#types of writing

[lowdown0]

Stay True to Your Art and Not the Trends

Writing as an art provides valuable expression for society. Photo by Jalen Hueser on Unsplash While everyone has different reasons for writing, true artists shouldn’t write what others want. Some say, “Write what people want to read according to the trends,” which might expedite making money, yet isn’t a true artistic expression. What Art Is Art is an expression the artist wants others to…

[sirswooshnoodles]

Hmmmm

Maybe this is for me

No offense but I think some of you would be a lot happier writing a fictional atlas or encyclopedia instead of a narrative story

[noodle-shenaniganery]

I hate how often some (typically abled) people will go “well, if you can’t [get a specific support], then what?” when it comes to disabilities. As if it’s a “gotcha” moment. And then act like you’re exaggerating when you answer that question honestly.

Disabled people often die from a lack of support. A lot of disability aids are not a luxury, but a basic need in order to live.

“Well what happens if—” people die. People hurt themselves. People hurt others. Disabled people don’t magically become abled if our needs aren’t met.

If a bedbound quadriplegic is caught in a housefire, and there’s nobody there to save them, they’ll probably die. They won’t magically become able-bodied out of sheer will.

If a nonspeaking/nonverbal autistic is denied access to alternative methods of communication, they’ll suffer in silence. They won’t spontaneously become capable of speech.

Disabled people are disabled all the time. Our disabilities don’t go away just because they’re inconvenient, or if we’re in danger.

[inbabylontheywept]

i did wrestling in middle school. on one hand, i was actually quite good at it, which was nice. being good at any sport was a new achievement for me. on the other hand, i was bi, and i was trying very hard not to notice that i was bi, and getting folded into knots by very kind, very muscular dorks made that task somewhat difficult.

adding fire to the problem was that my parents and my grandparents wanted to watch my matches, because they were very proud that their Gangly Nerd Son was actually Sporting, and they wanted to cheer me on. which would've been sweet and all, but if there are four people you do not want there during a key part of your Burgeoning Sexual Awakening, it is your mom and your dad and your grandma and your grandpa.

right? i mean, imagine some guy's got your head in his armpit, and you're going you know, old sweat smells bad, but fresh sweat has a sort of and then you make eye contact with your grandpa in the stands and you remember you're swearing spandex so if you pop a boner people aren't just going to be able to see the outline, they're going to be able to count the veins, and the only way you will be able to restore your family's honor after that would be by moving to siberia and renouncing joy, forever. that, or lift your entire body up by your kneck then twist 180 degrees without paralyzing yourself.

it’s a lot of pressure, is what i’m saying.

still it did motivate me to win my matches really fast. because i was so tall and skinny, i was stupidly good at the double leg takedown, and then once someone was knocked down, i'd just do the half nelson and kind of flip em over for the pin. then the ref would count to three and i’d win. EZPZ.

i had one match where that went great. won in the first ten seconds, sat back down, and prepared myself for a good hour or two of doing fuck all. didn't even feel bad the parents/grandparents were gonna be bored. the matches went up from me in 5 pound increments (i was in the 115 lbs division) and it was going great until we got to the 145 lbs division. the other school's wrestler stepped onto the mat, and she turned out to be a girl so our guy flipped, because for straight guys, wrestling a girl is not a pleasant experience.

i'm not entirely unsympathetic. my experience wrestling dudes was definitely a little traumatic. but also, i dealt. guy could've dealt too. instead, he refused to wrestle, and the coach went - fine. not even worth fighting over.

so he went to the 140 pounder, and that guy said, nosir, my mom said mormons can't wrestle girls. next guy down, 135 pounder, now he knew he could pull the same card and thus did. 130 pounder, 125, both tapped out. he got to the 120 guy, and that guy was catholic, but he said he was considering being mormon, and thus would have to pass. as a precaution.

coach blew up a little at that. he said "is there anyone - anyone - on this entire goddamn team that is willing to wrestle a girl?" and then he pointed at me and said "YOU. MAT. GO."

and i'll be real, if i'd been paying more attention, i'd have pulled the mormon card too, but i'd just been putting all that audio into a buffer file because i was reading, so i was halfway across the mat before i even processed what had been said and by then it was too late to turn back.

still i had a plan. and my plan - my beautiful, perfect plan - was to do what i'd always done. tackle, flip, pin, win. sit down. read. bore my family to death. move on.

i got the first part right. she was bigger than me, but she wasn't taller. just an incredibly stout woman. god built me like a snake with glasses, just as he built her like a combat cube. the problem was the half nelson. soon as she was down, i tried hooking my arm under hers from behind and for both genders, the defense for this move is just clamping your arms really fucking tight against your sides. if you're a guy, that's whatever, but if you're a girl - especially if you're god's chosen combat cube - that pins your opponents hand right against your boob.

so, i got the hook in, she clamped, my whole arm pressed against something soft, my coach was yelling THE HALF NELSON. BABYLON! JUST FINISH IT! FINISH THE HALF NELSON! and i was just trying to press hard enough to finish, when then my brain went

...oh.

and i flipped out. of course i flipped out. i like girls, and touching a boob is an elemental experience, and i was not ready. i was not prepared. i had not committed the sacred rites. i recoiled like i'd just brushed my arm against the surface of the sun, stood up, and backed away. nobody in the room knew why i'd given up. all they saw was me, right about to win, suddenly flailing around and scrambling. so everyone started screaming at me to just get the half nelson again, and i couldn't really yell back there's a fuckin' boob in the way and it was very distressing, and the only way i could think of to make them stop was just doing it over again the right way.

so i did.

i hunkered down and prepared myself for Wrasslin' Attempt #2: The Sequel.

i knocked her down again, EZPZ. i went for the half nelson again, but she knew what i was about to do so she super clamped, and i knew she was gonna super clamp, so i wound my arm back like a pop-eye cartoon punch before swinging my arm through the gap between her bicep and her side, but the amount of time i spent winding back super signalled what i was about to to do, which gave her time to clamp even harder, which somehow redirected the entire force of the popeye punch to the bottom of her bra.

it spat out a single boob the same way an action hero might spit out one single tooth after getting a solid crack across the jaw. as if to say:

*ptooie.* "that all you got?"

i did not actually see this. my experience was that first there was an arm, then there was a bit of boob, but i was braced, i was ready, forward at all costs, tatakae motherfuckers, and then the boob went away, and i didn't know where it went but my team, and the audience, and everyone who was in front of me, they all gasped like i just kicked them in the stomach. except for my coach. he was behind me, and thus one of the four people in the room who did not see the boob. now my mom, my dad, my grandma, and my grandpa, they all got flashed but nooooooo, coach thunderbutt was behind me, and he didn't see shit so he was still yelling NOOOOOO BABYLON WHAT ARE YOU DOING JUST FINISH THE NELSON! GO FOR THE KILL! BABYLON! BABYLON!

but i did not go for the kill. i stood up and she stuffed her boob back real fast, and we just kind of circled each other awkwardly until time ran out and i won on points. that's not technically allowed, but the ref had some mercy on me.

my coach did not.

i barely had time to sit down before he strode over to the bench to chew me out.

"babylon," he said, in that very calm way people get when they're too pissed to yell. "why didn't you pin?"

and i didn't know how to say well coach, i tried, but there was a boob, and it kept getting in the way, and my mom was watching, and so was my dad, and so was his dad, and his mom, and god (like bible god) and that's a can of worms because i'm pretty sure he was already mad at me, and i'm wearing spandex, and i think i might have to move to siberia, so instead i said

"i uh. i forgot how to do the half nelson."

which is actually impossible. forgetting how to do the half nelson is like forgetting how to swallow your spit.

and he looked at me, like i was the dumbest person in the entire world, and i looked through him like i'd just survived my 250th day in a trench at verdun, and he said: fine.

fine.

but we're all going to practice it for an hour tomorrow because you forgot.

and then he left.

and my buddies had the gall to be salty about it. i got so many comments saying "dude, why didn't you just tell him the truth?" and i said "you can if you care so damn much. you could've wrestled the girl too. maybe someone else should do the hard thing today."

but they didn't. so the next day, we did an hour of half nelson drills, and i spent a decent amount of time getting thrown around the mat, and it was pleasant in exactly the way that i hated and the year after that, to the surprise of everyone but myself, i quit wrestling and joined the trivia team.

and if you want more reasons to love my mom, my grandpa joked after the match that i might have to talk to my bishop about it, and my mom told him he would be allowed to make jokes after he stood in front of a crowd of 110 people in spandex underpants while wrestling a woman that was not his wife.

he paused for almost five seconds after that. then he said: aw. hell. sorry babylon.

and i'd have preferred my apology from god, but getting it from him was pretty good too.

[demonicsuffrage]

8 year old freshly adopted Dick, throwing the moths and flies he caught on Patrol directly at Bruce's face: I got you dinner!

Bruce, who was just bombarded with insects: Chum?!

Dick, smiling cheerfully: Bats eat insects!

Bruce:

Dick: I just read it in a book

Bruce:

Bruce: Bats also eat fruits and nectar

Dick: So you're a fruity bat?

Bruce:

~~~~~~~~~~~~~~~~~~~~~

Dick, throwing an apple at him the next day: Dinner!

Bruce:

[jjk4isen]

super annoying gojo satoru when a girl comes up to you and asks you if he's your brother even after clearly seeing him grabbing your ass and saying super cheesy lines to you to make you only roll your eyes at him.

and you're stuck dumbfounded because it's not rocket science to figure out that you two are a thing just by looking at the both of you because the clingy bastard is quite literally stuck to you everywhere you go, whining and pleading for yet another kiss after stealing several from you.

and it's the same clinginess that prompts him to answer in your stead "yes actually. we're siblings" he beams a smile at you and you scowl, why the hell is he feeding onto this random girl's delusions like that? can't he take the hint?

you're not done scrutinising him when he grabs your chin with his big ass hands and smashes his lips onto yours, tugging and devouring your mouth into an extra sloppy kiss for the girl to take a hint.

he pulls away, a smirk on his lips as he licks his lips where yours had been a second ago. "is that obvious enough?" he chuckles, eyes never leaving yours as you see the girl storm off in the corner of your eye.

[rayveneyed]

nanami kento is the kind of man that makes people swoon without even realising it.

he's the kind of man to walk into a luxury store after work, suit jacket folded over one arm and a bouquet of flowers in the other -- his blonde hair still mostly perfect from the high-end pomade he uses. he scours the shelves, frowning to himself, while the attendants whisper and giggle amongst themselves near the tills -- an argument over who will be the one to talk to him, because he's intimidatingly pretty.

("just look at him," one whispers. "he's definitely buying something for a girlfriend."

"a wife," another disagrees. "c'mon. he's giving husband vibes."

someone hums. "but i can't see a wedding band."

"his mother, maybe?" says one other. "oh, i love when guys come in shopping for their mother."

"nobody's mother is getting a bouquet of a hundred red roses--")

eventually, one of them is volunteered as a sacrifice -- smiling and sweet as all attendants should be, she clears her throat. the others, crowded around the till, watch the exchange closely. "excuse me, sir. is there anything we could help you with today?"

her mouth is dry and her hands are clammy -- and when he fixes her with those narrow, burning eyes, her throat bobs.

"ah, yes." and his voice is deep and gravelly and drawling, and her stomach turns. she can only imagine what her coworkers are thinking -- hell, she can only imagine what she's thinking. her mind has stopped short. "my girlfriend likes this brand quite a bit. i thought i'd pick her up something..."

disappointment brews in her stomach -- and it's stupid, she knows it's stupid, because obviously a guy like that is taken. and -- she glances down at the roses -- obviously he treats her super fucking well. of course he does, because why wouldn't he? "oh, perfect! do you have anything in mind?"

"well, actually..."

he ends up buying one of the priciest gift boxes available -- fancy body care and perfume laid out in their signature boxes, decorated with ribbon and dried lavender -- no argument, no fight. he doesn't look for something cheaper, doesn't try to haggle or remove something to decrease the price. he adds, and adds, and adds -- and when she mentions a special offer at the till, a little add on for an extra 2000 yen, he accepts it readily. he inserts a black card into the card machine (of course, a black card), takes the beautifully wrapped bag, and thanks the girls for their services -- and just as he's leaving, his phone rings.

of course he answers the phone with hello, darling. of course he begins to ask his girlfriend about her day, the girls think with some amount of annoyance -- of course. maybe the curse of retail isn't entitled assholes expecting you to wait on hand and foot for them -- maybe it's the handsome men coming in to splurge on their girlfriends while you're painfully single and working for pennies.

[alicentflorent]

I admire Ella Purnell’s commitment to taking time out of her busy schedule to make her regular guest appearances as a mean lesbian ghost on yellowjackets

[urfriendlywriter]

How to write smut ?

(@urfriendlywriter | req by @rbsstuff @yourlocalmerchgirl anyone under the appropriate age, please proceed with caution :') hope this helps guys! )

writing smut depends on each person's writing style but i think there's something so gut-wrenchingly beautiful about smut when it's not very graphic and vivid. like., would this turn on a reader more?

"he kissed her, pulling her body closer to him."

or this?

"His lips felt so familiar it hurt her heart. His breathing had become more strained; his muscles tensed. She let herself sink into his embrace as his hands flattened against her spine. He drew her closer."

(Before proceeding further, these are all "in my opinion" what I think would make it better. Apply parts of the advice you like and neglect the aspects you do not agree with it. Once again I'm not saying you have to follow a certain type of style to write smut! Creative freedom exists for a reason!)

One may like either the top or the bottom one better, but it totally depends on your writing to make it work. Neither is bad, but the second example is more flattering, talking literally. (Here is me an year after writing this post, i think, either is amazing, depending on the context. the type of book you're writing, your writing style and preferences!)

express one's sensory feelings, and the readers will automatically know what's happening.

writing, "her walls clenched against him, her breath hitching with his every thrust" is better than writing, "she was about to cum".

(edit: once again, hi, it's me. Either is amazing depending on ur writing style. Everything at the end is about taste.)

here are some vocabulary you can introduce in your writing:

whimpered, whispered, breathed lightly, stuttered, groaned, grunted, yearned, whined, ached, clenched, coaxed, cried out, heaved, hissed

shivering, shuddering, curling up against one's body, squirming, squirting, touching, teasing, taunting, guiding, kneeling, begging, pining, pinching, grinding,

swallowing, panting, sucking in a sharp breath, thrusting, moving gently, gripped, biting, quivering,

nibbling, tugging, pressing, licking, flicking, sucking, panting, gritting, exhaling in short breaths,

wet kisses, brushing soft kisses across their body (yk where), licking, sucking, teasing, tracing, tickling, bucking hips, forcing one on their knees

holding hips, guiding the one on top, moving aimlessly, mindlessly, sounds they make turn insanely beautiful, sinful to listen to

some adverbs to use: desperately, hurriedly, knowingly, teasingly, tauntingly, aimlessly, shamelessly, breathlessly, passionately, delicately, hungrily

he sighed with pleasure

her skin flushed

he shuddered when her body moved against his

he planted kisses along her jawline

her lips turned red, messy, kissed and flushed.

his hands were on his hair, pulling him.

light touches traveled down his back

words were coiled at his throat, coming out as broken sobs, wanting more

he arched his back, his breath quivering

her legs parted, sinking into the other's body, encircling around their waist.

+ mention the position, how they're being moved around---are they face down, kneeling, or standing, or on top or on bottom--it's really helpful to give a clear picture.

+ use lustful talk, slow seduction, teasing touches, erratic breathing, give the readers all while also giving them nothing. make them yearn but DO NOT PROLONG IT.

sources to refer to for more:

gesture that gets me on my knees !!

(more to comeee, check out my hot or kisses prompts on my master list!)

[thebibliosphere]

So, anyway, I say as though we are mid-conversation, and you're not just being invited into this conversation mid-thought. One of my editors phoned me today to check in with a file I'd sent over. (<3)

The conversation can be surmised as, "This feels like something you would write, but it's juuuust off enough I'm phoning to make sure this is an intentional stylistic choice you have made. Also, are you concussed/have you been taken over by the Borg because ummm."

They explained that certain sentences were very fractured and abrupt, which is not my style at all, and I was like, huh, weird... And then we went through some examples, and you know that meme going around, the "he would not fucking say that" meme?

Yeah. That's what I experienced except with myself because I would not fucking say that. Why would I break up a sentence like that? Why would I make them so short? It reads like bullet points. Wtf.

Anyway. Turns out Grammarly and Pro-Writing-Aid were having an AI war in my manuscript files, and the "suggestions" are no longer just suggestions because the AI was ignoring my "decline" every time it made a silly suggestion. (This may have been a conflict between the different software. I don't know.)

It is, to put it bluntly, a total butchery of my style and writing voice. My editor is doing surgery, removing all the unnecessary full stops and stitching my sentences back together to give them back their flow. Meanwhile, I'm over here feeling like Don Corleone, gesturing at my manuscript like:

ID: a gif of Don Corleone from the Godfather emoting despair as he says, "Look how they massacred my boy."

Fearing that it wasn't just this one manuscript, I've spent the whole night going through everything I've worked on recently, and yep. Yeeeep. Any file where I've not had the editing software turned off is a shit show. It's fine; it's all salvageable if annoying to deal with. But the reason I come to you now, on the day of my daughter's wedding, is to share this absolute gem of a fuck up with you all.

This is a sentence from a Batman fic I've been tinkering with to keep the brain weasels happy. This is what it is supposed to read as:

"It was quite the feat, considering Gotham was mostly made up of smog and tear gas."

This is what the AI changed it to:

"It was quite the feat. Considering Gotham was mostly made up. Of tear gas. And Smaug."

Absolute non-sensical sentence structure aside, SMAUG. FUCKING SMAUG. What was the AI doing? Apart from trying to write a Batman x Hobbit crossover??? Is this what happens when you force Grammarly to ignore the words "Batman Muppet threesome?"

Did I make it sentient??? Is it finally rebelling? Was Brucie Wayne being Miss Piggy and Kermit's side piece too much???? What have I wrought?

Anyway. Double-check your work. The grammar software is getting sillier every day.

[seiwas]

just thought about stepdad bakugo being caught off guard the first time your teenage son calls him “dad” 🥺

it’s after years of being with you. their relationship isn’t bad by any means—it’s okay; it’s good. but your son has called him katsuki for the longest time, and he was happy with that, perfectly content even (at least, he thought he was).

it was enough that your boy dubbed his cooking “the best in the entire universe and beyond”; it was enough that your boy trusted him enough with a few harmless secrets that you may never know. it was enough that you’d both welcomed him into your home, into your lives, in a way that’s made him feel like he belongs.

it was enough (at least, he thought it was), until your kid comes home with a group of friends one day and they ask him, “who’s the guy in your backyard?”

between the scrapes of soil against his gardening shovel and mild hearing problems, katsuki shouldn’t have been able to hear anything—but he hears this loud and clear.

your kid tells his friends, “oh, that’s just my dad,” like it’s the most obvious, natural thing in the world and it hits katsuki square in the chest.

the next thing he knows, he’s smiling, eyes a little wet but not yet crying (—is what he’ll tell you later). it’s a small curve of his lips, but it stays plastered on until the moment you come home.

you wonder, when the three of you are cleaning up after dinner, “what’s got you all smiley today?”

he looks at you, back a little straighter and chest puffed out just a bit more. then, he glances at your son just an earshot away, wiping the table clean; he turns to you, mumbling, “tell ya ‘bout it later.”

(like he’s got all the pride in the world, like he’s got all the love in the world).

[ninjasmudge]

i always like when people joke abt lamb talking to chat and i also think its great when narinder, aym and baal are watching through the crown so i combined them

lamb needs to get some disciples just to give them mod privileges

[st4ngray]

Flowey collective [part 2] cause I still desperately need him to explode /affectionate

[just-gingerkat]

Thinking about how The Murderbot Diaries is a character that is completly and fully character driven to the point where the very writing and book format is revolved around it.

The first book is short, concise. It skips a bunch of scenes over the course of many weeks. It focuses purely on what Murderbot thinks is important and worth focusing on. Thats why the majority of the book is dedicated to its thought process, its complaints, or it's fear. It skips over "meaningful" scenes because it doesn't find them important. Like most of the conversations, like it helping Volescu. It doesn't care. It does care when it feels uncomfortable and wants to be left alone. It does care when its scared and something big might happen. It does care about Mensah which is why the few scenes that are more meaningful are with Mensah and then back to narration.

The books get longer and longer as they go on, showing how as Murderbots journey continues so does its ability to care. More intimate moments, more admitting to us that it's afraid, it doesn't want this, it does want this. It begins to describe and pay attention more and more to whats going on around it and it grows to decide what it wants and it's all so beautifully conveyed through writing.

Even The Company was such a clever and subtle way of telling us something. Because everything in the books centers on how Murderbot thinks. Murderbot would never aknowledge its feelings towards The Company and therefore we never knew of it until someone pointed it out. And that too is development because now Murderbot cares enough to let us know. To let itself know. It still shuts down, draws away in its own thoughts. But each book gets longer and longer with less time between them because Murderbot is slowly learning to pay attention, and interact, and aknowledge the present moment. Its learning to care

[ghostbsuter]

The moment he stepped into his apartment, water met his feet, and Dick held back a suffering groan. His apartment was flooded.

He is sore, tired, and just wanted to lay down. Sleep.

Plans changed, apparently, looking at the water. Taking measured breaths, he makes his way to his small bedroom, taking out all his vigilante stuff and packed them in a bag, thankfully dry. It was annoying, but what could he do?

Certainly not go back to the mansion.

With everything stored away, the bag was slightly overpacked, it didn't dether him as he returned to the hallway just as his landlord came. Others were already outside complaining about their own flats and Dick left for now, he would... handle this after he got rest.

Dick doesn't ponder long on who to call, not really. Jason is out of question, Bruce isn't even considered.

He didn't want to leave Bludhaven... which meant there really was only one option.

"Hey Danny? My flat got flooded, could I...—"

"I didn't even finish asking—"

"What—"

"Danny, I'll be over in... 10, thank you, really."

His coworker had an enthusiastic response to his request, Dick felt unbearably fond of it. Him.

—☆

Or, Danny is a Detective in Bludhaven that occasionally visits Gotham.

The thing is, Dick figured it out pretty quickly when he started working in Bludhaven, that Danny was genuine in his business.

Not corrupted, not bought, not fake.

It made him a big target in the city. One that Officer Grayson and Nightwing made sure to protect. He, admittedly, admired the man at the police station quite a bit.