#plot twist

[literaryvein-reblogs]

Writing Notes: Types of Plot Twists

7 Types of Plot Twists

Anagnorisis

Means "discovery."

This type of plot twist is when the protagonist suddenly recognizes something about his or herself or another character.

Deus ex machina

Latin for "God out of the machine,"

Deus ex machina means the introduction of an unexpected event or person that solves the problem.

Because it's artificial, it's rarely used in modern fiction.

False protagonist

The main character is not the true main character.

He or she is killed off early or unexpectedly.

Peripeteia

Means a reversal of fortune, typically from good to bad.

The opposite of peripeteia is eucatastrophe, where things elevate from bad (very bad) to good.

Poetic justice

Occurs when a character is rewarded (or punished) for their actions.

Poetic justice is often used to deliver sweet payback to a villain.

Red herring

The red herring plot twist is all about misdirection.

The reader is following a false direction but doesn't realize it until it's revealed.

Unreliable narrator

The unreliable narrator is someone who seems believable and trustworthy at first, but after a startling revelation, is revealed to be untruthful.

Source ⚜ Writing Notes & References

[bl-mitchum]

I wish all the time I could read or watch something for the first time again. I chase the thrill of having my mind blown and then long for it once I’ve experienced it because I can never do something for the first time twice.

[psychemochanight]

When the League meets Baby Robin(Dick), they are genuinely surprised, as it seems impossible that Batman is raising this little ray of sunshine who appeared from between his cape and then proceeded to greet them with the brightest smile they've all ever seen, completely adoring Superman, saying how great Wonder Woman is, and actually laughing at Barry's jokes.

Bruce takes care of his work, but occasionally stops to, in fact, help Robin who is trying to do his English homework. The other members also help out, of course.

So, Hal arrives at the Watchtower, and Robin, seeing the man his dad mentor has been so grumpy about because of the last meeting they had (Hal doesn't understand that Batman is the best at his job and is the one giving directions for a reason, duh!), decides he will exact revenge.

He carries on a normal conversation with the man just as he did with everyone else, subtly leading the topic until Hal falls into the trap:

Hal: What about your mom? I can't imagine anyone putting up with the old bat.

He speaks with all mockery, but then his smile freezes when he sees the tremor in the little boy's shoulders.

Dick: *shuddering and holding back a little sob* my mummy died in front of me a few months ago.... I...

Hal is pale now, because the child actually sobs, and runs off to hide in the cape of Batman, who was now standing, ready to stitch up his child.

He's not the only one, Superman and the others are already there too, looking at him angrily because he made the little bean cry.

Hal is in a panic.

And if he sees how the boy smiles at him when no one is looking, sticking his tongue out at him while moving his lips to send him the message "Don't bother my dad", no one would ever believe him, not while the little boy is now clinging to Batman tightly as he slowly blinks away tears that not even the best actors could ever pull off.

Only Hal knows the devil behind that angel face.

Batman knows it too, but he adores his precious little demon.

[kuronekofe-ao3]

Red Hood: damn, my jacket has a hole in it

Nightwing, in a joking voice: you know What Else has a hole in it?

Red Hood: *rolls eyes* what?

Nightwing: my side *passes out*

Red Hood: !!!

[new-kit-on-the-block]

How I think I look when setting up twists

How I actually look

[luna-azzurra]

Twist Prompts

Reveal that a character thought to be dead is actually alive.

Have a seemingly minor character turn out to be the main villain.

Unveil a hidden talent or ability in your protagonist.

Introduce a plot twist where the enemy becomes an ally.

Have your protagonist discover they’ve been manipulated by someone they trust.

Reveal that a significant event was a dream or illusion.

Have a character switch sides unexpectedly.

Introduce a shocking family secret that changes everything.

Reveal that the protagonist’s memories have been altered or erased.

Have your protagonist realize they’ve been pursuing the wrong goal all along.

[weebatron9000]

[yuukirita]

Oh your Cliff looks so angy-

Can we get a doodle of him and Bee just being silly or something?

He's not that angry- he just frowns a lot (he has a lot of reasons to)

[reality-detective]

The World Economic Forum has stated that an incoming ‘Water Crisis’ will succeed because their ‘Climate Change’ narrative has failed… Adding it’s too ‘complex’ as she openly admits they were unable to ‘vaccinate’ everyone in the World. 🤔

[catfindr]

[literaryvein-reblogs]

Writing Tips: Plot Twists

tips from Anthony Horowitz

Don’t underestimate the planning. "I put everything down on paper. I make copious pages and pages of notes until I am ready to write and by the time I do sit down at my desk, I have a sort of a map of where I'm going and everything is going to work." Horowitz says. Make sure, though, that you leave a little room to surprise yourself when you get to the page: “If I can't surprise myself, how can I surprise my reader?”

Start with a simple formula. Not sure how that plan should begin? There’s a Horowitz Hack for that: “Start with a simple formula,” he advises. “A plus B equals C. A equals one person, B is another person, C is the reason why A murders B. That's your bullseye. If that's original and interesting and surprising enough, then you can tell us who A and B are, and and that's your next ring. Once you’ve got the basics,” he explains, “you can build out into the worlds your characters occupy, who knows them and how they know each other.”

People should be able to guess the twist. Want to know the secret of a killer plot twist? It should be obvious enough for people to potentially guess it – but surprising enough that they rarely actually do. One of the major influences on Horowitz’s work was Agatha Christie, an author who he says always surprises him but “you always feel you could have guessed because all the information has been down there in front of you. When I’m writing my book, I’m very influenced by that. When my publisher or my agent or anybody else reads one of my books, the first question I ask is not ‘Did you enjoy it?’ but, ‘Did you guess it?’ Because that, to me, is the crux of the matter. If they do guess it, I feel a sense of disappointment but at the same time, if they can't get it, then I haven't played fair. What I prefer to do is for them to say, 'No, I didn't get it, but I should have.' That's what I'm aiming for.”

Live inside your book. “There’s one piece of advice I would give to writers: don't stand on the edge of the book, looking over the edge of the chasm. Live inside the book looking around you,” Horowitz says. “What my characters see, I see. What they feel – the wind or the sunshine – I feel. If I'm inside the book, I'm not thinking about it as being something that you or anybody else will read. I am merely inside the world of the book – all that comes later.”

The only rule is originality. “If you ask me what are the do’s and don’ts in writing a whodunnit or a murder mystery? Quite simply, there aren’t any. Never constrain yourself. It is by doing the don'ts and not doing the do’s that you will write the completely original book for you – and find success.”

Source ⚜ More: Notes & References ⚜ Writing Resources PDFs

[beardedmrbean]

I don't remember this happening in the movie

[undercoverbumblebeee]

Todd Anderson has shit hand writing. Simply because I think it’d be funny.

Todd: Neil I wrote you a poem!

Neil: really?! Let me see- oh!

Todd: …do you like it?

Neil: I love it!…what does it say?

Todd: what do you mean? Can’t you read it?

Neil: Todd…I’m not convinced this isn’t just a drawing made by a cat.

[minsungincorrectquotes]

Minho: What's for dinner? Jisung: It's a soup-prise! Minho: Is it soup? Jisung: I soup-pose it could be Minho: Your puns are lame Jisung: That's soup-er mean *At dinner* Minho: It's fucking tacos?!?!

[ultraericthered]

Out of four consecutive Disney Villains that were defined by plot twists regarding them, I've often thought: what made Turbo and the Cybug he merged with in Wreck-It Ralph work out so well and deliver a villain so infinitely stronger than the villains that followed? I'd concluded that mostly it was because Turbo got to be around as an active and characterized antagonist as King Candy and the twisty nature of his villainy was more comparable to Judge Doom than following the Stinky Pete, Henry J. Waternoose, and Lyle T. Rourke route of only being revealed as a villain in the third act and getting to be actively antagonistic for a limited time while taking on drastically different characterization than before like the later Twist Villains (or in Bellwether's case, in only the final minutes of the third act!).

But there was something else too, and it recently struck me.

Hans, Callaghan, and Bellwether all adhere to basically the exact same formula, with only the specifics of their roles differing due to each movie being a different type of story - Frozen is a fantasy adventure-thriller, Big Hero 6 is a superhero story, and Zootopia is a buddy cop mystery. The formula is that not only is the villain introduced as a friendly character in the first act and ultimately shows their true villainous self in the third act, but during the story there's another villainous character thrown at the viewer to serve as the red herring. In Frozen, it's the Duke of Weselton. In Big Hero 6, it's Allister Krei. And in Zootopia, it's Mayor Lionheart. All of these characters seem more like the sort of villains you'd typically expect to pop up in stories of these films' natures, radiating such obvious evil energy that the viewer is naturallly meant to have their suspicions drawn to them rather than the unassuming nice person who turns out to be the real villain of the piece. I'd argue it worked best when first tried in Frozen because the Duke ended up having absolutely nothing to do with the main conflict or how it got resolved, his main contribution being to tell two men to be prepared to kill Elsa at one point and that's it: he was a red herring in the purest sense. With Krei and Lionheart afterwards, they both had increased prominence in the narrative, the former being responsible for what drove Callaghan into grief-stricken, vengeful supervillainy, and the latter at first being Bellwether's boss and actually serving as a secondary antagonist in the plot with his unethical captures and coverups in response to Bellwether's Night Howler conspiracy. And they both are such obvious suspects for being behind evildoing even in-story that it loops around to becoming obviously NOT the true culprits at all. (Not helping is how both the Duke of Weselton and Allister Krei are voiced by Alan Tudyk, at the time still most known for King Candy/Turbo!)

Whereas with Turbo, I think it was so effective because it was sort of flipped around. The story was leading us to look at King Candy as the red herring or ultimately just the diversion, continuing to remind us that the Cybug that Ralph accidentally brought with him into Sugar Rush was lurking below and breeding, which we knew could become a true threat to the game and to the whole arcade world given the way Calhoun talked the Cybugs up. Even when Felix goes into the backstory of "Going Turbo", we're not really linking that to what's currently going on with King Candy, who we at that point had not been given reason to think is anyone but who he appears to be, and King Candy's such a silly, whimsical doofus of an antagonist that we suspect he'll amount to nothing more than food for the Cybugs. How King Candy goes on to manipulate Ralph and the revelation about him as a usurper turns our perspective of him on its head as is, but then it's revealed he's not just any usurpeeeer - he's Turbo! This on its own makes him that much more villainous, but then still we get the kicker: Turbo gets eaten by the lead Cybug, just as we might've predicted would befall him....and his code overwrites the Cybug from within, making him even more dangerous and malicious than ever! So while the Cybugs do indeed become the endgame threat, they're also used as the actual diversion to get you not looking harder at King Candy and figuring out both his true identity and his true nature as the primary, most menacing villain in this story. It is ingenious.

Pulling off a Twist Villain is easy. It takes a lot more thought, skill, style and polish to pull off a Turbo-Tastic villain as Wreck-It Ralph did.