#writing for games

[fictionz]

You've got my attention.

[prokopetz]

No copypasta has ever ruined my life as comprehensively as Hell Fuck Castle. I write tabletop RPGs, and now every time I read a lore blurb about an ancient ruined kingdom where everything was cool until the last ruler fucked it up, my brain whispers "King Big Sad Guy, who did the Flame Thing".

[cringengl]

Re reading the original hunger games is so funny bcus katniss can literally read haymitch's mind like what. I'm dying of thirst but haymitch hasn't sent me water, that must mean that there's some nearby!! And one kiss is one pot of broth!! Like she even acknowledges that it's strange when she's like oh to peeta this would just be a pot of broth. Haymitch will give her one look and katniss knows immediately what he means and she's right every time

Meanwhile peeta is like your dress really suits you and you look nice :) and katniss is like he's trying to kill me

[glitchpalantir]

🎮 Why Your Game Characters Feel Flat — And How to Make Them Haunt Players Forever

“They left the game... but the character stayed in their mind.”

Sounds like magic? It’s actually narrative science — and emotional engineering.

✨ The Problem: Characters That Feel Like Cardboard

Ever played a game where the graphics slapped, the mechanics were slick, but the characters felt... forgettable?

You didn’t connect with them. You didn’t miss them. They were just... there.

That’s the #1 sin of bad narrative design — and the #1 opportunity for game writers and solo devs to build an unforgettable world.

🧠 The Brain Science Behind Emotional Bonding in Games

Humans don’t bond with perfect characters.

They bond with:

Flaws

Secrets

Conflicting desires

Unfinished arcs

This is what makes Ellie (The Last of Us), Geralt (The Witcher), or even HK-47 (KOTOR) live in your head rent-free.

These aren’t just characters.

They’re psychological loops waiting to be closed.

🚀 5 Ways to Make Players Fall In Love With Your Characters

1. Give Them a Scar, Not a Superpower

Players connect with trauma, not talent. Give them something they’re hiding.

2. Let Them Fail

The moment they break... is the moment we bond. A failed mission, a wrong decision — make it count.

3. Dialogue That Reveals the Soul

Forget lore dumps. One line can say everything:

“You remind me of someone I buried.”

4. Relationships That Shift

Let allies betray. Let enemies cry. Let love hurt. Dynamic relationships = human immersion.

5. Let Them Haunt the World After Death

The most powerful characters are the ones who die and leave players aching.

(See: Aerith. Arthur Morgan. V.)

🔥 Bonus: The “Ghost in the Code” Trick

Write a scene your character never gets to say.

A dream. A fear. A what-if.

Then hide it somewhere in the game.

A note. A terminal. A dream sequence.

Players who find it will never forget them.

💬 Let’s Talk

Who’s one character you still think about years after playing the game?

Drop their name in the replies 👇

Want more writing hacks, character psychology, and worldbuilding fuel?

👉 Follow for daily insights from a narrative designer who dreams in dialogue and bleeds lore.

[decemberwinter]

“why do you ship them? I thought the ship wasn’t canon?” bro we’re talking about fictional characters, who don’t actually exist in real life, from a media that focuses solely on fictional events that are not real either. so what if these two made-up characters didn’t kiss in their source material? they have lots of nasty gay sex on archive of our own and thousands of novel length slow burn enemies to lovers fics written about them. the fanon content at this point far exceeds the whole canonical franchise. the problem isn’t “it’s not canon” the problem is that you don’t allow yourself to let go of canon and enjoy the wonder of fan contents that are just as good / valid

[the-overanalyst]

it's always so fascinating and heartbreaking when a character in a story is simultaneously idolized and abused. a chosen prophet destined for martyrdom. a child prodigy forced to grow up too fast. a powerful warrior raised as nothing but a weapon. there's just something so uniquely messed up about singing someone's praises whilst destroying them.

[bebx]

canon means nothing when I can shelter my blorbo and keep him alive through the power of archive of our own

[001x456]

it’s unfortunate that (some) people in fandom spaces are starting to get too comfortable complaining and being rude to writers and artists who create contents they personally don’t like (“why are you making this character a top when he’s obviously a bottom? omg do you even understand his character?” “I’m so sick of seeing fan art and fanfic where this character is portrayed as a sadist when he’s actually misunderstood in my opinions, therefore anyone who disagrees with me is wrong and should be shamed” just to name a few I’ve seen) instead of curating their own fandom experiences by engaging only with contents they do like.

you want more fics where (x) is written in this specific way? either write one yourself or politely expressing your opinion about how you hope there will be more fics where (x) is written in this specific way instead of making fandom a toxic place by being rude to writers and artists who dare make contents that are not to your Personal Liking.

if the universe does not revolve around you, strangers and fandom spaces don’t have to cater exclusively to your personal preferences either.

to all my beloved writers and artists, write whatever you want, draw whatever you want. portray that character in whichever way you want to portray. I hope you have fun doing what you love. don’t let anybody tell you what you can or can’t do with the blorbo. go wild. I will always support you

[redzombie]

Mensis

[linkcharacter]

Some personal design notes I made for comics speech bubbles and on dialogue!

Conclusions were drawn from their dialogue sounds and manner of speech in general in addition to my personal flair and interpretation.

And here's an incomplete list of mental notes on actually writing dialogue for characters:

Curly

expresses genuinely what he feels and what he means, though he's reserved and leaves a lot unsaid

casually playful and whimsical when talking to others or commenting on things

smooth talker

speaks delicately and de-escalatory when faced with a stressful situation

using british slang on occasion, yeah?

Anya

often encouraging or reassuring those she talks to

teasing, witty and playful with anyone not named jimmy

stutters when speaking to those named jimmy but outside of that, speaks smoothly with enthusiasm

speaks with implications, basically says iconic deep meaningful shit in a non-direct way

Swansea

mean, harsh, sarcastic and taunting

like anya, he says some deep shit but in a poetic and direct way

reminds me of Disco Elysium dialogue in terms of vibes

speaks grandiosely

" ain't, goin', el capitano, downstairs longnose, hear hear, ol' codger, rumb-a-tumblin' " very fun to write

Daisuke

unfocused, emphasizes words, informal

speaks at the same time as he thinks, most of his dialogue feels like a stream of thoughts

filler words like, totally like everywhere man

Jimmy

dry, spiteful and bitter remarks, always sounds like he's annoyed at everything

no whimsical or heartfelt comments about anything

uses metaphors and veils his words, spinning them in ways to fit his goals. twists his own words as well as others'

steals phrases from others

persuasive

[deception-united]

Writing Tips Master Post

Edit: Some posts may be deleted

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Writing Grumpy x Sunshine Tropes

Writing Sexuality & Gender

Writing Manipulative Characters

Writing Mature Young Characters

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Things to Consider Before Killing Characters

Foreshadowing

Narrative (+ how to write):

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Writing Miscommunication

Writing Unrequited Love

Writing a Slow Burn Btwn Introverts

Writing Smut

Writing Admiration Without Attraction

Writing Dual POVs

Writing Unreliable Narrators

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Translation Software for Writing

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

Writing Tips

Writing Fantasy

Miscommunication Prompts

Variety in Sentence Structure (avoiding repetition)

[fictionz]

One weird trick.

[tediousmalcontentt]

my favorite scene in all of literature is when Neil Josten wakes up in Columbia after being drugged, hurls an alarm clock at Aaron, dumps his water on the floor and throws the cup at Aaron, stuff his clothes down the toilet and squeezes out through the window, has the foresight to call Matt from a pay phone to protect his shit, hitch hikes back to campus, eyes back to brown?? shows up on Wymack’s door like 😜 and reveals he could speak German the whole time?? CHARACTER OF ALL TIME, that is a protagonist who knows how MOVE THE MFING PLOT ALONG

[loressa]

I used to write a bunch for MUDs, and a few years ago, I decided I wanted to try making my own game. I started as a writer/QA/project management for my first few game jams because I was struggling to create something fully on my own.

This hybrid “help as needed” role let me get hands on experience and showed me a deeper look behind the scenes of how games are made, without being overwhelmed by all the setup needed to get my hands in the mess – I had previously been daunted by the basics of just setting up engines and SDKs and CLIs and virtual environments and all that stuff.

This was the result from the first game where I did design/heavy writing focus and no code: https://misc-mike.itch.io/bookworm

We had envisioned something impressive with the player changing the story, but as development continued we learned about scoping and timelines: our coder ran out of time, so I focused on finding us public domain images and twisting together a concept of a thing that would work with the functions we had coded. The result is kinda cute.

From there, I tried out making my own games using a range of different engines which focused on text-heavy development:

Twine: webdev (eg CSS, html) for interactive hypertext

Choicescript: uses very basic scripting for interactive cyoa novels

Ren’Py: uses python for visual novels

Quest and QuestJS: for text adventures

Adventuron: designed to teach children how to code via making text adventures

This is not an exhaustive list – https://intfiction.org/ is a great resource for even more options such as TADS.

Read more on my blog because I'm old and still have one and apparently Tumblr has a character limit for posts: https://thoughts.games/2024/09/30/getting-into-game-dev-as-a-writer/

[prokopetz]

The constant rolling disaster that is Overwatch's game development aside, what really perplexes me about how Blizzard is handling the broader franchise is their continual insistence that a canon narrative exists in spite of their equally continual refusal to tell anyone what it is.

Like, okay, the events of the games aren't canon. Fair enough: the games are multiplayer-only, and you can't account for player actions.

Oh, and the animated short films aren't canon either – they're properly understood as in-universe propaganda, not depictions of actual events. That's a little high concept for you guys, but fine.

But surely the comics are canon, right? Well, no; some of the comics (we're not telling you which ones) were canon at one point, but the writing team has decided to go in a different direction.

My dudes, what is left? The weird Source Filmmaker porn? Is that canon? Well, apparently it's at least as canon as anything else!