#their story was so sad

[blubary]

I really like the prologues of the dark pictures games. Literally, Joe and Charlie were just silly drunks. The Clarke family's story is really sad but like literally so good! Balathu and Kurum have a great story and I absolutely love how it showed in the main story!!!! Jeff and Marie were literally so cute. If you get them to watch each other die IT IS SO SAD.

[drawishme]

mother of lumas🌟

[forgettable-au]

PROLOGUE

FORGETTABLE-AU (Page 1-9)

AND SO IT BEGINS!

I don't think I can fit all 20 pages of the prologue in just one post, so I'm dividing it into 4 posts! This one's the longest...

[CONTINUE]

[meltedmush]

.

.

I so badly wish there was more of Shen Jiu,,, 😭

[haliaiii]

reading up on argenti’s lore

[redysetdare]

enough stories about how someone learns to truely be happy through love. i want a story where someone is desperately seeking out love thinking it's the only way to be happy only for them to learn by the end that happiness is what they make of it and they don't need love at all to make it.

[hyuckonia]

deuce fucking dies dot jpg

bonus:

old man breaks back laughing at lame joke too hard 😂😂😂😔

[soranker]

tomorrow :)

[golden-snackoos]

forget me not.

[copypastus]

@feylinweek Day 3 - Alternate Universe

Acomaf AU where everything is the same but Feyre and Tamlin are a little better at communication and compromise.

[ghost-proofbaby]

foolishness and all

summary: your boyfriend puts your love to the test when his heart is set on a certain unsightly purchase.

pairing: eddie munson x gn!reader

warnings: jar jar binks. not edited, i was laughing too hard.

wc: 1.8k+

a/n: this is the product of a very insane conversation that occurred in the middle of the night last night with @emmaisgonnacry, @lokis-army-77, and @emma-munson. forever sad we can't get the jar jar watch </3 (but at least emma got the darth maul one!) ((thank you for making me laugh until i cried last night, friends.))

“If you buy that thing, I’m breaking up with you.”

“No, you aren’t.”

“Yes, I am.” 

“I’m getting the watch.” 

“And I’m getting a new boyfriend.”

You glare at your boyfriend for several beats of tense silence, narrowing your eyes as if it’ll do anything to change his mind. His heart is already set – there’s no stopping what’s about to happen. 

“Edward Munson,” you stress, hand shooting out to hold his wrist, but he’s already whipping it out of your reach, “That thing is hideous. We’re shopping for a nice watch for Steve’s wedding, not that.” 

“This thing has a name, sweetheart,” Eddie smiles toothily, tilting his head tauntingly at you, “And I think it fits the theme perfectly.” 

“In what fucking world?”

You're whispering harshly now, trying to keep from causing a commotion in the middle of the store and garnering any more unwanted attention. The workers had given you strange enough looks when Eddie had first laid eyes on his prize, his little yelp of excitement seemingly startling them. 

The less people who witnessed the atrocity on Eddie’s wrist currently, the better. 

Eddie goes against that wish entirely, holding his wrist high in the air for the entire mall to see at this point, “In my world. He did say it was meant to be open for interpretation-”

“Not like this.”

“And my interpretation is buying this absolutely priceless Jar-Jar Binks watch.” 

The thing looks down at you, almost as if it’s laughing at you just as Eddie was right now. 

Part of you wonders if it’s all a bit – something Eddie noticed set you off, and he’s now making it into an entire catastrophic situation solely for his own enjoyment at your irritation. But part of you also knows that even if it is a bit, Eddie Munson will commit wholeheartedly to it. 

It doesn’t matter if it’s a joke or not. He’ll be leaving this store as the owner of that watch, and the thought mortifies you. 

“Please,” you finally resort to begging, feeling a bit childish as you give a pitiful hop to reach his wrist. It’s useless. He only stretches higher, shirt riding up to expose that strip of pale skin beneath the fabric. Your eyes catch on it momentarily, but you force yourself to not get distracted, “Eddie, baby-”

“Nuh uh,” he’s quick to shake his head, taking a full step back from you, “Nope. That baby shit isn’t working on me this time. I’m buying it. End of discussion.” 

Fine. The sweet talk route didn’t work. That’s fine. 

You had more than one weapon in the arsenal. 

Before he can even think to step any further away, you reach out and hook your finger through one of his belt loops, giving a tug that further exposes the band of his boxers all while forcing him closer to you. 

You’re back on your tip-toes, no longer reaching for the watch, but to let your lips barely graze over his as your whispers, “What if I ask you not to very, very nicely?” 

That has him faltering. Complete hesitation as he takes a deep breath and visible gulp, arm beginning to drop ever so slightly. 

“I would… I’d…” he trails off, clearly losing focus as your lips stay hovering just out of touch, “I’d probably… I-”

“Probably not buy it – right, handsome?” 

And just as quickly as he’d fallen victim to the game you’d started playing, he’s pulled from it. 

He leans back as far as he can with your finger still clinging to his pants, scrunching up his nose, “I see what you’re doing. Not fucking fair. It’s only thirteen dollars, anyway. I bet if Steve was here right now, he’d tell me to get it.” 

“He wouldn’t!” you whisper-yell, giving up and pulling back as well, “It’s his wedding, Eddie. He told us to get something nice to fit in with the black tie dress code,” you can see him ready the argument of interpretation once more, and nip it in the bud, “No amount of interpretation can ever qualify the head of Jar-Jar Binks turned into a watch as something that fits into black tie attire.”

He’s not convinced. Not of the point you’re trying to make – no, you know he agrees with you and is just being a little shit at this point – but of not buying the watch. 

“What if I just bought it?” he barters, “Maybe I don’t wear it to the weddin-”

“There’s no maybes about it. You can’t wear it to the wedding. You’re one of the groomsmen.”

He lifts his other hand just as the one adorning the eyesore finally drops to be eye level once more, “Fine! Fine. I won’t wear it to the wedding, but I’m still getting it.” 

It’s a compromise. Or as close to a compromise as you and Eddie were going to get to right now. 

With his wrist finally lowered, you can finally get a proper look at the thing. It’s Jar-Jar’s head with a band to mimic his skin, no clock in sight until it’s flipped open. The inside might be even worse though. Vivid font curling to spell out Jar-Jar, a light orange background with darker swirls, and the world’s smallest sliver of a screen to display the digital time. 

It absolutely blows your mind that anyone thought it was a good marketing idea. But then again, people like your boyfriend exist. He was the intended audience, not you. 

“It’s not even that cool,” you weakly still try to fight the losing battle, gingerly grabbing for the wrist this time with your free hand. Your finger hasn’t left Eddie’s belt loop, now resting comfortably in it, just growing fond of the closeness rather than weaponizing it against him. 

And maybe as a way of keeping him from running up to the counter to complete the purchase. Maybe. 

“It’s the coolest fucking thing I’ve ever seen,” he proudly proclaims, right there in the middle of the Radio Shack, never having looked more satisfied with himself, “It can just be a conversational piece. I promise, I won’t break out the secretly evil little shit-”

“What?”

“Unless the occasion actually calls for it.” 

“I’m sorry, can we go back to where you just called Jar-Jar secretly evil?” you ask, more perplexed than concerned at this point.

He was getting it. You were hating it. You had bigger wars to win with the man before you at a later date, surely. 

His grin makes you regret asking, “Oh, you haven’t heard the theory about Jar-Jar being a Sith lord, have you?” 

Your finger slips from his jeans, and your eyes nearly roll out of your head. 

“Go buy that thing. I’m waiting in the car.” 

“Wait, babe, no!” 

“Nope. I’m not listening to this.” 

You turn from Eddie to walk away, making sure he can’t see the corners of your mouth twitching with a smile you’re so desperately fighting, but it’s no use when he grabs onto your elbow to spin you back around. 

“Eddie, I’m not-”

You’re interrupted with his lips on yours, an unexpectedly genuine kiss ensuing. The kind that reminds you why you’d ever deal with someone who wants a Jar-Jar Binks watch, the kind that reminds you why the occasional embarrassment Eddie purposefully puts you through in public is all worth it. 

All the butterflies, all the sweetness, all the tenderness. The way his thumb traces over your skin as his hand stays wrapped around your elbow, the way his other hand comes up to cradle your cheek. You can still taste whatever sour candy he’d bought moments before walking into the store all over his tongue and lips, hiding his last cigarette from hours ago. 

It’s a good enough kiss to forget the entire interaction that had just occurred. 

When he pulls away, you’re a little breathless, all fluttering eyes glazed over as you look up at him, “What was that for?” 

His smile could melt your entire existence. Turn you right into a puddle of all the love you struggle to contain, just for him. 

“Just because,” he shrugs, but then he continues on, “And for putting up with me. Thank you for that.” 

“I don’t put up with you,” you say immediately, and mean it.

Even when he’s being insufferable. Even when he’s still wearing the goddamn Jar-Jar Binks watch. You don’t put up with him – you love him. Foolishness and all. 

Your finger returns to his belt loop, and this time, you tug him in for another kiss. Something short and sweet, something just because. 

“You know,” he mumbles against your lips, arm wrapping around you so you can’t leave him just yet, “They have a Darth Maul one, too…” 

Your hand comes up between the two of you, only a slight struggle, just for you to smack him in the center of his chest, “You can only have one, Munson.”

“We could match!”

“I am not wearing that thing.” 

He throws his head back and cackles, a certain glee only born of being with the one you feel safest with flooding his features. All those wrinkles in the corners of his crinkled eyes, the stretch of his lips that bring on the appearance of dimples you could bury yourself in if given the chance. A boy made up of stardust and felicity. Your boy made up of every good thing that could have ever existed in this lifetime. 

You’d rather bicker over the useless things with him a hundred times over than ever live a life without him. 

“It’s fine,” he finally sighs dramatically, “I’ll just wear the Jar-Jar Binks watch to our wedding one day.”

Our wedding one day. 

Your heart just about explodes, and the only thing you can do to not choke up is smack him even harder. 

Our wedding. 

It has a nice ring to it. 

“I’m going to fucking kill you,” you tell him instead.

There’ll be plenty of other moments to talk about that. Now, when he still wears the ugliest watch you’ve ever laid eyes on, is not the time. 

“Gotta catch me first,” he teases as he slowly backs away, a twinkle in his eyes that makes you question if he knows how you’d secretly felt about that joke. That makes you question if he and Steve Harrington had really only been shopping for Steve’s rings for the last year. 

He doesn’t even run to the counter, knowing that you won’t be chasing him. You’re content to stay back and wait. You’ll always wait on him, really.

Even if it meant waiting for the day he wore that goddamn watch on your wedding day, because at the end of it all, you’d probably let him. You’d even wear the Darth Maul watch to match if he insisted. 

You’d let him wear whatever he wants, and you’d wear whatever he insists upon, because at the end of the day, it wouldn’t matter – it’d be enough to simply marry the dork that just tripped on his way up on the counter while giggling over a watch on his wrist, and know that he’s yours, forever.

eddie's taglist: @capricornrisingsstuff @thisisktrying @mediocredreams @vol2eddie @corrcdedcoffin

@ches-86 @alovesongtheywrote @its-not-rain @feralchaospixie @cheesypuffkins87

@thebook-hobbit @babez-a-licious @eddies-acousticguitar @aysheashea @kellsck

@cosmorant @billyhvrgrove-main @micheledawn1975 @eddiesxangel @siriuslysmoking

@witchwolflea @tlclick73 @magicalchocolatecheesecake @mizzfizz @nanaminswhore

@mikiepeach @ali-r3n @hawkebuckley @alwaysbeenfamous @darkyuffie-blog

@vintagehellfire @lilmisssiren @elvendria @loveryanax @stylexrepp

@princessstolas @fangirling-4-ever @eddiesguitarskills @babez-a-licious @josephquinnsfreckles

@writinginthetwilight @trixyvixx @kittydeadbones @munson-addict @bluejeangenies

@cryingglightningg @joannamuns9n @missmarch-99 @rhirojo @findmeincorneliastreet

join my taglist!

[bedpool]

Watching an interview with Hugh and Ryan and the interviewer asks "are you willing to admit that this movie is a romcom" and the next 2.5 minutes is Hugh being silent and Ryan stuttering to finally say "it's a friendcom". Pain

[thebibliosphere]

One of the really fun and interesting things about writing a polyamorous romance as someone who is ambiamorous/polyamorous is finding new ways to make sure the narrative hits the expected genre beats without just sort of... mushing it into a pre-existing monogamous romance mold, which is what I'm afraid happens a lot of the time.

Trust me, it was my job in the publishing house to make them fit that mold. I hated it.

Reading other poly-centric romances, I can always somewhat tell when someone is writing polyamory from a sexual fantasy aspect (zero shade; I'm here for all the group sex) without actually considering how it functions as a relationship dynamic, which can often come off as... well.

It's lacking for me as a romance.

Erotica-wise, it's fine. But it misses the romantic beats for me that I want as a polyamorous-leaning person.

There's so much emphasis on the polycule and never the individual dyads within the larger relationship.

For example, in a triad, there are actually four relationships to handle.

The dyad between A + B. The dyad between A + C. The dyad between B + C. And the overarching relationship between A + B + C.

With monogamous-leaning authors or authors that've been pressed into conforming to the pre-existing genre beats, there's a tendency to treat the relationship as a homogenous mass where everything is fair and equal, and you treat all your partners the exact same way.

And I get it. It's easier to write everything as peachy-keen and to have external conflict be resolved with either acceptance or a brave confrontation.

But it doesn't always land for me as someone who wants to see my style of love represented in the genre.

In healthy polyamory, either closed or open, each relationship is unique in its own way. Taking the example of a triad again, the way A acts with C likely differs from how A acts with B.

And that's a good thing!

Because C might not want the same things as B, so trying to treat them both the exact same is a surefire way to make sure someone isn't getting their needs met, and that will lead to conflict.

Polyamory isn't striving for equality between partners but rather equity.

What are your individual needs, and how do I meet them, as well as meet the needs of my other partner(s)? What do you want from the larger relationship as a whole? How do we accommodate everyone without making someone feel neglected or uncomfortable? How do we show this in the narrative? How do we make sure character A isn't just treating B the same as C in every interaction? Do they ever fall into that pitfall? How do they remedy it?

It seems like common sense when you write it out like that, but it's a major pitfall I see time and time again. The characters never alternate their approach between partners, if there's any focus on the individuals at all.

The other major telltale thing I've noticed is that taking time to be with one partner is seen as a step down from the "goal" of the greater polycule.

The narrative is framed in such a way that they might start out with individual dates, but the end goal of the romance is to eventually be together 100% of the time all the time, and wanting individual time alone with any one partner is somehow "lesser."

Which is the goal of romance in monogamy, but it's not the goal of romance in polyamory.

Granted, you do need to end on a Happy Ever After or Happy For Now for it to fit the genre requirement. And a nice way of tying that up is to have everyone together at the end as a happy polycule all together all at once. I'm not disputing that as a narrative tool. I'm just pointing out that there's a tendency to present those moments as the sum total of the relationship when in actuality, there are multiple relationships that need to end happily ever after.

The joy of polyamorous love is the joy of multitudes. It's the joy of experiencing new things, both as individuals and as a polycule. If you're not taking care of the individual dyads, however, your polycule is going to crash and burn. You cannot avoid that. So why, then, is there such avoidance of it in stories meant to appeal to us?

Is it simply inexperience on behalf of the author? Or is it that they're not actually being written for us? Is it continued pressure to meet certain genre beats in a largely monogamous-centric genre? All of the above?

Either way, I'm having fun playing around with it and doing all the things we were warned against in the publishing house.

I'm having fun with Nathan and Vlad enjoying their own private dynamic that is theirs and theirs alone. I'm having fun with Ursula and Nathan being so careful and vulnerable around each other. I'm absolutely 100% here for the chaos of Vlad and Ursula without a chaperone. And I'm here for the chaos of Vlad and Ursula together and Nathan's fond, loving eye roll as he trails after them, too enamored to tell either of them no because where would the fun in that be...

Anyway. Don't mind me. Just getting my thoughts out while everyone else is in bed.

[sesamestreep]

I really feel like one of the best details in “A Scandal in Bohemia” that I never see people fixate on enough is that the story starts with Watson stopping in to see Holmes at Baker Street on a complete whim, because he happens to see that he’s home (and Watson is now married and living elsewhere). Like he doesn’t send word first, he’s not invited, he just shows up and surprises Holmes. Which is not that weird but then Holmes is like “oh good, I’ve got a case anyway, you might as well hang out!” which just makes it funnier when the King shows up and is like “I’d really rather speak to you alone, actually” and Watson tries to leave and Holmes is just like “anything you can say to me, you can say to my best friend John Watson, and if you ask him to leave, I would consider it a grave insult, you would be my enemy and I will not help you ever!!” And the king is like “…ok” and just moves on.

like, that is crazy behavior. Holmes is talking about how there’s probably lots of money in this case, and then almost turns away the client for…not knowing who the fuck Watson is?? He’s not even supposed to be there?? He just came to say hi?? “It is both or none”… girl, GET UP.

[meltedmush]

Art dump (1/2) for today!

[ghost-bxrd]

Prompt:

Instead of going for Tim, Jason goes for the easiest way to utterly destroy his Replacement and kidnaps his civilian boyfriend to demonstrate just how easy it is to lose something (or someone) you love in this line of work.

And while the whole “make the Replacement beg” part of the plan is going amazing…. Jason really didn’t plan the whole “keeping a conspiracy theorist teenager hostage” through to the end.

Bernard just wants to know what the new crime lord’s deal with Robin is. And why— and how— exactly he’s supposed to be a bargaining chip when he can count the times he met Robin on one hand. oh! and could someone maybe tell his boyfriend, Tim, that he’ll be late for their coffee date on Tuesday?