#not trying to light a discourse fire

[bradford-buckley]

If I follow you, I truly love you, but…you’re blissfully delusional if you think Buck is older than Eddie. Every television show in history has continuity errors, usually with props (if I hear about the Headstone or ID Bracelet one more time…)—even How I Met Your Mother, one of the most diligently-true-to-timelines series I’ve ever seen. It is absolutely canon that Eddie is the older one, from episode 2x1 thanks to our man, Chimney.

If it makes you happy to write and headcannon Buck as older, power to you—I don’t understand it but I don’t need to. I recognize it’s not that serious. But it’s also not true, so I’d advise not setting yourself up for disappointment

[mochie85]

House of Cards

These Wicked Games Collections | Complete Masterlist

Summary: You and Loki finally confront each other about your feelings and what went wrong. Suggested Song: "Fantasy" by The Driver Era Word Count: 2.9K Pairing: Loki x Female Reader Warnings: Smut. Dominating/Controlling Loki, Angry sex, rough sex.

Loki’s room was dark and humid. Thick waves of moisture rolled to you from his en suite, bringing with it the scent of his soap and aftershave. He must have taken a shower moments before movie night, you mused to yourself.

As the latch on his door clicked closed, the fireplace roared to life startling you. The heat from the fire only made his scent grow deep and heady. Warm yellow light canvased the room. You followed the flicker of the flames as your eyes took in Loki’s private chambers.

There you were…alone in his room. His sanctuary. A rare opportunity to sneak around and find out more about the intimidating god of mischief. Nothing had changed since that fateful night when you challenged him to Blackjack. That following morning, you were too hurt and busy trying to get out of the mortifying situation you walked yourself into to appreciate anything else.

His desk sat in the middle of the room, facing his bed. A house of cards was meticulously crafted on top— an elaborate pyramid of angles and shapes. Some cards, magically teetering on their corners. You had forgotten your deck that night, in a hurry to leave and lick your wounds from Loki’s casual opinion of your relationship with each other.

You reached out to take one— a discarded card lying on the bottom layer. You focused on the filigree and the cherub on the back cover, greeting you back.

“I thought I told you to wait for me on my bed?” His deep voice froze your movements, squeezing the air from your lungs. You turned quickly to find Loki, already closing the final steps to you.

“Loki, I-” He didn’t let you finish as he seized your lips and invaded your senses once again. His fingers laced themselves in your hair. His other hand pulled your shirt off from behind, popping your buttons, and exposing your breasts that were already spilling over your bra from his groping earlier.

You wrapped your arms around his neck, hoping to melt with him. You needed him closer. You needed his every being to get reacquainted with you. God, it's been so long.

His kiss was never-ending. He didn’t let you catch your breath, stealing your mouth every time you moved to inhale. His lips were so ravenous and demanding that it almost hurt. “…Loki…” you whined.

At long last, his fingers pulled your hair and brought your face up to meet his eyes. “You never do as you’re told, do you, darling? You never listen. Always worried about letting people inside.” His fist in your hair got tighter. His breath was hot and sweet; trying to hold back an emotion you had yet to work out. “Is that why you perfected your poker face? To hide the lies underneath?”

“What lies?!” you asked insulted and slightly afraid. “You lied to me! You used me just to play some game! Toying with me! Just entertainment for the night!” You tried to push him back, but his body was hard and unyielding. You pounded on his chest, trying to get away. But he trapped you in his arms and he wouldn’t let you go.

“You don’t listen! I have already told you, and yet you still pay no heed to my words! Do you even know how the last two weeks have been for me?” he said with a cold glare. “Torture! The moment you walked out of my bed, I started doubting myself. I started doubting you! I never thought you of all people would play me for a game like you do with your cards and tricks.”

He was furious! You had no idea how this would go, where Loki was going with his discourse. You knew Loki would never hurt you intentionally, but the look in his eyes was undoubtedly anger and pain. Not knowing terrified you and it also sent a thrill down your spine.

You had hurt him. You can see that now. He was affected as much as you were that night. You could see it in the unshed glimmer in his eyes. “You do care about me,” you realized.

“And what made you think I didn’t?” he demanded. His hold on you tightened. To be in his arms and to know that he was holding back so much of his godly strength. It hurt to almost breathe in his presence. But that was nothing compared to the guilt you felt inside. It hurt to know that you had assumed the worst of him and failed to communicate what you wanted. That you had missed out on two glorious weeks of being with him.

“You said you liked playing games. The way everything unfolded…I- I didn’t know what to think. I had no idea you even looked at me that way! And in mere hours I was splayed like a toy for you in your bed, Loki! What was I supposed to think?! How was I to know that I wasn’t just another conquest for you? That your confession was true?” you yelled back at him.

“Does this feel untrue to you!” he bucked his hips to yours, pushing you against his desk. You let out a carnal moan as you felt the length of him rub against your awaiting clit- throbbing to feel more of him, to be closer to him. The pyramid shook slightly behind you but remained standing. “Perhaps, you need a little reminder…” he growled as he kissed your lips boldly.

Blurring colors started to form and solidify in your head. Memories took shape as if they were tangible moving pictures.

~Loki growled. His fervor and desire ruling all rational thought. “I love that you’re intelligent,” he said as he flattened out his tongue and lapped the juices flowing from your cunt. “…Loki…” “I love how clever you are.” He said giving your sensitive clit a soft kiss. “I love how you’re willing to play my games.” He laughed as he kissed his way up your stomach. He knelt up on the bed, towering over your lustful figure beneath him. His eyes were wild taking in your heavy breathing, your glowing skin, and how utterly besotted you were when you looked at him. Your eyes were hooded and pleading, missing his tongue. Your mouth was open, ready to beg him to continue. “And by the Norns, you look absolutely sinful laying on my bed the way you are now.” He lined his hard cock at your entrance and slammed his way inside your tight folds.~

You felt him thrust towards your aching cunt, as if he was reliving the memory himself. The heavy force of his illusion pushed you back into reality. The house of cards gave way and fell behind you in one fell swoosh.

“You love me,” you whispered to yourself. Tears brimmed your lids as you looked at the truth in his eyes. The realization was heavy and thick; along with the guilt of invalidating his feelings.

Loki closed his eyes as he leaned in to rest his head on yours. He took a deep breath, relieved you had finally understood what he was trying to convey. Your fingers brushed through his silken hair, pulling him closer. Your lips apologized for you as you assailed his beautiful face with kisses. Softly, one after another. His fervid cheeks. His troubled eyes. His sharp chin. He felt each kiss as a prayer of penance asking for his forgiveness.

Your velvet lips turned into passionate kisses the more you held him. Loki returned your fervor with as much desire, if not more. How long has he waited for this? Dreamt of this? Wondering if he’d ever get the chance to kiss you again like this.

He had already granted you his pardon- earlier tonight when you had confessed that you imagined kissing him instead of Rogers. Perhaps even earlier than that, when you sat down on his lap and acknowledged his presence, finally, after weeks of disaffection. You had his forgiveness, but not his mercy.

“Loki, I need you. Please,” you begged. You started to unbutton his shirt, your fingernails nicking and scratching at his creamy skin in haste. “Make love to me,” you whined, wanting to compensate for lost time.

He licked his lips and savored your words. “Oh no, pet,” he chuckled darkly. “Only good girls get made love to...” Loki pushed your shoulders down, laying you on his desk. Your eyes widened in shock as your hair flowed around you, weaving with the cards of the fallen castle. He pulled your legs forward, bringing your hips flushed with his hard cock. “…Bad girls get fucked!”

You took a sharp intake of air as his words rattled your nerves. You heard the zip of his pants as his hands held you down on his desk. He nudged the wet gusset of your panties aside and guided the tip of his cock at your entrance. You moaned shamelessly when you felt him inside you for the first time in weeks.

He let out a shaky breath as he dragged himself up and down through your wet lips. Slowly teasing you, making you squirm with need. “…please…” you said so quietly you thought it was in your head. “…please, Loki…”

He gave into your cries. Into your begging; and thrust quickly inside you. You let out a vulgar moan at the sheer length of him filling you completely. Your knees squeezed around his hips as you tried to slow his assault. Your nails dug into the soft wood of his desk trying to hold on. “Stop resisting, my love. I thought this was what you wanted?” he grunted.

 Your hands gripped his wrist that was holding down your shoulder. He gathered your skirt around your waist and used it as leverage to thrust deeper into you. “Just a little bit deeper…fuck…When I’m…when I’m done with you…I’ll make sure…you can’t walk in the morning…” he vowed. “So, you won’t leave my bed like you did that day.” His rage was palpable and cloying.

“…Loki…” you whined. But that only made him go harder. Faster.

You held the edge of the desk above you, trying to meet his passionate thrust with your own. Strands of your hair fell off to the sides. Your back arched, and you could feel the cards stick to the sweat of your skin.

“You like this, don’t you? Look how wet you are for me.” He watched as your sweet cum coated his shaft, making him groan. You could feel it dripping from you with each hard thrust of his cock. “Do you like it rough?”

“…fuck, Loki…please…”

“You’re enjoying this too much.” His hand moved from your shoulder up to your throat. He grabbed your chin in between his thumb and forefinger, “Next time, I’ll just fuck you in front of the team. So, they can see what a begging mess you become for me.”

And he was right. You are a mess. And you are enjoying this too much. You had always prided yourself in being a tough and independent person. But when it comes to Loki, you didn’t hesitate to be cuffed and barred. You didn’t fight it when he chased you. You wanted him to catch you. You wanted his dominance.

Loki bent to hover over you, pinning your hips down to his hard desk. “You are not to leave me. Ever. Do you understand?” his breath came out labored and grunting. “You can storm out angry. You can yell, scream, and fight. Hell, I prefer it. But you are never to leave without returning and talking about it afterward. Is that clear?” He thrust deep to mark his point. You moaned loudly into the stifling air. Your fingernails digging into his shoulders.

“Say it!” he thrust again, demanding an answer.

“yesyesyes…please Loki…I’m a-about to…” you squeezed tighter around him. You wrapped your arms around his neck and kissed him.

“Come on then. Give it to me.” He demanded in your ear. You wrapped your ankles around his waist, keeping him locked to you. Loki stood back up, taking your wrist ad holding them down against his desk. You were trapped in between his corded arms. All you could see was the beautiful face of a god unraveling above you. His slanted brows and his gritted teeth, his deep voice grunting at the feel of your warmth around him.

You could feel the tight pull of his shaft against your walls when he dragged himself out and plunged back in. “Fuck baby, that’s it. Tighter. Come on.”

Your legs shook and you screamed his name one last time. Your orgasm pulses inside you, making every single part of you sensitive and euphoric. Loki followed soon after. His hips jutted forward with each grunt and spill of his climax inside you.

Loki bent over you again. He caged your head between his arms and kissed you softly on your swollen lips. Your hands roamed his back, feeling his powerful muscles contort and contract as he moaned above you. Your nails would scratch on his smooth skin whenever his cock twitched inside you. “Loki.”

Without breaking your kiss, he scooped you up from his desk and walked over to his bed. “…such a good girl for me, darling…” he whispered on your skin. “…taking me all in like that. Good fucking girl...” Your throat was hoarse and stung too much to answer anything above a sigh. His plush blankets welcomed you as he laid you down on top. “…and do you know what good girls get?”

You bit your lip to stop from giggling. Loki lined himself up with your entrance once again and pushed slowly. Your giggles turned into moans as he continued his rhythmic thrust against your heat.

“Look at me, darling,” he asked so sweetly. Your furrowed eyes caught his. “I love you,” he murmured. “I should’ve said it from the very beginning.” He continued at a tantric pace, keeping his stare at yours. You tightened around him and you got a more genuine feel for him. Every vein, every inch, pulling your moans from your lips and leaving you with nothing but the sensation of his love and adoration for you.

He looked deep into your eyes, and you could tell that he was close again. “I love you too,” you whispered. Loki let go. At the same time, your body releases itself into a climax. One of the strongest, and most powerful, ones you’ve ever felt.

His body sunk on top of yours. He was finally letting go of the weight and worry that he held these past weeks. And you welcomed it by holding him tighter against you.

You woke up the next morning, tender and stinging. The tiniest movement of your hips shot an aching soreness throughout your body. And you smiled. Your mind reeled at the memories of last night. After your shared confessions, Loki took you again in the shower, then on the floor, and then in the shower again. He fucked you in every conceivable space in his room. And then he would make love to every inch of your body afterward.

“Can you walk?” his voice was low and gravelly. The dredges of sleep have yet to release him from their grasp.

“Well, good morning to you too.” You playfully pushed him aside, pretending to be insulted. He laughed as he wrapped his arms around you and pulled you in for a morning kiss.

“Good morning, my love…” he said with adoration. “…Can you walk?” he repeated. You rolled your eyes at him, smiling. You knew the answer before you even attempted to sit up and try to get off his bed.

Your hips felt out of place. Your thighs burned and screamed at being used again so soon after last night. And your feet could barely hold you up threatening to slip. “No, I can’t. Are you happy?”

Loki scooped you up making you yelp and grab hold of his shoulders. “Tremendously, so.” He said kissing you heatedly on your lips.

Nat sat in the conference room, reading Tony’s mission briefing from the night before. The rest of the team returned early last night and decided to join in on the movie. No one had noticed that you and Laufeyson were missing until Thor asked where his brother was. “They were both very tired. I think they might’ve gone to bed early,” Nat smirked.

And now, here she was watching the two of you come out of the bedroom hallways. A sudden giggle escapes from your lips. She looked over the paper and witnessed Laufeyson carrying you into the kitchen bridal style. “Put me down! I can walk now you know,” you whispered into his ear.

“Oh, darling. We both know I’m too good for that to wear off so quickly.”

“You pompous ass!”

“Yes, one that has your scratch marks all over it!” He gave you a quick peck on the lips, followed by his signature devious smirk. Loki pulled out one of the chairs and sat down with you on top of his lap.

Oh, this oughta be good! Nat neglected the rest of her work on the table and made her way over to the two of you. Loki had conjured a muffin and some coffee for you. While you sat on his lap feeding him grapes like he was Dionysus himself.

“You know, when I dared you to sit on his lap, I meant for the length of the movie,” Nat said coming up from behind you and sitting across the table. “Not indefinitely.”

“Your lovely friend here has been incapacitated, Agent Romanoff.” Loki smiled, nuzzling his nose against the smell of his shampoo in your hair. “I’m afraid she’ll need assistance from here on out. For the foreseeable future.”

“Stop it!” you chided him.

“Make me,” he teased.

⬅️ Truth or Dare | Hide and Seek (Coming Soon) ➡️

A/N: I guess I wasn't ready to let go of these two yet. This series wasn't supposed to have any major angst or plot. It was just supposed to be a collection of these two characters playing random "adult" games. So, I will try to get back to that thought and update whenever I think of something for them to do 😉.

🏷️ @emarich7 @michelleleewise @coldnique @psychospore @lokisgoodgirl @silverfire475 @fictive-sl0th @springdandelixn @wheredafandomat @goldencherriess @peaches1958 @salempoe @thomase1 @kkdvkyya @a-witch-with-words @mischief2sarawr @sarawr-reads @vbecker10 @peachymallow @irishhappiness @cakesandtom @simplyholl @here4thefanfics @tallseaweed @immersed-in-mischief @joyful-enchantress @lokisninerealms @kikster606 @glitterylokislut @loz-3 @slytherclaw1227 @chantsdemarins @the-lady-amphitrite @eleniblue @km-ffluv @lokidokieokie @n3rdybirdee @melsunshine-blog @gigglingtiggerv2 @lokischambermaid @cjand10 @asgards-princess-of-mischief @chrisevansmaindish @capswife @dangertoozmanykids101

[aventurineswife]

"Paris, The City Of Light" - Anaxagorus x Astrologist! Reader

(Honestly speaking, this song is very unrestrained and enigmatic in a way then reaches a calmer more serene moment. Think it's very fitting of him during a grand speeche or something n' the reader comes in frame. Or perhaps an event of some kind they go to alongside each other.)

“Vanity in the Time of Love”

Summary: Amidst the grand halls of a celestial symposium beneath, Anaxagoras—the heretical scholar known as the Demised—delivers a blistering speech on truth and defiance, watched by the one person who has ever made him falter: you, a fierce and emotionally scarred astrologist once known only for your wrath and loyalty. Through quiet glances and a shared history carved in loss and memory, the two of you navigate the blurred boundary between philosophy and affection, intimacy and isolation, as the stars watch in silence. The city around you pulses like music—unrestrained, enigmatic, fleeting—and for a moment, so do you both.

Tags: Anaxa x Reader, Astrologist!Reader, Star-Crossed Lovers, Emotional Vulnerability, Slow-Burn Tension, Grand Speech Moment, Philosophical Themes, Vanitas Imagery, Fluff/Angst Blend, Hurt/Comfort, Implied Mutual Pining, Soul Metaphysics, Tragic Undertones, Complicated Intimacy, Celestial/Astronomical Symbolism.

Warnings: Mentions of past enslavement and trauma (?), Hints of emotional manipulation, Oblique references to death and loss, Introspective melancholy, Academic/religious heresy, Existential themes (mortality, divinity, vanitas), Subtle romantic tension with emotionally complex dynamics.

Tagslist: @sewoui

The auditorium swelled with murmurs, a sea of scholars, dissenters, zealots, and gods-in-hiding filling the Grove’s shattered heart—now a sanctum of forbidden discourse. Moonlight leaked through fractured glass, casting broken constellations upon polished stone, and at the center of it all stood Anaxagoras. Not a man anymore, not entirely. A ghost of genius, draped in defiance and golden embroidery.

You leaned against a pillar at the rear, arms crossed, stars glinting within your eyes—not the reflection of chandeliers, but something innate, celestial. The child you protected—small, curious, and seated beside you—gripped the hem of your clothing, their breath caught between awe and fear.

Then his voice rang out—sharp as frost, warm as flame:

"They call me 'The Foolish,' and perhaps I am. For I do not tremble before the gods, nor do I kneel. The truth needs no altar, only fire."

The music of his words—resonant, unshackled—carried across the marble veins of the hall. Each phrase was a rebellion. Each pause, a provocation. The crowd responded like shifting tides, some cheering, some jeering, others too spellbound to move.

He saw you.

Of course he did. He always saw you.

A flicker—his pale aqua eye met yours, briefly veiled by the golden-patterned patch. The magenta shimmer behind his iris flared, a silent recognition. And suddenly, that unrestrained symphony shifted, grew quieter, gentler.

He spoke not just to them now, but to you.

"I have dissected souls and transcribed screams into scripture. I've danced with death, and I have not wept. But I have feared only one thing in this life—that the stars might forget their names. That the cosmos, vast and ancient, might abandon its promise to those who still gaze up from the dirt."

Your heart tightened.

He was talking about you. About the night you first met, when you mistook him for a charlatan trying to mock your astrological charts. You had nearly slit his throat when he laughed, not cruelly, but in wonder.

“Ah. A fighter who reads the heavens. A contradiction. A poem.”

He had seen through you then too, peeling past rage and pride, down to the trembling hands of someone terrified to hope.

Later, you walked the garden ruins together. The child slept beside a sculpture of an eyeless deity. The air was cool, kissed by the scent of crushed Antila petals.

"You shouldn't have said those things," you muttered.

"What things?"

"About the gods. About the scholars. About me."

"But they were true," he said, brushing his fingers against a wilted flower. "And I’ve spent too many years with liars."

You sat beside him, the stars above softening in their brilliance. The silence that passed was not awkward—it was rare. Sacred.

"Do you still see souls?" you asked.

"Only when I want to," he replied.

He turned to you, gaze no longer blazing but soft, mournful. "Yours… was the first that didn’t try to escape when I touched it."

You laughed. "That’s because I didn't know how."

He reached out, gloved fingers brushing your cheek. A gesture too intimate for someone so cerebral. But there he was, trembling again—like the boy with the mechanical bird.

"You should’ve run from me," he whispered. "But instead, you… stayed. Even after I failed. Even after I became a vanitas."

You leaned into his touch.

"Because I saw the truth too, Anaxa. Not the kind in equations or soulflames, but the one that makes you human."

He closed his eyes, and for a moment, the music of the world stilled—no lectures, no experiments, no divine verdicts. Just the lingering heat of your presence. Just the quiet acceptance of a man who had scorched the heavens and found, somehow, love in the ashes.

You rested your head on his shoulder.

The stars above blinked slowly, like ancient eyes closing in reverence.

And below, in the ruin where gods once dwelled, a former slave and a fallen scholar held each other, both pretending for just a little while that truth did not hurt.

"If I die tomorrow," he said softly, "burn my body into ink. Let someone write something kinder with it than the world ever did."

You smiled faintly. "Then you'd better live. I've already written your name in my stars."

And like that, the music swelled once more—an enigmatic sonata turning serene, twining through the ghosts of memory, threading into fate.

Together, you watched the stars.

And for once, they watched back.

[Navigation]

[simpforsolas]

As I continue to progress through the games on my replay leading up to Dragon Age: The Veilguard's release, the more I'm reflecting upon the heart of the series. As an RPG, the purpose has always been to create a dynamic game that responds to our choices, and part of that is to create a believable world that's real enough that there are multiple ways you can play the game. No ultimate "right" answer or "wrong" answer. Even if there are perspectives you disagree with, you can understand why characters may hold different opinions from you if you think about why they think the way they do.

With all these thoughts spinning around in my mind, I began my DAI replay and got a dialogue with Solas that I think gets right to the heart of the entire series:

Inquisitor: I've heard the stories [about Ostagar]. It'd be interesting to hear what it was really like. Solas: That's just it. In the fade I see reflections created by the spirits who react to the emotions of the warriors. One moment, I see heroic wardens lighting the fire and a power-mad villain sneering as he lets King Cailan fall. The next, I see and army overwhelmed and a veteran commander refusing to let more soldiers die in a lost cause. Inquisitor: And you can't tell which is real. Solas: It is the fade. They are all real.

This is it, people! This is what Dragon Age is all about! This is why we have characters who some people love and some people hate, why no one is perfect. This is why there's so much discourse about the game. Dragon Age is all about different people reacting to an imperfect world and understanding why they act the way they do. Especially in recent times, writers often fall into a trap of not wanting their characters to be problematic in any way that it can take the life out of them and leave them feeling stale. But Dragon Age does not do that. It fully commits to its characters, for better or for worse, allowing their pasts and perspectives to shape their imperfect world views and inform their behaviors. Ironically, Solas's exact words here about Loghain can be applied to him, and it's exactly why some people hate him while others love. Like Loghain, some see him as an egotistical murderer while others see him is a tragic figure whose empathy and idealism drive him to monstrous acts.

What's the truth? What is real? Ultimately, it doesn't matter. All that matters are the emotions and interactions people (players included) have with the world and characters. That's why the choices in games like Dragon Age matter so much. There shouldn't be a right answer or a wrong answer; all that matters is what feels right to the player. Because in Solas's words, all our different perspectives on things that happened? They're all real. And this is where so much discourse comes from. People try to take away the nuanced view of these characters and the world and insist that their perspective is the objective truth. Someone who loves Anders could be in danger of brushing past his many flaws while someone who hates him might be incapable of understanding the complexities that drove him to become the person he ended up. But in the end, all our different reactions to these characters are valid and real, both the positive and the negative. These characters are complex and three-dimensional, and to fully appreciate them it's imperative that we recognize that.

The Dragon Age world and its characters are so meticulously crafted that at its practically its own living thing at this point. As players interact with it, we all end up having our own experiences that influence our opinions of everything, from the characters, to what decisions are the best, to opinions on in-game power dynamics and politics.

[disast3rtransp0rt]

There has been a lot of discourse surrounding rednote, but overall it's been a very humanity affirming experience for me. Am I getting super involved in the video/posting/following part of the app? No. Not in the slightest. I am not that kind of social media user.

But my inbox is an entirely different story.

I've been trading Lunar New Year recipes and discussing the pros and cons of Linkin Park with a slightly younger college woman, Jia Xuan. I'm especially hype to try her crispy sweet and sour pork recipe. We've discussed philosophy, the pros/cons of our different countries' religious practices, and compared our education styles. She's disappointed in the United States' gun violence but hugely curious about our ability to just say whatever we want online. And our work-life balance (not too different from theirs overall, but she was surprised at the different appearance of 'self motivation' between our cultures; as was I).

This is the kind of learning/socialization experience I was hoping for.

But yeah, I can also see how we both have some serious perspective shifts to make in the long run based on our preconceived understanding of each other’s culture. Are things as strict in China as the United States' education system leads us to believe? No. Are we so awfully dissimilar that we can't find common ground to critique our ways of life? No.

Are we both being overworked for our evil capitalistic overlords? Yeah, for sure.

And that's what a handful of billionaire assholes are terrified of, so keep at it. Keep making friends and discussing games, cosplay, food, and culture. Trade ideas and take notes about the ways we can support each other.

Because, to quote the ancient texts: "We didn't start the fire It was always burning, since the world's been turning We didn't start the fire No, we didn't light it, but we tried to fight it."

[ao3-quente]

MERIADOC AND THE HORN OF EORL

JRRT has a tendency to give the most amazing payoff to the tiniest of things. I'd talk about Ëarendil and the light from the Silmarils that helped Frodo and Sam get past the watchers at Cirith Ungol, but many have written about this particular discourse.

Instead, I give you: Merry and horns.

1

Here's JRRT's set up:

Merry is feeling alone and useless in the middle of great events. He learns that Minas Tirith is surrounded by foes. Pippin is in Minas Tirith! Merry thinks to himself:

Merry wished he was a tall Rider like Éomer and could blow a horn or something and go galloping to his rescue.

2

Reinforcing the idea of horns blowing, and people coming to the rescue:

At that sound the bent shape of the king sprang suddenly erect. Tall and proud he seemed again; and rising in his stirrups he cried in a loud voice, more clear than any there had ever heard a mortal man achieve before:

Arise, arise, Riders of Théoden! Fell deeds awake: fire and slaughter! spear shall be shaken, shield be splintered, a sword-day, a red day, ere the sun rises! Ride now, ride now! Ride to Gondor!

With that he seized a great horn from Guthláf his banner-bearer, and he blew such a blast upon it that it burst asunder. And straightway all the horns in the host were lifted up in music, and the blowing of the horns of Rohan in that hour was like a storm upon the plain and a thunder in the mountains.

Later

But Pippin rose to his feet, as if a great weight had been lifted from him; and he stood listening to the horns, and it seemed to him that they would break his heart with joy. And never in after years could he hear a horn blown in the distance without tears starting in his eyes.

3

Merry mourns the fallen and thinks back to the battle where he won renown but lost Theoden his friend:

[T]he horn of Helm was loud in the mountains, until the Darkness came and King Théoden arose and rode through the Shadow to the fire, and died in splendour, even as the Sun, returning beyond hope, gleamed upon Mindolluin in the morning.

Out of doubt, out of dark, to the day's rising he rode singing in the sun, sword unsheathing. Hope he rekindled, and in hope ended; over death, over dread, over doom lifted out of loss, out of life, unto long glory.

But Merry stood at the foot of the green mound, and he wept, and when the song was ended he arose and cried:

‘Théoden King, Théoden King! Farewell! As a father you were to me, for a little while. Farewell!’

4

Éomer and Éowyn give Merry the horn of Eorl the Young, who importantly helped save Gondor the first time around.

'My sister begs you to receive this small thing, as a memorial of Dernhelm and of the horns of the Mark at the coming of the morning.’

Then Éowyn gave to Merry an ancient horn, small but cunningly wrought all of fair silver with a baldric of green; and wrights had engraven upon it swift horsemen riding in a line that wound about it from the tip to the mouth; and there were set runes of great virtue.

‘This is an heirloom of our house,’ said Éowyn. ‘It was made by the Dwarves, and came from the hoard of Scatha the Worm. Eorl the Young brought it from the North. He that blows it at need shall set fear in the hearts of his enemies and joy in the hearts of his friends, and they shall hear him and come to him.’

Then Merry took the horn, for it could not be refused, and he kissed Éowyn's hand; and they embraced him, and so they parted for that time.

5

MERRY BECOMES THE GREAT WARRIOR BLOWING A HORN AND RIDING TO THE RESCUE OF THE ENTIRE SHIRE.

‘Raise the Shire!’ said Merry. ‘Now! Wake all our people! They hate all this, you can see: all of them except perhaps one or two rascals, and a few fools that want to be important, but don't at all understand what is really going on. But Shire-folk have been so comfortable so long they don't know what to do. They just want a match, though, and they'll go up in fire. The Chief's Men must know that. They'll try to stamp on us and put us out quick. We've only got a very short time.

They rode back to the middle of the village. There Sam turned aside and galloped off down the lane that led south to Cotton's. He had not gone far when he heard a sudden clear horn-call go up ringing into the sky. Far over hill and field it echoed; and so compelling was that call that Sam himself almost turned and dashed back. His pony reared and neighed.

‘On, lad! On!’ he cried. ‘We'll be going back soon.’

Then he heard Merry change the note, and up went the Horn-cry of Buckland, shaking the air.

Awake! Awake! Fear, Fire, Foes! Awake! Fire, Foes! Awake!

~

Merry blew a horn-call after them as they rode off into the gathering night. The people cheered.

~

Merry blew a loud horn-call, and there were answering calls from a distance.

‘They won't get far,’ said Pippin. ‘All that country is alive with our hunters now.’

~

Ted gaped, for at that moment he first caught sight of the escort that at a sign from Merry now marched over the bridge. Dashing back into the mill he ran out with a horn and blew it loudly.

‘Save your breath!’ laughed Merry. ‘I've a better.’ Then lifting up his silver horn he winded it, and its clear call rang over the Hill; and out of the holes and sheds and shabby houses of Hobbiton the hobbits answered, and came pouring out, and with cheers and loud cries they followed the company up the road to Bag End.

6

And that is why I fucking love Lord of the Rings.

[boymanmaletheshequel]

Symbolism of Hermes

🪽🩴🪽🩴🪽🩴🪽🩴🪽🩴🪽🩴🪽🩴🪽🩴

The god of messangery, communication, travel, the patron of thieves and companion of Apollon, messenger of Zeus, Apollo is one of the youngest of the olympians, a tricky, cunning, but charming and friendly god who is friendly to man and god alike. Let’s go over some of his sacred symbolism:

🌈 colors:

• Blue and White: the colors of the sky, communication, and messengery, are blue and white, as a result, these colors are the ones most often associated with Hermes. The shade doesn’t matter too much, but light blue is generally preferred to darker blues.

🌸 plants and flowers:

• Crocus: now this one is kind of confusing because the god associated with it differs on the author, but it’s said that either Apollo or Hermes accidentally killed their companion crocus in a game of discus, and that when they mourned them, their tears sprouted crocuses from the ground around their body.

🦌 Animals:

• Tortoise/turtle: it is said that one of the very first shenanigans Hermes got up to after his birth and escape of his cradle, was to steal and fashion a lyre out of tortoiseshell! (RIP to the tortoise but ain’t that just the way). This was the first lyre, and the first of many inventions the god would be credited with!

• Hawk: (I’m trying VERY hard not to make an ironic hawk-tuah joke but I’m afraid he would abandon me if I did, rightfully so) hawks are one of the sacred animals associated with hermes, and it is said that when he would deliver messages from the gods, he would do so in the form of a hawk!

• Ram: another sacred animal to Hermes was the ram, as he was said to ride on the back of a ram to deliver messages to and from the gods on Olympus!

💎 crystals and gemstones:

• Blue Topaz: blue topaz is often seen as a stone that helps one to overcome social anxiety and to speak and converse agaisnt their anxieties, especially in public, or during important discourse. Making it a great stone to represent Hermes.

• Celestite: the stone of messengery, Hermes’s main forte, Celestite is also a stone of spiritual and practical communication, it is also widely available and more affordable than topaz for those who may want to devote or wear a crystal for Hermes!

• Blue lace agate: a beautiful blue member of the agate group, and a stone known for its wavy and transcendent veins, it is a stone of clerical communication, fortune, and good messages both spiritual and physical! One of my favorites to dedicate to Hermes.

🪐 Planets:

• The Romans were known to have identified Hermes with Mercury, a planet of fire and mahatma closest to the sun, which makes since as Apollo, the god of the sun, in Greek mythology was one of Hermes closest Allies. He was also associated with Charon, and helped reaped souls for the underworld, Mercury is a notoriously hellish planet. It also makes the most orbits around the sun than any other planet in a year, harking to Hermes association to travel.

🌟 Astrology:

• Gemini

Probably the most obvious correspondence here, Hermes is a very social, talkative, active god who thrives on his relationships to the gods and the people he acts as a vessel for, all qualities shared with Gemini.

🪽Other iconography:

• Lyre

The lyre was the very first invention of Hermes, and it was he who first introduced it to Apollo, having crafted it out of the guts of the livestock of apollos he’d slaughtered. Apollo was so stricken with joy and appreciation for his music and his invention, that he forgave Hermes for his trespasses, and would go on to teach him his own divine knowledge.

• Traveling hat

Hermes iconic traveling hat that he would wear as he heralded his messages to the gods and mortals alike is another common asset associated with his iconography.

• Sandals

His infamous winged sandals are perhaps the most unique and renowned symbols of Hermes, having granted him the ability to fly in order to deliver his heralds and messages to and from Olympus.

Like my posts? Please consider giving me a follow to learn more about the gods of Helen, and learn about other interesting topics as well! May your day be blessed 🏛️💙

🪽🩴🪽🩴🪽🩴🪽🩴🪽🩴🪽🩴🪽🩴🪽🩴

[muninnhuginn]

gonna have a go at a tbhx liveblog. tbh, idk if I'll keep this up or if it'll fade away, but let's have a go.

context in terms of my current knowledge of the series going in:

superheroes? something about public perception dictating how they're seen and some kind of 'trust' rating

one character takes on the role of another

yaoi in episode two(?)

crimes against women discourse

3d/2d animation - given how the other to be hero series operate I'm going to guess this is dependent on world but idk fully

I've seen 'to be hero' and 'to be heroine' so that'll also be informing some stuff here. oh! also, I'll be watching in chinese, though not sure in this case whether the japanese release gets edited down as it did for the previous series in this collection

will be using the tag '#mun watches that hero show' so as not to spam the main tag

Episode 1 thoughts below cut

unsubtle visuals my beloved. anyway, starting themes of the show are "everyone can be a hero" vs "the only path is to accept reality and work hard".

oooh okay nice episode title card. again, on the nose, but it's not like it *needs* to be subtle. also "41 years after commission", iseeisee.

"one day you'll be replaced by someone else" - okay, so. given one of the only spoilers I do know for this series, that's. well.

two seconds later. fingerguns out. wasn't expecting it *quite* that quickly, but comedic timing on point

"who you are is of no importance" - same thing as he was saying himself earlier, but context makes it come off pretty differently

"nice has been doing poorly ever since 'that incident'" taking notes taking notes. that'll definitely come back later

ah, belief system is largely how I'd thought it'd be? belief makes reality, essentially. "as long as we package you flawlessly" and they're having an ad guy do this. fitting.

this question is more fitting to be posed to an obsessive fan than a romantic partner ngl. oh nice, glasses blonde agrees with me

oof rip he actually knows the answer right down to the runtime. that's... kinda embarrassing. obsessive fan it is.

oh. right. okay, I forgot he'd been involved in making a load (all?) of these ads. he gets a pass but he's on thin ice

"she's always been my goddess". I'm taking so much damage here.

oooh the comboing 2d with 3d for the liquid and smokey effects. reminds me of arcane.

trust vs fear. another theme, methinks

so, the villains will represent a fear - in this case, being fired? makes sense. it's presented as though it's a general fear, but I expect that each fear will be relevant to lin ling in some way or another and become increasingly close to his personal fears as the show goes on....?

2d replay of 3d scene. backdrop is somewhat different now though. or rather, the lighting emphasises the poster with the shattered face and saturates out nice almost completely

not the falling imagery. I wasn't gonna make any of this about link click and I know link click doesn't have the monopoly on falling off buildings but. creator footprint.

"I hope that someday I'll be able to protect those worth protecting" noting down as more arc relevant words even if I suspect the first time around will Not go well

moon pulling lin ling out of his fear, not through any actions of her own, but through the marketable version of her he remembers

pshh the flickering between selves as he punches. jjk op vibes.

first re-emphasis of "anyone can be a hero"

interesting how he carries through the final attack still in 2d

visual contradiction. neat.

discussing nice choosing to throw himself off a building as they're heading up to the very top of another building. topical.

yeaaah. wasn't sure exactly how it'd happen but the crimes against women discourse had me thinking she'd die. I'm... not sure if it sticks or if she "comes back" then dies again? I was kinda trying to avoid spoilers but also vaguely curious. I guess I'll find out

Some misc thoughts overall:

Visually, this show seems really strong thus far. Imagery, how it combines the different art styles, how it switches between them for emphasis. Really works

Tonally... kinda all over the place. A lot of this is presented comedically with dark undertones so it's hard to know how seriously you're *meant* to be taking things

The ending (opening) sequence is incredibly focused on a guy we've not met yet, but with visual similarities to Nice. I've managed to avoid most of the promo stuff so I don't actually have a clue who this guy is, though the chess pieces make me think potential "chessmaster" archetype?

oh right. The part about the belief system that struck me the most was the way that Lin Ling's eye colour physically changed. Currently, we're getting all the mirror visuals and seeing Lin Ling's thoughts with him as "himself". I'm curious as to how far his "becoming" Nice will go and whether he'll be able to "return". There's also been a lack so far of information whatsoever about his life prior to this. Whether he has (had?) friends or family. He didn't seem to be calling anyone when he was at the top of the tower but that doesn't mean he *doesn't* have anyone.

Lin Ling's profession as an advertising guy in the context of the trust system. He tended to be on the back end of the marketing work rather than the forefront before this, sure, but it seems super relevant to me that his job was all about public perception. Also, the sheer number of advertising posters/video ads in the backdrop at all times was overwhelming but intentional. Weirdly, am being reminded of Go Go Loser Ranger with some of it

[comicaurora]

These have been pent up for a while, so there's a whole list lol. Some are Aurora, some are not.

1) Can lacrimas carry out multiple purposes at once? Or will they blend them? I'm assuming that this is possible, considering that the automaton in the ruins was using a lacrima as a brain

2) Has anyone tried to make tools or weapons out of lacrimas? I'm talking like chisel that needs no hammer. Or maybe a Fire lacrima on a bow that sets your arrows on fire

3) Can you engrave runes on lacrimas to make them affect themselves?

4) Where can I read more about the Twins? If I'm not wrong they're the creator gods, aided by the Light dragon and the Void dragon to create life, but I might be getting a wrong read on that

5) Since we see Erin successfully become the first Void mage, does that now mean there's potential for him to make a Void lacrima? The dragon probably won't allow it, but still

6) What exactly does elemental corruption of each element do? Fire literally burns you up, as we saw in Arc 1. I can infer that Life likely makes you a chimera. Void corruption makes you a cave crawler. But what do the other one do? Does Earth make you a statue? Does Wind disintegrate you, Thanos style?

7) Now onto the non-Aurora questions, is your art vector or raster? I believe it's vector, but it's always better to confirm

8) What are your opinions on reading into the environment and the character design to infer things about the character themselves? In any type of media

9) Have you played Baldur's Gate 3?

10) Do you have any music that you'd recommend? I've listened to every song I liked so many times that I hate them now.

11) I'm new to Tumblr, anything that I should know? You don't have to answer this one if you don't wanna. I think I know some of the basics already. Reblog what you like, and avoid the terfs, right?

You might be able to tell that I like the idea of the lacrimas a little bit. Just a teensy bit. The artificer in me definitely isn't obsessed. I appreciate any answers you can give :3

Cheers!

Ooh, lots of stuff!

Yes, it's possible. A lacrima can be engraved with multiple spells, set in a casing engraved with commands, or some combination of the two. Typically, all spells engraved directly on a lacrima will activate at once when the lacrima is "switched on", but a spell can be quite complex, and conditional activations are possible - "if-then-else" statements, basically.

Yes, magic items exist.

Generally no. If the lacrima is disrupted or broken, the spell generally stops functioning, so a self-affecting lacrima will run only as long as it takes for the lacrima to distort or break.

There's an extra lore page about them!

He probably could if he wanted to (and the Dragon allowed it) but Void energy is very dangerous, so he likely doesn't want to.

Each form of elemental corruption agitates the presence of the element in the mage's body. Earth corruption can damage or alter bones, encourage unhealthy petrification of soft tissues, etc. Wind corruption can have physical effects but it often most obviously produces breakdowns in the person's ability to speak or understand language. Lightning damages, numbs or intensifies a person's physical senses.

Raster, I draw with CSP's digital pens. I've only very briefly experimented with vector art - I don't like how it simplifies the lines.

I think it's a fun school of analysis but, like all literary analysis, it runs into trouble if it tries to lock down exactly what the writer was thinking or intending (which is an objective fact that one can be incorrect about) rather than trying to analyze the story on its own and what meaning might, intentionally or unintentionally, be factoring into it.

Nope

don't trust my taste in music it's 90% nu metal and sonic OSTs

Like what you like, reblog what you want, generally it's considered dubious form to add a comment to a reblog unless you have something profound to contribute (commenting in the tags is fine), steer clear of discourse and callout posts and generally the sectors of the site that are constantly on fire, blocking someone for any reason is 100% fine

[punksocks]

Black Moon Lilith: And Your Untamable Femininity

*based on my experiences, please take this with a grain of salt

Lilith herself is from Judeo mythology, she was Adam’s first wife but she saw herself as his equal and that didn’t work out too well so Lilith got banished and Eve replaced her. Because this comes from a traditionally patriarchal perspective, Lilith was too much of a seductress and an unfit woman so she literally was cast out and became a demon. (Side note: it’s so interesting that the stories all demonize Lilith but Eve had too much receiving feminine energy herself and received the devil’s instructions and ate from the forbidden tree. It’s a very damned if you��re too feminine and damned if you’re not feminine enough sort of myth)

Lilith aspecting your planets and your houses will often charge the native with almost Plutonian energy. Like imo Pluto and Neptune combined, because you’re charged with this dark feminine energy that’s the opposite of light/traditional feminine energy and on top of that people tend to project on to you based off of this energy. You bring a lot of people’s biases to light.

So Lilith charges the native with energy they need to “tame” in order to be considered proper feminine women. Lilith’s interpretations have expanded the more autonomy women have gained.

Nowadays being being a naturally sultry woman is less shameful right? Well no. Never mind how progressive they may act, many people will expose their real behavior to that sort of energy. It really weeds out those who are actually well intentioned from those who aren’t. Even if you say that you want progress for all types of women you may not have done the internal work to become the person that truly acts that way. Do you actually respect women that carry that sexual/untraditional energy or are you only advocating for a traditional/untouchable feminine person?

With friends, family, possible love interests, peers, and even strangers this question is act every time someone with heavy Lilith energy interacts with them. Because of how these relationships tend to go in a patriarchal society that encourages one kind of good femininity, Lilith natives often find themselves being “tamed” (i.e. shamed) for having this energy.

A lot of Lilith natives get ashamed growing up “not acting like proper women”. Because of that Lilith natives tend to try to force a version of themselves that fits this feminine mold. It often doesn’t work and just gives people the impression that you’re hiding something from them. Like you’re acting as a wolf in sheeps clothing when you’re just trying to exist the way they told you you have to and you cannot fully mute your energy to do so.

Most interpretations of BM Lilith are of women/femmes/people reclaiming the power and alternative femininity they tried to stamp down for ages and embracing the often revealing effects that Lilith has for the shadow sides of other people. I think it’s no coincidence that interpreting Lilith as a more complex figure comes with waves of feminism and discourse around what femininity means exactly.

The real trick is balancing Lilith’s energy- being proud of the advantages and strength that can be found in her energy without being consumed by dark aspects of how her energy may manifest.

Lilith in Aries/1st House: You’re fire and passionate incarnate. You stand out as a leader in any room you’re in with your confident aura. You were probably shamed for being head strong and impulsive. But your braveness and how you embrace yourself at your core is admirable. You need to tame your me first behavior, and to be careful not to bully and bulldoze others while still standing in your strength.

Lilith in Taurus/2nd House: You’re so sensual and tactile. You live for the pleasures of food and luxury, whatever your idea of luxury may be. You may have been shamed for being “lazy” but you can be very grounded and sensual. You have to tame your inner hedonist and make sure you don’t get too lost in worldly pleasures and that you don’t use others to achieve these ends. (Don’t swing to other extreme and deny yourself any pleasure either, you deserve to have a good life, just not to be consumed by having one.)

Lilith in Gemini/3rd House: You’re a charmer with wit to spare. You think about everything and analyze all of your thoughts on what is good and what is bad. You were probably shamed for how you spoke and what you spoke about in your youth. You have to tame your desire to be the smartest one in the room and the impulse to reject all learning. We all have to learn from some source that knew better before us, otherwise knowledge would be empty and cyclic. You’re not lesser if you do not know everything.

Lilith in Cancer/4th House: You have an in depth relationship with your femininity. You may have grown up in an chaotic environment with family scandals and secrets and intense emotional dysfunction. You need to tame your desire for total emotional control over people in your life. Through your fear of feeling lonely you may have poor boundaries with others by way of doing too much and intern expecting too much emotional devotion/sacrifice. If you don’t manipulate others to be emotionally tied to you, you’ll open yourself up to genuine emotional connections and healing.

Lilith in Leo/5th House: You’re so fun and seductive. You’re a star that turns heads and knows how to have a good time. You were probably shamed for enjoying attention and affection you received in your youth and you could’ve been shamed for having crushes and such before you even began dating. You have to tame your desire to be the center of attention at all times and to escape away from the problems of life into frivolous affairs. (This another case of balance, which I’m finding a lot with fixed Lilith placements. Don’t run away from attention and close yourself off from affection either. It’s okay to receive attention and to enjoy it, the same with dating and healing and finding emotionally fulfilling relationships)

Lilith in Virgo/6th House: You’re a hard worker and a very efficient one at that. You rarely get enough credit for how many problems you solve and how many people you’ve saved with your smarts. You may have been shamed for being too uptight in your youth when no one was giving you any support to actually be able to relax. You have to tame your inner overworker. It’s okay to take a break, it’s okay to make a mistake, you work very hard but you’re human at the end of the day. It’s okay to take care of yourself. (And to be honest about your s*xual desires) Also watch out, your co-workers may not be trustworthy.

Lilith in Libra/7th House: You’re a beauty and a radiant individual, and you probably have a lot of admirers. You may have suffered a lot of injustice/unfair experiences at certain stages of your life. You need to tame your desire for balancing everything. I’ll explain lol, you probably attract a lot of people that have extreme personalities and you pour a lot of energy into them in order to help balance them out. You may also become anxious or vindictive if you’re rejected romantically. It’s okay to understand where the line can be drawn and to understand that harmony cannot be brought to every person/situation, especially not through the efforts of one person alone. And that’s okay.

Lilith in Scorpio/8th House: You ooze s*x appeal and you probably have a mesmerizing presence. You have a very powerful energy. You were probably shamed for your interest in s*x/sensuality throughout your life. You need to tame your desire to escape from your emotions/trauma into your s*xuality. You also need to tame your tendencies to become obsessed with the taboo. (This needs to be balanced of course. You shouldn’t deny your s*xuality or your interest in the taboo. It takes a special type of person to explore these sorts of ideas. Just make sure it doesn’t consume your inner world.)

Lilith in Sagittarius/9th House: You’re a firecracker with a sense of adventure and a need for freedom on your own terms. You were probably shamed for being outspoken and questioning the institutions around you throughout your life (heavy emphasis on higher education and/or your family’s religion). You need to tame your need for freedom to a degree. If you have interest in traveling to certain places but a fear of becoming too attached to that place you should still go and have that experience. If you have an interest in a certain religion but you’re afraid of being trapped in that setting you should still learn about that religion. Institutions are old and carry their own hierarchies but they shouldn’t scare you away from exploration. (Be careful not to become obsessive either)

Lilith in Capricorn/10th House: You’re a powerful person. You have a certain air about you that gives off dominant/authoritative energy. People in power tend to listen to you. But you were often shamed for having such a domineering presence, whether you were exerting power over others or they were just intimidated by the weight you held. You need to tame this desire for status and power and any urges to become cutthroat in order to social climb. I believe this is why this position can be prone to having a scandalous reputation. It’s important not to lose yourself to gain power because you’ll lose respect. (Saturn lessons bby)

Lilith in Aquarius/11th House: You’re the definition of a free spirit, you’re really a one of kind person in how you express yourself and your tastes. You could’ve been outcasted socially from a young age, and you may have dealt with bullies/groups turning against you. You need to tame your urge to disconnect from the humane. (Again it’s a lesson of balance, embracing what makes you unique and gives you your ability to think outside of the box, but also not going out of your way to socially detach from all people to the point of embracing truly bizzaro behaviors just to feel that freedom.)

Lilith in Pisces/12th House: You are a person with a deeply ethereal sense about you. You tend to ride the line between the hidden and the mundane in all things you experience. It’s the hardest placement to pinpoint where you were shamed exactly, it probably has to deal with your receptive energy and your sensitivity to other energies outside of yourself, and due to your conscious or subconscious experiences you carry effects of this negativity. You must tame you natural inclination to drift, to detach and separate yourself in an effort to escape. You must balance your understanding and acceptance of the spiritual and the internal with your experiences in the world in order to not be lost to the tumultuousness of this placement. (also stay empathetic but prioritize taking care of your mental health)

[dr-spectre]

The discourse surrounding Sonic movie 3 is some of the most infuriating shit i've had to deal within the Sonic community for a long ass time. It is just... oh my god man.

The amount of anger that can be generated within the community over two egg fellas dancing is kinda nuts.

Now listen, as a man who loves Sonic and especially Adventure 2, I'm gonna be for real, i do not like this all that much. I just don't like the idea of the man who in his first appearance was him in chains ranting about how he is going to destroy the Earth and then later getting executed via firing squad, dancing around with his grand son and being incredibly goofy for the sake of it.

"But it's a kids movie!!" So? That excuse is bullshit and you fucking know it dude, you know what else is made for kids? Watership Down, guess what that movie has.

A blood soaked rabbit. Yeah. A kid's movie has that.

You know what else is a kid's movie? Pinocchio, guess what that movie has? Silly light hearted moments and CHILDREN TURNING INTO DONKEYS AND BEING SOLD INTO SLAVERY!!!!!!!!! But the movie is still a classic and fine for children to watch, cause it teaches them important fucking lessons and themes.

I saw someone say that The Hunchback of Notre Dame, one of the darkest Disney movies ever made, a movie beloved by all, a movie with a baby almost being drowned, a mother being murdered near a church, a farm being burnt down, disturbing sexual themes, has the gargoyles and it's still a good movie. Yes, they have the gargoyles, BUT NO ONE LIKES THEM!!!!!!!!!!!! I'VE NEVER MET ANYONE WHO LIKES THEM! THEY ARE JUST THERE TO ENTERTAIN CHILDREN AND THAT'S IT!!!! THE MOVIE STILL HAS TONAL ISSUES!!!

I'm not asking for blood and guts in a Sonic movie, I'm not asking for Shadow to bust a cap in donut lord's ass. I'm asking for a story with more weight behind it. When you are tackling Shadow's backstory, Maria and Gerald fucking Robotnik, you gotta take that shit more seriously. You just have to dude. And if you make shit silly, make it actually... idk... FUNNY?!?!? FUNNY FOR EVERYONE?? NOT JUST 5 YEAR OLDS?!!?!

Serious movies are allowed to have comedic moments to ease the tension, but they must be handled well and fit the overall story and theme that the story is trying to go for. If they are gonna show Shadow's serious backstory and then follow it up with Eggman and his 110 year old grand father dancing, or vice versa, it's not gonna work. It just won't work in my opinion.

"But there might be a twist and Gerald actually goes full on crazy like in Adventure 2!" WE DON'T KNOW THAT YET!!! WE LITERALLY DO NOT KNOW ANYTHING!!!! If it is true that Gerald DOES eventually go crazy and that goofy act is a facade to manipulate Eggman, then guess what, I WOULD LIKE THAT!!! I WOULD BE FINE WITH THAT!! IT WOULD MAKE REPEAT WATCHES MORE INTERESTING!! BUT WE DON'T KNOW ANYTHING YET!!!!!!!!!!!!!!!!!!!! YOU CANNOT BE SO SURE!!!

"But it's Jim Carrey!! He's gonna act goofy!!"

Yes Jim Carrey is known for his comedic roles and him as Eggman is pretty good, but you know what else Jim is known for?

Like I'm just saying guys... he can do more emotional roles, he isn't just the "silly man" you guys think he is. Boiling him down to just one thing and that he can do ONLY one type of acting is so insulting and disrespectful to his acting skills.

Jordan Peele, a comedic actor, went on to direct horror movies like Get Out, Us and Nope, and those movies have some of the most craziest and most intense horror movie scenes I've ever seen in my life.

The same man who did this.

Directed this.

Stop boiling down creative people into just one role. It's so annoying.

"But the movie can balance seriousness and stillness!" THE MOVIE ISNT OUT YET! WE DON'T KNOW THAT YET!!!!!!!!!! THE TONE BALANCE COULD BE GOD AWFUL OR IT COULD BE ACTUALLY GOOD! Like how the most emotional and powerful scene of Spider-Man 2 leads into one of the funniest scenes of the movie, but it WORKS SO WELL!!! BECAUSE IT TIES INTO THE THEMES OF THE MOVIE ABOUT WANTING TO LIVE YOUR OWN LIFE VS GREAT POWER AND GREAT RESPONSIBILITY!!!!!!!!! SACRIFICING YOUR DREAMS IN ORDER TO DO THE RIGHT THING!!!

"But Sonic Adventure 2 and Unleashed are goofy and serious!!"

My brother in Christ... Adventure 2 is not fucking goofy. It doesn't throw out referential humor, it doesn't target children only. Sonic doesn't reference google maps and we don't see Eggman dancing IN HIS DAMN BASE IN THE PYRAMID! The goofiest shit Eggman did was scratch his ass for five frames. And then an hour later Eggman pulled a FUCKING GUN ON AMY ROSE AND WAS READY TO KILL HER! WHICH LEAD TO ONE OF THE COOLEST SCENES IN THIS DAMN FRANCHISE!! EGGMAN THOUGHT HE WON IN ADVENTURE 2!!!

The goofy shit from Adventure 2 is down to the delivery of the English voice cast and the translated script, i promise you, you WILL notice a difference between the original Japanese voice cast and the English cast.

Sonic Unleashed is not goofy, it is has funny moments but they are very few and far between. They do not destroy the tone of the story because Sonic Unleashed is not trying to be overly dark or overly lighthearted, it's somewhere in the middle but it leans more into the lighthearted side of going on an adventure and exploring new countries with Chip. That is the focus of the story, Sonic and Chip. The Dark Gaia stuff is just a motivator for the player to explore new areas.

The comedy of Unleashed is between Eggman and that early Orbot SA-55, the humor is SA-55 poking holes at Eggman's plan and ego and it's written really well. It doesn't feel like dumb jokes made for just kids.

The crazy Dark Gaia serious shit is saved AT THE FINALE AND OPENING OF THE GAME!!! But it works because the rest of the story isn't OVERLY jokey and super lighthearted. There's barely ANY jokes to speak of in Unleashed, aside from Eggman getting hit in the face with a rock, Eggman smacking SA-55, and telling him to "SHUT UPPPPPPP!!!" At the end of the game.

"But movie Sonic is different from game Sonic!!" Yes, i know that, movie Sonic is a different character from the game Sonic we know, yes the tone is more targeted towards children, yes Sonic in the previous two movies made referential humor and Eggman was dancing. But even back then, even as a younger person, i still found it fucking cringey when Sonic and Eggman flossed. I found it lame as hell that a Sonic movie would include a fart joke. If teen me found it unfunny then I don't know if modern day kids are gonna find Sonic doing dated dancing funny.

Hell the dancing scene in Sonic movie 1 was better executed because of Agent Stone popping up at the end and that sudden cut to him, followed up by Eggman's scream.

This shit is just funny to me idk why.

When you have trailers that includes serious looking shots and making the audience believe that they are gonna get something different from the previous two movies, but in the tv spots and music videos, we see shit like this.... It's just... I don't know man.

Sonic movie 1 and 2 sort of got away with being more jokey and childish because those movies don't tackle serious subject matter. Sonic movie 1 is just a basic kids CGI live action hybrid movie, Sonic movie 2 tries to go further into the Sonic lore from the games but it isn't explored TOO MUCH! Knuckles' backstory is used to connect with Sonic's and compare and contrast the two, you know, two sides of the same coin sort of deal.

But Sonic movie 3 is tackling stuff from Sonic Adventure 2, a story with government cover up, memory manipulation (call it brainwashing and I'm gonna stab you /j), attempted genocide of the Earth, a prototype ultimate lifeform that's in constant pain and fueled by the anger of Gerald, a child getting shot, an old man getting killed via firing squad, and yet... The tone is gonna be the exact same as Sonic movie 1 and 2? Why?

And Sonic is still the same old movie Sonic from movie 1 and 2. It feels like there is no growth to him. "But Sonic has a flat character arc!!" IN THE FUCKING GAMES! NOT IN THE MOVIES!!!!! Sonic went through an arc, he WANTED something more personal in movie 1 and 2, a family, he wanted to not feel lonely after the death of Longclaw, yet despite going through a character arc, he doesn't feel more mature.

Why is he saying shit like "Konichiwhaaaaaaa?" It's not funny, it just isn't I'm sorry. Fucking hell.

This is definitely a negative take from me compared to how overly positive everyone is. People are defending this with all of their heart and dismissing people who say "hey i don't like this."

I think that the Sonic community has a toxic positivity problem, i know that it brings back bad times when people criticize Sonic, i know, trust me i get it.

But people make criticisms to see improvements, we wanna see content from Sonic that can better target all Sonic fans from all ages, not just children. Sonic never targeted just kids, it has something for everyone. I love Sonic, i love the blue rat, i really do. But Movie 3 has me very conflicted.

I'm still really excited for the movie, but i don't wanna be blinded by the hype, i don't want to say that this movie is gonna be the best thing ever, because i don't think it will be. I'm just hoping for an 8/10 movie. Something fucking GREAT!!!!

If you personally don't mind the direction of the movie then guess what, THAT'S FINE!!! IT'S OKAY!!! Just don't fucking come down my neck about me not liking it, saying that I'm wrong or stupid for having a vastly different take than yours.

Sonic is in the best position he has been in so long, he feels mainstream and beloved again. We are free from the mid 2010s and how dry it was. I'm happy where the series is at!!

Even if movie 3 doesn't deliver what i wish to see, at least Shadow Generations and Dark Beginnings gave me what i was looking for. An emotional tale that felt true to the characters i grew up loving and pretending to be as a little kid. (I pretended to run around as Sonic and Shadow as a kid, no that's not a joke.)

Also, Run It is a mid as hell song. It sounds like an ai trying to replicate the songs from 2015 to 2016. It sounds incredibly dated and has NOTHING to do with Sonic aside from "RUN it." The other movie songs had barely anything to do with Sonic, but Run It is on a whole other level LMAO!

If this is the credits song after Shadow dies or something, I'm gonna be pissed off. Just make it a song for the beginning of the movie, PLEASE!

[liquid-bonhomme]

Okay, I need context— WHAT did Mikaila trace??

I think she's traced a few things. I kinda thought this was common knowledge she does this, lol.

But the example I saw was a frame of clay face from the Harly Quinn show?

I thought Essence of Thought drew this one, but maybe it was Mikaila? I don't know.

Tracing discourse is more of an art hobbiest thing. Not really something people who do it for a living worry about. The issue with tracing is that if you do it instead of learning anatomy, rendering, the design fundamentals, etc-- you're just never going to improve.

But like, if you're working as an illustrator, animator, graphic designer, concept artist, etc. You need to know these things.

Photobashing is a very useful skill when you're a professional artist. It's basically like, high skill tracing, where you're rendering directly over/incorpating reference directly into your image. Here's an example, this concept art for Resident Evil Village is photobashed, and that's pretty industry standard:

You can see the photographed elements have been integrated directly into the painted elements.

There are deadlines to be met, prints to go out, and finals to get delivered. Especially with concept art, that's just preproduction stuff, it's really not the time to lovingly render every single aspect of something you're client or project manager's going to make you redo 3 million times, if not totally scrap to go in a different direction.

Photobashing is a cheat you need to have all the skills required to render, paint or draw something properly already to do right though. You need to be able to match lighting, perspective, scale, etc. Or else you'll get fired for being incompetent and handing in something that looks like a bad photoshop job.

I wouldn't photobash while I'm painting on my own personal time because, like, why am I painting just for fun at all at that point, but. It does take longer, however.

Doing figure drawing exercises and studies are also really important to keep your abilities sharp-- it's like an art workout. Tracing or photobashing those defeats the purpose.

Honestly, I really don't care if hobbiests trace personally. If they get that they won't improve and they're okay with it, who am I to poopoo on what they do for fun?

Mikaila charges way too much for her commissions given her skill level, but. Like, you can just tell Mikaila is very limited in her abilities, so . . . You know, it's not really false advertising? It's hard to fake being a better artist than you are, lol. You'd have to be stealing art and impersonate a real artist to do that.

I think hobbiests see tracing as a sort of "stolen valor." And, yeah, it's a little funny to me if Mikaila is in her 30s and trying to hide how she does her work, but. Unless Mikay starts trying to pass someone else's work as her own to scam people, I don't give a shit, personally.

I don't want to bully here in a way I don't think is cool, but like, look at this. Look at the mismatched perspectives, anatomy and styalization. I'm kind of shocked anyone can't tell this is all traced:

[sailingfireshipz]

Ok so this is my discourse in response to @stellariders post a while back. Linked at the end.

1. Kelly should have been captain 3-4 seasons ago and I'm tired of them using the excuses of paperwork or being behind a desk because I've seen Van Meter behind a desk & talking about about how backed up they are on cases which is PAPERWORK. When he is in the field, it's after all the "action" that they speak so highly of has already taken place & it's more so like solving a puzzle rather than running into a fire. Atp I'd respect it more if they said Kelly can't be captain because he can't be Stella's commanding officer at the same house.

2. I'm sorry. I love Hermann however I'm struggling with seeing how the hell I'm supposed to take him seriously as captain on a scene or call when they've NEVER shown him in that light. The last time I saw him really fired up regarding a call was the factory fire. Also they haven't shown an ounce of Hermann actually preparing or studying for the exam. So we're supposed to believe that the same Hermann that failed the LT exam how many times passes the captain test on the first try? OK...

3. Mouch doing more has at least been foreshadowed now for a while. The episode in which he saved that kid & Casey talked about the retirement age going up. Also, Mouch has at least been acknowledged by the CFD with a commendation back in S9 & helped out with Paramedicine. We've seen his journey & arc build a little bit more than Hermann, so even if it wasn't for a potential Stella pregnancy on the horizon, I could still rationalize Mouch wanting to do more. We've never seen that same arc for Hermann, so it makes it hard for me to get behind it.

4. The disparity in storytelling amongst the cast is starting to become problematic for me. Stella & Ritter are the main two that stand out to me in this moment, but I'm sure there are more examples. Ritter has been on this show in some capacity since season 7... there is absolutely no reason why he has been treated like a background player all this time & is just now starting to get an inch of more screen time when Carver has had MULTIPLE arcs of the course of his FIRST season & now this one. Hell Novak is in her first season as a series regular & we already know a little bit about her past & what makes her tick. Not even about to start in on Stella because yall already know how I feel about it however what I will say is Stella Kidd deserves more than 1 GOF episode a season & 1 episode where she's fighting for the underdog. All of her other stories are directly or indirectly associated with Kelly/Stellaride/ white men, causing her unnecessary grief.... Casey never had this many damn personnel issues in the 10 years he was on T81. I'll leave it at that.

5. I'd love for Squad 3 to get some new blood. Not saying I want anyone to go anywhere, but I'd love to see Kelly Severide have to navigate teaching & training someone new. Add another man or woman to the crew & let's really see how Kelly's leadership comes through.

Same for Engine 51... like i find it interesting that they gave Ritter up to Truck yet won't commit to Kylie joining Engine full-time. Like outside of Hermann, who the hell else do we now know on engine? No one..

6. I'm confused by how close Kelly & Pascal have gotten in such a short amount of time. Historically, Kelly has always been very reserved when it comes to change, especially change in power dynamics. I also find it interesting that they continue to isolate him for the other members that he's worked alongside for much longer yet have planted this Pascal & Severide relationship dynamic. We've been asking for Kelly & Violet since S11... hell the Kelly & Mouch episode we got in S11 was adorable. I'd take him, Ritter & Carver, yet we're getting him & Pascal who clearly has an issue with Stella, his wife. Feels intentional

7. If they are committed to not actually giving Stella an appropriate backstory, then they should at least commit to strengthening her bonds in the house. They did that really well in earlier seasons, like mentioned about her relationship with Enily Foster. Same can be said with Casey, Otis, Gallo, Boden & Kylie but none of those people outside of Kylie are on the show anymore. Felt like when Stellaride got married, they were like alright no more family dynamics with anyone else except for Kelly & thats so not fair to her character. She mentioned it to Boden that her real family is the house. OK, so let her actually build out more relationships with the people that are there now.

8. I know I'm a vocal Newman critic, but I also like to think I give credit where credit is due. I made a few posts ranting & raving about how S12 for what it was (short, needed to be executed quickly) was a REALLY good season. It's why I was so excited for S13, but we're 8 episodes in & i fear we've lost the plot. Like, i go into these episodes with such high hopes because the meat is THERE yet walk away from some of them wondering wtf was that. Like, I'm almost wondering if S12 was so good for her because it was shorter, so there wasn't much room for filler because it honestly fills like she doesn't know what to do with 22 episodes. Grant it, we have an entire back half of the season to go, so I could be speaking too soon. However, I don't know what to even anticipate for the rest of S13.. like i have concepts & my own personal wants, but I don't have actual faith that it'll come to life because everything she's teased thus far has been so far from expectations.

Damon had so much more potential. As a firefighter, brother, & brother in law. That baby convo could have touched on so much more of Stella's fear & what the actual cause of that dread she spoke about could be coming from. Violet could have actually apologized to Carver & explained her grief/ why that caused her to ice him out. Even if they didn't make up right away, it would have set the groundwork for what they'd work towards if they're actually endgame(sometimes i don't know). Ritter getting blown out of a window could have been dug into a little deeper. Even the blood program that Novak proposed a call linking to why it is so important would have just driven the messaging home.

I saw a tweet a while back that basically said it's not character or plot development if it happens off screen & we never see it. It feels as if recently a lot is playing in the background or off the pages that we're somehow supposed to know is going on without ever seeing or hearing it. I love this show, this cast & think if shows like the Law & Order franchise or Grey's can be on air for decades, then so can Fire. I really hope the back half of S13 kicks it into high gear & starts connecting dots for me because I want to get renewed for 3-5 more seasons! I'm simply not ready to let them go, especially when there's so much left in the tank they just need to have the right pieces in the right places to execute effectively. 😫

As always, thanks for coming to my rant session. Let me know your thoughts & opinions below. I'm always up for a healthy debate or yap session. Check out @stellariders original post here.

[viablemess]

I have a lot of feelings about the Durin Family, Fili in Particular

---Howdy folks it is that time of year again where i go absolutely feral for Fili Durin. He is underappreciated and tumblr has addressed that but i feel an URGE to add to the discourse so here I am. This post is not done, fyi. I will add more to it later.

It's 10pm/22:00. I just got home from class. I'm waiting for my ramen water to boil. There is a fireplace and some holiday lights. Let's have a (fireside)chat.

First of all, the constant tying of Fili and Kili together?? Like I get it. Merry and Pippin parallels. I love parallels (looking at you, George), but come on. Chill, just a tad. I know Tolkein didn't give you much to go by, but he didn't even write tauriel into the books or Bolg and yall ran with that anyways. Use your creative brains, pls, I'm actually begging you.

ANYWAYS. Have them develop separately even if only a little. Kili is the younger one, literally viewed younger bc he has the smallest itty bitty beard. He is not the heir, he is the spare, and could have some deep rooted personal insecurities about that as a result. He may feel that he deeply has to prove himself to Thorin bc he does not have a set role in the future like Fili does. Kili gets his romance with Tauriel, which--khgf;ushfw;e uneneccary, but I can appreciate the attempt to broaden the target market and appeal to a romance audience even if the previews did not hint at that happening at all so it would not have been a marketable trait per say but I digress. Again with the parallels of forbidden romance, poor Legolas still does not get any, we know, he was not even in the books really either, let's move on.

Kili is babied by the company, needs to prove himself, his mother made him promise to return to him so he is still deeply in the "coming of age" side of things (a lot of the company is, but that's a topic for another word vomit fireside chat). He begins to realize that he might like elves which goes against his family and he was already the spare, might as well go all in and fall in love with an elf. Fine. I can deal with that. But let's see more of Kili messing up, more so than just the trolls. Let's see him make silly goofy mistakes more. The company always tries to keep him out of the line of fire by making him an archer (heh) and keeping him off the front lines. They do everything to protect him, bc Dis is a terrifying woman, ansd if she made Kili promise to return to her, dammit, the company will return him to her if it is the last thing they do. Kili likely spends less time with Thorin and Dwalin than his brother, so here he is, questioning his own self worth and if he belongs in the party and his own abilities while coming of age and sticking out from his family even more, so why not rebel a little? why not be an archer which is not as glorified, why not consider shaving to meet cross cultural beauty standards, why not date the elf (dammit, I'm convincing myself for Tauriel's presence and I hate that). He's trying his best and messing up along the way, and is INNOCENT. Completely. He is aware of his ancestry and what happened, but he and Bilbo are the two being narrated to when telling of the Durin family history, and as a result, the differences in dwarven / hobbit culture could be explored further. Thorin has a little kiddo to watch out for, and maybe is softer around, because even Thorin knows Kili is young, maybe even too young to be here but if they didn't let him come he would have snuck after them, so we get to see a more forgiving, family-man Thorin who we do not see anywhere else (and yes we get that at the end of the movie but I'm getting to my critique of the (I almost called it a keldabe wrong fandom) forehead touch with a name I cannot recall later).

Onto his brother. Fili is the heir, okay. So, that means that he is likely raised very differently from Kili. Whereas Kili may have had some time to play and be a kid (as much as they could in the Blue Mountains as refugees, anyways), Fili likely was given no such privilege. He followed Thorin around like a lost puppy, watching his every move and trying to imitate it, because he knew he would have to do Thorin's job someday. Even if Thorin did get married / have a kid / etc there would likely still be a window where Fili was in charge before Thorin's kid came of age, and as the years went on, the chances of that happening diminished, and so Fili threw himself more and more into his crown-prince-studies. Maybe a little obsessively, just like his uncle, who had practically stepped into the role as father. Because Fili thought he had to be Thorin. Thorin, meanwhile, saw the King that Fili could be, and that King was so much better than him. Fili grew up humble as a result of them all being refugees, something Thorin did not have to learn until much later and even then he never fully got it. Fili was kind, because he saw the suffering of his people, and understood how large of a difference a small act could make. Fili also had the teachings of Thorin drilled into him, because Thorin's problem was that whenever he saw Fili, he also saw Frerin. Frerin was Thorin's younger brother, just as blond as Fili, and (I'm assuming) played a roll in Fili's name (both starting with F). Frerin died at the Battle of Azanulbizar, and Thorin remembers that battle, he remembers losing his little brother. He can understand the fear that Fili feels whenever the company encounters a fight because he has felt the same in the worst of ways. But, because Thorin understands, he pushes Fili to be better than him. Even if that pushing is too much, too hard, too fast, too young--Thorin knows that Fili can be better than him, and Thorin does not want Fili to suffer as he has suffered, so he does everything in his power to prepare Fili for what is to come, and because Thorin loves him, that is all he does. He pours that love out as motivation and pushes Fili to do more, do everything, and do it better than he did. Fili, being young, does not realize this. He just sees it as Thorin preparing him to be king, and quite brutally at that, but Thorin is the closest thing he has to a father, Fili is not going to question it, not for anything, except for his little brother. And that just hurts Thorin, because he knows that, had he had the chance, he would have died to save Frerin at Azanulbizar. He knows Fili would do the same for Kili, but they are both so, so young. Thorin fears he could lose them both in one go, if he is not careful. So he is harsh, he scares them, he is forceful, because they do not have time for care and coddling, that won't keep them safe.

Whereas the company sees Kili as carefree and fun, Fili is cold, like his uncle. He is stone, and observant, and polite. He has to be Thorin, AND everything that Thorin is not. It is an impossible task, but he has to try. That is what is expected of him, not just by his mother and uncle, but by the entire people that is behind him, waiting for him to ascend to be king. He does not get a choice. The only one who can pull him out of that rut is his brother, with whom he actually feels like he can be what he is -- barely older than a kid.

Im gonna let that sink in for a second. They're CHILDREN.

anyways.

So, Kili gets his romance plot. It's cute and it parallels. And I've established that Kili must prove himself, and Fili will bend over backwards to make Thorin happy, which likely also extends to Dis, his mother.

I imagine Dis gave Kili the river rock to come back home, and she told Fili "be safe, don't be stupid, etc etc" but HIGHLIGHTED "take care of your brother", and Thorin does the same in the movies.

So, when Kili galavants up the bridge to open the gate after the party does a little slip and slide down the river, Fili naturally goes with. He sees that Kili is about to get shot. And Fili, who knows above all else he has to be king and he has to take care of Kili, just does the normal heroric thing and jumps in front, and he gets shot.

He is chastized for it, for being stupid, but overall they both are thanked for getting them out of the mess, and there is no time to waste because the company has to leave, and Fili (like what Kili did albeit maybe with more conviction) will not let others help him, or show weakness. So Fili continues on, poisoned, and Kili has the guilt of knowing his brother took an arrow meant for him. Fili must suffer the consequences of being a hero, and Kili must suffer the consequences of being the youngest, and feeling guilty for not taking responsibility for his own actions.

This all boils over to a fight where Kili tells Fili that "I made the choice to go up there, I didn't ask you to intervene!" because dammit Kili wants to be treated like an adult and FIli just took that away from him, again.

Fili, naturally, retorts, "I just did what I had to, because you know what? mom didn't tell me to come home--all she told me, all everyone ever tells me--is to take care of you! So I don't matter, not to this family, not in the same way you do. You're a son. I'm a prince."

Which, ouch. Slap in the face to Kili, and maybe the company overhears. Kili feels slighted, but also maybe is starting to understand, he can be a kid, Fili cannot. And Fili, meanwhile, is about to break from the weight of expectations that feels heavier than the lonely mountain ever could.

So, Kili stays with Fili when they get to Bard's, because it is what Fili would have done for him. Thorin is pissed, but lets it go, because Kili isn't Fili, and ouch, again.

I imagine Bofur helps quite a bit, he has a kind soul and listens better than most, and while Fili is delirious with fever Bofur talks him through it. Kili gets to be more coherent with Tauriel, and we get to see if their relationship actually holds up outside of a "she saved my life I love her" style of interaction which bleh is cliche as all get out.

and PLEASE when the dwarves do get out of Bard's house, they get to actually help Bard deal with the dragon. I read a fic a long time ago (if I find it I'll link it and the author below) where Fili had to be Bard's arrow anchor instead of Bard's son and I just chef's kiss. The dwarves who are left get to help the humans, and they feel more sympathy for them. Maybe they witness more death, and so when the dwarves do turn their backs on the humans later, Fili, Kili, Bofur, Bifur & crew are like "wait wtf they have suffered enough" unlike their future indifference we see in the movie.

and THEN all the dwarves arrive at the mountain, and Fili and Kili actually get welcomed home like the family they ARE, but it's stunted, because something is wrong with Thorin. He is glad to see Kili and Fili, but barely spares them a glance. They've heard the rumors and stories, of gold sickness. They begin to wonder, and we get to see them talk (probably with Bilbo) about the concept in secret where everyone is looking for the arkenstone. We get to see Kili with his hero worship refuse to believe Thorin would fall under a gold thrall. We get to see Fili, who is afraid of becoming like Thorin, too scared to enter the treasury unless immensly pressured to do so, and even then someone is always with him, because he worries. He still holds the ruby Thorin threw at him, and he keeps it in his pocket. He holds it so tight the edges cut his palm, and the pain seems to distract him from the wealth that surrounds him. I always wondered if Thorin gave Fili that ruby because he was the heir, or the only dwarf with so much gold about their person, with his hair. It was what Thorin saw first, not because it was his nephew, but because he looked like the very thing that already clawed Thorin down into his own demise.

AND NOW the war starts. and this needs to be another post bc ffs I'm losing my shit this is much too long.

[orion4ever]

hey dude, i know you mean well for the ol community, and i think you're really cool and have been following you for a while, but i really don't think all this shitting on rose is justified. spreading callout posts by taking shitty things people have said out of context, especially queer poc, is a real tactic used by terfs to spread discourse and isolate queer people from communities, and it's worked so well that queer people have started doing the same to their own with really good intentions, but the overall effect is nonsense discourse and the spread of hatred. kab herself has publicly said that she and rose have a good relationship and that she thinks most of rose's impact on the games and community has been really helpful for checking her own biases. the screenshots and shitty things you've read about her are not the full story, and yes, i do agree that rose handled certain things really really shittily and i am not excusing that at all, but rose isn't a bad person at all, what the callouts show is out of context and does not show rose accurately as a person, and the degree of hatred for a group of people honestly trying to create a safe space for queer people is wildly disproportional. i really hope this doesn't come off as any way accusatory, because it really isn't, and i really look up to you as a creator. i just want you to be aware that this is something that has been settled by the people involved, and continuing discourse and wanting rose fired goes directly against kab's own wishes and is based on misinformation. thanks for reading this far. please have a wonderful day

I respect you and I appreciate that you reached out respectfully with this.

I do not repost these call out post to be malicious or start a hate campaign like some people have been accusing others of.

I do not encourage witch-hunting or harassment of Rose or Kab ; As they are people and make mistakes , even if the mistakes are extremely shitty and I understand that those screenshots were a private conversation but frankly , I think some of the stuff Rose said was extremely odd and vulgar , context or without.

I am not in the official OL server so maybe your right about them not being as bad but even if that was the case they should still be let go of the role as sensitivity reader because they’re views aren’t open minded and its ironic that they are supposed to help prevent bias and keep the game inclusive when they’ve shown a weird rhetoric and the paper bag comment actually made my jaw drop.

OL has been one of the most comforting things to me , I was in a really dark place when I started a new save file and fell in love with all the characters and the game so believe me when I tell you I would never want to attack the very person who created and brought me that comfort. It physically exhausted me and upset me yesterday when it all came to light , considering it has been a huge hyperfixation and boosted my self esteem.

I don’t care if GB is okay with their friends talking an insane amount of crap behind their backs. It's not my business, I just think that they need better friends.

Even with this in mind, I can’t continue my support for Kab if they decide to keep Rose on the development team, not purely just because of what they said in private but how they treated my friend. The both of them are insinuating that they’re a “liar” or that they “overreacted” when they just wanted to express a grievance. And a surprisingly large number of people are harassing them and accusing them of starting a “racist campaign” towards Rose when they are a trans minority as well. If the fandom is so quick to villainize my friend for simply speaking out then frankly I don’t want to be a part of this fandom.

I hope you also have a good day.

[sophieinwonderland]

Honestly I think in general people who go “I’m not *stance* because of the people in it” are cowards and don’t know how to actually find people they like. Theirs ALWAYS going to be assholes in any community that’s more than like, 4 people.

You never see people do the same thing with like, leftism or being pro-queer. Theirs a LOT of leftists I dislike and even hate, but I still consider myself a leftist because I agree with the core beliefs prescribed to leftism, it’s not rocket science. The same thing should be the case for any sort of stance and opinion on actual people.

My thoughts exactly!

When we're talking about an ideology, the question should be about whether you support the cause. Not if you're okay with literally every person in the group.

I actually do find similar things come up in queer discourse. Not necessarily because queer people are too mean to the groups opposed to them. (Though there are the people claiming "cis" is a slur.) But in other respectability politics ways. There are a lot of cowards out there who won't commit to supporting queer rights because they don't like that there are people in the queer community with "weird" kinks. Or maybe they'll use the fact that parades might get too rowdy. Or whatever else they want as an excuse to stay neutral on queer rights.

I'm also reminded a bit of people who wouldn't support Black Lives Matter because they were shown pictures of riots getting out of hand. And I'm sorry, but in a large crowd of people protesting against injustice and murder, there's unfortunately a good chance that someone might light a fire. Get over it.

(Also, sometimes that someone is a white supremacist trying to sew discord.)

I'm kind of rambling now.

I'm not really sure where I'm going with this anymore. I'd like to say that if you think there is something wrong in a group that's fighting against injustice, the bravest thing to do is to commit to that group where you can change what you can from the inside. Stand by your principles.

But then, given the previous comparison to queer discourse, that could be read as "support queer people and try to police their behavior from within the community..." which... I don't know... is at least braver, but is certainly not something I want the takeaway to be.

I guess my point is that every group is going to have blemishes. You won't find a perfect marginalized community that is always super kind and polite to people who hate them, that's protests against injustice are always super peaceful, and that doesn't have any objectionable practices you disagree with.

If the cause actually matters to you, then I think you would stand by it, regardless of those blemishes.

This is also something that makes me think of liberals who chose to stay home this November because they didn't agree with literally everything about Vice President Harris. Just like you won't agree with every person in a movement, you probably won't find a candidate who you agree with everything about either. If every liberal only voted for people who agreed with them on literally everything, we would never elect anyone again.