“Dress Up” Part 2: Second Preview!
Today was a day. Writing makes me feel better. After putting in like 50 applications for a new job, I started writing a little more of my fic. Here's another preview for Part 2 of "Dress Up"
No active warnings for this preview.
And thank you to everyone who's sent me messages, I appreciate it more than you know. I'll keep my head up, promise.
True to his word, Lucifer had managed to sneak away before you woke. After adorning his typical attire, he found himself wandering the halls of the hotel, finally stopping when he reached the lobby. Thinking he was alone, Lucifer started talking to himself and paced back and forth like a madman.
"Was this a mistake? Are we moving too fast? No, no, no it's alright, it's fine! We're fine! Get a fucking GRIP, Lucifer! You're panicking for nothing! She loves you...right? Yes, yes of course she does! Why would she say yes to you?! Unless...NO! No, none of that! Relax! Need to relax..."
"You know, if you don't quit your pacing back and forth, you're gonna wear out the carpet," Husk remarked, attempting to get Lucifer's attention in his anxious state.
"WHAT THE-" Lucifer shrieked hearing the bartender's voice. After seeing Husk standing behind the bar, he breathed out a sigh of relief and clutched his hand to his rapidly beating heart. "Geez, warn a guy next time!" Husk huffed and returned to cleaning the whiskey glass he held in his hand. "How, uhh, how much of that did you hear?"
"Enough to know that you're a fucking mess right now," the cat demon replied, setting down his now clean glass. "Perhaps you need a bartender to talk to."
"Uhh, alright?" Lucifer made his way over to the bar and took a tentative seat on one of the stools.
"This is about your girl, ain't it?" Husk correctly guessed, "about the wedding?" Lucifer sighed and nodded. "Mhmm. You love this gal, don't you?"
"Yes, of course I do!" Lucifer answered almost defensively. "She's...my everything!"
Husk picked up another dirty glass to clean. "And has she given you any reason to doubt that she feels the same way?"
Lucifer huffed. "Well, I...no, no she hasn't. She's always been there for me. Listening to my ramblings, making me laugh, consoling me during the worst times, like last night...she's...she's just perfect!"
"So what's the holdup?" Husk asked after setting the other glass down.
"It's not as simple as you're making it out to be, Husker," Lucifer retorted, pushing his way back from the bar. "I loved Lilith with all of my heart and soul. And she said...that she loved me too. But then one day, she was just gone. Vanished. We fell together. We built a life here TOGETHER! And she just leaves? It's like the last 10,000 years together meant absolutely NOTHING!" Lucifer ran his hands through his hair, trying to keep his composure. "I-I can't lose her like like I lost Lilith. I just can't! I just want to be enough for her. I don't know what I would do if she...", he couldn't finish his sentence. He sat back down at the bar, resting his head in his arms. "The pain would break me..."
The sound of a glass sliding across the counter top caught Lucifer's attention. When he lifted his head, he noticed a full glass of scotch sitting next to him. "Calms the nerves," Husk spoke. Lucifer let out a deep breath and took a swig, choking slightly in the process not realizing how strong it was.
"Not much of a drinker," Lucifer admitted, setting the glass down.
"Sir, if I may..." Husk began.
"You can call me Lucifer," the angel smiled slightly.
Husk smirked. "Lucifer, all I can tell you that love is a vulnerable emotion. I understand that you're afraid. Afraid that history will repeat itself, that your love is not meant to be, and that you're going to end up alone all over again." Lucifer's face sunk, lowering his head against his arms once more. "But," Husk continued, "I know one thing for sure. That girl up there ain't Lilith."
Lucifer raised his head, now hanging onto every word from the bartender.
"If anybody thinks you aren't enough, that's their own fucking problem. And I can tell you that your girl ain't like that at all. She adores ya, can't get her to shut up about ya! Hell, I couldn't even tell you why she ended up down here in the first place! Another one of Heaven's fuck ups, for sure. But for your sake, I'm glad she did." Husk reached over and gulped down Lucifer's unfinished glass of scotch. "Be a shame if it went to waste."
Lucifer let out the smallest of laughs. "Thank you, Husker. And you're right, even in this God forsaken pit, she manages to make it just a little bit brighter. She saved me. And I'm going to devote every moment of my immortal life to her."
"Good to hear. Now..." Husk slammed his hand down on the counter, "get your shit together and go get ready! You got a wedding to attend."
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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