#i also feel this way about brain implants

[horrorwebs]

i hate my best friend earlier i was like "im scared that this guy likes me bc he said something that i would only say to people who i like, but i recognize thats its a normal ass thing to say anyway and i rationally know he does not like me, but still, my brain decided to play with that concept and made me have a terrible nightmare the other night about it and now im subconsciously scared that he will like me ( with the underlying concept of "i am scared of men")" and shell go ohohioo what if youre projecting and its actually YOU that likes him. ????? bitch did you not hear the part about having a dream where he abused me or ...?sometimes being asexual is a nightmare nobody gets it

[alpaca-clouds]

The Punk-Factor of Punkpunk Genre

So, when I posted my history of Solarpunk, someone (probably not in good faith) asked: “So, what about the punk in all the other punk genres?!” towards my request to put the punk back into Solarpunk. And given that my autistic brain obviously cannot just let that stand… You know what? Let me talk about the other punk genre and in how far they are “punk”. I tried to be as exhaustive as possible, though there is a good chance, that I might have missed some of the punkpunk genre. So feel free to add.

Trying to judge the punkiness I do not assume punk as simple counter culture, but a specific ideology. Quote from Wikipedia:

[Punk ideology] is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, anti-consumerism, anti-corporatism, anti-war, imperialism, conservatism, anti-globalization, gentrification, anti-racism, anti-sexism, class and classism, gender equality, racial equality, eugenics, animal rights, free-thought and non-conformity

Most of the artwork here has been taken from concept art of either of the examples listed.

Sorted from most futuristic to pre(historic). Yes, the list is long.

Cyberpunk

We start with the OG punk genre, the one after which all other punk genre were named. Yes, you could argue that in fact the two genre following are more futuristic – but Cyberpunk kinda just had to start the list.

As a genre: Given that Cyberpunk had its start completely in literature it is the best defined in this regard. Taking place in a late stage capitalist dystopian world in which most is owned by megacorps who don’t follow anyone’s laws but their own, the protagonists usually are social outcasts fighting against their own oppression, trying to keep themselves alive in a world hostile to them. With cybernetics always being a core of the genre, it also tends to deal with the question of humanity in a “ship of Theseus” sort of way. How much can the human body be altered, before the human vanishes?

As an aesthetic: Cyberpunk is the most punk in terms of aesthetics, really. There is a lot of punk and grunge going on in terms of character design. Neon hair colors, fishnets and thorn up jeans jackets can be found here. As well as of course cybernetics on the characters. The world usually is a megacity with a stark divide between rich and poor, tons of neon signs, a slight Japanese influence, flying cars and somehow a constant downpour of rain.

Punk-Factor: Cyberpunk is the one punk genre, where the “punk” was chosen very knowingly as a name. Usually the protagonists are “punks” fighting for their place in the world against a suppressive capitalist system. (Also, they usually fit the punk aesthetic, if they don’t wear leather dusters.) It should be noted however, that especially in newer western Cyberpunk often the punkiness vanishes more and more – for the same reason we have so little Solarpunk: media that outright confronts the problems of capitalism is just less supported.

Examples: Neuromancer (1984), Mirrorshades: The Cyberpunk Anthology (1986), Snow Crash (1992), The Matrix (1999), Dredd (2012)

Biopunk

As a genre: As a genre biopunk is still fairly ill defined, as it mostly shows up as a subsection of Cyberpunk. Rather than the characters having cybernetic implants (or additionally to it) they are augmented on a genetic level. This can be all sorts of augmentations, changing anything from appearance to giving characters higher strength and agility, giving them claws or night vision, or in some cases even “magic” powers. Usually the genre tends to be set in worlds similar to Cyberpunk. In fact it might well be set in a cyberpunk world, only that characters with bioaugmentations exist parallel to those with cybernetics. Additionally, though, there is a subsection of this genre, that concerns reproductive rights.

As an aesthetic: Ironically biopunk is even less defined as an aesthetic. There is not a lot of biopunk art out there and most that exists can go in different directions. As such it often mixes elements from other punk aesthetics – like Cyberpunk, Steampunk or Dieselpunk – with an assortment of bodyhorror elements.

Punk-Factor: It is hard to define the “punkiness” of a genre, that barely exists for the most part. Usually, when it is set against a Cyberpunk backdrop, it might be very punky, but in other settings those punk elements vanish.

Examples: Ribofunk (1995), Altered Carbon (2002), Bioshock (2007), The Windup Girl (2009)

Nanopunk

As a genre: Like Biopunk Nanopunk mostly exists as a subsubgenre to Cyberpunk, often being set in a mostly Cyberpunk world, only that instead of or additionally to Cybernetics, the technology used to alter the human body is nanites. These serve the same function as the genetic manipulation in Biopunk, giving the human in question more strength and agility and at times more or less magical abilities. There is one common plot that comes up again and again, with an AI or megacorp turning the nanites against the people they inhabit or trying to control them.

As an aesthetic: Aesthetically Nanopunk does not have much in terms of its own identity. Most artworks relating to Nanopunk feature a similar aesthetic to Cyberpunk, with megacities and lots of neon.

Punk-Factor: This genre is so small, that it is kinda hard to judge the exact punkiness.

Examples: The Diamond Age (1995), Prey (2002)

Solarpunk

As a genre: Being another genre, that started as such, Solarpunk is a bit better defined. Solarpunk usually takes place in a world post-strive. It is post-capitalist and decolonial in its settings, usually featuring a world that has either formed against the backdrop of preventing climate collapse or in the aftermath of it. A lot of it features people rebuilding – or alternatively building communities. It always features elements about living in harmony with nature or trying to do so. So far, the genre is mostly defined by short stories, partly because there is still disagreements within the movement, how far a conflict can be taken to still qualify as Solarpunk.

As an aesthetic: Solarpunk has a very strong aesthetic definition, mostly featuring all sorts of cities and urban areas, that incorporate natural elements into the urbanity, with greenery growing on roofs and concrete car-centric streets being replaced with more natural, walkable areas. The character design aesthetic is not quite as clearly defined, but usually features natural materials and patterns usually seen within indigenous art.

Punk-Factor: Contrary to what many say, Solarpunk is fairly punk, as it very much embraces the entire anti-hierarchical, anti-capitalist mentality. With the big difference, that the punk mentality is no longer counter culture, but the mainstream culture.

Examples: The Dispossessed (1974), Nausicaä (1984), Laputa – Castle in the Sky (1986), Princess Mononoke (1997), The Summer Prince (2013)

Lunarpunk

As a genre: Lunarpunk is pretty much a subsubgenre of Solarpunk, just as Nanopunk and Biopunk are sprung off from Cyberpunk. It is so far ill-defined as a genre, but the general consensus is, that it is set in solarpunk-esque worlds, but with a heavier focus on mysticism or spiritualism, at times outright including magic. It also tends to feature a lot darker places, being set in underwater or underground settings – or alternatively at night.

As an aesthetic: Lunarpunk is far more of an aesthetic than a genre so far. It features dark places, often with bioluminescent elements in it. Often featuring a mixture of black and dark blue with lighter blue, violet or light green elements shining in the middle of it. Mushrooms – especially glowing mushrooms – feature repeatedly in artwork.

Punk-Factor: Given that Lunarpunk is barely defined as a genre it is hard to estimate the punkiness in it. If it gets more stories, will those still feature the anti-capitalist and anti-hierarchical messaging we see in Solarpunk? This should be the defining factor. Some of the artworks use little aesthetics from the punk scene, but nothing much more.

Examples: Bioluminescent: A Lunarpunk Anthology (2023)

Hopepunk

Honestly, I had no idea where to put this one, given that it might technically be set at any time and place.

As a genre: Hopepunk is very much a genre, not an aesthetic. It has been defined as the opposite of grimdark by its “inventor/name-giver” Alexandra Rowland. The basic idea is to create fiction that instead of taking a dystopian, defeatist and violent approach, takes one defined by hope and to some degree pacifism. As such the genre can be set in any setting, real or fantastic. It mostly is defined by the protagonists taking opposition to cruelty and violence, fighting for a better world and, crucially, also partly archiving it. Other than in usual Cyberpunk, where the best possible ending, tends to be, that the protagonists get to live a somewhat better life themselves, Hopepunk aims to better the life at least for groups of people.

As an aesthetic: Being fully a genre, Hopepunk has no aesthetic associated with it.

Punk-Factor: Hopepunk is punk less in the sense of the protagonists or things happening within the story, which might or might not be punk, but was named such rather because it is considered counter cultural towards the gross of media at the moment, that often strives for a “realistic, gritty, grimdark” outlook on the world. Basically it is saying: “Hope is punk.” I will not make any judgement on whether or not this is true.

Examples: The Long Way to a Small, Angry Planet (2014), Mad Max: Fury Road (2015), The Good Place (2016)

Mythpunk

As a genre: Another one, that does not really fit into a temporal sorting system, because once again it can be set anywhere between the stone age and the far future. The basic idea is, that the story interweaves postmodern storytelling with elements from mythology or folklore. This can mean mythological, genre-traversing retellings, but it can also mean, that mythology seeps into any given story bit by bit. As such the genre with probably the most media in the subgenre is Urban Fantasy, which often borrows from mythology and incorporates these elements.

As an aesthetic: Mythpunk as an aesthetic is a bit strange. There is definitely a mythpunk aesthetic that exists, often mixing familiar elements with elements from mythology and folklore (at times also including quasi-folkloric works of literature, such as Alice in Wonderland and the Wizard of Oz). Often just a bit dark and twisted.

Punk-Factor: To be perfectly frank, for the most part, there is not a lot of punk to be found in this genre. While there have been definitely punky stories told within the genre, this is more a story decision than something inherent to the genre.

Examples: Pan’s Labyrinth (2006), Over the Garden Wall (2014), Inscryption (2016)

Dustpunk / Rustpunk / Desertpunk

As a genre: Kinda grouping those above all together, because people argue about what they might entail and in some interpretations they kinda are similar: Post-apocalyptic stories set in a world of sand and rust. Often featuring a loner character, having to go up against everyone to ensure his own survival – and at times being forced to learn, that the lonerness might not win him (and most often it is a him) anything.

As an aesthetic: Aesthetically this tends to be very much post-apocalyptic, maybe in some cases with some more classical punk elements added to characters and surroundings.

Punk-Factor: Given that there is neither a system to rage against – nor a new, less hierarchical system – usually there is not that much punk outside of some aesthetic choices. Neither tend those stories go into constructing worlds of mutual aid or working against oppression.

Examples: Anything Mad Max should count for this.

Atompunk

As a genre: Atompunk usually deals with themes connected to the cold war – in some cases directly, in some indirectly. Often it overplays the American ideals that were pushed for during the cold war era and portrays scenarios in which American Exceptionalism slowly reveals itself as the dystopia most punks already know it to be. Outside of this vague idea for the setting, the genre is less described, as there is less of a clear script an Atompunk story might follow. So, little description of who might be the protagonist and what their role is.

As an aesthetic: The aesthetic of Atompunk borrows heavily from the Raygun Gothic aesthetic. So, futurism, as it was imagined in the 1950s and 1960s, with heavy influences from late pulp age science fiction art.

Punk-Factor: The aesthetic in this is definitely not punk. The stories often have some vague punk ideas of recognizing how fucked up the world has become, but given the genre is fairly wide in terms of stories, it is hard to give a definite answer to how “punk” it is. One can definitely tell punk stories within this genre, though.

Examples: Hitchhiker's Guide To The Galaxy (1978), Fallout (1997), Futurama (1999)

Dieselpunk

As a genre: Dieselpunk is once again an example of “strong aesthetic, but no clear genre identity”. Generally, Dieselpunk is concerned with the interwar period, but might cover either of the world wars. In some cases the genre features alternate timelines, in which one war happened and not the other, or in which another faction won, with the technological development being influenced by this as well. But as a genre it is not much defined. A lot of stories building on Lovecraft’s legacy feature Dieselpunk in some regards. And there is definitely a subsection of Dieselpunk stories centered around “what if Nazis won” or “what if Nazis somehow went underground and did their own technological development after the war”. Also, there are a lot of stories about pilots of war planes in this genre.

As an aesthetic: As an aesthetic Dieselpunk is more clearly defined. A lot of bare metal and the sorts of technology you would expect from this era, often with retro-futurist and art noveau elements in between. A lot of the fashion within the genre is defined by pilot and military clothing of the times, but at times also dipping into “roaring 20s” fashion styles.

Punk-Factor: In this genre I would generally say: “If the story involves punching Nazis, you might get a couple punk points – but otherwise this is not really punk.”

Examples: The Iron Dream (1972), Brazil (1985), Dark City (1998), Iron Sky (2012), Bitter Seeds (2010)

Teslapunk

As a genre: Yet another one of these, that exists mostly as a vague idea, with no clear definition. The basic idea is a world, that works on Tesla’s inventions. And as those of you, who watched Doctor Who, might know, Tesla sorta, kinda already invented the internet or had an idea of what it could be and how it could work. So a Teslapunk world is based in an alternate timeline, but might in fact go into light futurism. There is not much in this genre though with a unique thematic identity, as stories that use Teslapunk as a backdrop rarely have coherent themes.

As an aesthetic: The aesthetic of Teslapunk is basically “Steampunk, but with Tesla-coils and electricity”. Which is not a big surprise given that Tesla came from the same era that would also be the inspiration for Steampunk. So, we have a lot of Victorian fashion, maybe some light augmentation, airships, and – again – all the tesla coils you can muster.

Punk-Factor: As, again, I think punk is more about themes than aesthetic, this is once more not really possible to judge, because there do not seem coherent themes within the genre so far.

Examples: The Prestige (2006), Sherlock Holmes: A Game of Shadows (2011), Bioshock Infinite (2013)

Arcanepunk

Another one of those that do not neatly fit into the timeline…

As a genre: Arcanepunk takes place in a world, where both magic and technology have developed. In some cases both developed side by side, in others, we might have a technological world, that suddenly discovers magic by some happenstance. The fact is, though, that both exist parallel to each other or might at times be intertwined, with technology being powered by magic. This can exist at different technological stages, usually featuring settings inspired by the late 19th or early 20th century. But usually futuristic stuff that includes magic might be considered Arcanepunk, just as might stories that mix 18th century technology with magic. While also a vague genre, there is a repeating theme of magic being hoarded by those in powers and the poor and downtrodden finding ways to still use it in their own advantage.

As an aesthetic: Given that Arcanepunk’s setting is defined by the co-existence of magic and technology, rather than a specific technology, Arcanepunk has less of a defined aesthetic. Never the less, we have a part of punk aesthetics that often come up, as a surprising amount of Arcanepunk features characters with neon colored hair.

Punk-Factor: Another genre that is rather thin, yet, there is a surprising amount of stories featuring some punk ideas of fighting against an oppressive system and being counter culture to a main culture build around suppression.

Examples: Too Many Magicians (1966), Shadowrun (1989), Bartimaeus (2003), Arcane (2021) duh

Steampunk

Steampunk was the second genre to pick up the “punk” suffix and hence is as much responsible for the punk-punk as Cyberpunk as the originator.

As a genre: Being named as early as it has been, Steampunk kinda suffers the same issue as Cyberpunk itself. There is a lot of ideas there, but some are only vaguely defined. In general, though Steampunk always takes place in a world where the steam engine became the defining technology and was never replaced with the combustion engine. As such cultural aspects from the steam era, especially Victorian England and the Belle Epoche, still carry over for longer, than they did. So often we will see noble households based around similar values as the puritan Victorian English families, while the very poor are made to work in workhouses. At times we might also see themes of colonialism here. In some cases magic might exist in these worlds, as might electricity for some aspects. There is often a heavy inspiration from Jules Verne and H.G. Wells. Though it is still hard to define the “stereotypical steampunk story”, given that Steampunk offers a wide variety of stories, from adventure stories and romances, over to stories where people rise up against the Victorian-esque society.

As an aesthetic: Steampunk as an aesthetic is very much influenced by Victorian aesthetics and the time period of the late 19th century, mostly in the USA, Great Britain and France. But as all other punk genres it knows very well: “If it is worth doing, it is worth overdoing,” so steam-related elements are added to everything. Could

Punk-Factor: In the original idea for Steampunk was a lot of punk. “What if we took Cyberpunks ‘rage against the unjust system’ and made it 19th century” they asked. But given that the genre branched out so much, it is not necessarily there in all the stories. There is a ton of stories where people rage against that steam powered Victorian machine – but also a ton in which the Victorian world gets idealized and romanticized.

Examples: Thief (1998), The League of Extraordinary Gentlemen (1999), Wild Wild West (1999), Clockwork Century (2008) – also half of all Sherlock Holmes adaption made after 2000 in any medium usually use Steampunk elements

Silkpunk

As a genre: Silkpunk is hard to define, despite there being a clear definition. The reason for this is, that the person who coined the term – Ken Liu – had a very specific idea in mind. He explains that the idea is of a world that has technology as language. In which form is as important as function, is made to speak a language all of its own. Inspired by ideas from W. Brian Arthur and Chinese philosophy. However, what the wider Science Fiction and Fantasy community made from it was “Steampunk but East Asian!” But given he coined the term (and also the alternative feels vaguely racist) I am going to go with Ken Liu for this. While Silkpunk will usually be set in an East Asian inspired world, the central idea is about the duality of technology, which will also be addressed within the stories.

As an aesthetic: As said above, the idea Liu had for it was a world that features some technology, but technology that is as much about form and communication through it, as it is about function. So the technology here has strong visual ideas. At least that was, how Liu intended it. Once again, the wider community made “Steampunk, but East Asian” out of it.

Punk-Factor: There is not a lot of stuff in this genre for now – however so far I do not manage to see a lot of punk ideas in it, even though some of Liu’s stories definitely feature the concept of challenging a higher power.

Examples: Dandelion Dynasty (2015), The Black Tides of Heaven (2018), The Tea Master and the Detective (2019)

Clockpunk

As a genre: Once again storytelling in this genre is not really defined, but the worlds diverge a bit before the wide adaption of steam, instead featuring mechanical devices powered by coils and springs and somehow kept alive, often at least implied through some form of arcane magic that gives “live” to these mechanical inventions. Most examples of Clockpunk, however, tend to show up as settings for parts of fantasy stories. Any fantasy world might have this “Clockpunk” area, where protagonists might travel. Especially games tend to feature this. While there is definitely a trope of the “mad inventor” often going along with this, few other tropes stand out.

As an aesthetic: The aesthetic of Clockpunk tends to take some inspiration from the early 19th century, but tends to add a lot of gears to everything, with even city wide gear constructions keeping things working. We often will find mechatronic characters, such as wind up soldiers or wind up dancers.

Punk-Factor: Once more, there are so few stories told, that it is kinda hard to speak about how punk this is. Most stories told so far, however, do not feature punk elements.

Examples: The Great Mouse Detective (1986), Hugo (2011), Clockwork Planet (2017)

Whalepunk

Please note: This is one of those genre, I would love to see more in, though so far it is barely explored.

As a genre: And you might ask: “Why do you even name those genre, that exist mostly in theory?”, to which I might answer: “Because I am a nerd.” As all these retrofuturists genre, Whalepunk imagines mostly an alternate historical timeline, where the technology that became defining was based around whale oil. This means that in Whalepunk often whalers or harbors play a big role, though as the genre is again very thinly spread, it is hard to say what “THE whalepunk” formular is. It seems there is a tendency, to mix some mysticism or magic into the genre, though, as the idea of hunting sea monsters often plays into it as well. Good chance that it could at some point merge with Cthulupunk (which I did not name separately, because most of it is either covered in Whalepunk or Dieselpunk).

As an aesthetic: The aesthetic of Whalepunk is basically “Steampunk, but with more sailors, ships and sea monsters”. There is definitely a bit of Oceanpunk mixed into it as well, with some aesthetics being somewhere between Steampunk and Dieselpunk. (Which is kinda ironic, because whale oil was mostly used in the early 19th century.)

Punk-Factor: And again. There so far is not a lot of connective thematic tissue within that genre, so exploring themes is kinda hard.

Examples: Dishonored (2012), Dredge (2023)

Oceanpunk / Piratepunk

As a genre: It really is hard to divide the Piratepunk out of the Oceanpunk, though some might call it different. The idea here is that this genre features stories mostly set on the ocean and often more heavily leaning into fantasy, than science fiction. While the worlds might feature technological elements, they will almost certainly feature magical elements of some sort. The characters will usually be seafaring one way or another and stories might involve any sort of adventure. There might be a storyline, though, about one company or nation trying to control the seas – often times through magical means – with the characters often unwillingly being made to oppose them. This genre might also take place in a post-apocalyptic setting with a flooded planet.

As an aesthetic: While the aesthetic is not clearly defined, there is a good chance that it borrows heavily from the late 17th and early 18th century and the golden age of piracy, when it comes to both ships and fashion sensibilities.

Punk-Factor: Pirates, at least as far as modern media imagines them, tend to be very punk, as they tend to inherently oppose any sort of government and what not. While the punk is not there in all of the stories, a lot of the most popular stories from the genre will feature at least lightly punky elements.

Examples: One Piece (1997), Pirates of the Caribbean (2003), Assassin's Creed IV: Black Flag (2013)

Dungeonpunk

As a genre: So, the idea of the genre is basically “What if Cyberpunk, but Dungeons & Dragons?” Usually set in a vaguely medieval world, this world still shows the same corporate corruption as your usual Cyberpunk world. Adventurers are just another resource to be exploited by the system, their day job involving going on yet another dungeon crawl. For this there might be some technology entirely powered by magic, with those magic items taking over the same functions technology might have in a Cyberpunk world. And yes, indeed some brave dwarf, elf or halfling might rise up and challenge the corporate dungeon syndicate. (As you might sense: Yes, this genre tends to be at least partly a bit of a parody of the punkpunk idea. Though it also can be played straight as “Cyberpunk conflicts, just that all technology is somehow magic.”)

As an aesthetic: This is once again one of the examples, where there is a clear idea behind it – but absolutely no clear aesthetic, as this genre might cover anything from medieval settings to a lot more modern stuff.

Punk-Factor: The base idea, being heavily inspired by the base idea of Cyberpunk, just from a very different perspective. But too many people read the genre as “Magic Technology, yay”, in which case, no, it is not punk.

Examples: Dungeons & Dragons can be played this way, also Final Fantasy VI – XIII definitely counts.

Sandalpunk

As a genre: I mostly include this for the sake of it, because this genre tends to boil down to “fantasy set in ancient Greece or Rome, but with vaguely anachronistic elements”. It might also include alternate history stories (even going so far as Science Fiction) based on the idea “What if Ancient Rome/Ancient Greece never fell?” There is no real overarching themes, even though I could imagine some interesting way one could build those up. So far, though, it is mostly a vague gesture towards: “SciFi Fantasy, but with more ancient civilizations.”

As an aesthetic: The aesthetic is usually just Ancient Rome or Ancient Greece, but with more magic or anachronistic elements.

Punk-Factor: Given the super vague nature of the genre and the fact that it seems more like a genre of hindsight (with most media being declared this having been released even before 2000)… Nobody wrote those stories to be punk. The one punk thing I can see about several of these stories is people challenging Gods, but… That’s about it.Examples: Hercules: Legendary Journeys (1995), Xena: Warrior Princess (1995), God of War (2005)

Stonepunk

As a genre: The basic idea of Stonepunk is, that it is set in a stone age world, but with the technology being pressed towards a very anachronistic end, which is often played for laughs. Basically it gives stone age people a modern seeming world, though not really. Often enough this is used to make a point about the modern world and parody it in some regard. An argument can be made for stories, that feature stone age technology people being somehow subjected to modern technology (for example through time travel or space travel) also possibly falling into this genre.

As an aesthetic: Usually the aesthetic of Stonepunk is one of an overplayed stone age setting. The clothing characters might wear are not what we know is historically more accurate but really just “everyone wears a pelt around their shoulders”. Meanwhile stone age tools get spun to be used as all sorts of modern technologies.

Punk-Factor: The genre does usually not feature punk themes. However, the nature of parodying and challenging the modern world tends to be punk in its own merit, I assume?

Examples: The Flintstones (1960), The Croods (2013), Horizon: Zero Dawn (2017)

That's it. That's the list.

Feel free to add to it.

[bugsbia]

ʚ NSFW Alphabet with Scaramouche

ʚ BEFORE READING: Fem reader, Scara is pretty rough in this one since it's focused on Fatui era Scaramouche. Will probably also do a Wanderer and Kabukimono era versions. Also, to anyone who has sent a request, I will be getting to those <3

ʚ WARNINGS: Scara is distant and mean!! Just don't read this if you can't handle rough kinks<3

A = Aftercare (What they’re like after sex)

Scaramouche does not like his aftercare, he thinks it's another pointless human ritual that he see's no point in, human emotions are truly pointless to him, as is their comfort. He'd much rather just fuck your brains out then go back to do his own thing without a word being exchanged afterwards, truly you're just a toy for him to use when he can't hold back anymore, or at least that's what he tries to convince himself.

B = Body part (Their favourite body part of your body)

He doesn't have a specific favourite, he just prefers whatever is most sensitive since he can use that to torture you. Whatever it is, your nipples, your thighs, even if it's your throat, he'll use it against you. He'll bite you, slap you, do whatever he can to watch you squirm beneath him.

C = Cum (Anything to do with cum basically)

He avoids cumming inside of you, he's not sure if he can get you pregnant since he's a puppet but he doesn't want to risk it. he doesn't need some sort of pregnancy scandal because that would not only tie him to someone but it would also cause problems within his job. But he'll gladly cum on your face, he can't deny the satisfaction he feels when he see's your fucked out face covered in his cum.

D = Dirty Secret (Pretty self explanatory, a dirty secret of theirs)

His dirty little secret is that he actually thinks your moans are like music to his ears, just so perfect that it drives him crazy, ESPEICALLY when you moan his name. It sends him reeling, he always ends up losing control and just pounding into you whenever you moan his name.

E = Experience (How experienced are they? Do they know what they’re doing?)

Experience is not something he has, he spent most of his life wandering around Teyvat as The Kabukimono which didn't exactly bring about a lot of chances for him to gain any experience. Truthfully you were his first, but he pretends you weren't, he doesn't want you to know something so vulnerable about him. So he'll continue on pretending you're just one of many girls just drooling over him, when in reality you're the only one he's willing to sleep with.

F = Favourite Position (This goes without saying.)

Nothing beats missionary to him, it's simple and not physically demanding but also gives him perfect access to you. He can easily reach down and choke you, tease your nipples or drive you crazy by tormenting your clit. Also means he gets to see all your reactions, every tear that may spill from your eyes, if you drool, he'll get to see it all.

G = Goofy (Are they more serious in the moment, or are they humorous, etc)

Serious, he is dead serious. He won't catch him being goofy or silly, he's above such things.

H = Hair (How well groomed are they, does the carpet match the drapes, etc.)

Scaramouche is a puppet, he doesn't exactly grow body hair, nor does the hair on his head grow. It's all artificial, but if you expressed an interest in body hair then maybe he'd ask dottore about hair implants...

I = Intimacy (How are they during the moment, romantic aspect…)

Intimacy is not something he is willing to give, for now at least, sex is just sex. A way to release his frustrations and feel good after stressful days of working for the Fatui.

J = Jack Off (Masturbation headcanon)

He doesn't really masturbate, why would he when he can always just drag you over? You're his well behaved slut, and he plans on taking advantage of that.

K = Kink (One or more of their kinks)

One thing about Scaramouche is that he always wants to be above, above everyone, he wants to be a god afterall, and that doesn't change during sex. He will lose it whenever you worship him in any way, when you kneel before him and suck his cock like your life depends on it. He's your god, and you better act like it or else he'll find a way to punish you for sinning against him.

L = Location (Favourite places to do the do)

His office, he likes railing you in his office. He doesn't really like the Fatui and see's it as some big "fuck you" to them, to be fucking your brains out during his work hours, on the desk or the chair they paid for. It's too fun for him.

M = Motivation (What turns them on, gets them going)

When you try act all defiant against him, act like you're not interested in having sex with him anymore. It just drives him to break you down, and he always does. He'll pin you down against the bed and pound you till you're a sobbing mess, begging for his forgiveness and confessing how much you enjoy having sex with him how good it feels when he fills you up.

N = NO (Something they wouldn’t do, turn offs)

Do not ever mutter an "I love you" to him during sex, unless you want him to stop mid session that is. He can't handle that level of intimacy yet, he's not sure he even fully understands love.

O = Oral (Preference in giving or receiving, skill, etc)

Giving and receiving, he doesn't care, either way works. When you suck him off he gets to watch you choke and drool all over his cock, gets to see you all messy and desperate. On the other hand he gets to drives you over the edge when he eats you out, he gets to lick and suck at your cunt till you're a sobbing mess. He loves the way you whine and cry when you're getting overstimulated.

P = Pace (Are they fast and rough? Slow and sensual? etc.)

Fast and rough all the time, he has no time for sensuality and slowness, he doesn't care for it if it's in an intimate way. He will go slow though if it means torturing you and making you beg, that's an opportunity he cannot skip.

Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)

He likes his quickies, but also enjoys spending hours driving you wild, it just depends on his schedule. If he has a busy day then he'll pull you into an alleyway and have his way, or maybe he'll make you suck his cock from under his desk while he's working. If he isn't busy then he'll take his time with it, he likes watching you get desperate when he's taking a long time,

R = Risk (Are they game to experiment, do they take risks, etc.)

Scaramouche does not fuck with risky business very much, he refuses to put his reputation at risk after he worked so hard for it. The riskiest he'll get is fucking you in his office, knowing someone might hear as they walk past, but he'll always lock the door. Hearing is all they'll get.

S = Stamina (How many rounds can they go for, how long do they last…)

As a puppet he has an absolute ton of stamina and you really shouldn't test that, he'll easily push you past your limits if you push his buttons too much. He wouldn't mind fucking you till you pass out, and he easily could.

T = Toy (Do they own toys? Do they use them? On a partner or themselves?)

He didn't own toys originally, but he ended up buying a few after coming upon you. A few vibrators he'll use on you while he fucks you, maybe a dildo he'll use to fuck your ass. He'll never let you use anything on him though, even if he knows it'll make him feel good. He won't let you have any control over him.

U = Unfair (how much they like to tease)

If you look in the dictionary his name would written underneath unfair because he will tease you all he can, he loves how you react when he teases you. When he calls you a slut and you whine, or when he slows down and watches you get frustrated.

V = Volume (How loud they are, what sounds they make)

He's not very loud, but he's not silent. He'll groan and moan quietly, but he'll do his best to keep it quiet since he doesn't want to embarrass himself.

W = Wild Card (Get a random headcanon for the character of your choice)

Scaramouche would, without a doubt, using his electro abilities during sex. Pushing his fingers your clit and sending small zaps of electro against it just to see you gasp and whine at the sensation, maybe he'll zap your nipples too just to see you jump slightly.

X = X-Ray (Let’s see what’s going on in those pants, picture or words)

Blessed by the gods (aka given by dottore) about 7 inches long and good girth. He's hairless by default as mentioned earlier, but will talk to The Doctor about it if you like hair.

Y = Yearning (How high is their sex drive?)

His sex drive is a high, it's a rare time in his life where he gets to feel pleasure so he finds himself constantly wanting to go back and have his way with you whenever he can. It's too good to not do.

Z = ZZZ (… how quickly they fall asleep afterwards)

He doesn't sleep afterwards, he won't be caught asleep by anyone since it's such a vulnerable position. He'll leave you to sleep in his bed and go do whatever he has to do.

[sky-scribbles]

There are a lot of things to love about the SSV Normandy. It’s a symbol of cooperation between two species historically at odds. It’s a miracle of engineering, a technological masterpiece that could alter every pattern of space warfare. Its crew is the highest calibre that the Alliance has to offer, bolstered by multispecies allies: an emblem of flying hope.

It also has far, far too many flashing lights. Everywhere.

One hand pressed to the wall to keep himself steady, the other pressed against his forehead as if that’s going to do any good, Kaidan shuffles down the hall toward the med bay. Every light panel and display interface feels like a laser drill boring directly through his eyes, sounds reverberate against the inside of his skull, and his sense of balance is a distant, pleasant memory. Kaidan sucks in a tight breath between his teeth. It’s going to be okay. He can do this. He’s done it before.

He drags himself the last few feet, and the med bay doors slide open. Kaidan opens up his omni-tool – god, why are those so bright, too? – and does what he’s done a hundred times, scanning the medical interface so that the med system logs him. Doctor Chakwas isn’t here, which means she’s on her rest shift, but that’s fine. The med system will alert her if there’s a problem.  

Kaidan, turns, so ready to collapse into the nearest med bed – except he can’t. Because there’s someone already in it.

‘Oh,’ he says. ‘Hey, Tali.’

‘Hey, Lieutenant.’ She still seems shy about using his first name. Maybe it’s a habit from being raised on board ships, or maybe she’s just not sure if she’s allowed. ‘Are you okay?’

‘I will be once the pain meds kick in.’ Kaidan makes it to the next bed along and finally, finally lies down and shuts his eyes. ‘Doctor Chakwas is just… pretty strict about me coming here whenever a migraine kicks in. Just in case it’s a sign of something going wrong with my implant.’

Through the fog of everything hurts, it finally surfaces in his brain that Tali in the med bay is… that’s bad, right? ‘What about you? Are you, you know –?’

Okay, he’s not sure how to finish that sentence. There’s probably not a polite way to say hey, are you here because you’ve picked up a fatal illness?

He cracks one eye open, just enough to see her looking glumly at him. He’s not sure how he can tell that she’s glum when all he can see is her eyes, but yeah. She’s glum. ‘You know how I took a hit on Feros?’

‘Yeah.’

‘And how I disinfected it, and used my patch kit on the suit breach, and told Shepard I was fine?’

‘Yeah.’

‘I was not fine.’ She slumps down miserably. ‘My throat is full of painful slime, my sinuses are on fire, and my halesh –’ Okay, that’s obviously some piece of quarian anatomy – ‘is more gummed up than I can describe.’

Kaidan shuts his eyes again. ‘Well, my skull feels like it’s slowly contracting and crushing my brain, so… I sort of feel you.’

She laughs weakly. ‘I should have run an extra med scan once I got back to the Normandy. I just – I wanted to help with the engine maintenance today. And there’s this combat drone design I’m working on. And now…’ There’s a sound of movement; Kaidan gets the impression that she’s gesturing at the med bay in angry helplessness.

‘I feel that too.’ And he does. He really does. This isn’t the worst migraine he’s ever had – he can actually hold a conversation, which some days would be beyond him. But it’s… it’s not great. And he had things to do. Ash was running a drill and wanted him to look over her plans. He had a cleaning shift at fourteen hours. Shepard wanted to talk strategy for Noveria.  And yes, he knows he has a right to take time off for a medical issue. He knows he’s no use to Ash or Shepard or anyone when he can’t even walk in a straight line. But knowing that doesn’t quite get rid of the squirm in his belly, the one that feels like letting people down.

Tali’s quiet for a minute, aside from the ever-present, barely-audible hum of her suit systems, and the occasional sniff from behind her helmet. Then she says, unexpectedly, ‘I’m just… I’m so tired. You know what I mean?’

Kaidan’s head throbs. He swallows. ‘Oh, yeah.’

The constant vigilance. Always having to be careful about where he goes – is this room too bright? Is this one too loud? – in case something triggers another bad spell. Taking hits to the head in a fight that anyone else could just shrug off, but that for him mean another trip to the med bay to make sure his implant isn’t damaged. Trying to do his job and suddenly finding, no, he can’t, because his body has decided that today’s the day he just doesn’t get to function.

Tali… she must go through the same awful deal, just in a different flavour. Always being careful, so careful. Someone else’s minor injury being her okay, let’s get a med check to make sure I won’t die. It’s not the same, of course: Kaidan can eat food without filtering it, touch people without protective layers, see people’s faces without a tinted mask. Still… there’s a tone in her voice that he knows from his own.

There’s a heavy silence. Then Tali says, ‘You know what’s really stupid? I left my datapad in my cabin, so I can’t even watch vids.’

Kaidan smiles. He’s seen her down in Engineering, a few times, hands flying around over the machinery, rocking back and forth on her heels. Idleness obviously doesn’t suit her. ‘You can borrow mine, if you like.’

‘Really?’ Her voice is already brighter. ‘I mean – won’t the noise will make you feel worse?’

‘Nah, I’ll be good.’ He’s not just saying it; there’s a blissful numbness creeping through his head which means that his meds are finally getting to work. He fishes the datapad from his pocket, taps in his passcode, and hands it over. ‘What kind of vids do you like?’

Her whole being perks up – tone, body, everything. ‘Oh, all of them.Any genre, any species. I mean… asari vids can be a bit long. I mean, they’re made by people who can spend a decade making a vid and a whole day watching it. Turians… their vids can be a bit depressing. There’s a lot of ‘this war ended with almost everyone dead, but one turian is still standing, so it’s a victory!”

‘What about quarians? What kinds of stories do your people tell?’

A small laugh echoes inside the helmet. ‘Quarian vids are pretty limited by environment. We don’t have a lot of varied sets to work with. So we tell the best long-running dramas. There’s one ship in the Flotilla that’s been hosting the same series for over eighty standard years now. Following the crew as they change over time, that sort of thing.’ She taps the base of her helmet. ‘It’s pretty good, but… I think if you watched it, you’d think there were a lot more explosions, murders and shipwide romantic entanglements in the Flotilla than there actually are.’

‘Human dramas are like that too.’

Tali laughs. ‘Quarian dramas make human dramas look relaxed.’

Kaidan finds he’s actually able to grin. ‘So what do human vids tell you about us?’

Her helmet tilts as she considers. ‘That you’re very individualistic. I mean, not every human culture. But you put a lot of focus onto characters and personal journeys.’ She scrolls down the datapad screen – looking through vid lists, presumably – then stops. It’s hard to tell, but Kaidan thinks she might be frowning. ‘I did notice… in a lot of human media, the biotics are…’

Another insistent pulse of pain through his temples. Kaidan sighs. ‘Crazy extremists?’

‘Yes. Do you… do you mind if I ask why that is?’

‘No, it’s fine.’ Kaidan turns onto his back and stares up at the dim ceiling. ‘A lot of the early generation of biotics, the ones who got the same implants as me… let’s just say I got off lightly. Most ended up with much more serious medical conditions. And when people found out about the side effects of the L2 implants, the media got the bit between its teeth and –’ Yeah, no, that wasn’t going to translate. ‘Sorry. Human saying. They got a certain impression, and they ran with it.’

Tali’s quiet for several seconds. Kaidan twists his head to face her, and sees the pale eyes behind the mask giving him a long, steady look.

‘I’m sorry,’ she says. And then, after a moment, ‘They tell lies about us, too.’

Kaidan holds her gaze, and feels terribly, achingly sad. ‘Yeah,’ he says. ‘I bet they do.’

 The way people look at Tali as she walks through the Presidium… it’s familiar. Not quite the same. There’s a note of scorn in the looks they give to Tali – but there’s suspicion, too, and that’s something he knows. All the times back on Earth, after he got back from Jump Zero, when he shook someone’s hand or opened a door, and their eyes found the implants. They way they stared at him like he was a loaded gun. All the documents he had to fill out to do anything, the knowledge that any government he lived under would always be hovering a few steps away, keeping tabs, making sure.

Remembering Rahna – remembering that obvious, instinctive fear in her eyes – is an old memory now, the kind that’s a faded scar. But he remembers the shock of it, back when he was seventeen. When no one had looked at him like that before, and it was dizzying and new and felt like a hole in his gut.

He bets Tali has that hole in her gut all the time.

Kaidan pushes himself up a little – which makes his brain spin, but he manages it – and gives Tali a smile. ‘Well. Let’s look for something that gets us both right.’

‘Definitely.’ She flicks through the options for a minute more, then pauses. ‘Have you ever seen Fleet and Flotilla?’

‘I think I’ve heard of it.’ There’s a faint memory of seeing an ad for it, maybe, and thinking it was the kind of thing he’d have loved as a kid. Space exploration. Justice. Love. ‘The… war romance, right?’

‘Yes!’ Tali’s legs bounce. ‘It’s – keelah, it’s so good, it’s – it’s about this girl, Shalei, who’s on her pilgrimage. And she’s interested in the geth, because she’s got this dream of finding a way to defeat them and take back the Homeworld, right? And when she finds something, she goes to the Citadel for help, but no one will listen except this one turian called Bellicus –’

‘Hold up. Wasn’t that… exactly what you were doing when we met you? Minus the turian, I mean.’

Tali ducks her head, suddenly shy. ‘I… I really, really like the vid.’

No kidding. Kaidan smiles. ‘So let’s watch it.’

His head still feels like a bombsite, and when he thinks about all the things he wants to be doing for his crew and isn’t, the rest of him hurts too. But maybe he’s still doing something for his crew, sitting in the med bay with his sick squadmate – his sick friend – and sharing her favourite vid with her. Maybe he’s doing something for him, too. He doesn’t do that too often.

Tali props the datapad up on the table between their beds, her whole body one big smile. ‘You’re going to love this,’ she promises, and presses play.

[etaleah]

Seems like there are some headcanons about Shadow being tortured or otherwise mistreated/abused by Gerald and the other scientists, so naturally there’s folks saying, “There’s no evidence for it! That never happened!”

But here’s the thing: there’s more than one kind of torture. And I would argue there’s more evidence than you’d think.

When we think about torture, our brains tend to default to the most extreme examples, like water boarding and cracking a whip, but those aren’t the only ways to torture somebody. It’s worth remembering that Gerald literally implanted false memories into Shadow’s brain. He made it so that Shadow could not trust his own memory. His own head was lying to him. He thought an altered memory of Maria was real. How is screwing with someone’s memory and mind like that not a form of torture?

It’s also worth remembering that Gerald Robotnik and presumably his research team were VERY willing to cross or at least bend ethical lines to get what they wanted. They were willing to make a literal deal with the devil, potentially sacrificing all of humanity in the process. They did the same thing that the parents in My Sister’s Keeper did, create a living being with the intention of saving another living being, without any thought to how the created living being would feel about that. Gerald refers to Shadow as “It” in his diary in SA2, revealing that he did not see him as a person. And this is without even getting into the fact that Gerald was crazy enough to blow up the whole world because of what a few military folks did. A plan that would have gotten Shadow killed too and almost did, not that he cared.

You’re telling me that guy wouldn’t have been willing to medically abuse Shadow and insist it was justified because Maria?

To me, the most interesting what-ifs about Shadow being mistreated on the Ark are situations where he doesn’t know he’s being mistreated, because he trusts the people around him to have his best interests at heart, since at this point he has very limited life experience and doesn’t think he has any reason not to.

Do I think Gerald or the scientists ever took off their belts and beat him? No. There wouldn’t have been any reason for that and Shadow wouldn’t have allowed it. But do I think they could have crossed a few more ethical lines during their tests and research on Shadow? Absolutely.

I could see them getting Shadow’s consent to do a blood test and then taking a little more blood than they actually needed to see what else they could do with it, not caring that it would weaken him or make him dizzy. I could see them telling Shadow that a procedure is for Maria’s cure when it’s actually for weapons development, or telling him something won’t hurt when it will, and then acting like they didn’t know. I could see them knowingly pushing Shadow past his limits during the testing/training and then insisting he just wasn’t trying hard enough. I could see them not offering him pain relievers even though he’s in pain because how else will they get an accurate measurement of the ultimate life form’s endurance and healing capabilities? And hey, what he doesn’t know won’t hurt him, right? They don’t have to tell him that pain relievers are an option.

You’d be surprised at how well abusive family members can hide their abuse. Sometimes they hide it so well that not even the victim knows they’re doing it.

And honestly? I think there’s a reason that, out of all the people who would have been on the Ark, Maria is the only person Shadow misses. I think there is definitely a reason he never mentions missing anyone else.

[dee-the-red-witch]

…a lot of folks just see themselves in the mirror. Before I came out and started my transition, I mostly saw static- I'd gotten really good at making my brain just tune out what I was feeling about what I was seeing. But once I stopped hiding from myself? The litany my brain went through every time I saw my own face was way too loud and clear.

Chin too wide. Forehead too big. Brow ridge is massive, you have to keep your eyebrows constantly raised just help hide it. Where's your upper lip? It doesn't matter if that's been your hairline from birth, that fivehead is terrible.

And more. It was even worse before I'd started laser for my facial hair and found a stylist that does amazing work reshaping my eyebrows. And none of it is vanity. It's just my brain doing it's own best to hurt itself with all the reminders of a puberty that went in the wrong direction. Of the fact that I wasn't a girl.

And I want to point out something- all these features I've listed? They're all present in cis women. Gorgeous cis women. There's nothing inherently male about any of these. Hells, on a good day, I pass as a woman in public without much issue, which is something I never thought would happen.

But this isn't about passing. It also isn't about ultimately going stealth and hiding the fact that I'm trans. I fully intend to stay loud about that for the rest of my life. It's about being able to look in the mirror and not want to scream about everything that doesn't match what's in my head at all. It's about making that list shut up. I can see past it sometimes. Just sometimes. But that's why the second of these two surgeries I'm having needs to happen. So I can see it more often. So I can be myself, without the horror movie litany in my head.

And the fix for it? In my case it's the following, since I didn't want to deal with implants or fillers. Bone reduction in the chin and brow- make the former narrower and reduce the brow ridge entirely. Adjust the upper lip with a slight pull upwards, done just under the nose. Since my skin's going to be loose from the removed bone, use it to pull things a bit further by bringing my hairline forward and down a touch. That';s it. slight adjustments that'll leave my face looking like I got hit by a truck for the first six months of recovery, but afterwards, a face more like what I expect to see in the mirror.

And yes, this post is happening because GFM once again reminds me to give detail and insight about the medical needs I need covered to my audience. And for those of you unfamiliar, maybe it at least gives some perspective. I don't think they quite knew what they were asking for with these particular cases, and I'm hoping I didn't just horrify the lot of you with this. But when it comes to asking 'why I need to do this'? This is part of it. Making some of my life that much less of a struggle.

Anyways, thanks for taking the time on reading through this one if you've gotten this far. If you can, please, again, share this fundraiser around- I've got a long way to go still, but I'm hoping I'll be able to make it.

137 days to go.

[lostwords-found]

Oh god. Okay. SO. The Protocol red string board is going places and I am chewing drywall.

Note: I've been working on this post for a few days and nothing in here involves episode 27--I don't talk about episodes before they're out for everyone, so no worries about patreon spoilers.

Quick recap of some suspicions about Protocolverse I've written about previously:

1. I think this universe runs on a kind of balance of good & bad luck (or suffering and happiness), and that it's possible--under certain circumstances--to pawn the bad stuff off on other people and keep the good that arises to balance it out. I suspect a big piece of Protocol's overarching plot is going to be about the different ways people go about trying to come out ahead in that bargain.

2. I think some alchemists figured out how to attach bad luck and/or other similarly abstract ills into physical form.

3. I think they were trying to use this to cast out bad luck to other worlds (including that of Archives) and get good luck back. I think this is how the Fears got to Archives in the first place.

4. I think the books and coin in the tomb from MAG 23 got there this way, probably with the involvement of Protocolverse Albertus Magnus. The year on the coin -- 1279 -- is the year before Albertus Magnus died.

We'll come back to that stuff in a bit.

There's an apparently minor detail that was nagging at me recently: in TMAGP 22 Hans Berger specifically mentions having switched to silver wires in his experiments, and this change enabling his breakthroughs. It's through these silver wires, implanted directly into Herr Schmidt's brain, that he later receives the desperate telegraph signals that appear to be from a previously unheard part of Schmidt's brain.

By itself, that wouldn't ping any alarms. Silver wires are in fact what Berger used in real life; silver's highly conductive so if you're trying to read electrical impulses from the brain, probably a good choice of material. But the writing is very deliberate about mentioning them, and coming only three episodes after another historical letter about a scientist also working with silver -- Newton's tree in TMAGP 19 was a fantastical variant of a Tree of Diana, dendritic silver -- Berger's wires start feeling like maybe they're not just there for accuracy.

If, as it appears from Newton's work, consuming silver in certain forms can cause a new kind of consciousness to arise--and also, uh, turn you into a tree--what might implanting silver wires in a human brain do? Is the silver contacting or awakening something that was already there, or is it putting something there? Was that desperate OUT OUT OUT message really from half of Herr Schmidt's mind--or from something in the wire itself that was trying to get out?

That would be weird though. I mean--what, Protocolverse silver's inherently evil or something? But then I got back to thinking about alchemists trying to transmute things into precious metals. Gold's the one we mostly think of, but silver was also of interest. Which in real life is where you got stuff like the tree of Diana--alchemists thought that was a precursor to the philosopher's stone.

So... then I start thinking, if I was right in my other post that alchemists were figuring out how to put evil / misfortune / suffering into a physical form that could be used to transfer it somewhere else, what if silver was involved in that? What if they were either turning misfortune into silver, or trapping it in silver that already existed?

What if they did that, meaning to send it away, and some of that silver made its way into use?

Then I started looking some stuff up.

Did you know silver used to be mined in the Black Forest, in Germany? One mine there had a name meaning "Blessing of God." That mine dates back to the 1200s--Albertus Magnus's lifetime.

Did you know that starting in the 1600s, the G strings on high quality violins were typically wrapped in silver wire?

Do you know why movies are called the silver screen? In the 1920s, literal silver was used to make cinema screens. This fell out of favor as other cheaper designs were worked out, BUT in the 2000s silver has come back into use a bit because it works well for 3D movies. I would not be surprised at all if the screen that Tom went to see Voyeur on had silver in it.

Did you know that in the early 90s there was a specific plant in the UK that manufactured CDs covered with a layer of silver? This later turned out to cause some problems as the silver reacted with sulfur (oh hai, another alchemically significant substance!) and slowly degraded the discs. In real life these CDs were manufactured up through 1993. Per TMAGP 10, Mr Bonzo made his debut in '96 (the interview is from 2021 and is the 25th anniversary of Mr Bonzo's first appearance). The two times Mr Bonzo has appeared in person he's been summoned by playing a CD of his theme song. I wonder where and when those CDs were manufactured...

Did you notice the caterer Lady Mowbray hired in TMAGP 15 mentions that his company did silver service events? Betcha that particular feast was served on literal silver platters.

...I'm starting to think it's a really good thing ink5oul didn't end up tattooing Gwen with that silver spoon.

Okay. This all seems like there's maybe a theme here, but let's take a step back. Some materials have just been used for a lot of things throughout history; it could be coincidence. IF the above is actually on the mark--IF these were all intentional majorly-plot-relevant inclusions of Things Wot Involve Silver--where else would we expect to see this cropping up in the story? Because the topic of silver has barely been raised directly at all; I'm extrapolating wildly here, mostly on the basis of a couple episodes.

Well, here's a thought: silver was used in everyday currency for a long, long time. If there was a bunch of Evil Silver floating around surely someone would have stuck it into some money at some point. "Ill fortune" in the most literal possible sense, or whole new meaning to the phrase "bad penny" -- there are various bad jokes there that more or less write themselves. Though whoever was doing this would have had to to mark the bad money somehow so that they could avoid it...

Hey, um, remember how the OIAR's offices are in the building that housed the Royal Mint for like 150 years?

Actually, while we're on that subject, here's a funny little tidbit: Before it moved to Royal Mint Court, the Royal Mint was in the Tower of London for several centuries--its first home after being centralized. Wanna guess what year the Royal Mint was established in the Tower of London? Go on. Guess.

1279.

The same. Fucking. Year. As was on that coin waaaaaay back in MAG 23. Which was a thing I had noticed a while back when looking at the Germany eps, but I hadn't been considering a "what if some metals can be Bad" angle at that point and had just written it off as an odd coincidence.

Which I mean, it's probably still just a weird coincidence, I'm building this entire elaborate framework out of assumptions on top of assumptions on top of -- hang the fuck on, let me look something up real quick, I've gotta be misremembering--

I'm not misremembering! Isaac Newton was the Master of the Royal Mint for the last 30 years of his life.

Cool. Okay. So that's--hm. I think I'm genuinely starting to convince myself none of this is a coincidence.

Then I start poking through Wikipedia, and you wanna know some other interesting things? One, Newton himself apparently saw his work in economics as a continuation of his alchemical work. And two, during his tenure at the Royal Mint, he put limits on how much gold people were allowed to exchange for silver, and this led to a silver shortage. Because apparently, when other countries imported goods to them, the British paid for those goods in silver coins. When they exported goods to other countries, though?

They would only take payment in gold.

And there it is--there's the exact outsourcing scheme I was looking for. Stick all your suffering and pain and misfortune into your money, use that money to pay other countries, and get only the good stuff back. That... sounds really believable for the British Empire, honestly.

So I really think I might have some decent guesses on the historical stuff at play here. That only goes just so far though, because these days, silver doesn't really get used in coinage much.

Know where it does get used? Circuits. Electronics.

Computers.

If I'm right, whatever machinery the Mint used to store the intangible evils of the world in physical coinage for exportation, I would guess the OIAR is now using to instill all of those evils into FR3-D1 instead. One all-containing artifact of misfortune.

What the endgame is there, what the government gets out of it, I'm still not 100% sure--but I can't help thinking about Jonah's line in MAG 160 that Jon is not the Archivist but the Archive. That he is the record of fear, the physical embodiment of it.

There's people wanting to outsource absolutely fucking everything to AI these days, I guess.

SO THAT'S BEEN MY WEEK this is what my brain does when I have to drive all the way across the US alone, apparently. How are you all?

[lonepower]

ok you know what i need more bodysharing/brain roommates. malevolent got me feeling some kind of way and I need MORE. tvtropes has like 15 different categories that are all sort-of-but-not-really under the umbrella of what I'm looking for, and sorting through all of that is a little too unwieldy, so I'm turning to you guys. 

key factors of the specific flavor of "multiple consciousnesses stuck in the same meat suit" that I'm looking for are:

any variation of, a human (or this universe's equivalent [so like, an elf where elves are commonplace would count]) has another, nonhuman consciousness attached to them and only them in such a way that the two can communicate, and subsequently

they Banter Constantly

^that^ is probably the most important qualifier here tbh

second most important qualifier is that they are not separated at the end (this obv. doesn't apply if the thing is still ongoing). it's okay if the passenger gets a new body (cf. subnautica) or is freed from their binding (cf. baldur's gate), as long as the partnership isn't broken.

Related: they don't actually have to SHARE a body (so enchanted objects, an AI implant, a Mysterious Disembodied Voice, an imaginary friend, etc., also count). they just have to be tethered to each other such that the passenger cannot move around or function on their own without a host. (I think this is part of why it's hard to narrow down on tvtropes: it's more about the dynamic than about the specific mechanism of "possession".)

Third most important qualifier is that only the current host can hear/communicate with the passenger, even if other people around them are aware of the passenger's existence.

two humans stuck in the same body is okay as long as the other criteria are met, but I would prefer it if the host is human(/equivalent) and the passenger is not (or vice versa if the passenger/possessor is the one with control of the body, as with things like the yeerks, most demonic possession, etc).

it doesn't have to be romantic. they don't even have to like each other. conversely, it absolutely can be romantic too.

They DO have to be the POV character/s for a significant majority (like, at least 60-75%) of the work, because the internal back-and-forth is the entire point.

Bonus points if: they do actually share a body; they are either never physically separated either, or are rejoined at the end (voluntarily or otherwise); passenger has lots of setting-relevant knowledge/an alien or fantastical perspective, while host shows passenger what it's like to be Alive™; despite constantly butting heads, host and passenger work patently better as a team; super extra bonus points for all of the above 

My favorite examples of what I am looking for:

Malevolent podcast (super extra bonus points x10000000000000000)

Venom movies (this is probably the codifier for most people here tbh) (super extra bonus points)

Subnautica: Below Zero (AL-AN gets their own body but stays with Robin, and it hits all of the others)

Forspoken (super extra bonus points)

the "a bagel. two bagels." vine

(I know there's a couple others that I'm just blanking on. If I remember them, I'll add them.)

other things that have moments or flavors of this, but aren't focused on it/don't quite hit all of them:

the Bartimaeus trilogy had it at the end a little, but, well. it didn't last very long. (i STILL haven't recovered from that ending and i was, what? 15 or something? g o d)

the emperor in bg3 kiiiinda counts since they're magically bound to the player/party and can't exist outside their prison, but they do have their own body and are not nearly as chatty as I'm  looking for. also, while only the holders of the prism can hear them, All of the holders of the prism can hear them and I'd really prefer one-on-one.

I think Death Note would also count? I read it in like 6th grade and never finished it so my memory is patchy At Best, but since nobody else can interact with Ryuk, he's bound to whoever holds the notebook, and he's the supplier of the holder's powers, it's close enough that I would accept something similar.

Slay the Princess has the bickering in spades and fulfills the "do not separate" criterion depending on your ending, although the jury's out on whether the voices are Actually their own entities or just symptoms of you losing it. Also, nobody in it is human. The bickering is definitely good enough to make up for it though. (The fact that it's Jonny Sims clearly having a grand old time might have something to do with it...)

with the caveat that I have not watched any of it, i think jadzia (and?) dax from ds9 miiight count, but they're part of an ensemble cast and thus fail the "pov characters for a majority of the work" and "we get to hear their constant internal banter" criteria.

things I tried that fit at least some criteria, but didn't like for various reasons:

the good demon by jimmy cajoleas. promising concept, but 1) the protagonist smokes, which is an instant and unnegotiable dealbreaker (seriously, who makes their protagonist do that in The Year Of Our Lord Anything Later Than 1950?? and to a child? DEATH. ONE MILLION YEARS DUNGEON.), and 2) I looked it up and they separate at the end anyways, so there's even LESS of a point. 

the venom comics. honestly I just... really dislike superhero comics, there's always way too many of them to keep track of + I'm very shallow and they're usually unbearably ugly to me (and also having started with the movies I just found comics!eddie really unpleasant tbh) 

parasyte manga. perfect concept, great dynamic, but its particular brand of body horror was... not great for me and I had to put it down. (horror in and of itself isn't a dealbreaker, though, so if you've got something similar that doesn't involve lots of hands bent at nauseating angles, I'll gladly take it.)

Cyberpunk 77 has the two-humans flavor of this and hits almost all of the other criteria, but i viscerally hated literally everything about j*hnny s*lverhand with every fiber of my being and the rest of the game was so mediocre already that i just gave up

....I know it's a highly specific/potentially niche dynamic, but if anyone has any recs, PUHLEEASE hmu!!! I'm looking for original work rather than fanfiction, but apart from that, format doesn't matter at all (although if it's some like super difficult indie game or something, I probably won't get very far lol). the MAIN points are 1) bickering and 2) host-and-passenger, so if you have something that hits those but not the others, feel free to share it anyway!

[do-you-ship-this-comic-ship]

propaganda:

THE canon comic book couple OF ALL TIME. They are SUPERVILLAINS. they are FRENCH. They are QUEER. They are a SUPER INTELLIGENT GORILLA and A LIVING BRAIN IN A JAR. They have both died multiple times, yet have inexplicably come back with zero explanation, thereby making them canonically immune to the burry your gays trope. They have historic beef with a group of ACTUAL TEENAGERS. Oh yeah, and did I mention they are A GORILLA AND A BRAIN. They are the embodiment of how batshit insane superhero comic book lore can get in the best way possible. 

Basically, their backstory is Brain was once a human scientist who took a wild silverback gorilla and raised his IQ to 178 with the power of mad science experiments, originally planning on implanting his own brain into Mallah’s body. But seeing how intelligent Mallah became and becoming attached to him, the scientist couldn’t bring himself to go through with the experiment, instead making Mallah his lab assistant. Then the scientist gets his body burnt to a crisp in a lab “accident”, which may or may not have been orchestrated by his rival, Niles Caulder (and tbh thats probably the case considering the other shady shit The Chief’s done but that’s another can of worms entirely), and Mallah saved him by transferring his brain to a jar-like life support vessel. Thus starting the scientist now known simply as The Brain’s mission to get revenge on Caulder and take over the world, becoming an arch villain to the Chief’s team the Doom Patrol and later the Teen Titans. Mallah and Brain would pretty much be your basic henchman and villain duo for most of thier existence… UNTIL Grant Morrison’s Doom Patrol run in the early 90s, where after stealing one of Doom Patrol member’s Robotman’s spare robot bodies, Brain and Mallah confesss thier love for eachother, sharing a kiss… before the robot body housing Brain explodes and kills them both.  

Don’t worry though, they got better.  

What I find most insane about Mallah and Brain, you know, apart from the fact one of them is a whole ass gorilla and the other is just a brain in a jar. And the fact Grant Morrison and other writers not only had the sheer audacity to make such a bonkers and strangely disturbing couple canon, but stick with it being so, is that fact that their relationship is… genuinely compelling??  

Like, there are so many stories where their motivation is just getting brain necessities like a new body. Because he longs to feel simple sensations again like being able to smell flowers or drink tea (and also fuck nasty with Mallah, as he deserves). And Mallah is 100% ride or die for Brain and does everything in his power to help him. From trying to break him out of a prison ship while fighting superheroes Apollo and Midnighter, to the aforementioned finding him a new body, to kidnapping an orchestra to play for Brain because the tickets to thier show were sold out and felt bad about not getting brain tickets. More often than not, especially with the body stuff, its foiled or tragically backfires, but Mallah never stops trying to give his partner a better life and make him happy. Even if it means them both being doomed in some way. It’s both bizarre yet compellingly tragic and oddly beautiful.  

Plus there are a ton of smaller moments between them, like their old married couple energy bickering, Brain venting to Mallah about how no-one in the hero or villain community takes them seriously, to them chillin’ in bed together having a philosophical debate over what kind of dancer god would be. 

 In spite of how bat shit insane their relationship is, and all the evil things they’ve done as villains, you can’t help but be endeared by them and low key kinda root for them. 

Even though in the main line comics, brain and Mallah are broken up as of the latest Unstoppable Doom Patrol run, with brain dead (thanks to Mallah betraying and murdering him) and Mallah going off to do his own thing by taking over a city with the other villainous DC apes in the Ape-ril Special one shot (which I mean tbh good for him), someone at DC seems to have as much of a soft spot for these two as much as I do. Since they’ve appeared as a couple in other recent DC continuities/adaptations, such as the Peacemaker Tires Hard miniseries and, of course, My Adventures With Superman. Which I am more than happy about.  

Don’t get me wrong, I completely understand why most people wouldn’t be a fan of Brain and Mallah and their ship for… several reasons. But come on man! It’s a French Gorilla and a Brain in a jar who are supervillains and madly in love! How can you stay mad at a canon queer ship that delightfully bonkers!? 

[sakuralovespossums]

Human Frylock x GN Reader

Honestly, you getting with Frylock makes the most sense

He’s objectively the most attractive, smart, charming, good with kids, you get it

But just cuz he’s the most humble, doesn’t mean he isn’t equally insane

There was a whole episode where he went full yandere and implanted his brain in the corpse of his crush’s dead boyfriend

BUT HE’S STILL A KEEPER!!!!

Calls you “babe” or “hon” often

Always has an arm around your waist when going out

It’s also a subtle way of showing people your his when someone tries to hit on you. He doesn’t get aggressive or anything but his usual frown does deepen and his tone gets more blunt

If the harasser still doesn’t take the hint and really gets on his nerves, he’ll use one of his inventions to brutally mutilate them then act like nothing happened

Other than that, he’s still generally a pretty chill guy and is the best boyfriend

Always plans ahead for alot of things like dates, trips, grocery shopping, special events (my ADHD ass is so thankful)

For those who deal with periods, he even keeps track of your cycle for you and buys all the things you need like pills, snacks, blankets, etc.

His deep voice is so soothing and he takes full advantage of it lol

One time you saw him without his goatee and you swore for a millisecond he was someone else. It’s just so weird seeing him with a bald face

Shake is an annoying pest who’s always following you around and tries to convince you to ditch Frylock and get with him instead

Carl just thinks your a weirdo for wanting to date one of his weirdo neighbors

There are days where you just walk into your bf’s room and plop your chin on his shoulder as he types away on his computer. No words. Just silence and occasional kisses

He def wears cologne

The only guy to ever make braces look hot

It would be cute if you guys met at one of those prestigious universities like Harvard or Yale. Either you bumped into each other in the same dorm/class building or were assigned to work on a project together. You guys slowly bonded and became friends, to eventually something more

You help him put in his yellow hair dye every few weeks, but you also really like seeing his natural hair color

One time you put in the wrong hair dye by accident and Frylock was left with an ugly colored hair for weeks. You desperately tried to hold back your laughter at seeing how moody he was with messed up hair. Shake wouldn’t stop making fun of him for days

You can’t help but feel a bit bad for him as he has to deal with his chaotic roommates (mostly Shake) all the time, so you help him however you can

Cooking and bringing him food, dragging him out of the house to your place or somewhere fun, buying new science supplies or books with him

He used to go shop for those by himself, but now can’t think of doing it without you since you make it way more fun

He never quite realized how lonely he was until you came along

He teases you about wearing his red sweaters all the time like it’s yours now and sometimes chases you around the house to “get it back”

Frylock is noticeably in a better mood when he’s with you. He doesn’t smile but has an upturned smirk instead of his typical frown and always plays along with whatever joke you tell him. That’s how much in sync you guys are

Everyone sees you two as Meatwad’s parents (his teachers, the neighbors, hell even Carl and Shake)

It doesn’t help that you often go with Frylock to Meatwad’s student/teacher conferences

Or play with/babysit him when your bf’s too busy

Or how you and Frylock always hold Meatwad’s hands when walking to the park

Or come to Frylock’s aid in lecturing him why he’s still listening to MC pee pants when his bed time was an hour ago and………..

Ok maybe you are his parents

NSFW stuff

I just see him as a top. He likes being the one to lead but will let you take the reigns if you want

Again, he uses his voice to his advantage ;)

He likes using toys depending on the mood

I feel like he would tell you he doesn’t mind if you sometimes wanna go solo with your toys (nothing wrong with sexual independence) but secretly grumbles and is jealous lol

Shake has def walked in more than once just to annoy you two and ask if he can join

*slams the door in his face*

He has more length than girth

Frylock has a pretty well toned build, which really doesn’t help make you any less desperate for him

And maybe also make you feel a bit self conscious of your own body. He tells you he finds you gorgeous just the way you are

You love how his goatee scratches your skin, lips, thighs, everywhere as he kisses you all over

Is so amazing at aftercare. Always checking if he didn’t go too hard on you, gets you a towel, water, snacks, anything you need

[monsterblogging]

So, it finally clicked that while the average person does in fact broadly comprehend that people are neither good nor evil - they're good and bad, and have free will - they also can't understand why some people would fully commit themselves to completely awful causes or to being a terrible person throughout their entire lives. They can't really picture how this works, because they can't imagine themselves choosing to die on a hill of Being A Terrible Person.

This void in their comprehension is where the myth of the Ontologically Evil Person is very likely to come and settle in sooner or later, because it seems to finally provide an answer that makes sense of otherwise senseless cruelty and violence. Agonizing questions like "Why would my boyfriend spend so much energy on making me feel like shit and breaking me down?" "Why would this historical figure decided to kill all of these people?" and "Why would this guy go start a cult and murder everyone?" are finally given an answer, and the formerly-bewildered person finally has some peace of mind.

Because of this, the myth of the Ontologically Evil Person is incredibly hard to get out of people's minds once it takes root. For one thing, bad ideas are like bad habits; it doesn't really work to tell people to Just Stop With Them, because without something else to take its place? They're going to fall back on it.

And if somebody's been traumatized from abuse? The last thing they want to hear is that they're basically dehumanizing their abuser and that's not cool, because it feels to them like the other person is taking their abuser's side and telling them to get fucked. Even if this not what's happening, the survivor's brain is currently operating on fight/flight/fawn/freeze mode, and a brain operating fight/flight/freeze/fawn mode is keyed to making snap decisions to try and remove you from the danger as soon as possible, which means categorizing everything into black and white. This person couldn't care less about the history of eugenics right now; literally all they care about is being safe.

"Okay, so if the Ontologically Evil Person doesn't exist, how the hell do you explain those fuckers over there?" some of you are probably asking.

Here's the deal. Literally every human being alive can and will do terrible things if they're sufficiently scared and desperate. They're in no position to appreciate that nearly all asshole behavior can be explained by a lack of critical social and self-management skills, or by a lack of access to self-improvement (including being too traumatized to trust means of self-improvement).

People who are scared, insecure, and under high levels of stress will often cling to anything that makes them feel better, because they want to feel safe and secure and not in psychological and/or physical agony. (Stress does an absolute number on your body, too.)

Being reliant on a shitty behavior, belief system, or product for some measure of feeling secure and safe is how you get people saying things like "If I didn't act mean, everyone would just walk all over me!" or "I was really depressed before I found this, so if I gave it up I'm going to get depressed again, and I might hurt myself." (And there might be some truth to this one! This might indeed happen if they give it up cold turkey, and without finding an alternative!) It's how you get people conducting """scientific""" studies to """prove""" that their bigotry is totally justified and not at all irrational. ("Well of course these people are genetically inferior, they wouldn't be poor and disease-ridden if they weren't... what do you mean, systemic inequality and uneven healthcare access? No that's obviously fake and made up by More Bad People.")

People also act in unhealthy ways to deal with personal insecurities implanted by parents or society. You have people out there whose parents drummed it into their heads that second place was for worthless losers, or that no one would love them if they didn't look or act a certain way. You have people who absorbed the idea that acknowledging the basic humanity of shitty people means that they have to forgive them and personally help them get better and just suffer through the abuse in the meantime.

This is how people choose to die on the hill of Being A Terrible Person. They weren't ontologically evil. They were scared, and they thought they saw a fortress on the top of that hill that would keep them (and perhaps also their loved ones) safe.

[yukikogazingthestars]

“Oh, I guess that’s the way things go”

Dazai being dazai and his s/o wasn't too happy this time

fluff and angst/ verbal bullying (if you squint)/ Dazai is a little bully here/happy ending

Oh, Dazai is the world number one bully. He is mischievous, playful and even goes far to do harmless pranks. Kunikida is having high blood pressure and Atsushi has to fry his brain to understand Dazai’s strange jokes. But,the most miserable victim is his naïve and airheaded S/o who never knows or has a clue about what Dazai is doing or saying. Dazai loves seeing his S/O try to use all of her brain to understand what he is saying. She is struggling and even steam comes out from her head. But, in the end, she has to give up and asks him what he was talking. Dazai laughed and pinched her cheeks, calling her ‘’DUMMY, MY PRETTY DUMMY "and he will explain his jokes or his puzzles while he was still grabbing and pinching her cheeks. “Please stop, you’re hurting me” said his S/o while she was trying to remove his hands on her cheeks. But Dazai won’t stop. Instead, he would squash her cheeks and kissed her pouted lips telling her that how much he enjoys kissing and squashing her.His S/o scolded and struggled him but, in the end, she also loved to be bullied by her beloved brunette man. She would cry a little and Dazai will be, “Awwn, is my pretty dummy crying? Shh shh”and he will shower her face with a lot of kisses. “You are a meanie, bully”. She would scold at him while she was being showered with kisses and Dazai replied with giggles and more rough kisses.That is their daily routines that everyone in the ADA neglected. But his S/O sometimes suspected if Dazai is just teasing her or he really means that she is dumb. Of course, she knows she is not as smart as him, but, her brain function pretty well, and she can even solve mysteries in life-or-death situations. That has been annoying her mind for a long time. She met with Fyodor in her last job where she has to investigate a murder case. When Fyodor learned that Y/N is Dazai’s girlfriend, he decided to mess with their relationship, so he planted some doubts in her mind. He would gladly watch Dazai and Y/N breaking up and Dazai in great mental distraction with a sip of tea. Fyodor kinda found Y/N is cute, and a little dumb but he knew she couldn’t be manipulated easily since her mind is strong and her IQ is above average so he can only implant a little doubt. “If he really cares or loves you, why does he make those mean comments?“asked Fyodor when he heard Dazai is calling Y/N Dummy on the other side of phone. (OH GOD, THAT RAT’S WORDS ARE MESSING IN MY HEAD) She cursed in her mind remembering the event that happened last week. Y/n is feeling unwell today. Headache, mentally exhausted, hungry, energy drained, period cramps and not in good weather.It was her time of month and she sighed trying not to annoy herself. She overworks today since she couldn’t catch Fyodor that day thanks to her distraction. “Y/N channnnn” There Dazai is, rushing to her desk, putting his one of his hands on her shoulder and putting his chin on her head. His other hand is hugging her waist. Dazai is as usual, clinging on her and talking about his assigned job.She couldn’t fully concentrate on his talk because of period cramps and stress but she didn’t show it since she didn’t want to make Dazai sad just after a tiring job. “So, who is the culprit in this case” Dazai asked. Since Y/N didn’t pay attention in his speech, she couldn’t grasp small detail from the case and she is now too immersed in her current report, so she simply answered,” no“and put all of her focus on the report again. Dazai laughed in his signature pose and he hugged her tightly while he called her,” Of course, you won't know, My little dummy”. He even hugged tightly her waist and it pushed her to her limit since she had been working under period cramps and stress all day.

SHE TRIED SO SO HARD AND HER LOVER IS CALLING HER DUMB AND DIDN’T EVEN SEEM TO NOTICE HER HARDWORKING.

“WHAT IS WREONG WITH YOU? OKAY, IF YOU FEL SO SO UNEASY WITH ME, LET’S BREAK UP”

She screamed, pushed him away, left the office and slammed the door.

Everyone in ADA watched the drama with horrifying and surprising look since it was the first time they have seen the lovebirds (especially Y/n) to be in a fight. Thanks to Fukuzawa and Kunikida away for the meeting. If they were here, Dazai and Y/n will be reprimanded for not being professional in their workspace.

Dazai was shocked by his always sweet and lovely S/O out bursting but he suddenly realized that it was his fault, so he ran after her. Well, they aren’t the same universe with those Bollywood movies and Y/N is afraid of being cut off her salary, she didn’t run away far. Instead, she just visited Uzumaki café and ordered hot chocolate big cup to smoothen her tired mind and body. She sat down, closed her eyes and massaged her temples to relax the tensing nerves. Suddenly, the sofa sank, she felt warm, and a pair of warm hands hugged her warmly and securely. A soft kiss landed on her cheek.

It was Dazai.

A familiar fragrance of perfume soften her heart and she felt warm and wanted to cry, yell at him but she decided to ignore to get more affections and princess treatment.Dazai saw the token which was written “hot chocolate “on it and he realized it was her time of the month and she was clearly in pain, but she was trying really hard. He felt more guilty and remorse.

“Dear, I was wrong. I didn’t realize that I was hurting you. I am sorry”

“Go away “she pushed him but softly and gently.

Dazai sighed and lay down on the sofa, put his head on his S/O’s plump laps.

“What the hell are you doing? Get off me!”

“I am so sorry Y/N.” Dazai apologized again. Y/N knows this soft tone of his. He was really sorry and controlling himself not to cry. His gaze looked so painful and so regretful, so Y/n decided to forgive him. Actually, she also can’t be angry for too long. So, she gently rubbed her lover’s brown and silky hair and flick his forehead.

“Buy me hot chocolate and brownie and I’ll forgive you”

Dazai scoffed and nodded,

“As you wish”

''You are such a bully" She was tracing his face with her soft fingers'.

"But I still love you and I guess that’s the way things go"

[epickiya722]

I think about how Yuji is sometimes not told things because the reasons may be someone wants to spare his feelings or just to make sure Sukuna doesn't know what they're planning but either way Yuji is looked out the loop of things.

He doesn't know his parents (even though Wasuke tried to tell him) and therefore doesn't know he is related to Sukuna via soul reincarnation. Megumi and Nobara decided not to tell him about the Cursed Fingers resonating and he probably wouldn't know if Sukuna didn't say anything.

He probably didn't know Todo's condition until these recent chapters, just as he didn't know about Todo coming back to fight. He definitely didn't know about the plan to have Yuta's brain be implanted in Gojo's body. He didn't know and wasn't told that Inumaki lost his arm because of Sukuna, probably was told it was some curse.

Hell, the reason Megumi was able to get possessed by Sukuna because Yuji did not know about the Binding Vow Sukuna made with him (Yuji) because he was made to forget it!

It's just something I think about and imagine how Yuji would because he is one of the most human characters while also not really being human. So a lot of the things he isn't told, if he had found out it would just come crashing down on him.

Not telling him anything comes with good intentions but it comes with dire consequences.

Like, part of me is dreading the next couple of chapters because of how Yuji would react to realizing what Yuta had to do.

Imagine being him. He just saw his teacher get cut down and killed by the same guy who has been nothing but a curse on his life (even before he was born, again Yuji doesn't know) while possessing the body of his friend that he wants to save and then he fights along his senpai who has to clock out the fight because of an injury Yuji didn't even know killed him so now he has to see the results of that.

(Note: before anyone say anything and someone will, Yuji was only shown once in the flashback of 261 and it wasn't a time they were discussing the deal about Gojo's body.)

[cripplecharacters]

Mods

[large text: Mods]

Sasza

[Large Text: Sasza]

Hi! My name is Sasza and I use he/him pronouns. I am a disabled artist who loves to write and draw characters like me! I am autistic, (mildly) intellectually disabled and have several physical conditions including-but-not-limited-to dyspraxia, severe hyperkyphosis, cranial nerve diseases (causing double vision, chronic pain and a facial difference among other things), and hypermobile joints. Sometimes I use a cane. I'm very passionate about accessibility and disability representation in all kinds of media - books, comics, video games, and any other kind of art that's out there!

Bert

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Hello! I'm Bert (previously Mason), and I use he/they pronouns. I am a writer who loves to write plays and fiction with characters like me and my friends. I am autistic and have ADHD, I have psychotic PTSD and a DID system. Physical health-wise I have migraines, fibromyalgia, and a lateral lisp. I love talking about representation and ways we can make a kinder and more inclusive space everywhere we go.

Sparrow

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Hi, I’m sparrow, they/he for me. I’m a disabled artist who makes a lot of disabled characters like myself and probably like a quarter of the world. I have autism and ADHD, among other brain things, as well as chronic pain in both my jaw and my knee and ankle. I also have POTS and some sort of sleep disorder. I am a sometimes cane user as well. I really enjoy research and thoughtful art that makes people feel seen. Aside from that, I am a huge fan of historical fiction and really enjoy fantasy as well.

Rot

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My name is Rot, I use all pronouns including neo pronouns as well as any rot and insect themed nounself pronouns. I’m an artist who loves putting disability in my stories. I’m mostly undiagnosed due to medical neglect and have chronic fatigue, hypersomnia & chronic pain that ranges from mild to debilitating. My known disabilities are pots, ganglion cysts, nerve damage, tics, autism (level unknown), asthma, GERD, anxiety and psychosis. I have a metal implant, use a cane and am mostly verbal and use aac infrequently. I have experience with temporary palsy, needing carers (family members who stepped up, not hired carers) and being in a wheelchair, though I currently don't have any of those.

Virus

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Hello! I go by Virus and I use She/Her but anyone can use any pronouns for me, have fun with it. I'm a writer—mostly fanfiction—who has been in fandom very long and used to be a classical musician. I have Hypermobile Ehler Danlos Syndrome along with it's fun co-morbidities (MCAS, POTS, Gastroparesis, Fibromyalgia, and Von Willebrandes). I also have Pan-Hypopituitarism which is the following: Adrenal Insufficiency, Hypothyroidism, Diabetes Insipidus, Precocious Puberty, Growth Hormone Deficiency, Hyperprolactinemia/galactorrhea, as well as High Estrogen and Testosterone issues. I have Pituitary Dwarfism/Proportional Dwarfism, Myoclonic Epilepsy, and a Speech Disorder. I used to have a Port-a-cath, Picc-Lines, and a feeding tube, amongst many other things. Phew, now that that's over. I love every art form with a favour towards music, writing and the fiber arts. I love seeing representation no matter how big or small especially in medias that rep is often glossed over!

Rock

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Hi! I am Rock; any pronouns are okay. I am a writer, mainly of sci-fi and fantasy, and I love adding all sorts of disabled characters. I am hard of hearing (mild-moderate bilateral hearing loss) and have profound auditory processing disorder. I have scoliosis, POTS, and lower-body muscle weakness so I am a full-time mobility aid user. I am also intersex; I have several hormone deficiencies among other conditions as a result of my intersex variation. I am excited to join the mod team!

Aaron

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Hey, I'm Aaron, he/him. I'm a writer of fantasy, science fiction, dystopia, utopia, and historical, and I like writing incorporating casts of disabled characters into all of them and reworking magic, technology, and science to accommodate them. I have a TBI, a lot wrong with my speech, cognitive issues, slight developmental disability, myofascial pain syndrome, medium support needs autistic but fully verbal, OCD, multiple types of anxiety, PTSD, depression, severe ADHD, dyslexia, dysgraphia, articulatory initiation anomia, medically significant migraines, a chronic headache, chronic pain, and chronic fatigue. I'm also visibly disabled (one of those people who looks autistic) and transmasc. And I can't wait to see what amazing things you guys come u with.

Zohar

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Hello everyone! I'm a new mod, and you can call me Zohar. I'm a writer of fantasy and sci-fi for the most part, and definitely prioritize disability, LGBT, and Indigenous representation in my work. I am Blind with a form of Albinism/strabismus/ptosis, along with some hearing loss. I am intersex/transgender with mixed gonadal dysgenesis (XO/XY Turner Syndrome) that goes hand in hand with GHD/pituitary dwarfism and affects my skeletal and hormonal health. I also have POTS and complex DID caused by RAMCOA and am comfortable answering asks about that. He or She pronouns is fine with me. I can't wait to help out here!

Icarus

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Hello all! My name is Icarus (He/Him). I'm a new mod here and a writer of original work (Primarily contemporary short fiction and cosmic horror) with some fanfiction on the side. I have been diagnosed with ADHD, autism, PTSD, Tourette's Syndrome along with several other mental and physical health conditions. I also had epilepsy, asthma, and a heart condition as a child but have since grown out of them. I am currently seeking a diagnosis for something causing a few different symptoms including chronic pain, mobility issues, sensitivity in my joints/bones, progressive vision loss (Currently to the point where I have very little to no peripheral vision), and dizziness/fainting episodes. I am a full time cane user at the advice of my physio. I am also a gay trans man and in full-time university studies.

Jess

[Large text: Jess]

Hey y'all! I'm Jess, and I use she/her. I'm 35, and I work full time behind the scenes in the grocery industry (in an office, designing shelf layouts!). I enjoy writing and reading slice-of-life stories mostly. I especially like exploring how certain magical elements can be parallels for disability. I also do art, including some 3D illusion chalk art. As for my disabilities: I have multiple sclerosis, and a few issues that have come from that, including severe permanent damage from optic neuritis. I was briefly 100% blind in my left eye, but a small amount of vision returned. The residual vision causes some hard-to-describe double vision, so I wear a completely opaque occlusive contact lens on my bad eye to help me see more clearly. I also had a period of time when I suffered from paroxysmal kinesigenic dyskinesia, a rare movement disorder. I also have a body-focused repetitive behavior disorder (dermatillomania) and visible scars from that. I'm looking forward to being helpful!

[ohtransarchon]

August has been rough

Almost 6 months post-op now and I've moved back home with my parents and my mental health has rotted again!!

It's been really rough though. I don't really know how to explain the problem. I've been feeling bad about transitioning and that's a scary thought. I'll be honest I'm scared of fully vocalizing these thoughts, as if saying them out would make it real.

There are many possibilities for these thoughts though, I could be feeling bad because I'm regressing because of moving back home, I have done this before I got surgery back in 2022, I would constantly question whether or not I wanted to reaaallly do it even though I kept thinking about it. And now it's the same except I have actually done it and my brain is just freaking out-

It could also be me struggling with the irreversible part of it, which is a personal flaw of mine. I find myself needing to have a way back even if I never find use for it. Like holding on to receipts of things I want "just in case I suddenly don't want it"

or it could be me somehow pre-mourning a possibility (extreme overthinking on my part), my brain is upset that if I were to get implants they wouldn't be my boobs anymore, like my insides are forever gone so my brain is just prematurely sad for a complete hypothetical scenario.

Some people on Reddit told me that it's quite normal for people who have had any kind of surgery to feel kinda like shit 6 months and below after their surgery because your brain is trying to get used to the change, which is something I was aware of but- when you're in it you just become so blind fyi-

Recently though it does seem like maybe my previous identity might not fit anymore :) Sort of like, I used to have a more masc leaning identity to compensate for my body and now that my body is more aligned to me it's kind of like now there's too much masculinity in my life- and I need to get in touch with my femininity more now. I've heard that happen to other queer people as well!

When you transition you might find yourself changing again because your body isn't restricting you as much as it used to.

Transitioning can be freeing but also scary at times. There's a lot going on aaaall the time !!

[gffa]

If the batfamily were in the gffa, which ones of them do you think would have been jedis? How quickly do you think they would have joined the nascent rebellion?

Absolutely NONE of them would have been Jedi, I say with all fondness towards the Batfam, but they are emotional hot messes, every single one of them, and to be a Jedi you literally have to have your emotional shit together, that's straight up how the Force works. You cannot act out of anger or fear without slinking towards the dark side, the Force will throw all that right back in your face, and I don't think there's a single Batfam member that doesn't consistently act out of a place of anger. Bruce - My guy can't even keep it together without a psychic energy field in his brain that resonates with his emotional well-being, he would fall to the dark side inside a month. I love him, but he already thinks he has things under control in his brain that he very much does not, he is the definition of being created by fear of loss and the anger that results from it. Dick - My Blorbo may be the definition of hope and light in the DC universe, the most trusted hero right after Superman, but he absolutely has anger issues that he just kind of ignores. Psychics in the DC universe have tried to invade his mind and come out like, "Jesus fuck why is that guy's mind so terrifying!?" because, while Dick chooses kindness and love, he was also forged in anger at the injustices in the world. Jason - Sweet babygirl doesn't even know what he wants, I tend to see Jason as often times deeply contradictory because I'm not sure he knows how he feels about things, does he want to be part of his family or does he want to walk away from them, he wants their love, but he can't tolerate their love, he thinks everyone expects the worst from him and is angry ahead of time, because he's so deeply insecure about his place in the world and in his family, and the injustices of his life are ones that still haunt him, the Joker killing him and still getting to run around would drive him into anger, fear, and despair just as much as anyone. Tim - My guy is ready to tell anyone and everyone to fuck the fuck off at the drop of a hat, that he's often times the one trying to pull everyone back together, but he also is still haunted by the death of his parents, he's still unsure of his relationship with Bruce at times, when things get back and he loses a little too much in his life, he starts pushing people away, he pushed Dick and Steph away while Bruce was dead, he obsessed over bringing Kon back as a way to cope, rather than actually letting go of his hurts, that guy seems fairly even keel sometimes, but, no, he's a hot mess who would have the Force throwing all that back in his face, too. Damian - Baby bat is so insecure in a lot of ways, because he doesn't always know how to relate to his father, he doesn't know how to be a complement to Bruce the way the other Robins did, they're both brooders, they're both the kind who wear their anger on their sleeves, and have a core fear of loss that would have the dark side hissing in their ears. Barbara - In some ways, Babs is more emotionally stable than the others, but in other ways, she is JUST as unhinged as they are, her fury at the Joker is still lingering all around her heart, she still explodes in anger when something pisses her off, she's still a little afraid of commitment because she's scared to open herself up, she still has to deal with her spinal implant not being perfect, Babs probably has a stronger sense of what her problems are, but it's not like she does anything about them half the time. Cassandra - I think she still feels too much guilt about her past, even if none of it was her fault, but that she can't let go of that pain, and it's not just "bad" anger/fear that draws you to the dark side, it's also "good" anger/fear that lures you there, too. And Cass deals with a lot of that and, while I think she'd probably have the best chance of any of them at making it as a Jedi, she does still have a lot of issues that the Force would be throwing back in her face.

Stephanie - I'd give her the second best chance, she at least sometimes recognizes her fears and says, yeah, I'm afraid, I'm just not going to let it stop me. Steph has as much anger and need to punch the world as any of them do, but I think she might have a chance at changing up her thought patterns enough to make it. Duke - Hmm, I'm not sure I've read enough with Duke yet to tell what his underlying issues are and how much he's dealt with them. He seems fairly stable and willing to back off when he needs to, but in general, if you're a Bat, you've probably got some real anger to work on. Kate - Everything I've read of Kate is definitely "wants to punch things in the face" or "feels torn up about her relationships with people" and that she's not really interested in not being those things. Alfred - It depends on how you view him, I guess. If you see him as someone who has made peace with the lives his family has chosen and willing to understand that they are who they are, then I could see Alfred as a Jedi. But if you lean into the idea of a British Stiff Upper Lip where he just doesn't talk about the anguish he goes through seeing his family get hurt night after night, knowing he can't stop them, then no he would be a terrible Jedi. In short: THEY WOULD ALL SUCK AS JEDI, but they would definitely have started their own Rebel cell even before Bail and Mon and Leia started connecting the various individual groups together!