#his parents are dead and no one was going to find him

[sistertotheknowitall]

DCxDP Prompt

Because I couldn’t get Congratulations! It’s Triplets! By @rboooks out of my head.

—

Jason wouldn’t say he regret it. Sure it wasn’t what he planned nor was it what he would have wanted, but he didn’t regret it. They didn’t mean to become parents, it was a one night stand. He wondered if this was how Roy felt when Jade had Lian. Like the world had been flipped on its head. Like everything he thought he knew now seemed wrong.

Lian would like his daughter. From what Jason could tell he thought they’d be fast friends.

Christ. His daughter.

He watched as she ran through the front door, her mom following behind. She was talking a mile a minute, her hands flying around her face. Her mom threw her head back, laughing. God he wished he could hear it. Hear what all his daughter had to say. He wanted to be a real dad to her not just a father. Someone she could talk to and trust. However, as Jason continued to watch from the roof across the street, he knew that he could never get that close. This was as far as he could reach.

A crime lord, who was legally dead and had a kill count. He wasn’t cut out to be a dad. The two examples he had wouldn’t exactly be considered great role models.

Her mother had named her Ellie, short for Daniella after her late uncle Daniel or “Danny.” She was feisty and a little brash, his daughter. Jason would be lying if he said he didn’t feel some pride in knowing some of that was him. Although he could see the same stubbornness in Jazmine.

He thinks that’s what drew him to her. Standing in a bar on a side of town she definitely shouldn’t have been in, she had held her own against two men trying to drag her out. Jason went to step in when she had pulled a police grade taser out and had both men on their knees in pain before he moved two steps. He didn’t introduce himself that night (she was a little preoccupied with the police). However, he got the chance to a few months later and one thing led to another and they had slept together. He left with barely a goodbye and they never saw each other again. Jason was too preoccupied with his plans for Bruce and the clown to spend time thinking about one night.

As for her, he knew she was a student at Gotham U and figured she had also spent little time thinking about that night.

Imagine his surprise when he stumbled upon her again but with a child. His child.

He didn’t know how to really feel about it, about her, Ellie.

As much as he hates to admit it he spent the first week getting drunk and despairing at being a deadbeat. He eventually calmed down and reasoned that it wasn’t his fault nor Jazmine’s. He had given her a fake first name and they hadn’t exchanged last names. Even if she did want to tell him she was pregnant she had no way of finding him.

And he never thought he needed to be looking for them.

—-

Jazz could feel them being watched and did her best to act normal. She never gave away that she was aware of him. She didn’t want to frighten Ellie and she was still unsure of how to handle the situation. It has been weeks and he never once seemed interested in harming them. Yet.

He just watched. Not all the time- not every day, but at least once a week she could feel him staring from a roof, a window, the mouth of an ally. He followed them at night and watched for a bit after they returned home. In a way it felt like he was protecting them, but in what sense did this hulking figure have a right to guard them? It also begged the question; what was he protecting them from?

Jazz was near positive that she had never interacted with the mask figure nor any other that roamed Gotham. She did her best to avoid them, all of them.

It could be he was fixated on her as a single mother to a reckless little girl. If that was so, then she was going to have to be more cautious. She didn’t want to even give him a chance to think he could approach Ellie. Stalkers were never a good thing but she knew the GCPD would never take it seriously.

All he was doing was watching.

Jazz knew her daughter was smart beyond her five years of life, but she was still just a child. So while Jazz was certain that Ellie had no idea about their predicament, she knew Ellie could feel something was off. The young girl had started to look around more on their walks home, her head swiveling, looking for something she couldn’t explain. Jazz hated it. Her daughter should be skipping as she told Jazz about her day in pre-school, not gripping her mother’s pant leg, silent as she looked for the source of her unease.

For the life of her, Jazz did not know what the man could possibly want and while it pissed her off to no end it also frightened her. Of course it frightened her. She was a single mother in Gotham City with a stalker. Maybe she should summon Danny or send Ellie to her grandparents for a bit while she takes care of this.

[acowardinmordor]

Risk and Reward

Steddie-adjacent. Tw: homophobia

I always love fics where Steve makes himself Eddie’s alibi while Eddie is still unconscious/in a coma. Knows that it will work because he knows in this town there is no way anyone would believe that Steve Harrington would come out if it wasn’t real. No one would believe it, because everyone knows that his parents are always gone, because his dad is in Congress railing against the gays and their depravity and how they deserve to die and burn.

Steve saying it. Signing an affidavit about it. Giving quotes to the ravenous press. It has to be true. And everyone who doesn’t think it’s disgusting think it’s the most romantic thing in the world.

The government was stepping in, all eyes were pointed at Munson, and he was going to be thrown in a cell for life. Or, to save the cost of the trial, he would have vanished somewhere between the hospital and the prison.

Steve coming out stops that. Airtight alibi, reinforced by the knowledge that there will be consequences.

Eddie is safe, and the government has changed tactics, is blaming dead Jason Carver for it all. Eddie wakes up six weeks later, shocked to wake up at all, and trusts his uncle enough to play along. ‘Why didn’t you tell me you were dating the Harrington kid?’ Eddie knows how to tell a story that leaves space for a player to fill in their side. He tells stories about little moments and always describes things from his perspective. That way, if it contradicts the story that’s already out there, he can make a find quip about how he remembers it different.

When he finally gets a moment alone with his uncle, two days later, his guess gets confirmed. Wayne knows damn well that Eddie’s gayer than a maypole, and also knows that Eddie has called Steve his nemesis for years. Wayne knew from the second Steve said it that it was a lie, and knew it would work if it was believed.

The only thing confusing Eddie - well, the only thing in this tiny slice of his world - is why his fake boyfriend/no-longer-nemesis, isn’t in the hospital too, playing the part. If the guy was willing to say it at all, then he’d go all in. If there was one thing Eddie’d learned during those days, it was that Steve only ever did something at 100%

And yes, part of him feels terrible that Steve did this just to save him. He feels awful knowing that this is going to ruin a chance for a normal life. Wayne said the Indianapolis paper picked up a story about it. But at the same time, he’s so fucking grateful. Steve saved him. Again. And now, at least for a while, they’ll need to keep up the story. He’ll get to hang out with him, pretend they’re dating, stand close and cuddle closer. He also feels bad about how excited he is for that chance.

It’s the next morning when Eddie realizes his uncle dodged every question about why Steve wasn’t here. Wayne dodged almost every question after explaining what happened with Steve and the press and the Feds in the first weeks. Then, nothing.

The party visits him that afternoon, a veneer of joy stretched thin over something worse. Eddie’s first guess is that Red didn’t make it. But he hears her a moment later, complaining about ‘these stupid casts slowing me down’. The kids aren’t as good at dodging as Wayne is. Eddie gets the story quickly, such as it is.

The Harringtons came home from DC, gave a few speeches in praise of law enforcement against a serial killer. They visited the families of those that died.

They sent an assistant to find Steve in the hospital to deliver a message. No one else heard it, but the best guess is that it was a threat. Steve went with the assistant. They haven’t seen him since. When Dustin confronted the Harringtons at their last event in town, all they’d say was that ‘our son is getting the best help, and we love him dearly’

Eddie looks at Robin when he hears that for what it is. She drops the kids back home and begs a sympathetic nurse to let her talk to Eddie past visiting hours.

“It’s been a month since he vanished”

“Where?”

“We don’t know, we tried, even Hopper - he’s not dead - couldn’t find him. And this guy named Murray. We don’t know.”

“But…. ‘The best help’. You know that means…”

“I know”

“He’s, Christ, Buckley, he’s straight. Ladykiller. He’s straight and they sent him to some—“

“Yeah, but Eddie… I don’t know if I should… I guess, not that it matters now, and he never said anything, but he’s my best friend. He’s my soulmate. I know him and I think… if his dad wasn’t like he is… if he’d ever felt safe saying so… he knew they’d be furious when he came forward as your alibi, but he told me they’d just disown him, and it would be over. He was scared, but he was okay with what he thought was going to happen”

“I thought he hates me”

“He kinda did”

“Not anymore?”

“No.” There’s a pause where they both think about where Steve might be right now.

“Maybe he hates me again now.”

“I don’t think he would, but…”

And Eddie thinks how weird it is to see spastic Robin Buckley, who rambled in the Upside Down and always had more energy that she could contain, acting so subdued. No. So broken.

They both heard the Harringtons’ speeches and ads when he ran for office. They know what the man thinks about people like them. They both heard stories about what the places are like, where someone can go to ‘get help’

“Do you think I’ll ever get to thank him?”

“No.”

“Do you think we’ll ever see him again? You and the kids at least?”

She’s quiet for a long time, before she picks up her bag.

“If he ever gets to leave wherever they put him, and we ever see him, I don’t think he’ll be the person we knew anymore.”

[yeopoet]

MEET ME IN THE HALLWAY

`౨ৎ~ pairing: ateez x gn!reader genre: forbidden romance, fluff, kinda suggestive if you read between the lines ౿ ׂ ִ warnings: kissing (?) word count: 2k.

author's note: highly inspired by this post. ps: the divider does not belong to me.

﹒ ◠ ✩ hongjoong ⊹ ﹒

Two powerful families competing fiercely in the construction industry, locked in a never-ending battle over urban development projects: his family prioritizes large, luxurious complexes, while yours is dedicated to eco-friendly, sustainable initiatives. The differences between you go beyond business, turning what should have remained professional into something personal and deeply entrenched. Your parents have made it clear—they never want you anywhere near the Kims, and his parents share the same sentiment. But Hongjoong couldn’t care less about the rules. He sneaks to your bedroom window in the dead of night, not with malice, but driven by an irresistible urge to explore what he’s been told is forbidden. You’ve tried pushing him away, again and again, but nothing works. He’s relentless, and despite all the barriers that should keep you apart, to him, you’re the only thing that matters.

“You can’t just show up here like it’s no big deal,” you whisper-yell as you open your window. “They’ll find out, and that’ll be the end of both of us.”

“I’ve tried to forget about you, but it’s impossible.” Hongjoong exhales deeply, slipping through the window with ease, like sneaking into your room is something he’s mastered. “I missed our midnight talks.”

You raise an eyebrow, crossing your arms, your voice dripping with sarcasm. “What? Are you in love with me or something?”

He smiles, stepping closer until he’s near enough that you can feel his warm breath on your face. “And what if I am? Would that be so bad?”

﹒ ◠ ✩ seonghwa ⊹ ﹒

Someone born into a life of luxury, with a future carved out by endless wealth, isn’t supposed to waste his time with people of "lower status." As the heir to a well-established hospital chain, Seonghwa has never had to worry about anything—not even the clothes on his back. His sole purpose in life, as dictated by his family, is to follow the path toward taking his father’s place. But with dreams of his own, he somehow ended up in your studio, signing up for a beginner's sewing class. It wasn’t exactly the best first encounter, especially since your classes weren’t designed for heirs of empires, but over time, Seonghwa managed to capture your attention. He now pays for private lessons, driven by his passion to become a fashion designer. He shares sketches of outfits with you, designs he’s never dared to show anyone else. What was supposed to be a professional relationship between teacher and student gradually became something more. And honestly, how could he not fall for you?

“I know I shouldn’t be here, but I couldn’t stay away.” His words spill out the moment you open the door, sadness pouring at your feet. “Please, just give me a chance to fix all of this.”

“You’ve already caused enough damage.” You take a deep breath, holding back tears. Watching him beg for something you both know he can’t change feels like a knife to the heart, and if you’re not careful, you might cave. He steps closer, and you know this is the moment to slam the door in his face—before his father shows up again, threatening to destroy everything you've built if you don’t leave Seonghwa alone. But your heart wavers, seeing the redness in his eyes. “Don’t make this harder than it already is, Hwa. We can’t be together. If anyone sees us, it’ll be the end for both of-”

“Just one last time.” He’s crying now, his hand gently cradling the back of your neck like he's afraid you’ll disappear. “Let me be with you one last time.”

﹒ ◠ ✩ yunho ⊹ ﹒

It’s not easy having parents who watch your every move as if you’re incapable of taking care of yourself. But if it weren’t for their overbearing protectiveness, you never would’ve met Jeong Yunho, your bodyguard—the one who pulled you out of your monotonous life and gave you a taste of freedom. He sneaks you out for daring, late-night adventures, always careful not to push things too far and jeopardize both your lives. Yunho tried to keep his distance; he was never the kind of employee to cross the line. But avoiding his inevitable downfall with you was impossible.

“They warned me about you,” he says softly, tucking a loose strand of hair behind your ear, his hand gently cradling one side of your face. “But I didn’t listen.”

“And I’m glad you didn’t.” You smile openly, wrapping your arms around his waist before pressing your lips to his with intensity.

﹒ ◠ ✩ yeosang ⊹ ﹒

When the extravagance of your world becomes overwhelming, you find yourself seeking a place to breathe. Conveniently, that place always ends up being in the arms of Yeosang, the butler of your household. You've known each other since childhood, long before he took over his father’s role and before you were promised to marry someone you don’t love. The quiet meetings behind the tallest hedges in the garden offer you a peace you’ve never experienced around your family. The love that has never faded grows more painful as your wedding day draws near, and no matter how much you both long to escape, you know you've been condemned since the day you were born.

“This is the last time,” you whisper, casting a sorrowful glance at the man lying beside you. “We can’t keep doing this.”

Yeosang doesn’t respond right away but holds your gaze with a quiet tenderness. Then, after a few torturous seconds of silence, he presses a kiss to the back of your hand. “We said the same thing the last time we met,” he murmurs, leaning in to kiss you slowly, lingering. “The truth is, I’d have to move to another continent to ever be able to stay away from you.”

﹒ ◠ ✩ san ⊹ ﹒

He fought hard to get where he is. It wasn’t easy landing a job at one of the most prestigious networks in the country, and once inside, he quickly realized why the selection process was so difficult. His bosses are strict; they don’t tolerate irresponsibility and push him to the brink of exhaustion. Still, the salary makes it all worth it. San is building his life, shaping his dream career as a reporter, doing everything he can to avoid trouble. That is, until you, the boss’s daughter, showed up and threw all his plans into chaos. It wasn’t your intention to disrupt anyone. You’ve always kept a distance from the company’s employees, taking your duties as an heiress seriously. But who could have predicted that at a party with over 100 people, you’d end up kissing the newest intern?

“No one can know about this, promise me,” he whispers, gripping your elbow as he keeps the two of you dangerously close. “That was a mistake, and it won’t happen again.”

“As if I wanted it to,” you fire back, your breath mingling with his as your gaze locks onto his—eyes that are saying something completely different. “But if you keep pulling me into closed-off spaces out of nowhere, people are going to get suspicious, and it won’t be my fault.”

“Right, we should keep our distance,” he says, yet doesn’t move an inch. “I just wanted to make things clear.”

“I got the message loud and clear.” With every passing second, your faces inch closer. San tightens his grip on your arm, though not enough to hurt. He tilts his head, muttering a soft “good” against your lips before making the mistake of kissing you again.

﹒ ◠ ✩ mingi ⊹ ﹒

A friendship that has lasted for years could never be shaken by something trivial—or so you thought. But could your feelings for her brother be enough to ruin everything? She’s always made it clear that Mingi is off-limits. He constantly breaks her friends’ hearts, and they always end up drifting away. So, to keep the friendship intact, she put up a wall between the two of you. Too bad it only makes things more exciting from his perspective. You try your best to resist Mingi’s advances, but he makes it nearly impossible when he walks around the house shirtless after training, or when he finds lame excuses to touch you at random moments—like holding your waist to squeeze past you when there’s clearly plenty of space. It’s ridiculous.

“You really need to stop doing that,” you say, crossing your arms like you’re throwing a tantrum. Mingi looks at you, eyebrows raised, with that same clueless expression that drives you insane. “I’m serious, Mingi.”

“I have no idea what you’re talking about,” he shrugs, leaning forward to reach something in the back of the fridge.

“There are literally two other ways to get to the fridge, and you chose the tightest spot—right where I’m standing.” You stomp your foot. “And not only that, you—”

Your sentence is cut off by the sound of the fridge door closing. Mingi steps closer, and you hold your breath. “And I what?” he asks, leaning against the counter without breaking eye contact. “Last I checked, this is my house, and I can walk wherever I want.”

“You know exactly what I mean,” you mutter, avoiding his gaze and staring at your toes. Mingi gently lifts your chin, forcing you to look at him again.

“I thought you liked it when I touched you.” He tucks a loose strand of hair behind your ear, his hand slowly trailing down your shoulder, along your arm, until his fingers entwine with yours.

“We shouldn’t…” your voice falters. “Yena is—”

“I know, but I can’t help it sometimes.”

﹒ ◠ ✩ wooyoung ⊹ ﹒

He’s never been the type of guy to care about his friend’s girlfriend. It’s one of the most disloyal things you could do to a friendship. But when it comes to you, Wooyoung loses every last shred of honesty within himself. Falling for you was never part of his plan, and he tried everything he could to push those feelings away. If he had known that taking care of you when his friend messed up would spark such a dangerous affection, he would have let you handle your problems on your own. You, on the other hand, are deeply grateful for the countless times Wooyoung has saved you, and for showing you that love isn’t what you thought it was. All the lingering hugs, unfinished sentences, and the longing to give in to something forbidden have made you both question how much you're willing to sacrifice for each other.

“Every time I see you, I have to remind myself that you’re not mine,” he says, standing just far enough away to keep himself from giving in to his darker desires. He’s held back all this time, never crossing the line—but here you are, at his doorstep on a Saturday night, minutes after his best friend just left your house.

“So please, don’t make this harder than it already is.”

“And you think it’s easy for me?!” you explode, pushing his chest hard enough to make him stumble back a couple of steps. “You decide one night that you’re going to cut me out of your life, and you expect me not to react?”

Wooyoung grabs your arms, stopping you from hitting him again. “I’m trying to make things easier,” his eyes fill with tears, or maybe it’s yours—both of you just staring at each other, struggling not to sob out loud. You finally weaken, collapsing against his chest, muffling the sound of your pain as Wooyoung holds you tight, the way he always does.

“There’s no easy way out of this. No matter what we decide, someone’s going to end up hurt.”

﹒ ◠ ✩ jongho ⊹ ﹒

The life of a celebrity isn’t always glamorous. The fear of appearing in the tabloids caught in a dating scandal can feel more terrifying than the fear of death itself. After appearing on a variety show with you, Jongho developed a silly crush that, over time—fueled by risky texts during award shows and innocent meetups while everyone else was asleep—grew into something much bigger. To keep things discreet, you both decided to act indifferent toward each other, even though it’s become nearly impossible for him.

“Every moment we spend together is a risk, but I just can’t stay away,” Jongho says as he plants a flurry of kisses across your face. He made sure to clear out everyone from the dressing room just to have a few minutes alone with you before the show.

You laugh, trying to pull away from his eager touch to keep him from messing up your appearance. “Jongho! I have a performance in half an hour. You can’t mess up my makeup!”

He immediately steps back, placing his hands behind his back in an exaggerated effort to keep them off you. “You’re right. Sorry.”

“We’ll see each other later, okay?” You give him a playful, reassuring smile.

“Okay, I’ll try not to die until then.”

© yeopoet.

[auspicioustidings]

You're not some super popular influencer or anything, but you have enough of a following that you were able to make content creation your full time job a year ago. It's bizarre to you still, you started out doing true crime videos because you genuinely enjoyed the research and the mystery of it all, you never expected people to like them so much.

Your most recent one makes you wildly sad. Nobody really knows what the hell happened to the Riley family. Dad who had overcome a struggle with addiction, mum who by all accounts was universally liked, young son who wanted to be a footballer when he grew up. There was so much unanswered, so many threads to follow that led to a suspicious void of nothing. The dad had a brother who had went missing only months before, who was later declared dead but nobody knew how.

Is it ghoulish of you to drag the story of this tragedy out and question the circumstances? Honestly you are sure it is. You want some sort of justice for them, but you're not blind to the fact you are making money off of this because people find tragedy entertaining. As always the majority of the profits from the video, and they are significant, go to helping the victims. In this case there isn't any family left to ask, so you donate it between a few charities. You never tell your audience it's what you do because it would feel sort of gross, like you're justifying what is a morally questionable style of content.

Still the story sticks with you. You've never involved yourself too much with the emotions behind these things, but this time you can't help it. You visit the Riley family grave, leave a toy for Joseph and flowers for his parents.

"You want to go grab a drink?"

The masked stranger who sneaks up on you when you're laying the flowers is massive and intimidating, but there is something so overwhelmingly sad about him. You say yes and Simon gives his brother's grave a raised eyebrow. It would be just like Tommy to set him up with some video essayist who referred to him as 'Thomas Riley's absent brother" and proceeded to be politely scathing about his line of work. He's watched the video more than once.

Suppose he'll have to set you right.

[after-witch]

How a Minute Spends Now [Yandere Platonic L Lawliet x Sibling Reader]

Title: How a Minute Spends Now [Yandere Platonic L x Sibling Reader]

Synopsis: Your brother is dead. What pieces are there left to pick up?

Word count: 3800ish

notes: yandere, abusive sibling dynamic, grief and death mentions

Your brother is dead.

And oh, it’s clear now: whoever said death was an inevitable cold hard fact was a liar. Or stupid. Or both. Because this fact is not cold or hard; it’s warm, oozing, feeling like so much black sludge running between your fingers. 

You’ll never get it off--the death, yes, and the awful, sinking realization--

Your brother is dead and their first priority was not to tell you. 

They don’t bring you into a quiet room and ask you to sit down, before explaining in sympathetic, gentle tones that something bad has happened. That the brother who carried you through hell as a child, who kept you safe (and locked away) well into your thoroughly stunted adulthood, will never be coming back again. That you’ll never hear his voice or see his face or feel his touch. 

No. They don’t bother with you, first.

Their first priority is to gather together two of those damned groomed successors--Near and Mello, of course--and take them into a quiet room and explain, softly but succinctly, that L was dead.

That’s how you hear the news. You’d followed along, hackles raised when they were gathered up, and padded silently into the next room with a sourness in your stomach. And that’s how you hear it. With your ear pressed against the wall of the room next door, gleaning snatches of the conversation afterward through a horrible ringing in your ears.

(And aren’t you an awful thing? That you didn’t know until that moment? That you weren’t struck numb the moment he died thousands of miles away, that some guttural psychic primal instinct inside you didn’t say: Something is wrong and my brother is dead. Aren’t you a shitty person, that you didn’t somehow know without the muffled words through the wall?)

Mello is loudest. He cuts through that awful, disbelieving buzz that courses through you. 

“Who did he pick--”  And you don’t have to hear the rest to know what he’s asking. Did L pick him--or Near--as a replacement? As if he could be replaced. As if someone could simply step into his shadow and wear his skin.

“He didn’t have time,” answers Roger, and you puke a little bit of breakfast back into your mouth. 

What a thought--that L had been snuffed out without warning. Without time to think about it. Without time to regret, to come to terms--to call you. 

What was he thinking about, as he died? Was he thinking at all? Was there even the quickest of thoughts about you or your parents (distant, foggy beings that they were) or something else, something you would never know because your brother always kept some parts of him out of reach?

The wallpaper scratches underneath your fingernails, and a dim part of you wonders if they can hear it beyond the wall. Maybe you want them to hear you, hear the way your fingers dig into the paper and drag down as you slide onto the floor.

Your brother is dead, and you’re alone, and what the fuck was any of it for, if he was just going to get himself killed?

--

They do get you, eventually. Or rather, they find you, quiet and curled up in the corner of the room next door, a room you ought never to have been in. 

You don’t respond to the quiet calls of your name. You don’t respond when they step inside and Roger crouches down beside you, asking if--and he doesn’t finish the question, because he knows that asking someone “Are you all right?” when they are in a tight fetal position after clearly hearing news of their brother’s death through an orphanage wall is a stupid fucking question.

So all Roger does is put a hand on your shoulder and squeeze. It means nothing, and you get no comfort from it. No one here could comfort you. No one alive. 

“L left a letter for you,” Roger says, and it’s only now that you turn your head to look up at him. “Before he left for the Kira case.”

Kira. If only everyone who uttered that name had their tongue turned to ashes. 

“Give it to me,” you whisper.

--

It is his handwriting. Not a typed letter, which could be a forgery. No, this was written by his hand, his distinct scrawl. But what sealed the authenticity was that it was written in invisible ink, revealed through a solution only you had access to; L made it himself. Because he was smart--and a pompous asshole. 

But that’s how you know in the end that it’s not a fake, but a real letter. The last letter you’ll ever get from him. 

You bring the paper to your nose and sniff; it doesn’t smell like him. Maybe it did, at first, before whatever filing cabinet they’d stowed it in leached away the scent. Or maybe it smelled like him before you poured the solution on, and your anticipation to read what he said destroyed your last chance at remembering what he smelled like. 

It doesn’t matter.

The letter is simple and your hand trembles and the first words on the page hurt--tears drip down stupidly and turn blue when they hit the chemical solution on the paper. 

He’d make fun of you for crying, before wiping your tears with his shirt, so you’d call him gross and smile and feel a bit better. He would do that, if he were alive. But he can’t, because, as the letter says--

If you are reading this, I am dead. Kira has killed me. 

I was aware that this was a possibility--

Oh, fuck him. Fuck. Him. 

There is the urge to crumple the paper now. To find a fireplace and make someone light it and watch the paper burn, chemicals sparking, with satisfaction. How dare he. How dare he chase after this case, knowing it was a possibility, knowing that you might end up staring at this letter. Knowing that you’d be so utterly fucking alone. 

Breath coming in shallow pants, you keep going. 

I was aware that this was a possibility and I’ve prepared for it, as such. You don’t need to worry about money. It’s taken care of. You don’t need to worry about a place to live. It’s taken care of. 

You realize, dimly, that one of your hands has begun to pound against the wall. Who-cares-who-cares-who-cares. You don’t want to know that there’s money and a place to stay. 

What you want is your brother. 

You want him here so you can grab his shirt and tug him close and tell him he’s a massive asshole and you love him. You want him to tentatively wrap his arm around you, to give you a pat, to murmur something about being too clingy. 

You want him to suddenly pull your hair so you can stomp on his foot. You want to curl up in bed, like you used to, and wait for him to stroke your back to sleep while you asked him questions about anything and everything. His voice would be soft and dull, walking that fine line between patience and annoyance. You’d fall asleep while he told you something especially important, and he’d debate flicking your head to wake you up, a 50/50 chance that he’d do it.

But he can’t do any of these things. Not now. Not ever again. He has no voice to speak with, no body to touch. He has no more life in him at all. 

You couldn’t even visit his grave, assuming he had one. 

The tears are hot against your eyes as they drip-drop and stain the page now. It’s not fair, none of this. The death and the letter and the gray future ahead of you.

But you have to keep reading. Every word is precious, the last ones you’ll read from his hand. And maybe--this is awful, isn’t it--maybe this letter is where he finally has to admit that he’s been selfish. To keep you locked away, to put his need for control over your need to live a real life, to stay away as much as he does--as much as he did.

Maybe this letter is where he admits his faults as a brother, so you can cry over something other than the feeling of a gutted cave inside your chest. 

Maybe this is when he admits he’s kept you wrapped in a useless bubble, and that was wrong, and now you’ll get to--

I have given instructions that my successor will care for you like a brother.

The pounding on the wall stops. Thoughts come quick, snapping, punctuated by a red hot stings of electric hate. The bastard--how could he--why would he--the words don’t even seem to make sense, so you read them over and over and over, trying to understand. 

I have given instructions that my successor will care for you like a brother. I have given instructions that my successor will care for you like a brother. I have given instructions that my successor will care for you like a brother. I have given instructions that my successor will care for you like a brother.

But no matter how many times you read them, the words don’t register as anything but a jumble of phrases put together. He couldn’t have written that. But he did. Yet the very thought that someone else would care for you like a brother--

No. Your brother is dead, and no one can replace him. Not as the best detective in the world, not as your brother, not as anything. How could he, why would he, there’s no answer that comes so you let the questions singe the air instead. 

There’s a woozy, hazy fuzz that descends on your head like a net, and you lean against the wall. Red-hot anger simmers, bubbled with a hazy grief, as you force yourself to continue. 

I have left them detailed instructions on how to care for you. 

The words drop into your stomach hard, with no reprieve. He left instructions for your care, like you were a pet being looked after on a vacation. Fucker. You try to determine if it was a joke, or an intentional slight meant to irritate you, or not something he put any spite into at all. Was he being sincere? 

Because--well.

Is it entirely wrong? You and the figurative pampered dog both leapt to attention whenever your owners--whenever your brother--deigned to come home from vacation. From solving crimes. Both whined when he left. Both circled and moped, staring out the window, hoping for their return.

Not that there would be any return for L.

You will be safe and protected, as you were under me.

A hand goes to your mouth, covering a smile that no one else is here to see. Safe and protected, sure. Like a princess in a fairy tale, like some maiden kept under lock and key in a dragon-guarded keep. Only the dragon never breathed fire--only familiar platitudes and a comforting sameness that chained you down as well as the actual locks on the doors, the security cameras, the strict instructions for the security guard at the gate.

But you were safe, and you were protected. And here you are, now, wet tears on your cheeks, anger in your stomach and a smile on your face, because your brother apparently put you in his will like some sort of inheritance for whoever takes up his mantle. 

Please don’t do anything foolish now that I’m gone. Not that it stopped you, before.

A flash in your mind, the image of your brother’s smirk, curling up at the ends. A thumb in his mouth to soften it. 

It aches and it doesn’t, this image, the clear sense of L in these words. Why can’t he be here? Why this pain, this gouged sense of reality that makes you feel like screaming until there’s no more air in your lungs? 

Your hand finds the wall again, scratching at the paper with as much force as you can, rippled scratches following in their wake. 

Better the paper than your skin--your skin will heal. They’ll have to replace the wallpaper if they want to fix the jagged scratches. Let them replace it. Let them replace it like they want to replace your brother, and see where it gets them. You’ll be there in either case. 

There’s nothing more on the paper. You’re not sure if you expected there to be; you can’t imagine him writing soft, sweet words of comfort. He never said them, not exactly, so why write them now? No “I love you,” no “You’ll be fine without me.”

But, ah. There’s more to that, isn’t there? L would never write “You’ll be fine without me,” because he didn’t like to lie. 

And who is the successor that will receive these so-called instructions? He hasn’t chosen anyone. Roger, you’d heard, suggested Mello and Near work together. Fat chance. Like they would--like they could. 

They couldn’t, and they can’t, and they don’t. It isn’t long before Mello leaves and there’s one less orphan in the building, and Near steps in.

To be trained, to be raised, to study the Kira case--to take care of you, so says your dead brother in his last letter. 

But Near isn’t L. 

And you’re alone.

--

It is not terribly long after you become brotherless--and rudderless--that you walk into your room to find Near sitting on the floor, stacking rows of gray, pattern blocks that resemble a cityscape in the center of your private little space.

The sight of him is wrong. He looks--not like L, not in that way. But the posture. The outfit. If you squint--and you do--you can blur him into something like a younger version of your brother. Different hair, of course, but didn’t he sometimes sit like that when he played? When he refused to share his blocks, and made you watch him play, and occasionally deigned to let you place a piece or two as long as you put it exactly where he told you?

And you always did, little fingers trembling, because you wanted him to think you were good enough to listen. Good enough to do what he says, because he was older, and smarter, and you should listen to him. 

There’s a lump in your throat before you realize it.

”Why are you here?” Your own voice is a croak, rusted from ill-use. Crying. Shouting. Not talking for hours until you had to.

It’s not like you had too many people to talk to, anyway; but if you get him to talk, then this blurry vision will vanish. Near might look a bit like your brother, might have the same penchant for picking things apart, but he wasn’t L. Never would be, not really.

He doesn’t look up when you speak. Thank God for small mercies. Instead, he takes one finger and pushes it in the center of a block tower, creating a window. 

“Roger said you were upset.”

The temptation to blur vanishes with the sound of his young and decidedly not-L voice, and it’s easier to cross your arms, to put up the defenses. 

“Obviously.” A little less dry now. A little more sarcastic. And a little more alive than you’ve sounded in weeks, or months, or however long it’s been since your brother ceased existing and your life at Wammy’s became all the more bleak. “My brother died.” 

Near’s eyes finally flick up to you before they dart back down to the blocks. He carefully slips a block figure--a bland smiling thing--into the window. 

He speaks softly, with little intonation. You hate how familiar it is. 

“That is, upset about me.” 

The sound of your stupid little intake breath in the quiet room is a little too much to bear, and you try to focus on the sound of the blocks instead. The small shift of the pieces as he slides them here and there, the clacking sound as they stack together. 

Click. Clack. 

What does Roger know, anyway? 

“Not about you… in particular,” you admit. It’s the most you’ve admitted to Near in--well. Ever. It’s not like you were eager to talk to many of the children at Wammy’s, especially when you outgrew them. Yet unlike the orphaned faces that faded from memory in time, you weren’t adopted, weren’t eased into some other life outside these walls; instead, L kept you here, guarded, safe, and completely stuck. 

And you are stuck. You’re an adult. You could’ve stormed out the doors the minute L died, you’re sure, legally speaking (before that--even--before that you could’ve left); started walking and taken up a job at some shitty diner and rented a room in a seedy motel until you were on your feet. 

It’s something that you’d threatened in L’s face from time to time, and he didn’t even deign to take you seriously, and it’s only now that he’s dead that you understand why.

He knew you wouldn’t leave. Couldn’t leave? Maybe it’s the same thing. Because he was right. There’s no life for you out there; no life for you in here, except for what L left you, which includes--somehow--this boy in front of you, stacking blocks, who is supposed to take up the position of older brother. In capturing Kira and everything else.

“I’m going to take care of you,” he says, all matter-of-fact. “L left instructions.” 

Your chest squeezes. Those fucking instructions. You had asked--stormed up in a huff, demanded, in a tantrum--Roger to read them, and he refused. Said L indicated the letter was for his successor’s eyes only. 

So all you had was your imagination; did L write down a list of things you liked, things you didn’t like? Did he rattle off your favorite foods, what time you were supposed to go to bed, what to do if you had a meltdown and began to cry over your social isolation? Or did he--the thought was tempting, however improbable it was--write something more sentimental? 

Logic and bitterness win out, and you imagine Near reading the details of the letter meticulously, probably looking for the words-within-the-words, all while flying an airplane with his other hand. 

“I’m not a dog.” Your eyes dart over the blocks, over the memory of all the toys you’ve seen Near playing with; there’s something painful in that image, for too many reasons. “Or a toy.”

“Yes, I know.”

Near doesn’t look up again. Instead, he flicks his hand, and knocks over the tower with the window, with the smiling person inside, who topples to your carpeted floor. Something about it makes you want to laugh; makes you want to get on the floor and ask if you can push over the next one. Tears prick at the edge of your eyes. 

Instead of swooping onto the floor, you weave around the circular city he’s created in your room without permission, and climb onto your bed. The book you were reading this morning is still there, ragged bookmark jutting out of it. Your bed is unmade, otherwise. Sheets rumpled and unwashed. You haven’t bothered with the bed since L died. Haven’t bothered with a lot of things, besides. 

It was an older book. A philosophical treatise from the 1930s, when Europe was on the cusp of war; translated into English and shuffled around the hands of starving artists and avant garde thinkers until, decades later, it landed, battered, onto the shelves of the orphanage for gifted children. Gifted children and you, L’s leftover baggage.

Well. If Near is going to barge into your room without permission, you won’t let it impact your day. Roger said if you didn’t start eating again, you couldn’t borrow books; that’s where you’d been, before you came back. Grabbing something to eat under his watchful eye and eating it with deliberately pointed chewing motions, as if it bothered him.  

So you’ve eaten. Now you can read. 

“What are you reading?” He asks, like he didn’t already see the title of the book. He probably saw it on your bed whenever he first came into your room. Probably knows exactly where it rests in the Wammy library when it’s not checked out, and who else has read it besides you.

But he’s asking anyway and something empty in you clings to that question, as you curl up on your side--body and soul aching for the physical curled-up nest of your brother that doesn’t exist anymore.

You hold up the cover and shrug, hiding the need, pushing down the urge to bury your face in your pillow and have an imaginary conversation with your dead brother.  It wouldn’t be the first one you’ve had this week.

Near’s eyes flick to the book, before he works on creating another tower. 

“Do you like it?”

Your heart clenches. You’re reading into it, the way it reminds you of L. The way the question is open and you can’t tell if it’s asked because he thinks the book is pointless trash and will find you silly if you like it, or because he genuinely wants to know. 

It’s not a book you’d read again, that’s certain. Not because you think it’s awful, but because none of it really makes sense to you. You’d grabbed it because the thought of reading a novel you’d been eager to read while your brother’s corpse was buried thousands of miles away made you want to vomit. So a random philosophy book was the better option. 

You don’t want to tell Near all of this; because of his age, because he’s little more than someone you know, and because like your brother, you want to keep some things secret. 

“I don’t understand most of it,” you admit, finally, the words sticking to your mouth a little. A bit of truth would be okay, in the end. “I just wanted to occupy my time, I guess.” Reading words from someone who furiously pushed them out on his typewriter almost a hundred years ago was better than thinking about who wasn’t in the room. 

Near smiles, a little, not looking away from the blocks. 

“Do you want to help?”

He doesn’t stop what he’s doing, picking up each piece carefully and stacking it just-so. He leaves the toppled tower, figure and all, where it is. 

You’re not sure how long you wait before deciding.  All you know is that in your isolated room at Wammy’s, with only a window to the outside world you’ve barely known to give you any inkling of the passing of days, you slide onto the floor and tentatively pick up one of the toppled blocks.

Near doesn’t tell you to leave those where they are, and that’s okay.

He doesn’t tell you where to put it, either, as L would have certainly done--and somehow, that’s okay, too. 

[the-fandom-is-now-my-life]

Because I think I might get around writing for most of the men at some point for the future au I wanted to see or already arrange how many kids they would have

Jin would have two kids in complete accident, he was very happy by his father's discontent at his heir's lack of kids but things happened, the person who celebrated them the most was the grampa. Maybe two boys or a boy and a baby girl.

Thoma screams girl dad, doesn't he? Just imagine him braiding her hair for evening tea and being a menace to any boys she brings home with Alan if they break her heart, he is still a delinquent at heart.

For Luca I'm split between wanting him to have two boys to mirror him and his brother or a spoiled girl he plays knight for, sigh, such a hard decision...

Kaito, how did he reproduce?

Alan, two kids, one of each, no hesitation, he has a ‘little princess’ who he is nervous of hurting accidentally when he holds her but is as much of a wild beast as his brother. They like going hiking and getting chased by their dad when they get too close to a lake or too far away from the path.

In Leo’s scenario i see him with a daughter that managed to soften out his meanness (while she is around so she doesn't pick up on much of his sass, kids don't make miracles) and left him with another on the way that I also feel would be another girl. He is just a bit annoyed he doesn't have to redo the nursery for content but whatever.

Sho I KNOW that in his fic I said ‘nephew’ but imagine a baby girl that was playing with her family before she was even born and had you two scattering to find a girl's name at the hospital. It's just the beginning of her mischievous streak. Sho thinks it's his karma from being a thug as a teen.

I don't know why but I can see Romeo having three kids? Maybe because Gucci had like five kids or it's to a certain degree to assure himself the MC wants to stay with him and wouldn't leave out of the blue 💔 attachment issues bb.

Ritsu originally only wanted one child, he was an only child and was happy getting all the attention, but not everything went as he planned so he got twin boys.

Taiga, why would you do this to yourself??

Haru already has a son, peekaboo, but when he grows up he accidentally has a boy who he starts giving some minor tasks around, separating some leaves for the animals, brushing peekaboo’s hair, plucking weeds, etc etc. Don't look at him like that! He need all the help he can get.

Towa has girls! They like fairy tales with happy endings and always bother their dad to tell them your love story. When they become toddlers they go through a vegan phase to mimick him and will cry if they have meat or egg on their plate.

Ren was 99% sure he was going to die a virgin. He ends up with a girl he plays games with everyday after work. Borderline ipad kid.

Can grandpa Ed even have kids? Lol if he has I think I could see him with just one vampy baby that sits next to him and drinks tears off a sippy cup while his dad watches iceberg videos. Another ipad kid.

Rui (if somehow you broke his curse) is someone who I don't think would have kids, or at least not planned jajs but maybe one girl that he ends up overprotecting from playboy men like him in his youth.

Lyca I want to say they have a litter just for the joke of him being a werewolf but he doesn't seem to have any siblings so the joke doesn't get far :(

I see Subaru with only one child if any. He loves the little thing but feels he is intruding on their privacy, whenever he touches his preteen/teen kid he feels sorry enough to apologize.

I see Haku as someone who would be pretty chill with his life after Darkwick and go along with it as it happened. If you two had a child, great; if you didn't, great too. Very go with the flow parenting too.

Zenji he is dead wth jajajaj

Yuri NEEDS a little child that is always so impressed with their papa and he gets to brag about being the best or something. Please just don't let him be a strict teacher so your kid will follow his steps, he thinks it's for the best of their future but you can coerce him into just giving a very lengthy lecture about anomalous medicine without tests.

Jiro HAS to have a boy that is so similar to his uncle 🥹 always cooing since he is able to vocalize and chasing his dad around to get uppies while he tends to the backyard filled with herbs.

[captainmera]

Words can't describe how much I love your modern au for the folktale trio. As always your Evelyn is the skrunkly scrimbo of all time, and Caleb as an exhausted barista is just perfect. Any lore you care to share about this au?

Sure! :D

And thank you! Haha, it's rather fun actually! And yes, skrunkly little powerhouse, there she goes. :3

Modern AU character synopses and plot ideas(?) Under cut!

EVELYN:

Evelyn is fighting with her mum and runs away to live in an abandoned tower. Now that she's trying to live independently, her older sisters advise her to become a bounty hunter (since she's so powerful, it should be easy! ..probably!)

And, because she's got a special interest in the human realm, she dives head first into chasing criminals who try to hide there.

Evelyn basically does what Eda was doing after she lost most of her magical power. Having to do odd jobs and hunt bounties. Except, for Ev, she takes jobs she can do in the human realm. She finds collectables to sell to shops (like tibbles), and hunts bounties.

She also tries to figure out why Gravesfield got so many little portal holes? It's as if someone in Gravesfield is opening them.. hm!

CALEB:

Caleb is a struggling barista at the coffee shop, who's raising his little brother and had to drop out of high school to work.

He's depressed, hates everything, and one sad night he uncovers a demon disguised as a human - who tries to kill him. He's rescued by a "local" strange and homeless girl (Evelyn), and he has now made himself enemy number one to a criminal gang by picking up a magical item (a disc with a moon on it) from the now-beaten-and-captured demon.

He still likes to carve wood, and is a bit of a shy artist. He doesn't believe his figurines or wood artwork is of any worth or interest.

He's also a closeted bisexual who wants to be out but terrified of being shunned from the community (the church) that helped him when he was/is struggling financially. He owes them a lot of gratitude for getting him his low-wage job and birthday/Christmas gifts for Philip via their support programs. As well as their poverty support.

He feels very indebt to the church (and they kind of use it against him too) and he feels stuck.

PHILIP:

Philip, the school weirdo who will not shut up about ghosts and demons. He runs a mewtube vlog about demonic beings and monsters. His online name is "Belos."

He's got no irl friends, loves horror video games and listens to the soundtrack from Zombie Deer the musical on repeat.

Philip makes his own ghost hunting gear, and goes exploring old abandoned places to hunt ghosts, try to summon demons, open portals, etc. To his knowledge, it has never worked...... to his knowledge, that is.

THE WITTEBANE BROTHERS:

Their parents are dead. Caleb stepped up to the role, and it's a lot to deal with. The brothers never talk about their parents. Their house (like the Noceda home) is full of pictures and half-finished projects. The brothers are in grief limbo. Caleb avoids and just keeps-calm-and-carries-on, Philip uses escapism and secludes himself.

Caleb has been gut punched hard by life's reality-check fists and has not recovered. He's more or less she'd and dropped his hobies and dreams because "that's just life, rat-girl. You either adjust and fit in, or, buh-bye!"

He unfortunately takes this pessimistic and depressive attitude out on Philip, creating a divide between the brothers. (Like Camila and Luz, except Caleb is less gentle about it)

Caleb wants Philip to start living in the hard, real world. Philip, however, wants to stay frozen in the fantasy that; if ghosts are real, then their parents aren't truly gone, and things can go back to how it was before. Kind of. Almost.

"How it was before" being him and Caleb watching monster movies together, where Caleb was just an older brother and not an adult-too-soon that boss him around. "Before" being when Caleb was happy, and didn't sit up late at night reading bills and planning the next meal with coupons.

Philip doesn't want to be the "normal" Caleb asks of him, because to him; that normal doesn't exist anymore.

While Caleb tries to conform too much to his new hopeless mindset that he has no control at all, anyway, so why fight it at all?

Philip is turning 15 soon.

FOLKLORE TRIO DYNAMIC

After saving him, and introducing him to a whole new reality of witches, demons and magic.. Caleb loses his marbles a little. Life is more nuanced than he thought - maybe he's not so stuck after all. Maybe there's alternatives?

Evelyn needs a human guide, and in exchange for his help, he gets jewels he can trade in for cash. And he gladly shakes her hand on that.

Now he's got money for bills, food, and necessities, and he can even save money for Philip to go to college. This is going to be Calebs birthday present to Philip. To give him the future and life he never could have.

Evelyn is happy to have a guide, and friend. But as she becomes closer friends with the Wittebane brothers, she discovers there's trouble in the household.

Philip is also suspicious of her. To him, and the locals of Gravesfield, she's a crazy homeless girl who chases random citizens yelling about them being demon criminals. As well as stealing miscellaneous things from dumpsters. Like broken toasters and yoga mats.

A girl whom Caleb has befriended because she ate his customers' leftovers. Philip is less than keen on their budding friendship, and his brother's apparent crush on her. Philip, in the beginning, feels like she's taking advantage of Caleb’s good heart. But discovers soon enough that she's actually really nice, and is more than happy to talk about demons and magic with him.

ANTAGONIST PLOT: EVELYNS MUM.

Ev is a powerful witch, but has a bailsack condition where the sack is too large (that's why she's a powerhouse), but it has a physical affect on her. She can get lethargic or "turn gray" as she calls it (like when a basilisk sucks a witch empty on magic)

Evelyn wants to be a researcher and an author. She wants to learn from the human realm and use their inventions and adaptability to help the demon realm.

Evelyn's mum doesn't want her to go her own way.

Despite knowing her daughter's condition, she still wants her to utilise her power. She's trying to turn Ev to various plant-magic corporations to make mass production of crops, to help fight the famines.

Evelyn wants to understand how humans do things because they have no magic and they still sustain somehow.

She has a hard time arguing with her mother. She wants to appease her (find a human invention replacenent) and also go her own way. But it's just not how things goes.

Caleb becomes Evelyn's one defender and protector.

While standing up for her, he also realises hiw he's been treating Philip. Telling him who to be and how to fit in, instead ofvtrying to understand why Philip needs to escape into his hoby so much.

Evelyn's mother does not like Caleb, and doesn't like how the human is able to bark back to her - armed with reason and solid arguments, too.

She's been trying to guilt Evelyn into shouldering the whole world, more or less, by making her sacrifice her happinessand well being to keep famine away.

Which, obviously, hits Caleb close to home. And he makes an enemy out of Mrs.Clawthorne.

Mrs.Clawthorne wants Calebs influence on Evelyn gone. Caleb must be removed.

She discovers that there's someone else who doesn't like Caleb, and wants to get him (caleb got their disc after all.) And strikes a deal with them.

ATAGONIST PLOT: THE DISC

Evelyn takes both the brothers to her realm at some point, to hide them from the criminal that has it in for Caleb. Not knowing her mother is assisting the criminal.

In exchange of getting rid of Caleb, they can have the disc.

This is when Pip and Ev discovers that Caleb HAS the disc in the first place. And has been using it as a mirror decor in his bedroom. To him, it was just a keepsake from the first time he met Evelyn, and to commemorate that the night actually happened.

Philip has, at that point, gathered enough knowledge to know what the disc actually is: from what he knows, it supposedly grants wishes?

And he wants to use it to bring their parents back.

--------------

AND THAT'S ABOUT IT SO FAR?? :,D

[kaanagen]

KLOKLLEGE [ METALOCALYPSE AU]

This is a college AU with Dethklok, written by someone in college as a form of escapism. Let me point out some of their main traits in this universe:

Skwisgaar Skwigelf

24 y/o

Music course

Guitar prodigy

Not that egocentric but already pretty smug and vain

Figuring himself out, but manages to charm a lot of girls with minimal effort

Lives on the college campus

Popular enough to make him worry about his image and what people think of him

Goes to a lot of parties

Works part-time at an antique store on the other side of town so people won't find him and see him as "lesser"

Toki Wartooth

20 y/o

Initially came to study Theology, then switched to Fine Arts but is considering changing to Music after meeting Skwisgaar

Christian but non-practicing

Lives on the college campus

Considered the "weird guy" after becoming friends with Murderface

Not many friends

Ran away from home and forged documents to get an internship to study in America

With no financial help from his parents, works part-time at an antique store and does various gigs around town, which is how he met Skwisgaar and Murderface

Plays guitar as a hobby and is quite good for being self-taught, which helps him land a few gigs

Develops a crush on Skwisgaar as they start working together, but has conflicted views about his sexuality due to his upbringing

Purposely ruins Skwisgaar's dates as they grow closer through their job

Pickles

26 y/o

Initially not in college, but Nathan convinces him to enroll in the Music course

Doesn't get his piercings until after he meets Nathan

Ran away from home and has been living in the back of his family's stolen car for nearly two years

Goes to parties for free food, booze and drugs

Met Nathan after cutting himself while high and drunk at a party—they’ve been friends ever since

Pro at shoplifting

Befriends Skwisgaar after hearing him play at a party

After enrolling in college, Toki offers to help him study, but they can never focus

Has a situationship with Nathan that he's too scared to call anything else

Nathan Explosion

25 y/o

In college for American football

Only got through high school by excelling in football so that was his only notion to go forward

Part of an underground fight club so it's normal for him to be bruised

Pretty popular in his class

Goes to a lot of parties but keeps a low profile

Met Pickles at a party after Skwisgaar bailed on him to study for an exam

His mom enrolled him in a singing class once a week to help him talk more, but no one really knows about it

William Murderface

23 y/o

Wouldn’t be caught dead studying in college after threatening his high school principal into graduating him

Only in college because, once Toki befriended him through one of his gigs, he never left

Lives in Toki’s dorm rent-free to avoid going home to his grandparents

Has a bad reputation that rubbed off on Toki, making them the "weirdo duo"

Used to go to parties, but after getting beaten up trying to hook up with a girl, he gave up on hanging out with the college jackoffs

Doesn't know he has sleep apnea that keeps Toki awake at night

Helps Toki find gigs but usually messes things up, thinking he’s helping (and always asks for a cut of the money for his "help")

Some content I already made for Klokllege:

Pickles and Nathan's first encounters

First contact / The aftermath

Skwisgaar and Toki's soft feels

Glances

[honestlyreadingruinedmylife]

That’s amazing. Of course everyone needs to start somewhere. Of course I understand not everyone likes writing smut.

Young Charles Xavier x reader. She’s also has a mutation. She’s kicked out by her parents when they find out that her boyfriend is in a wheelchair. She turns up in the pouring rain with her puppy under her jacket to keep them dry and a black eye because her dad hit her (you don’t have to write that just imply it)

Hope that’s not to detailed but wanted to give you as much detail as I could to help you write it.

Can you please tag me in any future X-Men fanfiction you write.

Xx

A.N: Okay, I finally got around to finishing this. I'm actually quite proud of it given it's my first time EVER writing fanfiction and especially with it being a request. I hope you enjoy it even though it is a bit cliche at times. Also, there is slight ableism given the prompt, I did some research to make sure I wasn't using any slurs but if I am wrong PLEASE let me know. I will change it.

Word Count: 1251

Pairing: Young Charles Xavier x Female!Reader

Warnings: Ableism (Only a small sentence), gets kind angsty

You didn’t really know how they had found out. You were so careful. Building a wall of lies so thick and so far that you could no longer see the ends. 

You suppose that somewhere along the lines you’d missed a spot, one vital brick that tumbled down the entirety of your life. 

Your parents had only just started getting around to the idea of having a ‘freak’ of a daughter. Constantly telling you how lucky you were to at least look ‘normal’ and not like those ‘other ones’. 

You were one of the good ones. 

They had laid the rules out simply. They didn’t care about your abilities as long as they stayed outside the house and as long as you married a ‘regular human being’. It seemed simple enough and studying for a masters (which they paid for) you figured one more year of hiding wouldn’t be so difficult.

What you never considered was falling madly in love with another mutant. You’d been convinced for so long that you were completely alone in the walls you’d built, that when you met a man who could literally tear them apart you had no choice but to let yourself go.

The argument had started at dinner. It’d been a long day of research which had resulted in nothing but a dead end. Exhausted from sitting reading at a desk all day, you just wanted to get through the traditional family dinner and get straight into bed.

You were sitting in your usual chair, facing your mother while your father sat at the head of the table. It’d been eerily silent from the moment you’d sat down but didn’t mind given your exhaustion.

Suddenly, your father put down his utensils, “I’ve set up a dinner, next week with the neighbors boy,”

Thinking you hadn’t heard correctly, you turn to face him, “pardon?”

“It’s about time that you start thinking of settling down,” your father continues, “most normal girls your age are on their way to having their first child,”

You hear the implication in his voice even if he hadn’t outright said it. Irritated, you push your plate away.

“I am a normal girl, dad,” 

You hear your mother sigh, but you can’t seem to look away from your fathers face that twitches in irritation.

“You know what I meant,” he says your name as if it's a burden. He says it as if you were a curse on his normalcy.

You roll your eyes, “yes I know exactly what you meant, father, and I’m not going to be dressed up like some doll to be paraded for the neighbors boy,”

Another twitch, you know you are pushing him too far, but you can’t seem to care anymore.

“He is of good breeding and a wealthy background,” he picks up his utensils again, “the dinner will be on Monday,”

“Breeding?! I’m not cattle, father,” 

Your fathers face contorts into a scowl and you know he’s losing patience with you, “He will assure you are the last of your kind in my bloodline,”

You can feel your whole body shaking, “I will not go to that dinner, father,”

You hear your mother whisper your name, you suddenly realize that the shaking wasn’t just within your body but the whole house. With your emotions rampant you couldn’t control your powers as naturally as you normally could.

Breathing in and breathing out, you calm yourself enough to stop the shaking. Your father, however, is maroon with malice. You have pushed him too far.

“I will not let my grandchildren be the offspring of a freak and a paralytic!”

You feel your heart stop. Your mind is racing, unstoppable thoughts wreak havoc in your head. He knew. He knew and now your life is over.

“Father-”

“You thought I wouldn’t find out?” Your father continues to yell, “you thought I’d let you disobey me without consequence?”

You could feel your breathing increase as you enter a panic. Everything is muffled, your father continues yelling but you can’t hear a thing he is saying. You have to get away. You have to get to Charles. 

Without realizing, you stand, turning to leave the table, trying to find an escape. With one step, your father is in front of you, rough hands clamping down on your shoulders, forcing you still.

“Let me go,” you whisper, looking down away from your father. 

“I forbid you from seeing that man again!” 

“Let me go,” you feel the ground tremble beneath you.

“He’s one of you isn’t he?” Your fathers grip tightens on your shoulders, “he’s a freak!”

“Let me go!” You shout back in his face. You don’t initially feel the strike, but you can feel the heat begin to blossom around your eye. And you feel the ground erupt into endless shudders as you watch your father lose his balance and fall to the floor.

With the last of your strength, you run towards your room grabbing your research and your puppy that likes to sleep under your bed. As you race to the front door, you glance at your mother fussing over your father, who is still laid on the floor.

Stopping you turn to face your parents, “I am not a freak. Just because I am different doesn’t mean I’m lesser than,”

You turn to open the front door and with foot out your childhood home, you turn one last time, “I’ll never treat my children the way you’ve treated me, mutant or not,”

With those final words, you run into the rain, hailing the first taxi you see.

It wasn’t until you were at Charles’ front door, drenched and with your puppy under your coat, that you realized how bleak your situation truly was. 

No home, no parents, no education. 

With nothing left to lose, you knock as loudly as you can, hoping anyone would hear you over the pounding rain.

Almost immediately, the door swings open. 

Hank at first looks at you with confusion and then concern. He drags you inside and in the same breath yells for Charles.

The second you see Charles look of concern as he approaches you, you feel the tears start to form in your eyes. Finally able to let go, you feel yourself crumble with the weight of the night.

In no time, Charles holds you in his arms, stroking your soaked hair, whispering into your ear, “it’s okay darling you’re safe now, you’re safe here,”

Once you’ve calmed down, you pull away from him holding your own weight again. His hands don’t leave your face, careful with your already bruising eye.

He whispers your name. He whispers it like prayer, like there’s no one else in the world except you and him. He strokes your cheek with his thumb, “How about we run you a warm bath?”

With no strength left to speak and knowing you didn’t need to, you nod into his hands, closing your eyes and soaking in the comforting warmth he exudes. From within your jacket, you feel your puppy shuffle, stuck in between your torso and Charles’ legs. Pulling away slightly, your puppy leaps away from you and begins sniffing around Charles’ wheelchair.

“I see you’ve brought a friend, darling,” he chuckles, as he watches your puppy continuing to adventure.

You hiccup trying to find the words, “I couldn’t leave him in that house,”

Charles looks back at you, his blue eyes wide adoration, “he has a home here, he’ll always a home here,”

[starlightshadowsworld]

I love how my recent writings are just giving Atsushi tragic father figures.

We’ve got what it Odasaku took in Atsushi. Cared for him dearly but canon still happens, Odasuku is killed without knowing Atsushi was the only one of his kids that survived. Atsushi ends up back at the orphanage.

And now here in the graveyard scene of Dead Apple, Atsushi recounts everything to Dazai.

Then we had the yeah I don’t buy into the Mori is Atsushi theory…but if it did happen here’s my take on it. And how that could be incorporated into canon.

And now we have hey what if the Old Boss of the Port Mafia took Atsushi in after his parents give him up in exchange for their lives. He raises Atsushi and cares about him.

Until his growing paranoia turns him against him, terrified Atsushi will turn on him first and kill him. He lies to the Port Mafia, telling them Atsushi died.

When in actuality (because Atsushi can’t be killed through normal means) the Old Boss locked him down below with the intent to starve him to death.

And now Dazai, curious about this rumour of a beast beneath the building, finds Atsushi. Still alive and trapped.

Tho that last one is now a fic, it’s Dazatsu, it’s called Tangled Up In Moonlight but yeah dunno why this is my spot for inspiration right now.

Honourable mention to The Fallen King with whatever is going on between Beast Chuuya and Beast Atsushi (and Beast Dazai but he’s dead soo…) though it’s more brothers than anything else.

[l0stfoster]

For Cursed Tulsa AU: aksjsjak there are soo many things I want to ask about but first I am SO intrigued by Dally in this AU. So like him seeing ghosts is from his mom and I'm assuming he couldn't see them before he got shot/was rescued so was him 'dying' kind of like the catalyst for him unlocking that power? Did his mom ever tell him about the ghosts and he just thought she was hallucinating or did she never even try to bring that up? Does he know that his powers are from his mom or did he just wake up and was like "I guess that just happens now"?

AND THE AFTERMATH OF HIM JUST. SEEING THEM NOW.

Do the ghosts ever try to interact with him? Can they even? Since he apparently saw the Curtis parents and his mom so like did they try to speak to him ever? Or was it more just ominous staring?

And speaking of which - I'm pretty sure Dally isn't telling anyone about what he's been seeing. Is it just because he doesn't know how to bring it up or does he even understand exactly what's going on? Will he ever tell them? Or is this a secret he's taking to his grave?

Sorry for rambling lmao (expect more of this in the future) but all of this is genuinely SO INTERESTING AHH

Absolutely keep rambling Lunar I love these

His near death experience and sort of ‘rebirth’ was the reason his ghost seeing stuff finally unlocked, yes— however, that’s more in a manner of he finally became aware of it.

He assumed she was just hallucinating, and she never told him about it, both in a selfish way and in an attempt to protect him. Her thought was that if he didn’t know, then he couldn’t possibly channel it— the only issue is that if he had been seeing the ghost since he was a boy, it would’ve driven him down the same path of psychosis and mental unease she had experienced. While his mother had been able to see it since she was young, Dally’s mind had sort of blocked out the whole thing as it was due to how she behaved in correspondence to what she could see. To an extend, he’s always been able to see ghosts, but in the same way he’d blocked the Curtis’ out, his mind blocked the ghosts. It was only after actually encountering Death that this subconscious barrier shattered.

It takes a few weeks of living with it and one really bad hangover after drinking to try and block it out before he knew how to for there to be that oh moment. His mom wasn’t fuckin’ insane, she was seeing ghosts— and he’s doing the same thing she was doing, drinking to ignore it.

The ghosts are aware that he can see them once he acknowledges or reacts to them, after all if he didn’t give them the light of day, it’d just seem like another human overlooking them due to not seeing spirits. They can’t physically interact in most cases, beyond toying with items and things of that sort. The few he does interact with he has sort of ‘befriended’,, but it’s mostly just ones tied to spots that he can walk by, ask if they’d seen anyone from the gang, get an answer, and keep going.

The Curtis parents didn’t really get a chance to try and speak to him, all they’d really manage was his name or something else of a similar nature before he’d panic and block them out. His mom didn’t speak when he saw her, she just watched. Stared at him with dead eyes as he stared back in horror.

Y’know, he never knew that she died.

Dally hasn’t told anyone yet, but I think if anyone were to find out willingly first it either be Johnny or Two. Johnny’s the boy of death, he’d have to know something about seeing all of this. Two’s his best friend, he knows he can trust him.

..I think the person who would find out despite Dally’s unwillingness is Paul. Witches are pretty spiritually tied, are they not? And he’s not stupid, he’s heard about spiritual medium related things; Dally sticks out like a sore thumb when you know what signs to look for. He just won’t bring it up, since it’s.. yknow. Dally

[starryaugust]

100 au!Tim Drake - Backstory

Tim was born to a family of council members, since the ark was formed the drakes were part of the council. They know how to make the hard choices when it was needed. They were like royalty on the ark.

But Tim wasn’t like them, even tho he was smart and talented, he didn’t want to make the hard choices. He wanted to live. He didn’t want to have to worry about the lives of the rest of the human race. But he did want to make his parents proud.

So he studied everything from history, to engineering, to Latin. No matter how useless it was deemed to be.

Unlike the rest of his family, he interacted with all sorts of people. That’s how he met Stephanie Brown.

She was the daughter of a nurse, always around the infirmary, always with something to say.

She and Tim became fast friends, and then more than friends. But it didn’t last. They were better of as friends.

When she told him she thought she was pregnant, he wanted it to not be true, he couldn’t lose his best friend.

But no matter how much he wanted, he couldn’t change reality. Stephanie was arrested.

And then, only a few months later, the sky box was quarantined. They said it was some sort of sickness. But Tim know better.

He heard stuff.

So he confronted Bruce Wayne, he council member he knew was a good person. Bruce told him about the 100, how the ark was dying so they sent a bunch of kids to check if the ground was survivable, how they lost contact with them.

Tim tried to help Bruce with proving the 100 were alive, but they didn’t succeed. So they decided that they were going to go to the ground.

In the end, only Tim went. He told the people of the ark the truth as a distraction, and left.

The landing was hard, but he survived. Like he always does.

When he got to the ground, he found out his radio was destroyed.

It took him almost to fix it.

But then, the ark finally knew the ground was survivable.

And Tim could finally rest with his best friend, but he was wrong. They were at war with people that shouldn’t be alive.

He helped with whatever he could, no matter if it was helping Dick leading, training with the younger kids or helping Bernard and Steph make sure everybody stays alive and healthy.

During this time, he got to know Bernard. And he fell for him. Hard.

During the final battle between the grounders and the 100, Tim was at the drop ship, figuring out how to make grounder barbecue.

But then, right before they were about to close the doors, he noticed Bernard.

Beautiful amazing Bernard, fighting for his life against a man twice his size, losing terribly.

He had to help.

So he left one of the other kids in charge of the rockets, and ran to Bernard. He killed the grounder. But it was too late, the doors were already closing.

So they ran in the other direction, running away from the fire.

And they survived.

But by the time they got back to the drop ship, the 100 were gone with no trace.

For the next few days, they needed to survive by themselves. But then the people from the ark found them.

When getting to Mecha station, they learned what happened to the ark.

And Tim learned that his parents weren't on Mecha, and that they were probably dead.

Tim helped the guards from the ark to look for their people. They didn't find anyone.

Until they did.

When Jason appeared, they learned about mount weather.

They realized they need some sort of truce with the grounders to get their people back.

Tim helped with the negotiations, and when they got to an understanding with the grounders heda, he thought they were finally going to get their friends back.

But he was wrong, Luther offered the grounders a deal they couldn't say no to.

And skaikru were left all alone.

But Tim and Jason come up with another plan, who also went to shit.

In the end, they had to pull the lever. killing everyone in mount weather.

Or at least that's what they taught, they didn't know Luther's son, was immune. When he realised his people were dead, he wanted revenge. He managed to shoot Tim before Jason apprehended him.

But Tim was dying.

They had to get him to medical attention.

He were lucky mount weather had a fully equipped infirmary.

[tismtron]

“What would they be like if they had a boyfriend?”

Warnings: angst, mentions of smut, use of words faggot, homophobia, situationships, most of these headcanons are unhealthy asf.

Reader: male AMAB

Pete Dinunzio

•Pete would keep your relationship very down low. It’s nothing like shame or internalized homophobia in his case, it’s to protect himself and you from the club.

•will the club beat the shit out of you for being gay, no?..will the deprecate and degrade you about it until your six feet under because their insecure teenage boys? Yes of course. And Pete knows this.

•Behind closed doors and out of the public eye he’s tender and loving. Binged horror movies with you even if you can handle them or not, thinking that you would get so scared of the movie, you’ll cling onto him as he embraces you type of trope.

•will bring you things from he was hanging out with the club like a cat bringing its owner what it found. In both cases being small dead animals and you gotta explain to this man why you don’t want nor can keep roadkill in your bedroom.

•If he’s shorter than you he would get a complex and always try to prove to you that he’s the macho man of the relationship eve if you told him that you don’t think any less of him because of his height. Although bringing up his height at all brings fuel to the fire. When just the two of y’all go on dates he will rap his hand around your waist while you’re watching a slasher at the movies.

•this guy is inexperienced in relationships like the rest of the virgin club and tries to get advice from horror flicks.

•He calls people faggot derogatory while infact being one of the himself.

•Pete does genuinely love you but he wants to be sure that you’re safe from the club.

Jerry Stokes

•Jerry is a sweetheart but the club find out sooner or later cause for one; Jerry is a bad liar, and two they snoop on each other if one of them misses a meeting. And when they say Jerry holding hands with a boy they didn’t know what to think.

•Jerry is neurodivergent. You know this. You’re aware of his vocal stims, hyper fixation on fantasy, and stims with his hands and body when gets worked up or excited about something.

•when you come over he’s over the moon the see you, but he has to hide you from his parents aswell cause I think his parents are more conservative.

•sometimes when the two of you make out or get intimate he vocally stims and he got so embarrassed but you said he was ok.

•the club clowns on him about it when they found out saying things like. “Now we see why you like fantasy you fucking fairy.” And calling him a fag when he tries to be the voice of reason to their dumb ideas.

•He doesn’t let you near the club because he doesn’t want you to think less of him or he’s friends to dog on you like they do to him.

•please let him rant on for hours about his fantasy games and movies and he’ll love you forever.

Bill Dicky

•Internalized Homophobia in the most incel way possible. He will date you but degrade you to push himself up on his ego. Will not do any pda or nickmaes in public, almost as if you two aren’t dating at all.

•But behind closed doors it’s very different. He’s never had a partner, so he can take what he can get, but got thrown in a loop when you were a guy. If he really likes you he’ll be more closer to you by standing next to you and talking to you more than others.

•Bill is a very insecure man. So when you started dating him he used you as reassurance that he’s a good person, and if you point out something he did that’s clearly wrong he will get so defensive.

•His mom knows about your relationship and is surprisingly okay with it. His younger sister actually thinks you would help Bill get better in some way or at least more tolerable to be around.

•he whimpers (WHO SAID THAT)

Josh Levvy

•Josh like the rest keeps your relationship more private. Mostly out of shame of being gay himself than you.

•His parents are Jewish and very religious. Josh is more willing to show you to his parents than his friends. His mom calls you a Sheigtez and Josh would fight for you and stand up for a you against his mom whether you want him to or not.

•The most odd conversations with Josh will mean the world to him. Y’all can be talking about nothing and Josh would cherish the moment.

•For his short temper he has a very low self esteem. The fact anyone is dating him makes him question why him of all people.

•will talk your ear off about Star Wars,Star trek, DC, you name it. And when he shows you his collection and lets you touch them you know your in deep with him.

[oddberryshortcake]

I’m feeling sad all over again thinking of Silver waking up after 400 years in a dark and cold abandoned castle all alone and with no one to comfort him until Lilia came like what the fuck

[scintillatingshortgirl19]

i am begging one single person in this entire show to consider, for perhaps one single second, THE POSSIBILITY THAT THERE IS A REASON HOUSE HATES HIS DAD THIS MUCH

[polysyndetonaddictsupportgroup]

literally no one was doing it like natsuno yuuki. he was genre savvy but he was also fucking gay so he still died. after his death he started dressing like the google search results for gay vampire. his only friends were his homoerotic bestie, an adult medical professional speed running his descent into madness, and two random kids he dug up his stalker’s grave with. he became a vampire and was immediately better at it than all of the other vampires but he thought they were bitches so he didn’t even tell them he turned. his last words was that he was never going to make it out of that town alive but if anyone could have it was him and that’s what makes him so tragic. he died trying to save someone who was never ever going to save him back. he wasn’t afraid to die because he was already dead. he burned the entire town to the ground mourning his own death and he didn’t do it to save a single goddamn person, he did it because they murdered him and he was going to fucking hurt them back for it. I’m obsessed with him