#also these aren't perfect i just wanted to like.... establish who these characters are so u guys know wtf im talking about

[nocreativityfornames]

THE BROTHERS AND THE CELESTIAL REALM (SPOILERS: ALL SEASONS)

Alright, let's talk about it. It's been a long time since the game started flirting with the idea of the brothers forgiving Father/God and changing their views of the Celestial Realm as a whole and it's very odd, to say the least.

The first big red flag was this moment with Lucifer back in Season 3 of NB, that was the most concerning one considering that this was recently fallen Lucifer, when the war had ended only a year ago and they had just lost Lilith, and when he and the brothers had just escaped eternal punishment being trapped at Cocytus forever for betraying Father.

The contrast of recently fallen Lucifer speaking this positively of God when even the present one (who's had who knows how many centuries to process everything that happened) has shown to despise the idea of coming back to the Celestial Realm, mostly remember his time there in a bad light, and outright fear Father is JARRING.

And these moments keep coming, and the brothers keep showing more and more positive feelings towards the Celestial Realm. Forget everything we learned about the CR and what they went through, or the feelings the characters expressed towards the Celestial Realm before Nightbringer.

You're telling me that God wanted to wipe their sister from all existence and half of the realm, angels who they thought they could trust, opposed to them when they dared to protect her, went to war with them, and had her killed (probably along other angels who sided with the brothers to save her because the whole realm was divided) and now the brothers are just going to forget all of that and be all "the Celestial Realm wasn't that bad, actually. We always loved it there and wouldn't mind going back"? Really...?

I mean, even beyond all the Lilith stuff the Celestial Realm had always been a bad place for the brothers. Remember what Lucifer said: most of his memories from that time aren't good. The brothers already didn't like the Celestial Realm before Lilith; they already felt out of place there, and they already had their doubts. Hell, the reason they grew to have such a strong bond as angels to begin with was because they were outcasts, the ones who didn't fit in and were looked down on.

Mammon was close to being cast out and no one knew how to deal with him, Lilith was too chaotic and far away from being the ideal angel, Beel couldn't control his strength and destroyed everything around him, Belphie had no interest in following tasks, had a unique fascination for humans and preferred spending time in the Human World than the Celestial Realm, etc. And Lucifer was the one who took them in and accepted them as they were because even though he was far from an outcast and looked like the perfect angel on the outside, he still had his internal conflicts and struggled under pressure just as much in secret.

All of them suffered living there. Even Simeon opened up to MC about how he thought that angels weren't allowed to have dreams and that he probably wouldn't have found out otherwise had he stayed in the Celestial Realm. And that was on Nightbringer, not an old card from the OG but a recent one, so what's going on here?

It could be Solmare's way of setting things up for Raphael & Michael to become recurring characters since they don't want them to be seen as the bad guys (shout out to @cnl0400 for being the first to talk about this), but they don't need to flip the script and change the brothers' established feelings towards the Celestial Realm and God for this to happen. Raphael and Michael are also victims of the way angels are conditioned to live and are likely just as traumatized and have as many issues as the brothers, which developed from the strict rules they have to follow to be considered "good angels", the War, etc.

And we already had moments in SWD that showed that the brothers still care for Raphael & Michael and vice versa, despite everything that happened between them (though the same can't be said about the CR and God). So why not explore that, instead of having their view of the realm as a whole change so drastically with no explanation?

The brothers not only look at the Celestial Realm fondly now but would happily visit. The place where their worst memories took place and where so many of their loved ones died, the main source of their traumas and the traumas of everyone who survived the war. I mean, just before NB Simeon was harshly punished for saving MC's life and cursed with mortality, just another reason for them resent the CR and their strict rules. And don't even get me started on Father.

Assuming that their goal is to write a redemption arc for the angels who didn't take the brothers' side during the war and paint the CR in a better light so players won't hold a grudge against Michael & Raphael, this isn't a good way to go about it. Burying everything under the rug and acting as if the brothers just came to change their minds over time is insane because we didn't see anything that could've led to that development. Yes, we were gone for months but it lasted so long in the timeline we were taken from that no one even noticed our absence. So what major event could've happened while we were gone that led to this?

Unless this is all part of an overarching plot where we find out that these aren't the brothers we know or our original timeline, the "we're cool with God and the Celestial Realm" ordeal is just frustrating and makes no sense for the characters as we know them.

[thattimdrakeguy]

I HAVE BEEN READING ZDARSKY BATMAN, AND I HAVE DECLARED: I FREAKING LOVE IT!!

I'm reading the Batman Zdarsky run in reverse. That way if I see any bull I can back out at anytime: and to be honest--besides a few things. I really enjoy it

LIKE YO, THAT IS JUST STRAIGHT UP TIM DRAKE RIGHT THERE. It knows who he is as a character. his motives, it's great.

Screw the people complaining "oh why is tim still robin :((", THIS IS WHY HE IS STILL ROBIN. Because this is when he's at his BEST. When he gets to hit his character purpose, WHEN HE GETS TO BE HIM AT HIS MOST HIM. It's FANTASTIC.

Reading in reverse because I know I hated the first story, it was so contrived and ridiculous.

But this--this is some good shit.

Tim being an underdog fighter, having to use his wits to win the fight? MY DAWG, MY DUDE, MY GUYS, MY GALS, MY THEMS, MY THEYS, THIS IS SO TIMMY DRAKE. This is so damn Tim Drake, guys. Oh, my gosh, I am loving this so far.

Dick has his temper back? And trust me, he isn't normally like this. But he's hitting a limit AND IT'S SOMETHING NEW, NOT JUST A REFERENCE. HE'S ACTUALLY DOING SOMETHING HE'D DO, 'CAUSE HE'S AT HIS LIMIT. That's wonderful, man. That is so wonderful.

Plus Tim is the heart of the Bat-Family again? This feels like someone actually went back to read these characters before writing it. I'm not saying everything is perfect of course, but these high marks are exceeding all my expectations. And I STOPPED reading comics because of how the beginning of this run destroyed any hope I had.

You guys have no idea how much I'm enjoying the few issues I've read. Besides the cussing (I remember after a bit they decided Tim was someone who used funny words instead of proper cusses), this feels like the Tim I know and love during the era I especially loved him.

Tim comparing himself to his predecessors? Tim not being a natural? A WRITER REMEMBERING THAT?? It's been so long since I've seen that! Most writers treat him like he was another prodigy when he wasn't. AND THIS GUY REMEMBERED THAT!

I shouldn't be so happy at just seeing Tim do Tim things, and serving his character purpose. BUT YOU GUYS HAVE NO IDEA HOW LONG IT'S BEEN SINCE A WRITER KNEW WHAT TIM WAS SUPPOSED TO BE LIKE.

Only complaints I have is that Jason feels like a typical Bat-Family member, and not the sketchy outsider that he is. Making him so close makes his character more bland in my opinion. And Steph is--also generic af unless she's wacky quirky...which is a characterization I hate for her, because she started off so damn interesting, but they made her a freaking trope instead, which is such a disservice to her, but she barely does anything so far, so whatever I guess. Doesn't mean much.

--

This is the first honest thing I've seen that I hated.

No

Not this

This isn't the Bat-Family

This is a sitcom world the fandom wants to be the Bat-Family and some comply with

They're not a sitcom. The conflicts, and uniqueness of the characters is what makes things feel alive and well.

This stuff is cheap fanservice for the fanon demographic that doesn't buy comics to begin with.

Fanon doesn't belong in canon.

--

I mean sure Tim could be drawn smaller, the gag of him looking 12 when he's nearly 18 doesn't work when he's bigger than Damian who is 15 (and contrary to some bullshit comics isn't meant to be small. that was a random thing added for writers who aren't clever to write better humor. it actually contradicts things that were already established).

Don't see the big deal though for most of this.

Can't wait to find it, though. Oh boy.

This whole obsession with Zur Batman, is way over done though. So--I wouldn't be shocked if that was the problem, because my golly does that plot point not seem to be stopping--and it was there from the start and part of the reason why I didn't read it 'til now.

Good Tim tho, at least. So heehee, yey for that--I think--I guess.

Oh, well.

It let me peak at a pseudo-version of an AU I made up years ago. So that's pretty freaking cool.

Always a plus.

And redoing Red Robin story beats but better? Normally I'd hate references to Red Robin, 'cause that changed the perception of so many characters for the worst, but ayy, a bit of redemption isn't bad.

Man, just seeing simple stuff like Tim and Bruce being good ol' classic Batman and Robin warms my heart. It's been so long since Batman and Robin has acted like a proper classic Batman and Robin. It's dynamic that's been sorely missed by many.

OH, MY GOSH, WHY DID THE FIRST STORY HAVE TO STINK SO BAD. THIS STUFF IS GREAT.

Like, DUDE, this is such a Tim thing for him to do!!

And he's showing emotion?? He's crying like how he does?? Because he's not a typical Bat-Family member who just angsts his way through?? THEY'RE MAKING HIM STAND-OUT AGAIN BY MAKING HIM, HIM??

WHY DID THE FIRST STORY HAVE TO SUCK SO BAD?? THIS IS GOOD SHIT.

Like this part is why I originally stopped reading, not because Bruce should think Tim is his soldier, and not his son, THE FREAKING OPPOSITE.

But because the original story has Bruce acting weird when unneeded, just to say this was so unneeded, and adding in all these stupid corny Bat-Family moments was so groan worthy.

This run started off with a story that was a total turn off for me.

To end up being a run that could've kept me enjoying DC, rather than running away from it from as far as I have.

Chip Zdarsky started off awful, but really, he ended up great.

And I've seen people complain about his run, and TRUST ME, there's stuff to complain about. But I have only ever seen the stuff worth complaining about, or stuff I WOULD complain about.

WHEN MOST OF THE RUN IS GOOD

At least when Tim is around.

Go figure.

Maybe I should've paid sole attention to how he wrote Tim and nothing else at the very least for that first story.

'Cause even in the first story, Tim was well-written--it's how cheap the rest of the story telling was in that first story that turned me off--and the weird knew about the movie plans that I am still fully judging harshly. (Love the new Superman film suit, though)

[3hks]

Key Components in Creating THAT Character

If you read a lot or enjoy television and interact with the fandoms, you quickly realize that there are certain characters that have fans COMPLETELY wrapped around their finger! And furthermore, they usually end up pretty iconic even though they aren't the main character! (People like Gojo Satoru, Levi Ackerman, Killua Zoldyck--I watch too much anime but hopefully you get the point) So how do they become so popular? Do YOU want to create a character along those lines?

Perfect! Because this guide will have literally everything you need! (Keep in mind that some things will get very specific and there's no need to follow absolutely everything!)

1. Confidence

It doesn't matter if the confidence is a facade or if your character is genuinely confident--readers LOVE a confident character! This is because confidence can establish reliability, easily capturing the audience.

2. Status

Following confidence, it's important that your character has status. I'm not necessarily talking about royalty and whatnot, but if you look at my first three examples (assuming that you know who they are), they all carry a title and are known.

Gojo Satoru: The Strongest Sorcerer

Levi Ackerman: Humanity's Strongest Soldier

Killua Zoldyck: He's a Zoldyck

Again, this creates a sense of reliability and that awareness that your character is someone important.

3. Reputation

Alright, so this character now has confidence and status, so therefore, they also need some kind of a reputation! Consider some of the following questions: Does the public have an opinion on them? If so, what is the general viewpoint? What about the people close your character? Are their opinions accurate to your character's actual personality?

The truth is their reputation doesn't have to reliably reflect them. What the readers see in your character versus the others in the story can be vastly different. So, with these types of characters, it's important to establish a perspective of them that's separate from the audience's!

Now, what does this even do? A reputation builds onto status because it shows that, again, this character is someone who genuinely matters not just to the story itself, but to the actual verse. It also offers a lot of indirect characterization because it demonstrates how they are seen!

I would consider the first three to be the surface level traits, which is not a bad thing at all! However, with these next few points, we're going to dig deeper!

4. Empathy/Sympathy

Yes, yes, I'm well aware that empathy and sympathy are completely separate concepts, but either one will work for what I'm about to talk about next!

Vulnerabilities and flaws are critical to any realistic and quality character.

However, it's important to keep in mind that for THIS type of character, specifically, is meant to be established as someone with status and thus, won't easily show their weaknesses.

When boiled down, treat your readers like all another character.

Don't shove your character's fragilities into your audience's face because that can ruin everything you built up in steps one through three. Instead, leave their weaknesses (not necessarily flaws, they can be revealed however you like) slightly vaguer than you might normally. Let it be up for interpretation!

A simple way to achieve this is to dive into their past and let their old selves speak for themselves!

5. Situation

Great, so now you have the flaws and rough imperfections of your character down! What do you do with them?

Put your character in a situation with something on the line that exposes their vulnerabilities and forces them to confront their issues. Allow your readers to see their flaws physically in action because that's one of the best ways to fully elaborate on their character.

Additionally, if you're looking to flesh them out or generate more emotion, this will achieve that! With these characters, they NEED their time in your story.

6. Development

Just like all characters, the fundamentals still apply, and this character is no exception to development! If you're not too sure about what changes to make, start with step 5 and continue from there! There is no need to make a drastic difference, a simple realization or small alteration will do!

CONCLUSION

Alright, let's wrap this up! Steps 1-3 are the basis to creating your character's personality! It gives the impression that they are important and have a reputation. Steps 4-6 are mainly for development and to create a more dimensional character; but the main takeaway is that any weaknesses should not be downright stated but instead hinted at!

Happy September and happy writing~

3hks <3

[channel-eclair]

Who is the Luigi archetype of every major Nintendo series? - An Essay

I love Luigi, I love Nintendo, and for some reason I want to go on a mental quest to determine who the "Luigi" of every Nintendo series is.

What does it mean to be a "Luigi"?

Usually the second most important character in a series, but can often be less important. Also works well if they're a player 2 character

Parallels or connects to the main protagonist in a few ways shapes and forms

Could be green. Not necessary but it is bonus points if they are green.

And without further ado, let's begin!

The Kirby Series

This is one that is very debatable. Many might say Bandana Dee, which makes a lot of sense! Often player 2, looks similar to Kirby, not as important as the main protagonist and antagonists..

But honestly? I am kind of leaning towards King Dedede.

When you think of Kirby, the second character most people think of behind Kirby is Dedede. He is like Kirby's shadow, Kirby's parallel.. but he is NOT a villain in modern day Kirby. Dedede is not the Bowser of the Kirby series.

King Dedede being royalty could also have him be compared to Peach.. but Dedede's immense amount of playable roles make him feel more in line with Luigi to me.

I think Dedede is the second most important Kirby character; and with his parallels to Kirby's moveset, I honestly will crown King Dedede as the "Luigi" of the Kirby series

Plus, the best Smash game already knows whats up!

Pokemon Series

It's Eevee. 100%. It's Eevee.

Pikachu is the "Mario" of the Pokemon series, the beloved mascot.

Eevee is the parallel of Pikachu, beloved and different but always second behind Pikachu. The two mirror each other excellently, and Eevee really just feels like the perfect Pokemon to call "the Luigi" of Pokemon.

I will say, Mimikyu fits nicely as a ghostly doppelganger (and I think Luigi would totally have one on his team), but purely from a brand and gameplay standpoint, it is Eevee.

Animal Crossing

This is a bit of an odd one, but I'm going to give it to Isabelle.

In many forms of promotional material, the face of Animal Crossing flipflops between Villager and Isabelle. I geniunely think Isabelle is more iconic and known at this point, as Villagers are so customizable yet the right amount of plain that they're often not seen as a character (unlike say, Inklings, who are super customizable but have such unique designs they stand out a lot)

However, Villagers ARE the player character. Not to mention Isabelle is only in two of the five Animal Crossing games! I would say that despite her popularity, she is only the second most important character of Animal Crossing.

Also she wears green. Luigi!

Splatoon

And now after mentioning Inklings, here we are at Splatoon!

If Inklings are the Mario of the series, I'd say Octolings are the Luigi, I guess? They aren't enemies anymore so Octolings aren't really a Wario (even if DJ Octavio's the Bowser of the series more or less)

However I want so badly to point out that the Squid Sisters are basically a parallel of the Mario Bros. Callie is "Mario" and Marie is "Luigi". This doesn't make sense with the pattern I've established but I wanna throw Marie into consideration here too, as the possible Luigi of this series.

And if the "Mario" of the series is Callie... maybe Inklings are, uh.. the "Yoshi" of the series, since they're a species? Hmmm..

Fire Emblem

So FE is an interesting one because it has SO many different casts. And honestly; there's not really a definitive "main cast". Like Marth is the face of the series, but his OWN game is not that popular compared to other and greater entries. Fire Emblem is a lot like Pokemon where every game is a new cast, but Fire Emblem's first cast doesn't hold onto the series as much as Gen 1 of Pokemon does (except Marth)

For Marth alone, I'd say Merric is the Luigi. He's green, Marth is the Mario, Caeda is the Luigi.

For the Binding Blade and Roy, I'd say Wolt is the Luigi. He's green, Roy is the Mario, and Lilina is the Peach. This one is also kinda funny considering how forgotten Wolt is in this trio, compared to the other two.

For Awakening, I'd actually argue Robin as the Luigi, as Chrom and Lucina really take over as protagonists. Also I just kinda feel like Robin and Luigi have a lot in common. They were both vessels to become final bosses with Grima and Dimentio, they both use electricity, they both kinda sleep a lot with Dream Team, idk! I think they'd be friends

For Three Houses... Claude, maybe? Amidst all the main intensity in 3H, Claude kinda sits back and goes his own path. He's not as beloved as Edelgard or Dimitri but has his fanbase, and if Edelgard and Dimitri are the "Mario, Peach, or someone else" then Claude really just feels like a Luigi to me.

Also worth mentioning is the "Christmas Cavaliers", the pair of red and green knights in almost every Fire Emblem game. I like to joke and call them the Mario & Luigi knights, but they're just not important enough characters to be "Mario" and "Luigi".

Pikmin

Thanks for making this one easy Pikmin, it's Louie

(To properly explain to non Pikmin fans reading this: Olimar and Louie are somewhat named after Mario and Luigi, with Louie being the second playable character in the series!)

The Legend of Zelda

So.. I saved the series thats always by the Mario series side for last. I wanted to do it first, but I saved it for last because honestly??? This one is a doozy

Link is "Mario", Zelda is "Peach", Ganondorf is "Bowser". It is set in stone and easy, that part I got.

But... that's the trio. That's the main part. That's it.

Who, uh, who's Luigi..?

I initially thought Midna or Fi or Navi.. but wouldn't those companion characters be more akin to Cappy and FLUDD and the Luma in Mario's hat?

Beedle comes to mind cause he always shows up, but I dunno- he's just a shopkeeper? Maybe he's a candidate? But that just doesn't sound... right.

Dark Link is "Wario", alter egos. Tingle is "Waluigi", both joke characters more or less.

If I used the logic for Callie and Marie from earlier, then it'd just be Ingo from Ocarina of Time who's blatantly based off of Luigi.. but the issue is, saying Marie is "Luigi" works because its debatable if Inklings are the "Mario" of their series. Here, Link is 100% the "Mario" of the series, meaning that it wouldn't make sense to say Mario is Talon and Luigi is Ingo because then who would Link be????

But.. who is "Luigi".... where is the "Luigi" of Hyrule..?

I looked up anything I could about "who is the Luigi of Zelda" but alas, literally nobody has asked this question nor do they want an answer and so I was left with nothing but more questions.

I honestly consider maybe even like... a different colored Link, like in Four Swords and Triforce Heroes?

WAIT. THATS IT

ITS YOU!!!!!

Allow me to explain: Link is green. Mario is red. Link is the "Mario" of his series. In Four Swords/Triforce Heroes, you have other colors of Link as other players (red, blue, and purple. at least purples in four swords)

But Link is already green.. so what if you put Mario's color ON Link?

Then there we go. Red Link is Luigi by way of parallels.

So there we go: Link is Mario, Zelda is Peach, Ganondorf is Bowser, Dark Link is Wario, Tingle is Waluigi, Midna/Fi is Cappy/FLUDD, we could keep going on like saying Daisy is Hilda since Hilda is a parallel Zelda!

......

....Wait. WAIT. WAIT. WAIT. WAIT. WAIT. WAIT A MINUTE.

THINKING THIS OUT IN MY HEAD I DIDNT REALIZE THIS UNTIL I TRIED TO THINK OF DAISY AND REMEMBERED HILDA

YOU!!!!!!!!!!!

HOW DID I FORGET MY FAVORITE ZELDA CHARACTER (next to fi and mipha)

OH MY GOODNESS

RAVIO IS THE "LUIGI"

THERE WAS NEVER A LUIGI IN HYRULE. HE WAS IN LORULE THE WHOLE TIME. RAVIO IS THE LUIGI OF THE ZELDA SERIES

And yes, I know that Ravio is near identical to Nabbit (even Miyamoto himself commenting on this!) However, I feel like Nabbit still lacks a solid role and story in the Mario series that could really tie him down. On the flipside, Hilda is basically the Daisy of TLOZ due to paralleling the main princess. I feel like the connection of Ravio and Hilda connecting back to Luigi and Daisy gives Luigi enough of a connection to Ravio. If Nabbit is the "Ravio", then who is Daisy's Zelda equivalent?

...I have no idea what I'm saying.

ANYWAYS by all means if Nabbit takes Ravio, I resort back to Red Link as the Luigi archetype.. but for the sake of making it simple, both Ravio and Red Link will be marked down as Luigi archetypes.

...

And there it is. For all 9 of Nintendo's main series (according to My Nintendo's store pages and various Nintendo advertising), there is the Luigi archetype. Luigi lives on in every bit of the wonderful world of Nintendo.

Maybe the real Luigi was the friends we made along the way. Thank you for reading.

---

Final "Luigi Archetype" Summary

-Ravio / Red Link (Zelda), Isabelle (Animal Crossing), Octoling / Marie (Splatoon), Eevee (Pokemon), King Dedede (Kirby), Merric / Wolt / Robin / Claude (Fire Emblem), Louie (Pikmin)

[evelynpr]

bakugou for the character ask game?

Truly the teenage boy, shonen deuteragonist, love interest coded, gay asshole, of all time.

My first impression - Woah I did not understand why people were so into this guy. Like I get it, he's a flawed and loud pretty boy, he gets character development, and probably gay, but seriously him??? His mouth is so fucking foul and he is so up his ass. - I was meh with this character, enjoyed him in fan content, but just did not get why people were sooo into this guy.

My impression now - I cried in "Light Fades To Rain". Twice. - My god his growth...his will, his persistence, and by god his love for Izuku is so ridiculous and powerful I just cannot help but admire the little shithead. - He is also a lot more to me than I expected, with the whole "foul mouth shit", "high expectations bullshit", "violent urges", and "dedicating your whole life and love to someone you love and admire" and that...that makes me feel quite conflicted.

Favorite thing about that character - The thing about Bakugou is that...you just cannot help but wish you had the same kind of persistence, strength, will, and power that he does. I love how all this is initially so shallow and selfish, then grows to wanting to be a better and truer hero. He really learns and changes and is just an unstoppable force of nature, it's genuinely incredible and beautiful to watch.

Least favorite thing - I wished that the overall writing did go harder in making him stop bad-mouthing people and...everything so much. You can tell he did grow to respect and care for people around him more, but by gods he is sooo bad at communicating his feelings right now. (tbf, he is so fucking young and traumatized) - Also, really please stop hitting people. I get a knee-jerk reaction to that kind of physical violence sometimes ngl.

Favorite line/scene - There are so many. I already mentioned his death in "Light Fades to Rain" so I'll mention a different one - Team Bakugou in Class A vs B was so goddamn good, for being a monumental milestone of his character. How much he trusted his teammates and put himself in danger to save others, winning in the end. No injuries, no failures, truly a perfect beautiful victory. How he also pushes Deku to keep getting better afterwards in his usual constipated-ass language too. Man I just love that battle to death.

Favorite interaction that character has with another - (me pulling out scenes that aren't bkdk centered here hahaha) - I fucking LOVED the Bakugou vs Ochako fight. It made me love Ochako so so much as a kid. I really wished we had a follow-up to that battle, and it genuinely changed my life. - I love how it really shows just how focused and rational he is in battle. How he truly respects his opponents, Ochako in this case, and the sports festival really establishes so much about him.

A character that I wish that character would interact with more - Speaking of which...OCHAKO VS BAKUGO 2 COME ONNNN - There is SO MUCH these two need to talk about. How to save people, who they want to save, who saved them, never underestimating each other, how they changed and grew. I just love these two characters to bits, that's why I need them to FIGHT AND TALK SO BADDDD - Additional: Also Toga (see my post on Toga right before this one lmao), Shoto (because I still don't really get their friendship but its hilarious, and I love Shoto)

Another character from another fandom that reminds me of that character - I legit cannot think of anything here...like for Toga...I am so sorry my brain is blanking T__T - It's hard to be a massive anger-issue filled, victory-focused, die for their lover (twice), amazing chef, all at once, kinda guy...you know?

A headcanon about that character - I am a believer in trans!fem Bakugo in the future. He's so ridiculously angry for some reason, voice always cracking, and just on-edge for some reason. Idk I just think its hilarious and satisfying if he transed his gender in the future and became happier and more comfortable.

A song that reminds of that character - I also have a Bkdk playlist in the making! Here's some bkg focused songs in character development order: - Boys will be Bugs, President Perfect, Top of my School, Oh No!, I'm Gonna Win, The Last of the Real Ones, Skyfall, Die For You, Set Fire to the Rain

An unpopular opinion about that character - Like Toga, he actually isn't possessive. I think he quite well understands and accepts that Izuku is a very loving person that many people are easily drawn to (I mean, he'd be a hypocrite if he didn't understand that). - He is protective instead of possessive. He keeps an eye out for anything and anyone who could possibly actually hurt Izuku, but he doesn't hold him back at all in hanging around with others, and when other people fall for Izuku either. - He is actually quite skinny, and doesn't have the big thick buff guy build. Those go to Izuku and Iida more imo.

Favorite picture - I never really thought of this much??? I love art of him being softer, more solemn, quiet and contemplative even. I guess I'll go pick out some favs right now...

Here they are! Hope you enjoy the post lmao

[hwanchaesong]

┗🖋️ A once in a blue moon chance / Sculpts a rose and violet romance / In an ivory and rings trance / Comes a tragic wound by lance 📖

🎧: Taylor Swift - loml

wc: 1.3k

genre & warnings: angst, angst, angst 😭 itty bitty fluff if you use a microscope, character death (due to sickness), ghost!Sunoo, just pure angst for real, read at your own risk 😭

a/n: this is a part of The Tortured Poets Department series. if y'all want, you can read the other album inspired fics of other groups here.

You warm your hands on the freshly brewed cup of coffee that you ordered, lifting it up and taking a sip, not minding the burn on your tongue.

"This is delicious." you say, the man in front of you grinning in return, "We should've come here sooner, Sunoo."

"Right!? I told you this place is a banger." he proudly crosses his arms on his chest, a smirk on his bright face.

You sigh, finishing the drink and standing up from your seat, "Oh crap, it's time to go." you murmur, hastily walking away after cleaning up the table.

"Already?" Sunoo jumped up from his own seat, begrudgingly following you down the pavement.

"Slow down! Gosh, are you doing a marathon or something?" he rolls his eyes, finally catching up to you without breaking a sweat.

Naturally, he has longer legs than you, he was simply caught off guard by your sudden departure from the café.

"I really don't want to be late this time." you peered at your watch, clicking your tongue in dismay.

"You really should manage your time properly." Sunoo comments, looking at your annoyed face.

"Yeah," you muttered, turning around the corner and stopping in front of a flower shop, "I should really manage my time better."

You enter the establishment, greeting the florist and inspecting the fresh cuts of flowers.

"What should I get?" you put a hand under your chin, in a deep thought on what to buy for today's celebration.

Sunoo peeked from behind you, staring at the flowers as well, "Why not get sunflowers? Look! Aren't they especially pretty today?" he excitedly points at them and you nod your head.

"Sunflowers are a great choice." you smile, waving at the florist to tell him your pick.

The dimpled man walks over to you and begins to arrange the flowers into a bouquet, "What's the occasion for today, ma'am?" he asks, and you giggle a bit at his playful tone, making the man beside you pout in discontent.

You're not planning on flirting with that florist within his presence, right?

"A birthday, and these sunflowers are the perfect gift for him."

You smile lovingly at the flowers when the florist hands you the bouquet, and when you're about to pay for it, the male did not accept your money.

"Flowers on me for today, now go." he waves you off and you frown, thinking that if you did not pay, it'll be unfair for the worker.

"But-"

"No buts!" he puts his index finger on his lips, sending you a wink, "Consider that as a gift from me as well."

You beamed at the man, poking his dimples and proceeding to pinch the cheek of the florist that you have grown accustomed to after a few months of meeting him at the shop.

"Thank you so much, Jungwon!"

You bid him goodbye, exiting the store in a haste, missing the giddy and beaming expression of the boy, one that Sunoo noticed.

"Oh my god! He totally likes you!" he whispers aggressively, "Must you flirt with him too?!"

You bite your lower lip, shaking your head lightly, "No, no. Jungwon is a friend. Nothing more, nothing less."

Sunoo squinted his eyes at you, skeptical but he lets it go.. for now.

He continued following you throughout your journey somewhere, basking in the melodious silence and the beautiful weather.

You didn't say a word either, choosing to stay in the comforts of your own thoughts.

Skies so blue it reminded you of the sea. The sun illuminates the earth of its shine, casting a warm sensation to anyone who walks under it. The trees are also swaying with the winds, creating a silhouette of dancing leaves on the pavement while the breeze gently touches your skin.

Then your footsteps came to a halt in front of a rather gloomy place, a complete opposite of the outside world.

You took a deep breath, willing your hands not to shake and figuratively patting yourself on the back, urging yourself that you are a grown woman capable of handling your fears.

Sunoo's worried gaze is now fixated on you, "Y/N?" he calls your name, concern lacing his voice at your sorrowful mien.

"I can do it. Sunoo, watch me do it." you whisper, steels in your orbs and looking straight ahead as you begin trudging the dark road towards your final destination.

Sunoo nods in return, a proud smile on his face, "Go for it, Y/N. I'm rooting for you."

Finally, you have reached the goal.

Crouching on your knees and dropping the bouquet of sunflowers on the neatly trimmed bermuda grass near a sepulcher.

"Hello, Sunoo. I've come to visit you again. I'm sorry if I haven't been able to drop by for a while, college life has been keeping me busy." you laugh albeit without any trace of joy.

You then sit down, not minding if the dirt will stain your pants, hands going over the tomb, fingers tracing the name engraved across the marble.

"Here," you say, pulling out a small container in your bag, "I brought your favorite, mint choco ice cream. Bought it at the coffee shop that you have told me about before." you set it down beside the bouquet, and you couldn't help the small sob that you let out.

Immediately, the man who was beside you the whole time pulled you in a hug, one that your soul felt but physically cannot be perceived.

"Sunghoon said that he'll visit you later, he'll tag Riki along. They said that they will bring some coke and beer." you sniff, your arms wrapping themselves around you.

"They will?" Sunoo mumbles, his own tears forming in the corner of his lids, "What about the others?"

"Hee, Jay, and Jake will follow afterwards, after their finals. You know," you gulped, trying to compose yourself, "It's been another difficult year for us without you."

You can't hold it back anymore, your hands flying to your mouth so that you won't make any embarrassing sounds, continuing to ramble all your sentiments.

"We miss our sunshine, Sunoo. We miss your sassiness, your dolphin squealing, your smile. Sunoo I-I, I miss you so much."

Said man embraced you tighter when your cries got louder, murmuring words of affirmation that you will never ever hear again. Telling you how much he misses you too, but you will never know that.

"I still have these daydreams sometimes. Where you'll k-kiss me when I'm having a hard time. Where you'll give me random gifts because it reminded you of me. Oh gosh-" you wipe away your uncontrollable salty tears that are free falling from your eyes to your cheeks.

If there is one thing that Sunoo regrets the most, it'll be the fact that he wasn't strong enough to continue living. He wasn't brave enough back then to combat the illness that was eating away at his life force.

He succumbed to it when all of you were praying for him to recover.

He let himself sleep even when he promised you a life of eternal love with him.

Maybe that's why he still hasn't left your side, even if his transparent body is slowly disappearing. He has to see you be happy again. He has to watch over you until he knows that someone will be there for you until you're grey and old.

"I'm sorry for being sad Sunoo, god! Y/N, get a hold of yourself!" you snicker, slapping yourself lightly with both hands, plastering a trembling smile on your lips.

"No, Y/N, don't be. It should be me who's apologizing. I'm sorry for causing you so much pain." he says, pulling away from you and putting a hand on your shoulders, but it's no use, because a mere spectre of the past won't be able to send a message to the living, breathing present-day.

"I hope you're resting well there in heaven. Happiest birthday to you, my sunshine."

A longing gaze, yearning for intimacy, embroidered in a ring that was stashed away in his cabinet. One that would not see the day nor would it be placed on your finger.

For the heart is fickle and the brain is a mush of wilted petals, and maybe, in your next life, you will not lose the love of your life.

taglist:

@shakalakaboomboo @ramenoil @slutforjeno

[welcometogrouchland]

Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.

Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).

Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**

That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???

I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.

Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.

(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)

*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench

**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious

[theprinceandthewitch]

I still don't see how people can legitimately argue TOH was subverting romantic expectations when it doesn't... actually do that.

In order for this kind of subversion to work, you need to address why Luz and Hunter getting together is detrimental to them. But at no point do the writers actually show us WHY Hunter and Luz aren't a good fit for each other. You'd expect them to be very careful in how they go about writing Luz's and Hunter's relationship - like making sure Willow is the most important character to Hunter's arc.

But they don't actually do that - instead of having Willow act as the catalyst for Hunter's arc it's Luz. She is there for all of Hunter's important moments... which is not what you would do if your goal was to actually subvert romantic expectations. Another thing you don't do is make Luz and Hunter parallels to past lovers who are deeply tied to the story's villain.

People tend to use Witches Before Wizards as evidence of a subversion of romantic expectations... but that was used to foreshadow Belos' true nature and Hunters' relationship to him [Sense and Insensitivity does this as well... like they rlly wanted to make it clear Belos' and Hunter's relationship was something integral to the story]. I also need to point out WBW comes right after the first episode - which has a talking point about how you shouldn't punished for something as innocuous as shipping. So to have the first episode be proceeded by an episode that establishes Luz's relationship to a prince as something VERY IMPORTANT because of how it relates to the story's villain is... hmm... suspicious to say the least. I don't think this is something they'd do if their goal was to create an argument against Luz and Hunter getting together.

Even if you wanted to make a case by using Eclipse Lake as evidence for Hunter and Luz being bad for each other - it still doesn't work. Yes, Hunter, in Eclipse Lake is technically making a choice between Luz and Belos like he did in Hunting Palismen. But here's the thing: this choice isn't used BY THE WRITERS to argue why Hunter and Luz would be bad for each other. If it was intended to be used against Luz/Hunter then Luz's perception of Hunter would have changed and his choice would be used as a point of contention between them. This would have been a perfect way to insert Willow into Hollow Mind instead of Luz.... but they don't do that.

They don't do that because Hunter's and Luz's relationship was never intended to be painted in a negative light.

In fact, Hollow Mind goes so far as to parallel them with Caleb and Evelyn. And I'm not talking about making Evelyn's appearance more like Luz than Willow. I'm talking abut stuff like this:

Must I rlly point out why this is so crazy... just look at the bottom left corner...

here's a more HD version of the painting:

There's also the parallel of Caleb/Hunter being "lured away" from Philip by a witch from another world... with the bonus points of Evelyn/Luz expecting the arrival of a new family member. Which is unbelievably haunting to me btw LMAO.

Thanks to Them takes it even further by telling the story of Caleb and Evelyn.... while Luz is dressed as a witch and Hunter is cosplaying as a human... and they made sure Luz was sitting right next to Hunter when the story was being told... I'm not making this shit up - that's literally what happened. Once again, this was another moment that could have been given to Willow instead of Luz.... but it's not.

[A/N: Seeing Luz sit next to Hunter with her gf right before the writers release the Caleb/Evelyn bombshell on them is so fucking funny. This entire episode is a joy to sit through because it reads like an episode written by someone who doesn't like Lumity and Huntlow. I don't know how they could have written the most anti-Lumity and anti-Huntlow episode in the show accidentally, but they did. 10/10 episode tbh.]

Then there is Luz's association with wolves highlighted by Hunter's newfound love of wolves... then there is Flapjack only letting Luz use him during their fight with Belos... then there is Flapjack flying to Luz instead of Willow when he's on his deathbed... FINALLY, there is Hunter coming back to life looking like Caleb and pleading with Luz - who is still dressed as a witch - to help him fight his grand-uncle-brother.

I also want to note Willow's costume in TTT takes design cues from Evelyn's stereotypes. I don't think this was intentional, because if it was then that would have been used to foreshadow Hunter NOT ending up with Willow. But it is very funny to me and I like to think that it was a sneaky move done by a Huntlow hater in the crew... I know I would do something like this if I was forced to make Hunter and Willow a thing LOL.

So yeah, you'd think they'd give all this stuff to Willow instead of Luz, since they intended to culminate Hunter's arc with him holding pinkies with Willow instead of helping Luz fight Belos.

At this point you're probably thinking... hmm... if the writers always intended to make Luzs and Hunters relationship detrimental to their stories, then they're not doing a very good job at it. And you'd be right... because they never intended to write an argument against it in the first place.

Even though they wanted Hunter to be paired off with Willow, they never bothered to make sure she's there for all of his important moments. Instead, Hunter's important moments are given to Luz - the only character in this show who has a thing for angsty warrior princes with tragic yet compelling backstories.

And I havent the faintest fucking idea why they though this was a good idea... but I sure do know it wasn't because they wanted to create a compelling argument against Luz/Hunter.

[thesoappope]

My thoughts on Chaggie/ Charlie x Vaggie

Before we begin, no this isn't a "I hate chaggie post" and no I will not be hating on those who ship it either. Rather this is just my thoughts on chaggie at the moment.

So, I'm just gonna say it, Chaggie is my OTP. Not because it is perfection, but because it's in my opinion one of the most interesting relationship canon/noncanon, I love both the characters in the relationship, and any moment of intimacy (not just kisses and such but any intimacy that reads as romantic) is cute. And with that I want to talk about the relationship so far.

Now I've been seeing people say their relationship is toxic or unhealthy, and to that I say...that's a bit strong. Let me explain. So because hazbin is kinda speedrunning it's plot (which I understand bc limitations on episodes and seasons green lit) we don't get to deeply know all the characters and specifics on why they make certain choices and how they ended up the way they did so we have to rely on the broad and limited information provided in each episode.

Based on the 6 episodes released, we can tell Charlie is very optimistic, to a fault at times, passionate, a go getter with some direction, very empathetic, ablivious at times, and ultimanty wants to be a leader but lacks the confidence and authority (despite begin a princess bc we love the royal that doesn't know how to rule troupe, genuinely) to be one.

Vaggie on the other hand, is like Charlie, very kind, but isn't as willing to put faith in a person till they've proven they deserve it, protective, loyal, good intended, not very trusting, lacks confidence, and dependent on Charlie.

Now when you put these two together, while the two do help eachother supplement what the other lacks, whether through reassurance, doing what the other can't or doesn't want to do, or giving the other what they need at the moment, even if that isn't them, it's clear who relies more on the other. After it's revealed how Vaggie and Charlie met, it really reframes Vaggie's character. No longer is she just a slightly insecure girlfriend who just wants to make sure her partner is happy and is being supportive and good enough to her, she's now a character who has bad identity issues. I mean can you blame her?! Her whole life disappeared in an instance and started all over when Charlie found her. I imagine they haven't really been apart since then except for a couple hours maybe, but never for days or longer. And being with someone for so long especially in an unfamiliar place, of course you become attached to them. Add Charlie basically saving Vaggie's life, there's an imbalance there. A feeling of indebtedness even if Charlie never said Vaggie owed her bc wow that would be way out of character.

Now as I mentioned before, Charlie is a bit ablivious to certain things, she's especially ablivious to how vaggie feels and what she's going through. Now that's not entirely her fault, she didn't know Vaggie was an angel and that Vaggie may feel indebted to her for saving her life, but also it's clear Charlie doesn't understand social cues and again, because of her trust in Vaggie, she'd assume Vaggie would tell her anything that was wrong or bothering her since the contrary just isn't something established in there relationship. And if Vaggie didn't want to talk about something she'd say it, not lie. Like in all honesty I think Charlie won't be upset by Vaggie being an angel, but rather hiding it. Now it may sound like alot to ask of Vaggie, but again, Charlie is under the impression that Vaggie would be explicit about what to talk and not talk about. Also Charlie may be hurt because she may feel like Vaggie doesn't trust her enough or think she wouldn't accept her. So I get both sides.

So to me there relationship feels like any relationship, complicated. The relationship Itself isn't unhealthy, but some of the actions of the two involved aren't healthy or the best. Don't think I forgot about Charlie being pushy at times, I understand why she does it, but combine it with her abliviousness it's not so great. I definitely think Charlie and Vaggie can bounce back and maybe the two can have a moment together that helps the two be better together and separate. Which brings me to another thing I'd like to talk about.

My hope for Chaggie in the future is this. In the next episode, the two give eachother space, and they hangout with people in the hotel. I like the idea of Vaggie, Husk, and or Angel hanging out. Charlie and Lucifer or Charlie, Sir Pentious, Husk, or Angel spending time with her. Then half way or 3 quarters through the episode Vaggie and Charlie have a moment together after talking and hangingout with the others, talk about it/maybe apologize, make up, and have there first kiss in the show (other gestures like their foreheads touching or noses touching or a combination of gestures work as well). Then of course setting up for the 8th episode.

Another thought I had, is also the two trying to act as if nothing happened, they continue with there plans with the hotel, then when everyone notices the obvious tension, while they want to prepare for the extermination, they also want to figureout/help Vaggie and Charlie get through what ever happened. Then I imagine they either try doing the exercises and such Charlie plans but secretly use it as a way to help Charlie and Vaggie, in the end Vaggie or Charlie blow up. Shit goes down and then they make up. Or it's still not working so they try getting the two away from eachother by saying they need help with stuff, talking to them, then the two make up. Or one last one I swear, Vaggie or Charlie say to take a break from this. Everyone does, Charlie and Vaggie talk or argue. Walk different ways, Vaggie stays at the hotel and Charlie leaves the hotel. After the two end up figuring shit out, I like to think Charlie got into some shit, Vaggie saves her, they talk as they deal with the trouble Charlie's in, make up, and have an intimate moment.

Now the last thing I wat to say is kinda related but not, so if you came just for Chaggie you can leave. Anyways, with the current state of chaggie (especially with the lack of typical romantic intimacy) I noticed people shipping Charlie x Emily. And while yes I see it, personally I don't ship it just because they've only met in episode 6, they're too similar, and in my opinion, I like them as friends. With that being said, I do like them together so long as Charlie is still with Vaggie. Like I just love Charlie and Vaggie together so much, I don't want them to split. So either I'd have them as a throuple, or Charlie is dating them both but Emily and Vaggie are just friends. Either one is a pretty interesting shipping dynamic and great for fanfiction. Also just to clarify, I'm not hating on Emily x Charlie, it's just not one I'm strong about. So if you like it, more power to you. And you know what, I'll probably still look at content of it anyways cause even if it isn't my fav it's still cute.

Uh anyways, I hope you enjoyed my word vomit and thoughts? Idk how to end this...uh goodbye!

[mayapapaya33]

I could write a 10 page essay on my thoughts and feelings about "A Bard's Lament" and about Scanlan. How I think a lot of people misinterpret what actually happened IMHO. It feels to me like a lot of people treat that scene like Scanlan is finally telling VM off for being bad friends and kind of cheer him on rather than realizing that he's having a mental health crisis having reached his breaking point and is lashing out.

Establishing some Game mechanics first and foremost, Sam consistently rolled 30+ deception checks anytime one of the others asked him how he was doing or tried to find out if he was having any problems. He is THE great deceiver. He lied to all of them, about everything. He never shared his worries or fears, or his drug problem. Nothing. Anytime they tried to connect with him, he shot them down, deflected masterfully. The other characters LITERALLY had no idea he was having any problems, if the players did anything about his problems after rolls like that it would have been metagaming. It's not that VM didn't care, they didn't know!

Which is frankly how he operated the whole campaign. From day one, anytime any of them asked him a personal question, he make a joke. Of course, Scanlan was a joke character in the beginning of the campaign, but from a character pov, the character treated everything as a joke. He cared about his friends, and they cared about him, they would die for him and vice versa, but he didn't have any heart to hearts with anyone. Slowly over the course of the campaign, everyone else opened up to each other, (or sometimes the narrative forced them to open up cough cough Percy cough cough) and he remained closed off, using humor to deflect any deeper connections. And the way the story went, he was never forced to share.

By the time "A Bards Lament" takes place, he's in a very bad place emotionally and is sad and scared and angry, and he says things to hurt people, not things that are true. (ok maybe some of it was true, but even the true bits were weaponized and honed to be the worst possible interpretations of events in order to hurt, not actually to BE truth. Vax and Keyleth definitely deserved a tuning up after their bs with the dragons. Personally, I'm very proud of Percy for not punching Scanlan for the comments about coming back to Whitestone just so he could be "proud of his name" or whatever, I've never heard such utter bullshit. Then some people are like, hey, why's Percy so mad at Scanlan, huh I fucking wonder? lmfao).

I relate to him in that I also use humor to deflect people and I sometimes wish that people would see what I feel and think; see through me, without me having to tell them. But that is unfair! I'm lying to them! That's on me! Which Is why I want to choke Scanlan out so often probably lmfao, because I understand where he's coming from and can see the mistakes he's making, and I just want to shake him.

I think a lot of people relate to Scanlan but perhaps... how shall I put this delicately... do not have the same level of self-awareness about the self-destructiveness of this particular approach to life and relationships and so feel a catharsis when he blows up at his friends because they also want to yell at their friends for not noticing their pain. Even though they are the ones who have hidden their pain with such skill that it really isn't their friend's fault they're clueless in the first place.

All that said, Vox Machina aren't perfect. They definitely could be better friends, they made mistakes. I just want to talk about the part of this that I don't often see discussed; Scanlan's depression and mental health struggles and their impact on his friendships and his responsibility.

Some people also act like VM bully "poor helpless Scanlan" (TLOVM sort of also acts like this sometimes which is annoying but oh well). When the reality is that Scanlan is a sharp tonged wit that verbally eviscerates his companions on a regular basis and so they treat him how he treats them. It's all banter... right up until it isn't and he's feeling sad and hurt and worthless and suddenly words hurt. But instead of opening his mouth and TELLING ANYONE how he feels, he just lets it build and build until he explodes.

I'm really worried about how TLOVM is going to handle it going forward, because so far they haven't really set up the group trying to connect with Scanlan and that's a mistake. They have a little, but they should do more. The scene with Pike was good, him instantly reverting to clownish behavior the second it got too sincere then him being frustrated with himself. But they really need to do some of that with the others as well and I'm worried they won't have time or won't think it's necessary.

It's HIS responsibility to reach out to others about his declining mental health. He is the one who set the rules of engagement as "Everything is a joke, especially serious things, I am allergic to sincerity" The others follow his lead. There's only so many times you can reach out to someone earnestly and receive a joke back for your troubles before you eventually respect the unspoken desire not to share and stop asking.

A lot of people cite the prank as some monstrous thing that VM did that proves that they don't love or respect Scanlan. Whereas actually, Sam Riegel admitted that at another moment in time, Scanlan would have found it funny. Pike knows that about him, which is why she did it. (Ashley of course, did it to send Scanlan over the edge because she's evil like that and they all adore drama lol). He was just in a terrible place mentally, so it felt like an insult instead of friendship. (idk where he said it, please don't ask, do you have any idea how many HUNDREDS of HOURS of CR I have watched?! It was probably talks machina).

Also, way back in the early episodes of C1 that lots of people skip, I forget which episode it is, but it was when they were under Kraghammer, Grog got his brain scooped out by the mind flayer or that brain creature or something (I'm a little fuzzy on the details). Anyway, they were all very frightened for Grog and they weren't sure they could save him. Once they figured out they could, Scanlan wanted to set up a prank for Grog to wake up to once they healed him (he was brain dead, in a coma or something). Point being Scanlan's a massive hypocrite lol. (which Sam fully admits).

-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-^-

Now here's my VERY controversial opinion, don't hate me lol, I never actually liked the "what's my mother's name?" thing. It felt very meta gamey, like Sam looked up Percy's parent's names before the session as a gotcha! Not really like Scanlan actually knew their names. So it never hit me the way it was supposed to. But that's just personal taste. It also circles back to my previous points of YOU NEVER OPENED UP TO THEM SCANLAN, OF COURSE THEY DON'T KNOW YOUR MOTHER'S NAME! THAT'S YOUR FAULT!!!! MAYBE IF YOU DIDN'T TURN EVERYTHING INTO A JOKE, THEY'D KNOW HER NAME!!!!

[creehd]

IM SCREECHING OVER THIS ROARING 20s AU,

but very politely holding your shoulders and giving you a little shake.

I haven't watched much teenage mutant ninja turtles unfortunately, but from what i do know, you putting them in the 1920s is absolutely FASCINATING. The difference in politics and the World in general from the modern version to your AU is just,,, HNGNGNGG im chewing on the leg of your desk

Do they act differently?? Or are they relatively similar to their modern counterparts? How are they forced to adapt to this universe? Are they still ninja trained? How did they get turned into mutant turtles, and what's Shredder's (who you MUST draw, im begging you), motive during this time period? 👀 DO THEY STILL LIKE PIZZA?????

And most importantly, may i give Splinter a kiss on the head? 👉👈

Amazing art as always <3

I owe you my life for this ask. I can feel myself being pulled back into both my obsessions with TMNT and the early 1900s.

SO I'M STILL BUFFERING EDGES AND WORKING OUT WHAT EXACTLY I WANNA DO WITH CERTAIN CHARACTERS BUT HERES THE MAIN SYNOPSIS;

In 1923 New York, post ww1, splinter is the last of his lineage of samurai in the Edo period in Japan, escaping to New York and attempting to build a new life when he came into contact with the Foot, a long-established gang with ties to shredder a yakuza boss who also immigrated from japan at the end of the 1800s once he lost his title as shōgun. He is controlling many facets of New York through experimental science and crime.

Mainly being; bootlegging, gambling, auto theft, narcotics, robbery, And any other gang-sanctioned activity.

In an attempt to stop him, splinter soon finds himself mortally wounded and in desperation to save his life, he is mutated into a rat, alongwith 4 baby turtles and an entire lab of wildlife. (Animal testing has been around for awhile) Hiding away with his newly found family and recovering from injuries that made him slowly lose his eyesight, the boys began to grow in the shadows of a newly technological America.

And that's kinda what I got as an explanation for how exactly splinter got here and what happened before the turtles grew up.. AS FOR THEIR PERSONALITIES. I try to keep them similar, I take inspiration from each different continuity of tmnt for what I think the perfect imalgamation would look like for a basis for who they are, and then I made it time period accurate!

So in order-

Leonardo: Leo is a big boy scout, he respects splinters wisdom and teachings, and when I think of him I picture Steve Roger's before the Super Soldier serum, Leo believes in New York, and he believes he and his brothers can help fight the rampant and rising gang-related crime in the city. He also enjoys tennis, chess,and card playing, alongside supporting the local flapper scene in the city. He also heavily supports freedom of the press AND believes in the abolishment of prohibition! (Not bc he likes to drink but because he WANTS freedom and justice for all) loves to listen to radio shows with Donnie and read newspapers and magazines to keep up with current trends and events.

Donatello: Donnie is hugely interested in the rise of technology across America, hugely interested in the works of Albert Einstein and the amazing minds behind the Tuberculosis vaccine (baxter stockman in this au is a scientist who basically helped discover penicillin before the incident™️) , he's fascinated with radios and tvs however they aren't as sophisticated as he might like yet, he believes he can help the field of science alongside his brothers as a crime fighter, although it isn't his passion to fight, he sees fighting as a science of its own. His hobbies include radio shows and reading! (His favorite book is at the earth's core by Edgar rice Burroughs) and he also really really enjoys April's company, and dressing up with her.

Raphael: Raphael is a vigilante at heart, but also a bit too hotheaded and selfish to see when he is in too deep, he heavily engages in the night life and the scummier parts of New York, bar fights, alley brawls, deals gone wrong, you name it, raphs got a fire for fighting for what's right. He rubs elbows with many of the lower-class gangs, who are just trying to get by, and after learning about the struggles of suffragettes, he lends a hand when he can with their growing cause, he's also a huge jazz fan, attending many flapper shows and frequenting speakeasies. Before he met Casey in late 1919, he dreamed of nothing more than to fight in the Great War, however, when he met Casey Jones, he was quickly attuned to the horrors the war brought to its soldiers, and how horrendously they were discarded after, and prompting vowing to help veterans in need. He and Casey are close and frequently engage in going to silent films, recreational drinking, and smoking together.

Michelangelo: Mikey is an artist, he loves his city and its people, and alongside being an incredibly talented martial artist crimefighter alongside his brothers, he believes in peace and love above everything. (Although he'll finish a fight if he has to) him and raph clash heavily on how to handle issues in new york, and while they can't see perfectly eye to eye, they overlap on alot of ideals and pastimes. Mikey is a prolific painter like his namesake, as well as a silent film connoisseur, a birdwatching fan, a huge fan of jazz, and a frequent at lgbt nightclubs in Harlem.

NOW FOR THE NON TURTLE CHARACTERS!

Splinter: Splinter was born in Japan in the mid 1855, he is now in his late 60s, trying to pass on his knowledge of the time to his sons, while training them the way of the samurai and ninja from when he was a boy. Splinters mutation heavily affected his eyesight, and training and keeping in touch with his culture and fighting traditions helped him overcome the difficulty of navigation, along with his mutated hearing and smell. He's a strict older Japanese dad, he loves his boys but is hesitant about the new boom of technology and heavily encourages the boys to stick to their traditional ways while fighting for what's right.

April: April moved to the city from smalltown in 1915, daughter of a farmer, she came in hopes of starting a career for herself and eventually settle down, but as things began to go down hill for the aspiring woman, she began to work a day job as a secretary at the New York World Newspaper company and at night as a flapper, she ends up getting caught up In ganglife around new york before meeting the turtles during a chance encounter with the foot gang.

Casey Jones: Casey Jones is a poor young man from New Jersey, high aspirations and low funds led him to leave his abusive household and seek out adventure during the draft in 1917, Casey fought In the Great War in Europe, and came back a changed man. Shortly after his return to the States, he moved to New York City to try to rebuild a life he once yearned for, when he meets Raphael. Both boys begin to start a bond, sharing the same pastimes and enjoying the same sights the city has to offer, but it's hard to navigate a life that feels so foreign after his enlistment, what's even harder is understanding why he'd rather enjoy the company of Raphael rather than the girls they watch on stage. He still engages in recreational hockey and the occasional book club since Leo and Donnie insist on helping him with his dyslexia.

As for their motives.. they're just trying to help clean up the streets and not get traumatized along the way! But that's never how it works out is it..

And for the villians.. this posts getting a bit long so I'll make a seperate post about shredder and his whole deal, along with the krang :]

And of COURSE they still love pizza! They're the ninja turtles, it came free with the Xbox,

But if u want an actual answer yes they still love pizza, alot of Italian immigrants came to New york in 1880ish through 1930, and pizza was starting to super get popular.

(And splinter always gets alittle kiss)

BUT YES that's what we're cooking with so far!! And I have many idea for them, and would love to hear more thoughts and opinions !!! Please. This is my brainchild I'm foaming at the mouth to share it.

ask box is always open!!

[alaydabug2]

Okie dokie

Gonna get sappy/personal on here

I'm pretty sure the reason I'm so attached to kotlc is because it helped me through a tough time in my life

When I first read kotlc it was the summer before I went into seventh grade

Some important background information

I was in a trio group in late elementary school and in sixth grade we had a fall out

One person was being a jerk and narcissistic so me and the other friend broke off in our own little duo (my best friend kaylee)

Well end of sixth grade Kaylee tells me she's moving schools and going to public school (we were at a private school at the time)

The thing is I had other friends....kind of

Tbh I'm pretty sure I was the pity friend in that group

It's not like they were mean to me or anything, but I had zero in common with them

Not the same humor, same sports, same interests

Nothing

I was also the friend that got pushed to the end of the table so I usually didn't participate in the conversations much (and if you know me irl I love to talk)

But that summer I had just finished The Mysterious Benedict Society before school ended so while we were in the city for a doctor appointment we went to the bookstore so I could find something else to read

I was in the middle grade section and was just browsing when kotlc caught my eye

Idk what it was but i was just DRAWN in by it

Like it was a black hole or smth (sometimes I think it was God giving me what I needed at the time)

Read the back looked at the series

I told my mama this was the one I wanted

She asked if I wanted tk look some more before choosing

I said it was this one I wanted

So we went home and I read the first book

Fell in LOVE

Continued the series and just got immersed with the characters and the story

Then of course unlocked cliffhanger made me want to scream

But I went into 7th grade with that freshly in my mind and idk.... I think my brain just kind of... latched onto it

It was my comfort when I was the friend who had to walk behind the rest of the group on the track because their wasn't enough room

It's not like I could just easily get new friends

Like I said I was in a private school at the time

There were only 11 people in my GRADE in 7th

I had pretty slim pickings and that was the best I was gonna get

Then of course I moved schools and went into public school

But at thus point it's 8th grade

Everyone pretty much has their established groups and it's hard to REALLY get included

Like you're in the group....but not IN the group if that makes sense

I've always had a pretty tough time fitting in

You guys have seen how I act

I act like this irl too

And that's obviously going to be hard to find someone who acts like j do without being weirded out

My personality is just loud

So again I fall back on these books

Cause the characters aren't going to leave me

The characters aren't going tk stab me in the back

The characters aren't going to tear me down

They aren't going to exclude me

So I hold onto these characters and find comfort in them and relate to them and just hide jn the world of the Lost Cities cause THATS where I want to be

Yeah things aren't perfect there

But heck at least I can have friends there that care about me and have sparkly flying horses and dress in ball gowns just to go to the store and I won't feel as lonely as I do now

I can just escape the world here and pretend nothing else exists except the sparkly castles and go fight bad guys and feel like I'm doing something useful instead of just sitting at home with no social life cause I'm never invited to birthday parties and I don't feel close enough to these people to invite them anywhere else myself

Going into high school this year idk if it's going to be better or worse on that end but I just know that these charach are able to take care of me when no person irl can

Of got these characters I've got this amazing world and I've got this fandom

Sometimes that in itself makes me feel less lonely than I am

[marvel-starwarsfangirl]

TBB Season 2 Retrospective

Season 2 of TBB is my favorite season for sure. I love all the character moments we get such as the conversation between Tech and Omega. It's why I love this show because at its best, TBB really tackles some mature topics. Although the Batch mainly do missions for Cid, I think it foreshadows season 3's ending really well in retrospect.

"Tribe" might be a fun adventure with Gungi, but on a deeper level, it's about Hunter realizing that what Omega needs is a true home and stability. It's the first instance in S2 where Hunter gets a look into domestic life. Phee as a character serves many purposes. She's an ally to the Batch and takes them on adventures. However, she also challenges Hunter's soldier lifestyle for Omega. Phee comments that Omega needs people her own age and stability, something that none of the Batch understand due to their upbringing. "Tribe" and Phee, along with some moments from S1, do a great job setting up Pabu.

Pabu is an ideal place for the Batch to live and raise Omega: it's hidden, beautiful, and welcoming to all. With all the signs encouraging Hunter to settle, Pabu is perfect. On a side note though, I do feel that the conflict in the episode "Pabu" was a bit contrived. Personally, I don't think we needed a tsunami for drama. I was perfectly content just watching the Batch relax.

S2, like S1, also does a great job of balancing the Empire's machinations with the Batch's shenanigans. "Metamorphosis" not only serves as a Batch mission for Cid, but also the introduction of Hemlock and the return of the Zillo. It develops both stories in a natural way which made for a phenomenal episode. The two-parter "The Clone Conspiracy" and "Truth and Consequences" equally shows the Empire's decommissioning of the clones, introduces the CX troopers, and what motivates Echo to leave. This is why I love TBB. We get a glimpse into how the imperials caused such chaos and created the Stormtroopers. Btw, I think the show handled the transition from Rampart to Hemlock really well. Both storylines were set up and interwoven with each other, which allowed the one villain to rise and the other to fall.

The notion that the Batch should settle is a major arc for Hunter and Omega this season. Hunter really begins to consider Pabu as a new home, especially because he wants to keep Omega safe. The more he sees the growing unrest, the more he reaffirms the decision in his mind. Clones have never settled down before and it's a new life for Hunter. He always wants to do right for his family and protect them. That's what leaders do. Even Wrecker slowly comes around to that idea and leans a lot on Hunter for decision making.

Omega gains a lot of new perspectives in S2 and I really loved that. She learns that things aren't what they always appear and that change is a part of life. This takes form in many ways, like when Romar showed her the kaleidoscope. Tech is another great example. He might not outwardly show his emotions the way she does, but his heart burns brightly for his family. And like Hunter, Omega begins to realize that having a home like Pabu isn't such a bad idea. She could grow up safely and make friends her age.

As for Echo, I realized that S1 does hint at his choice to leave in S2. His decision makes a lot of sense given his strong sense of justice and camaraderie with Rex. He's always been about helping others. This man has such a beautiful soul.

I think Crosshair is self-explanatory. Only three episodes and I perfectly understood what he did and why he did things. His humanity could no longer take being abused the way it was. He knew where his heart truly lied and he made his choice. S1 established his attachment to the Batch wasn't gone. But he wasn't ready to fully see the truth just yet.

Tech. Beautiful, smart, brave Tech. How much I miss you. S2 did so much giving him depth and maturity. They easily could've kept him as the stereotypical nerd who has great dry humor. But they chose to take a more thoughtful route. Like Omega, Tech learns to see things from a different perspective and it helps him grow as a person. It's those little moments that mean so much. I wish we could spend more time with him because Tech has so much to share with us and S2 highlights that perfectly.

AND TECH GOT THE GIRL (kinda but yall know what I mean). They could've chosen Hunter, the objectively attractive one, but I'm so glad they chose Tech. Look guys, I'm not a girl who goes out and buys all those trendy clothes or wears lots of makeup. So, it meant a lot that Tech was able to win over someone's affections. And kudos to Phee for always being understanding and loving Tech and his awkwardness.

I do have some other thoughts on Tech I will make a separate post on because it's something I really thought about on this rewatch.

S2 has beautiful music and animation on top of some stellar storytelling. "Mayday" will always be my personal favorite and "The Outpost" is always going to be my favorite episode. It means to much to me.

Overall, the best season imo. I love S3, but it has pacing issues, and S1 just makes me sad.

[some-teeth-in-a-trench-coat]

please tell us more about moth wizard

With pleasure!!! (Although I have to keep it short because I need to sleep pretty soon BUT I can add more tomorrow)

Moth Wizard is one of my OCs and also the (temporary) name of the setting in which he is the main character.

Moth Wizard the character is a Jewish trans man who has learned magic and specializes exclusively in controlling moths. He is likely autistic and loves lepidopterans (moths and butterflies) and struggles with social cues and understanding what other people are thinking or able to infer from a situation. My boyfriend has recently been reading me the Discworld books (focusing on the Watch recently finishing Feet of Clay, which was amazing btw but I think my favorite scene was Dorfl's last one... reminds me of a certain story from the Talmud teehee) so if you're familiar, I find that Moth Wizard is a lot like Carrot Ironfoundersson. He's kind and humble and just wants to help, but can sometimes be totally oblivious to how others interpret a situation. The main difference being that Moth Wizard is not quite so charismatic, both in his social awkwardness and in his humble appearance.

The idea is that he's only the main character in the sense that we take his point of view and that he is in every "episode" (I think of the story in terms of a TV show, I'll probably never get that far but the IDEA is that I'm gonna do it all in Blender), but every story is actually about someone else, it's like he just walks in and becomes a side character to someone else's adventure, with a different adventure each episode.

Moth Wizard the setting is a post apocalyptic fantasy world. Essentially, although humans and most of the Earth survived, war and climate change and the hunger of capitalism escalated until most established power structures crumbled, and then on top of all that, suddenly humans could do magic! Basically, chaos. But not the end of humanity. And the survivors built new communities and generally speaking there is peace, or at least no group is large or organized or armed enough to engage in anything that can be called "war" and still seeing the smoke from the last time war happened, few are eager to change it. But that's politics, not what I meant to talk about.

People who decide to pursue magic are called wizards, and generally they will specialize around some concept, because it's just a lot more convenient. It was originally teenagers who discovered magic, because the way magic works is that you need to do it on purpose. You need to focus and genuinely try, in that special way that you stop doing as you grow older, because you learn that all you'll achieve is making yourself look stupid. To use magic in the world of Moth Wizard, you need to be vulnerable and put your faith in what you're doing, enough that you might cry if it doesn't work because of disappointment and/or embarrassment. And teens are great at that. Children have imagination, yes, but they're not vulnerable in the same way (and also I need some way to make sure children aren't going around summoning dragons or raising the dead), and usually they're not as desperately hopeless as someone experiencing puberty and all the horrors that come with it. Teens are perfect because (generally) they have pride to hurt and hopes to crush, but still haven't "grown up" to the point where they don't believe in magic enough to be truly vulnerable about it.

That's all I've got time to say right now, but if you want more Right Now, here's a link to a list of my most developed characters, each with a brief description!

And you can also join the "Moth Wizard fandom" community if you'd like, where I will occasionally post bonus content, and I'm hoping if more people join we can have discussions about it! Totally optional but here's the invite link for anyone interested!

Thank you so much for the ask, anon!!!

[box-dwelling]

OK so as someone who just genuinely loved Dual destinies and is keeping my theis length DD apologia in the drafts at least for now. I genuinely want to know why people don't like it.

I have seen this take from so many AA fans who I completely agree about everything else with. I need to understand why it sounds like we played completely different games.

I will put some I've seen but feel differently about under the cut

Critisms I find unfair:

-it doesn't tie up the loose ends AA4 left hanging. We don't hold any of the other games up to this standard because they all properly finish up the characters arcs. Aa5 cannot be blamed for the problems we want to overlook in AA4. I do also love AA4 but it does leave a lot of dangling plot threads that the others don't and that would be a fucking nightmare to tie up *staring directly at sibling reveal*

- Clay comes out if no where. He's very well established through the game. He just isn't mentioned in AA4 just like Fran isn't mentioned in AA1 and Dahlia isn't mentioned before AA3.

Critism I acknowledge is a reasonable opinion people can have but strongly disagree with

-Spilting the game between the protagonists stops them having proper arcs. Athena is our weird girl for this game. She is our maya. We get to play as her for 1.5 cases. For the majority of the game she's taking up the weird girl screen time and she's honestly still doing that in the ones you play as her. She's just a weird girl who happens to be a lawyer. In the main game Apollo and Phoenix have a roughly equal amount of screen time by chapter. They cut the bloated filler not the arcs (yes I will argue that 5-2 is needed for Apollos arc. Its there to set up his relationship with Athena that us a catalyst later on)

-Phoenix and Apollo are OOC. No. Phoenix is still a cryptic little bitch when you don't play as him and in AA4 he was so very clearly missing being a lawyer. It makes sense. Apollo very clearly in the last case of AA4 regains a lot of his respect for Phoenix. No, he doesn't do this on screen but again that is AA4s fault not dual destinies. That's how he acts the last time we see him so that's how he's acting now.

-The Phantom comes out of nowhere. Plot wise, maybe. But so do a lot of AA villians. Thematically, he's the perfect fit. DD is a game about trust. Very, very explicitly. A spy is someone who can't trust anyone. The phantom is a man who's shut himself off so much from emotions that he no longer recognises why trust is needed. And also has an ability that directly preys on people by making them think hes a trustworthy figure. He's not an incredible villian but he is thematically cohesive.

-almost a part 2 to the last point. The Fulbright reveal comes out of nowhere. First of all 5-2 has some very very choice sprite framing lol. But beyond that it also is a thematically smart choice. We as players are conditioned in AA games to trust the recurring detective. The villain should be someone that we trust. The guy was likeable but also fundamentally always kinda hollow and did in fact pull a shit ton of strings in 5-4 that we all ignored because we trusted him. The clues are there. You're just not ment to pick up on them because of the formula of these games.

-Edgeworth doesn't need to be there. Again game with a theme of trust. He doesn't necessarily need to be there but his dynamic with Phoenix does. They spent 3 fucking games setting up how important it is that those two trust each other and in a game about trust his absence would be felt.

-I don't see this a lot but I did see it a few times. Blackquill is a bad prosecutor. Honestly this is a taste thing and I love him. He is my little bastard man. Also thematically he embodies the two people you aren't supposed to trust in these games, a convict and a prosecutor but is actually a cool guy.

-I've never seen this but I can guess it's happened. Pearl comes out of nowhere. Again theme of trust. Phoenix has just lost the two people he's been relying on to trust the most and needed to be reminded that there were other people he loved and trusted so letter from Maya and visit from Pearl.

-mood matrix. I like the mini game I think it's fun. My brain likes to sit and logically think about what emotions it would make sense for someone to feel in situations.

Criticism I agree with but really don't bother me

-Trucy is side lined. Yeah. I love her to pieces and will never complain about getting more of her but it doesn't make sense for her to not be there plot wise and they clearly just didn't have room for her. I am happy with my Trucy scraps. I would visit her and present every piece of evidence to her to get as much dialogue as I could.

-Klavier is sidelined. Also yeah. But he did genuinely need to be there for 5-3 thematically for that case. (It is literally a showdown between his school of thought and the one he thought phoenix had) but they couldn't make him procecutor because he'd be too much on their side. It had to be someone who at that point seems at least a little morally dubious. I wish there was more but I will also happily take my Klavier scraps.

-the anime cutscenes. I don't love them but I do have a little switch in my brain marked "watching anime" that I can flip and enjoy them for what they are.

-the switch of the voiced sound effects. Yes they are worse but like, I can live with it.

Stuff I don't like and won't defend

-turnabout reclaimed racism and fatphobia (also blatant animal welfare ignorance). I'm not defending it or overlooking it but it's not the only game in this franchise to be problematic.

[galactic-glamour-girl-posts]

In celebration of Animaniacs' 30th Anniversary...

I'm gonna list some of my favourite segments/episodes from the franchise and explain why they're my favourites! The segments/episodes will be listed in order of their debut in their respective series.

I'll start with my favourite episodes from the original Animaniacs:

Taming of the Screwy

I see this episode as the turning point of Warners' and Scratchy's relationship. Before they'd drive him crazy and he'd want nothing to do with them, but because of his job he's forced to deal with them. This episode was the start of Scratchansniff realizing that the Warners' aren't all bad, which eventually leads to them to getting along a bit better later on. The Warners still mess with Scratchy a lot because, as they say in this episode, it's their way of showing affection, but he genuinely tries to tolerate them (key word being "try"), and they even help him a bit ("La La Law"), until eventually he starts acting somewhat like a guardian to them and he's even willingly choosing to hang out with them (like in "I'm Mad", "Fake", "The Party", etc).

This episode also puts the Warners' characters in a new perspective, being the first that tries to get the audience to genuinely sympathize with them. We knew about them being locked in the water tower, but that wasn't taken too seriously and (because of how "Newsreel of the Stars" presented their origin) you could argue the studio's treatment of the Warners was just a reaction to the Warners' antics. Here the Warners kept their end of the deal and were well behaved, yet were betrayed anyway. They had gone up against a "special friend" before this episode, but this episode was pretty much the first to firmly establish that the Warners are capable of behaving if treated fairly (although they'd rather mess about, not out of maliciousness, but because they just wanna have fun), but if not they're not afraid to fight back and wreak havoc.

A big reason why I like the Warners so much is that they seem like simple characters on the surface, but there is nuance to how they act, and this episode is a good example of that ("The Sound of Warners" also being a good example). It would've been easy to write the Warners as one-dimensional characters who all act the same, are completely incapable and/or unwilling to behave and do nothing but make anyone and everyone's lives worse for no reason, especially since it's a variety show, but they didn't and I appreciate that. I also think the way they're drawn in this episode is adorable! They don't look how they usually do when animated by TMS, but I still like it.

The Warners' 65th Anniversary Special

This episode gives a more detailed retelling of the Warners' origin story. This time it is presented as a "live" TV special, which is a unique premise for this show that helps this episode stand out. I like how "Newsreel of the Stars" tries to make the studio look as good and reasonable as possible, only for that to be flipped on its head in this episode which makes it clear that really the problem was that Memlo and Plotz were the unreasonable ones. The Warners' backstory itself expertly manages to be both comedic yet sad at the same time in a way that doesn't feel tonally inconsistent at all. I still find it hilarious that they took an actual Looney Tunes character and made them into a twist villain just because they were unpopular in real life (let it be known that Animaniacs did that joke before the 2002 Scooby Doo movie did). Combine all that with some fun cameos and beautiful TMS animation, and you've got one of the show's best episodes.

Episode 92

Yup-the whole episode. This episodes is a great summary of Animaniacs' strengths, because each segment is a perfect example of an aspect (or multiple) of Animaniacs that the show does expertly well. "It" has some of the best animation in the whole show, "Dot-The Macadamia Nut" is one of the best parody songs in the show, and "Bully for Skippy" provides some of the best meta humour, political satire, slapstick, and irreverent humour in the show. It's one of my favourite Slappy segments, and although I think the message isn't supposed to be taken seriously...I legitimately think it's a good moral? After seeing other shows/movies/etc (particularly since the 2010's) have their protagonists easily talk down and redeem multiple incredibly vile villains, or sometimes just outright let the villain get away for the sake of keeping them passive/non-violent, this episode's conclusion was incredibly satisfying.

Children's media will often tell kids to just ignore bullies or to constantly try to "get through to them" no matter what, because if they don't that makes them "just as bad" and I'm sorry but that's not something we should be teaching kids, and I'd argue they're not just bad but straight up dangerous messages. Ignoring bullies doesn't work most of the time, it just makes them try harder to get your attention, which often means acting more aggressive and malicious. I do think teaching kids to try and make peace with people non-violently is very important, but if the bully keeps harassing them, at some point you have to draw the line and stand up for yourself. Sometimes you have to yell. Sometimes you have to fight. It sucks but that's life...so anyway, back to Animaniacs. Duke seemingly does learn his lesson in the end, because he's seen helping Slappy, but only after getting his butt kicked, and it's not like him and Skippy are BFFs or anything.

I think this is one of the most well-balanced non-singular story episode of the show, quality wise that is. Most Animaniacs episodes with multiple segments have at least one that is mediocre or straight up bad in comparison to the other(s), but that's not the case here. They're all great.

Honourable Mentions: The Sound of Warners, La La Law, Meatballs or Consequences, A Christmas Plotz, Super Strong Warner Siblings, Morning Malaise, Season 3's Finale (Episode 82), Win Big, Puppet Rulers, Bubba Bo Bob Brain, Yes, Always, Bumbie's Mom, ...And Justice for Slappy, One Flew Over the Cuckoo Clock, Critical Condition, Woodstock Slappy, When Rita Met Runt, Smitten With Kittens, Phranken-Runt

Best Songs: Yakko's World, Wakko's America, I'm Cute, Yakko's Universe, The Ballad of Magellan, Variety Speak, I'm Nobody's Mama, Let's Try for Two, Humans Ain't What They Seem to Be, A Quake! A Quake!, The Senses Song, There's Only One of You

Now on to Pinky and the Brain:

A Pinky and the Brain Christmas

Yeah, yeah. I'm just gonna get this one out of the way now. You love it, I love it, and we all know why...but I'll explain anyway!

For one, this is the only episode TMS animated for the spin off, and it looks gorgeous. The writing's as good as ever. I'd like to point out the Donner Party joke for being clever; but Bill Clinton being unable to open the window is the joke that gets me to chuckle when I think about it. Although let's be honest, people mostly like this episode because of the ending. I get it though, it's touching! It shows just how much Pinky loves Brain and how selfless he can be, dedicating what was supposed to be his Christmas list to Brain. Then the smashing, the keychain, the credits, blah blah blah we know how it goes.

I mean if you're reading this then chances are I don't need to convince you; it's the show's most well-known episode, and it's really good.

Welcome to the Jungle

This episodes flipped Pinky and Brain's dynamic on it's head. Brain was out of his element, meanwhile Pinky took charge. This is the main reason it's one of the most memorable episodes of the show, although another is that Snowball makes his grand return in this episode, and is even more antagonistic this time by trying to get Pinky and the Brain killed, whereas last time he was really only trying to one-up Brain. I find it interesting that Brain’s more sympathetic towards Snowball this time around, insisting that he needs help and attempting to save his life. Perhaps he always missed Snowball as a friend (and still cares about him deep down), perhaps being so out of his element softened him, maybe both? And when Brain defeated Snowball towards the end, after what he went through in the episode that genuinely felt triumphant and deserved.

This episode really shows off how Pinky and the Brain is distinct from Animaniacs. The Warners don't take serious situations seriously, they're always on top of things and are ultimately winners. Pinky and the Brain are kind of the inverse; mice wanting to take over the world is ridiculous, but they take it completely seriously, and fail every time. Though it is exactly that that allows the protagonists to be vulnerable and struggle more often, hence allowing the characters and their stories to often times be slightly less zany and a bit more sincere.

Star Warners

This episode was just fun, what more can I say? It was nice to see many of the Animaniacs characters again, especially the Warners and Slappy, but we even got to see the more obscure characters like Pip, Zalgar, the aliens from “Space-Probed”, Sid the Squid and Beanie the Braindead Bison. Some Looney Tunes characters and Freakazoid appear too. I also like a lot of the "castings": in particular Yakko as Han, Wakko as Luke and Dot as Leia are perfect choices.

There's more to this episode than cameos though, like the interactions between characters who pretty much never interact. Dot and Brain, Wakko and Mindy, etc. My absolute favourite aspect of this episode is that the Warners, Pinky, Brain and Slappy all got to star alongside each other throughout the episode! The Warners have interacted with Slappy a few times, they've also interacted with Pinky and the Brain too, as has Slappy (very briefly in "Spell-Bound"), but they've never all interacted as a group for an extended period of time. I haven't kept it a secret they're my favourite Animaniacs characters (and also have pretty much the only segments I truly care about aside from maybe also Rita and Runt), so to see them interact as a group was great!

Also, the final credits gag was “Nympholepsy - To have a desire for an unattainable idea”. That's a perfect Brain’s Word to end the show on, and this episode was a pretty good way to end the show. Sure, something with higher stakes that takes place in the main setting of PatB (as in an episode where Pinky and the Brain live in Acme Labs in the modern day) like the "Brainwashed" trilogy would've made for a good finale too, but honestly having the final episode of the show essentially be a crossover between it and its parent series is cute. In fact it's probably...eh screw it, it IS the best Animaniacs-related series finale there is.

Honourable Mentions: TV or not TV, Snowball, The Pink Candidate, Pinky and the Brain…and Larry, This Old Mouse, A Pinky and the Brain Halloween, You’ll Never Eat Food Pellets In This Town Again, The Family That Poits Together, Narfs Together

Best Songs: Brainstem, Cheese Roll Call, Just Say Narf!, A Meticulous Analysis of History

And now, because I haven't seen "Pinky, Elmyra and the Brain" and don't plan to, the Animaniacs reboot:

Fear and Laughter in Burbank

I love that the Warners' Halloween costumes were the Marx brothers, it's a cute reference to the fact that Yakko and Wakko were partially inspired by Groucho and Harpo respectfully. That and I really like segments where the Warners torment some evil supernatural being. The fact that these literal children can not only hold their own against but outright best beings like a soul-sucking clown, the Devil or even Death himself is both hilarious and admirable. They're not just pests, they're powerful pests.

It's pretty interesting that Yakko is the only one of the siblings who falls victim to Nickelwise, before being narrowly saved by Dot. His encounter with Nickelwise reveals a few things about him: that he hates being alone, fears losing his voice, and is at least a little insecure about his comedic skills whilst seeking validation via comedy. It also implies that despite the fact that he acts as the most mature, experienced and the de facto leader, he may be the most anxious and have the most self-worth issues of the three. This would make sense since he's the eldest, and therefore presumably has a lot more worries on his mind than Wakko and Dot. I do like this segment overall, but this moment is what made it one of my favourites. It provides depth to Yakko's character like never before, which I appreciate given that he's my favourite.

Rome Sweet Rome

This segment had a lot of good gags, solid satire, a fun song, and each Warner shows off their skillset pretty well: Yakko using his words and not his fists in a fight, Dot weaponizes cuteness to blindside an opponent, Wakko has an endless appetite and is really destructive. Titmouse animated this one so of course the animation was great. Pretty much everything I like about the Warners' segments is here and in top form. Not much more to say other than that, it's just...really good!

The Island of Dr. Warneau

Titmouse animated so once again there's great animation (Jurgen's lab was wonderfully creepy), and I really liked how the Warners were written in this one. I like that Yakko has a picture of Scratchy in his wallet (I'll take all the "Scratchansniff is their dad" crumbs that I can get), the clones are adorable, and of course the comedy was as good as ever ("You're living beings, not unpaid interns!" in particular got me).

Jürgen seems to be depiction of what an abusive family member might act like (although obviously exaggerated, since this show is a zany cartoon and all). In addition to forcing them to do whatever he wants whilst giving no love in return, Jürgen makes the clones call him "brother" to condition them into thinking he's family so they'll feel obligated to associate with him, has convinced them that he's their "protector" so they'll feel helpless without him (unfortunately that worked because Ratto straight up says they're helpless in his first line), and when the clones finally do stand up for themselves he tries to bribe Ditto towards the end by offering her a strawberry, whilst claiming she was always the "sensible one". The ending was very satisfying, with Ditto refusing to call Jürgen "brother" anymore and switching to using his first name (basically disowning him) and calling the Warners her real family. The six of them hug and just before things get a bit too cute-Jürgen gets eaten by a whale. The ending, like the whole segment really, is a perfect mix of both wholesomeness and dark humour.

This segment essentially emphasizes the importance of who the Warners are as characters. It explored the idea of what the Warners would be like if instead of being chaotic and rebellious, they were meek and well behaved, essentially the opposite of themselves, and it made for an interesting watch! It shows the importance of being assertive, and why being "perfectly behaved" and "obedient" isn't always a good thing. In hindsight, had Scratchansniff actually managed to successfully "de-zanitize" the Warners, it might've been the worst thing to have happened to them.

The Warners aren't perfectly behaved. They're snarky. They're chaotic. They're insane(-y). They're a lot of things, BUT when they see something wrong they don't stand aside, they fight back and make it right, just in a comedic way (they're like the embodiment of karma). Their backbone is one of their biggest redeeming qualities, and although people in-universe give them a hard time over their chaotic and irreverent nature, they'll always be better than the corrupt authority figures (like Jürgen, or many of their "special friends") they tend to take down.

Honourable Mentions: Suspended Animation Part 1, Ralph Cam, That's Not the Issue, Future Brain, Roadent Trip, Yakko Amakko, Christopher Columbusted, Reichenbrain Falls, 23 and WB, Planet Warner, Talladega Mice: The Ballad of Pinky Brainy, Fantasy, Teeniacs, Animaliens, Global Warnering, Slappy's Return

Best Songs: Suffragette Song, The Cutening, Be Like Me, A Zit!, I Am The Very Model of an Ancient Roman Emperor, Yakko's Big Idea (Yakko's Big Song), Magna Cartoon, Warner's Ark, D.I.WHY?, Here Comes the Sea!, Some of Humanity's Wins

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Before Animaniacs, many syndicated cartoons (specifically ones from the 60's to the 80's) had either a) good writing but cheap animation or b) more expensive and impressive looking animation but were essentially over glorified toy commercials. Animaniacs had both witty, intelligent writing and downright beautiful animation (seriously, the segments animated by TMS are some of the best hand drawn animation I've ever seen in a TV show). This wasn't unheard of by the early 90's, but only a handful of other cartoons could claim the same at the time. It's higher budget compared to a lot of other contemporary cartoons also meant it could afford a 25-to-40-piece orchestra, and that (along with the extremely talented staff) allowed Animaniacs to have one of the best soundtracks from any cartoon ever. Not to mention it was one of the first TV shows to garner an interactive online audience. Animaniacs was one of the first examples of internet fandom culture. Think about that. That is huge.

The Warners, Pinky and the Brain and Slappy are unironically some of my favourite characters of all time. I love that that the Warners are chaotic, nigh-omnipotent beings who can do anything, but also non-conforming outcasts who look out for each other because no one else will, but also well-meaning rebels, but also cute silly little children all at the same time. And that's just what they have in common, that's not even getting into their individual personalities. To put it very briefly (because I literally already wrote an essay about Dot so if you've read that you know how long I can go on about them but this post is long enough already and I'm still not done) I admire Yakko's wit, Wakko's optimism, and Dot's confidence.

I love that Pinky and The Brain are complete opposites in every sense of the word yet still manage to have an unbreakable bond. I love Slappy's unapologetically violent but never too meanspirited sense of humour (even though she's only one in-universe I genuinely think she makes for a better female Looney Tunes character than most of the actual female Looney Tunes characters) and how despite how bitter and cranky she is, she never lets that get in the way of her bond with Skippy.

Both the original Animaniacs and the reboot are some of my favourite shows of all time. I love their sense of humour, I love the main characters, I love that they never hold back and go places/accomplish things that a lot of other kids shows wouldn't even dare to. Not only was Animaniacs heavily influenced by Looney Tunes but it (and a series of Looney Tunes television spin-offs) helped bring Looney Tunes back from a period of stagnation by popularising its sense of humour (particularly its type of snark, wordplay, slapstick and visual gags). I feel like not enough people talk about just how influential the original show was; not only did it have more pop culture references and social commentary than pretty much any children's cartoon had before it, it played a big part in popularising those two things as well as sharp satire, cynical irony, meta humour, self awareness, and just witty humour in general being in children's cartoons, if not TV as a whole.

And above all else...it was fun. It was a fun show that just wanted to make you laugh above all else. It knew what it wanted to do and was good at it, and sometimes that's all you need for success.

I love this franchise, and I can't wait to see what it does next.