by his bio mom, which really sucks for the poor guy."

Oracle who has been keeping an Eye on Danny cuz he's very suspicious from an outsiders pov: "Hey B, I think we have a problem."

~

Danny notices that the ghost in Gotham tends to gather where something bad is going to happen, the more they are the worse the situation will be: *glowing smoke leaves from his mouth* "Yikes! Very bad vibes here, nope!"

Gothamites who at this point recognize him and know the drill and quickly pack up their things to leave:

~

Just an Idea

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[frogloinz]

FNAF fanart in 2023? more likely than you think. 13 year old me would be very pleased with this development.

(I need him)

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[seven-tastic]

that one silly pijama thingy but its aventiopaz

[moonilit]

He got some fact checking to do

[lilislegacy]

imagine percy and annabeth being your neighbors and you regularly see them knife fighting each other in the yard, you occasionally hear them speak in some indistinguishable ancient sounding language, they are socially awkward and keep to themselves, and when you ask them if they attend church they say no because they worship the greek gods

weird ass motherfuckers

[puppyeared]

so a few things

my brother and i have our rooms facing each other he recently got a mood light installed and he can change the color his favorite color is purple

which would normally be. FINE but every time i walk to my room its just been this

[puppetmaster13u]

Prompt in Memes 5

Once more, have a prompt entirely in memes because I'm too lazy to properly write one right now lol.

[nookisms]

The Riddler: Riddle me thi- Is that a fucking kid.

Dick Grayson, a non-native English speaker: What does fucking mean?

The Riddler: Fuck- I mean shit- I mean it's a grown up word, ask your dad about it

[A Few Years Later]

The Riddler: Riddle me th- Is that another fucking kid

Jason Todd, raised in Crime Alley his entire life: Who the hell you calling a fucking kid? I'll beat your ass motherfucker, you and me right now.

The Riddler: Wow you are. Something.

[A Few Years After That]

The Riddler: Riddle me- Where the fuck are you getting these children?

Tim Drake, raised in high society but also not raised at all: That's a naughty word sir.

The Riddler: At least you're polite

[A Few More Years Later]

The Riddler: Riddle m- WHY THE FUCK DOES THIS ONE HAVE A SWORD!?

Damian Wayne, above silly things like Vulgar Language: I Was Expecting A Battle Of Wits, But You Appear To Be Unarmed.

The Riddler: WHY DOES HE TALK LIKE THAT???

[riality-check]

The eagerly awaited part 2 of the DILF!Steve concert saga is here!! Part 1, in case you missed it.

"You're not going."

"Come on! I haven't thrown up in an hour!"

"The drive to the venue is an hour and a half."

"Steve-"

"And if you throw up in my car-"

"Oh my God-"

"I'll kill you."

Steve doesn't need to see Dustin's eye roll in order to feel the full force of it through the phone.

"I'll just kill you. You'll have a headstone within the week that says Here Lies Dustin Henderson: Rightfully Murdered for Puking in Steve Harrington's Car," he continues as he packs Capri-Suns into the cooler for the car ride.

He doesn't remember ever being that thirsty as a kid, but if Anna wants strawberry kiwi, Anna gets strawberry kiwi. It helps that it's Steve's favorite flavor, too.

"I'd need a big ass headstone to fit all of that," Dustin snaps.

"Your big-ass ego would demand no less, shithead," Steve shoots back.

"Swear jar, Daddy!" Anna calls from her room, across the house because while she doesn't listen to Steve when he's right in front of her, she can hear him break the swear jar rule from halfway across the world.

He zips up the cooler, fishes a quarter out of his pocket, and throws it into the half-full soup can next to the stove.

(A quarter doesn't mean much, but Anna doesn't know that. The day Steve teaches that kid about inflation is the day his pockets become permanently empty.)

"Did she just swear jar you?" Dustin asks from over the phone.

"You baited me into it."

"I did no such thing."

Steve rolls his eyes. "You're not coming, though, are you?"

Dustin sighs, and, for all his teasing, Steve does genuinely feel bad. "I still feel like if I breathe wrong, I'll hurl, so, no. I don't think I'll manage the car ride, nevermind the actual show."

"Sorry dude."

"Don't be. Some dickhead will live stream the whole thing on Instagram, anyway. I'll live vicariously through them."

Steve snorts and picks up the cooler. He got Anna dressed beforehand, so it's just a matter of getting her to stop playing with whatever toy she dug up - Play-Doh has been the fixation of the week - in her room so they can go.

"Besides," Dustin continues, and Steve hates where this is going. "Anna loved the show, and you've got a reason-"

"Nope," Steve says, knocking on Anna's door. "Don't finish that sentence."

"All I'm saying-"

"I know what you're gong to say, which means you know my answer. I don't date."

Anna opens her door. From the little Steve can see inside, there are at least three containers of Play-Doh open and strewn across the floor. He thinks her Barbies are involved in it somehow.

"Time to go," Steve says, and he thinks, Please don't let there be Play-Doh in the Barbie hair.

"Five more minutes," Anna tries.

"Nope. Clean up and roll out."

"Hi, Anna," Dustin says through the phone.

"Uncle Dusty!" Anna shrieks, and she starts jumping up and down. "Are you comin', too?"

Dustin sighs, and Steve can't tell if it's at the nickname or if he's still cursing the universe. "No, but you and your dad have a great time, okay?"

"Can you, can you tell Daddy I should get five more minutes?"

Steve raises his eyebrows at her. Anna, to her credit, ignores him wonderfully.

"If you clean up," Dustin says, because he's actually Steve's favorite person right now, "you get to do more headbanging at the concert."

Anna gasps like Steve didn't already tell her that earlier today, and she gets to work on putting her toys away. Steve helps, of course, and he finds that there is, in fact, Play-Doh in two of her Barbies' hair.

Fun. They're going to turn into Buzzcut Barbies when Anna goes to sleep because he can already tell that they are the furthest thing from salvageable.

But that doesn't matter right now. What matters is getting Anna in the car, deploying the first two of many strawberry kiwi Capri Suns from the cooler, and making the drive to the venue, which Steve does with minimal road rage and accompanied by the Disney radio station.

Success by all metrics, really.

Dinner might as well be now, so Steve shells out a truly disgusting amount of money for overpriced chicken nuggets and fries at the venue. Anna will only eat half her portion but say she's hungry later, but that's what the snacks and water Steve smuggled in via his jacket are for.

They get to their seats, dinner finished up, just as the lights go down for the first opener. Steve looks to his left, half-expecting Eddie and his friends to be there before remembering that they won't be.

He tries not to feel too disappointed. He fails miserably.

The seat next to him, however, isn't empty. There's a note taped to the back of it, one addressed to Steve and Miss Anna, so Steve feels alright taking and opening it.

At the top, there's a messily scrawled phone number. Underneath, it says:

Here's my number. Probably a bad idea to call with all the noise. Texting works, though you should do that after the show. I'll be a little busy until then.

-Eddie

Steve puts the note in his pocket, puts Anna's ear defenders on, puts his own earplugs in, and looks at the stage, where-

Hang on.

He squints at the stage, where four guys have started playing a song that, frankly, sounds too much like literally all the music Steve listened to yesterday for him to care about all that much. The drummer is pretty small, with wild, curly hair. The bassist looks familiar. The lead singer, who is very talented but not to Steve's personal taste, also looks familiar. And the guitarist-

No way. No way in hell.

It's a total coincidence. Lots of guys have long, curly hair and heavy jewelry and big eyes and are wearing formal wear, for some reason, and catch Steve's eye, and-

"Thank you for such a great welcome!" the guitarist says, and his smile totally isn't doing anything to Steve, thanks very much.

Anna stops moving, where she's standing next to Steve, and climbs up into his lap to get a better look at the stage. She looks out, then back at Steve, then out, then back at Steve, making a face as confused as Steve feels.

Some days, he thinks he ended up with a clone, not a kid.

"I'll get off the mic in a second. I only do the talking because Jeff," the guitarist points at the lead singer, who ducks his head, "is really shy."

Jeff. That name is definitely relevant, but Steve is a permanent resident of denial.

"We fought about what song we were going to include next in our set list, so much so that we didn't decide until yesterday and had to consult a tiebreaker."

Okay, maybe Steve is a less permanent resident of denial than he thought.

"So, thank you to Miss Anna, who did great at headbanging for her first time-"

Anna whips around so fast, her forehead nearly collides with Steve's jaw.

"And to Steve, who's a big fan of American Psycho."

At the song name, the crowd loses their minds, and if Anna wasn't sitting right in front of him, Steve would join them.

Because what the fuck is happening right now?

His question isn't answered. In fact, about five more questions pop up in its stead when, during the bridge of the song, Jeff puts on a clear rain jacket and picks up a prop axe.

Please, God, don't let this traumatize my kid, Steve thinks.

Anna, thankfully, doesn't get scared. When Jeff brings the axe down, again and again, Steve's weirdo daughter fucking smiles. And giggles. It's kind of cute, actually.

When the song ends, she turns back to Steve.

"That's Eddie onstage," Steve says, and saying it, somehow, makes it real.

"I thought so!" Anna says, and she turns back to watch the show. Steve puts an arm around her waist so she doesn't fall off his lap when she bangs her head to the music.

The rest of the songs, in Steve's opinion, are better than the opening song. They're more melodic, which Steve can definitely get behind, and each of them has a gimmick onstage, all based off of various horror movies. It's ridiculous, but also really, really cool.

And Eddie, onstage, because it is the same guy who flirted with him and was so sweet to Anna yesterday, is really, really hot.

Steve has never had a thing for guitarists before. He's never had a thing for musicians before. Hell, until a year ago, he didn't realize he had a thing for men.

Eddie is. Uh. Yeah. Really doing it for him.

Steve doesn't know whether it's his enthusiasm, or the way he moves, or seeing his hair tied up, or the fucking dress pants and suspenders, or just his hands, but he does know he has to get himself in check because this is an all ages show and he's here with his daughter.

He already knows he can't add these songs to his grading playlist, not when they're accompanied by visuals of Eddie playing his guitar.

Sweet Jesus.

"Alright, that's our set!" Eddie says. "Thanks, y'all, for sticking around for us, and let's give it up for the next act!"

The crowd, including Anna and Steve, cheer as they exit and the lights go up.

Steve fishes his phone out of his pocket, fully intending to add Eddie's number to his contacts, and is greeted by not one, not two, but sixteen missed calls from Dustin Henderson.

Naturally, Steve calls him back. "Who died?"

"What the fuck?" Dustin yells, and Steve just puts the phone on speaker to save the rest of his hearing. "Did Eddie fucking Munson just personally thank you from the stage?"

"Swear jar, Uncle Dusty!" Anna says.

"Sorry," Dustin says. "But Steve. Answers. Now."

"How do you even-"

"Instagram live. Is Eddie the guy you were telling me about yesterday?"

Steve takes his phone off speaker. Prior experience tells him that this conversation has a less than zero chance of staying PG, nevermind PG-13.

"Yeah," Steve says. "He is."

"The one who flirted with you, and you forgot to ask for his number."

"Well, I have it now."

"What?" Dustin shrieks, and Steve is incredibly thankful that he didn't take his earplugs out.

"He left me his number on the seat."

"Text him."

"I was going to, until I saw that you called me sixteen times."

"Jesus Christ, Eddie Munson was flirting with you."

Steve rolls his eyes and hands a pack of gummy bears to Anna when she taps his arm. "He could have just been nice. I don't even know if he's into guys."

"Have you looked at him?"

"Wow, Dustybuns, I didn't know you were homophobic."

"I think it's the complete opposite of homophobic to try to get you laid."

"Hanging up!" Steve shouts because a part of him will never see Dustin as any older than thirteen, and no thirteen year old should ever say that.

"Text-"

Steve hangs up the call. "Can I have a gummy bear?"

"No," Anna says, mouth full, in her seat, legs swinging.

"I bought them."

She shrugs. "You gave them to me. Mine now."

Steve stares. She stares right back.

He sighs and opens a new pack of gummy bears.

With his mouth full of sweet Haribo corpses, Steve takes out the note and adds Eddie to his contacts. Before he can overthink it, he sends him a message:

I guess I don't have to ask you what you do for a living. Just so we're even on that front, I'm a teacher, and Anna's full time job is preschool.

He tucks his phone back into his pocket and focuses on making this a good experience for Anna, who somehow wormed her way into a conversation with the intimidating-looking couple sitting next to her.

Because it's totally not like a literal rockstar is going to text him back. Right?

Part 3!!

[fluffyartbl0g]

Everytime I go into the Zosopp tag, I just see people SCREAMING CRYING SOBBING about the lack of posts IN the Zosopp tag. THE ZOSOPP ECONOMY IS IN SHAMBLES

[kijeu]

hyunjin ✧ maniac [dominATE SEOUL d-1] via ssomi_SKZlove

[densewentz]

Take Your Kid to Work Day (with Dream's decidedly more alarming version of an artist rendering their kid's drawing)

[zivazivc]

this came to me in a dream

Floyd's emo ass and a techno troll could make scene kids...! Do you see my vision??? . . . Ravin is Happy Hardcore and Eddy M is Synth-Pop, that's how troll genetics work, right?

anyway...

i don't think floyd leads a proud life