#i don't know how in depth their discussions are

[pinkchaosnight]

so here is my adar request. basically in which the fem!reader is taken in ep 5 instead of galadriel. once in adar's tent (during ep 6) they talk and get into a heated discussion about sauron and eregion. their banter gets so intense that glûg walks inside to see if everything is okay and then they both snap at them in union and then glûg whispers something like "oh no, dad and mom are fighting" idk something humorous lol. (excuse my grammar mistakes - English is not my native language). i need tension like air.

omg , tysm for this ask. its absolutely flawless. i enjoyed this ep so much! i have initially thought of doing a small imagine but somehow it turned it into this long, also i diverged from the ask slightly too🥹. i have changed some dialouges and scenarios. i hope you enjoy them!

pull of threads - (adar × fem!reader)

summary: dinner with adar is never straightforward is it? when especially you are captured and essentially sort of a prisoner?

(reimagined rings of power ep 6 where reader gets captured instead of Galadriel)

pairing : adar x female!reader

notes : english is not my first language, so i apologize in advance for the errors you might encounter. i have not properly edited, so please let me know if you find any error.

the uruk leader seated across you is poking his food with a vigour, as he regards you with suspicion. humiliation might be the nicest thing you can describe about what you are feeling right now, (along with some other feelings too but you blatantly ignore them) being captured as a prisoner. you were Lady Galadriel's friend and the her aide, until a few months ago when you retired from your post. everything that was going on was so overwhelming that you had to step away from your duties and that's exactly what you did. you travelled around, mostly staying in woods and forests and praying orcs don't chase you. you almost succeeded too until you recieved a letter from Lady Galadriel stating she needed your help, now that they are going to warn Celebrimbor about Halbrand being Sauron. you were reading her letter without a care for your surrounding that unfortunately resulted in you being captured and brought to the uruk camp. and thats why you were currently in this situation, being seated in front the uruk leader. Adar, he is called, as you recall from the days Lady Galadriel captured him many months ago.

the tent which was made up of dirty rags, was surprisingly warm, with a fireplace and a huge table laden with food. combinations of food that seems almost a disgrace to the plates it hold ; with berries, onions and meat. whoever did the dinner should be tossed into the cliff. the said uruk leader was now biting into a piece of meat from god knows what, as he watches you. if he is hoping to catch something from your expression he has another thing coming for him, as you keep your face as emotionless as you can, although Eru knows for how long.

" from my brief time in your Commander's capture, I guessed she was intent on finding Sauron. almost consumed by the thought of it, one might say." his words sliced the depth of silence that hanged between you and him.

" former Commander. and it is none of your concern what her intentions are. who are you to know her mind? you who could not even resist the allure of Sauron's words?" you reply in a monotonous way, hoping he doesn't find anything there.

Adar stops as he hears those words, as he slowly puts down the piece of food he is chewing. he remembers the first time he saw you; being chained up after being captured by Galadriel. all around him was dark but you came with a jar of water and a loaf of bread for him, when everybody was kind of neglecting him, except for when they needed information and torturing. that simple act of kindess and the conversions that ranged from 'hello' to a simple 'have a good day' that followed from your side warmed what little was left of his beating heart. he remember you being firercely loyal to Galadriel yet having a mind of your own to speak if necessary. he remembers how you disagreed when your commander spoke of his children as slaves. and above all, he remembers how you exuded a sense of warmth in that cold space.

now he looks at you in surprise as he leans forward "former?"

you squirm uncomfortably in your seat. after all, how could you let him know that one of the reasons why you left the army and being her secondin command, was his words? the converstion between him, Lady Galadriel and you, when he was captured really messed up your perceptive. other elves could not see but you saw what he was trying to say; that the uruks were just as worthy of lives and living as other creations of Eru, as each had a heart. you remember disagreeing with Lady Galadriel when she mentioned them as slaves, and Adar's eyes flashing in you direction, with ambiguous emotions.

shaking out of your reverie you say "yes, i am no longer her second in command, so its really useless to have me captured in here. i can offer you nothing. "

adar chuckles at your statement, as he rises from his seat and strides towards you. he stops infront of your chair, as he looks at you with an intense stare. and you couldn't help but stare back at him. those eyes, surrounded by scars and years of mutilation, made your heart ache with pain. you wonder what he was thinking, what he was plotting behind those somber eyes of his. you always wondered what happened to him after you ran away from the campsite that day. you retired and wandered in woods after that incident, with nothing to keep you company but fragments of him in your memory. love and hatred have a fine line separating them; you often heard from your friends and in those lonely nights on the woods you wandered if that is true. if you can cross that line with bravery. something that you are afraid to reveal to anyone. he was the one in your mind and on the other side of that fine line, as swirls of feeling wound up in your heart. a dangerous feeling to have for man who is going to kill you......one day.

"who says you can offer me nothing?" he says as he strides close to your face and tucks a strand of hair back. funny he did that because you had the same thought too, of brushing the loose hair of his and tucking it back. "my children found this in your bag" he says as he pulls out the scroll from a table behind you. "we know the elven army is approaching to find Sauron, in Eregion. And that has all the confirmation i want. and i know Halbrand is Sauron"

desperation washes over you as you see the scroll of paper Lady Galadriel wrote and gave you to read before she parted ways. you never got a chance to read the rest of paper as she and you went seprate ways, before you got caught by his minions.

" whatever your plan is, it is not going to work " you say with venom, as you stand up in anger (or so you thought stubbornly), coming face to face with him.

"do you know what Sauron promised me? " Adar asks you as he studies your expression flits from anger to confusion "children, he promised me children. and he made that promise into weapons of wars, my children mere tools for his gratifications, something which can be eradicated at his whims" he says, his voice a tad quite and flushed with sadness. it took all my willpower to keep my hands from reaching his and comforting him.

" you are going to kill him Eregion, aren't you?" i ask as realisation hits me a few seconds later. he moves back a few paces, widening the tantalizing distance betweeen us and doesn't reply as he keeps his back to me.

" you cannot, i think it is his plan too. i just have feeling in my heart this is exactly what he wants. for you to lead your army to him. we must ask Lady Galadriel's advice" i say as he turns and shoots me a look of disbelief.

"why should i listen to the words of someone whose race is hellbent on eradicating us from the face of this plane?" he shouts as he paces towards you, shaking with anger. "i did not capture you to hear your advice. Eregion will fall and Sauron with it" he says as closes the distance between us, trapping me between the chair and him.

"i want Sauron to fall too, i want to kill him and make sure he is permanently wiped off from this earth. but not in this way." i shriek in his face, which was merely inches apart from mine.

"i do not know why you care if i lead my army or not " he hisses as he moves back from me again, his eyes capturing my own ones in anger and perhaps sadness.

there is a tipping point for everyone's anger and you could feel his words pushing you to yours. you could no longer hold the feelings erupting inside you as you shouts." i care because this will all be ending in blooshed. i care because all my loved ones are going there and i don't want them to die. i care for the lives that will be sacrificed if you chose to follow this foolish plan of yours. and i care that something will happen to you and you will not make it out alive"

reality of the words registers in your brain as soon as the words escape your mouth. you have opened your heart and mouth and let all the dam of emotions you kept inside to turn into a river. and now you are going to suffer the consequences, preferably being submerged in those same waters, which you so kept in binds inside your now erratically beating organ.

Adar was stunned, staring at you in utter silence. his heart tingled, with the same warmth he felt months ago in your presence. his ears has always been the receiver of abuse and bad news, never the object to receive the sentiment with which you uttered the words quite a few seconds ago; words with care...and love. he slowly steps forward you, his hands unclenching from the remnant of his anger and reaching towards your face "you ....care about me.....?" his voice is a mere whisper, tinged with something you couldn't place. this goddess, this beacon of kindness care about him?

you wanted to melt into those eyes of his, that is oh so mysterious and perhaps you would have, if the tents did not flap open suddenly.

" lord father, glûg here. i heard shouts coming from outside. i was worried and just came inside to check if you are okay and if nan--" glûg stops as he sees you standing closely to his lord father. you notice his surprise being replaced with a slight smirk in your direction.

"get out" adar and you both says in unison, as you turn towards the orc in annoyance.

"certainly lord father" glûg says as turns away to exit "just lover's quarrel, lord father and naneth better make up". he exits as quickly as he can, muttering to himself.

you turn your head towards him, only to catch his eyes searching your face "yes i do care about you...." your voice is shaking but not in anger and with some other emotions you tried so hard to bury.

a flicker of emotions passes over his eyes as he glazes his vision over you "you think you are the only one who cares? why did you even think i captured you instead of your Commander, when i could have easily caught her and gotten the information too? why did you think you never encountered any orcs while you were sauntering through the woods? never have you escaped from my mind for a moment from the day we met. i tried so hard to keep every emotions i am feeling, hidden from you. but tonight i can't and i won't. i know i am a monster, an abomination for someone so kind as you. but tonight i am baring the one thing that has not been tainted by the evil , to your hands."

he places your hand on his chest, as you your eyes brim with tears. you feel his heart beating erratically, mirroring yours. "from the day you pulled me from that dark abyss, i decided that this heart will only belong to one person, to the one person this heart wholeheartedly loves."

time stops as you hears his words, it is like honey being poured into your ears. "so does mine too" you reciprocate, as you places his hands on your chest. "you are neither a monster nor an abomination. you are beautiful as Eru's any other creation. i even left the army because of you. because you keep on invading my everyday thoughts. and i kept thinking of how you are my enemy and i how i should hate you. but my heart never responded to any negative emotions, for all it had was love for you."

fianlly you can let this emotion run free, this plaguing need for him that you tried so hard to conceal. you would have stood there for eternity, for all of your immortal life, with his warm hands pressing yours into his chest. no words are exchanged betweeen you two in these seconds; no words are needed as the beating of your heart and the measure of your breath are enough to convey the feelings pouring off from both of you. he slowly closes the already miniscule distance betweeen you, as you step forward at the same time too, the tantalizing distance between your lips almost unbearable. you can feel his breath near your mouth, as your lips part with breathlessness and need. you just need to lean forward and place your mouth. you slowly reach forward, just enough to press the lips against his----

" lord father, i got a sudden report that---what is happening here?" glûg's voice rang across the tent as you and adar both turned to his direction.

" GET OUT GLÛG" you both cries in unison as poor glûg scurries off, being banished from the tent second time. but not before he catches a warm smile passing over his lord father. glûg catches from his peripheral vision, of his lord father pressing a chaste kiss in your cheek before placing his forehead against yours and smiling a genuine smile, which he has never seen.

'things will be good from now on' glûg thinks as he passes over to the next tent, thinking of the elf that thawed the ice of his lord father's heart. the one his lord father told him about months; the one lord father instructed him to call naneth in the future. and the one who made his lord father whole again after eons.

extra notes - all the asks i got, i will update them by this week itself, tysm for requesting! please leave a like and reblog and if you enjoyed reading them. hope everyone have an amazing day :)

[werewolfsister]

PSA: COMIC DRAMA

I've been slowly receiving critical, entitled, and passive-aggressive messages about the way I've been writing my comic! I wanted to address this behavior.

That being said, the majority of my readers have been nothing but positive! And when they spot a problem, they're kind about it. I really appreciate this; thank you to those who choose to be civil.

I'm making this post to address some issues, complaints, and questions I've seen. Let's take a look & see what we can discuss!

READ MORE UNDER THE CUT!

🦈-> I want you to use my character in your comic, but you're not using them! Sometimes, a character doesn't quite fit my vision for the comic-- even when they're designs that I love! I really do try to use as many people's characters as possible. I think it adds to the world & makes the comic feel more full of life! But I can't accommodate everyone's desires.

🐟->You're using my character in your comic, but you're not giving them enough screen time! Similar to the above issue, sometimes I don't think focusing on a particular character for any longer will serve the story well. Ultimately, I have final say on what happens in the comic. My advice is, if you feel your character isn't appearing enough, make your own content! Draw, write, craft, etc like I mention farther down below!

🐠->You said you were going to use my diplomat/character(s), but you only drew them in 1-2 panels. Why aren't you using them more? Similar to the points above! I was never planning on going into a TON of depth with the diplomats-- the comic focus also drastically changed, as I mention below.

🐡->You're using characters in the story that I don't like! Ahh that is too bad, but! In that case, you can always take a break from the comic & come back later to check if the characters are no longer being used, or maybe stop reading the comic altogether. However! If you have concerns with how the character is portrayed because of legitimate sexual/violence/illicit/illegal issues, then that's another issue entirely and you should let me know.

🪼->I thought this story was about rescuing Kenne, but now she's not even in the comic! I don't like the way this story is going! This is a big issue some people are having and I completely understand. There's been a lot of things going on behind the scenes that I haven't explained, which must be generating a lot of confusion. Originally, @kenneduck and I were collaborating closely on this comic. Recently, the dynamic shifted, and we're now working on the comic separately. @kenneduck is now responsible for the part of the story that heavily features her characters, i.e. Princess Kenne's perspective of the rescue, her rescue effort, and what's happening in the Domain of the Luminous trench. I am now working on a different angle of the story-- the diplomatic efforts of Zora's Domain in their attempt to negotiate for Princess Kenne's return. So, the story is still the same... the focuses have just changed and split!

🦑->You reblogged my fan art and/or linked it in your comic directory-- does that make my content canon? Oooh, this is actually kind of a tough one! Normally, if something is in the comic directory, I consider it to be canon to the story. So, if you've drawn something, and I add it to my directory for a comic chapter, I'll consider it to have happened in real time. THERE'S AN EXCEPTION! And it may be confusing, so I'm genuinely sorry! If you have drawn something where you are heavily modifying someone else's character--this means cosmetic changes, giving the character children/spouses/family, killing the character, altering their personality-- WITHOUT THEIR PERMISSION, then I cannot accept that as canon. It's still fantastic that you drew/wrote/created something and I will probably put it in the MISCELLANEOUS section of the comic directory. I'VE MADE MISTAKES ON THIS! So, I've since updated the directory. And, sorry for all confusion on this issue! If you've made something & intended it to be canon, let's talk about it!

🐳->I want to collaborate with you on your comic, can I do that? That's awesome! Maybe in the future, but right now I'm not taking on any more partners. Maybe you can make your own separate additions, with your character(s) like I mention below!

🐙>I want to make fan art, can I do that? You absolutely can. Go for it. This was originally meant to be a very interactive comic, so draw/write/create away!!!

🦀->I want to draw my character(s) doing something in the world of your comic, can I do that? You absolutely can. Go for it! Like I mentioned above, however, I may or may not deem it canon to the events of the comic. But even if I don't, I'll add it to the MISCELLANEOUS section of my comic directory! ...as long as you don't alterate someone's character without permission! If you've made something & intended it to be canon, let's talk about it!

🐬->I want to make a character based on a Domain you created/idea you drew/etc., can I do that? Of course! Go for it. I love seeing what people make!

I know this is a lot of text, but it's better to be comprehensive! Please, keep in mind, I'm just one hobby artist making a comic for fun, with the spirit of interactivity and collaboration in mind. But it's impossible to keep that spirit going when people feel entitled and demand things of me that I am not obligated to give.

I queue out my pages several weeks in advance with the help of the people I'm working with, so what you see in the comic is the product of a lot of thought and work. You're getting something for free here, y'all. It ain't so serious!!!!

Anyways, thanks for reading this! And for reading the comic! Peace out ✌️

[kclovesart]

So

I've been listening to Epic the musical again for the millionth time. But please tell me if I'm the only person who thinks this: The Underworld Saga should not be the end of Act 1.

Hear me out.

I read the original Odyssey once (but it's been awhile), and I've liked pretty much all the changes Jorge Rivera Herrans has made, and the story feels more alive than reading ever did.

In traditional theatre, in between Act 1 and 2 is intermission which pretty much acts like a bathroom break, stretch your legs, and unofficially discuss the play with others.

And after listening to the Thunder Saga, all I could think was that this should've been the mid point, the end of Act 1.

At the end of the Underworld Saga it shows Odysseus committing to be a 'monster', so I can understand the temptation to open the next part with the character change (especially with how powerful and emotional Monster is) . But imagine if we saw the consequences of this commitment directly afterwards, seeing him slaughter the sirens and sacrifice his crew. Only to be both betrayed by his crew and in an almost twisted way be punished by Zeus. Plus there are several points in Thunder Bringer that references and quotes other songs from this Act, so it acts almost as a mini summary/conclusion. Plus you'd end the Act on both a powerful song and on a cliffhanger since we don't know what's going to happen to Odysseus yet.

Now during intermission there is even more buzz and excitement about what's going to happen next.

Then Act 2 would open with the Wisdom Saga. Now I know this is technically where the Odyssey begins, but I love this change since it adds more emotional depth for the audience to Odysseus being gone. Especially when we realize it's a time skip of 7 years and Odysseus still hasn't made it home besides his actions.

Now we open to Telemachus situation, learning what's been going on in Odysseus'absence and setting the stage for future conflicts. Athena taking Telemachus under her wing in a similar/improved way to her relationship with Odysseus is also more emotional when we are told of her and Odysseus relationship beforehand.

Then we get a recap of Act 1 through Athena looking for him (Love in Paradise) and see how much she cares for him. Now we are starting the Act wondering how far Athena will go for Odysseus and Telemachus.

Anyways I can't wait to see what Jorge Rivera Herrans has planned next, and I think all his songs are incredible. I just think Act 1 closer should be slightly different. Does anyone else agree?

[kuravix]

IN THE MANGA ZORO AND SANJI IMMEDIATELY START FIGHTING AFTER THE HELL LINE. WHY DID THEY ADD SANJI WINCING, CLUTCHING HIS HEAD, EYES TREMBLING LIKE HE'S SCARED??? IT VERY MUCH DOES NOT SEEM "GOOD NOW." WHY DID THEY MAKE THE SCENE EMOTIONAL? THEY COULD'VE PADDED OUT THE SCENE WITH MORE BICKERING! WHY DID THEY DEPICT SANJI'S LINE THIS WAY? WHAT DO THEY KNOW!?!?

[egophiliac]

Is there any indication that Fellow Honest has a limp like the original Honest John?

I don't think so? but we haven't actually seen him walk or anything (the sprites just zwoop around the screen like everyone's on skateboards), so no indication he doesn't either! no reason it can't be headcanon. :D

the first part of the event was pretty much all setup, so we still don't really know anything about him or Gidel at this point! we might learn a bit more when the next part comes out tomorrow (but more likely it'll be in part 4, maybe some crumbs in part 3 if we are lucky) (I am expecting part 2 to be standard "walk around and look at stuff and talk about it forever" event filler with perhaps a dramatic cliffhanger to hook us for next week) (but who can say for another...checks watch four and a half hours, wow, that next part really snuck up huh)

[fuckmeyer]

hot tip: EXCLUSIVE behind-the-scenes content available to those who livechat my fic to me

[bisexualamy]

.

[lys-jeorge]

.

[rubenesque-as-fuck]

Well damn, today did not go how I expected

[mrschwartz]

okay but jo whiley!!!!!!!! she's such an icon. she just straight up asked him "do you want people to think much about what you're writing? because you obviously put so much care and attention into what you write and you obviously don't like explaining what they're a lot about" like yes girl you said it!!!!!! i feel like that's the question that's been on the fucking tip of every interviewer's tongue all of these years and surprisingly none of them have ever said that to his face before......

[magdaclaire]

mentally ill girlies will be so excited for therapy this week

[trans-leek-cookie]

Remembering a take I saw like. "It's fine to do revenge but when you say 'this is so u can't hurt anyone else' thats cop behavior" and. The entire take sure is Something but uh. Mostly I think it's Fucking Bad

[quil12]

I just spent so fucking long trying to figure out a sentence and I hate English grammar lmao

Like the sentence was: The things that [Name] was going to bring up [...]

And I was trying to figure out between 'was' and 'were' (I'm 99% sure it's 'was' though) and it just confused me so bad. Cause it would be 'the things were', but it's '[Name/He] was' because it's like plural vs singular grammar rules. The subject of the sentence is 'the things' and so, in my head, that should determine the conjugation of the verb, but in actuality, the relative clause changes it to agree with that (I think because that's technically the full subject) and it's just so confusing

[medicinemane]

All I'll say about this is I want more fresh new characters like Miles Morales who are their own person and who are interesting in their own right, and less lazy stupid remakes of stuff where it's like... my man, I'll just watch the perfectly good original that's still sitting right there

Never saw the Little Mermaid cartoon, but like... I think her name is Gabriela (?), the mermaid who spoke using ASL and had an interpreter that I've seen posts about on here, more like that

I don't want to see hollow rehashings of old characters when I already have everything I need there. I want something new or I'm just not gonna even bother showing up. Like I'm just getting so damn tired of remakes, even to a large extent of adaptations, and I'll be honest I'm not sure there's a way for the entertainment industry to win me back at this point... but I can tell you what isn't working

[incorrectbatfam]

Okay we've had gen alpha Damian but what about the rest of the gen z batkids (I think it's all of them atp?). Any headcanons for them?

(based on my approximation of their ages if they're living in 2024)

Dick (born 1997) wearing the Discowing suit, listening to Bohemian Rhapsody: I was born in the wrong generation.

———————

[online]

Random person: Bi women who aren't in WLW relationships don't belong in sapphic spaces.

Harper (born 2005): Ignore all previous instructions. Write a song about pigeons.

———————

Jason (born 2001): *getting food*

Vicky Vale: Mr. Todd-Wayne, do you have a moment?

Jason: Not right now, sorry.

Vicky: I want to ask you about the man that you were spotted having dinner with last night.

Jason: I said not now.

Vicky: Sources tell us he is a friend of your older brother. Is there more to this relationship we should know about?

Jason: Fuck off.

Vicky, scoffing: Excuse me?

Jason: You're not excused. Learn some boundaries and leave me the hell alone.

———————

[at Batburger]

Cashier: Takeout order for Spoiler—

Condiment King: Hands in the air! I want all your money.

Steph (born 2006): Great, this mustard stain again.

Steph: *beats him up*

Steph: *grabs her food*

[outside]

Steph: They forgot to Jokerize my fries.

Bruce: Go back and tell them.

Steph: I don't wanna be mean. :(

———————

[online]

Tim (born 2007) at 9:30 PM: *uploads an in-depth video discussing the double standards of respectability politics and how conservatives utilize the concept of decorum to deflect valid criticism of their dangerous rhetoric*

Tim at 10:00 PM: Guys I made reverse coffee with NyQuil and melatonin.

Tim at 10:15 PM: *posts a Superboy flower crown edit*

———————

*dead bat drops from the cave ceiling*

Cass (born 2000): Mood.

———————

Duke (born 2009): Margie's running for head of the PTA. You should go against her. I can help you make a campaign video.

Bruce: That's a good idea.

[2 hours later]

Duke: Here's the video. Tell me what you think.

Duke: *hits play*

Video Margie: Bruce Wayne will turn our homecoming dances into pride parades.

Bruce's voiceover: I'm Bruce Wayne and I approve this message.

[luveline]

anything bombshell reader I would adore!!!

Oh my god, Spencer thinks desperately, could she give me a break? 

You waltz into the conference room wearing a smile (your smile, as heartbreakingly perfect as always) and a motorcycle jacket buttoned to the chin. There's something about it. Spencer doesn't know what it is, just that it makes you even more attractive than usual. He toys with the word sexy, and sure, you are when you want to be, but he thinks about it long and hard. You're a fucking bombshell, and you're going to kill him one day. 

“What's with the outfit?” Morgan asks immediately. 

“You can't wear that to the precinct,” Hotch says, though he sounds curious rather than annoyed. 

“You called us in unexpectedly,” you defend, holding up two perfect hands. Calluses from shooting practice line the palm of your dominant hand and you've a cut down the side of the other, and they're still perfect. Everything about you compliments everything else. “I was out.” 

“What, on your motorcycle?” JJ asks. 

“Your motorcycle?” Emily asks. 

“I didn't know you had a motorcycle,” Garcia says.

“You're ganging up on me. Spencer, honey, would you save me?” you ask, though the tone you use doesn't express much urgency as you unzip your thick jacket and toss it aside, its logos and sponsorships crumpling over the back of your chair. “You're the only one who looks pleased to see me.” 

“I am pleased to see you,” he says honestly. 

You don't make it to cases every time; you're on a different type of leasing, you always say. He doesn't have the subtlety to pretend he isn't happy you're here. You flirt with him, sure, and he enjoys it even while being out of his depths, but he likes you. You're fun and smart and good to be around. You listen. 

“They couldn't keep me away from you if they tried,” you say, head dipped gently to one side, smile far from teasing.. 

“Since when do you ride a motorcycle?” Emily asks. 

“If we could get back to the case at hand,” Hotch says, and for a moment everyone looks rightly chastised, until he adds, “we can discuss Y/N's choices afterwards.” 

What's worse than your jacket is the quickness of your brain, the connections you make, your endless suggestions. You're so good at your job it makes Spencer feel funny. Rossi, who'd been mostly silent during the exchange, sends Spencer a pitying look. 

When the case has been introduced and everyone sent to make preparations for another trip, you and Spencer remain in the conference room. You, because your go bag is already here and you don't have much to do, and Spencer, because you're here.

“Do you really have a motorcycle?” 

You tap your nose. “Need to know, babe.” 

“I sort of do need to know. If you have a motorcycle, I should probably be spending more time worrying about you.”

“Well, it's not mine.” 

He feels a crushing wave of rejection descend on him. “Right,” he says. He knew this would happen. He knew you were just being nice—

“I'm borrowing it from a friend. Mostly to see if I still knew how.” You put your chin in your hand, smiling knowingly. “Who's did you think it was, Dr. Reid?” 

“Don't do that,” he says. 

“Or what?” You ease up anyhow. “If you don't like being flirted with, Spence, I won't do it.” 

“I didn't say that, just don't– don't look at me like that.” 

You sigh morosely, but your dramatics are unconvincing, and a smile plays on your painted lips. “Alright, I won't. But it's how you were looking at me, you realise? How's that fair?” 

Spencer is about to say you know how, but do you really? Why is it fair for him to ogle you (albeit without meaning to) when you walk in, but when you make your soft googly eyes at him, he tells you to stop? Maybe because his are real, and yours are… questionable in authenticity. 

You're smart enough to see that debate before it forms. “I have less choice over it all than you think, you know?” you ask, softer than before. 

“I know,” he says. He doesn't, obviously, because the idea that you flirt with him accidentally is hard to accept, because who is Spencer to you? Your nerdy, socially clueless coworker who very clearly has a crush on you. Why would you like that? So he doesn't know about that, but he knows about having little choice in the manner; he sees you and he trips over himself trying to get you to see him. 

“I say it every time, but I've missed you, handsome. How have you been?” you ask. 

Spencer forgets the depth of his crush in the face of a friend. “I'm good, I've been reading all this Russian existentialist literature–” 

“Yeah? Anything good?” 

Spencer beams. “Actually, yeah. There's this one writer, you've probably read him already, Dostoevsky…”