#looking for script writers

[thechorustree]

I HAVE AN ANNOUNCEMENTTTTTT

I’m working on an animated series called Rebels Display which is a circus based series

There are 5 different circus's. They are all at a war with each othe until a new circus begins, this new circus is called the Rebels Display, its a rather strange circus, only filled with clowns? i guess we'll see what these clowns have to offer then

And I’m looking for animators, voice actors and story boarders!

So if your interest msg me here or at discord

My discord username is boxyghostt

[gothamite-rambler]

Duke Thomas: What’s your biggest fear?

Jason Todd: That I’ll never be good enough for anyone.

Tim Drake: Everyone hates me and talks about me behind my back.

Dick Grayson: Vampires.

Jason Todd: ...

Tim Drake: ...

Dick Grayson: I got turned into one once and nearly killed peoples. It's a bloodlust, you never know when you'll be fully quenched and every non-vampire is a succulent vessel... But I'm not a vampire anymore and that is in my past.

Dick eats his apple after that.

*silence*

Duke Thomas: Holy crap stick, Batman.

Tim: Can I change my option to Dick Grayson?

Jason: Same.

[corseque]

Did you know the fantasy MMORPG Final Fantasy Fourteen only uses the word "okay" 9 times in dialogue throughout the entire hundreds of hours long story? And each use of "okay" that got through seems like an actual mistake that simply didn't get edited out?

There is no use of "okay" in A Song of Ice and Fire. There is no use of "okay" in the entire The Witcher series. It's something that's like... just really largely accepted for fantasy. I would argue that vocabulary choice and word choice does a huge amount of heavy lifting to make something "feel" like a fantasy!!!!! It's a part of the genre expectation that I think is largely agreed on.

If you're writing a medievalish fantasy in a fantasy land, and you chose to establish a unique vocabulary and to minimize modern anachronisms to facilitate the feeling of being in a different fantasy world than our own modern mundane world, in a way that is commonly accepted for fantasy, and you've done it in all 3 previous of your games except for deliberate exceptions for artistic reasons, then you expect that to continue into the next part of the story so you feel like there's continuity.

the FFXIV English localization team made a point never to use "okay" commonly because it DOES make it feel too modern. It's actually a really easy thing to keep an eye on, editing wise.

and FFXIV is a game that has ACTUAL MODERN CARS and PARKING LOTS!!! and the English writing team STILL cared about eliminating "okay". Because they cared in a basic way about how word choice affects fantasy experience. Anyway, so that's how it feels when fantasy writing cares about the little details :)

Anyway, I'll continue to look at it as the most easy softball lob toward the writers' and editors' bats that they just fucking whiffed for no reason. Or whiffed on purpose, which is even fucking worse.

And after this week's revelations that BioWare always HATED and devalued the medieval fantasy Dragon Age and LOVED and valued the futuristic sci-fi Mass Effect, this style change is even more important to me. When a company looks down on fantasy PERIOD and suddenly in the latest game even the very language is changed to not feel as much as a fantasy game.... HMMM Hmmmm hmmmm I'm sure it's nothing!!!!!! but yeah it's childish to have basic expectations for a fantasy setting

[fantasybooksandtealeaves]

i'm gonna need ya'll to put the AI art down because it's rotting your fucking brains

what do you mean you'll only watch the adaptation of your favorite book "if it's AI"? what do you mean "only AI art can do justice to the characters"? never mind that every piece of character "art" AI spits out all looks like the same version of a photoshopped plastic mannequin. never mind that it relies on actual, stolen art to even exist. never mind that big studios are already trying to find every possible avenue to replace talented, dedicated human workers with AI

it terrifies me how willing some of you are to yield our crafts, our humanity, our passions in favor of worshipping at the altar of the black hole of vapid soullessness that is AI. all because the actors they cast don't live up to the insane, arbitrary standards you made up for your fictional boyfriends

I beg ya'll to think critically. I beg you to consider the very real implications of the things you say. because they exist and they aren't fucking pretty.

[blahblahbih]

Hi hello 911 I’ve just been stabbed in the heart a million times can u send an ambulance

If this is how it’s gonna be I’m out, I can’t relive this again

I refuse

Please I need a happy ending

[hallucinateonpaperspines]

if Ashley's for some reasons ever mentions/explains some human torture methods what would the cons thing of it ? Like are we more brutal then them ?

Well... this get dark. FBI Agent, I'm a writer I promise! This is all hypothetical! There is worse out here in the internet wilds!!!

I think for the most part, it's a game of orange-and-blue morality for a bit. There are things the Decepticons pull (Shockwave just existing) that immediately make human prosecutors start prepping the war crime cases and some things that humans do make the cons pause for a minute. At the same time, certain things the cons do, while horrible, just make humans nod because of course they would do that, and most human torture techniques just don't translate well to Cybertronian biology.

Like, the Decepticons would do things that are definitely against the Geneva Convention (and I think they would find our concept of a Geneva Convention laughable) so they would shrug off a lot of similar precedents humans have. Removing limbs, sensory depravation, experimentation, and electrocution are all familiar concepts so it is just a shrug of shoulders and a "why not?" attitude.

And then they look deeper.

In my mind, Cybertronians above all are efficient. Unless it's personal, or you are with someone who has a truly skewed brain module (Yes, Airachnid I am looking at you) the point of torture is to get information as fast as possible. Tortured to death, unless it's an accident, isn't efficient.

Humans, unfortunately, don't always care about efficiency.

They see the Human Centipede and the Terrifier, and bots are praying to primus like they've never done it before. It's entertainment, its art to mankind and it is some of the most protective vomit-worthy levels of shit they've ever seen. They see the Jigsaw franchise and Shockwave is joining discords and emailing directors to get notes.

It's fictional. It's fake. It's an unhinged level of creativity completely separated from ethics and morals, or in some cases leveraging those ideas to better stamp in some emotional torment. It's not just physically taking apart a victim, or trying to manipulate them mentally; it's full-on destruction. Complete evisceration performed in the name of delusional curiosity, sadistic glee, or self-righteous theatrics.

But, again, it's all fake! So what does it matter? Soundwaves says to himself as he bans any vore content from the Nemesis' servers and scrubs his drives

And then someone brings up Vlad the Impaler.

Imagine the horror as it just clicks. While Cybertronains may not produce excrement, they do have scraplets, so the concept of leaving someone in a tub to slowly rot or forcing rats to dig through bodies just sings a song of pain they are vulnerable to. Of slowly dying in a painful, inevitable method that's meant to leave a lasting mark.

And then a human starts thinking.

Art isn't efficient, but a masterpiece is never meant to be so mere as efficient.

Why not remove t-cogs? the element that helps these creatures transform, a crucible of their identity and self-worth?

Wait, that's not meant to be torture, that's just containment.

No. Torture is using small limbs to unwind and peel back layers of wiring. Torture is leaving portions of a frame to decay and rust, poking at the open wound, and flinging acid inside. Torture is pulling limbs off and reattaching them only to do it again. Torture is removing optics and turning sensors to maximum sensitivity before turning them off again.

Torture is taking those old methods and being creative enough to apply them on a blank canvas with new rules and no precedents.

The issue is not our brutality, it is our cruelty and creativity. And that's something that even the most vile Decepticon can respect.

They might even help you find a new muse, or canvas, to practice with.

[oh-no-its-bird]

Look all I'm saying is that if I were going to make a minecraft movie.

Well, first off I'd put down the first person to even reccomend we do it in cgi. Not just because it looks objectively terrible and half of the magic and nostalgia factor of minecraft is in its texture but holy shit budget much??? You are literally looking at a situation where the cheaper option is also objectively the better option. What the fuck are you doing

But I mean, after that.

Second off, all my writers must watch popular smps and minecraft roleplays/let's plays to understand the "magic" of the game. That's how we're studying for this, not the game books or whatever. Those guys are clearly doing smthn right, and as the executive/writer who knows very little about mineraft that I am in this hypothetical scenario, I need to do my best to make money. And that means learning what people like about the game and community.

Maybe even bring on some popular (non controversial please god) smp writers for consulting. They literally make minecraft movies as their fucking job, they are the expert u need to consult

Story wise, you NEED to choose if you wanna play this straight or silly. I'm so sick of movies trying to be all emotional and "ohh this world is so beautiful,, if u could only understand,, woaa" with their epic sound track and dramatic lighting, but then the dialogue being ripped out of a stupid marvel knockoff trying too hard to be witty

Anyways. Give me a generic "kid has a hard life and uses [thing] to escape it but then their parent trashes [thing] to teach them a "lesson"" movie.

The thing is minecraft and this kid is totally in love with letsplays and smps and has a server with their online friends (get a sponsorship from discord for that good good film sponsorship money, have them play while in call)

The mom or dad or maybe both trash the kids computer for some reason (bad grades maybe or one of those shitty "you need to talk to us more!!! That computer is killing ur brain!!! You don't love us as much as you should and it's that damn games fault!!!" But like it's actually just a kid being a normal fucking kid and having normal fucking kid hobbies things and the parents are dicks)

They delete the minecraft world rip

Them boom, kid somehow gets stuck in the game

Switch to NON CGI FILMING IN MINECRAFT. If you really need to add your stupid shitty fucking cgi then at least make it look like an ACTUAL MINECRAFT ANIMATION holy shit

It'll save us so much money too

So main plot is this kid, being trapped in minecraft, actually falling through different minecraft servers.

We can have different cameos from popular smps and youtubers, get some old youtubers and gameplay in here too. Get fucking dantdm and the diamond minecarts og series with the lab thing, it'll make the old fans lose their fucking MINDS.

The youtubers themselves don't even have to show up, just shove the kid into settings that are clear references to smps and letsplays. Have them wander through Aphmau's OG minecraft diaries sets or Sundee's lucky block series

The best part is that as backdrops, you don't even have to fully commit to "you'll only get this/find this interesting if you know these guys" bc if your writing is good enough you can still make people care by just. Introducing it correctly. Don't present it as "Aphmau's old minecraft diaries series world" go "oh wow look st this cool village,, woah I wonder who built this ,," And have them interact with NPCs organically

Meanwhile the parents go into the game after the kid to bring them back and we do this whole world hopping adventure where the parents learn that,, minecraft can be fun? Actually?

They find the kid and the kid is like "nooo I'm having too much fun the real world SUCKS!!!" but then we do that "it's cool to have fun and indulge but you still need to be present in the real world and do real people things too in order to have that fun responsibly" where somehow the kid realizes that moderation is good for u.

Maybe they almost die in game fr fr? Every world they enter has its difficulty upped a little bit till they enter *gasp* a hardcore world (oh no)

So like the kid learns that you can't just lock yourself in the room and wish the world goes away while you play minecraft for 12 hours straight, and the parents learn that minecraft is cool and fun and can be a good outlet and outlets are important for adults and children alike. And also that they totally pulled a dick move and they need to try to understand their kid instead of just demanding the kid understands them

Somewhere along the way, the kid ends up in their friends server and the friends help to pull them out of the game w the parents

We end the movie with the kid making an effort to be more present with the parents, and the parents also making an effort to interact with the kid in ways that they know the kid will enjoy and respond well to— shown a family dinner scene where the kid very eagerly eats their food while talking about school, then they all go to play minecraft together

The end <3

Oh right and if you seriously want Jack Black there so fucking bad then make him either the dad or like. School computer teacher who helps the kid use Minecraft EU to learn science (shows off that some schools use minecraft for education purposes) who also helps the kids friends pull them and the parents out of the game

Overall, lots of themes not just about how the game is cool and can let you do cool shit, but also about how the community is cool, and how it's provided so many kids and adults outlets to express themselves and have fun together

That's how you do a game movie

Anyways yeah, minecraft movie looks shit. Hire me instead next time

[mr-payjay]

watching the nickel apology scene from the great bluish bakery over and over going completely insane. i could rewrite this to actually sound like nickel.

[gothamite-rambler]

Red Robin (indifferent): One of us should probably save the Joker from drowning.

Red Hood: Yeah, one of you should do that. I'll just dunk his head in the water until the bubbles stop.

Nightwing (lying, indifferent): I... forgot how to swim. If I go in the water, I'll drown too. And I have a cramp as well.

Red Robin punched Red Hood in the arm, and in response, Red Hood punched back. Red Robin winced, dramatically falling in the boat, sore and dizzy.

Red Robin: Ow! I'm too bruised to swim. I couldn't possibly save the… human garbage that's drowning. That leaves only one of us.

The Robins turned to Batman, who groaned, knowing he was about to make a massive mistake.

Batman (regretting his entire life): I will… do whatever one task you ask of me, and you have to promise never to bring up the fact that I've saved Joker numerous times in my life.

Nightwing: Deal. Enjoy the swim.

Nightwing shoved his father into the water, and the Dark Knight landed with a big splash.

Batman (swimming over to Joker): Stupid code. I should let him drown, but then I'd look like a killer and I doubt there's a therapist that would be able to fix me after that— Come on, you idiot!

Joker could only reply with water gurgles as Batman swam him back to the boat, and both were helped back on board. Red Hood 'accidentally' hit Joker with an oar, knocking the clown unconscious.

Red Hood: Whoops.

Batman: We never speak of this incident.

Red Hood: If you keep your end of the bargain, we definitely won't.

[herefortheships]

If anything, this could be a good idea for a fanfic.

I was thinking earlier, what could they do with Astrid for Beetlejuice 3? There are many possibilities for her character. She doesn't have to be reduced to moody teenager angry at her mom, especially now that her issues with Lydia were resolved after Beetlejuice 2. There's also the fact that now she knows there truly is an afterlife and that her dad is okay. She also now has the ability to see ghosts and interact with them, so there's a lot for Astrid to get to know about herself and her new abilities.

And that's what I'm getting at. She now has to get used to her newfound ability to interact with the dead. For a girl who was skeptical of ghosts only days before she discovered all of this, it won't be too easy to get used to her new life. Lucky for her, she has her mother; Lydia might not have had anybody to help her. Sure, she had the Maitlands, but she had no psychic, living person to teach her how to handle her ability, and we can see how a life of being able to see and talk to ghosts did take a toll on Lydia's mental heath. Astrid has Lydia to help her, but, and here's where we go into head-canon speculation territory: what if Astrid's abilities to interact with the world of the dead go beyond Lydia's? What if she feels alone with her new powers, realizing her mom can't help her? Heck, what if Lydia herself realizes she can't really help Astrid? You guessed it: enter Betelgeuse.

I can see Astrid being the one to call him, though, in this story idea. Here's a good reason to summon him: he might be the only one Astrid can turn to for help now. As I've said probably too many times already in this blog, Astrid doesn't really know Betelgeuse yet. She only knows that her mom says he's bad news, that he's crazy about her mom, and that he saved her life. That's it. She doesn't really have evidence of him being really bad news (if we discount the influencers lol). He did puppeteer her into a dance around the wedding cake, but, is there anything truly harmless in that? He just put on a show for the wedding. This only served to show how scary powerful he truly is.

Astrid might come to the conclusion that she will need someone else to help her navigate this new life with what she can only describe as supernatural powers, and Betelgeuse might be the only one who can really help her. Maybe Lydia and her even get into an argument over something Astrid realized she could do with these abilities she gained not only through her bloodline, but also through having died and then returned to life in the Netherworld (we're in speculation territory here, so let's go crazy). Maybe what Astrid discovered she could do now, which scared Lydia, was the ability to control others just like Betelgeuse and the Maitlands and likely other ghosts can do.

So Astrid goes to someone she knows will help her navigate all this, and that is Betelgeuse. Here's where the writers can get creative. I love the suggestion about Betelgeuse helping Astrid if she helps him win Lydia's heart. That'd be fun to watch and also a plausible storyline if the screenwriters sit down to think a little. They just have to come up with the antagonistic force, and that one's pretty easy too. It could be Delores again, or it could be a threat from the world of the living. OR better yet: a threat from the Netherworld coming after Astrid because of her Supernatural abilities. They just have to get creative. But this idea for Astrid I really like, tbh; her figuring out she will need more help than what her mom can give her. Alternatively, here's also where they can bring in Lydia's mom. Lydia could think her mom has the answers to everything about their ghost-seeing powers. And I really like the idea of Astrid having gained something more from her brief ordeal in the Netherworld. I've seen a few fans suggest this one about Astrid’s powers here. (Reply so I can tag you if this was you; I believe they mentioned Astrid having powers being something similar to Danny Phantom but not quite. I gotta scroll through my blog to find it.)

[notearsnora]

First look at the Wicked movie tie in cover for Gregory Maguire’s book that inspired it all. (For new fans coming in be aware that his writing is very specific and peculiar to say the least and the plot differs from the musical in many ways.)

[oveliagirlhaditright]

Poor Kairi having to go through this twice.

Bonus:

"His voice... I don't hear it anymore."

Edit: What Xehanort's saying, if it's hard to read, is: "As I thought, your voice can't reach us here."

[bythehearts]

not to bring tiktok drama on tumblr but like every time a ‘scandal’ comes out with one of these ‘production companies’ that make fan films i always hope we’re finally gonna discuss how they professionalize something that should be an hobbyist endeavor… and yet every single time i’m disappointed.

[princesmitty]

kbo vs mlb 🥰

[deancasforcutie]

Thinking about how we always call this "the confession scene" yet the script only calls his expression of self-doubt a Confession, but his expression of love a Declaration. And what a difference that makes - whatever baggage makes us unconsciously associate coming out with an admission of guilt is not the story's; queer love, Supernatural says, is joy and peace and the deepest Truth that saves us from Death.

To quote Mary Cappello, "Queer memoirs should refuse to confess. There is nothing to confess. As a lapsed Catholic, I try daily at least to exit the confessional if I cannot burn it to the ground. So the memoir poses very important questions and narrative challenges to me as a lesbian narrator: Is it possible to narrate sexuality, especially when that sexuality is a prohibited one, without reproducing a discourse of disclosure, causality, or defensiveness against pathologization?"

Cas may have "never found an answer" until overcoming doubt, but Berens did: we don't confess our truth like it's in fact the point of shame we've been led to believe ("the same way our enemies see you," anyone?) but declare it to find peace in ourselves. And everyone who knows that, sees it: through self-love we make our own Garden.

[shannonsketches]

Every time I talk to a DB fan who doesn't know or doesn't agree that the whole franchise is an adventure comedy first and an action series second I feel insane but then I find an old Toriyama interview,

You made some comedic scenes where you have minor villains Pilaf & co. appear; how did you come up with a balance between laughs and fierce battles? Do you pay attention to the difference between comedy and battle in making a work “entertaining”?

I believe that, when you combine comedy and serious battles, both of them might come alive even more. As for me personally, though, I much prefer drawing dumb jokes to battle scenes.

as a bonus, every time I'm like 'idk I didn't really like most of the DBZ movies prior to Yo Son Goku and Friends Return and BotG,' and get the 'whAAaaT they're so gOOD' (from my brother, tbh askdjs) but they all seemed really Action-Drama and About the Fight Scenes and I'm like 'meh kinda boring tbh' I get to gaze upon,

In the latest movie, Toriyama-san, you participated in the production from the scriptwriting stage for the first time. What is the reason for that? Was there anything you noticed in coming face-to-face with the work after so long?

I was told about a project for Dragon Ball in its first animated film in a long while, and I read the story outline; while the beings “Beerus, God of Destruction” and “Super Saiyan God” (which goes above Super Saiyan) were interesting, the themes were heavy, and I felt that the world was a bit different from Dragon Ball. Rather than telling them about this or that problematic spot, I thought it would be faster if I just wrote it out concretely, and while I had intended just to give them a model―”for example”―my hand wouldn’t stop, and ultimately, I ended up writing almost everything, including the dialogue. I am reflecting on the fact that I did something terribly rude to the scriptwriter.

Akira "It was bad so I fixed it, oops" Toriyama, Absolute Legend