#agender text

[lgbtqtext]

[bored-boring-and-tired]

i think the people of tumblr dot com would enjoy my bracelets

(i swear the fourth bracelet is the agender flag, the green is just really light because i didnt have a good green to match)

[swivelbot]

[shopwitchvamp]

Yeah I'm AFAB, but what's much more important to understanding my Gender is that I was Assigned Older Sister At My Sibling's Birth

[artchixs]

more my favorite guys. guess which is my Most Favorite

(textless images below)

[paranormeow7]

tired of nonbinary people being pressured to be thin hairless elf like pretty and always depicted as white afab skinny kids with blue hair, of course only using they/them. give me nonbinary people who are heavily fem/masc aligned!! give me nonbinary people who use neopronouns and xenogenders!! give me fat nonbinary people!! hairy nonbinary people!! nonbinary POC!! amab nonbinary people!! disabled nonbinary people!! nonbinary people who wear crazy clothes, or nonbinary people who don’t stand out and don’t feel the need to!! nonbinary people with names like Moss or Socks, or nonbinary people with “regular” names like Susan or James or something!! Give me every flavor of nonbinary people, and stop trying to make it into yet ANOTHER gender binary!! Nonbinary can be anything, not just a third gender to adhere to!!

[craigjones-marry-me-plz]

how it feels trying to explain your queer identity 500 times to people who don't even care and will still think "you're not real"

[superposeblog]

SUPERPOSE ARC III ends May 7th. ARC IV will be the final instalment.

[shaylogic]

Queer Experience Watching Barbie - AFAB Masculinity

I started to go into this in tags on another post but I wanted to type this up separately and try to develop my thoughts a little more. . .

Ryan!Ken’s arc in Barbie (2023) has been buzzing in my head for days.

I got fixated on it for a couple of major reasons:

1) We rarely have seen a feminist movie take time to address men with compassion in how patriarchy harms them too.

2) As a trans masc person, I think it hits a specific part of my identity that I don’t consciously let myself think about for too long. Something about being raised in a female world with sisterhood and community. Then being isolated in adult manhood without the tools to prepare you for that. Conscientious of respecting women and being unbothered by feminimity around you, but not knowing your place in the world.

How do I put it?

I know it’s not the direct intention of the film itself, but I’ve seen other trans folks (especially transmasc), reacting similarly to the feeling we get from it.

Ken’s arc feels pretty reminicent of the struggle afab lgbt folks go through when considering masculinity in their identity (butch lesbians, afab nbs, trans men, etc.)

How to make peace with masculine aspects of yourself without losing the women in your life? (One can argue Kate McKinnon’s Weird Barbie has aspects of this as well.)

Of course, then Ken goes off on the adopting patriarchy ride, which IS the point of the movie, and may skew a bit from the transmasc read on it--though I have known a trans guy here and there who avoids being misgendered so hard that they can become somewhat sexist. To which I say: “You don’t need to have a dick to be a man, and you don’t need to BE a dick to be a man.” But I digress.

Something about Ken being comfortable in a woman’s world but not understanding why he’s being shut out from socially bonding with them (in any sense! Romantic, Familial, Platonic Friendship. . .)

The overall theme of the movie for both Barbie and Ken--in an allegory of heavy gender roles harming all--leading them each to have to figure out who they are in themselves, regardless of others. . . 

Trans masc folx can relate to both Barbie and Ken’s arcs.

I don’t want to detract from Barbie’s arc being the main point of the movie.

I think the reason why we get hung up on Ryan!Ken’s character is because. . . we’ve related to the Barbie plot in other movies and shows before, thinking back to our “girlhoods” as children.

I have never seen the arc Ken has in this in any other story!!!!

There are some Man Movies that have attempted to discuss the struggle of Being a Man--but they often come off as too dismissive of feminine experiences, and are therefore as offputting to transmasc people as women.

Because of the nature of the two worlds exhibited in this movie, and Ken’s backround in his setting, personality, and purpose in relation to the Barbies, he’s a Man living with Female Socialization, in a Woman’s World; he’s a male character that inherently admires and respects women in his nature (until the real world influence distorts it).

This isn’t a perfect example of a transmasc experience either, but it’s a lot closer than most of us generally get to see! That’s why so many of us are getting caught up in this.

Please, other trans folx (transfems, too!), I really need us to have a discussion about this. What were your experiences and thoughts around this movie?

P.S. Yeah, we kinda get that nonbinary allegory from Allan (not a Ken, not a Barbie, siding with Feminism in the Gender War), but he wasn’t in significant focus of the plot the way Ryan!Ken was. If I try to read into Allan, I don’t have much to work with.

[lgbtqtext]

[25-worms-in-a-trenchcoat]

while looking for a tiled/repeating background for my blog i found a cool arcade carpet image and realized that the website lets you customize the colors!! so i made some for different pride flags (the rainbow is the original, unedited version) :) tried to make the major ones (some have a couple different versions bc of the color options) but for any i forgot and for those of you who use more niche labels here is the website i used. they also have other carpets if you wanna look thru 'em.

[voidofaworld]

Oh, the urge to look so pretty I make straight people question their sexuality.

[tremendously-crazy]

[triptychgardener]

I swear to actual Gog no nom-transfem outside of Tumblr actually understands June as a character and it will be the death of me. If I see another cavalcade of people turn up at the slightest mention of her name saying "ohhh I don't see it, I don't think it makes sense, tbh it'd just be better if they didn't at this point" I'm going to turn into the Joker. I read further down on that "June would be better as a trans guy imo I'm not transmisogynistic I mean femtransphobic" reddit thread and it made me want to become a nomad wandering the Appalachian peaks

Yeah like I'm gonna be real. I think entering fandom and using characters as nothing more than a source for projection really screws up your actual reading of the text (said as someone who has done that before!) And if you're unwilling to let go of that interpretation, you're going to be operating in a fundamentally different reality than everyone else who bothers to read the text.

June at this point is on the edge of becoming canon. She's been "canon" for years now, the evidence and reading of June as transfem has been thoroughly documented and discussed. She is a thing. That is happening. And while Homestuck often draws in fandom ideas and discussion, it's rarely going off of things that weren't at least partially in the text themselves.

I don't hold all of Homestuck's text as scripture. My distaste for, say, transmasc Roxy, has been growing as I actually began to read and understand more. And if people want good transmasc readings, there are plenty of great options! Jane, Dirk, Aradia and Nepeta are all wonderful examples of strong transmasc readings. I'd say there are, on the whole, maybe fewer than transfem readings, just because Homestuck is a very transfeminine story. It's about trying to escape and defeat the ultimate force of masculinity that pervades and lords over the story, contrasted by the Space aspect, which has some of the most transfeminine goddamn characters in the whole comic (even a basically canonical one in Calliope). It's a story with Vriska Goddamn Serket in it for the love of god!!!!

Also not to get too deep into the weeds but arguments like "well she actually admired her dad a lot and wanted to be like him" seem to forget the Literal Familial Strife he had with his dad every day, or the fact that his dad always seems to be a bit of a sore subject, or maybe, perhaps, John is not always being one hundred percent honest about his feelings about his father who died when he was thirteen. Honestly, even outside of a transfeminine interpretation, it's just a deeply surface-level reading of John.

[raccoon-smiles]

Am I triple A as in:

A) Aromantic Asexual Agender

B) American Automobile Association

Or

C) American Anthropological Association

???

[yarmiko-art]

Watch out, kids, there's a man eating butterfly over there--!

Really wanted to make something like this with them for a while. I care for them so much. Wholeheartedly believe that those kids have a really deep bond

There's a lil tidbit down the post with me trying to do the character study on Gooey.

"I can't do it right," Gooey mutters quietly with clear sadness in their voice, looking at the crumpled wad of paper under their fingers. Whatever this thing was, it definitely wasn't a paper plane he worked so hard on for the ten minutes, sticking out his tongue with diligence.

The boy raises his head up, looking at a white speck among the green leaves. Kirby's planes flew easily and far without effort. One of them soared so high up that it got stuck in the crown of a tree, which stretched a huge pleasant shadow above them. A pretty orange butterfly perched itself on a white wing. Even it likes Kirby's plane better.

Kirby's paper frogs were better, too. They jumped on the grass as if they were alive - the boys just needed to lightly poke their flattened heads. Origami cranes gracefully positioned themselves in the shade with their wings spread out. Waiting for the wind to pick them up in the air. The doves were made of regular, even lines.

And Gooey couldn't even make a simple paper plane. Maybe the wings were too short to allow them to fly forward rather than fall, driven down by the force of the impact. Or maybe he was making too many bends on the sheet, constantly forgetting which corners to bend inwards. But it suppose to be so easy. Kirby made it look so easy.

Gooey looks at their hands in disappointment. Palm. Five splayed child fingers with a couple of scratches from carelessness. No different from a human one. Gooey grabs Kirby's wrist and puts his palm against his own, carefully comparing them. Frustrated eyes run from one hand to the other. Kirby doesn't mind. His free hand ruffles the blue dreadlocks on other's head in a soothing manner.

"Don't be upset. I didn't do it right the first time either."

Gooey unclenches the fingers, closing his eyes. He wouldn't be so upset about the first time. But this was the third one! Something was clearly wrong! He obviously did something wrong while morphing these hands—Huh?

The look of big dark eyes attracts something new. Kirby takes out a new sheet from the pile of paper pinned down by the picnic basket. He smoothes it out on the grass and lures Gooey closer.

"Fold it in half first," the boy draws an imaginary fold line across the sheet before Gooey hesitantly follows the instructions, "Neat! And now one more time. And then open it."

Fold the corners to the inside. Fold up the bottom. Corners again... Following Kirby's words was much easier than frantically trying to remember the next step in fear of ruining the sheet. Turn it on its side and in half again. Huh, Gooey doesn't remember such a step in the plane making. Although, maybe that's why they didn't couldn't do it right.

The sheet goes tightly under the fingers, bending unevenly. "It won't fly this time either," the boy tells himself, but completes the last instruction - pull the corners to the sides. He expects the paper to tear, but instead the origami in his hands opens up in--

"A boat?" Gooey blinks a little puzzled, and Kirby tugs at his elbow in the direction of the pond. The water was right next to them, splashing the knees, covered with herbal juice Two hands sink into the cool pool, allowing the boat to gently stand on the shiny surface. Gooey leans forward, hanging over the pond at a dangerous angle, about to fall into the water. But the boat is not sinking. Kirby takes a deep breath and blows - the light paper gives in, and moves forward, leaving a small ripple on the blue surface.

Gooey blinks again and their face breaks into a happy smile. It's strange, he can't remember what he was so upset about.

Out of the corner of his eye, he notices a reflection in the pond below him. Two little children - one in a white overalls, and the other in a blue robe. He raises his hand and the child from the pond waves back at him. Palm. Five children's fingers. Quite human.