#prometheus initiative

[junijwi]

terminus, cryptic of Death

[hypo-critic-art]

Auntie Elizabeth and her peculiar nephew

@mightydyke

They share their love and appreciation for nature!

[poet-to-none]

[5-turtleducks-in-a-trenchcoat]

Sometimes you gotta draw some wholesome Clerval fanart to cheer yourself up.

[infernogalore]

used to be a nice kid

[daisyhooves]

is prometheus blind?

Yes Prometheus Martagon is blind. Theyre the eldest of their siblings and have been a psychonaut much longer than Azalea has.

This is the first proper drawing of them :]

They specialize in clairvoyance and often utilize it and time bubble on field missions. They use clairvoyance sorta how Raz uses it in RoR, using the sight of others to their advantage as their own sight itself isnt great. They also have herbaphony, but don't often use it outside of work for the family because they're not nearly as skilled in that psi power as Azalea is.

They'll get their own ref once I finish the refs and profiles for those who already have pages on toyhouse <:'D

[tiffycat]

The Modern Prometheus

One of the two pieces I did for the @timdrakeflipzine, this one being for the au portion :]

Leftovers are currently available for anyone who initially missed out so be sure to get a copy :]

[hellenhighwater]

In all these years, I've never learned how to tag someone, so I have to come to you directly, to show you the tears on my cheeks because he's sitting so quietly, curled up, watching a world he'll never know through a tiny crack in the wall.

Thank you!

You know, it's a little odd. All of the pieces in this series are about isolation and escape--Icarus, Orpheus and Eurydice, Prometheus, and certainly the Minotaur. But A Crack in the Labyrinth came first, and more than any of the rest, it's about resignation. About having fought and scrabbled and clawed desperately and still...not having made it. Still being trapped inside, alone.

And when I made it, I hadn't really intended to say anything more than that one piece, but I just couldn't leave it there. I had to give him the whole story--an innocent beginning, same as anyone. I couldn't leave the ending as it was written; I'd initially just intended to have the conclusion the myth gives him, slain by Theseus, but...if I'm going to say, "I'm the minotaur, monstrous and alone and told by the world that that is right and deserving," then I am also saying "you, who feels deeply for this, for whom this resonates, you are also the minotaur and we are monsters who deserve the ending that is written for us." And I...just can't bear to. There has to be hope.

So there is, very literally, light at the end of the labyrinth, one way or another.

Anyways, I used this song for that photoset on the clock app, but I think you would also enjoy it. Cow Boy, take us away.

[72stars]

reposting the Red Hood redesign variations alongside other design variations sheets for other principal characters from Red Hood: Prometheus ‘cause I wasn’t really happy with my costume designs/redesigns for them either so decided to try other ideas (+ one extra doodle set of Batman with the 4th redesign for reasons I don’t remember, aside from some aspects of it being my favorite of the four)

as with before, most recent version is furthest to the right ‘cause I started with those and just scooted them over to make room for new ones. some have more or less than the others based mostly on how much room I had using the same file for all of them (thus Alan & Bruce have less variations mostly ‘cause of how much room them & their capes take up, lol). Jay is the only one with a unique pose because I was initially working on model sheets and decided to try more interesting base poses then got distracted doing variations, so the rest just use the basic forward-facing poses I had done under sketches for them.

top: Red Hood, 2nd row: Kieran (an oc) & Ratcatcher 2, 3rd row: Strike & “the Gotham Lantern” (Alan Scott), 4th: Nightwing & Robin (Damian), 5th: Batman (and more Batman)

[p0rk-guts]

"Pork you literally posted Charlie a few days ago why are you so Hazbin obsessed rn-" ssshhhhshhsshhs.h........ anyway

VAGGIE REDESIGN! And I changed her name also bc I'm jus like everyone else fr. Meet Verbena :)

BREAKDOWN BELOW!👇🏾+ Exorcist uniform redesign :3

Starting with her name this time. Back when she was still a sinner apparently she was Salvadorian and since she's (apparently?) not a former human at all I decided to take a small creative liberty with her decent and made her Venezualan instead. SOUTH AMERICUH❗❗✊🏾 I'm pretty sure Verbena flowers are native to South America so that's where the name comes from.

Onto the design! I don't have much to say abt her design honestly. It's not egregious, but it doesn't really speak to me either. It looks like simple formal wear or uniform with some strange meaningless accessories attached. And those weird itty bitty shoes that look like they're part of her thigh highs... I'm starting to think all the characters's shoes were a last minute afterthought. All and all it tells us nothing about her character. The hair wings are cool tho so I did steal those

Also the whole deal with her eye is strange to me. Why Is the floating X there??? It's a real physical part of the world, other people can see it. Do pink X's always float over angel wounds? If her arm got chopped off would an X float over it? Was it like. A fucking curse visual placed by Lute as a constant reminder of her disloyalty? Why did Carmilla point out it was an obvious marker for her being an angel???? My brain can't fathom why it's canonically attached to her wound. If she was a sinner I'd kinda understand but. Yeah idk. Weird

Also her missing eye does not look like an empty socket it looks like a purple circle was sticker pasted on to her face. It's very flat. How did we go from this

to this

(IT'S EVEN OVERLAPPING ONTO HER NOSE IN THIS SCREENSHOT WHAT IS THAT THING.)

Anyway. I made her hair resemble Polyphemus moth wings because 1. They have eye looking spots and angels are all eyes and 2. Well. Polyphemus has 1 eye. So . 💀

Her overall coloring however is inspired by a Promethea moth. I could say it's because Prometheus defied the gods and Verbena did a similar thing but the real reason is I made a spelling error while initially looking for a Polyphemus moth reference 💀 but hey they both have eye spots! And Iike their coloring for her way better

I also redesigned the exorcist uniform for her redesign bc I wanted her outfit to have reminiscent elements from it.

I gave way less time to the uniform designs, but I still had some main details I wanted to adress. I don't like how they have no armor save for their helmets. Their arm and leg pieces are made of some flexible material that tears easily. It's not giving soldier it's giving soldier costume from party city. The devil like horns are also confusing to see on an angel and the paradoxical design is never addressed. They can be evil and look imposing, but the horns just seem kinda nonsensically on the nose to show how evil they are. At least to me.

In my designs I gave them actual metal armor on their bodies so you can easily tell they're soldiers and it makes sense for them to battle in armor anyway. I also gave them more light "angelic" colors with gold details bc I wanna use gold as a symbol of angelic nature in my rewrite. I wanted their masks to show completely static expressions with wide grins to show how unnerving they are and to allude to the idea that everyone is happy in heaven, and they're all happy to do what they do.

Verbena's belt and shoulder pads draw visual similarities to the pauldrons and mid section pieces in my new exorcist uniforms to draw a connection between her and her past. The Blazer draping behind her back is also supposed to mimic the visual of folded wings. I also tried to do this with all the gold details in her design. The big hoops and belt we're 80's inspired because I decided to follow how in one of her old designs she died in the 60's (even had the big hoops and everything). In my rewrite exorcists are all former humans but I'll get into that later. Also she's got an eye patch now! Just. A normal one.

Charlie is still taller than Verbena just like in the original and idk how tall Vaggie Is exactly but Verbena is like 5'5 while Charlie is 5'11. Verbena's also got more muscle on her bc unless their muscle mass is hidden magically or they don't gain muscle for stupid dumb idiot lore reasons all the exorcists look way too slim to be military grade soldiers but what do I know

I combined a lot of pointy shapes with boxy shapes bc— more similarly to her pilot self— she can be volatile and fierce but also grounded and impassive. I added the slits to her skirt so she can be a sexy formal lady who can still comfortably throw a few kicks, and the heels— well. Idk I feel like she could slay in heels! She definitely doesn't wear em all the time but yeah. Chunky heels. I like them they're cute. Also she's got her little name tag on bc she takes Charlie's job for her SERIOUSLY! she's uh. Idk what is she. A bellhop? General security/protection? Either way she's locked in.

I imagine she had white irises like Adam and Lute along with brighter more saturated and heavenly colors in her hair (color picked from the Polyphemus moth) that turned darker and more harsh after the fall (color picked from the Promethea moth). Really visualizing her emo phase /j

Also I think the little eyes in her hair can emote with her. In the final design the line kinda makes an eyelid and it'd match her eyelid's movements. Sillay

Alright that's a wrap on my Vaggie redesign! No bonus sketches this time bc they're within the texts! Who knows what I'll do next. Who I will deface. I sure don't. I think I might rename Charlie so there's that. Anywhozies hope you like her <3

[junijwi]

[rintheyordle]

Some more PI Scribbles on my ipad. LITTLE CREECHURS AND THEIR FUCKING CRAZY PROBLEMS Music inspired insanity

[maria-from-ga]

Cyborg, the Greatest Titan

(Titans (2023) #7- Cyborg shows why no one can bring him down)

So there was once a seemingly innocuous question asked on Titans Twitter:

Though some used it to prop up their faves, it turned into a serious and big discussion: Who is the Greatest Titan, epitomizing what it means to be a Titan the most?

There were a variety of answers, majority being one of Dick, Donna, Starfire, Raven, or even Wally. But what I noticed was the surprising lack of one answer: Cyborg.

One of the most popular Titans, whom DC clearly sees as one of the Titans Trinity (upper right corner):

(The Promotional Art for DC Comics' Dawn of DC Initiative by Dan Mora. Cyborg was to chosen to represent the Titans along with Nightwing and Starfire)

Whose removal from Titans lore caused a massive fan uproar, yet among Titans Twitter, probably the most dedicated of Titan fans, Cyborg's name was barely mentioned as a candidate to be the Greatest Titan:

Victor Stone who at his lowest, found the Titans, a team who became the family he needed who loved him without judgement:

(New Teen Titans #1 - Cyborg meeting the Titans for the first time)

(Teen Titans 5x10 "Go" - The prequel episode where all the Titans meet. Cyborg is ashamed of his cyber-mechanics but Beast Boy repeatedly assures him that they are cool and shouldn't be hidden)

The man who took what the Titans did for him and made it his mission to be that for others.

(New Teen Titans #22 and Titans Vol 2 #21 - (Left) Cyborg realizes the Titans mean so much to him because they are his friends who helped him not feel alone & (Right) Cyborg's internal monologue about how Titans taught him being part of team and accepting help from others was a good thing)

(Teen Titans 5x10 "Go" - Assured by Beast Boy, Cyborg tell an ashamed Raven she's a freak among freaks and fits in just fine, a nice callback to his NTT origin)

(Teen Titans (2003) #1- Cyborg relaunches the Teen Titans to include the upcoming generation of teen heroes so they can have a place to grieve Donna's death & find acceptance)

(Teen Titans 3x12 - "Titans East" - Cyborg helps establish the first off-shoot of the Teen Titans: Titans East)

He transformed the team from simply being a group of former sidekicks to a safe haven for all teen heroes

(Teen Titans #100 and Dark Nights: Death Metal: The Last Stories of the DC Universe: Together - showcasing the multi-generational roster of Titans that Cyborg helped establish)

(Teen Titans 5x12- Titans Together - The global roster of Teen Titans that Cyborg helped to create that expanded from the initial off-shot of Titans East also started by Cyborg)

The Titans Are About A Team of Teens That Grew Into A Family

(Dark Nights: Death Metal: The Last Stories of the DC Universe: Together - Donna talking about how much the Titans grew from a team of 5 into multi-generational families)

A Family of Teenagers that not only help each other in the struggles of being a hero but also the struggles of being an adolescent, having turbulent emotions in a turbulent world

(Dark Nights: Death Metal: The Last Stories of the DC Universe: Together - Donna talking about how much the Titans had it tougher than the League because they had been facing Justice-League-level problems since they were kids, and yet every time still came out on top)

And who has committed to this mission more than Cyborg?

Victor who fought for the team when everyone including past leaders like Dick and Donna walked away:

(Titans/Young Justice: Graduation Day and Titans (2008) #21 - Left: After Donna's death, Dick decides to disband the Titans and everyone walked away. Right: After Final Crisis and Prometheus' attack on Roy, nearly all the Titans have left the current Titans roster, but Cyborg stayed fighting for the team)

Why: Because he knew how much future teen heroes needed the Titans. To guide them and give them a home as the Titans did for him long ago

(Titans/Young Justice: Graduation Day and Titans East Special- Left: After Donna's funeral, Cyborg sees members of Young Justice, especially Cassie, not handling Donna's death well and generally feeling worthless and he decides to restart the Titans. Right: Cyborg tried to convince the New Teen Titans and Roy to start up a new team of Teen Titans to help more teen heroes, but they all refused)

Stubbornly keeping Titans alive when everyone else wouldn't, allowing Titans to reach their greatest potential: a global network so any teen of any generation can find a home

(Dark Nights: Death Metal: The Last Stories of the DC Universe: Together - Titans across generations have gathered to join the fight against Batman Who Laughs)

A man who because the Titans gained utter defiance in who he is, saving not only himself from despair, but also became devoted to giving other teens that same courage, inspiring them to show that they are not freaks nor they are ever alone, thus changing so many lives (go to 2:38 for the start of the iconic speech, but I recommend starting at 2:17)

(Teen Titans 3x13 - "Titans East" - Cyborg's defiance in who he is prevented him from falling to Blood's mind control, defeating Blood saving his fellow Titans, and thus saving the day)

Victor is not only a candidate to be the Greatest Titan, but ultimately is the Most Deserving.

Cyborg is the Greatest Titan, the Lynchpin, without whom the Titans will not work and ultimately cannot because he believes in it the most and thus embodies its ethos the best

(Teen Titans #20- Tim Drake realizing how essential Cyborg is to the team and how he changed Tim and helped Tim after the death of Donna)

The Greatest Character in Fiction, An Inspiration, A Legend: BOOYAH!!!

[thrashkink-coven]

hey there, would you mind telling me a bit about Lilith and your practice with her? I’ve been trying to do some research on her modern worship, offerings, and signs, but it can be really difficult to find anything that’s serious when there are so many references to her in pop culture :/

Okay so Lilith is extremely, and I mean extremely complicated.

Contrary to popular belief, “Lucifer” isn’t actually a name, but a title. The name Lucifer means “light bringer” in reference to Venus as she appears in the morning, but any “light bringer” can be considered a Lucifer. Prometheus for example, the man who stole fire from the Gods to give light to humanity, is a Lucifer. And so, there are actually many different entities that have taken the role of a Lucifer throughout history and in various different retellings. Eosphorus is the name of the deity that was revered by the Greeks as Venus, but Lucifer is a title that many different figures have taken on depending on the context.

Why do I bring up Lucifer? Because he and Lilith are very similar in that regard. Our earliest mentions of Lilith throughout history paint her not as an individual but as a species of night demon that frequently takes the form of an owl, she was known to bring crib death and miscarriage.

In the myth, Inanna and the Huluppu tree, a huluppu tree (a type of willow) is planted by the banks of the Euphrates River. The tree is tended and nurtured by the goddess Inanna, who plans to use its wood to craft a throne and a bed for herself. However, as the tree grows, it becomes infested with three troublesome creatures:

A serpent that makes its home at the roots of the tree. (What troublesome serpents have been portrayed in another mythology having to do with magical trees? HMM!)

The Anzu bird (sometimes described as a mythical lion-headed eagle) that builds its nest in the branches.

The Lilitu (a female demon or spirit) that makes her lair in the trunk.

Inanna, distressed by these creatures occupying her tree, calls for help from her brother, the sun god Utu (or Shamash). When Utu does not assist her, she turns to the hero Gilgamesh. Gilgamesh comes to her aid and, with his great strength, drives away the serpent, the Anzu bird, and the Lilitu. He uproots the huluppu tree and uses its wood to craft a throne and a bed for Inanna, fulfilling her original intention. Consider that it is a human, not the God of the sun, who helps Inanna with this problem. Interesting.

The inclusion of these three very specific creatures occupying this important tree tended to by the Goddess of love, to her dismay, are very important. Especially when he consider how Inanna’s visual depictions have been syncretized with Lilith. The idea of a serpent (perhaps a Lucifer) , an Anzu bird (described quite similarly to some depictions of abrahamic angels, specifically those like the cherubim) and a Lilith being “driven away” from this mythical tree are notable, especially because these are all symbols associated with Inanna herself.

Inanna, one of the most complex deities in Mesopotamian mythology, embodies aspects of fertility, love, war, and the underworld. Inanna's association with snakes can be seen in her connection to the underworld and her transformative journeys. In her descent into the underworld, Inanna removes one magical garment as she continues into the deathly realm. Just as the snake sheds its skin, Inanna sheds her power and identity as she descends, only to be reborn and restored.

Inanna is frequently depicted with wings, highlighting her divine nature and authority. The Anzu bird in the Huluppu Tree myth, while initially a source of trouble, also connects to the theme of overcoming chaos, which aligns with Inanna's role as a powerful deity who brings order.

Lilith, often depicted as a demoness, represents untamed feminine power, independence, and sometimes chaos. In later Jewish mythology, she is considered a night demon, but her roots trace back to earlier Mesopotamian beliefs. Her inclusion in Jewish mythology is summed up in the verse Isaiah 34:14: "Wildcats shall meet with hyenas, goat-demons shall call to each other; there too Lilith shall repose, and find a place to rest." (Hm… I wonder WHERE she will find a place to rest? Perhaps in a… magical tree?)

In Jewish mysticism, the feminine side of the tree of life is what creates the potential for evil. Even though it is the lightest, brightest, goodest form of feminine energy, for some reason, every time, disobedience pops up no matter what we do. It is an aspect of the feminine itself.

In the Huluppu Tree myth, Lilith (or a Lilitu) makes her home in the tree that Inanna nurtures. This connection reflects Inanna's association with both nurturing and taming wild, untamed aspects of the feminine. Lilith's presence in the tree also highlights the tension between order and chaos, which Inanna must navigate and control.

So what does this all mean?

Each creature in the tree draw direct parallels to the Goddess of Love herself. These can be interpreted as perversions of her divine nature, that she herself cannot be-rid of on her own. Inanna the Goddess of WAR couldn’t get an owl, a big bird, and a snake out of a tree??? Why? Likewise, why did the divinities refuse to help her? Why did she have to seek out a human specifically, to get those unwelcome guests out of her tree? And if it is so that Inanna just doesn’t really like owls and snakes, why is she represented with them (and generally just hanging out with them) so often?

Lilith, the serpent, and the Anzu bird reflect aspects of the divine mother that she herself cannot even tame. Lilith as the night owl also reflects an aspect of knowledge and wisdom, as owls can see in the dark and hunt strategically. Even though she is portrayed as an enemy of Inanna, Inanna never once can or even tries to harm her. Inanna being the Goddess of fertility, and Lilith being the demon that causes miscarriage, show that they are natural opposites, yet still derived from the same divine source, and never combative towards each other.

Similarly, Lucifer’s first ever depiction was as his role as Venus, the same astrological planet as what is associated with Inanna. In Christianity, Lucifer played the role of the serpent who convinced Eve, another archetype of divine femininity, to eat the forbidden fruit of knowledge. Interestingly enough, Lilith is never actually portrayed eating the fruit. Does she posses a divine knowledge that is inherent to her qualities as a night owl, to the point where she didn’t need to eat the fruit to have the wisdom to disobey Adam? Does she possess a knowledge that is inherent to the divine feminine force from which she was created? Is this because she was created from the divine forces of femininity itself and not derived from man, as Eve was? If this is the case, that even though Eve ate the apple, she did not become a Lilith, that stands to imply that there is an inherent quality about being derived from a human man, that repels or deflects that inherent feminine rebellious quality. Instead, being replaced with the the ability to submit.

Knowledge applied with the associations of night and mystery, create a feminine energy that cannot submit, and this is likely Inanna’s fault herself, as she very notably has a big issue with respecting any authority higher than herself, even death herself (as her big sister)

From a symbolic standpoint this tells us a couple things about Venusian energy in general.

1.) Regardless of how hard it tries to behave, it is inherently chaotic

2.) It has many faces, some of which do not jive with eachother, but even so, they continue to coexist, even if not in the same places

3.) It is a creator and a destroyer.

4.) It has a very rough time with the concept of submission.

Okay YAP fest, what’s the point?

Lilith is a great example of how the dark feminine exists within the light feminine as an inevitability. Lilith is not so much associated with war, the strategic enactment of violence., but rather the inherent unpredictability of femininity. Women both create life and snuff it, women can decide to procreate or to have an abortion. Lamashtu and Lilith respectively were invoked for abortive purposes.

And of course, Lilith’s adoption by feminist spaces as a self actualized protector of individuality and feminine rage also invoke heavy associations with Inanna as the Goddess of war. So in my interpretation, Lilith is that part of Inanna that went a little unchecked for a little too long. That combined with the themes of Lucifer’s liberation, paint a very interesting narrative about how femininity as a divine force shows up in obscure ways, perhaps even negative ways, whilst still being just as divine and inherent. To recognize Lilith as the antithesis of all of these things, is to see her as the unwavering aspect of femininity that cannot be tamed, even by femininity herself. The snake, the reborn, will always cause chaos at the root of the feminine energy. The Anzu bird, the angels, are susceptible to that same corruption. And the Lilith herself will always find a home within that feminine energy, unless of course, she is snuffed by the will of a man who doesn’t respect her. Still, she does not die, just searches for another place to rest.

Wow this was really long. SO. Lilith is the entity that embodies our biggest fears about femininity and the inherent knowledge that women posses. Women know how to create life, and women have the ultimate authority in ending it. To honour Lilith as a Goddess rather than a troublesome demon, is to recognize that even the parts of femininity that femininity herself can’t control are divine in nature. The knowledge that she possesses makes women incapable of submission. And the Gods themselves are aware of this, and do not interfere with her, because she is a Goddess herself carrying out an important function, even if it doesn’t adhere to what they might like. Basically, rebellion is an inevitability to any feminine creature that possesses knowledge. It is unavoidable.

It’s incredibly difficult to find anything about the worship of Lilith because for a long time she wasn’t given her flowers as a divinity. Even Inanna herself tried to get her to fuck off. You can honour her quite similarly to the way Artemis and Athena were worshipped, alongside Inanna or Aphrodite of course. As the dark, mysterious, yet inexplicably wise mother of demons, she is the creative force behind destruction. She’s the aspect that exists in all of these Goddesses, that most of us would rather not think about. She is a woman who cannot be held in captivity, if you tell her to procreate, she will cause miscarriage. If you tell her to obey, she will become even more rebellious. The more you repress her, the stronger she becomes. No matter how oppressed women become, no matter how subservient, so long as they have any connection to the divine feminine, they will have a Lilith inside of them.

Lilith’s representation of a succubus expands upon her associations as a woman who does what women do, (men thought women were sex objects for a long time) but not for the sake of cooperation, but for her own means. Lilith is very much a woman, capable of doing what all women and feminine goddesses can do. She simply chooses not to, similarly to how Artemis simply chooses not to procreate. The element of choice, (hello again, Lucifer) always being an option to women is, from a patriarchal standpoint, really scary for men.

So how do you worship her? Worshipping Lilith, like Lucifer, is technically paradoxical. Lucifer wants us to worship ourselves. If he accepts worship it’s because you’re using him as a metaphor for yourself. Lucifer believes in no man submitting to no God, so he won’t take on the role of the usual “authority”. Lilith is quite similar, to worship her is to worship the wise and rebellious spirit that exists in the feminine- yourself. Self honouring acts honour Lilith, just as they honour Lucifer. It’s important to remember that Lilith isn’t just rebellion for the sake of arguing, she isn’t a contrarian. She is self actualization that just happens to not go with the status quo. She does what she wants, if that pisses you off: cope. She’s not inherently against men or procreation, or even women who are submissive. She is the constant exception. The random variable that always pops up whenever we deal with feminine deities. So for me, I honour her as an extension. of every existing goddess. Within Inanna, there is a Lilith, as there is within Aphrodite, Hera, Artemis, Athena, etc etc.

Wow this was long as fuck but I hope it provided a little bit of insight as to why Lilith is so fucking confusing. Regardless of which contexts you feel are the most true, Lilith, like all deities will continue to evolve with time. Just as the narrative around Medusa has gradually changed into her being a victim instead of a monster, Lilith has shifted from being a demon that just kills babies to the ultimate personification of feminine independence. All of these interpretations are correct in the right context, you just have to figure out which context best applies to you.

OKAY if you actually read this far here’s a flower 🌹

[xadianglyphs]

The Dragonscale Amulet: Theory

And finally... literally the reason I made this entire blog. Basically, back in March we had this:

Anyway, I dropped literally everything to catalog the entire breadth of writing, runes, glyphs, etc. in the series so far, all in order to figure out what the hell this means. One theory that has evolved in the meantime is that the symbol on the amulet represents an acorn or seed, but I would like to propose another.

First, let's look at the amulet and symbol, themselves.

The amulet is composed of a dragon scale (allegedly, at least... we haven't seen dragon scales separated from dragons anywhere else) that is red, highly reflective (whether naturally or polished after the fact), and about palm-sized. By that scale, it probably comes from a dragon about Pyrrah's size or a little larger, unless it was carved down to a smaller size when crafted into an amulet. The scale is anchored in a gold setting, with a shape and decorations that have a fair amount of similarity to the Staff of Ziard. (Maybe we should have anticipated an Aaravos/Startouch association.)

As for the symbol, accounting for perspective (to the best of my abilities), we have this:

The symbol is etched directly into the scale's surface. Its lines are less smooth than the ones decorating the setting, which could indicate that it was added at another time (earlier/later) with a less precise tool, or just that gouging designs into dragon scales is hard.

In terms of similarity to other symbols we've seen so far, it could come from a similar system as the symbols in Infantis Sanguine. It also has similarities to a primal rune, though the sharp, wide corners are unusual. Either way, I think this is a pictographic symbol representing an item or concept as a whole, not an alphabetic character—this isn't Laurelion personally going around with a blinged-out "L" necklace.

So what could it be? Well, I propose that it's a heart. Like so:

My initial impression had the horizontal top "crossbar" as the pulmonary arteries, and the vertical center line as the aorta/vena cava, but you could also look at the crossing vertical and diagonal lines as dividing the space into the four chambers of the heart. However, I think there's another direction to go with that diagonal, so let's put a pin in that for a moment.

Why a heart? Because there has a sizeable amount of fairly convincing speculation post-s4 that the dark space in Aaravos's chest is either figuratively or literally representing his heart having been removed. @raayllum's are a lot more coherent, but I've also done my share.

I'm sure someone had this thought before I did, if only because I was super late to the fandom. But I had it!

... okay right, back to the amulet.

Aaravos's heart is also a key part of the "Laurelion and Aaravos are the same person" theory, in part because Laurelion's heart is the center of everything we currently know about them.

Laurelion's heart was pierced by either the as-yet-unnamed Novablade itself or a piece of draconic ivory (i.e. a dragon's tooth) that was later forged into the Novablade, after which "immortal Laurelion was no more."

Aside from creating an additional connection between Laurelion and dragons, making the dragon scale of the amulet even more interesting, let's go back to the symbol in light of the whole "pierced" thing.

Now, TDP has a fair amount of Christian symbolism and imagery to it, some purely because of how deeply Christianity is embedded in western culture but some also definitely intentional. Aaravos was initially framed as a Prometheus figure, but it became progressively more clear that he's a Lucifer one—a tempter, a rebel angel, out to destroy creation. They absolutely know what they're doing with things like the *checks watch* 2019 Aaravos birthday post:

So don't think it's completely insane to take that, Laurelion's death[citation needed], and the amulet symbol, and think of this:

Depictions of the Sacred Heart don't seem to usually show the spear, just the wound, but I wasn't raised Catholic so work with me here. (If you want to get even more Catholic, there's also the Immaculate Heart of Mary, which is almost always depicted with a sword piercing it diagonally all the way through because she's... sad? Look, I don't know.) The idea is that it represents the boundless and fervent love of God expressed through the suffering of Jesus, which... whatever.

I do think it's interesting, however, that we are primed to question Laurelion's "death" and concepts of mortality/immortality, death of identity, etc. in the context of Startouch elves because while there's definitely a possibility that an immortal being stripped of their immortality is a punishment, there's also... a lot of cultural precedent for that as a willing gift of love to a mortal/mortals, whether you're looking at Jesus, Castor and Pollux, or Arwen and Aragorn. So we'll see how that plays out.

Anyway, that's my weird fringe theory: the amulet symbol represents Laurelion's pierced heart.

Probably time to worry about Claudia. (As if we weren't, already.)

Bonus:

[infernogalore]