seeyoucum

[kmclaude]

oh? what's this? a newly released collection of comics and zines in paperback? and if you click the image it will take you to amazon so you could get it? or if you check the reblogs for a link i'll have lovingly reblogged it? ✨wow✨

[doshmanziari]

Hey, everyone.

In 2022, I wrote and illustrated a short comic book which I published and sold copies of at that year’s MICE. Entitled Adyton, it was a brief exploration of what I'd very loosely call the close encounter phenomenon, with an emphasis on the abduction aspect. Since then, I’ve wanted to expand on the book; but, as is usual for me, I have to ruminate on something for a long while until embarking on the project feels right. This recently happened, and I’ve decided to entitle what I intend to be my first complete and long-form graphic novel Can You See Behind the Moon? I’m not going to say where the title comes from, and will leave it to those who are more familiar with some of the paranormal literature to recognize its origin.

Over the years, I’ve made sputtering attempts at other graphic novels, but the lack of a clear narrative direction for one doomed it to oblivion (Underbrickers), while the creative momentum of the other seemed bound to a very particular timeframe (Grim Synergy). Differently, I see this project as encompassing ideas which, to varying degrees, are present within my mind every day, or every other day, and I do think it can be sustained by that persistence. If I were forced to speak in very general and perhaps reductive terms about Can You See Behind the Moon?, it is my attempt to explore possibilities implied by close encounters in a way which emphasizes a deep and occulted relationship humanity appears to have with itself, the cosmos, and what one might term the evolutionary impulse.

The first four pages you see here (not counting the cover) are recreations of Adyton’s first six pages. As should be apparent, the narrative is not linear. Like Adyton, the plot sometimes progresses according to visual resonances which can also be interpreted as conceptual resonances. For instance, the as-yet-unnamed young man’s finger-gun gesture becomes the transitional point for a reference to the so-called Kelly-Hopkinsville encounter, wherein guns figured prominently, and unusually.

To be clear, this work has been done very quickly, in the interest of submitting it to relevant publishers as proof-of-concept material, and so that I’m able to maintain a pace of a couple of pages every two or three days (while also producing “fine art” for gallery shows, to say nothing of various other side projects). But I also like the roughness of the drawings, and the color of the newsprint paper… so, the making of these has also carried with it pleasure and occasional surprise at the results. Since I’ve decided to work within a limited palette, I’m relying heavily upon the linework.

For Christmas last year, my partner — somewhat regretfully — got me a comic book about UFOs published the same year by Dark Horse. I write “somewhat regretfully” because she didn’t really like the look of it; and when I received it I had to agree: the art is so simplistic, mundane, and ugly that I don’t think I’ll ever do more than skim some of the pages (the author also seems to have only done the bare minimum of research regarding Betty and Barney Hill’s case). But I’ve used the book as a point of motivation: surely, if something that bland could get green-lit by a fairly well-known comics publisher, then my work stands a chance.

Another one of my particularities is that I tend to get through projects more quickly when I don’t assign their completion an arbitrary date, and also when I don’t make myself beholden to publicizing all of the progress. I don’t intend on making a Kickstarter or anything for this — unless it becomes necessary — so I’m not sure when I’ll be prepared to share more. But, the time will come.

Anyway — even if there’s not much here yet, thanks for looking!

[neilkleid]

NEW BOOK! In one week, you can read the first issue of “Nice Jewish Boys”, an original Jewish suburban crime comic by me, John Broglia, Ellie Wright and Sarah Litt via @comixology Originals!

“A lower stakes Jewish Sopranos", the five issue mini-series is about Jake Levin, a Modern Orthodox Jew in Teaneck New Jersey, struggling to pay his bills, who gets drawn into a triangle of secrets when he moonlights for his best friend -- a kosher "caterer-turned-criminal" who's wanted by the FBI thanks to their other friend , a failed entrepreneur-turned-informant.

Brotherhood, bar mitzvahs & betrayal in New Jersey.

Check out a preview and more about the book over at Comic Book Resources

And PREORDER ISSUE #1 AT AMAZON, then download the Comixology app and read it on your mobile device!

[wanologic]

sorry danny, sam will never think you’re cool

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[leeseechkeens]

Part one of “Bill’s new name” AU

OOOF well that was a ride

I NEVER DREW COMIC PAGES BEFORE and god this is hard

But oooh boy it’s only the beginning

[reikiryn]

Twin tattoos (1/1)

I ASK SOMEONE TO VOICE MY COMIC YOUR HUMBLE SERVANT WILL BE HAPPY 😭

[chloesimaginationthings]

Shout out to FNAF phone guy finally getting a name!

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[shyjusticewarrior]

Duke suggesting they do a lazarus pit simulation

Jason eating jokerized fries in front of Duke

They're both like this

[mahrahpalestine]

"One Year After the Al-Aqsa Flood: Revolution Until Victory"

@ibtisams @paper-mario-wiki @turian @butchniqabi @buttercuparry @anneemay

[violent138]

Tim, looking around the darkened corridor: "You think it's a good idea to be breaking into random places right now?"

Jason said nothing, fumbling in his pockets.

Dick: "You live here, don't you?" Which gets everyone's attention laser-focused.

Jason just cast him a look, getting the door open.

Steph entered first, smacking into something that falls over. "Jeez." She complained, stumbling backward until Cass steadied her by the shoulders. "Sorry, that's my bad."

Duke turned on the lights in one motion, making everyone blink and wince.

"Get off me." Damian snapped, and Dick carefully let him go, letting him limp angrily into a chair. He frowned, scrutinizing the place. "You live here? Why would anyone--"

"Guys." Dick rubbed his eyes over the mask, cutting off Damian and Jason’s sharp answer. "First aid kit?" Dick asked Jason tiredly.

Jason nodded, moving to get it and heard Damian ask "What?" in response to a patented glare he must be getting.

Tim had made a beeline for the kitchen. "Dude, why do you have a singular set of dishes? And why are there just guns in this cabinet?"

Jason scoffed, handing Dick the kit. "Didn't realize I was running a fucking bed and breakfast."

"There's guns in this cabinet too!" Tim shook his head, opening and closing two more. "Oh good, just large knives in this one."

At Tim's raised eyebrows, Jason went into the kitchen and shooed Cass down the counter she was perched on, grabbing the paper plates he kept in a drawer and shoving them into Tim's chest.

Glancing at the way Steph was rubbing her neck, slouched at the table, Jason grabbed two ice packs, sliding one her way and throwing the other to Damian.

Duke, taking a book off Jason's meticulously organized shelf: "Why do you have seven copies of Pride and Prejudice? Did you keep forgetting you bought it, or--?"

Jason, storming over to put the book back. "Stop."

Dick looked up from the wound he was stitching. "Are they different at at all?"

"Are they in different languages?" Steph asked.

"Did you barter them for food? Because your fridge is fucking empty." Tim reported.

Jason groaned, realizing that they weren't going to drop it. "One has a different introduction and one is the zombies version. And yes, the rest are the same, now could you all stop touching stuff?"

"Why do you have five copies of the same book?"

[lazycranberrydoodles]

sibling bonding moment!

[hurricanek8art]

HELLO HI YES I AM CURRENTLY GOING INSANE OVER THE NYCC SW BOOKS PANEL BECAUSE LOOK AT PRETTY JEDI ARMOR

THE IMPLICATIONS THAT THE JEDI TEMPLE GUARD ARMOR ARE SOME OF THE LAST LIVING STYLISTIC REMNANTS OF THE HIGH REPUBLIC. THE (fully my assumptions ahead) POSSIBILITY THAT THE ARMOR IS PASSED DOWN FROM THE ERA OF FIGHTING AGAINST THE SITH. I WILL BE CHEWING ON THE WALLS UNTIL WE GET CONTEXT AND BACKSTORY FOR THIS.

[nyc-looks]

Keep Hope Services

Aug 24, 2024 ∙ Prospect Park

[batcavescolony]

I feel like comic writers and some fans have forgotten that Young Justice is mostly about the girls. The main storylines were about Secret/Greta, Cissie, and Anita. The boys were there but they had their own runs. Take Young Justice Dark Crisis, yeah it's all about the boys IF you only read the first 5 ish comics. After that it's either big comic events or about the girls. Really the girls are the main characters of Young Justice, the boys are there to draw people in.