#the greatest guitar classics of all time

[allthedesiredusernamesaretaken]

... listen out loud ...

[dc-comics-enjoyer]

Good Dad™ Bruce headcanons (part 1) :

(because we deserve it and need to heal)

Cass and Bruce connect a lot through shared meditation sessions. Just silently and calmly existing with each other.

Bruce often unwinds by playing the piano alone in the Wayne Manor music room. One evening, Steph heard him and joined in with a guitar she found there. Bruce didn't mind. Since then, whenever he starts playing, Steph often grabs an instrument, turning his solo sessions into lively jam sessions.

Bruce has a habit of calling Dick under the guise of needing his advice on a case. Once they’ve discussed the "urgent" matter, Bruce smoothly transitions to the real conversation to get updates on what's been going on in Dick's life :

"What happened with that noisy neighbor of yours ?"/"Did you find those jeans you were looking for ?"/"How was your date ?"/"How's the shoulder ?"/"Did you get the plumbing issue fixed ?"

Every time Bruce can spend time with Damian, he would introduce him to different strategy board games from around the world. They'd play chess, of course, but they would also play Go, Checkers, Mancala, Backgammon, Mahjong, Barjees, etc.

When they're confronting a bigger threat than usual, Bruce would make sure to leave tiny personalized notes in their utility belts. For Dick, he'd just shove it in his hand while walking past him :

To Dick : "Trust your instincts. You've got this. – Bruce"

To Jason : "Remember your training. I'm proud of you. – Bruce"

To Tim : "Your mind is your greatest weapon. Stay sharp. – Bruce"

To Damian : [in arabic] "You are stronger than you know. Stay focused. – Your father"

To Steph : "Believe in yourself as I believe in you. – Bruce"

To Cass : "Your skills are unmatched. Stay confident. – Bruce"

To Duke : "Your determination inspires us all. Keep it up. – Bruce"

When he was 13, Jason mentioned once how much he liked banana-flavored protein bars. Since then, Bruce always made sure to have some in the batcave. He never stopped, even when Jason was no longer around. It was a small but meaningful way for Bruce to keep a piece of Jason's memory alive. When Jason eventually returned, he was stunned to find the familiar protein bars still stocked, knowing no one else liked them that much.

Duke is a cinephile, so in his free time he loves watching movies. Bruce sneaked next to him in the manor's home cinema once. Since then, they created this unspoken tradition of watching classic movies together whenever their free time coincides.

To show his support after Tim’s coming out, Bruce discreetly hung small bisexual pride flags in multiple places : one in the Batcave, right next to the monitors where Tim often worked, one in the Batmobile on the rear mirror, one placed next to the family picture in Bruce’s room, and one on the training room's wall. It showed Bruce's acceptance and support in a way that blended seamlessly into their everyday life. It made Tim feel seen and valued.

-------------

(here's part 2)

[callmerainman]

Oh my gosh! You should make an Adam x reader playlist on like what you think the vibes and aesthetic of the relationship would be like!!

BEING IN LOVE WITH ADAM | A PLAYLIST

"but it's not forever, it's just tonight. oh, we're still the greatest"

Sex on Fire by Kings of Leon fits Adam's rock vibe, first of all. I see him performing it at his shows, and thinking about Reader in the process, it's just passionate in every way possible.

"just to cure it 'cause I can't ignore it if it's love"

Adam is definitely bad at feelings. Has a hard time understanding when he's in love, and when he does it really feels "accidental". Also, Adam gives romantic 2000s rock love songs vibes.

"honey, we can see right through you. girl, you can't conceal it. we know how you feel and who you're thinking of"

This all time classic goes for Reader, who I can picture struggling to accept that they're falling in love with Adam (I mean, it's Adam). But they're having it bad, so they come to terms with it (but won't say it).

"where can I find a woman like that?"

Watch Adam writing a whole-ass song if he ever were to fall in love with Reader and they're taken. Performing it a show and looking at them in the eyes and everything. He can't help it, he wants them to be his.

"some things just make sense and one of those is you and I"

Still into You just fits the vibe, just over the top love rock song that would go well with a possible Adam love story perfectly imho. Maybe after a break up.

"oh I, I just died in your arms tonight, it must have been something you said"

Would comedically work as either Adam or Reader suddenly realize that they're in love in a very specific moment. Reader being vulgar or violent? This song starts playing as Adam goes all wide-eyed looking at them as his cheeks get red. Adam playing the electric guitar? Reader goes full Lego Batman GIF looking at him.

"Don't go breaking my heart"

"I won't go breaking your heart!"

Throw this song in Hazbin Hotel as a duet between Adam and Reader where they profess their love for each other as soon as they realize it.

"(s)he ain't got no money, her/his clothes are kinda funny, her/his hair is kinda wild and free"

I see this more applied to Adam. Because people will ask Reader WHY Adam, and he's just that guy. Can work the other way around if Reader is particularly unique.

"one good girl is worth a thousand bitches"

Adam, in my opinion, is capable of serious relationships even if he's kinda hinted to be a fuck boy. He definitely has many flaws in relationships but he would be willing to work on them. Also, I headcanon him to listen to Kanye even if he's a rockstar lmao.

"the soul you bring to the table, the one that makes me sing in a minor key"

I'll finish this on a tender note. Adam and Reader come full circle about how much they love each other, they accept it, they know. And love changes both of them, both their souls. It can be that deep, even if it's Adam we're talking about. Reader makes his soul sing, and Adam theirs.

[fannyspammy]

We’re Okay

Adam Warlock x Reader

Summary: y/n & Adam disagree for the first time

Warnings: none ! just fluff :)

A/N: fifth part to the Firsts series! Sorry it took me so long to get the next part up! Had a super busy week :/ If you haven’t read the previous parts yet, my masterlist is here! (Can be read as a oneshot tho!)

taglist: @spderm4nnnn @nocturnest @joeysjaskier

[not my gif]

Adam loved everything y/n loved. Half because she was the one who introduced him to most things, and half because y/n just had good taste.

He loved all the different food she introduced him to, the books, the movies, the music. You listened to just about anything — classic crooners, r&b, pop throwbacks, show tunes.. you name it! Naturally, Adam listened to just about anything as well, but his favourites always featured a strong guitar.

Y/n nodded her head to the beat as The Black Keys filled her ears. They were one of her favourite groups, and one of the few she’d seen perform live on Terra before finding herself in space.

She was stretched over the couch, feet up on the arm rest on the side farthest from her, singing softly along to Everlasting Light.

“In me you can confide.. When no ones by your side.. Let me be your everlasting light.”

Adam walked in, cold drink in hand. “What’ya listenin’ to?” Y/n removed one of her earbuds and held it out for him to take. She retracted her legs to allow him to sit, and he pulled them back over his lap once he was settled in his spot. Taking the earbud, Adam immediately recognized the song and nodded his head in approval. Placing his drink on the coffee table, he leaned back into the pillows behind him, and they sat in contentment, singing along and creating actions to lyrics.

As the song ended, the rhythmic intro to Howlin’ For You began. “Oh, I love this one!” Adam stated. “Dan Auerbach.. what a legend.”

Y/n agreed, retelling the time she saw him live in concert. “His guitar solos were insane. Definitely my favourite guitarist.”

“Second favourite, you mean,” Adam said, shrugging lightly. Y/n raised an eyebrow and tilted her head in question. “After Adrian Belew, right?”

“Oh, I mean, he’s great, but Auerbach is still my favourite.”

Adam stared at her like he couldn’t believe the words that just came out of her mouth.

“You’re joking right? Adrian Belew is the greatest of all time!”

Y/n shrugged. “I dunno, I love his stuff too, but I think I just prefer the blues-y rock vibes over a lot of Adrian’s experimental stuff.”

Adam’s mouth was slightly agape now. “Oh c’mon. Oh Daddy? Pretty Pink Rose? I mean, the man played with David Bowie!” He was sitting up now, sharp eyebrows furrowed in frustration and hands out with his palms up in a ‘what-the-hell-are-you-talking-about’ manner.

Y/n sat up too, sensing more tension than she thought was necessary for such a trivial topic. “Babe, chill. So I don’t think Adrian Belew is the greatest of all time, so what? Why is it such a big deal to you?”

The golden man stood up now, throwing his hands down to his sides as he did. Her legs slid off his lap as he walked away from the couch, pacing a few steps away before turning around to face her again.

“Why isn’t it a bigger deal to you? How can you not think he’s the greatest guitarist of all time? He’s so clearly unmatched!”

Y/n rolled her eyes, crossing her arms over her chest. “Why is it so hard to accept that I prefer Auerbach’s style? I’m not saying Adrian isn’t great, it’s just personal preference! When it comes to the experimental stuff I can only listen in small doses. I prefer alternative. Why is that such a problem for you?”

“Because we always like the same things!” He shouted. Y/n was taken by surprise, eyebrows raised in shock before her expression softened into a more curious one. Adam sighed, rubbing his temple with his palm as he sat back down on the edge of the couch. “We… I always like everything you’ve shown me. Everything. I mean, I don’t think I’ve disagreed with you once since we met. What if it starts with this — I like Belew and you like Auerbach — and then it becomes other things? And then next thing you know we don’t agree on anything?”

Y/n stared at him intently as he explained himself. He looked like a sad puppy, eyes round and lips in a pout. She stifled a chuckle as she realized what he was saying. Leaning forward, knees bent up to her chest, she placed her hands on his thigh. He looked at where she touched him before looking into her eyes. “Adam, it’s okay for us to disagree!”

He looked at her sheepishly. “It is?”

“Yes, silly,” y/n smiled at him, amused. “It’s sweet that you’re concerned about us growing apart, but every couple disagrees on some things. And usually over more important things than who the best guitarist is.”

Adam relaxed and scooted closer, bringing his hands to rest on the back of her calves. His thumbs rubbed her shins gently. “So.. we’re okay then?”

Y/n smiled. “Yes, you idiot, we’re okay.”

Adam sighed in relief. He adjusted his position so he was resting his head on her knees, an arm hooked around her leg to hug it close to him. Y/n melted at the sight him — a powerful man who could single-handedly bring down an army, so soft and delicate with her.

She brought a hand to his head and stroked through his hair before placing a kiss on his forehead. He snuggled closer at her show of affection and y/n smiled once again.

“We’re okay.”

[retropopcult]

"Thirteen" is a song by American rock band Big Star.  Rolling Stone describes it "one of rock's most beautiful celebrations of adolescence", and rated it #396 on their list of the 500 greatest songs of all time. It was written by Alex Chilton and Chris Bell.

The name of the album was #1 Record, which was bitterly ironic, as it ended up selling under 10,000 copies upon its initial release in 1972 (the name of the band also proved to be an unfortunate misnomer, because outside of critics and other musicians, they remained virtually anonymous during their brief time together).

Bell and Chilton wanted to emulate the Lennon/McCartney formula as much as they could, so they shared credit on many of their songs even though there was in fact little writing collaboration between the two. “Thirteen" was in fact entirely Chilton’s creation, and he also delivers the aching vocal that vacillates between hope and heartache and that many cover versions have tried to emulate but never quite matched.

The yearning acoustic ballad focuses on an age that is somewhat underrepresented in pop and rock music. Chilton found that bittersweet spot when innocence still lingers but more complicated emotions start to work their way into the picture.

Over tender guitars, he begins with a question that thirteen-year-old boys have been asking thirteen-year-old girls for generations: “Won’t you let me walk you home from school?” “Won’t you let me meet you at the pool?” he follows, again treading lightly so as not to scare her away. He eventually suggests a date at the dance on Friday; “And I’ll take you,” Chilton delicately sings, as if anything more forceful than a gentle plea will destroy his chances.

In the second verse, the narrator for the first time reveals an obstacle blocking the path to this girl for whom he is clearly falling hard: “Won’t you tell your Dad get off my back?” he asks her. His response to the doubting father is brilliant: “Tell him what we said about ‘Paint It Black.’” By drawing a parallel between his own musical tastes and that of the father, he’s hoping to show that he’ s not just some punk kid with bad intentions.

The final verse finds him struggling as she remains seemingly unknowable (“Won’t you tell me what you’re thinking of?”) resulting in his sweet but awkward follow up (“Would you be an outlaw for my love?”) His final lines redeem him in terms of his integrity and honor, even as they suggest that he’ s losing his opportunity with her in the process: “If it’ s no then I can go/ I won’ t make you.” The final “Ooo-hoo” that Chilton utters is a real killer, tinged as it is with the sting of implied refusal.

Over the decades there have been some fine cover versions of this classic, with brilliant and diverse artists like Garbage, Wilco, and Elliott Smith taking their turns, among many others. But they’d likely all agree they were playing for second behind Chilton’s one-of-a-kind, haunting performance. “Thirteen” is as good as it gets for those looking to relive that moment when life is still rife with possibilities but love seems stubbornly impossible.

Music critic Simon Robinson rates it as Big Star's best song and one of the most important of 1972, praising the "catchy melody and jangly guitars that perfectly capture the carefree and optimistic spirit of youth" and the "simple yet poignant" lyrics that evoke the "experience of teenage romance and heartbreak."

[meangirls-imagines]

hi! can i ask for more descriptions of the R in the poly!plasticsverse (i love the character descriptions btw, im just eager) like how tall are they and what music they listen to.

(also hi! is this the appropriate place to send my dumb little thoughts about them? because i know your requests are closed and i don’t wanna like overstep in any way. im also the person who submitted R getting up in the middle of the night to sleep [IT WAS SO GOOD AND SWEET AND CUTE, i love it so much] but i did not expect to get something written, and i felt bad because i didn’t know if that meant i made you feel like it was a request. if it did come off as a request, i am so sorry, i meant to be a gay little shit telling you how much it took over my brain to read poly!plastics)

HI YES OF COURSE YOU CAN SEND IN YOUR THOUGHTS ABOUT THE POLY!PLASTICSVERSE! PLEASE DO!

Y/N is what @yungpoetfics calls "polyjamorous".

She vibes to female rappers with Regina.

She dances to vintage music with Gretchen. (Her and Gretchen have slow danced to Elvis in the kitchen late at night.)

She tries to listen to Kpop with Karen but can't get into it. (She doesn't tell Karen that so she doesn't hurt her feelings.)

She goes all "Thug Life" with Shane. (They showed up to school one day dressed like 2005 John Cena while blasting Tupac. Regina burned those clothes after Y/N wore them.)

She introduced Shane to emo rap. He became obsessed with Lil Peep in two days. (He tried to get face tats but Y/N shut that shit down quickly."

"Lil Peep looks good with them because he's handsome, you would look like you just got out of jail. Do you know what they do to pretty boys like you in jail? They make them bottom bitches." "Maybe I should go to jail." "NO!"

Her and Aaron listen to all kinds of things (but when they are alone, they blast One Direction).

Her and Janis have a similar taste, so they vibe with each others music.

Damian tries to get her to listen to R&B and she likes it.....kind of.

Y/N is a pop punk/emo at heart.

Y/N and Regina will jam to Paramore and Evanescence but Y/N's favorite band is Simple Plan.

Y/N went to a Simple Plan concert when she was a kid and it was the greatest moment of her life.

They got a picture of them meeting Simple Plan and it's their greatest possession.

She listens to classical music with Cady when she tutors Y/N. When they hang out on what they call "mother and son time", they listen to country. (Conway Twitty, Garth Brooks, Reba, etc.)

Regina and Y/N recreated the "Still Into You" video (Regina singing, Y/N playing guitar. Ballons, bicycles indoors, the whole thing) and posted it to their IG on Valentines Day.

It's their song.

Emo band hcs:

Y/N: Simple Plan

Regina: Paramore

Karen: Panic! At the Disco

Gretchen: Dashboard Confessional

Cady: Secondhand Serenade

Aaron: Fall Out Boy

Shane: Green Day

Janis: Avril Lavigne

Damian: is confused

Now, let's talk about about our favorite stoner.

Y/N is 5'6", she's just shorter than Regina.

She's got a scar on her nose from when she was a kid and she was jumping on her parent's bed and tripped over her dad's foot and busted her face. (I'm totally not projecting). And a birthmark on her stomach that is lighter than the rest of her skin (so it looks like a scar). When they get intimate, its her girlfriends favorite spot to kiss.

(She also wrote a song called My Girl for the plastics and plays it when one or all of them are sad.)

[the-old-mayhem]

“All black metallers know that Diabolical Fullmoon Mysticism was one of the first Norwegian black metal studio albums. Darkthrone’s A Blaze in the Northern Sky, the very first full-length studio example of True Norwegian Black Metal, came out earlier that year on February 26th. Between these two classics, V.V saw the release of Burzum’s self-titled debut album in March. (While Burzum was being recorded in Grieghallen with Pytten, Demonaz and Euronymous were often present in the studio. They helped Varg carry instruments. Euronymous played guitar on “War” and pounded with his fists on a gong for “Dungeons of Darkness” and the intro to Burzum’s next record.)

Mayhem’s Hellhammer revealed that the band chose to record De Mysteriis Dom Sathanas at Grieghallen because of Varg. At the time, V, of course, lived in Bergen and had replaced Necrobutcher on bass. The album was recorded in 1992 and 1993. - From “Eirik ‘Pytten’ Hundvin is Immortal: Celebrating Black Metal’s Greatest Producer”, Metal Injection, July 2022. Part 1 of 2 🕯️

@the.old.mayhem on instagram

[louisupdates]

FULL ARTICLE ON EUPHORIAZINE

By Saskia Postema 26.4.2024

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

[lyraofthestarsss]

I woke up and IMMEDIATELY realized that there’s a specific melody in “We’ll Be Fine” that sounds familiar so I stared at my ceiling and listened to the previous sagas’ Athena songs and found way more than what I originally planned

All of this is JUST We’ll Be Fine. I haven’t sat down and fully analyzed the other wisdom saga songs yet

Reoccurring Themes

We’ll Be Fine starts with Athena’s classic piano run, just like how every song of her’s starts

Telemachus has acoustic guitar in his instrumentals the same way Odysseus does (like father like son fr)

Athena has piano in her instrumentals the same way Anticlea does

When Odysseus was young, Athena was a mentor to him in the way that a mother would teach her child about the world around him

The run down/harmony between Athena and Odysseus when they sing “Warrior of the Miiiind” is a repeating melody that appears at the end of My Goodbye, and several times in the chorus of We’ll Be Fine

Odysseus is the first one to sing this melody, with Athena following close behind to match him. I feel like this is Athena learning from Odysseus in a way she didn’t think was possible (a goddess? Learning lessons from a mortal? Impossible) I feel like this melody also represents their bond, because she loses it in the last line of My Goodbye but she brings it back in We’ll Be Fine

The long, held note Athena belts when she first sings the chorus of Warrior of the Mind is the same note she holds at the very end of My Goodbye

To me, this is her going back to her old ways. Abandoning Odysseus and the way of thinking he taught her

We’ll Be Fine -> My Goodbye

Athena said she can’t sleep at night because she’s worried about Odysseus and regrets leaving. Odysseus tells her in My Goodbye that he can’t sleep at night because he believes actions are what caused his men to die

“Maybe ^^^ if I’d made a different call vvv” from We’ll Be Fine sounds similar to (but not exactly like) “One day ^^^ you won’t disappoint me vvv” from My Goodbye

It’s Athena going from blaming Odysseus for their ruined relationship to realizing that it was ultimately her decision to cut ties in the first place

“Maybe he’d be fiiiiine” run in chorus of We’ll Be Fine is the same as “this is my goodbyeee” run towards the end of My Goodbye

Both Telemachus and Odysseus change Athena’s instrumentals and flow completely when they start singing. Athena’s piano instrumentals shift to acoustic guitar, and then the piano joins back in later on to follow the melody

This could represent how both Odysseus and Telemachus have influence on Athena in a way she never could have expected. She sees their perspectives and adapts to it

We’ll Be Fine -> Love in Paradise

Telemachus calls out to Athena in the same way Odysseus does (similar notes, but the only difference is pitch)

They’re both trying to get her attention. Telemachus is right in front of her, but she’s getting lost in her own thoughts. Meanwhile it Odysseus, Athena is nowhere to be found. Telemachus says her name or get her attention, but Odysseus says her name as a cry for help

We’ll Be Fine -> Warrior of the Mind

Athena copies Odysseus’ run down from “Warrior of the miiind” to “maybe we’ll be fiiiine”

This is Athena reflecting on her past actions. Maybe, she believes, if she wasn’t so focused on trying to form the greatest warrior and unintentionally creating a divide between her and Odysseus, then their relationship wouldn’t have ended the way it did

[saruman-the-silly]

Birthday headcanons with the ghouls and ghoulettes

something sweet because it's my birthday today yay! :D so I felt like writing headcanons on how the ghouls and ghoulettes would spend your birthday with you, their awesome partner :)

---------------------------

Sodo

He might seem a little bit indifferent at first, but don't think he forgot, noo. He would act all "Nope, didn't even think about it," etc, but at the end of the day there would be a note telling you to come to your secret spot in the gardens.

When you get to the gardens, he would absolutely have a little picnic set up for you two with some fancy wine he probably stole from someone.

He also will get you your favourite snacks as a gift. And not just like 1 bag of your favourite candy, he will get like 6 bags of everything. Your snack drawer will be set for life.

I also see him gifting you a plushie, maybe a matching one to his Baphomet plushie.

Swiss

Listen, I can definitely see Swiss throwing you a surprise party.

The days following up to your birthday he'd be all "Nope. Nu-uh, what makes you think I have something planned?" He'd try to be secretive (he can't) so he hires the ghoulettes to keep you distracted for a few days.

And when I say he knows how to party, he knows how to party. He would and will go out of his way to make it the biggest and most outlandish surprise birthday party ever.

There may or may not be a serenade coming your way sometime in the evening, when Swiss has had one too many to drink.

Your gift from him would be a guitar pick necklace. Don't ask me why but I think it fits.

Mountain

I'd like to think Mountain prefers to keep it very intimate, and very thoughtful.

You go out to your favourite restaurant for dinner, and after that you go home and have a self-care night.

He will give your sore shoulders the greatest massage ever, I just know it. He will also have bought you your favourite scented candles, probably paired with some comfy socks.

Listening to some of your favourite music while doing skincare with him and just relaxing. You also just talk, because with Mountain, you never run out of interesting conversation topics.

Phantom

He will try to be all serious and fancy with a classic candle-lit dinner and all the cheesy romance movie stuff, because the poor thing doesn't know what you would like.

You of course appreciate it, but end up rolling on the floor with laughter when he tries to quote Mr. Darcy or something else romantic.

You just tell him that he doesn't need to do all of this, being here is enough. You end up crashing someone else's party, and probably get kicked out by wiping the floor with everyone- due to your phenomenal karaoke performance.

After that, you end up getting milkshakes from the nearest McDonald's drive-thru.

Rain

Idk why but I could imagine you going to an amusement park with Rain.

He would absolutely win you the biggest plushie available, after some tries with mild cursing and kicking stuff.

The day would be spent just goofing around, going on fun rides and enjoying the cheerful atmosphere.

Getting him to go on the ferris wheel was a bit of an task, but he got on with you, despite of his mild fear of heights.

When you are at the top just admiring the view, he would give you his present, a beautiful necklace with his initial on it.

Cumulus

She will have your birthday marked on every one of her cute calendars. And she has like 20 of them.

I feel like Cumulus would bring you breakfast in bed. If not, after you wake up there would be a gorgeous breakfast set up in the kitchen, like straight-from-your-Pinterest-board type of breakfast.

After that you would go shopping and she would buy you something you have needed for a long time, but also just everything you try on. When you try to protest, she just smiles cutely and says "It's your birthday, of course I'm buying this for you!" You give up after that.

When you go drink some fancy overpriced latte at a café, you would hear the latest gossip around the Ministry, because who wouldn't want to hear? I would be taking notes because she knows what's up.

Cirrus

Cirrus would keep it cool, handing you a well-wrapped present sometime in the afternoon. She got you the vinyl you were always talking about buying but never did!

After that, you would sneak off to the kitchens and steal some of the fancy rosé wine with some snacks.

She had somehow convinced Copia to let her use his room, since it had the biggest TV, so you barricaded yourself in there and had a movie marathon.

Movie marathon will include something trashy that you can laugh at, (like Twilight), something that will make you cry, and some of your all time favourites.

Aurora

She would absolutely barge into you room in the morning, playing Never Gonna Give You Up. Do not ask me how I came to this conclusion but she totally would.

Aurora will also have made a cake for you. It's one of those very ugly, slightly terrifying, very misshapen hedgehog cakes with the funky teeth. It's the best cake you have ever received on your birthday.

After eating the hedgehog cake she will drag you to a laser tag game with the other ghouls she forced into it. (Not that they needed to be convinced, it's a bit scary how fast some of them got into it)

The evening after will be spent painting your nails, watching a good show and just enjoying each others presence.

--------------------------------------------

Hope ya'll enjoy, I had fun writing this <3

[mxtantrights]

the family gala

this is a snippet from the famous dc!au that started with The Greatest Hits [read here] you don’t have to read it but a lot of things would make sense if you do! hope you enjoy.

"Are you sure this isn't too much?" you ask.

Jason is behind you in the mirror, back towards you. When you ask he turns around. He turns his phone off and slowly walks over to you. As soon as he's in arms length he wraps himself around you.

The two of you match for the night. You're wearing a red dress, backless, that reaches the floor. And Jason has an all black suit on with a red tie. The same red as your dress.

"You are the most magnificent person I have ever seen. You take my breath away every morning but this, right now, you are just out of this world." he says.

You can't help the smile that grows and grows on your face. You lean back into him and take another look at the two of you in the mirror. The press conference was your hard launch. Everything else after that was light work.

Except for tonight. Tonight is the Wayne Gala, or at least the one happening this month. You had been specifically invited by Bruce Wayne. It was shocking to see a handwritten invitation in your mailbox.

Not that you were thrown off by being invited. You just thought since Jason was at your place or you at his that Bruce would have passed it along via Jason. The guy really was classic.

You're pretty sure your neighbors saw your head spinning when you took out the envelope from your mailbox that morning. You ran inside like a chicken without a head to tell Jason.

To your surprise he had nothing to do with you being invited. He told you that he would bring you as a plus one, obviously, but he hadn't known about the gala yet.

Anyways.

"What's going on in that head of yours sweetheart?" Jason asks.

You shake your head, "Nothing, just a bit nervous for this."

"We could bail." Jason answers.

"No way! Jay this is your family. And I got formally invited. We're going." you say.

Jason keeps eye contact with you in the mirror as he places a kiss on your shoulder. He's being sweet but you know this will be just the beginning of him trying to convince you to take his tie off, then your dress, and then the whole gala would be forgotten about.

"When we get back from the gala you can take all of this off me." you say.

You don't miss the way Jason pushes up against you for the smallest fraction of a second. His body against yours is a sinful thought right now. One that you won't allow yourself or him to have.

"Okay. Let's go then." he says.

Then he's pulling you by the arm out of your bedroom. You and him burst into a storm of giggles as you clumsily reach for the things you need before you head out the front door. Your bag. His phone. The invitation on the kitchen table. Both of your jackets.

-

There is no special carpet for the Gala. Instead it's just an elaborate entry way that is lined with photographers. Some gossip bloggers sneaked their way in to ask lousy and raunchy questions. That didn't really matter seeing as Jason is a six foot wall and they were not getting through him.

You both posed for pictures for a minute outside the door. Then you headed inside. It was everything you ever imagined and nothing you could ever dream of.

Jason had told you on the ride over that sometimes theres a theme. One time it was Gatsby themed and you had to stop yourself from gasping and scaring your driver. You would have loved to go to a Gatsby theme gala.

Tonight's theme is latin culture. It's then that you put together why you got your invitation before Jay knew about it. Bruce selected the theme for him.

You don't miss the way Jason smiles at all the elaborate decorations. There were dancers dressed in long skirts. A full band made up of guitars and horns.

As you two are taking in the view you get interrupted, or greeted rather by the rest of the Wayne family. Specifically the three you haven't met yet.

Dressed to the nines are Steph, Duke and Cass. You know about them. Steph is on the album for the sequel. Duke is running one of Bruce's film studios. And Cass is the lead in the upcoming debut of The Nutcracker at the Orpheum.

"Oh my god you're really here." Duke says.

"Yeah I made it." Jason says.

Duke makes a face, "I wasn't talking about you!"

"Hi I'm Steph!" she offers her hand.

You take it into your own and shake it, smiling.

"I know! I loved your song for the sequel." you say.

You can hear her tiny gasp. She turns to Cass who is smiling too.

"Woah can we all back up on the precious cargo?" Jason jokes.

You nudge him with your shoulder. You think it's sweet how they've interacted with you thus far. Especially Steph since she was on the album for the sequel. You're pretty sure you were the first one to stream her song when it dropped.

"We just can't believe this is real." Duke says.

"There is no way you managed to get your co-star to date you. You're kinda of a jackass." Steph adds.

Cass nods along. Duke affirms with a hum.

"Guys!" Jason yelps.

"Was it the tight shirts?" Duke asks.

You begin to laugh and Jason drapes an arm around your shoulder. He pulls you closer and you bring an arm around his waist. It was instinctual at this point. If Jason was less than six feet away you had a hand on him, or he on you.

"My god, you two must really like each other." Steph says.

"Yeah but he likes me more. It's kind of embarrassing." you joke.

They all laugh at that. Except Jason. You can see the tips of his ears grow red. You nudge him softly. You'd have to save that for later.

"I actually got the invite before he knew about the party. What's up with that?" you ask.

The three of them don't know. They shrug their shoulders. And then conveniently disperse from you and Jason. You watch in amusement as they do.

"I asked father if I could send your invite early."

Both you and Jason get spooked by the youngest Wayne. You turn around and there he is. Damian looks dapper in his suit. A pocket sized Bruce Wayne.

"Damian, it's nice to see you again." you smile.

"Thank you. Your dress is nice." he says.

You smooth it out a bit with your hands, "I have you to thank. I had enough time to ask a designer to pull it from the archives."

"I'm guessing they couldn't do anything for Todd." Damian swipes.

Jason hisses, like actually hisses like a cat, "I changed your diapers! Don't mess with me."

Damian scurries after that. You bring your hand to the back of Jason's head. Your nails scratching his scalp. You see him visibly relax and lean into your touch.

"Your family is really welcoming." you speak.

"They're all infatuated with you. But they have to get in line because I was here first." Jason answers.

"Okay big baby. I'll let em' know, when we have family dinner." you say.

"Oh you can't tell?" he asks.

You step in front of him now. Eyeing him and how cheeky he looks. You are not genuinely curious what he means by his words.

"Do share..." you trail off.

"The early invitation, the theme. This is family dinner." he answers.

You cock your head to the side with an incredulous laugh.

"Last I checked you had seven family members. Excluding Damian’s duck Sir Billsworth of course." you say.

"It's no-strings family dinner. They're trying to ease you into the fray. Give it a month, we'll be invited to something again." he replies.

You can't help the smile that grows on your face. Jason lightly chuckles at your face.

"What?" he asks.

You reach up and peck his lips. Jason is fast and his hands steady themselves on your hips. He pulls you closer for another kiss, knowing him something world ending and stomach flipping, but you push back with your hands flat on his chest.

"Not in front of the family!" you whisper-yell.

"Oh they better get used to it now because I do not plan on behaving just because they're around." he says

"Bad. Bad. You are very bad." you giggle.

Jason leans over to your ear. You can feel his breath on your skin. He wasn't making this gala appearance any easier on you. Then again you might've asked the designer to specifically pick a red dress because you know how Jason feels about red.

"I never reach the end of these things and I'm definitely not going to start now with you dressed like that." he whispers.

When he pulls back he's straight faced. A waiter passes by with a tray full of fancy taquitos. Jason's eyes zero in and he pecks your cheek and goes in that direction.

You watch him as he goes. Not believing that man was all yours. At the end of this night, and for maybe all your nights yet to come.

[projazznet]

Charles Mingus ‎– The Black Saint And The Sinner Lady

The Black Saint and the Sinner Lady is a studio album by Charles Mingus. It was recorded on January 20, 1963, and released in July of that year by Impulse! Records. The album comprises a single continuous composition—partially written as a ballet—divided into four tracks and six movements. It is widely regarded as one of the greatest jazz records of all time.

Charles Mingus – double bass, piano, composer Jerome Richardson – soprano and baritone saxophone, flute Charlie Mariano – alto saxophone Dick Hafer – tenor saxophone, flute Rolf Ericson – trumpet Richard Williams – trumpet Quentin Jackson – trombone Don Butterfield – tuba, contrabass trombone Jaki Byard – piano Jay Berliner – Classical guitar Dannie Richmond – drums Bob Hammer – arranger

[hldailyupdate]

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

[dailytomlinson]

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

[louistomlinsoncouk]

⭐⭐⭐⭐⭐

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

[taylorswiftstylequestions]

omfg i'm sorry to rant but i NEED a sympathetic person to hear this. i like the every single album podcast more than most swifties, but today's ep -- and the last few -- are driving me insane. i am so fucking sick of hearing nathan and nora wring their hands over what joe might deal with. all harassment is bad, but i am done pretending that jake g and john mayer went through….any kind of wringer? they had like...a semi-awkward couple of weeks? jake is still a mega a-lister and john mayer is widely considered to be one of the greatest living guitarists. fuck, what mayer did was outright predatory -- and he's done it to multiple women -- and lbr, he lives 99% of his life totally unperturbed by it. he's not losing gigs or status in the places that matter to him; i suspect a lot of swifties aren't aware of this but i'm a guitar nerd, and uh, yeah, he's considered a living god and no one gives a shit what he did to taylor. and literally everyone woman in the public eye, including taylor, goes through worse every single fucking day, even at their heights of popularity. i don't know how to deal with hearing nathan and nora worry about :(((( omg what will joe go through :((((( when he's never going to have disgusting ai porn of himself explode across twitter on a random weekday. maybe i feel this strongly b/c i work in games, where hordes of male fans regularly ruin random women's lives because they animated a female character wearing a t-shirt instead of a string bikini, but i can't deal with this anymore. these men are fine. lots of people get mad at them, but it's because they did truly shitty things to her and she refused to absorb it silently. then it breaks, and their lives go on.

---

I feel like Nora really articulated what Anon was trying to say the other day about along the gist of "I hope something really bad happened to justify all of this." Interesting perspectives! Btw I just want to be super clear that I don't think Taylor or anyone has to justify anything like that! Just thought it was interesting how Nora put it in the latest episode and T's power is the unusual part of this equation.

---

In a very classic "I thought the two of you should meet!" re: today's The Ringer / Every Single Album pod episode.

I will say I read both of these messages before listening to the episode myself and tbh I think Nora ultimately landed in a pretty middle and reasonable place (it started out pretty rocky though) by the end of the episode. My understanding is she ultimately felt like Taylor has every right to tell the story that she wants / needs to tell and the work will speak for itself. That this is Taylor going face to face with the elephant in the room and (probably - we don't know obviously) not obfuscating the reality that we all saw play out in real time behind 'fictionalized' half truths roleplayed by semi-imaginary characters. And at the end of the day the (likely - AGAIN WE DON'T KNOW) reality is that she's prepared to walk through the narrative that is this pressure cooker storyline many are waiting with baited breath for which is the deterioration of her most significant relationship to date.

All that to say is that I think both of these points are incredibly valid. I personally have a lot of feelings wrapped up in it that do tend to come down more on the side of it's strange that the default position is this desire to sign up as first in line defence attorney for a man when the crime as we know it is 'woman writes her life into art'.

Nora interestingly noted that there's a "pressure for this album to come with receipts" (paraphrase) based on this (fan) hyped up narrative of something sinister having gone awry that this album will pull the curtain back on. And if it fails to do that, enter said self-appointed attorneys.