i will always believe in the transformative power of beauty in the importance of clever and beautiful architecture in the absolute necessity for public green spaces and well kept flowerbeds in walkable cities and market squares and small businesses etc etc fuck all the rest forever
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Tim: you ever think about how when you’re scared of something— usually some kind of animal— someone will inevitably tell you that “they’re probably more scared of you than you are of it” and like, not only is that supremely unhelpful, but actually that might make it worst, because you know what scared things do? Do you? Because there’s a 1/3 chance they chose “fight” out of the “fight, flight, or freeze” choices and usually if that animal is a predator they’re going to go straight to fight
Dick: are you still mad about the thing with Damian?
Tim: he tried to stab me! And when that failed, he bit me! Yes I’m still mad about the thing with Damian!
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Therion: It is with a heavy heart that I inform you that I am once again back on my bullshit.
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Callum, under his breath: Future wife says what
Claudia: Hmm?
Callum, to himself: Dang—
Rayla: What?
Callum: w h a t
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Mj: you know, the grinch is just like stitch, but Christmas flavored
Flash: what?
Ned: no no she has a point
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Ben: You know, squeezing that watch won’t stop time
Dan: *throws watch across the room*
Y/N: Neither will destroying it...
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Luigi: Mario, there’s a difference between bravery and fearlessness. But at the current moment I’m neither
Luigi: in fact, I’m scared fucking shitless right now
Mario: language
Luigi: sorry
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wait whats the actual explanation for rob liefeld
my understanding is that he was super young and basically learned to draw by copying comics which is how he ended up with a style that was just "comic books, but more" with very little grounding in anatomy
at the time people did like his style and the primary people critiquing things like anatomical accuracy were also making fun of characters for wearing their underwear on the outside so no one really cared about their opinions
he was also extremely prolific and could churn out comics like nobody's business, which in an industry that runs on deadlines made him great to work with
with the industry where it was at, his big weaknesses like 'lack of originality' and 'constantly wants to jump to the shiny new thing without finishing anything' weren't things anyone cared about
basically it was a matter of "good, fast, cheap - pick two" except instead of cheap it was the fact that he was making them a lot of money while also meeting deadlines which is such a holy grail no one cares if you can draw feet
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