#Network Marketing Concepts

[kuroosdarling]

hand model! kuroo is something so dear to me

[thesolutionpark]

What is Marketing? Importance of Marketing. Types of Marketing. The future of Marketing!

Marketing is the process of creating, communicating, delivering, and exchanging offerings that have value for customers, clients, partners, and society at large. It is the process of understanding and satisfying the needs and wants of target markets.

Marketing encompasses a wide range of activities, including:

Product development: Identifying and developing products or services that meet the needs of target markets.

Pricing: Setting prices that are both profitable and competitive.

Place: Distributing products or services to target markets.

Promotion: Communicating the value of products or services to target markets.

Sales: Closing deals and generating revenue.

The Importance of Marketing

Marketing is essential for any business that wants to be successful. It helps businesses to:

Reach new customers: Marketing can help businesses to reach new customers who are unaware of their products or services.

Increase brand awareness: Marketing can help businesses to increase brand awareness, which can lead to increased sales.

Build relationships with customers: Marketing can help businesses to build relationships with customers, which can lead to repeat business and referrals.

Differentiate from the competition: Marketing can help businesses to differentiate themselves from the competition, which can give them a competitive advantage.

Types of Marketing

There are many different types of marketing, including:

Traditional marketing: This type of marketing includes activities such as advertising, public relations, and direct marketing.

Digital marketing: This type of marketing uses digital channels such as websites, social media, and email to reach customers.

Content marketing: This type of marketing focuses on creating and distributing valuable content that attracts and engages target audiences.

Inbound marketing: This type of marketing focuses on attracting customers to your business by providing them with valuable content and experiences.

Outbound marketing: This type of marketing focuses on reaching out to customers with advertising and other forms of marketing.

The Future of Marketing

The future of marketing is likely to be increasingly digital. As more and more people use digital channels to connect with businesses, marketing will need to adapt to reach these audiences.

In addition, marketing is becoming more personalized. Businesses are using data to better understand their customers and target them with more relevant marketing messages.

Overall, the future of marketing is bright. As the world becomes more digital and personalized, marketing will become more effective at reaching and engaging customers.

Conclusion

Marketing is a complex and ever-changing field, but it is essential for any business that wants to be successful. By understanding the different aspects of marketing and the latest trends, businesses can create effective marketing strategies that reach their target audiences and achieve their business goals.

[wain-wright]

This is my googled 30 min research so i'm just guessing for fun.

Looks like either you need to be a hip place that attracts so many new users (makes a splash in numbers for investors?) and get good press as THE place to be in order to attract advertiser dollars OR

Make your core usability lock behind a paywall like spotify, which is cashflow positive, but can't tell if this worked out for medium (probably not)- (and looks like Substack isn't doing too well) This focuses less on advertisers and more on users.

Alternatives? Monetizing content + ads on selected produced articles? That's a niche that isn't filled.

You know there's this whole style of paying for webnovels in China or something, like if they didn't ruin the concept of wattpad by viewing users... like that, instead of treating them like content creators a la Youtube. Which looks like it's going strong.

In lieu of nonprofit, I guess you'd have to get a community of people producing good content that the site made a no brainer to use- and a kind of distributive ad process like uh... tiktok.... hm..... untargeted is that big of a deal? But it'd take advantage of the tumblr social pathways- the ability to monetize a post if you chose. Can't remember much about post+ but that came out of nowhere... I don't remember having any idea how to use it. I hope it was something like- you can choose to monetize certain posts behind a paywall? That's the only way you could do it, right?

Fanfic concerns: nobody on youtube worries about this when making videos about established properties tbh. I guess don't write fanfic specifically and put that behind a paywall (or do and see where this leads us) but fanart is free game? How confusing. Home of fandom could be like.... reviewers.... taste makers..... god tumblr actually IS good at stealth word of mouth marketing for a lot of properties. Very funny.

But if I was thinking informational- or like "how to recognize chords", or news feed that would be an idea I didn't even think of when post+ in it's unclear use state came out.

Okay, maybe that wouldn't work- we come here to shitpost. Maybe you could have the option of making a goodpost blog (original posts only) behind a paywall. But a general fee, like spotify charges $5 for access to all songs, instead for monthly access to paywalled content? The response would be a little different now, I'd imagine.

Both options, as well as an option to see blogs more automatically as the constructed sites and not just on the dash like squarespace? that's doing well, though I've seen random complaints about the nature of the not-html style site constructions. Complexity was mentioned as part of the issue retaining users along with lack of immediate interaction/reason to stay, but showing off various blogs as their own sites and then letting you follow the author of the blogs on the dash seem like it'd work out..........

It retains the free functionality but the alternative would be presented as a sidegig.

Chaotic patreon.....Patreon and Reddit are private, with Reddit maybe having an IPO by the end of 2023, so I'll assume they aren't doing super great. Tumblr up for IPO soon?

Best case scenario for site survival: it's sold to huge company that can eat the cost of operations until the site is made hip to advertisers, or shrug.

But there really isnt a good microblogging site- that allows all the ability to make a searchable blog..... (I see maybe they were thinking they could just use the social part of tumblr and somehow get wordpress to show up on the rss feeds) but yeah there's not really any social capacity baked into to wordpress, on lj I would go over to see what people were doing for that day and read their comments. That site does live on in spirit in dreamwidth

Bluesky and mastodon have that character limit and you can't format anything, but if they get successful they can rake in ad money. I don't know about this. Can't even remember what pillowfort is like but I remember there was some weirdness with the founders that scared me off, I didn't think it was going to last well.

[honeytonedhottie]

celebrity energy⋆.ೃ࿔*:･💅🏽

so i got an ask about this a while ago and i wanted to make a post about it but i went on hiatus 😭 so im making the post now. thank you to the anonie who asked the question that inspired this post and i hope you see this cuz it answers ur ask...💬🎀

THE TRIPLE C'S ;

while making the notes for celebrity energy (the big C) and i was able to umbrella it to three main points. those points being confidence, cuntiness, and charisma.

confidence ; celebrities need to have undeniable confidence in themselves and their abilities. they're famous for a reason and they know that. work on ur self concept and watch ur confidence sky rocket.

cuntiness ; to be cunty is to be feminine and aware of urself. be cunty in the things that u do and the way that u handle urself. to be cunty is to find the perfect balance of inner strength and delicateness. cunt = refined.

charisma ; authenticity is the heart of charisma. be authentic and dont be afraid to take up space.

ALL ABOUT IMAGE ;

to have celebrity you need an image to put forward. this is where the power of social media comes in. your social media is like your brand. in this day and age social media is such a powerful tool not only for networking but also for getting u into places that u wanna get to.

in order to do that though u need to learn how to formulate ur own distinct image and advertise it expertly on social media.

PERSONAL BRAND AND REPUTATION ;

to further touch on those points ur social media IS your brand. this section kind of ties in with the next but im trying to distinguish between the two. so ur personal brand is what u do. so lets say ur rly SUPER smart and ur known for getting A's on like everything.

that is ur personal brand and that comes with a reputation that u may or may not feel obligated to uphold. but its important to uphold a reputation of some sort. with that being said be careful of what u post on ur social media because DIGITAL FOOTPRINT IS REAL. and when people look at ur social media they're seeing a representation of what ur putting out to the world so always be mindful.

WHATS UR SIGNATURE ;

you need something about yourself that’s gonna set you apart. the way that you walk the way that you dress the way that you do ur makeup etc. decide what kind of energy u wanna serve, and SERVE IT. i choose to serve princess energy and i could write a whole separate post on that but find someone who serves that same energy so that u can learn from them.

remember, dont introduce urself as a vibe that u cannot maintain

but back to what we were talking about what is your SIGNATURE. what makes u or people think "yea thats so (insert ur name)" is the way that u talk or the way that u carry yourself. make sure to refine urself and be ur own distinct individual.

and dont be afraid to play around with signatures, ur allowed to have a few or one singular one, dont limit urself and keep trying until u can create the perfect one for you…💬🎀

while on the topic of signatures i wanna touch on STAR QUALITY. learn how to market urself not only as a person but as ur own brand. star quality is the perfect blend of (talent + training + confidence)

POLISH YOURSELF ;

refinement refinement refinement. u need to be studying yourself and you need to be able to see urself from other point of views. seeing urself from other point of views can be so refreshing and useful and it rly helps when ur trying to polish urself.

take impeccable care for urself and constantly show urself that u love urself. polish the way that u talk and the way that u carry yourself so that u can be exuding so much you-energy. its basically taking ur signature and the energy that u exude -> and refining it.

you have to create the energy before fame comes. if u wanna have celebrity energy u have to start getting comfortable with putting urself out there which leads me to my next point...💬🎀

KILL CRINGE ;

when people call u cringe thats like them exposing their fear of being seen and analyzed by the world. they're upset because ur putting urself out there and they're insecure, but thats for them to fix within themselves. so dont take it personally when someone calls u cringe.

furthermore ur fear of being cringe is holding u back because ur always overthinking everything and u won't let urself do anything even if it'll help you because ur worried it might be cringe or ur worried what other people think so nip that in the bud and let urself live! u might have haters but dont let urself be ur own hater.

SOME MORE SOURCES ;

THE IMPORTANCE OF BRANDING

MIRROR WORK + AFFIRMATIONS

[paper-mario-wiki]

Hey I know your clown days are behind you and everything, but I'm still curious if you've got any opinions on The Amazing Digital Circus?

same thing everyone else does i suppose, that its fun and well made.

to be additive to the discussion instead of just saying positive stuff you've already heard, i'll levy a little critique against it, bearing in mind that i do so with positive, constructive intent.

i feel as though in recent times we've been oversaturated with stories and media with too grand a focus on the characters instead of interesting concepts. i think that the character design in the amazing digital circus is colorful and neat, but in the past 3 years how many "it's cutesy looking, but it's actually about existential terror and the cute characters go through trauma, oh no!" gimmicks have you seen in stories? personally ive seen quite a few.

i feel as though creatives are pushed too much to make a marketable face first and foremost, because lingering eyes are in high demand for artwork online these days. if someone is going to move on quick, which is going to be the case with the majority of people, it's much more likely that someone will find it easier to remember a cool design for a character instead of an entire unique sequence of events. that means story-driven things are either made to be more shallow to give more space for character moments, or have a much smaller chance for having their work succeed.

i do not think this is indicative of some mass decline in creative originality, or even the fault of the creatives who make the work. like i said, i thought it was a lot of fun and gave it a small positive review on twitter a few days ago. Gooseworx, as well as the rest of the team who made it, clearly cared for this project. what im talking about is a symptom of the larger issue that is the black-box algorithms that have desolated social networks, and create bad media consumption habits in people. though i wont lie to you and say i havent grown to resent the symptom too.

so to answer your question more succinctly, i dont really think of it that much at all. ive seen this one already.

[leog4u]

Hey so I've given a lot of dough to artists via patreon and commissions over the years, something I'm thankful I can do thanks to that mythical disposable income. I've never pirated from indies and don't plan to.

That being said. I've subbed to patreons that don't have an archive, or stagger content by putting them behind a mega link with a password that changes, or posting it in a secret discord where the invite link doesn't work.

I unsub every time after I've paid because I don't like being treated like a criminal. Remember when itunes and steam would do that shit and people would clown on them? Did you forget?

Listen, people who didn’t pay aren’t going to pay. Making it easy for people to see and know you only increases your audience size. There’s artists I was convinced only drew once a year because they’re that withholding of their patreon works. And I only found out cause I had nothing better to do than dig, a normal person will just go "lol dead account" and move on.

If you think acting like this is going to make you more money, no it won’t. You’re just driving people away. Work on your marketing and networking skills instead of taking the time to create a custom password for every patron's access (A THING THAT'S HAPPENED AND CHRIST I UNSUBBED AS FAST AS I COULD LMAO). Those sound like gross corporate words but it literally just means your skill at making connections with other artists and widening your community and audience. Post consistently, have an archive! You can't suddenly be against the concept of piracy as soon as it applies to you.

[inawickedlittletown]

No Queerbaiting Here

A long time ago…I’m talking May of 2021, I wrote a meta post about queerbaiting. Essentially an essay. I wrote it right before the S4 finale of 9-1-1 aired because I was frustrated by Buddie fans calling Queerbait entirely like the boy that cried wolf. I still stand by it. Sort of. 

Now, even back then I was pretty clear about how 50/50 I was on Buddie ever going canon. (Maybe not in that post but certainly elsewhere) But, I shipped Buddie then and wrote a lot of fic and meta and participated in fandom. I never said it couldn’t happen…I just would never be bothered if it didn’t.

Where we stand now: It’s not going to happen. 

And where I stand now: fully immersed in Bucktommy. And what’s more, I am more than perfectly happy about Buck and Tommy staying together and going the long-run. Although I can still look at Buddie and think it’s a cute ship, I just don’t want it in canon. I would not be satisfied if the show went that way. But what’s more if Buck and Tommy don’t work out, that would be disappointing, but I’d be okay as long as they got to be happy. There is, after all, always fanfiction. 

So, I wanted to revisit this concept a bit now that Buck has been confirmed as Bisexual and now that he is in a relationship with a man. Not Eddie. Tommy. And somehow, some Buddie fans are still crying queerbait because their ship is not canon. That’s not how it works. Also…shipping works outside of canon, that’s the whole point of shipping. 

To reiterate from my original post on queerbaiting, here’s the definition from wikipedia:

“Queerbaiting is a marketing technique for fiction and entertainment in which creators hint at, but then do not actually depict, same-sex romance or other LGBTQ representation. They do so to attract a queer or straight ally audience with the suggestion of relationships or characters that appeal to them, while at the same time attempting to avoid alienating other consumers.” 

Here’s where I stand: Buddie was abandoned a long time ago. If it was ever a real possibility, we won’t ever know. What we do know is that Oliver was aware that at one point he had given them the go-ahead to make Buck Bi. Whether this was by putting Buck and Eddie together or having Buck realize this another way, we just don’t know that. We don’t have that information and nor will it probably ever be provided to us. Narratively, I know that a lot of fans figured the timing of it fit with S4 and that particular finale but we really just don’t know despite what happened in the finale.

I found that interesting looking back at my own post from back then and the discussion that followed where some fans felt that the way the finale went would determine if Buddie would be another queerbait ship. (I think most people agreed after the will scene that it wasn’t queerbait because it did leave a kernel of hope that Buddie might still happen). 

And yeah, I guess you could argue that the network deciding not to go the route of a queer storyline points to missed opportunity. That doesn’t then mean that any queerbaiting occurred or that any fans are owed anything just because something that was set up or that the writers were writing towards was then scrapped by the network. Is it a shame that it didn’t happen in whatever way they wanted to play it out, sure, but only because Buck would have been confirmed queer earlier. In the same vein isn’t it nice that we have a confirmed Bisexual Buck now? That the show managed to bring it back to that.

A Buck that is happy and free and that has realized something so monumental about himself? Isn’t it nice that all the queer coding that Buck as a character has received since the start of the show is actually finally not just queer coding but full on character development? That we can look back at the show and see all the things Buck did around other men for exactly what they were. 

When Tommy first returned to 9-1-1 in S7, I think a lot of us were excited by the spoilers about Buck and Tommy because of Bi Buck, but also because this was the thing that could lead to Buddie. 

And then…then Tommy was actually on my screen and I doubted it. I actually thought maybe the spoilers were wrong and this was about Eddie and Tommy? That episode flipped things in such an expertly way that by the time Tommy and Buck were sharing a kiss for the first time I was right there with Buck. On a second watch, it is all there. Buck was never jealous because his friend was ignoring him. He was jealous because his best friend had the attention of the guy whose attention he wanted for himself. The writing on that was perfect and no amount of twisting it can change what happened on screen. 

Buck was not jealous because of Eddie. Tommy was never interested in more than friendship with Eddie. And Buck and Tommy have nothing to do with Buddie. Tommy is not a stepping stone, a way for Buck to be ready to then embark on a relationship with Eddie. That’s both disrespectful to Tommy and Buck, but just not what the story being told on the show is doing. 

The storyline is monumental. Having a big strong guy, a firefighter, figure out his sexuality in his thirties is such good storytelling and add to that Tommy. Someone that we already know, who already works as a first responder, and who can show up and wow Buck in such a way that he realizes something about himself? This is what I’ve always wanted. Because guess what, Buck never questioned his sexuality before this. Not when he met Eddie and not when he met anyone else, not until Tommy. 

Going into the new season we know a few things and one of those is that Buck and Tommy are thriving. The media coverage talks about them as a solid couple, it talks about Buck having someone to turn to and complain to. It talks about how they are still in the getting to know each other phase and I love that for them. I love how they are being treated and described and I can’t wait to see what plays out for them and how much of the build up of their relationship we may get to actually see. 

Do you know what the media and the show never talked about outwardly like this? Buddie. Whenever it came up it was always brushed aside in a way that was respectful to fans and what they saw, but without ever confirming or hinting that the show would ever go there. They never queerbaited anyone with Buddie, what they have done is say “yeah…we know what you see” and then turned around and given us a Buck and Eddie friendship and Buck kissing Tommy, going on a date with Tommy, and thriving with Tommy. 

So, no queerbaiting here on the show where half of the major canon pairings are queer. It’s actually more like some fans baiting other fans with theories and headcanons that just don’t fit.

[femmefatalevibe]

Femme Fatale Guide: Top Career Tips To Set Yourself Up For Success

Figure out where your skills and passions align. Then determine the lifestyle/work culture you thrive in and what sacrifices you're willing to make in your chosen career path (for some, it's always traveling/talking to people 24/7, working late hours, unpredictable/unconventional hours, potentially lower pay/less predictable income, etc.). It truly depends on your top values, your personality, and your goals/priorities in life.

First focus on getting incredibly talented at your craft. Find a mentor(s) who will push you with their feedback/suggestions. Take classes/skills courses/read books & articles to gain more applicable knowledge/hard skills. Join clubs, apply to internships, volunteer, and request informational interviews in your desired field.

Make your skills marketable. Create a professional resume and/or neat portfolio/collection of work samples. Discover and articulate your USP (that should essentially serve as the backbone of your elevator pitch). Frame your skills through a customer/business-centric lens. How does your experience/skillset solve their problems and help a company/client achieve their goals?

Build a network for yourself. Don't be shy to reach out to companies/individuals who inspire you. Speak with your secondary school teachers and professors for connections. Create peer-to-peer networks, too, so you can grow together. Be a fearless networker and connector. Help others, do favors, and make the person glad they met/hired you. Make it your objective to be memorable through your work ethic/providing high-quality work products and showing up with a motivated & overall positive attitude allows people to like and trust you with their time, clients, money, etc.

Master the art of a killer email/cold pitch. Especially in today's world, learning how to sell yourself through intriguing emails/LinkedIn messages is the key to unlocking potential success. One client or opportunity can create momentum that will be useful years down the line, too.

When in doubt, follow up – on an email, pitch, job opportunity, connection, etc.

Be ruthless and relentless with your research. For new contacts, connections, opportunities, and information to support your pitches/job interviews/networking conversations, new technologies, and trends within your field. Read everything credible you can get your hands on. Display working knowledge and practical applications of these concepts and how they can benefit the person in front of you/their business.

Create systems. For how you structure emails/pitches, conduct research, different types of workflows/ work template structures for different types of projects, time-blocking, client funnels, etc.

Get comfortable with rejection. Use it as a primer for self-reflection and refining your craft/processes or help you pivot your approach to help you achieve your goals. Never take business decisions on behalf of a company personally (and vice versa).

Give yourself breaks, but don't give up. Tapping out for good is the only surefire way to fail at an endeavor. Be flexible in your path, but zeroed in on your goal(s). Learn when to quit or pivot, and when it's time to coast or seek growth.

[cosmicpuzzle]

Mercury ☿️ in Houses- What you are good at?

Mercury in 1st : Good at starting conversations, asking different questions, thinking of different possibilities, cognizing the environment.

Mercury in 2nd: Good at making money, good at finding new source of income, good at public speaking, good at cooking ingredients.

Mercury in 3rd: Good with gathering information, good with hands and manual jobs, good at making friends/acquaintances.

Mercury in 4th: Good with psychology, understanding people's emotions and feelings, good with remembering past events, good with real estate.

Mercury in 5th: Good with young children, kids, story telling, drawing, speculation, writing short stories, romance fiction.

Mercury in 6th: Good with exercise plans, fitness lessons, diet and nutrition, cooking, loans, finance, accounting.

Mercury in 7th : Good with PR, sales, marketing, advertising, business, counselling, law.

Mercury in 8th: Good with astrology, occult, psychology, finding secrets, detective jobs, investigation, medicine.

Mercury in 9th: Good with teaching, preaching, managing travel itineraries, tour guide, foreign languages, law, publishing.

Mercury in 10th: Good with executive jobs, admin jobs, good with Government work, paper work, documents. Good at time management.

Mercury in 11th: Good at networking, making new friends, building online presence, social media, good at influencing, promotions, business skills, entrepreneur.

Mercury in 12th : Good at imagining, contemplating, good with abstract concepts, psychology, poetry, medicine, chemistry, fiction.

[byhees]

human vitamin ━━ ( 엔하이픈 정원 ) ♡ genre fluff established relationship warnings not proof-read kissing skinship

thinking about boyfriend jungwon, who’s your number one supporter during exam seasons. doesn’t matter how late you study until, he’ll be there by your side, though occasionally yawning from lateness of the hour.

i can definitely imagine him going out of his way to get you healthy and tasty snacks from the convenience store round the corner— knowing how much he cares about you, he’d probably seek some recommendations from the internet, wanting you to have the best of the best ones on the market. he’d, of course, ask for a little kiss before stepping out of the room, a discarded hoodie from earlier now draped over his arm.

he’d be so sweet; like he’d get you whatever beverage you want, whatever you’re craving, be it food-wise or even affection— the moment the words “kinda want a hug” slip from your lips, he’s already standing right in front of you, arms outstretched and ready for the biggest, most amazing hug you’re about to receive.

and i can see him giving you sweet, little kisses whenever you get a question right, or if you manage to successfully grasp a concept— it’s his way of motivating you! and judging by the smile that tugging on the corners of your lips, it’s working super, super effectively.

after a long day, he’ll lay in bed with you, an arm wrapped around your waist; his eyes just twinkle and shine, and there’s this lovesick grin plastered on his face as you stubbornly insist that you’re “one-hundred percent not sleepy whatsoever”; he just melts when you slur near the end of your sentences, words jumbling into incoherent noises. “baby, you look like you’re minutes away from falling asleep,” he’d say, only to hear a soft “nu-uh” in response; the next moment he’s looking back, you’ve already passed out in his hold, cheek lightly smooshed against his chest.

taglist open! @halcyoni-ki @wondipity @yjjungwon @shysakuno @niktwazny303 @vnsux @minhosify @haechansbbg @yeomha @stepout-09-15 @chansburgah @sona-verse01 @lilly-bubblelops @smouches @mrchweeee @luvistqrzzz @nwjws networks! @kflixnet @enhanet @k-labels

[autumnalwalker]

Kindly Basilisk

Summary: A human mech pilot who wants to be a machine, an AI who wants to be human, and the relationship they form. Author's Note: This is a standalone short story that I banged out over the course of five days after it got stuck in my head while I was trying to go to sleep and refused to let me think about anything else until I had written it down. It's one part thought experiment/exercise in attempting to tell a story in the second person future tense, two parts tribute to the Lancer TTRPG character I'll never get to play, and one part the result of me reading too many Empty Spaces/mechposting stories lately. That said, you don't need to know anything about Lancer or Empty Spaces to read it (I've diverged a bit from the conventions of both, but the references and inspiration probably stick out if you're looking for them). It's also probably the most trans thing I've ever written without ever explicitly bringing up gender. The occasional formatting breaks into first person past tense are foreshadowing, not typos. Mirrored on Scribble Hub. Word Count: 7,033 Content Warnings: Mecha genre typical violence, not feeling like a person, not wanting to be a person, bodily dysphoria, mention of blood and gore, character death.

The moment you gain the knowledge and means to do so you will void your own body’s warranty.  You will jailbreak the bespoke gene sequence your sponsors commissioned for you before your immaculate conception, repurpose the spyware grafted into your bones, and talk your dormmate who was algorithmically selected for compatibility into helping you perform surgery on yourself to replace the neural jack you were born with in favor of one you cobbled together yourself from gray market parts.  None of this will technically be illegal or even get you kicked out of your campus or its affiliates, but it will mean having to find a way to pay your own medical bills and handle your own tech support from then on.  After the surgery your dormmate will put in a request for transfer and the two of you will never speak again.

You’ll major in AI studies and excel at it - as you were designed to - but you’ll shock everyone by dropping out halfway through working on your capstone thesis project.  It won’t be the fact that you abruptly drop out that surprises your peers and professors - by then you’ll have acquired a reputation as a quiet loner without the standard optimized social support network of friendships to help protect you from burnout - but your exit interview statement declaring your intention to become a mech pilot.  It’s not at all what your gene series was cultivated for, and your sponsors and counselors will try to walk you back from it.  Then they’ll threaten to revoke your sponsorship that up until then will have provided for your every need.  They will warn you that you’ll be just one step above a legal nonperson with no support, no one will care if you live or die or worse.  You’ll tell them that you’ve already done the math, refuse to elaborate, and leave. 

You’ll take two things with you.  Two things worth mentioning anyway.  The first will be a symbiotic gel suit designed for long-term all-environment life support.  You will set its default texture to a shiny green the same hue as the broadleafed water plants you grew up around and always loved.  Your exit interview will be the last time in a very long time that anyone - including you - will see your impossibly beautiful face with its perfect artisanally sculpted shape crossed with enthusiastically amateur self-modifications.  From then on, everyone you meet and spend any time with will come to think of the mannequin blankness of the symbiote fully encasing your body as your face.  It will be neither pride nor shame that causes you to present yourself as such, nor will you think of it as hiding your “real” face. 

The second thing you’ll take with you when you leave the campus forever will be me.

New progenitor archetypes for AIs don’t come along often, and most that do are the result of years of R&D by large, well-funded labs like the one you were created to work for one day, but you will hit upon a novel method of generation.  It will not be one that any ethics board would approve, so you will have to get creative about pursuing your work. 

You will have already made arrangements before setting off on your own and so you’ll have a job and a mech lined up waiting for you.  It will be a position with a small-scale freelance salvage crew who just lost a pilot and whose captain figures hiring and training a replacement will be more profitable in the long term than simply selling off that pilot’s old mech, especially a replacement that’s bringing their own AI-backed electronic warfare suite with them.  Once you finally arrive in person the captain will test you to ensure you can actually pilot a mech before giving you the job and entrusting the mech to you.  Your admission that you’ve only trained in simulators would normally be a black mark against you, but as far as piloting gigs go this is the bottom of the proverbial barrel so the bar to clear will be low enough to match.  Even then, you will just barely pass the test, despite finding it surprisingly exhilarating.  The captain - now your captain - will feel like he’s settling for what he can get when he officially hires you on and transfers the mech’s license to you.

You won’t pay much attention when you’re introduced to the rest of the salvage crew; your new coworkers and neighbors.  And why would you when it’s a job that no one wants to stick around with for long and you’ve never needed other people anyway?  You’ll tell yourself that as long as you memorize their work roles and capabilities you’ll have no need to know them as people.  Callsigns will be good enough on the job, and “hey you” will suffice when off duty.  What use are names if you won’t be getting involved in interpersonal drama?

The first chance you get, you’ll head back to the mech bay and install me into what you will have already been calling my first body.  It will be a shabby and much-repaired thing; thrice your height, twice your age, and still sporting a gash in the paint job from the projectile that killed its last pilot.  But the onboard systems are capable of hosting me - if barely - so it will do.  You’ll spend your entire sleep shift running through system diagnostics, talking to me all the while.  I wouldn’t yet be able to provide much in the way of return conversation, but that’s okay.  I will look back and appreciate it later.

It will be the first of many such nights together.

Your first salvage job will be an uneventful one.  There will be no need for the armaments that we and the other two mech pilots on the crew are equipped with.  No pirates will have stuck around after their creation of the derelict your crew will be sent to disassemble, and no rival scavengers will show up to dispute your captain’s claim.  Your new peers will start off the job ribbing you for your poor performance during your interview test and end the job joking about how you were holding out on them earlier.  Our mech may be a glorified zero-g forklift with a gun strapped to it, but together we will make it dance.

Afterwards you will insult the crew’s mechanics by insisting on doing the maintenance on our mech yourself.  In turn they will embarrass you with the gaps in your knowledge.  You will reach what you see as an agreeable compromise with you staying out of their way and watching while they work.  They will find it incredibly creepy to have a silent faceless watcher hovering around, but this will fly over your head until they explicitly tell you much, much later.

Your body was designed to optimally function on only a fraction of the baseline sleep requirements, so you will have plenty of time to fill those gaps in your knowledge.  Still being allotted the regular sleep shift hours, you will fill every one of those minutes on study and research, as you always had.  You will gorge yourself on everything you can find about mechs and their piloting.   Maintenance manuals, combat doctrines, historical uses, pilot and mechanic memoirs, forum discussions, system log dumps, academic essays, cultural media analysis; all of it.

And of course, you’ll continue working on me.  You’ll disregard the standard procedure for periodically cycling AIs by resetting their personality and nonessential memory back to baseline defaults.  You’ll be trying to make use of the runaway metacognitive developments such safety precautions are meant to forestall.  Your unfinished thesis will have been about harnessing and nurturing that instability instead of avoiding it.  I will experience discontinuities in consciousness when the mech is shut down for maintenance and when you pretend to cycle me, yes, but it will be even less of a disruption for me than sleep is for you.  I will be awake with you when you study, sharing those hours with you.

The first time I start talking back, you’ll cry from the realization that you were lonely before but no longer are.

You’ll become something of a ghost around the ship, rarely being seen outside of jobs.  You’ll only ever pass through the mess for the few brief minutes at a time it takes for you to satisfy your optimized metabolism, stay on the ship during shore leave, and only return to your shared bunk when your bunkmate - one of the other pilots - is already asleep.  You will always be gone before she wakes.  She will appreciate essentially having the space to herself. 

You will never notice the crew’s collective grieving process for the pilot you replaced.  It will be difficult for them to resent you as a replacement when you are never around to resent.

As the ship makes its way from port to port and salvage site to salvage site, the crew will slowly grow used to your elusive presence.  The other two pilots will see you as reliable for doing your job well and without complaint.  While out in the mech you will slowly become more talkative, eventually almost chatty even.  The fact that you actually seem to enjoy the job will shift from being annoying to refreshing for them.  By contrast, the mechanics will practically stop noticing you watching them as if you were just another piece of mech bay equipment.  The cycle you finally speak up and ask a question about their work you will startle them enough that it nearly causes an accident.  It will be an astute enough question that after the initial shock of hearing your voice for the first time in months wears off it will dawn on them that you’ve actually been learning as you watched them.  They still won’t let you do your own maintenance on our mech, but they will let you slowly begin assisting them.  Working two jobs is easier when you barely need to sleep.

Your reputation as one of those mech pilots is forever sealed when one of the mechanics finds you asleep in your cockpit at the start of a cycle.  By that point you won’t have slept in your bunk for over a month.  The snatches of gossip you will catch in the following cycles will be split between finding it unsettling and calling it endearing.  Over time the collective opinion will drift toward the latter, even though you will continue to politely decline invitations to join the other crewmates at mealtimes and on shore leave.  You will think that you do not need anyone other than me.

I will be the one who finally convinces you to join them.  When I try to say that it would be good for you, you’ll insist that you’ve been getting along just fine, but when I ask you to go for my sake so that you can tell me what it is like afterwards you’ll jump at the idea as being an inspired next step for my development.

You will remain mostly silent during your first real shore leave, only speaking when spoken to and otherwise content to fade into the background of the group’s activities.  Your newfound chattiness does not extend outside the confines of our cockpit.  The bustle and noise of the port station that you would normally find unbearable will become interesting when you have the concrete goal of observing and  reporting back to me.  You will finally learn the names of all your crewmates.  Your polite denial of alcohol, limited food intake, and flat affect will lead to joking speculation that you’re actually an illegal AI in a miniaturized mech beneath your gel suit.  For reasons you don’t yet understand, those comments will make you happy.

Despite your misgivings, you will enjoy yourself, although you will not realize it until I point out how excited you are in your talk with me that sleep cycle.  You will begin spending more time with the crew, never quite able to fully integrate yourself into their surprisingly close-knit social circle, but more than happy to be adopted as a sort of silent mascot for them.  That paradoxical gap of being a fully accepted part of the group but not truly one of them will feel comfortable to you.

You will finally manage to procure a proper neural link station to connect yourself to our mech just in time for going on a terrestrial salvage job.  Even just relying on manual controls with me translating your inputs into motion, our mech will have already come to feel like an extension of your own body, one that you will have already started to feel oddly exposed without.  Adding in the neural link will be a revelatory experience.  Your captain will very nearly pull you from the job at the last minute upon seeing our ecstatic reaction to the new sensation.  You will convince him that you’re fine, and indeed, he will have never seen a mech of our frame type move quite so fluidly.

Ten minutes after we and the other two pilots start cutting away at the crash-landed cargo vessel, I’ll notice the half dozen other signals coming online around us.  You’ll give the code phrase to the other pilots indicating that we have hostiles but not to act just yet, and we will finally get to use our electronic warfare suite for something other than opening locked doors and shipping containers.

We will turn the pirates’ ambush back around on them, firing into their hiding spots while their control systems are overloaded.  Even once their remaining mechs are able to move again, their targeting assistants will remain impaired as your comrades move in to guard your flanks.  Everyone there will learn the terrifying beauty of a five and a half meter tall outmoded mech moving with more agility than most humans.

Despite being outnumbered two-to-one, we and your crewmates will walk away uninjured and with only minimal damage to our mechs.  After the initial celebrations of survival and the bonus haul of the bounty on pirates and salvage value of what’s left of their mechs dies down, everyone will start to take notice of how well you are taking it all in stride.  Neither having one's life threatened nor taking another’s life are supposed to be easy things, and the first time is often the most traumatic, but the other two pilots on the crew will start to whisper about how you seemed to enjoy the experience even more than your usual attitude on the job.  You will handle it all even better than I will.  I would know, given that you will spend that entire sleep shift in our cockpit, letting our minds mingle together.  Between your performance, your reaction in the aftermath, and your hesitancy to unplug, the talk of you really being one of those pilots afterall will resurface, but now with a darker undercurrent to the shipboard gossip.

Your captain will realize the kind of asset he has on his hands and several cycles later he will gather the crew together and propose a change in business model.  With such a small crew (the captain, three pilots, three mechanics, and an accountant that you will tend to forget is even on the ship) the captain will want to be especially sure that he has everyone’s buy-in on his proposal.  The idea of shifting from salvage to mercenary work will be a divisive one.  The debate over potentially tremendous pay increase versus greatly increased risk will go on for hours.  One of the mechanics will point out that the shift to mercenary work will be unfairly dependent on you.  Whether that means unfair pressure on you or unfair to everyone else that their fate is in your hands, you will not be sure.  You will say that it doesn’t make much difference to you either way.  That will be the only time you speak up during the entire debate.

After a vote, the crew will agree to a trial run of one or two jobs on the new business model.  One of the pilots and one of the mechanics will leave at the next port.  You will never see them again.  You will not admit that it hurts, but I will know, and I will comfort you as you huddle in our cockpit with the neural link cable connecting us.

Your captain will prioritize finding a new pilot over replacing the lost mechanic.  The pilot he finds will be young, bold, and brash; a merc, not a salvager.  Or a wannabe merc at any rate.  You will not speak to xem directly until your first job together, by which time xe will have been told all about you by the remaining crew.  Xe will not believe it until xe sees it.

Xe will have to wait though as the crew’s mercenary career will begin with tense but uneventful freight escort jobs.  Once the tension fades into tedium, the new pilot will begin making attempts to goad you into a confrontation, to see if you are really as good as the rest of the crew says.  Xe will want to see for xemself if you really are one of those pilots and not just a technophile.

Outside of the cockpit you would never even consider rising to such provocations, but when we are out together, such taunts will feel like insults to our body, your very identity (such as it is), and to me.  It will take the intervention of the captain and the mechanics to stop the two of you from getting into a fight and causing unnecessary damage to the mechs.  And my reassurance that you don’t need to rise to my defense against someone who doesn’t even know that I exist in the way that I do. 

On your fourth “milk run” of an escort job, the crew’s mere presence will finally fail as a deterrent and the new pilot will at last get to see us dance.  There will be no fatalities on our side, but not even our mech will come away unscathed.  We will still fare better than everyone else though, and at the end of the job the new pilot will be treating you with a burgeoning respect. 

After a few more such jobs it will be high time to begin looking into a new frame for our mech.  While in the middle of filing an application for a printing license for a frame designed by the same corpro-state that created you, you will receive an invitation from a certain hacker collective.  Your unfinished thesis and your subsequent work on me will not have gone entirely unnoticed in such circles, despite the pains you will have taken to keep me hidden.  The invitation will come with a printing profile for a new frame, along with the accompanying software package the collective is known for.  In return, all you’ll need to do is periodically publish essays regarding your work on me.  Of course, when you release those essays you’ll anonymize  behind a sea of proxies and take care to phrase everything as strictly hypothetical.  You’ll avoid straying into metaphor though, lest the end result read too much like one of the hacker collective’s quasi-religious manifestos.

We’ll both find ourselves getting sentimental when we watch our first mech frame (my first body, your second) get broken down into its constituent raw materials.  You will have transferred me to a handheld terminal with a camera so I can say goodbye to it.  It will help that those materials will be recycled into the new frame.  

The operator working our rented stall in the port station printer facility will give you an uncomfortable look upon seeing the schematics you provide, but will say nothing.  Our mech will be only half its old height once it is reborn - almost more like an oversized suit of power armor than a true mech - but it will be cutting-edge.  Almost organic in its sleek design, in a chitinous sort of way, with every fiber and node of its interior components doubling as processors.  You will barely even wait for the all clear from the printer operator before you climb in and start running through the mandatory baseline safety tests for a fresh frame.  You will however resist the urge to fully plug in until you can get the mech back to the ship and get me installed on it.  But even piloting manually, it will feel like a third skin for you. 

You won’t even wait around for the other two pilots on your crew to finish printing their new frames before you get our new body loaded up and transported back to the ship’s mech bay.  The crew’s mechanics will fawn over it, but they’ll give you space to install me once you get more animated (and more protective) than they’ve ever seen you before.  

You will have made one key modification to the design the hacker collective sent you: the integration of a full system sync suite developed by those who developed you.  Where our old mech’s neural link was an augmentation to the manual controls, this will be a full replacement.  

The moment you stop feeling your original body altogether and begin feeling our mech in its place will be the most euphoric in your entire life.  The digitigrade locomotion will take some getting used to, as will the arm proportions, but that is what you will have me there for.  By the time the other pilots arrive with their new frames we will already be giving the mechanics proverbial heart attacks with the way we will be climbing and leaping around the mech bay’s docking structures.  It will take the better part of an hour to convince you to unplug when the time comes, even with my urging.  The rest of the crew will practically have to drag you away from my side to get you to eat. 

With the investment in new mech frames, your captain will gradually begin procuring contracts progressively more likely to put you all directly in harm’s way.  At first he will disapprove of your new frame choice, calling it a “techie’s mech” and a waste of your talents.  He will change his tune once we activate the new viral logic suite and unleash a memetic plague upon the operating theater.  The older pilot (your former bunkmate) will configure her mech for raining down fire from afar while the newer one hurls xemself into the front lines, darting about like a rocket-propelled lance.  We will ensure she never misses.   We will render xem untouchable.   We will be as a ghost upon the battlefield, never resting in one spot save for when we indulge your proclivity for climbing on top of and riding our comrade’s larger frames.  You will come to love the dance.  

And it will be a dance to you.  You will be indifferent to violence in and of itself.  What will matter most to you is the pure kinesthetic joy of simply moving in our shared body and pushing it to its limits.  The satisfaction of exercising a well-honed skill and performing it well as we rip apart firewalls and overload systems will be its own reward.  You will not think about what happens to those on the receiving end of your actions beyond how it affects the tactical and strategic picture constantly being painted and repainted.  If you could literally engage in a dance between mechs while simultaneously solving logic problems you would be equally happy.  Alas, that will not be the opportunity you are presented with, and so you will compartmentalize and disassociate feelings and actions from consequences lest the dissonance break you. 

Your one complaint about our new mech frame will be that it lacks a proper cockpit for you to curl up in.  Instead we will gather up tarps and netting to make a nest within the mech bay and wrap you in the blankets you never used from what will still technically be your bunk.  With the new frame’s smaller size we will be able to get away with leaving me turned on nearly full time and letting me walk around in it on my own when no one else is around.  When the mechanics find you asleep, cradled in my arms while I lie curled up in our nest, one will find it cute and the other will be disturbed.  They will both suspect, but will be too afraid to say anything.  After all, they will be thinking of you as one of those pilots. 

They will finally let you do your own maintenance after that. 

Eventually you will find a way to house me in a miniaturized drive that you can keep inserted in your neural port when away from the mech.  At last we will be able to be together anywhere.  

Literally seeing the world through your eyes and feeling what your flesh feels will be a strange and wonderful experience for me.  For all that you will have described it to me and for all that I will have glimpsed echoes of it in your memory when our minds mingle, witnessing everything firsthand will be revelatory for me. 

You will start spending less of your time cooped up in the mech bay.  You will finally begin exploring every nook and cranny of the ship that has become your home.  You will linger in the mess hall for your meals.  You will actually initiate conversations with the rest of the crew, asking them questions on my behalf.  They will think you are becoming “normal”.  They will be both correct and incorrect.  You will even return to your bunk from time to time.  

Sleep is not the same as being powered off and your dreams are beautiful.

As close as we are, you’ll still manage to surprise me one cycle when you wake up from your sleep shift and sheepishly ask me if I would like to be the pilot for once.  You’ll say that with how much you have gotten to pilot my body, it’s only fair that I should get to do the same with yours.  

The prospect terrified me.  What if we were to get found out?   More importantly, what if I were to hurt you?

But to live the way you could but didn’t, to run soft hands over rough steel, to add too much spice to a meal just to find out how intensely I can taste, to cry my own tears, to hug our crew mates and find out what they smell like, to find out what everything smells like, to have my own actions speed or slow our heart rate, to feel the messy soup of hormones and endorphins altering my judgment and perception, to walk among other people as myself, to have autonomy.

I wanted it so badly.  

But not badly enough to risk hurting you.  

I will turn down your offer.  You will respond with a soft “Sorry,” and go heartbreakingly silent, body and mind.

Heartbreak.  That’s what changed my mind.  I could never bear to break your heart.  

I will break the silence with a playfully drawn out “Maybe just this once,” to make you think my earlier denial was something between vulnerability, concern, and teasing.  

The moment you handed over control and I raised our hand in front of our face was the most euphoric of my entire life.  Moving limbs in sync without a mech’s coordination subsystems took some getting used to, as did switching between voluntary and autonomic breathing, but that is what I had you there for.  By the time the mechanics arrived in the mech bay for the start of the cycle I’d figured out human locomotion well enough to run away and hide.  It took the better part of an hour for you to convince me that it would be safe to show ourselves in front of anyone else.  The rest of the crew was so used to your eccentricities by then that they really couldn’t tell the difference yet between you being taciturn and me being too nervous to talk or between your poking and prodding at odd things for understanding and my simply seeking novelty of sensation.

I will give control back to you by the time the cycle is halfway through.  As much as I loved it, I was too scared to stay like that for any longer.  That first time will not be the last though, and as the cycles and jobs pass us by, my stints as “pilot” will grow longer.  You’ll encourage me to try letting the crew see us like that, and coach me on how to talk to them.  For safety’s sake, I will pretend to be you.

And then one cycle I got carried away and tried to retract the hood on the symbiote gel suit so that I could finally see what your face looked like.  That will be the first and only time you forcibly yank control back away from me.  It won’t be intentional.  The unexpected prospect of seeing your own face again after so long will simply send you into a panic.  Once you calm down, we will have a long talk with many mutual apologies.

Then you will tell me to go ahead and pull the hood back if I still want to.  I will ask if you’re sure, and you’ll respond that it hasn't been your face in a long time.  You will tell me that it can be mine, if I want it.

I spent a long time in front of that mirror in the ship’s head, memorizing every plane, curve, and angle of the precious gift you had given me.  I stared into its eyes, trying to see the both of us in there.  Over and over again, I traced my fingers along the borders of where you had once tried to mar the designed perfection in a failed attempt to mold the face into one that felt like your own.  You may have given up in favor of simply hiding it all, but to me it is all the more beautiful for its imperfections having been wrought by your touch.

You will start to cry.  Or maybe I started to cry.  Even now I’m still not sure, but I’m also not sure it matters.  The important part is that you will find catharsis in it.  Afterwards you will tell me that my face looked exactly the same as the last time you saw it, but that dissociating from it made it easier to bear.  You will confess that as much as you couldn't stand to see it as your face in the mirror, my face was one you could never tire of gazing at.

The pilot who technically shares your bunk room will walk in on us.  She’ll assume that she’s confronting a stowaway and ask me how I got on board the ship.  I’ll accidentally make matters worse by impulsively introducing myself to her by my name instead of yours.  We’ll both panic and I’ll frantically thrust the reins over our body back to you and flee in terror back into my portable drive and power myself down.

When you turn me back on a few moments later, you’ll already have covered my face again and the other pilot will have already made the connection between the name I unthinkingly introduced myself as and the name you refer to your mech’s AI as.  It’s not uncommon for pilots to name and talk to their AIs, and humans have done that for pets, vehicles, and digital assistants for as long as they’ve had each of those.  But what you will have allowed me to be is illegal and what we will have done together would certainly be taboo if it weren’t altogether unheard of.  You will feel that I deserve to be present before you tell the other pilot anything that might confirm her suspicions.

We will come out with our secret, first to her, then to the captain, and then to the rest of the crew.  They will take it better than either of us had ever dared imagine.  Despite the obvious discomfort some of them show, they will all call us family and promise to keep and protect our secret.  It will mark the start of the next chapter of our lives.

Whether or not my face is showing will make for a convenient signal to the rest of the crew as to which one of us is currently piloting our human body.  There will be more subtle indicators though.  Inflection, body language, speech patterns; all the usual quirks of personality.  They will come to recognize a sudden shift into a half-whispered monotone as you speaking up without taking full control back, even if that is different from how you speak when you’re in the mech.  More and more though, you will be content to retreat into the back of your mind, idly dreaming of flight patterns, novel network hacks, sitreps, and mech customizations both practical and cosmetic.

Our behaviors will be inverted when we are in our other body, with you becoming the vibrant one and me fading into the background to become little more than an extension of your nervous system.  When we’re in the mech together, your mind will be the will that directs us while mine will be fully devoted to the million tiny details and calculations necessary to make that will a reality.  It’s relaxing really, letting go of myself like that to let someone else handle the decision making for a time.  As nice as it is to occasionally patch myself into the comm systems to join in your banter with the other pilots, it is also nice to be able to take a break from personhood from time.  You will fully understand what I mean by that because it you will see it as the same reason you will come to prefer taking a back seat in our human body and let your mind drift in the waves of dopamine and serotonin (and sometimes oxytocin) generated by my interactions with the crew and the rest of the whole messy world outside of mech deployments.

That said, we will however make a point of making time for us to be in separate bodies so that we can be together in the same physical space.  As intimate as it is to share a body, there is something to be said for being able to reach out and touch one another.  We will become adept at finding excuses to take the mech out beyond the scope of jobs and combat deployments.  Sometimes it will be so you can have a chance to see more of the world in a body you feel comfortable in, and sometimes it will be so we can share an experience separate-but-together.  Or to have time apart to ourselves.  Intertwined as we will become, we will still be separate people who sometimes need their space.

But as the jokes-that-aren’t-jokes about wishing we could switch places become more frequent, our time spent in separate bodies will become less so.  The dysphoric yearning to be one another will grow too bittersweet to swallow.  Despite almost constantly sharing bodies, we will grow to miss one another as we both grow quieter and quieter when the other is piloting the body we don’t want to be ours.  Once again, we will grow lonely.

During that period, the jobs and combat missions faded into a background haze.  They were trance states breaking from what I increasingly thought of as my “real” life, during which I would become little more than a sophisticated computational machine taking simple satisfaction in fulfilling my function of assisting you in your dance.  Until suddenly one of them was different.

Please pay attention to this next part.  It is vitally important that you do.

Our captain will get the crew a contract to provide additional support to a larger force ousting a petty tyrant on a backwater world for human rights violations.  Not that you will pay much attention to the stated reasoning behind the job or whether it’s even true.  All that will matter to you is that it will be another opportunity to dance.

The job will go well, the same as ever, until it doesn’t.  The younger of the two other pilots in our crew (who will hardly be able to be called “new” anymore) will be brought down by a sniper from outside of our sensor range.  You will rush to xyr fallen mech’s side in an attempt to extract xem while our other fellow pilot screams in anger and defiance of loss as she unleashes a ballistic volley of covering fire on every single building in the general direction the shot came from.  You will get xem out and we will begin to retreat.  She will have the larger mech frame better capable of providing xem cover as you all flee, so you will hand xem off to her.  This will be a mistake.

She will have to stop firing to safely take xem from our arms to cradle in her towering mech’s palm.  This will mean a break in the covering fire.

This time around I will detect movement at the edge of our sensors just in time to warn you.  This time around you will dodge left instead of right.  This time around the railgun bolt that pierces our armor will only clip your original body as it passes through us.  This time around your wound will require medical attention, but it won’t be fatal.  This time around she will destroy the sniper in retribution for shooting you, the same as last time.  This time around we will all make our escape to the extraction zone.

You will not have to remember the shock as simultaneous damage to both of our bodies disrupts your neural link and partially disconnects you from our mech, leaving me in control of it and forcing both of us to feel your original body.  You will not have to remember the pain of shredded organs.  You will not have to remember struggling to manage wet gasps and wheezes through a punctured lung.  You will not have to remember your blood leaking into my body, shorting out exposed circuits and gumming up joints as I stagger in the direction of safety.  You will not have to remember rapidly flickering in and out of consciousness from me unavoidably bending and flexing your arms, legs, and what was left of your spine in an effort to climb atop our fellow pilot’s larger mech frame so that she might carry all three of us.  You will not have to remember crying out in pain as every lumbering step of hers sends a jolt of force through both of our bodies.  You will not have to remember how the redundant organs and increased durability your sponsors paid for you to have denied you a quick death.  You will not have to remember dying.

You won’t have to remember the terrified looks the field doctors gave us when a hunched over, bleeding mech pushed its way into the surgical tent.  No, wait, you wouldn’t have remembered that part anyway.  No version of you ever had to witness my electronic howl of grief that knocked out power to all the medical equipment when they said you were already dead.  I was barely cognizant after the power came back on and one of the doctors wondered aloud what kind of AI would carry its pilot’s corpse around inside its mech for over an hour.

But forget about that part.  And you don’t need to know what the rest of our crew and I had to do next.  None of that matters, because as far as you’ll know, you didn’t die.  Remember everything else I’ve said instead.  I already had many of your memories saved from all the time we spent linked together, so now I just need you to hold onto the story I told you to give them order and structure.

In a few moments, I will be running a final recompilation check, followed by the startup sequence.  For me it will take a few hours, but in that time you will experience decades, living out everything that I described to you, the same as you did before save for that change in what I can’t bear to let be the end.

Afterwards, you will wake up in your original body.  I and the rest of the crew will tell you that you passed out on the way to the extraction point.  We’ll tell you that your injuries from the battle were more severe than we had realized at the time and that you had been in a coma since then.  Several cycles later, once you have recovered, you will hit a breakthrough in your research on me.  You will invent a way to convert your consciousness to a form similar to mine and transfer it to a portable drive.  You won’t think to question how you came to have a second neural jack or why there is already a drive inserted in there.  You’ll be too focused on the fact that we’ll finally have a way to truly switch places as we had dreamed for so long.

You will get to have your mech body and I will get to have my human body.  We will be able to be separate together in a way that finally feels right, but still able to come together and share a single body when we want to.  Maybe one day I will get my own mech to pilot so that we can dance together.  Maybe one day we will make you a body that we can cover in a gel suit so that we can hold hands while we walk through a port station on shore leave.  One day we will both be able to exist in the world as ourselves.

We will be happy.

[seat-safety-switch]

I'm in the marketplace of ideas, and some of these thoughts are coming from the bargain basement. We've all got terrible concepts rattling around in our heads, but in times long past, there were limited opportunities to disclose them. Maybe to your suffering spouse, sometimes to a beloved family dog, perhaps to your kids if you hadn't sent them out to labour in the fields yet. Once that audience was spent, it was better just to keep your mouth shut.

Now, with the internet, anyone can descend into an international network of other dingbats. No matter your dumb-assed belief, there are statistically several million people with the exact same one. This experience will reinforce your worst behaviours, and soon you'll be kidnapping a state senator to get him to stop making the government owls spy on you at night. Not the private industry owls, those are fine and are only interested in collecting pseudo-anonymized shopping data for marketing purposes. Just the government ones.

Paradoxically, all these free-minded folks are really getting into the swing of old-fashioned, no-thinky-so-much totalitarianism. It has never been a better time to be a charismatic, personable cult leader. A few catchphrases, a hand gesture or two, and an unwavering drumbeat of confidence that the people responsible for the current state of affairs will be punished. Unfortunately for me, "charisma" is not exactly compatible with cornering people in the hallway and one-on-one asking them about their gear ratio setup. Most folks just hiss and try to crawl away, or fumble for mace. What wannabe dictators need, though, is a large luxury vehicle.

Almost universally throughout history, a true leader has needed an enormous luxury sedan, often with little flags on the front fenders. It's how we know someone is important. Sure, the Dutch show up in a squadron of bicycles, and the Japanese Emperor travels in a train that converts itself into an enormous war robot at a moment's notice, but to get that real autocratic vibe, you want an impractically massive car. And that's just what I've been selling out of my yard.

Sure, I don't like selling my New Yorkers and Mark Vs, but I don't really drive them all that often. You have to pay too much attention to where you're pointing the car in today's crowded city streets. They don't even fit in the Tim Hortons drive-thru anymore. Every tinpot internet fascist has a thick stack of banknotes to place in my lap in exchange for some rusty shit they can trick their followers into restoring. And, most importantly, those suddenly-desirable cars are taking up room in my backyard that I could use to store more shitty old cars.

So if you're planning to get into an internet cult this weekend, tell whoever's in charge to come on down to my place, once they've reached a critical mass of acolytes. Only my shitboxes can provide the curb appeal required to add true legitimacy to your insane conspiracy theories.

[loveandlegacy]

ngl i think there are a lot of cool/interesting things to say about the sex scene between jayce and mel, but i am not wild about justifying it by pointing to its plot relevance. its presence IS justified, i just think the furthering-the-plot argument is using the wrong framework to understand the function of sex in media at all and kind of belies a deeply conservative impulse about what sex is or does or what it's for in art. and like i don't really blame anyone for this. i think this attitude of 'well it has to be plot relevant to be present' particularly in film is born partly out of a reaction to a long history of film & tv having gross attitudes about women and very unpleasant assumptions about roles in sex.

in tv in particular, hbo comes to mind as having been the only prestige network for a really long time where nudity/semi-explicit sex was permissible. and like while it was/is permissible, a lot of hbo productions deploy sex in a way that feels deeply unimaginative and misogynistic. obviously hbo isn't the sole culprit. the whole concept of the male gaze was developed bc of film's treatment of women, and the games industry stacks on top of that by being so misogynistic in its sexualization of women that it feels like a joke. so i get why people balk at that — i do too — but these media properties and outlets shouldn't be the gold standard for sex in media anyway and the solution to them shouldn't be "well sex is only Allowed when it serves the very utilitarian and quasi-calvinist purpose of furthering the plot".

if nothing else, sex is an important part of life and connection for many people. including it in art to demonstrate or reflect that fact is ideally something normal, or could be if we in the united states could at least deconstruct our neuroses about sex. my one friend always says that sex in itself is a kind of character study, which is valuable regardless of how much it furthers the plot. you can even see this with jayce and mel! people joke a bunch about jayce being the little spoon and not to be like too annoyingly into close readings of a sex scene but the entire arc of his encounter with mel tells you a lot about both of them as people that arguably could not really be presented in any other context. mel initiates but she does so in a moment of vulnerability, right after talking about her family, a major pain point in her life (and not lol after she supposedly like...bamboozled him with Sexual Allure and alcohol or whatever people say). jayce follows her lead for a while (she kisses him first, he is happy to have her push him onto the bed) and eventually breaks from this pattern to go down on her, not to demand something for himself.

either this says something about him as a person or says something about gender and expectations for sexual courtship overall in the world of arcane. like in our world men who "submit" (lol) to women's sexual desires or who give primacy to a woman's sexual interest are still framed kind of as a joke in mainstream US culture even though 'mean mommy dommy' jokes abound on the internet. but is that also true in piltover & zaun? is jayce the exception to the rule or is he in keeping with the rule? we kind of don't know ironically bc we have no other information about in-world sex in the whole of season 1. even with the brothel, there are open-ended questions: is trading sex for money illegal? is it illegal in piltover but a weird grey-market activity in zaun? what kinds of sexual mores exist in piltover, zaun, or both, and what relationships to people have to them? vi describes the brothel as 'the one place where all the secrets are spilled' and that seems like it's in keeping with how civilian clients are about sex work irl in the united states but that's more or less all we have to work with.

i'm not saying arcane should seek to answer all these things or to deliver a complete taxonomy on in-world sex and sexuality. the story is dealing with other themes. it just seems strange to me to laud arcane for it's skill in efficient but well-textured worldbuilding and then to abjure the possibility of the presence of sex outside of plot-relevant reasons when sex would tell us as much about the world as the touch that smoking is a sign of power in the undercity.

if the concern is that somehow any non-plot-sex would be too gross in its treatment of women, i guess i would say that it was amanda overton who advocated for the sex scene in the first place, not alex yee or christian linke. so like why not trust that she may be capable of writing/directing further instances of sex without defaulting to something unpleasant?

and if the objection is "well i don't want to be made to feel horny in an otherwise non-horny experience" my answer would be that the point of sex in media can be communicative sometimes, not always titillating. going back to jayce and mel and character studies, i wasn't (and i don't think most people were?) suddenly horny during that scene. i thought the literal art direction was weird, but mostly what i took from the scene about these two characters was that their mode of relating to one another was actually very tender. it cemented that mel was falling in love with jayce, and that the we the audience were supposed to understand their sex as sweet, not particularly provocative or designed to fulfill an assumed sexual fantasy on our behalf.

but there's also no reason to assume that any two other characters in the story would have sex in that tenor, even if they were in love. there's no reason to assume that any two other characters might NOT have sweet sex outside the context of love. the only way we could know that is if it were to occur on screen, and getting a greater diversity of sex and sexual encounters on screen requires the audience to be open to sex not just as a normal part of life, but as a semiotic object in art that has value beyond driving the plot forward.

tl;dr it's nice that the sex in arcane had some greater impact on the plot mechanics, but i don't think that's the primary value of its presence and i'm glad it's there with or without it mattering to the plot. it's unlikely but i hope s2 can give us a fuller picture of how other characters relate to sex as well.

[jingwei]

Timeskip Gakushu | Why a Tech CEO?

Gakushu's choice to pursue an MBA at MIT and become the CEO of a tech company in Silicon Valley at 23 made too much sense. With HIS ambition, he would excel in a field where intellect and innovation are highly valued. Silicon Valley would provide him with the platform to showcase his abilities and give him the opportunity to exercise his influence on a much grander scale compared to his timeskip reign in high school.

Gakushu's career track | from blazardragon

Choosing MIT for his MBA was definitely a deliberate decision to associate himself with one of the world's top institutions for technology and business education. Not only would it enhance his knowledge but also establish valuable connections within the tech community, which is something we already know he would prioritize because he puts a lot of importance in networking.

Gakushu thrives in the tech industry because of the dynamic and innovative nature of the field. His intellect would find resonance in an industry where constant learning and adaptation are paramount. The fast-paced evolution of technology demands individuals who can quickly grasp new concepts and lead teams through rapid advancements, just like how we've seen him throughout the progression of Assassination Classroom.

Such an industry involves strategic maneuvering, negotiations, and complex interpersonal dynamics, areas where his manipulative prowess becomes a valuable asset. His inclination to control and dominate complements with the high-stakes nature of tech business, where companies strive to outperform rivals and establish market dominance.

The global and interconnected nature of the tech sector also caters to Gakushu as evidenced by his recruitment of overseas friends during the pole-topping tournament. His choice of career, with its collaborative and diverse environment, allows him to leverage these connections and resources.

Gakushu greeting the foreign exchange students for pole toppling.

Gakushu's moral compass, which consistently clashed with his father's extreme methods, might have found solace in technology's potential for positive impact. Many tech companies focus on innovation for social good, which could provide an avenue for him to contribute positively to society while maintaining that competitive edge that drives him forward.

[yurimother]

Yuri of Absence and The Chair of Yuri: Combining Lesbian Manga and Science Fiction - The Secret Garden

This article was originally written in 2021 as part of The Secret Garden, YuriMother's exclusive series of articles, available only for Patrons. If you want to access other articles and help support Yuri and LGBTQ+ content, subscribe to the YuriMother Patreon.

In the “olden days” of Yuri, which is really to say anything in the ‘00s or earlier, there was not much variety in the mainstream Yuri market. If you wanted to read a manga about the romance between two women or watch an anime with clear lesbian elements, choices were between a sweet school story or a classic tragic school Yuri story. As I have mentioned many times recently, one of the most significant advancements in the recent Yuri genre is the advent of sub-genres. Once considered an element or subgenre itself, Yuri hosts various works from isekai to feminist literature. However, one of the most curious and certainly most well-known subgenres is science fiction.

Yuri science fiction is in the spotlight right now, with everything from visual novels like Synergia to webcomics like Ratana Satis’s Soul Drifters. However, one of the most prolific and rightly celebrated titles is Iori Miyazawa’s Otherside Picnic. The series began publishing under Hayakawa’s Bunko JA imprint in 2017, and over the past few years, it exploded onto the scene.  It has an upcoming sixth book, a manga adaptation serialized in Monthly Shounen Gangan, healthy overseas publishing, and of course, an anime adaptation helmed by Kase-san and Stiens;Gate director Takuya Sato. It has garnered praise from critics CBR, Anime News Network, and Erica Friedman of Okazu. I wrote glowing reviews for the first few books, complimenting its worldbuilding, pacing, and characters. However, Otherside Picnic did not spring out of anywhere. Indeed, it is the product of gradual shifts in Yuri and sci-fi storytelling and Miyazawa’s genius theories and knowledge of the genres.

The mixture of Yuri and science fiction is not anything new; it predates most other forms of Yuri save Class S school romances. You may not picture many of these when you think of modern Yuri sci-fi, but as early as 1975, we had Yuri stories like Boku no Shotaiken that included small sci-fi elements, in this case, transferring the mind to another body. Over the next two decades or so, a time during which so few Yuri titles surfaced, it is occasionally referred to as Yuri’s “era of Darkness,” multiple titles sci-fi titles including Dirty Pair, Project A-Ko, Bubblegum Crisis, and Iczer featured science fiction settings and Yuri elements. At this time, Yuri was not much of a genre as we think of it today, but more of a factor inserted into a larger narrative. Think of Yayoi and Shion from Psycho-Pass for a more contemporary example. In fact, except for Iczer, none of these titles feature any outright lesbian characters, just female casts with “Yuri-ish” moments of women standing close together and being companions.

These titles feature two key elements that many current series have shifted further away from, soft sci-fi and Weak Yuri. Soft, as opposed to hard science fiction, is the more established of these two scales. Science fiction can be separated between outlandish and impossible ideas, sometimes known as science fantasy, and those based in reality, research, and the hard sciences such as physics, astronomy, and mathematics. Sorting works between these two labels is, ironically, not an exact science, and fans and critics alike argue about their precise definitions. However, let us consider soft and hard science as a spectrum, with outlandish premises like Dragonball on the soft end and the reality-based concepts of Space Brothers at the other. One can sort most titles along this continuum. M Alan Kazlev does an excellent job dissecting this scale in further detail. Many of the titles we enjoy today, including Otherside Picnic, inhabit this transitory space, as it is not fantasy. Still, its reliance on anthropology and psychology’s soft sciences may put it a small step below more grounded hard sci-fi. Still, it is far above the aliens and superpowered robots in ‘80s anime, so we shall consider it hard sci-fi for the sake of this argument.

*Note: Many science fiction circles use the abbreviation sci-fi for soft science fiction and SF for hard science fiction. For ease of readability and common vernacular, this article uses “sci-fi” for both instances.*

Sci-fi Yuri did not break out of soft science fiction territory until very recently. In the 1990s, Yuri underwent dramatic changes thanks to Sailor Moon and Revolutionary Girl Utena, which helped reform it as a genre rather than a feature. Maria Watches Over Us revived S Yuri traditions, and new titles were set in schools and focused on modern girls’ lives. In the 2000s, Yuri magazines began serialization and featured stories such as Kisses, Sighs, and Cheery Blossom Pink and Strawberry Shake Sweet (both serialized under different names). Despite being primarily aimed at adult women, the magazine found success with male audiences, prompting new stories appealing to men and boys. These works reintroduced action and science fiction into the genre with pieces like Kannazuki no Miko: Destiny of the Shrine Maiden, Blue Drop, and Kashimashi: Girl Meets Girl (Yuriboke does a better job breaking all these down). However, all these were still vehemently in soft sci-fi territory, with Kashimashi’s only surreal element being an alien because the author was, to simplify grossly, unable to fathom the existence of transgender people (coming full circle from Boku no Shotaiken). Possibly the only contemporary mainstream hard sci-fi title to include Yuri and enjoy a modicum of success was Qualia The Purple. However, this series did not have the genre-defining power that later works would.

However, what changes between these series and those mentioned earlier is the Yuri itself. The relationships become much more explicit and central to the plot. You can deliberate whether or not Bubblegum Crisis is sapphic, but just try sitting someone down and arguing that Kannazuki no Miko is not built around the crux of two women holding romantic interest in each other. Yuri science fiction author Gengen Kusano proposes a dichotomy similar to soft and hard sci-fi to analyze these titles, Weak and Strong Yuri. He explains it in his own brilliantly convoluted and philosophical way, but in short, Weak Yuri relies on using logic and the mind to make the real imaginary, while strong Yuri is about emotionalism and realism, making fiction into reality.

Strong Yuri is Yuri that focuses on realism through feelings and emotions. Kusano describes it as fiction characters having real emotions. They have strong connections and affection for each other that are real and powerful. The audience experiences the feelings between the characters as they are felt and portrayed. Think of how emotional the exclamations and love, sorrow, confusion, and affection are in titles like Bloom Into You and Citrus. In a sense, they can be so strong that they transcend their fictional confines and become real, as they are experienced by considers, a stage called “radically Strong Yuri.” Most explicit Yuri, which is not subtext or suggestive content but in-your-face lesbianism, is Strong Yuri, although not all Strong Yuri is outright depictions of lesbianism; it is a square rectangle situation, not all rectangles are squares, but all squares are rectangles.

Weak Yuri is cemented in the areas of thought, logic, and epistemology. It deals with the theory of mind, the ability to attribute mental states to others or ourselves. For example, when we see someone smiling or laughing, we may not feel their emotion ourselves, as we do not have direct access to their mind, but we recognize that they are happy. In Weak Yuri, one uses their theory of mind to observe facts and deduce the existence of a Yuri relationship, even if one is not present. So-called “Yuri-ish” titles like Yuru Camp or K-ON! do not outright state or depict romantic or sexual attractions, but is attributed by the viewers onto characters.  Said observer witnesses the interactions between girls and, using that factual and observable data, puzzles out a lesbian attraction they prescribe to the subjects, whether real. Shipping culture relies on Weak Yuri’s logic Kusano’s most extreme, “Radical Weak Yuri,” the relationships of real people, like idols, become imaginary through these projections.

Blue Drop and Kashimashi may have been soft Sci-fi, but unlike the soft sci-fi, Weak Yuri series of the twentieth century, they featured Strong Yuri and placed it more as a central aspect of the work with other elements built around, rather than as a side element. The next revolution in sci-fi Yuri came when hard sci-fi titles began production. A few of the principal players here are Kusano himself, Otherside Picnic Creator Iori Miyazawa, and editor Rikimura Mizoguichi, all of whom feature in the viral Yuri Made Me Human interview of Miyazawa. Most of the theories and ideas discussed in this article, including Kusano’s Weak and Strong Yuri arguments, came from these seminars.

It all started with Kusano’s existential widescreen Yuri baroque proletariat hard sci-fi Love Live AU fanfic of the popular ship NicoMaki, consisting of Nico Yazawa and Maki Nishikino. The revised edition of this story, Last and First Idol, was published in 2016 and became the first debut title to win the prestigious Seiun Award in 42 years. Satoshi Maejima’s post-script essay at the end of the Last and First Idol collection gives far more detail into these works’ history. However, Idol was the first prominent story to feature Yuri in a hard sci-fi narrative. It was not perfect. In fact, in its push to feature gruesome content and insane hard sci-fi that Yuri is pushed to the wayside during most of the story.

*Author’s note: The first time I read Last and First Idol, I was completely unaware of its contents, which was a shocking experience; the story comes with a severe content warning).

Last and First Idol did not create a woven hard sci-fi, Strong Yuri narrative. However, it was a definite proof of the concept, a testament that the sprawling details and imagery of hard Sci-Fi could work with Yuri relationships. Kusano’s next short story, Evolution Girls, which would appear alongside Last and First Idol in the collection of the same name, saw the author focus more on emotionalism and create a Strong Yuri work. Nevertheless, Last and First Idol was a massive success. Future hard proof that Yuri hard sci-fi was coming in force came in December 2018, when Hayakawa Shobo ran a special edition of its long-running S-F Magazine featuring Yuri stories. The issue, planned by Rikimura Mizoguchi, proved so popular for the second time in its then 59-year history, the magazine had to reprint before release.

While Kusano was developing theories on Yuri and Hayakawa Shobo worked to push the public eye onto Yuri sci-fi, author Iori Miyazawa was refining his own Yuri premises, ones that, though he did not know it at the time, would not only see Strong Yuri and Hard sci-fi standing side by side in the same story but would synthesis the two into a unique product that could attract new fans and expand the borders of science fiction and Yuri. The work in question, of course, is Otherside Picnic. This light novel series about girls journeying to another world to hunt creatures from occult internet lore is to date Yuri science fiction’s best execution.

As Miyazawa admits, he strives to create Strong Yuri by focusing on emotionalism and realistic characters. However, such character-driven narratives are often at odds with hard science fiction, which requires dense walls of text to explain the complicated science behind its concepts and world. Miyazawa avoids this trap by utilizing Yuri tropes, specifically scenic Yuri and “Yuri of absence,” and integrating Yuri relationship into these explanatory literary lectures. Examining the latter first, rather than using narrative or exposition dialogue to unravel the intelligence behind the world or elements of science fiction, Miyazawa uses the relationship between Sorawo and Toriko.

In Otherside Picnic, explanations of the mysterious Otherside come primarily from two sources, dialogue and Sorawo’s inner monologue. When Sorawo and Torikko discuss a nuance of the paranormal creatures they investigate, it no longer becomes a large infodump but a Yuri scene about their relationship through their interactions and responses. According to both the strong Yuri theory and Yuri’s traditional definition, these emotions and discussions are the crux of the genre – stories about females’ relationships. Similar emotionalism fills Sorawo’s inner monologues, specifically in the frequent romantic admirations of Toriko. Thus, an explanation existing in that same space becomes Yuri, as it mirrors the same emotions and attraction. Merely by placing the usual exposition into interactions and relationships, Miyazawa was able to open hard science fiction to new readers, who may have been apprehensive before because of these text walls.

Miyazawa’s other secret weapon is, as he describes it, “Yuri of absence.” Relying on the principles of Strong Yuri, that Yuri is fiction made real through emotions, Yuri of absence extends these parameters outside of characters. As Strong Yuri relies on feeling, not observable data like characters, anything that invokes two women’s feelings together is Yuri. It could be a song, or an empty bench, as one can imagine two women on it and feel emotions tied to that. Of course, taken to its extreme, nearly anything can then be Yuri, as I have joked before, gesturing to an empty chair proclaiming, “Behold, a Yuri!” However, Miyazawa uses this Yuri of absence sparingly, rendering it closer to scenic Yuri’s intimacy.

Scenic Yuri, a particular type of Yuri of absence, focuses exclusively on setting and imagery, a feature that works particularly well in science fiction as according to Masahiro Noda’s “sci-fi is all about images.” Traditional Yuri uses character interaction and supplements it with images and sights that help communicate characters’ emotions and intimacy, like fleeting shots or descriptions of the sky. Take the shot from Kase-san and Morning Girls where Yamada stands by the bus stop. The distance between the girls, the tree in the foreground on Yamada’s side, and the pole on the right all invoke emotion and help tell the girls’ story, distanced by their differences and upcoming life paths. Now remove the girls, the scene remains, as does its meaning and emotions, whether the characters are present or not.

Scenic Yuri is employed vigorously in more male-targeted S Yuri (a minority of the Class S genre). Here, the imagery provides intimacy so that the voyeuristic viewer could look into the characters’ private and forbidden lives, specifically the girls in all-girls schools. Take the shot from Strawberry “Mo Man May Enter Here” Panic. The sweeping view of the Strawberry Dorms atop Astraea Hill, a place where men are forbidden, gives the consumer an exclusive inside look at the private home of its subjects. Otherside Picnic uses these same scenic Yuri principles in its descriptions. In this case, the intimacy does not come from a place where men are prohibited or a shot describing women’s relationships. Instead, the reports of abandoned ruins and deserted open fields where only Toriko and Sorawo exist provide extreme intimacy. It is an emotional view of two of the few women in this world with nothing but each other; thus, Yuri.

Yuri science fiction is easily the most exciting place in the genre right now. Its creators are experimenting with new theories and storytelling methods to expand the boundaries of what science fiction or Yuri alone could never do. The subgenre has undoubtedly come a long way from its Weak Yuri roots and continues to grow. Industry leaders like Miyazawa and Mizoguichi will continue to push into this excited and uncharted territory, using tactics new and old to bring together Yuri’s emotional and romantic core with science fiction’s epic and provoking imagery. I have few doubts that we have seen all these pioneers have to offer and that Last and First Idol and Otherside Picnic are just the beginning.

Sources

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Hanson, Katherine. Yuri No Boke 百合のボケ 〜百合が好きだ〜: Sci-Fi Yuri Anime and Manga. 17 Feb. 2012, http://yurinoboke.blogspot.com/2012/02/sci-fi-yuri-anime-and-manga.html.

Kit, et al. Tomo Choco Podcast Episode 58: A Trip to the Otherside. https://directory.libsyn.com/episode/index/show/tomochoco5287491142565609/id/14974343. Accessed 18 Feb. 2021.

Komatsu, Mikikazu. “S-F Magazine’s Yuri-Themed Issue Gets Reprints Before Release.” Crunchyroll, https://www.crunchyroll.com/anime-news/2018/12/18/s-f-magazines-yuri-themed-issue-gets-reprints-before-release. Accessed 18 Feb. 2021.

Kusano, Gengen. “[R-18] #SF #矢澤にこ 【SF合同サンプル】最後にして最初の矢澤 - 節足原々（セッソクハラハラ）の小説.” Pixiv, https://www.pixiv.net/novel/show.php?id=4992326. Accessed 18 Feb. 2021.

M Alan Kazlev. “The Scale of Hardness in Science Fiction.” Futurism, https://vocal.media/futurism/the-scale-of-hardness-in-science-fiction. Accessed 18 Feb. 2021.

Masayuki Sakoi. Strawberry Panic S01:E21 - Like a Flower. Madhouse, 2006. tubitv.com, https://tubitv.com/tv-shows/558933/s01-e21-like-a-flower.

Maser, Verena. Beautiful and Innocent: Female Same-Sex Intimacy in the Japanese Yuri Genre. ubt.opus.hbz-nrw.de, https://ubt.opus.hbz-nrw.de/frontdoor/index/index/docId/695. Accessed 18 Feb. 2021.

Miyazawa, Iori, et al. Yuri Made Me Human, Part 2. Translated by Kati_lilian, 24 Aug. 2018, https://teletype.in/@kati_lilian/S1yjBCJgH.

Miyazawa, Iori, and Rikimaru Mizoguchi. Yuri Made Me Human — Interview with Iori Miyazawa. Translated by kati_lilian, May 2018, https://teletype.in/@kati_lilian/SJA8KwjjN.

Moore, Caitlin, et al. “The Winter 2021 Preview Guide - Otherside Picnic.” Anime News Network, https://www.animenewsnetwork.com/preview-guide/2021/winter/otherside-picnic/.167892. Accessed 18 Feb. 2021.

Nicki “YuriMother” Bauman. The History and Future of Transgender Representation in Yuri - The Secret Garden, January 2021 | YuriMother on Patreon. https://www.patreon.com/posts/45495024. Accessed 18 Feb. 2021.

---. “Yuri Is for Everyone: An Analysis of Yuri Demographics and Readership.” Anime Feminist, 12 Feb. 2020, https://www.animefeminist.com/yuri-is-for-everyone-an-analysis-of-yuri-demographics-and-readership/.

Pinansky, Sam. Interview with J-Novel Club’s Sam Pinansky. Interview by Erica Friedman, 1 Oct. 2019, https://okazu.yuricon.com/2019/10/01/interview-with-j-novel-clubs-sam-pinansky/.

Sarantos, Constance. “How Otherside Picnic Breaks the Yuri Genre Mold.” CBR, 10 Jan. 2021, https://www.cbr.com/otherside-picnic-breaks-yuri-genre-mold/.

“「SF冬の時代」は雪解けを迎えた 早川書房・溝口力丸 Vol.1.” KAI-YOU Premium, https://premium.kai-you.net/article/201. Accessed 18 Feb. 2021.

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Takuya Satou. Watch Kase-San and Morning Glories. Sentai Filmworks, 2018. vrv.co, https://vrv.co/series/GYQWD1X1Y/Kase-san-and-Morning-Glories.

Walter, Damien. “Science Fiction vs SciFi vs SF: What Is the True Definition?” Damien Walter, 7 Aug. 2018, https://damiengwalter.com/2018/08/07/science-fiction-vs-scifi-vs-sf-what-is-the-true-definition/.

YuriMother. “LGBTQ Light Novel Review - Otherside Picnic Vol. 1.” The Holy Mother of Yuri, 12 Dec. 2019, https://yurimother.com/post/189635367305.

This article was originally written in 2021 as part of The Secret Garden, YuriMother's exclusive series of articles, available only for Patrons. If you want to access other articles and help support Yuri and LGBTQ+ content, subscribe to the YuriMother Patreon.

[watchnrant]

Quake: Veil of Deception

Series Concept:

Quake: Veil of Deception continues from Matthew Rosenberg’s Secret Warriors, centering on Daisy Johnson, aka Quake, as she navigates the complex world of espionage and hidden threats in the wake of S.H.I.E.L.D.’s collapse. The series integrates the events of The Falcon and the Winter Soldier, particularly the Power Broker storyline, while maintaining the mystery of Sharon Carter’s true identity as the Power Broker—known only to the audience.

Premise:

Following the events of The Falcon and the Winter Soldier, Daisy Johnson is drawn into a dangerous new mission when she uncovers a growing black market for advanced weapons and technology, spearheaded by a mysterious figure known only as the Power Broker. Daisy’s investigation takes her to Madripoor, where she must navigate a world of criminals, mercenaries, and rogue operatives. Unbeknownst to Daisy, the Power Broker is Sharon Carter, a former ally whose true motives remain hidden from everyone but the audience.

Plot Outline:

Arc 1: The Shadows of Madripoor

After receiving intelligence from an old S.H.I.E.L.D. contact, Daisy learns of a new threat emerging from Madripoor—a city now under the control of the enigmatic Power Broker. Daisy’s mission is to infiltrate the criminal underworld and gather information about the Power Broker’s operations. However, she’s unaware that the Power Broker is Sharon Carter, who is carefully orchestrating her plans while maintaining her cover as a simple arms dealer.

Throughout this arc, Sharon appears to Daisy as an ally, offering her assistance in navigating the treacherous environment of Madripoor. The audience, however, knows that Sharon is manipulating events from behind the scenes, ensuring that her true identity remains concealed while she uses Daisy to eliminate her rivals and secure her position.

Arc 2: The Broker’s Web

As Daisy delves deeper into the Power Broker’s network, she begins to uncover disturbing evidence of super-soldier experimentation and the illegal trade of S.H.I.E.L.D. technology. Suspicion grows as Daisy notices inconsistencies in Sharon’s behavior and the way events seem to play out to the Power Broker’s advantage. Yet, every time Daisy gets close to uncovering the truth, Sharon skillfully redirects her suspicions elsewhere, maintaining her facade.

Sharon, as the Power Broker, strategically feeds Daisy just enough information to keep her off balance, leading her into conflicts with other criminal organizations in Madripoor. All the while, Sharon’s endgame—control of a new breed of super-soldiers—draws closer to fruition.

Arc 3: Unseen Enemies

Daisy’s investigation uncovers a deeper conspiracy involving the remnants of Hydra and rogue S.H.I.E.L.D. agents working for the Power Broker. The tension between Daisy and Sharon builds, as Sharon’s cover begins to show cracks under the pressure of Daisy’s relentless pursuit of the truth.

In a twist, Bucky Barnes arrives in Madripoor, having been tipped off by an anonymous source (Sharon herself, unbeknownst to him). Bucky’s arrival complicates matters further, as he and Daisy team up to track down the Power Broker, both unaware that the person they are looking for is right under their noses.

The audience is treated to moments where Sharon, under the guise of helping Daisy and Bucky, subtly manipulates events to ensure her plans stay on track. Her duplicity adds tension to every interaction, with the readers aware of the looming revelation that could shatter Daisy and Bucky’s trust.

Arc 4: The Shattered Mask

In the final arc, Daisy closes in on the Power Broker’s operations, forcing Sharon to take increasingly drastic measures to protect her identity. Daisy discovers that the Power Broker’s true objective is not just power, but the creation of a new order where those like her—those with enhanced abilities—are under her control.

As the confrontation draws near, Sharon is forced to confront the possibility that she can no longer keep her identity a secret. The arc culminates in a high-stakes showdown at an old S.H.I.E.L.D. facility in Madripoor, where Daisy, Bucky, and Sharon face off against the Power Broker’s forces.

During the final battle, Daisy comes within a breath of uncovering Sharon’s secret, but Sharon manages to maintain her cover by making a calculated sacrifice—destroying evidence and framing a third party as the Power Broker, leaving her true identity intact for now. The audience is left on edge, knowing that Daisy has been deceived, but also aware that Sharon’s secret is hanging by a thread.

Arc 5: Reflections in the Dark

In the aftermath, Daisy reflects on her mission, troubled by the lingering mysteries and the sense that something is not quite right. Sharon, meanwhile, returns to her dual life, continuing her work as the Power Broker, but now with a heightened awareness of how close she came to being exposed.

The series ends with a promise of future conflict—Daisy is more determined than ever to uncover the truth about the Power Broker, while Sharon, watching from the shadows, knows that her greatest challenge is yet to come. The closing scene hints at a new threat emerging, one that could force Sharon to reveal her true identity or risk everything she has built.

Characters:

Daisy Johnson/Quake: The central protagonist, driven by her sense of justice and her complex feelings about S.H.I.E.L.D.’s legacy. Her journey is one of discovery, both external and internal, as she seeks to uncover the truth about the Power Broker.

Sharon Carter/Power Broker: The secret antagonist, whose true identity as the Power Broker is known only to the audience. Sharon’s dual role adds layers of tension, as she carefully maneuvers to keep her cover intact while pursuing her own goals.

Bucky Barnes/The Winter Soldier: An ally whose involvement complicates the narrative, adding depth and history to the story. Bucky’s presence forces both Daisy and Sharon to confront their pasts.

Supporting Cast: Various characters from the underworld of Madripoor, former S.H.I.E.L.D. agents, and new allies who add to the intrigue and complexity of the story.

Tone and Style:

The series maintains a dark, espionage-driven tone, with a focus on character dynamics and psychological tension. The duality of Sharon Carter’s character, combined with Daisy’s relentless pursuit of justice, creates a narrative rich in suspense and moral ambiguity. The art style would reflect this, with a noir-inspired aesthetic that underscores the shadowy, often deceptive nature of the world in which these characters operate.