#gray-writes

[gray-lofi]

Coffee With Friends

Even at the end, there's still coffee.

A short fanfic based on @didudraws Lifeform Detected series

~1900 words

   A placid spring's noon sun hangs over the town's main street, shining over rows of mixed-use urban buildings. Apartments placed over supermarkets, drug stores, robotics depots, most having laid dormant for however-long. The streets are cluttered with cars, a dead, perpetual traffic jam of electric vehicles and IFVs. A stifling quiet, one that even nature seems hesitant to break, barely a gust of wind or note of birdsong disturbing the ghost town.

   The only noise comes from leg servos and barefoot steps. Bits and Scrap walk carefree through the streets of abandoned machinery, looking through the windows, storefronts, all virtually empty. Some looted, some left behind. The pair stop in front of a robotics store, taking a moment to look through the shattered window. Nothing left but dust and glass. Nature reclaiming.

   Scrap sighs, Bits pressing a sympathetic hand against her thigh, calm smile on her face. "We'll find a store one of these days."

   "Found plenty of stores, but none of them with any parts I can use." The wires of the robot's missing arm spark as if to punctuate the point, the street growing quiet except for the sound of footsteps once more.

   More fronts are passed. Italian restaurant with broken wine bottles still scattered out front. Bank branch barricaded over with plywood. Convenience store, intact but empty. Bits reaches out, grabbing Scrap's intact arm and walking in step, pressing her ramshackle body against the android's. An overworked cooling fan joins the chorus of footsteps. The two wait at a street crossing, even if no car would ever come.

   A shock to both. There, on the corner, a coffee shop. Almost pristine, windows intact, floors missing the grime of erosion and dirt. Varnished wooden counters shine in the sun. Stools and chairs set out, even if there was no one to sit on them. Frozen in time.

   The two peek in through the door, and standing by the counter was another android. Their model is a notable downgrade from the sleek-but-damaged frame of Scrap -- metal body a darker, scuffed gray, an LCD monitor affixed to their torso, text written on that they couldn't read. A wire juts from their back, leading into a room in the back. Despite their obvious downgrade, they were, at least, relatively intact.

   The coffee android turns to the pair, smiling and waving them over. After another moment of shock, the two head over to the counter.

   "Oh, customers! It's been so long since anyone's come by, welcome!"

   "Hello, hi!" Bits quickly heads next to the counter, jumping up on a stool by the bar, with Scrap following, and standing, behind. "I didn't think we'd find another android out here! What's your name?"

   "Name?" The android looks at the stitched-together human quizzically. "I'm just a service android, I don't have a name."

   "Awww, boo. Wait, does that mean I get to give you a name like Scrap?" Perking up, Bits leans forward, reading the output on their chest monitor:

Model: SA-LT 4022C Charging…

Uptime: <MAXINT> Service Required:

Battery: 0% Replace internal battery

"Oh, how about Salt?"

   A polite smile. "Very well, designation accepted. Hello you two, I'm Salt, nice to meet you both." They turn to Scrap, the slightest shift in their expression. “I must admit, I didn't expect to see another S-series after all this time.”

   “S-series?” Scrap looks surprised, looking down at her chest, down at Salt's chest. SA-LT. SC-RP. “Oh.”

   “Oh, oh!” The stitched-together being presses both her hands down on the counter, looking up at Salt with stars in her eyes. “Do you have any spare parts with you? Scrap's been missing an arm all this time, and we haven't been able to find any spare parts anywhere!”

   “Unfortunately, I do not believe SA series and SC series parts are compatible. My deepest apologies.” The coffee android quickly bows, a sigh coming from the pair.

   “Well, we're used to disappointment, at least.” Scrap takes a seat, looking around the cafe, behind the bar. A chalk menu is freshly written up, the distinct electric hum of appliances through the silence. “What are you still doing here, anyways? I can't imagine that there're many customers nowadays.”

   “My main function is to provide service to customers, and manning the counter was the last directive given to me.” Salt stares out into the distance, into the abandoned, empty street. “While the timeframe of that order has long expired, I'm afraid I don't have much other choice.”

   “You could come exploring with us!” Bits helpfully offered. Scrap pursed her mouth almost instinctively. What for? Did she not trust Salt? Gotten habituated to traveling only with Bits?

   “As lovely as that would be, I'm afraid I'm stuck here.” Salt tugged on the cord leading into their back, quickly pulling it taut. “My internal battery has long failed, and I only remain active due to constantly drawing upon this establishment's solar supplies, as well as occasional resurgences of power from the town's grid.” Another bow.

   “Oh. Sorry to hear.” A passing thought from Bits, that they could find a replacement battery but, well. An arm is already rare enough.

   Salt's eyes perk up, a smile growing just the slightest bit wider. “It's quite alright, your company is already much welcome from the silence.” They gesture to the menu behind them. “Would you care to place an order? Quite a few products are unavailable due to... supply issues. But we still have plenty on offer!”

   The two look behind the barista, reading through the menu. Entire bakery section was a no-go. Teas, smoothies, gone. Casualties even among the coffee: lattes, cafe au lait, flat whites. Just about the only thing left was regular drip coffee.

   “I'll have a large drip coffee, please!” Bits's order. A slight electric noise and nod from Salt. The two look to Scrap, the SC android looking between the two confused.

   “You both know I can't-” Bits looked on expectantly. A polite, retail smile from Salt that carried more weight than Scrap could ever hope to deflect. “I'll- small cappuccino, please.”

   Another nod from Salt. “That will be ❖11.55. What payment method will you be using?” Bits and Scrap look at each other, patting down their pockets.

   “You still got any money left on you, Bits?” Sewing kit, pamphlet, gauze pads.

   “I think I used the rest of my cash on that vending machine...” A small book. Keepsakes. Loose wiring. She turns to Salt. “Isn't there any sort of discount you could give to us?”

   “A discount? A moment, please.” Salt stands, hands by their waist in contemplation. A hard drive whirs. A tree branch falls, somewhere. They look back up, nodding. “I've found a relevant discount in the database. Congratulations, your drinks are free for today!”

    The pair share a smile, with Salt motioning to the seats around the cafe, bowing as they walk into the back room. The two look around, choosing counter seats by the windows facing away from the main street.

    Sun shines on the two as they take the airs. The quiet is broken by the grinding of coffee beans, the boiling of water. Bits patiently kicks her feet back and forth on the stool. A wordless gesture from Scrap, pulling out the sewing kit and re-applying some of Bits's stitches.

    The cobbled-together human points toward a stand by the counter. Local tourist attractions, coupons, maps. They unfurl one of them on the counter, talking over the landmarks, making plans. Pictures of time past, people smiling, sailing, fishing. An advertisement for a car that laid totaled in front of them.

    “We could go to the mall, see if they have a shop there for your arm!”

    “It's a long walk, though. There's a hospital on the way, so it shouldn't be impossible, but I'm not sure I can make that distance without running out of power...”

    “Mmmm, there should be enough buildings on the way you could draw from. See? Gas station, motel, gas station, strip mall...”

    The sounds of coffee making fade, replaced with that of lively conversation between the couple. Salt returns behind the counter, carrying two cardboard cups, one large and one that's barely able to fit in their hand. A moment's hesitation, before interrupting the conversation. "Excuse me, your order is ready!"

    The two hop off their stools, grabbing the coffee with a thanks. Bits takes a sip, and immediately makes a face at the bitter, more-than-likely-spoiled flavor. Scrap simply looks confused at the outrageously tiny cup used for a cappuccino.

    “Your receipt as well?” Bits reaches up to the counter to grab it. Another memento. The two return to their seats, looking over the map, renewed. Pulling another pamphlet out. The coffee is quickly forgotten as conversation resumes. A route planned. Supplies rationed. A servo fails in Scrap's good arm, quickly brought back into working order by her companion. Time passes, quickly.

    A quiet bit of laughter from Salt, overheard by Scrap. She turns, android to android. “Some wrong?”

    “Not at all. I'm just... happy.”

    “Oooh, are we the best customers you've had?” Bits smugly proclaims.

    “Of course! And, well, you might be the last customers I ever have.” A somber mood quickly dampens the three. “This wire won't last, after all. Nor will the power, or even this building.”

    Quiet. Swallow. “We can come back, keep this place running and-”

    A shake of the head from the barista. “It won't be necessary. I can't ask you two to make such a commitment, regardless.”

    Scrap looks down, away. Back up to her fellow android. “But... you said you were happy?”

    “I am.” A quiet, soft statement from Salt. “I'm happy that, at the end of all this, you two were my last customers.”

    They look thoughtfully at the two, past the two. “My favorite days were when couples would come to visit. I always enjoyed watching their conversations, their rituals. The little acts of love, sharing drinks, pouring over the tour guides like you two are doing right now.” A quick look back and forth, between the splayed maps, and the wired android.

    “There isn't much time, I don't think. My internal clock has been broken for quite a while. But I stayed running, every day, and through the nights once my battery failed. Hoping to be of service once more.” A content, deep sigh. “To meet a lovely couple as you two at the end was my last wish.”

    Bittersweet smiles from the pair. Neither blush, but a heartbeat grows audible, and a cooling fan spins faster and faster.

    The sun glints against Scrap's torso. A recognition of the time, the need to prepare nightly rituals. The pair put back the pamphlets, grab their coffee. Pained, they look back on Salt. The service android bows.

    “May you two have a lovely day. Please, leave a tip and a review if our service was satisfactory.” A wry smile. A look away.

    Bits and Scrap return to walking the streets. Quiet, empty storefronts. Only the sound of footsteps and servos.

    Later, in the backroom of a store, as Scrap plugs herself in, Bits looks through the contents of her pockets again, among the keepsakes of their journey so far. The most recent addition, a twice-folded receipt.

ORDER #001

SERVER: 4022

LG Drip Coffee : 6.25

SM Cappuccino : 3.00

Total Amount : 9.25

Sales Tax : 2.30

Discount Applied : -11.55

DISCOUNT - COFFEE WITH FRIENDS

Total Amount : ❖0.00

[talos-stims]

the computer blade | source

[luna-azzurra]

Writing a Morally gray character

Think about their backstory, what shaped them into who they are? What do they believe in? And, most importantly, what pushes them to get out of bed every morning and keep going? These characters aren’t simple good or bad. They’re caught in the middle, in that murky, complicated space between black and white. That’s where they get interesting because they’re constantly wrestling with themselves, trying to figure out the right choice, or if the “right” choice even exists for them.

You need to show this internal battle. Imagine your character being torn between what they believe is morally right and what they actually want. This is where the real drama comes in, it’s like watching them juggle their principles with their desires in real-time. They’ll mess up, and they’ll make decisions that are sometimes questionable, but that’s what makes them human and relatable. One way to really highlight their complexity is by putting them in situations where there’s no clear answer. You know, those moments in life where everything’s kind of a mess, and you’re stuck trying to figure out what the hell you’re supposed to do? Your character should face situations like that. These gray areas create tension because readers won’t know which direction the character will go, and honestly, your character might not know either.

And don’t forget, growth is a huge part of writing a morally gray character. People aren’t static, they change based on what happens to them, and your character should too. Maybe they start off with a strong sense of morality but, over time, that starts to shift. Or maybe they start with shaky ethics and slowly become a better person as they learn from their mistakes. Growth can also go the other way, they could spiral downward, giving in to darker impulses. Either way, they need to evolve, just like people do in real life. That’s what keeps the story fresh and unpredictable. The last thing you want is a character that stays the same the whole way through.

Also, please, no stereotypes. A morally gray character doesn’t have to be a brooding anti-hero with a tragic past (unless that’s your vibe, but even then, switch it up). Give them quirks that make them unique. Maybe they have unexpected motivations, like they’re doing something shady for a cause they genuinely believe in, or they’ve got a weird sense of humor that throws people off. Whatever it is, make sure they feel like an individual, not just a copy-paste character we’ve all seen a million times.

Even when your character makes decisions that aren’t exactly clean-cut or heroic, the reader still needs to understand why. Show their vulnerabilities, why they doubt themselves, why they hesitate, and why they ultimately make the choices they do. It’s all about making them relatable, even when they’re walking that fine line between right and wrong. People might not always agree with them, but they should at least be able to see where they’re coming from.

And remember, every choice your character makes should have consequences. They don’t exist in a bubble. Their decisions should ripple out and affect not only them but the people around them. Maybe they make a selfish decision, and it ends up hurting someone they care about, or they try to do the right thing, and it blows up in their face. One last thing, just because your character lives in that gray area doesn’t mean they don’t have any sense of right or wrong. They might have their own personal code they follow, even if it doesn’t line up with society’s morals. Maybe they justify their actions in a way that makes sense to them, even if other people wouldn’t agree. It’s all about exploring that space where they’re not totally good, but not totally bad either. That’s where things get really interesting.

Think about where your character is going. Is their journey going to push them to become a better version of themselves? Will they fall back into old patterns and never really change? Or will they stay stuck in that moral gray zone, constantly torn between doing what’s right and doing what feels right for them?

[gerardwaygirlmoments]

Picture of Dorian Gray AU where he's a celebrity in the modern day (broadly speaking) and his stans post pics of him looking the same through the years on Twitter and caption them "How you age when you're unproblematic 💖💖💖"

[corkinavoid]

DPxDC Multiverse Police (pt. 2)

"You said you're going to ask questions, then can we ask questions?" Superman really tries to be polite here because, first, he was raised by Kents and, second, Jazz and the whole interdimensional police thing looks non-hostile. At least now.

The redhead nods, "Sure, ask away, I'll answer everything I can." Then, she notices Batman reaching to touch the green shield and makes a soft, warning noise, "Ah, sorry, please don't touch it. I can show how it works later, but it's not meant to keep you out. It's to keep everything else in."

Batman reluctantly puts his head down and turns to her.

"Elaborate."

The sci-fi ship in the air makes a loud hissing sound, like compressed air being released, and the bottom part of it slides open. Jazz nods in the direction of the now open ship.

"You know what they say, it's better to see it once than to hear it ten times."

There are three humanoid figures standing in there. All of them are mostly monochrome, black and white clothes, starkling white hair. They look like one adult and two children, but it's one of the kids who raises his hands to his mouth and yells so loud everyone in three miles radius is able to hear him:

"Step away from the shield, please, shit's about to get real!"

None of the heroes move, but Jazz does take a few steps away. Wonder Woman, after a moment of hesitation, follows her example.

A mechanical voice comes from the ship itself, "Countdown to the breach. Five... Four..."

On 'three,' all three of the monochrome figures step out from the ship. But, before any of the heroes have time to worry, they all float in the air, undeterred by gravity, and the ship door closes behind them.

The countdown reaches 'one'. And in the next moment, it looks like the hell breaks loose.

Countless giant vines shoot out from the portal up, reaching for the ship. True to what the red hoverboarder said, they are very much toothy, every vine splitting in two and attempting to bite the ship like some twisted idea of scissors.

None of them reach it.

The oldest of three kids claps his hands, and a wall of raging fire descends on the vines, throwing them off. In the next moment, the trio falls apart, flying through the lovecraftian mess of carnivorous plants with practiced ease, the younger ones using what looks like icicles and little storms.

"Who are they?" Batman asks Jazz, following the youngest one's - the only girl among the three - movements as she creates a strong gust of wind with a wave of her hand. None of the vines or attacks get past the shield, though.

"My siblings," the girl answers, pointing her hand at the oldest one, "That's Dan. He's the most violent. One time, he destroyed our original world, but that timeline doesn't exist anymore." She then points to the girl, "That's Dani, the youngest. She rarely joins the crew lately. And she is actually a clone, but at this point, most of us have been cloned once or twice, so it's not a big deal anymore." She then points her finger to the last one, a boy that flies past them quicker than a lightning, freezing everything he touches, "And this is Danny. He is the most powerful one. Technically, he could have just ended the fight with one Wail, but kids like to have fun. Also, they don't get to show off their elemental powers a lot, so they are mostly being dramatic for you."

She says all this so easily, just like a matter of fact, and it is at this moment that the members of JL realize the sheer power of whoever these people are. When she casually told them she bested Superman, it could have been written as a coincidence, a joke. But this?

Dan growls as one of the vines scratches his shoulder. He bleeds green, but it's only for a second before both the wound and the suit knit themselves back together. This is not just a simple accelerated healing, it almost looks like a miracle.

"Oi, brats, I'm done with show off, get out of the way!" He yells at the other two, and Danny and Dani quickly follow the order, flying closer to him and behind his back.

"Cover your ears," Jazz tells the heroes around her, and puts her helmet back on, as Dan takes a deep breath and screams.

It hurts even those who follow Jazz's advice. Batman feels like his eardrums are about to be shattered for the lack of better word. But the vines like the sonic attack even less - most of them subdue and pull back inside the portal, and the rest is dissipating like they are being burned from the inside out.

And then, just like it began, the scream - the wail - stops. The silence feels deafening after the end of it, but slowly, the sounds return, and the JL watches Danny flying down to the center of the portal. He puts his hands on the surface of it, and for a long moment, nothing happens.

And then the Pit starts closing up.

Or, no, it is Danny who absorbs it, the green flowing up through his hands, his veins that start glowing the same green. His eyes become the same toxic color, with no whites and no irises, just glowing green all over, and his hair shimmers like stars.

A few minutes later, the portal is gone, like it never even existed, and Danny plants his feet on the ground and stretches, like one would do after a good rest.

"Oof, that was nice!" He turns to the other two, who are still up in the air, "Do you want some?"

Dan flips him off before going back to the ship, but Dani floats down to him and extends her hands out.

"Sure. I like getting it from you better than from the portal itself anyway. Gives it a sparkling taste, like Sprite," she chuckles. Danny takes her hands in his, and the green glow slowly makes its way through their joined palms, now flowing through the girl’s body.

"What are they?" Flash whispers, horrified, but Jazz hears it nonetheless and turns her head to him, taking her helmet off once again.

"That is not a very appropriate question," she chastises and smiles at their faces, "But it's okay, I get it. They are ghosts. Or ectoplasmic entities, or halfas, or highly liminal beings. Or, if you want a very simplified version, they are dead kids who are enjoying their afterlife a little too much."

"Dead?" Batman zeros on the word, snapping his eyes at the girl. She smiles, and for the first time, it doesn't look human. Her teeth are too sharp, her grin too wide, and her eyes are suddenly not just teal, but neon bright and glowing, with vertical irises.

"Most of us are dead in one way or another. And I do not mean it in a metaphorical sense."

-------------------

What I'm thinking is they have a whole system going on. Amity Park generally resides in the Realms, but from time to time, they decide they want to go on a vacation, as a whole town, and they pop into existence on one of the Earths. They don't really care for the universe or dimension they end up in, as long as it is more or less peaceful (as in, no active wars going on right where they pop up), has sunlight and nice weather.

The GIW is taking care of legal things - imagine US government reaction when a whole ass town just boom, starts existing in a place where nothing existed before? So GIW does all the paperwork and discussions. Also, they are doing their basic research on the dimension they end up in, for science purposes.

I'm thinking Vlad is still a mayor of Amity. And sometimes, when a particular dimension is rather annoying, he straight up possesses the authorities because he hates official talks and couldn't care less for morals if he tried for a week. The GIW scolds him, but don't really say no. It's not a good solution to the problem, but hey, it works.

Meanwhile, Fentons are doing ectoplasmic research. They scan the dimension for troubles, basically, looking for natural portals and ghosts causing ruckus. Jazz is almost always the one who does the talking to the heroes native to the dimension - she is the one who has the most patience and social skills. Jack is in charge of transportation and Maddie is the head of biological, ecto-biological and other species research. Tucker is the tech specialist, of course - he is the sole reason why Amity has wi-fi wherever they go. Val and her father are, kind of, protectors? Security? But for the whole town, yeah. They do have GIW agents as subordinates.

Dani is not always living in Amity, she travels the Realms most of the time, but she joins when something interesting happens. Dan is, like, on an eternal probation period, GIW and Fentons keep an eye on him, but he is one of the heavy hitters for when shit goes down.

Danny is living his best life, he is mainly the protector spirit of Amity, but he also gets to protect all the dimensions from ghosts! He helps anyone and everyone - one day he is working with Val on defenses for their main ship they use to travel inside dimensions, and the next day he is joining Maddie in her studies of new species found.

Oh, I forgot Sam. She is probably the one responsible for the magic stuff - mostly everyone else focuses on scientific aspects, but she is the one to research on occult things.

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[3hks]

CORRECTLY Writing "Morally Gray" Characters

Want to write a hot, cool, and bad character but DON'T want he/she to come across as toxic, downright bad, or, god forbid, cringe? Well, I've got a couple of tips that may help you create exactly what you want!

1. Softness

Okay, yes we want this character to be tough and cool, but there also needs to be a certain softness, no matter how small, that comes with them. If there's someone that your character prioritizes or cares about, there has to be a point or two that it shows--a moment where they're soft only for the people that they care about. Why? Because this establishes the humanity in them. It shows the readers that your character IS human, not an emotionless monster.

2. Goals

Key to any good characters are their goals. The thing is, for this type of a character, their objectives can't be so random. They need a reason for their actions, and it needs to be valid. Usually, this is reasoned out by some kind of past epiphany, which is crucial because without it, your character doesn't have anything solid backing up their goals. We need to see where they're coming from.

Bad decisions, but for an understandable reason.

Establishing their morals is important for nearly the same reason.

Now, why is this important? Because it can pull readers to their side. As long as they understand the cause, they have a chance to follow your character's side, increasing their likeability!

3. Neutrality

Notice how this is a "morally gray" character, not a "completely evil" one. Why does this matter? Well, a trait people tend to overlook when writing these characters is the morally gray, or neutral, part. It's important to just occasionally show that your character is walking the fine line and in my opinion, a great way to achieve this is to have them help the protagonist out (instead of always fighting against them) one, or even two times!

4. Positive Characteristics

This is a very simple one, but make sure to depict a couple positive qualities (besides just being hot) of your character! Like my first point, it's pivotal to illustrate that they have some humanity, and this is an easy and great way!

Throw in a few good characteristics (I have a post with some examples of redeeming qualities for villains if you need some help), and let it show that they are still respectable!

5. Backstory

I believe that with certain characters that play certain roles in the story, explaining their backstory is a NEED for them; and this character type is no different! Introducing even a bit of their past can get the audience interested in your character. It also allows for better understanding of them and shows how they changed over time.

6. CONFIDENCE

Be confident in your skills when writing this character! To many, the idea of "cringeness" makes them second-guess how they should write. In reality, it's better to write it however you wish, because if you're confident in one moment and clearly less in another, the readers are able to sense any unexpected changes in things in your character's tones, expressions, and actions.

It's important to keep your character in, well, character. Still, there's going to be a few moments that break it, but it shouldn't be in any unnatural way.

If your character is flirty, then let them act flirty. If they mess around a lot, then let them mess around. Don't limit their actions or words just because you think some people might find it cringe!

Alright, that's it for me! What do you think? Are they valid or unreasonable?

Happy writing~

3hks <3

[bluerosefox]

Gray and Graysons

One of the Bats has a secret. Something they never told to the others.

They were so very young but they have memories of a sibling, so small and tiny. They remember the burst of warmth they had in their heart when they held the tiny baby for just a moment.

But they weren’t allowed to keep them, their family couldn’t raise them. Money was tight, just enough for three but not for four, despite their shows always bringing in a crowd it was getting harder and harder for the world to be wowed by them in the new age and their sibling was too small and tiny and needed to be cared in a single place than for them to be on the road. Their lifestyle was not good for his tiny sibling apparently.

They had to watch as their parents gave his sibling away to people in suits, them promising to give his baby brother to a loving family when they find a ‘home’ for him. He watched his parents try to be strong only for his mother to break down once the car left down the road, his father holding her and apologizing, the rest of the circus troupe all silently coming over to give the heartbroken family condolences.

Richard ‘Dick’ Grayson had tears running down his face when he last saw his baby brother.

A brother he got to name before he had to be given away.

Daniel ‘Danny’ Grayson.

-x-x-

Dick never told the others. If anyone dug deep into his past they might find his brother’s birth records maybe, if someone got around to digitizing the paperwork for him but given the fact he was placed in the US childcare systems just a few days after his birth and the fact that Dick was still pretty young they most likely believed he didn’t remember his baby brother now. Not after so many years.

But they were wrong, Dick remembers. And he kept the secret close to his heart and memories.

And the only physical evidence he had was a single picture of him holding his brother, a smile on his tiny face towards their father who had taken the photo of them together. When he had lost his parents, lost most of the things that connected him to them, to his past in the circus that had been his whole life, had been taken from him in Gotham’s ruthless childcare system, he held on tight to the picture in secret. Hid it away from anyone trying to rip it from him, hid it from Bruce when the man took him in days later, hid it from Alfred despite how gentle the butler was towards him. He couldn’t, wouldn’t risk losing his photo at the time, he hadn’t trusted anyone and by the time he did he didn’t have the heart to reveal it.

So yes, the existence of his baby brother Danny was his most guarded and best kept secret.

So that’s why Dick, as Nightwing, nearly died from a heart attack when leaving a Justice League meeting he spotted a familiar face among one of the new engineers working in the Watchtower.

It was like seeing a young version of himself. Only, Dick could see that the young man was more than a copy of him, so much more than a clone. He held many traces of John Grayson but also had a bit more of Mary Grayson than Dick did. Small details that Dick foggely remembers taking note when he had held his baby brother.

“Hey, hurry up with that report Gray!” Shouted the head engineer from down the hall, his hand beckoning the young adult to come over.

“Coming! And boss, I told you Danny is fine!” Danny shouted back before hurriedly leaving a stunned Nightwing.

[katnissmellarkkk]

suzanne collins : “so in the epilogue of mockingjay, katniss only refers to her children as the girl and the boy-”

people who read with one eye shut : “BECAUSE SHE DOESN’T LOVE HER KIDS AND WAS FORCED INTO HAVING THEM BY THE EVIL PEETA MELLARK?”

suzanne collins probably : “because i couldn’t decide on two names i liked.”

[hrrystylesbookclub]

i don’t just want a book about each hunger games, i want to know the entire history of panem: the fall of north america and how it became panem, how long they existed as a capitol and thirteen districts, what led to the dark days, how panem changed in the time between the 10th and 74th games, if they have contact with other countries, what happened to the other countries, how far into the future this is

the brilliance of suzanne collins is that she created such a rich world where i’m genuinely interested in any sort of story set within panem, not just in context of the games but their entire history books

[springtyme]

𝐓𝐡𝐢𝐬 𝐀𝐢𝐧'𝐭 𝐍𝐨 𝐄𝐦𝐩𝐭𝐲 𝐇𝐨𝐦𝐞 ♡

After having worked for the BAU for two years, you have seen and experienced a lot, but after a series of murders of young married couples, you’re asked to do something that you never had thought you would have to do; going undercover, as an expecting, married couple, with Spencer Reid.

Spencer Reid x reader || Series playlist || Main masterlist

Chapter 1 I’m Glad It’s You [5.8k]

Chapter 2 Pennsylvania Avenue [4.6k]

Chapter 3 Teach Me A Thing Or Two

Chapter 4 White Picket Fence

Chapter 5 Know Me Crazy, Soothe Me Daily

More chapters to come

[starry-bi-sky]

Danielle and Danyal's meeting... very, very quickly goes very sour from, basically, the moment Danny steps into his room and finds Ellie sitting on his bed (strike one) and reading the comic books Tucker introduced him to (strike two). By the time she's looked up to address him, Danny has the door locked, and a hand hovering near the knife hidden under his shirt.

She gets her third strike when Danny, in a voice that could make the mountains tremble, demands to know how she got into his room, and she lies (with uncertainty of her decision growing in her chest) that Jazz let her in. Danny's hand shifts closer to his weapon, and he turns towards her fully, and says that Jazz would never let someone he didn’t know into his room, and who was she.

(Vlad Masters had underprepared Danielle for her meeting with Danny -- not out of any completely direct malicious intent, but he failed to mention just how... 'touchy' Daniel could be -- he failed to mention the scars littering up his arms, unhidden by the hoodie tee he meets Ellie in. He failed to mention that along with those scars, that Danny was visibly lean, capable of doing very real damage without the use of his powers.)

(He tells Ellie that he’s adopted, and that he is observant and clever, but ungrateful and has a bad attitude.)

Her final strike occurs when Ellie, trying to keep her facade of cheeriness, tells him that she’s his third cousin once removed. Immediately, Danny has his dagger pulled out, and Ellie finds herself with the cold metal of a blade pressing against her throat.

Danyal 'A.G' Fenton hasn’t killed since he arrived in Amity Park. At first it was because mother told him to keep a low profile, and killing would do the opposite of that. But, he's been slowly learning from his sister and friends over the years the value of human life. So it's become a combination of keeping his head down, and also that life has value to it.

But. That doesn’t mean he can’t kill, nor is he opposed to doing it if the situation calls for it. It just means that he doesn't do it. And ‘Danielle’ is an unknown in his room, claiming to be family to him, and appearing uncannily similar to him and his family. Either someone hired her and she was trying to pass herself off as a relative to him because that someone realized Danny was the biggest threat, or, his false death has been compromised, his mother was unable to tell him, and the league was aware he was alive.

No matter how he looks at it, this Danielle was a threat to him, his sister, his friends, to Damian, and to the Drs. Fenton. Danyal Fenton doesn't kill, but he has no problems doing so.

(Ellie, pinned under Danny’s knee and the blade to her neck, is too terrified to think of phasing out of his hold. Not that it would help, he would just chase after her.)

“You have broken into my home, dared to lie to my face, and when I demanded to know the truth, you dared lie to me again." Danny's scowl could cower even Skulker, his glacier blue eyes burning. "Your continual breath has been a favor from me, that I have graciously allowed, from the moment you entered my room, dahkil."

"So I will ask one more time," he hisses, "who. are. you."

Danielle, only a few months old, unprepared for the ice storm that is "Daniel" Fenton, and his clone in only flesh and blood, and not memories, immediately breaks. And tells him that she was his clone, that Vlad sent her to come capture him, and to please not kill her.

Danny's face twists with anger, Ellie thinks he's going to kill her anyways. Instead, he withdraws his knife and gets off her, stringing out curses in Arabic as he sheathes his weapon back into its hiding place faster than Ellie can blink.

He switches to English as she is collecting her bearings (and contemplating fleeing), and Danny paces the room like a tiger in a cage. "--of course that wretched, arrogant, peacocking little ingrate would do something so infuriating. I should have driven my sword into the shrivel of his heart when I had the chance--"

Ellie, for a moment, thinks of leaving while he is distracted. And starts to slowly creep away. But Danny notices instantly, and whirls on her. His too-bright eyes bore into her head: "Where do you think you're going."

"...I'm leaving."

And Danny scoffs at her, "Why? So you can fly back to Masters and tell him that you failed to capture me, and that I know that he cloned me?" He says, and Ellie remains silent -- that's exactly what she was going to do. "He will destroy you within seconds."

Of course, Ellie rears back in offense, and she finds the footing to glare at him. "He would not! He's my dad, he loves me!"

Danny gets in her face, glowering back with an equal intensity. "He does not." He snaps, "Vlad Masters has not a soul in his body nor a heart in his chest. He would sooner cut off the hand that helps him stand, than to take it along with him."

"If you're really made of my blood, then I will teach you only this: we bow not our heads nor our hearts to anyone." Danny's too-blue eyes narrow, and his voice dips into a hiss, "Especially not to a conniving snake like Masters. Your heart: cut it off, or cut it out. He will sooner leave you to bleed."

Then, he unlocks the door and drags her out before she has much time to act. And as he drags her down the hall he shoots Sam and Tucker a text, and they meet up at Nasty Burger. Ellie is a spitfire, but Danny has her too intimidated to leave.

"This is Danielle," he tells them bluntly as he corners her into the booth, "she's my clone. Masters created her."

Ellie is with them for a week, and somehow throughout that time, Danny manages to actually get her to like him throughout that time. He's callous, blunt, and full of sharp edges that you can cut yourself on. But when he's not spitting venom, he's fretting.

When he drags her back to the house after being with Sam and Tucker, he pulls her to Jazz's room and opens the door to tell her the same thing. "This is Danielle." He says upon abruptly opening the door, interrupting Jazz's studying as he pulls Ellie inside. "She is my clone, Masters created her. She needs clothes."

Then he turns and leaves, shutting the door behind him. Ellie, in that moment, thinks that now's her chance to flee. But Jazz then squeals, and she is trapped in new arms, shaken around by Jazz Fenton, excited for a sister.

(Ellie finds herself complaining to Jazz that night, shoved into old pajamas. She's in utter disbelief that Jazz could care about a jerk like Danny.)

("He's rough around the edges, but Danny does care." Jazz tells her, combing through her hair with her fingers. "We've been working on it ever since he joined the family, but Danny warms up slowly. He's usually less stoney; I think your arrival spooked him.")

("Spooked him?" Ellie repeats, she doesn't believe it at all. "He has a funny way of showing it, he threatened to kill me!" And she turns around just in time to see Jazz's press her lips into a line.)

("He's... very protective. He'll deny if you ask him, but he worries a lot." Jazz's fingers find her hair again. "What I do know for certain though, is that he wouldn't have kept you here if he wasn't worried about you at least a little bit.")

(Ellie doubts it.)

But Ellie is indeed there for a week, and the day after her initially rocky introduction with Danny, he is a little bit kinder to her. Still kinda a bitch, but he's less harsh to her, if... almost uncomfortable around her. Flighty, kinda.

Whenever she gets mouthy at him though, he looks oddly smug about it and, infuriatingly enough, praises her attitude. He is very, very annoying. And still kinda terrifying. But hearing him shout insults via puns at someone during a ghost fight that happens that week lessens the intimidating factor,,, a little bit.

Things go about,,,, relatively,,,, similar to canon. In the sense that it ends with Ellie defecting from Vlad because she finds out that Danny was right and that Vlad didn't actually care about her. (And that Jazz had been right too; Danny, in his weird, mean way, had been worried about her as well)

Danny looks out of his depth as she talks about how he was right, and he cuts her off with a vaguely uncomfortable clearing of his throat. And gives her the most awkward, but genuine apology he can muster.

"I should've used more tact when telling you about Masters, and I... apologize for threatening you when we met. I was..." he makes a face like he's sucked on a particularly sour lemon, "worried. First about my family, and then later about you."

(Ellie will be damned: Jazz was right)

Before Ellie leaves, Danny puts a hand on her shoulder and tells her: "I wasn't kidding about what I said to you when we first met: you are of my blood, and as such, you do not bow your head nor your heart to anyone."

Ellie looks at him, thinks about the last week, and smiles like she's caught him in a trap. "What about Sam and Tucker then? And Jazz?"

Danny smiles, it's awkward and tilted, like his face isn't used to the gesture. "We bow not our hearts, but that doesn't mean we can't share."

[short-wooloo]

Now that the trailer is out, it's probably best that I get this out of the way before acolyte releases

The Jedi are right about the Force and the dark side

The Jedi did not lose their way

The Jedi were not corrupted

The genocide of the Jedi was not their fault

The Jedi are not wrong for being part of the Republic, it is in fact a good thing

The Jedi are not arrogant for thinking the sith are gone

and while we're at it the sith are evil, always, end of discussion

The Jedi do not steal children

If someone wants to leave the Jedi, that's allowed, no one will stop them

The Jedi are right about attachment

Attachment is not love (SW uses the Buddhist definition because Lucas is a Buddhist and the Jedi are based off Buddhist monks, Buddhism defines attachment as being possessive or unwilling to let go of people or things)

The Jedi do not forbid emotions, they forbid being controlled by your emotions, you must control them

The Jedi are not forbidden from loving people, nor are they celibate, they just can't get married (big whup) because their duties must come first

Being peacekeepers doesn't preclude the Jedi from fighting in war, sometimes to keep the peace you have to fight back, especially when its against tyranny, see WWII (or Ukraine today)

Gray jedi are not a thing

The Jedi are not slavers or complicit in slavery

Oh and of course, the Jedi are not elitists for not training non Force sensitives, (Han voice) that's not how the Force works, dave filoni broke the rules so he could shoehorn sabine into a Jedi (to give the benefit of the doubt, I do believe sabine's role as ahsoka's apprentice was meant for an original character but things got condensed by executives, so maybe filoni isn't entirely to blame here)

(Edit)

The Jedi are not cops

The Jedi are not the government/the rulers of the Republic/galaxy

The Jedi do not persecute other Force groups

Padawans are not child soldiers

Feel free to add anything I forgot

Do not, DO NOT!! add anything Jedi critical, I'm done with it and won't hear it, don't have something nice to say? Then go away, I will block on sight, either reblog without comment (either in the reblog or the notes) or don't interact at all

[butyoulooksocool]

18+ mdni. thx

“please.” was the only word you could manage to get out while spencer’s hand was dipping under the waistband of your shorts.

he had you in his lap on the couch. his other hand held a book open with his thumb. it was a paperback, the cover was dark green. maybe? you hadn’t looked at it too closely. your eyes were preoccupied, staring at his through the lenses of his reading glasses. watching them quickly dart across the paper. his breath was slow and stable, his eyebrows furrowed slightly as he flipped the pages.

“spencer, please.” you whined again as his hand moved farther down into your bottoms. “please what, honey?” he responded, calmly. “what is it?”

“just-.” you hesitated. you felt safe and comfortable with him, but sometimes it was difficult to vocalize what you wanted, especially in moments these.

“come on, tell me.” he spoke softly, in contradiction to the demand. he leaned down to place a soft kiss on your cheek, almost as a plea to get you to speak. “what do you need?” he asked again, while two of his fingers slowly pressed against your entrance through the thin fabric of your underwear. clearly, he knew what you needed, but he wanted to hear you say it. it’s hard not to give him what he wants.

“your hands, need your hands.” you answered, as you started rolling your hips down onto him, desperate for some kind of friction, quietly whimpering into the crook of his neck. you knew how needy you looked, and sounded, but you also knew spencer liked having you like this. loved it, really. the mix between sweetness and unspoken control he had on you was so perfect and balanced.

he started to gently rub back and forth along your still clothed core. you could feel the wetness beginning to collect on his fingertips through the fabric. “oh?” he hummed, turning away from his book to look at you for the first time since you had sat down. “but i’m reading right now, angel.” his voice was low and stern, but still tender. “i can help you, but you need to stay quiet.” he pressed harder against your heat, earning a few small moans from you in return. “i know it’s hard, but you wouldn’t want to distract me from my book, hm?”

you started nodding your head before his sentence was even complete. “no, i’ll- i can be quiet.” your voice got more silent with each word.

“i know you can, you’re so good for me.” spencer began pushing your underwear to the side. “always so good.”

[draculasweedsmokinggirlfriend]

Let's not pretend that Oscar Wilde isn't spinning in his grave so violently we could entirely switch to green, renewable energy at this news of Dorain and Basil being portrayed as fucking siblings in this new show

[corkinavoid]

DPxDC Multiverse Police

I've seen the idea that GIW is actually SCP foundation somewhere, and lately, I've been thinking a lot about Fenton Happy Ending, so I bring you this. Behold, GIW/SCP, Team Phantom, and Fentons are working all together, and the whole wide multiverse fears them.

So, a giant green Lazarus Pit that looks more like a vortex than an actual Pit randomly opens in, say, Ohio. Because I heard a lot of weird shit happens in Ohio. The world is worried, JL gets sent there, but they are not exactly sure of what to do with it. Nothing comes out of it, and, well, no one is volunteering to just jump inside it - Batman made everyone read his files on Lazarus Waters, and they are reasonably wary.

But then a thing appears literally out of thin air on top of it. It looks like a spaceship, kind of, but more sci-fi than what real spaceships look like. And before anyone says anything, a large green - Lazarus green - dome appears, effectively covering both the ship and the Pit and cutting the heroes off.

The heroes are Confused (tm). And worried. And no one has an idea of what the fuck is going on, for all they know it could be some kind of yet another alien invasion.

Then, two figures on the hoverboards - one read and one teal - come out of the ship, flying over the Pit. They are followed by drones, and they all look like they are... scanning the Pit? A few more people, wearing black visors and shiny white suits that look like they are packed with all kinds of tech, slide down on the ropes straight inside the Pit. It sure looks like they are very familiar with it and have a good idea of what they are doing, working as a team.

One of the figures on the hoverboard, the one in a teal suit, notices the heroes on the other side of the green dome. She - because both of them look feminine enough - slows down and flies down to the ground, landing in front of Superman and taking off her helmet. It reveals a rather young, no older than twenty years old girl with fiery red hair tied in a bun, with eyes the same color as her suit. She smiles at them.

"Hi, you must be the Justice League?" She asks politely, and as Superman gives her a nod just out of surprise at her friendly attitude, she touches her ear, "Mom, this is DC sector universe. Pretty sure it's not a dimension we've been before, though." She turns back to Superman, "You don't recognize any of this, do you?"

Batman intervenes before Supes has the time to answer, "Who are you?"

The girl nods and taps her ear again, "Yeah, they definitely don't know us. So mark it as either an unfamiliar dimension or an unfamiliar timeline." Then she turns to Batman and smiles.

"You can call us interdimensional police. And since all the Batmans we ever encountered never believed us, I'm going to send you a copy of the files your other versions complied all together, so you can read and add more if you feel like it."

She touches her wrist computer, and, a few moments later, Batman's comm comes online with Oracle's voice:

"B, I'm getting a shit ton of files on... Multiverse Law Enforcement?.. out of nowhere. What's going on?"

Now, JL is baffled. Some of them - Flashes and Bats, for example - knew there was a whole wide multiverse going on, but to learn the multiverse has police? That's new.

Meanwhile, the redhead continues:

"The green thing behind me is a natural portal to the Infinite Realms, the dimension between dimensions. Which is really not what is supposed to be happening, so we are in the process of fixing it. It will take from ten minutes to a few hours, depending on what's on the other side, but the portal will be gone soon, and then I'll have to ask you some questions."

"Questions about what?" Asks Flash, and the girl waves her hand in the air.

"Oh, well, about the portals? If one so big is opening up, it means a few smaller ones had to exist in this dimension already. Our tech is not picking them up if they are smaller than a certain size, but you must have seen them before. I believe in the DC sector, you call them Lazarus Pits? We can take care of them later, too."

The second hoverboarder flies closer to them and revs her engine.

"Jazz, talk to them later, Tucker and Agents are done. Fentons are about to get Dannies down, so you need to either come up or leave the shield."

The girl - Jazz - looks surprised.

"Dan, too?"

"Yeah, it's the Toothy Jungle on the other side. They wanted to ask Ember, but, eh, what's her guitar gonna do to plants, even if they are sentient?" The red hoverboarder shrugs, and Jazz tilts her head, looking back to the heroes.

"I think I'll stay with them. You know it gets violent when Dan goes down, so people get antsy about us. I don't want to give the wrong impression."

The other girl huffs, but doesn't argue.

"Okay. Get out of the shield, then, and for Ancients sake, keep your comm open. Danny has an aneurysm every time you turn it off." With that, she flies away, back to the ship, and Jazz taps her hoverboard so it folds down into a hexagon shape no bigger than a backpack. Then, she steps through the shield, joining the JL on the other side of it.

"Are you not scared we might take you hostage?" Asks Wonder Woman just out of curiosity, and Jazz smiles pleasantly at her.

"Don't judge a girl by her looks. I don't want to brag, but I did fist fight Superman once and won."

----------

So basically, after Amity Park got sucked into Infinite Realms, the whole town just kind of collectively decided they like it there. And somehow they reached a happily ever after with both Danny's reveal to his parents and GIW, and then Clockwork showed up and was like, you guys want human food supply, running water and electricity, right? Well, I can do that, and so much more, you can be the ultimate perfect town. And for the price? You gonna go on adventures from time to time and fix the multiverse when shit hits the fan in various dimensions and universes. Doesn't that sound like fun?

And Amity Park, who's seen so much weird stuff over the years that it greatly affected their idea of common sense, goes yeah, that does sound fun! Let's go, people!

So here they are, appearing in different universes and doing damage control. They are, like, the superheroes for superheroes.

I'm probably going to write a part 2 to it, I want to show off Danny and Dan and Dani too. Halfas on the loose, JL is mildly concerned and kind of scared, and Jazz is just like yeah, that's just another regular Tuesday :)

I love Jazz being a badass, yes. Also, if you didn't get it, the other one on the hoverboard is Val, the drones are controlled by Tucker, and the people on the ropes are GIW agents.

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[thewriteadviceforwriters]

Crafting Compelling Morally Gray Characters: A Guide for Fiction Writers

In literature, there is often a clear distinction between good and evil. Heroes are portrayed as virtuous and villains as wicked. However, in recent years, there has been a rise in the popularity of morally gray characters - those who do not fit neatly into the categories of good or evil. These characters are complex, flawed, and often make decisions that challenge the reader's moral compass. In this guide, I'll help you explore the art of crafting compelling morally gray characters and how to make them stand out in your fiction writing.

What Are Morally Gray Characters?

Morally gray characters, also known as morally ambiguous characters, are those who do not conform to traditional notions of good or evil. They may have both positive and negative traits, and their actions may be motivated by a mix of good and bad intentions. These characters often blur the lines between right and wrong, making them more relatable and intriguing to readers.

Examples of Morally Gray Characters

Some well-known examples of morally gray characters include:

Severus Snape from the Harry Potter series: Initially portrayed as a villain, Snape's true motivations and actions are revealed to be more complex and morally ambiguous.

Jaime Lannister from A Song of Ice and Fire series: Known for his arrogance and incestuous relationship with his sister, Jaime's character evolves throughout the series, showcasing his internal struggle between his duty and his personal desires.

Walter White from Breaking Bad: A high school chemistry teacher turned methamphetamine producer, Walter's character is constantly torn between his desire for power and his moral compass.

Why Are Morally Gray Characters Compelling?

Morally gray characters are compelling because they challenge the reader's perceptions of right and wrong. They are not easily categorized as heroes or villains, making them more relatable and human. These characters also add depth and complexity to a story, making it more interesting and thought-provoking.

The Power of Relatability

One of the main reasons morally gray characters are so compelling is because they are relatable. They are not perfect, and they make mistakes, just like real people. This makes them more human and allows readers to connect with them on a deeper level. When readers can see themselves in a character, it creates a stronger emotional connection to the story.

The Element of Surprise

Morally gray characters also add an element of surprise to a story. Their actions and decisions may not always align with what the reader expects, keeping them on the edge of their seat. This unpredictability makes the story more engaging and can lead to unexpected plot twists.

The Exploration of Morality

Morally gray characters also allow for a deeper exploration of morality in a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality. This can lead to thought-provoking discussions and a deeper understanding of complex moral issues.

How to Craft Morally Gray Characters

Crafting morally gray characters requires a delicate balance of positive and negative traits, as well as a deep understanding of their motivations and internal struggles. Here are some tips for creating compelling morally gray characters in your writing.

Give Them a Strong Motivation

Every character, regardless of their moral alignment, should have a strong motivation for their actions. For morally gray characters, this motivation should be complex and not easily defined as purely good or evil. It could be a desire for power, revenge, or even a sense of duty. This motivation will drive their decisions and actions throughout the story.

Show Their Flaws and Vulnerabilities

Morally gray characters are not perfect, and they should not be portrayed as such. They should have flaws and vulnerabilities that make them more relatable and human. These flaws could be physical, emotional, or moral, and they should play a role in the character's development and decisions.

Create Internal Conflict

One of the defining characteristics of morally gray characters is their internal conflict. They are torn between their good and bad tendencies, and this struggle should be evident in their thoughts and actions. This internal conflict adds depth to the character and makes them more relatable to readers.

Avoid Stereotypes

When crafting morally gray characters, it's important to avoid falling into stereotypes. These characters should not be one-dimensional or defined solely by their moral ambiguity. They should have unique personalities, backgrounds, and motivations that make them stand out as individuals.

Show Their Growth and Development

As with any well-written character, morally gray characters should experience growth and development throughout the story. They should learn from their mistakes and make decisions that challenge their moral compass. This growth and development will make them more dynamic and interesting to readers.

How to Make Morally Gray Characters Stand Out

With the rise in popularity of morally gray characters, it's important to make yours stand out in a sea of similar characters. Here are some tips for making your morally gray characters unique and memorable.

Give Them a Distinctive Voice

A character's voice is an essential part of their identity. It should be unique and reflective of their personality and motivations. For morally gray characters, their voice should reflect their internal conflict and the complexity of their moral alignment.

Create a Strong Backstory

A character's backstory can provide valuable insight into their motivations and actions. For morally gray characters, a strong backstory can help explain their moral ambiguity and add depth to their character. It can also create empathy and understanding for their decisions.

Use Foils to Highlight Their Morality

Foils are characters who contrast with the main character, highlighting their strengths and weaknesses. For morally gray characters, foils can be used to showcase their moral ambiguity and challenge their beliefs. This can add depth to the character and create interesting dynamics between them and other characters.

Morally gray characters add depth, complexity, and relatability to a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality.