#i think it's a form of scripting
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cluster-b-culture-is · 8 months ago
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aspd culture is reading neurotypical people’s sympathy messages online and seeing that they’re just full of buzzwords and sound super robotic
“Crossing our fingers🥺 such a tough situation. My heart goes out to…” etc
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aqvilegias · 4 months ago
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i need everyone to remain perfectly calm but sean baker talked about 'anora' in the podcast 'script apart' and said that he wrote an epilogue for the characters of igor and anora which only a few people saw (including yura borisov and mikey madison), and that the epilogue was very much hopeful for the two of them and where their relationship goes. i am obviously completely normal about this piece of information and am not screaming at the top of my lungs
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the boy in the spotlight versus the girl in the mirror
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edit: made a part 2
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unshaded version
#i have very specific thoughts on transkasa#i almost didn’t post this because i thought it might be too out of character but trust me there’s a vision#my art#project sekai#tsukasa tenma#femkasa#transkasa#so anyway#i forgot the term for this specific type of insecurity#but like i think tsukasa would have sort of a weird relationship with gender and masculinity if that makes sense?#like it’s forced on him from the outside and from the inside#whether on purpose or on accident he had an upbringing that involved a lot of self-imposed responsibility#involving being his sick little sisters Big Brother who needs to stay strong for her#and then having to be a role model for everyone around him because he’s older and he needs to be mature because well. he’s a future star#you could bring his big idol that he looks up to being a man in that too#the way i have the realization scripted in my head is he wears some feminine outfit (like a dress or skirt) for a show as a form of-#method actint#and actually enjoys it more than he thought he would#and gets upset by that because like. why would he like it so much. he’s a Boy. he’s not supposed to show some sort of “weakness” like that#(side note that i think tsukasa is pretty open minded so this part is kinda iffy with me. maybe it’s some sort of like#“you do you and you be yourself! not Me though. because i’m A Future Star tm and i don’t get bothered by such trivial things”)#(idk)#anyway it eats at him. and originally it doesn’t bother him that much but just the Fact that it did Does if ykwim#and it just escalates. because he hates the feeling so bad#and can’t solve it because why would he tell anyone about that like wtfffff hes fine :)) etc etc#anyway i don’t know what’s going on here in the art. the idea was a dressing room in the sekai that shows how you see yourself or something#cue femkasa showing up in the mirror. not great#also extra idea thing that if tsukasa dumped all of this on rui or something they might have an argument about it because#that is some crazy internalized shit going on there. also my friend transitioned mtf what are you saying about her now huh#whadda hell
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fjordline · 2 years ago
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little images while i draw something more substantial
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wybienova · 1 year ago
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dream visit (nostalgia) - a 2nd anniversary katfl comic
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feroluce · 8 months ago
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This was all the way back from the end of 2.3.
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Hey Sparkle what the fuck.
#So out of left field#she didn't even anything to do with 2.6! she didn't even make an appearance!#I wonder if she had anything to do with it all or if she just knew from Silverwolf's script and is fucking with us#it's hard to tell with her jfkdjsklajd#...by which I mean I wonder if she was like playing both sides the way Reca did#I don't think she'd fully side with Primitive or anything bc people turning into monkeys doesn't seem like it'd serve her.#how are they gonna appreciate her art form like that?!#also Acheron literally just impersonating a Galaxy Ranger was enough to get her a death sentence. Sparkle is wild but she's not stupid.#And aligning with Primitive seems like a fast track to a messy execution. no one wants the Galaxy Rangers on their ass.#fun side note about the current mr. cold feet's pop-up shop event going on:#I think this Sampo really IS our Sampo and not Sparkle in disguise or anything. just that some outside influence might be fucking with him.#he WOULD have been on Penacony right around the time all this happened. and he was closely in cahoots with Sparkle herself.#and memetic viruses- whether from Penacony memoria or say maybe a meme crate unearthed out of the snow-#are known to have the possible effect of making one horribly nihilistic. to the point of giving up on life. just saying.#(don't actually know that it's much of anything but GOSH is it a lovely thing to daydream about uwu)#honkai star rail#hsr#honkai star rail sparkle#hsr sparkle#sparkle#hsr 2.3#hsr 2.6#penacony#hanabi#hsr hanabi#honkai star rail hanabi
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superbat-lmao · 7 months ago
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In a family full of detectives, the Bats must have each come across situations that absolutely stumped them. Especially given the fact a lot of them have dealt with alien threats, magic, and meta humans.
So I like to imagine that all of them would hate those dinner party murder mystery games. Because they’re too easy. But they hate them in the way they hate new Lexcorp tech, they know exactly what could be fixed to make it actually functional. Or in this case, actually a mystery.
The struggle comes from deciding who is the one writing the mystery and who’s the one solving it. Because all of them are detectives in their own right and would get a kick out of this kind of enrichment.
Because Bruce would get a kick out a group birthday present from his kids where everyone is at the manor playing a character that severely contrasts their own personalities but is still meant to be frustrating for him. And the Batkids had trouble deciding at first who to make the murderer, trying to determine which kid Bruce would be most uncomfortable accusing of murder, even as a game.
Tim’s murder mystery would involve a lot of orchestration from Babs. He asked for the hardest mystery they could think of, so Babs has fabricated digital footprints, the Batkids stealth their way across the globe and he has to play a life sized game of Carmen Sandiego trying to track down his leads.
By the time it’s Dick’s then to solve a murder mystery, the Titans have found out about the games and get roped into playing. He’s also the only one who solves an actual murder alongside the fake case, making a realization about one of the cold case files he’s been working on in his off time.
For Cass’s murder mystery, none of the players are given information to conceal. They wrote narratives for each character to have committed the murder and then had a blind selection of the story line so that none of the players would know if their character did it. It’s like Clue, Cass has to check her deductions against a sealed card containing the answers. It was the only way they could think of stumping her with their body language.
Jason’s has Alfred’s involvement written all over it. Yes, the detective work is an amalgamation of the Batfamily’s efforts, but Alfred makes sure that certain character relationships and motivations parallel pieces from classic literature. It’s a trip down memory lane and all of the books that Jason read during his childhood at the manor and Alfred does his best to make him sentimental about it as part of the misdirection that Alfred’s character is the murderer. It almost works.
Steph’s murder mystery involves magic and aliens. She has a lot of practice solving day-to-day crimes so the family puts together the most absurd and abstract space and magic related case they can. It’ll flex some of her muscles when coming up against irregularity but it was also crafted to make her laugh. After all, who would have imagined there’s a species of alien out there allergic to waffles? It’s monotonous to face that same threats of muggings, trafficking, smuggling, murder, and other frequent Gotham crimes. Sometimes, you have to mix it up and remember reality can be absurd as well as commonplace.
Duke’s murder mystery is part of his “onboarding” into the batfamily. It relies on key observations from game-changing cases that the Bats have worked over the years that Duke wasn’t around for. He takes point during the day and helps out with larger cases, but it’s his first real test of handling the detective work of a multi-rogue level case by himself. And he’s good, breezes through things that had tripped up Dick or Tim during their Robin years but still finds ways to work through the parts that have him stumped.
Damian’s murder mystery is similar to Tim’s in that it is transnational and involves several famous and unknown art museums. It requires a lot of very specific information to uncover forgeries, complicated motivations, different layers of interrelatedness. It challenges him to think from specific details to connecting big picture movements and motivations of individuals and groups. Art was chosen as a through-point so that he would have an excuse to view galleries he had mentioned previously while still posing a challenge. It was a shock to more than just Damian when everyone realized Talia had agreed to play the red-herring.
Barbara’s murder mystery mixes several generations of technology. There are several layers of converting analog tech and different types of digital tech that tests her knowledge of the limitations of pieces of technology over the ages. It also brings her back into the field for recon in some creative ways since each of the Bats is a character and not able to do investigative work on her behalf. She solves her case the fastest of any of the Bats not because it was an inadequate challenge, but because she delegated her tasks as Oracle to Bruce and Tim and was able to devote 100% of her capabilities to solving this one case as opposed to her insane level of multitasking she’s usually operating at.
Alfred’s is also contained within the manor and treated similarly to an actual murder mystery. Everyone gets a kick out of him playing the part of the detective but slowly they begin to realize that some of the ways he conducts questioning witnesses or makes deductions is just slightly off from how Bruce does things. At first they seem to think Alfred’s putting his own spin on Bruce’s procedures but they begin to figure out that he’s following MI6’s standard operating procedures. They also realize that a lot of the Bats operating procedures are derivatives of different MI6 protocols. Clearly they’ve been updated or altered, but it’s all foundational, as though Alfred is writing the rule book before their eyes. It’s immediately obvious where the World’s Greatest Detective gets it from.
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aliusfrater · 2 months ago
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you've got to be kidding me
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toyatenmacanon · 2 months ago
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should i write some excerpts of like a book version of my show,, and post them here,,,
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whatudottu · 8 months ago
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Something something Decepticon recruitment (+physical exam) yada yada putting my Malay twins headcanon to good use and making names (and a non-typical matrilineal last name as opposed to a patrilineal last name) for them :P
Old fanfiction as well as echo chambering myself I have got some headcanons in my mind that do not make surface level sense but have Syakir and Darwesh bin Kalsom!
#skyquake#tfp skyquake#dreadwing#tfp dreadwing#transformers#tfp#humanformers#fanart#look look look- i used [western] sources for names because i'm in [english majority country] and maybe can't get a good list of names#especially not knowing whether they're authentic or not :P any malaysian folk in the chat do forgive me#eitherway- i did at least try to find what the sources claimed the origins of the names were#from my understanding syakir is the malay (and indonesian) form of arabic and urdu shakir (which means thankful but i that didn't matter)#darwesh is the hindi version of darwish which is an old persian but also malay name that i actively chose to make hindi#(because i wanted to hear how it was pronounced but since i didn't have the script version the only way i could hear it was the hindi way)#and kalsom for a character that only exists in my head is the malay and urdu form of the arabic kulthum meaning full-cheeked/beautiful#again- my outsider understanding of the names mostly as a way to kinda brute force the terms skyquake and dreadwing into malay forms#it was really funny looking for dreadwing's human name a lot of them that i could find ended up being versions of david haha#one of them was i think dawoud (which i think was muslim)#it did make me shudder that if dreadwing anglicized his name he'd be david so i hopped the train to darwish/darwesh#which is more technically darvesh give or take dialects so no wumbo here#which btw skyquake ends up being right about the callsigns- human dreadwing hates that his callsign is DREAD wing- skyquake loves his tho :
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make-friends-with-the-rats · 2 months ago
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Newsies Film Script (1991) // Newsies: the Broadway Musical Libretto (MTI)
the Watch What Happens Reprise scene evolved from the scene with Jack and the Jacobs family on the fire escape and you can't change my mind
in both scenes Jack is planning on finally packing up and leaving for Santa Fe because he feels the strike is hopeless, and in both a parental figure tries to get the message across that he has an option to stay
you know what else happens in both? a Jacobs sibling takes off the kid gloves and makes Jack realize that he's started something that's grown to be much bigger than himself
in the original, that person is Sarah, in the stage adaptation, Sarah is replaced by David (Davey)
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tottymatsuno · 2 months ago
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Working on my robot au and i decided ichimatsu would be the brother that would be extremely popular bc hes marketed as a domestic companion. There'd be someone in a civil rights legal battle with the supreme court to actually allow ai-human marriages to be legally recognized, with an ichibot.
I say this for several reasons, but mostly bc i can see yall doing that.
Osomatsu would be the cheapest to buy secondhand bc he keeps accidentally gaining real sentience and uses it immediately to gamble, commit crimes, fuck around and over all do osomatsu related bullshit. But he can drive! Thats his special feature!
I have ideas ofc for the other ones but lol ive been thinking "and osomatsu can drive too please stop returning him you cab use him as a taxi driver and make money off of him you just have to be okay with the fact he might hit on your customers or crash your car, or steal your money to gamble pleeaaaseee we're trying to fix this in Series 4!"
#open_mouth.exe#see the issue is that oso should be a big brother unit and theyre robbing him of hos true purpose#suematsu would ofc be social units. they would be purely companions with jyushi specifically being therapeutic#he'd be frequently seen in hospitals as a form of durable medical equipment or youd find him in schools as a coach or chaperone#there would be a few professional leagues made of jyushi custom configurations in the same way you see robot fighting#and theyd be use for multiple sports including mma and wrestling. and baseball ofc and stuff. jyushi is a companion tho but his uses are#medical and sport. hes a team member.#todo for the most part multipurpose but he does best as a companion. he's typically be used for lonely people who want to chat. lgbts. and#customer facing jobs. he'd be use anywhere from client relations. call centers. some restaurant chains would have one as a gen manager#he's priced out for the most part from the average population bc he has the most complex scripts so finding one secondhand would be rare#bc like jes highly sought after. many people WANT to buy him as a life partner after interacting w him in a csr context#but see his literal 22.5k price tag new and go thats the price of a new car..#osomatsu on the otherhand theyre tryong to give away at the door. current gen 3 brand new osos are less than 3k. they desperately want to#keep him in circulation bc hes a literal scientific marvel like they finally made the first artificial deadbeat loser#he tends to get bought by ppl who want a boyfriend or a friend but typically ends up as a bad influence so ppl return him#i got stuff about kara and choro but i haven't thought about it too deeply. i feel like both of them would be used for unintended purposes#Karamatsu for instance feels like he would be designed for people with social anxiety or for creative fields#but i feel like people would end up having an entire mod scene specifically for sexing him up in various ways like ppl woild become#programmrrs to fuck him. Kara can also drive but its not important bc oso comes with an internal gps and he doesnt#choro feels like he'd be designed as an elderly caretaker and companion but would end up somewhere else. i think#people would use his predisposition for entertainment and idols as like a utau and would have him either produce or sing music#like choro units would end up in so many bands
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stephofromcabin12 · 13 days ago
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I think possibly the funniest thing about that one really negative pjo show subreddit I found while still in my defending the show arc is that they seemingly had no idea how animation works over there.
As someone who does know quite a bit about animation, they seem to regard it as a sort of...Magic band-aid? Like the animation itself will fix any and all problems when really, it would not do any of the things they want (except maybe allow for more book accurate designs. But if that's where the shoe is pinching, maybe read the graphic novels?)
Like cost effective? No. Animation is pretty famously expensive unless you refuse to pay your workers fairly. And uuuh. I'd rather they didn't do that, thanks. Also Disney has actively downsized their animation department in recent years, I hardly think they'd be into the idea regardless of what it'd cost them.
Simplifying complex concepts? Absolutely not (Drawing ≠ Simple, thank you) ((someone mentioned Arcane as an example of animation done "right", as proof that PJO could be animated. Nothing about Arcane was simple🥀))
Take into account characters ageing? (Would still mean recasting unless you want a grown man to play Percy and so on. Unless they mean the gods, which is actually where live-action gets fun because for once we don't have to fear recasting, because it's already explained in the text that gods can do whatever they want, so if they change it's just part of canon)
Creative freedom? Oh, now you want creative freedom????? Pick a lane, people.
No required age, actors, settings? Do you think casting and background design, props, character design etc. for animation just appears out of thin air? It's the same. It's the same. It's just animated. You still need all those things. You know that, right? It's important to me that you know that.
Let's be so fucking for real. If the show was, in fact, animated, the same complaints would exist but in slightly to the left of the complaints that exist now.
"That style isn't PJO it should've been like (fill in the very personal, biased, and subjective preference)"
"Why did they animate the magic/gods/casino/water etc etc etc like that?"
"Annabeth does not look like that what were they thinking?"
You know what I mean?
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tamsiblings · 25 days ago
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so I've always wondered this in the back of my mind but your reblog recently brought it back to the forefront
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this line especially, but also the vibe you get throughout the entire show that Simon is habitually caring for and protecting river since that what he's always done. And I've been wondering: protecting her from what? The show never shows us what Simon Protecting River looked like before he broke her out of the fucked up lab. I have a pretty good idea that it may have been a form of emotional neglect from their parents. They don't notice River's distress in her letters and basically disown Simon when he goes off to save her so maybe they were the type to never listen to their children or believe them when they expressed their needs. Or care more about how their children's behavior made their family appear socially and less about how their children were actually doing. I also wonder if River didn't have a bit of the Gifted Child syndrome going on and their parents treated her more as a prodigy than a daughter. And Simon had to stand up for her and try to get their parents to see her as a girl first and a genius second.
It would have been really cool to see this actually in the show as a flashback or something, but I bet you've thought about it loads and want to hear your take.
warning: this got reallly tangenty and long as i am wont to do oops <3 putting most of it under a cut
warnings for discussion of emotional neglect and a variety of other factors i think could reasonably be labelled as emotional and psychological abuse. emotional neglect on its own is to my understanding a form of emotional abuse, but i think there are other layers here as well.
anyway heyyyy bestie talking about the tams (including the parents tbh, the little we get of this family structure is fascinating to me) (we do actually get more on simon and river's background than anyone else! bc it's so connected to the current story anyway) is my favorite thing as you may have guessed so thank you for sending this.
and YES i have thought about this a lot <3
simon said he "always has" taken care of river and while i think on a literal level this is likely a Slight exaggeration (even if their parents weren't around physically for that whole aspect of taking care of, i think their material needs were always met and they likely had the means for a nanny or some other kind of support) but on an emotional level, i think this is very true.
i think you are 100 percent spot on with the emotional neglect and other unhealthy dynamics. here's some of what we know on that front:
the tam parents could be affectionate and even indulgent when it was easy and suited their own ends. ie. getting the source box for simon and assuring him he's worth it, calling them "you two geniuses" etc. this could be a very sweet moment and in some ways it is, because i truly believe the tams both believe in the worth and specialness of their children...
but their affection is clearly quite conditional. deeply. and, i think, more than anyone involved quite realizes. it's followed up by "that's the deal - dedicated sourcebox - brilliant doctor'. no matter how lightlyheartedly and affectionately it's said, it's clear it's seriously meant - and baby!simon clearly takes it to heart. (note: i've always interpreted this as simon already expressing interested in medicine and his father basically going "fine, but whatever you're doing, you have to be the best at it". i'm sure attorney or corporate ceo also would have sufficed for their image-focused needs, as long as he was successfuly and prestigious enough.)
i should also note that the the dynamic between regan and her children is far more implied because the focus in safe is mostly on gabriel.
a quote from an interview with sean maher: “It was great to learn where Simon came from. We see that his parents are incredibly ostentatious. There were so many expectations and Simon and River felt so much pressure, trying to be what their parents wanted them to be. And we got an idea of what happened to River. The parents sent her away to a school they thought would further her learning. Maybe they were naive in a sense, to think of only bettering her mind and not listening to her as a girl–as their daughter.” (emphasis mine)
notable here (and i love sean maher for noting this because, understandably because river isn't present in the flashbacks in the episode proper, it's not as clear what river's dynamic with their parents is, but certainly inferences can be made) is that both simon and river feel expectations and pressure from their parents, not just simon.
which leads to me wondering about river going to the academy. i think multiple things can be true here at once. i think, as simon says in the pilot, she did genuinely want to go. she was curious and brilliant and bright and not challenged enough in the current education system she found herself in or by her peers. she wanted something rigorous. i think a lot of that probably DID come from her. but i also do wonder if there was a level of their parents always expecting her to challenge herself in this way because, as you mention and i think implied in the quote above, they valued her brilliance and prodigy above her personhood. i also think it's possible (though i'm less sure on this) that river wanting to go to a school where she lives away from her parents and can both live up to their expectations but where she can distance herself from them could indicate something about how she feels. but might be reading too much into things.
there are also elements of controlling behavior that goes hand in hand with both the conditional love and the valuing their children for their intelligence/ability over simply valuing them as their childhood. in the shooting script, the offer simon gets goes through gabriel, and it's not presented as one opportunity or path simon can take. it's The Plan, and there's no room for deviation even when the most dire of circumstances calls for it. (and like, this would never happen because simon does genuinely value medicine and being a doctor, but in an interesting excercise: how would the conversation look if simon decided he didn't want to be a doctor o some other prestigious high paying XYZ? or even that he wanted to pursue a different opportunity he found on his own and is maybe not quite as prestigious in medicine? i don't get the sense it would have gone over that well.) we don't really get a sense of this with river because again, she's less present in the episode - but i think reasonable assumptions can be made.
^ it's a funny story that simon tells kaylee in object in space, about paying the feds off so they wouldn't tell his father about his drunken (and relatively harmless) escapade with his peers after making surgeon, and tbf, a lot of people probably wouldn't want their parents to know that. but in context with the rest of this, it feels very telling that simon did not want his father (or presumably his mother) knowing he acted at all in a way that could be considered undignified or that he got in any degree of trouble (it doesn't even sound like he was arrested, the police just showed up and he didn't want his parents to find out.)
in many ways, it seems clear both simon and river start off as golden children in their parents eyes - they care about them and value their gifts, but more like you would care about a trophy than a child. they care about what river and simon reflect on them. and notably, when river is no longer just the brilliant prodigy-child but vulnerable, in need of protection, and a symbol of inconvenient truth they don't want to face (a number of them, really - the misplaced trust in their government/society/system, the fragility of status and the false sense of security, their own culpability and failures to protect their children) - instead of helping her when she needs them the most, they ignore and abandon her. and when simon can't do the same, he - as the "truthteller" in many family dynamics of this structure often do - becomes some degree of a scapegoat. he faces the truth they are unable or unwilling to see. they turn a blind eye but simon can't, it's not who he is and he loves river too much. and suddenly, when he's not doing and saying and being exactly what they say he should because he's focused on helping river, he's treated like he's causing problems for no reason - like he's the problem. like he's making a big deal over nothing when he tries to show them the letters, when his father says "are you trying to destroy this family?" as though their daughter being kept and tortured against her will and their own refusal to acknowledge it isn't what's actually doing the family-destroying. and while i think simon getting scapegoated/othered/treated as a problem is a rather new development, and don't imagine they were getting constantly berated - in the scene at the end of safe, YMMV, but gabriel seems a little too comfortable quite ufairly berating simon for things that are quite obviously not his fault or for at all disappointing him. i don't think it was always happening - but i don't think this comes out of nowhere.
on the causing problems for no reason (or a reason they dismiss) component; this feels particularly insidious because they should know their son well enough to know simon doesn't do that. he doesn't do things for no reason, he has a highly overly developed sense of responsibility (which comes back into his dynamic with river ofc.) so like... either they do know that and are purposefully ignoring and even twisting it, or they don't know their son nearly as well as they should.
the scapegoating component lends itself to the extremely uncomfortable gaslighting component in safe. in fairness: i think this aspect of the Tams Very Poor Parenting Choices is likely much more situational and less indicative of past behaviors. regardless, it's pretty rough to watch simon point out things that are quite obviously strange (they don't KNOW anyone called d'arbanville) and have his parents treat him like he's paranoid and insane.
this also comes with a certain level of guilt tripping and beratement. i will say it forever: if i had a child and they were arrested, the FIRST thing i do is ask them if they're okay, figure the rest out later. "
and again: some aspects of all this are situational as we get into the river-at-the-academy component, but i think there's a lot that can be read into the tam family dynamic as a whole based on all this.
so on some level - a lot of THAT is why simon says he's always taken care of/protected river - i don't think he necessarily could have entirely saw or named or what their parents were doing for what it was (which i would argue, as you said, was some degree of emotional neglect and emotional abuse, though some of this is implied or inferred - i would argue based on evidence, but just something to keep in mind). but i do think he developed a sense of responsibility over her and a caretaking role as result.
because it's very notable to me that - for instance - in the river tam sessions, river specifically asks for simon. she doesn't say "i want to see my parents" or even "i want to see my family" but "i want to see my brother." and yes, you could argue that this is because that's who the audience who most care about/be familiar with - but with the rest of the context, it feels extremely significant. in the serenity film, she says something similar to what simon says in that shooting script flashback - "you take care of me, simon. you've always taken care of me. my turn" after simon gets shot and right before she goes in to get his bag and fight the reavers. and like, you could argue that she means ever since the academy - but "always" feels much more weighted than that to me.
it's also interesting to me that river doesn't seem to have as much difficulty reconciling with the fact that their parents abandoned them (and a whole host of other stuff, as established, but that's what the show most focuses on.) now, in fairness, river has a LOT going on - psychic and emotional overwhelm, lots of trauma and intrusive memories - both hers and others, etc - so it makes sense that maybe that just wouldn't be on her register regardless. but i also think... well 1) being so in tuned into what others think and feel, even if she might not have been quite able to name it, i do think she's understood longer than simon (maybe since before the academy; i am still curious if that's paret of why she left) how their parents really saw them. so she's had more time to accept and move on from it. 2) there's this other level where river DID have someone protecting her - simon - even if it took a long time to realize what he was protecting her from. while i think it probably looked less intense than it does in the show proper where she is so deeply traumatized, there is no doubt in my mind that if she was ever upset or anything ever went wrong, it was simon she turned to for comfort or help, not her parents. which tbc: <333 i love them. and this is not her fault at all. but simon Did Not Have That. i think he protected her without quite knowing that's what he was doing for a long time... and didn't realize he needed protection too and wasn't getting it.
which makes it difficult to reconcile and move on from, which is why in the moment in safe when river (seemingly talking about gabriel but likely talking about mal) insists "daddy" will come for them - simon totally shuts down. because he knows that's not going to happen, and it hurts a little too much to deal with, but he's still fairly RECENTLY coming to terms with How Their Parents Are - and the fact that he did not have emotional support. so now he doesn't know how to let himself even ADMIT that he also needs care.
final note (god sorry this is sooo long) i will also say that, while i (as a #tam siblings lover) am often very sad/angry/frustrated about simon and river's dynamic with their parents, and that i certainly will never excuse emotional abuse or this kind of parental behavior, that i try and hope to approach the tam parents in any analysis or ficwriting i might do from a very human angle. the range of human complexity is fascinating to me, and i don't think it does the themes of the show justice to act like the tam parents are outright monsters, totally good or totally bad (note: this is so not in the slightest me saying that i think you are doing this. more just thinking out loud about fandom discussions i have seen surrounding this topic.)
this gets at larger discourse both in fandom and in general i think there is a tendency in our society to want either completely villainize or idolize people (and this maybe becomes especially true in complicated relationships like this). when we talk about abuse to any degree and of any kind, people often want to dehumanize and villainize the abuser in such a way that separates themselves from that possibility - "abusers are evil and inhuman and i'm nothing like that so there's no way i could ever cause that kind of harm etc." but in actuality, there is no inherent internal quality that makes someone an abuser - it is a pattern of harmful behavior that people can choose to do and choose not to do. and i don't want to suggest that people who do this are abusive themselves, that's not what i mean - only that i think the mindset comes from a culture that insists on some very black and white thinking. i think it's a very natural human impulse to want to separate ourselves that way, but also maybe gets us away from seeing the bigger picture. and to be clear: i don't mean to suggest that anyone owes an abuser anything, or that simon and river, for example, should have to forgive their parents. that's not true here or in real life. i only mean to say that people are more complicated than being fully good or fully bad, and firefly reflecting this is one of my favorite things about it.
and again, this is complicated with the tam parents because i'm making a lot of (what i feel are supported, but even so) inferences and assumptions here. so whether you want to identify them as emotionally abusive/neglectful etc is a whole can of worms. but regardless, it's clear their behavior and parenting harmed their children. BUT here are where some major caveats come in:
similarly to the way people often do in other contexts, i have seen people want to outright completely villainize the tams and while i understand this impulse, i think it comes from the same place that a lot of well-meant but misguided discussions do. there are those that think they either must have never cared about river in any capacity at all or actively agreed to sell her out to the alliance (a theory i not only don't like or subscribe to but actually feel misses the point of what's going on with the tams and is less interesting even besides). but i think that sets up the tams to look cartoonishly evil in a way that the narrative doesn't support or intend. do i think the tams are good parents? well, no! i think it was easy to look like good parents when things were easy, but even then, there were cracks. (though i don't think everything was always bad - even in abusive situations, that is usually not the case - there are reasons why people love their parents and stay and have a hard time seeing the bad - because things aren't always like that.) i have also seen people insist or write like it's a given that the tams must have also been physically abusive, and while i don't want and would never tell anyone what they can and can't write, by my own reading, i find that unlikely. i think some of that is often coming from a place of people working through their own stuff, which again - never gonna tell anyone not to do that, you do you - but i also think at times it speaks to a societal tendency to assume that the harm isn't bad enough if it isn't physical - but i think we get a good sense of how deeply simon and river are affected even outside of the confirmation of any physical harm from their parents. (note: i do think the tams being willfully ignorant and leaving their daugher to be tortured and experimented on while on some level know that's what happening is a form of physical abuse or neglected, it's just situational and not in the traditional sense.)
but what i think is so important present, and much more interesting in this story, is that the tams are not evil, so to speak, or at least aren't mustache-twirling villains. they're not even entirely bad-intentioned; i believe they do genuinely want good things for their children, even if they have very specific ideas of what it should look like and how it will benefit them. but they have wholeheartedly, implicitly, without any room at all for questioning bought into the system values of the core and the alliance: prestige, status, and privilege treated as worth, family as a hollow projection of prestige, disruption as the ultimate trespass. to me, the story with regard to the tam parents isn't about them not caring or valuing simon and river at all - it's about valuing those things above them, and how their care is warped and shaped by those harmful systematic values.
now, this is rarer, but i have also seen people want to (maybe in response to above?), if not idolize, then absolve the tams of the role they played in river's abuse at the hands of the academy, but that doesn't ring true to me either. i want to be fair where it's due and say yes, there was danger involved (which simon put himself through) in helping river, but the fact is the narrative focuses much more on the tams focusing on what it could cost them on a social level - their status and "good name", prestige, etc. and at the end of the day, when you have children, you have responsibility to them - and the tam parents failed both of their children on that front.
one thing i also thing is so interesting to note is that simon and river are so loyal and value connection so deeply when it's clear that is not what was most instilled in them on a systematic level or taught to them by their parents. in fact, i think you could argue that while some of it was intrinsic to who they are (here's the old nature vs. nurture debate which i think you could argue simon and river are the two biggest representers of on the show), i also think it's a repsonse to this bond they formed specifically BECAUSE of their parents.
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kacetheplace · 5 months ago
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If you haven't played When Twilight Strikes....... when will you play When Twilight Strikes.
dialogue in the comic taken from this scene:
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vulpine-gentleman · 2 months ago
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hello flondon blog i have been working almost all day. let me out.
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