#the same goes for writing

[forsty]

feels like we need to be way more vocal about bullying people who do AI generated stuff

no fucking tolerance for that soulless piece of crap

[geezmarty]

(bellara/taash) nerd/jocks lovers rise up

[nadiajustbe]

One of my favorite parts about the writing of Howl's Moving Castle is how easy it is to write off all the things from our world at first as him just being a weird wizard™ (also thanks to bestie @jutenium for spotting this I wouldn't put it like that without you!!/pos). Sure, Sophie uses weird descriptions, but readers have every reason to believe them because of the way Howl is presented as a character. When Sophie says he wrote with a quill that doesn't need an ink, you wouldn't think it was actually a ballpoint pen, you would think Howl had just enchanted his quill so that it wouldn't need ink! When she adds that she can't make out a single word, you think he has matchingly terrible handwriting, but in fact Sophie has simply never seen a pen writing. When she sees the mysterious labels on his books, you think he's keeping a lot of obscure magical literature, but it's really just an encyclopedia and a guide like "Top 10 Rugby Tips." When Sophie notices the bottles in Howl's bathtub, you think they're some kind of magical jars where he keeps girl's hearts, but I'm almost certain that they're just 'Dove' and 'Head and Shoulders' that he's enhanced with his spells and put silly labels on. When you read Calicifer singing a song in a language Sophie doesn't understand, you think it's some kind of ancient cipher or code, but it's actually just a rugby song in Welsh that Howl sings when he's drunk. And finally, when you see the terrifying black door, which is completely shrouded in darkness, you imagine a passage to an eerie, mythical place, similar to what Miyazaki showed us - but it's just fucking Wales.

[bluerosefox]

Paying a Price.

I want more Dad!Tim stuff. (And once again a deaged Danny and Ellie idea)

So let's go do that.

So you know those DPxDC AUs where Tim makes a deal with either Clockwork or Danny to carry Ellie? Or Tim is a reborn Danny whose carrying Ellie instead (love these btw) in order to get Bruce out of the time stream.

Well what about instead of just Ellie, it's both her and Danny.

Danny and Ellie who were badly hurt by the GIW that they both had to revert into their cores. They are saved by their friends/family and are taken to Frostbite. There they are monitored and looked after only until they can finally the reform but they run into a problem. The two can't return to their home dimension due to the GIW activity and they cant stay to long in the Infinite Realms cause they are still halfas. Then one day CW appears to speak with Frostbite over something important about the two.

Meanwhile in the DCverse.

Tim might have figured a way to save Bruce from the timestream. A being known as Clockwork might be able to help him if he manages to summon the powerful 'Ancient'.

However he knows summoning and requesting it's help he will have to pay a price.

If it means getting Bruce back he'll do it...

[mischievous-thunder]

Logan, a few hours after he got kidnapped:

Also Logan, a couple of days later he got kidnapped:

Much, much later:

[hazelnootnut]

ACT 2 "You're... me?" "That's right, stardust!"

You know I've been drawing Loop as their Siffrin form so much that it's got me thinking. I've read and seen so many fics and artworks of Loop eventually getting back to looking like their old self, but I don't think I've seen any so far of Loop already being a mirror copy of Siffrin. So uh, yoink?

ISAT AU where the game plays out the same way (plot-wise at least) but Loop looks like Siffrin the whole time and while Siffrin is extremely perplexed that there's another him, he's still gotta accept their help because how else are they supposed to escape the loops? Good ol' Loop is here to help, helpful friendly Loop!

Siffrin is going through it still but Differently.

[niccolites]

is possessed by an evil spirit for a moment and i can only think abt brother's best friend soap (heavily inspired by @ceilidho's ask here)

Idk man something about soap having always been a little bit weird with u. he's been friends with ur brother for years, back to when you were teenagers. He's only a year older but you felt the gulf of that gap, exaggerated when he shot up, puberty like a tool he used just to tower over u and make u uncomfortable

Growing up with him as a perpetual shadow, always a little bit too close, always a little bit too intense. Your parents shrug it off when u complain about it, telling u that he just likes u and u could be nicer to him about it, poor guy. Ur brother calls u stuck up when u snub soap, hissing at u to stop embarrassing him when ur rude when johnny tries to give u his seat on the couch where they're playing on their console

only you know that he's only offering u a seat so that he can press in close, a hulking mass in the corner of your eye as hot breath hits the side of ur face while he tries to look down ur shirt. constantly trying to dodge his grabby hands that grip ur exposed thighs or smooth over ur hips - pupils blown out when his hands swallow up the expanse of your skin

u snap at one point and tell him that he disgusts u, that ur not into him at all. he goes red in the face, growling that you've been leading him on, that ur playing games with his head (he is assuming u wearing a blue bra after he yanked ur turtleneck up was to match his eyes, even tho he shouldn't have seen it in the first place)

u end up with ur panties around ur knees as he forces u to stroke his cock, panting into ur throat as u 'make apologies' to him. he forgives u btw, he knows that u have to act this way, that ur brother would kill him if he knew. makes it seem like ur partners in crime, in this together even with his hand manacled around ur wrist to stroke him off

it gets worse after he enlists, and u don't see him for weeks or months. he gets pent up, barely putting a show on for everyone before he's dragging u off slick mouth on urs until there's spittle dribbling down ur chin, whining for u to please let him see his pretty girl (he's talking abt ur pussy), already 2 knuckles deep so ur wondering why he's even asking in the first place

and now he's a hero to everyone else. stuck in the bind of him being the in-love teenager to the kind-hearted man that is risking his life for everyone, do you have to be so cruel to him?

u wonder why, face pressed into the pillows of ur childhood bedroom as he hikes ur ass into the air to rut into u hard and fast

u do what u always do, hissing and spitting at him until he finally gets his way and ur back bows as he barely pauses through ur orgasm as he chases his own. he knows that u have to put the show on, lovey, but he's waiting in the backwing for u. partners in crime right?

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[starry-bi-sky]

Danielle and Danyal's meeting... very, very quickly goes very sour from, basically, the moment Danny steps into his room and finds Ellie sitting on his bed (strike one) and reading the comic books Tucker introduced him to (strike two). By the time she's looked up to address him, Danny has the door locked, and a hand hovering near the knife hidden under his shirt.

She gets her third strike when Danny, in a voice that could make the mountains tremble, demands to know how she got into his room, and she lies (with uncertainty of her decision growing in her chest) that Jazz let her in. Danny's hand shifts closer to his weapon, and he turns towards her fully, and says that Jazz would never let someone he didn’t know into his room, and who was she.

(Vlad Masters had underprepared Danielle for her meeting with Danny -- not out of any completely direct malicious intent, but he failed to mention just how... 'touchy' Daniel could be -- he failed to mention the scars littering up his arms, unhidden by the hoodie tee he meets Ellie in. He failed to mention that along with those scars, that Danny was visibly lean, capable of doing very real damage without the use of his powers.)

(He tells Ellie that he’s adopted, and that he is observant and clever, but ungrateful and has a bad attitude.)

Her final strike occurs when Ellie, trying to keep her facade of cheeriness, tells him that she’s his third cousin once removed. Immediately, Danny has his dagger pulled out, and Ellie finds herself with the cold metal of a blade pressing against her throat.

Danyal 'A.G' Fenton hasn’t killed since he arrived in Amity Park. At first it was because mother told him to keep a low profile, and killing would do the opposite of that. But, he's been slowly learning from his sister and friends over the years the value of human life. So it's become a combination of keeping his head down, and also that life has value to it.

But. That doesn’t mean he can’t kill, nor is he opposed to doing it if the situation calls for it. It just means that he doesn't do it. And ‘Danielle’ is an unknown in his room, claiming to be family to him, and appearing uncannily similar to him and his family. Either someone hired her and she was trying to pass herself off as a relative to him because that someone realized Danny was the biggest threat, or, his false death has been compromised, his mother was unable to tell him, and the league was aware he was alive.

No matter how he looks at it, this Danielle was a threat to him, his sister, his friends, to Damian, and to the Drs. Fenton. Danyal Fenton doesn't kill, but he has no problems doing so.

(Ellie, pinned under Danny’s knee and the blade to her neck, is too terrified to think of phasing out of his hold. Not that it would help, he would just chase after her.)

“You have broken into my home, dared to lie to my face, and when I demanded to know the truth, you dared lie to me again." Danny's scowl could cower even Skulker, his glacier blue eyes burning. "Your continual breath has been a favor from me, that I have graciously allowed, from the moment you entered my room, dahkil."

"So I will ask one more time," he hisses, "who. are. you."

Danielle, only a few months old, unprepared for the ice storm that is "Daniel" Fenton, and his clone in only flesh and blood, and not memories, immediately breaks. And tells him that she was his clone, that Vlad sent her to come capture him, and to please not kill her.

Danny's face twists with anger, Ellie thinks he's going to kill her anyways. Instead, he withdraws his knife and gets off her, stringing out curses in Arabic as he sheathes his weapon back into its hiding place faster than Ellie can blink.

He switches to English as she is collecting her bearings (and contemplating fleeing), and Danny paces the room like a tiger in a cage. "--of course that wretched, arrogant, peacocking little ingrate would do something so infuriating. I should have driven my sword into the shrivel of his heart when I had the chance--"

Ellie, for a moment, thinks of leaving while he is distracted. And starts to slowly creep away. But Danny notices instantly, and whirls on her. His too-bright eyes bore into her head: "Where do you think you're going."

"...I'm leaving."

And Danny scoffs at her, "Why? So you can fly back to Masters and tell him that you failed to capture me, and that I know that he cloned me?" He says, and Ellie remains silent -- that's exactly what she was going to do. "He will destroy you within seconds."

Of course, Ellie rears back in offense, and she finds the footing to glare at him. "He would not! He's my dad, he loves me!"

Danny gets in her face, glowering back with an equal intensity. "He does not." He snaps, "Vlad Masters has not a soul in his body nor a heart in his chest. He would sooner cut off the hand that helps him stand, than to take it along with him."

"If you're really made of my blood, then I will teach you only this: we bow not our heads nor our hearts to anyone." Danny's too-blue eyes narrow, and his voice dips into a hiss, "Especially not to a conniving snake like Masters. Your heart: cut it off, or cut it out. He will sooner leave you to bleed."

Then, he unlocks the door and drags her out before she has much time to act. And as he drags her down the hall he shoots Sam and Tucker a text, and they meet up at Nasty Burger. Ellie is a spitfire, but Danny has her too intimidated to leave.

"This is Danielle," he tells them bluntly as he corners her into the booth, "she's my clone. Masters created her."

Ellie is with them for a week, and somehow throughout that time, Danny manages to actually get her to like him throughout that time. He's callous, blunt, and full of sharp edges that you can cut yourself on. But when he's not spitting venom, he's fretting.

When he drags her back to the house after being with Sam and Tucker, he pulls her to Jazz's room and opens the door to tell her the same thing. "This is Danielle." He says upon abruptly opening the door, interrupting Jazz's studying as he pulls Ellie inside. "She is my clone, Masters created her. She needs clothes."

Then he turns and leaves, shutting the door behind him. Ellie, in that moment, thinks that now's her chance to flee. But Jazz then squeals, and she is trapped in new arms, shaken around by Jazz Fenton, excited for a sister.

(Ellie finds herself complaining to Jazz that night, shoved into old pajamas. She's in utter disbelief that Jazz could care about a jerk like Danny.)

("He's rough around the edges, but Danny does care." Jazz tells her, combing through her hair with her fingers. "We've been working on it ever since he joined the family, but Danny warms up slowly. He's usually less stoney; I think your arrival spooked him.")

("Spooked him?" Ellie repeats, she doesn't believe it at all. "He has a funny way of showing it, he threatened to kill me!" And she turns around just in time to see Jazz's press her lips into a line.)

("He's... very protective. He'll deny if you ask him, but he worries a lot." Jazz's fingers find her hair again. "What I do know for certain though, is that he wouldn't have kept you here if he wasn't worried about you at least a little bit.")

(Ellie doubts it.)

But Ellie is indeed there for a week, and the day after her initially rocky introduction with Danny, he is a little bit kinder to her. Still kinda a bitch, but he's less harsh to her, if... almost uncomfortable around her. Flighty, kinda.

Whenever she gets mouthy at him though, he looks oddly smug about it and, infuriatingly enough, praises her attitude. He is very, very annoying. And still kinda terrifying. But hearing him shout insults via puns at someone during a ghost fight that happens that week lessens the intimidating factor,,, a little bit.

Things go about,,,, relatively,,,, similar to canon. In the sense that it ends with Ellie defecting from Vlad because she finds out that Danny was right and that Vlad didn't actually care about her. (And that Jazz had been right too; Danny, in his weird, mean way, had been worried about her as well)

Danny looks out of his depth as she talks about how he was right, and he cuts her off with a vaguely uncomfortable clearing of his throat. And gives her the most awkward, but genuine apology he can muster.

"I should've used more tact when telling you about Masters, and I... apologize for threatening you when we met. I was..." he makes a face like he's sucked on a particularly sour lemon, "worried. First about my family, and then later about you."

(Ellie will be damned: Jazz was right)

Before Ellie leaves, Danny puts a hand on her shoulder and tells her: "I wasn't kidding about what I said to you when we first met: you are of my blood, and as such, you do not bow your head nor your heart to anyone."

Ellie looks at him, thinks about the last week, and smiles like she's caught him in a trap. "What about Sam and Tucker then? And Jazz?"

Danny smiles, it's awkward and tilted, like his face isn't used to the gesture. "We bow not our hearts, but that doesn't mean we can't share."

[bobbeshwar]

The day that we as fanfic writers understand that just because he is burly, mean/intimidating, doesn’t mean he is a gigadom; and just because he’s shy/soft spoken or has anxiety, doesn’t mean he is a sub, is the day we can elevate as a collective.

[slayerdurge]

completely sold on the idea that gortash made stillmaker for durge and i really really love that although he put bhaal's symbol on it he also blatantly made it bane's signature color. classic gortash audacity. cheeky bastard.

[momotonescreaming]

8x18 coda about Baby Boy Han's name. Angst. Evan Buckley focused. No character hate here please.

The first time Buck hears someone call his nephew Bobby, he flinches. A gut wrenching, muscles seizing, the sharp sting of a slap to the face flinch.

Buck's on Maddie's couch, sharing coffee and freshly baked cookies with her while while Chim takes care of his son in the other room. He listens and chats and smiles until she calls her son Bobby. And then Buck can't move. His muscles are constricting against the sickly whorl of his stomach, his joints locking up, breathing coming faster. Cookie held loosely in his hand, halfway from his plate to his mouth.

He bolds upright, cookie falling from his hand and Buck makes an excuse about an appointment he forgot about. His realtor rescheduled a meeting about his new apartment last minute, and he really needs to run if he wants to make it on time.

Buck stutters out an apology and runs out of Maddie's house.

He drives. Doesn't know where. Doesn't care. He's shaking, knuckles white as he grips the Jeep's steering wheel. Back impossibly straight, tense, muscles locking his shoulders in place. It's going to hurt later. But he doesn't care. He drives. He just needs to get away.

He needs to get as far away from his nephew as possible and he feels sick about it. That's his nephew. Maddie's his sister, been there for him through everyone, she gave him her jeep and got him out. But hearing her call her son Bobby makes him flinch.

He thinks maybe he could've handled them calling him Robby, better.

Buck pulls over. He finds a park on the side of the road outside a laundromat, and hyperventilates. Turns off the engine, and ducks his head, shuts his eyes to block out the light streaming in through the windshield.

He can understand why Chim and Maddie did it. Bobby gave his life for Chim, so he could live to see his son, his family again. Buck can understand why Chim would do this. To honour him, his sacrifice, so his legacy and his memory is carried with them always.

It makes Buck flinch.

He never told anyone — not even Bobby — but he wanted to name his future kids after him. He was more than Buck's captain, he was the father he never had, he loved and cared for him. Buck was going to give his kid the middle name Robert if it was a boy, or Wade if it was a girl. Bobby's middle name was Wade, and it felt gender neutral enough that Buck felt it could work with whatever first name he gave his kids. Or maybe even Robin, for either, if he and his partner felt it worked better.

He wanted to surprise Bobby with it. Make it special.

But he can't do that now. It'll feel cheap. Like he's just copying Chimney.

Buck heaves, nausea swirling at his stomach. He feels sick. Like the rest of his world is crumbling down around him.

He gets broken up with, Bobby dies, no one will let him carry out Bobby's last wish for him to be there for everyone, Eddie tells him he's making the death of his father figure all about himself and then Buck has to move out, Chim gives a speech and pointedly tells him not to transfer, and now Buck can't even name his kids after his own father figure.

If he says anything they'll say he's being selfish. Mean. Cruel. Making everything all about him again.

His phone vibrates, and he doesn't pull it out of his pocket to check who it is. If it's Maddie, or Chimney, he doesn't know if he's going to handle it well. So he doesn't look. Squeezes his eyes shut, presses his face harder against the steering wheel and begs tears not to fall.

He can't fall apart. He can't. He needs to hold it together, so the next time he hears Maddie or Chim or anyone call his nephew Bobby — he won't flinch. No matter how much it feels like its curdling his insides.

[bebrave-live]

Love the flavor of soulmates that is a main m/f partnership dynamic that's mostly platonic but also romantic but also dysfunctional and yet completely essential - like these characters would not work without each other, but they barely work with each other, and most importantly they know each other carnally better than anyone else, but it's also not about sex at all it's about the partnership and navigating the highs and lows of intimacy and letting someone in, but also maybe they do fuck, but also maybe don't, but also...

[ssseashell]

the constant struggle of mlm and wlw ff writers to find other synonyms for characters other than their names, "he" and “she” or the color of their hair..

[ibelonginarkham]

It doesn't matter how perfect or long the book is, what matters is that you enjoyed writing it and people enjoy reading it and you ignore those who bring you down about it.

Remember, it's your story, and it always will be.

[hoahoahoahoahoa]

I'm sorry but I simply do not accept that Edward doesn't like 60s or 70s music. I know the bit's playing on him being a Super Serious guy but you're really gonna tell me Edward wasn't excited exploring jazz fusion? Prog rock would've been at least hit-or-miss for him.

I would believe he holds a grudge because of the rise of bubblegum pop and disco or whatever. Fine. But tbh it's way more likely that he was half joking, half being a pretentious little hipster in front of his crush when he wrote those years off