#the meta stuff is kinda cool

[waitineedaname]

I've been relistening to the homestuck soundtrack album by album while working lately and man. it's reminding me how much I genuinely loved about homestuck, and how that made the aspects of it that sucked so much more frustrating

[vivitalks]

Last night I saw the Great Gatsby musical. Before I went, I reread the Great Gatsby book (for the first time since 11th grade!) to get a refresher on the source material and the original story. Having the book so fresh in my mind made seeing the musical really interesting, and now I am going to do something I never thought I'd do, which is post some lengthy meta about The Great Gatsby. If you haven't seen the musical, this post may still be interesting to read, but it does contain some mild spoilers, so I leave that up to you. If you also haven't read the book, godspeed lol.

There's a lot I could talk about here when it comes to the way the book was adapted for the stage. But there's one particular thing I want to zero in on in this post, and that's the "unreliable narrator" of it all.

In the book, Nick Carraway is our narrator. He's an unreliable narrator practically by default - the idea is that he's retelling events that occurred two years prior, from memory. But even knowing that Nick is probably not reporting all events and characters with complete accuracy, it's hard to know which parts exactly are wrong, or what might have happened in reality, because even though he's an unreliable narrator, he's still the only narrator and this is the only version of events we know. We're forced to take Nick as our surrogate and take him at his word. Until the musical.

(I wondered how the show was going to deal with the fact that the story of Great Gatsby is not only told by an unreliable narrator but also by an outside perspective - generally speaking the events of the Great Gatsby aren't happening to Nick, they're just kind of happening around him. Yet he's the voice of the story, so in that way he's central to it, and I was curious how they were going to balance that fact with the fact that Gatsby is functionally the main character.

I think they struck a really good balance in the end. Nick's beginning and ending lines, lifted verbatim from his book narration, frame him clearly as the anchor of the story - I think that's the best word for it; the audience jumps from scene to scene, many but not all of which contain Nick, but we know that Nick is always going to be where the action is, or that he will at least know about it. He may not be the main character, but he's an essential character. But I digress a little bit.)

The difference between the way the story is imparted to the audience in the book versus in the musical boils down to this: in the book, Nick "plays" every character, so all their dialogue and actions, their mannerisms and the way they're described and reported, it's all informed by the beliefs Nick holds about them. Whether he means to or not, his biases paint certain characters in certain lights, and because he is our eyes and ears to the story, we have no choice but to absorb those biases.

But in the musical, every character is literally played by a different actor. Nick can only speak for himself. Nick can only tell his own parts as they happened. He may be "telling" the story, but we're watching the story. We have the benefit of an unblemished perspective on things - we can watch the events the way they actually unfold, regardless of how Nick believes or remembers they went down.

This difference - between Nick as the narrator and Nick as merely his own voice - is crucial in how the musical develops each character, some of them fairly different from how Nick described them in the book. And there's one book-to-stage change - a fairly small one, all things considered - that, to me, illustrated this difference perfectly.

There's a line towards the end of the Gatsby book. Something Nick says in narration, after his final conversation with Tom Buchanan, talking about how Tom gave away Gatsby's name and location to George Wilson (which ultimately led to Gatsby's death). Nick writes:

"I couldn’t forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy — they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made…"

When I read this line in the book, I couldn't help vehemently agreeing. Screw those rich assholes! Money does corrupt! Tom and Daisy ARE careless wealthy people! It was easy to side with Nick, not only because he was the only perspective on the situation that I had, but also because he said this in internal response to a conversation with Tom, who, I think we can all agree, is a major jackass and a deeply unsympathetic character.

But in the musical, this line is spoken aloud by Nick. And he says it to Daisy, in her house, as she's packing up to skip town after Gatsby's death. In fact, he doesn't just say it; he shouts it, visibly and audibly outraged at her audacity to lead Gatsby on, ghost him, skip his funeral, and then move away to avoid the fallout. Nick is angry and highly critical of Daisy. But because we're no longer confined to his shoes, we also get to see Daisy's reaction - not as Nick remembers it, but as Daisy actually reacts. And because of that, we're able to really see, and confirm, that "Daisy is rich and careless" is not the full story.

I have to credit Eva Noblezada for a phenomenal performance (duh). Daisy in this scene is emotional, grieving, and it's clear she has been trying to contain these feelings for the sake of her husband and her own sanity. She's remorseful, not that Gatsby is gone necessarily, but that she allowed herself to entertain the fantasy of running away with him, only for it to be torn from her. She is trying to make the best of her unavoidable reality. And then Nick tears her a new one, calling her careless, accusing her of destroying things and being too rich to care.

And as I watched that scene, I was no longer wholly on Nick's side. I understood that this situation was so much more complex than Nick's chastisement acknowledged. Sure, Daisy wasn't innocent, but she also wasn't the callous rich girl Nick made her out to be. She did love Gatsby. And she also had a whole life with Tom. She had a daughter. She was a woman in the 1920s! That's a kind of life sentence even wealth can't erase.

The way Daisy responded may not quite have landed with Nick (if we consider the kind of fun possibility that the musical is the events as they happened and the book is Nick retelling those events as he remembers them two years later, then clearly Nick's disdain for Daisy's actions overtook whatever sympathy he felt for her), but the musical gave Daisy the opportunity to appeal to us. The audience. Having this omniscient perspective of things allowed us to draw our own conclusions, and I found myself a lot more sympathetic towards Daisy when I could both see and hear how she responded to Nick's verbal castigation.

In the book, Nick is the narrator. In the musical, Nick is a narrator. But he's no longer the sole arbiter of the story. The audience got to make our own judgements on the events as we witnessed them. Every one of us was a Nick - beholden to our own biases, maybe, but at least not beholden to his.

[skrunksthatwunk]

kinda thinking about how the women who serve as maternal figures/raise kids in yyh are never quite ready for it. genkai's an arguable exception, but like.. atsuko had yusuke at 15, shizuru's basically in charge of kazuma full time in her early 20s/late teens (depending on version) with very very absent parents, and even shiori is given a kid she wasn't expecting, in the form of an old, old demon rather than like. a regular, blank slate ass human baby. and although shiori seems to do quite well with kurama, kurama can never be honest with shiori about who he is, or much of what he's seen. if he was, it'd probably make things far more complicated and overwhelming. atsuko, no matter how much she cares for yusuke, Could Not Have Been and thus wasn't ready to have him at 15. her attempts to make the most of that situation have had middling success at best. shizuru has also been placed into a parental role. we don't really know how long she's been raising kuwabara, but that's.. probably still parentification anyway. she shouldn't have to do that, and she shouldn't have to do that so young. and i think some of her coarseness with kuwa is out of frustration with her own inexperience + inadequacy + uncertainty, his not cooperating, and their parents for putting this on her in the first place. the ones who know the full extent of their situation grow desperate and it squeaks out in unpleasant ways, and the one who seems unbothered by it is the only one who has no idea that she's in way over her head. and i mean. ok. gonna preface this by saying keiko is NOT yusuke's mom in any sense of the word. but she does take care of him in a way atsuko couldn't manage to. she's often looking after him and cleaning up after his messes and stuff. she takes him on as a responsibility, and that is, in a way, a caretaker role. not to say that it SHOULD be her responsibility, but it's how she ends up being.

and when the stress of trying to make someone take care of themselves or be kind or good or Whatever goes awry, again, the violence and arguing and distance and ugliness of caring for someone reveals itself.

and i wonder about that. for a series dedicated to physical fighting as a form of communication, what does it say that this extends to the complicated, quietly desperate situations of so many of the women/girls it depicts, whom our more central characters were shaped and raised by?

hell, even hiei touches on this, because hina loved hiei, but there was no way she was prepared for him, obviously, nor for the pain of losing him. rui (whom i also see as a sort of caretaker figure to hiei, inasmuch as either of them were caretakers) literally throws him off a cliff because she couldn't face down the village elders, and out of some mixture of care for hina and, likely, fear for her own survival. and the guilt and pain of that killed hina and deeply wounded rui.

it's like motherhood, this thing that's so often treated as sacred and beautiful, is a kind of stitched up, painful, eggshell-walking thing that hurts parent and child and it's just. oughh

[triglycercule]

i love doodling swapinverse like hello drawing characters aside from the normal mtt is lowkey therapeutic 🧡🧡🧡 anyways i FINALLY FINALLY finished crash's lore!!!! and vice.SER is connected to him,,,, theyre interconnected!!! i forgot how much i liked crash's design (not the design but all the little gimmicks in the design. figuring out all the hanging ribbon bits is annoying but hey it looks good)

[marblebees]

YEAH i went to jiujitsu tonight and i had a lot of fun….im starting to rlly like no gi tbh; its a much more straightforward game but I feel like it rlly makes you work on your strength and fundamentals

[makerofmadness]

ok I know I said I love dark cacao but like they didn't have to make two of him /j

(I'm sorry what the fzck is going on with kingdom right now like. I thought my friend was kidding when they said "ancient+" I thought it was a joke about Mystic Flour like what the fudge do you MEAN someone actually signed off on that-)

(I feel like I caused this somehow 😭 like I think I said once on here that cacao's my favorite out of the ancients but I didn't like to actually USE him but like. why not just buff him???? Or like they were doing that whole crystal jam thing and I know that was kinda only for the legendaries but like. it's something-)

[sirkoru]

[pikachu-deluxe]

after like half an hour i have once again concluded that i should just use whatever the hell i want in mario kart 8 deluxe instead of trying to optimize stuff that is different from the meta

[im-totally-not-an-alien-2]

Batman had Danny by his leg. More specifically he was hanging Danny upside-down 40 stories in the air via said leg.

Okay. So Danny maaay have stolen some tech from a lab. Okay, a lot of tech. But Batman thought he was a witness or an accomplice! Not the perpetrator themselves! Does he do this to all his witnesses?

Appearently Danny said that last part out loud and his sass was unappreciated, hence Batman letting go. Unfortunately for both of them Danny didn't want to fall and he instinctually stayed there floating perfectly still in mid air.

Danny may be a terrible liar, but he was a phenomenal actor, especially when he's feeling spiteful. Alright, he thought random bullshit GO! Before Batman could comment, our little menace gave Batman a scandalized look, "You're a meta?!"

"No." The bats scowled even harder than before "Your abilities may have manifested just now."

Oh ho ho, Danny wasn't going to let him get away that easy. "My parents would have killed me if I had the meta gene. I know. They checked." That one wasn't exactly a lie. His parents would have seen any superpowers as confirmation that he or Jazz were ghosts and then it was game over and they did check thier DNA for something a lot when they were younger...huh. Thoughts for later than.

"How do you know you haven't gotten mutated by any of the stuff you deal with? Besides if they were my powers then I wouldn't still be hanging upside down."

Bats grunted in acknowledgment and just stared at him for a few seconds, which was uncomfortable. Lucky for him one of the other bats landed near Batman on the rooftop and asked about the situation. Danny didn't hesitate, "Batmans a meta! I'm stuck!"

"I am not"

"Are too!" Danny quipped back. He sounded kinda childish but he didn't particularly care at the moment. More bats came after the second one spilled the beans on some 'com' thing. They mostly mocked Batman and asked if he was okay, which he was but he would like to be let down please.

Eventually someone called 'Red Hood' showed up and was really really mad that Batman had threatened a kid.

There were fireworks after that. The kind that belonged on a soap opera and Danny wished he had popcorn for it. Unfortunately he was stuck disrespecting physics for the time being.

Or was he? The big bad bats attention wasn't on him at the moment now would be a good time to ru-

Danny screamed, genuinely startled at the sudden free fall. He heard multiple people swear and grappling hooks fire. The next thing he knew he was shaking while holding onto someone for dear life. It had been almost a full year since the accident and yet he still lost control of his powers sometimes when distracted.

Luckily Red Hood is super cool.

----

Aka Danny gaslight Batman into thinking he has superpowers he can't control.

Red Hood is mad Bruce threatened a child.

[coralinnii]

❋ Crushing on a game character ❋ ↳ bonus: he kinda reminds you of your bf feat ⎸Leona ⭑ Azul ⭑ Jack ⭑ Kalim genre ⎸fluff, humour note ⎸no pronouns used with reader, established relationships, reader is kinda oblivious and scatterbrained. 

part one

Ugghh, the disgusted looks this man would give. Stop, I can’t handle the judgemental stares! 

Jokes aside, Leona’s not really going to care too much. It’s your life so you can like whatever you want so long as it doesn’t bother him. 

He may look like he isn’t listening to you as you gush about your ult fav, but he’s listening enough to get the gist of this fictional character that seems to capture your attention. 

“He sounds like a real jerk. You got some weird taste” 

“He’s actually a good guy, I swear!” 

“Well, for a good guy he sure acts like an as-“ 

Am I getting too meta on this?

Despite his supposed indifference, he pays enough attention to notice some similarities appearance-wise between him and your favorite character and of course he had to point it out at any given chance. 

“Can’t get your mind off of me, can ya?”

He can sleep through your gaming and your giggling well enough, and at the end of the day he’s the one that gets to have you in his arms as you fall asleep after a long gaming session.

But soon, you started buying some merch. At first, it was just some photo cards and keychains so it’s nothing too crazy. He almost can’t believe that people would actually spend time and money collecting those kinds of things. But when he realized that he could quell your anger a lot better now by handing you merch he made Ruggie get, he can’t complain about an easy out. 

Then the bigger stuff started coming in, and Leona starts to notice that this fictional bastard is taking more than just space in your phone. He doesn’t like sharing what’s his, fictional or not.

“You can’t be serious” 

Your lips curled into a pout as you glanced back at your new purchase that somehow offended Leona for some reason. “What? It looks cool, doesn’t it?” 

Leona doesn’t agree as he stood face to face with the monstrosity sitting on your desk.

A giant figurine of a certain character he’s starting to think he’s seeing way too much of.

It was a detailed piece with decor and props surrounding the character, showing off more of its 3D splendor. The smug expression on the figure, regardless if simply painted on, made Leona growled under his breath as it rubbed him the wrong way.

Your beastman boyfriend was waiting for you in his bedroom when the school day was done, expecting some quality time with his mate. Instead, he was practically left forgotten when you heard that a package was dropped off for you and you were excited to unbox your long-awaited splurge. Leona finally got your attention when he unceremoniously burst through your bedroom doors to find you rearranging your desk to fit your new figure.

“The damn thing is takin’ up your whole desk,” Leona sneered down at the piece of clay as though it offended his honor. “And it’s ugly as hell” 

“How dare you! He’s a masterpiece!” Leona felt a vein tense on his forehead. Did you really have to call it a he? “Besides, I still have space on my desk and just looking at him while I study relaxes me” 

As if to prove your point, you bent down to gaze at your new figure and a fond smile immediately found its place on your face. You playfully tapped the top of your character’s head, giddy as you took in the well-crafted design of the model. 

Leona on the other hand, can only feel a headache forming as he has to watch his lover go gaga over a cheap piece of clay (cheap to him, maybe!). It’s one thing to have your attention away from him when you're gaming, but he’s not gonna fight with a freaking toy for your loving looks outside of that. He’s the boyfriend here. 

You felt yourself pulled back by your collar, making you fall backwards unceremoniously onto your bed. You wanted to get up but Leona immediately joined you, trapping you as he laid his body atop of you, wrapping both his arms and his tail to keep you in his hold. He didn’t say anything but you could see his flattened ears and a sour expression across his face. 

“Do you really not like it?” You asked him, carefully caressing his head in hopes to ease his tense ears. Leona tried to ignore your question but one glance at your worried look just wouldn’t let him. 

“It’s fine… now stop talkin’ and just sleep already.” Quickly snuffing the conversation, Leona pulled you close to rest his head on you, being lulled by your heartbeat. Leona isn’t gonna tell you to stop if you really like this stuff, but his time with you is not negotiable. 

His first thought was how obsessi- I mean passionate you must be. 

Though, having been around Idia and even Jade long enough, Azul wouldn’t be that surprised as he assumed that this sort of infatuation with such a trivial thing is not something uncommon. Not something he would do but not surprised if you have something you like to such an extent. 

Azul would be curious and have many questions about your fixation. What’s enticing you so? How is it addicting for you? How can he possibly market on this- 

Being a doting partner, Azul would let you play your game in his office while he works on some paperwork. But Azul would secretly listen to you as you gush about the game and your favorite character. 

And I mean, ACTUALLY listen. He remembers your expressions as you ramble about that character’s favorite food or how good he looks in his new “skin” as you call it. He’s very attentive and he does find your goofy smiling very cute. 

But if this goes on, Azul might start to get worried. Is this character perhaps your ideal type all along? This suave and admittedly well-designed game character better suits your fancy than anything or anyone else. 

Azul would start comparing himself to this fictional character and wondered…is that who you wanted? 

You were starting to worry about your boyfriend so you made your way to his office. He seemed to be a lot busier lately and you noticed there were more papers on his desk than the usual contracts and bills. However, whenever you near him Azul was quick to hide certain things on his desk from your sight which you tried to convince yourself that something like that should be expected considering the confidential documents he may have as an owner of an establishment. But the way he forces a tight-lipped smile when he does so…it leads your mind to upsetting thoughts.

Working to dispel those thoughts, you knocked on his door but there was no response. That was strange since Jade assured you that the Housewarden was in his office and Azul would always respond back from beyond the door. 

Your worries deepened, you carefully opened the door just slightly in case Azul was actually preoccupied with a client. Thankfully, you saw no one on the guest seats and when you pushed the door further, you noticed your fair-haired boyfriend slouched in his seat pouring over some papers, mumbling to himself. 

“Azul?” 

Your voice startled the merman as he flinched out from his trance, his hands accidentally scattering his papers off his desk and close to your feet. 

“Ah no, wait!” Azul yelled in panic but you already took a good look at what was printed on the sheets of paper. 

It was your current favorite from the game you’ve been playing, with facts taken from the game lore as well as from fan theories. There were also pictures of his CGs with special dialogues catered to the players. 

Upon closer inspection, you soon noticed written memos and certain sections highlighted on these fact sheets, all in Azul’s intricate handwriting. 

Light-colored attire… prince-like aesthetic 

Skilled with swords…athletic appeal? 

Potential date sites? Food-sharing ideas….Hand-holding opportunities…

Littered all over the papers were scribbles as such which made you initially assume that it was for research purposes only. However, between these notes were details about you which made you rethink that assumption. 

You saw your personal interests, your food preferences, whether you would enjoy such date scenarios. Notes pondering if you would enjoy such a thing or if you find this attractive on Azul. 

Your boyfriend must have gone through so many websites, forums, and postings to find this much information without playing the game. Heck, you recognized some of these CGs from mini events that weren’t promoted as much as others. All this detailed research…you smiled at how adorably Azul-like of him. 

Azul eventually built his courage to break the awkward silence. “I can explain, my dear” 

You raised your brow but nodded. “Ok”

“I became intrigued by your fixation of this game and decided on checking on myself the appeals of this game” Azul pushed his glasses to cover his nervous countenance. “I must say, I am quite impressed with the details this company puts into their characters. Perhaps I can find some way to implement these elements into Mostro Lounge as a limited time event” 

You couldn't help but chuckle seeing Azul trying to compose himself, but the flushing of his pale skin betrays him. “I see. Well needless to say, I agree with your thoughts from what I can see, especially the date scenarios”

Your tease successfully flustered your Azul even more, but you want to fluster your cute lover further “While I do like the aesthetic of the handsome, princely type…” 

Azul watched you approach him at his desk, wary of the cheeky look on your face. Smiling, you proceeded to surprise him with a kiss on his face, teasingly close to his beauty mark. 

“…I like the very cute and clever merman better” 

How skilled you are to turn an octopus boiling red without fire.

Very confused. He understands that people have their own preferences and interests but he’s just…so, so confused. 

He supports you and your passions but you will have to explain the concepts like “simping” and “biases” to him. Very much a normie, but a supportive one. 

He makes sure that you balance your gaming life with your personal life, which means no late night gaming, no 3AM game check-ins, and he paces your grinding sessions with breaks. 

We don’t deserve him 

He would notice that your favorite character seems to be a beastman like him, but doesn’t connect the reason why you would be so infatuated with this silent wolf-like character in particular. 

Such a coincidence they look similar to each other, huh… 

He would chastise you if you get too absorbed into the game but he does respect your dedication and your gaming knowledge. 

If you offer, he wouldn’t mind trying out the game you love so much just so he can understand your interest better. 

“Ughh, I lost” 

You laughed as you watched your tall boyfriend groan, ruffling his hair in frustration. Jack decided to finally try out your new obsession and after a quick crash-course explanation from you, Jack tried his hand at the battle portion of the game. It ended unfortunately in his defeat as all his players died and the screen on your phone darkened. 

“You were really good for your first time, though” you tried to cheer him up. “Sometimes it just comes down to luck” 

You could tell however that Jack was still bummed about his loss, his tail slowly flicking around and his ears flattening on his head. 

“This is actually pretty tough” Jack grumbled under his breath, not realizing how complicated the game mechanics were. “I always thought you were amazing with how good you were at this game but wow…” 

“This man, complimenting me like it’s nothing…” 

Trying to cover your flustered expression, you crawled over to your boyfriend who was currently sitting down. Gently, you pushed his arms in order to climb onto his lap, your back resting against his chest which flinched upon your touch. You took back your phone from Jack’s hands. 

“Here, I’ll show you some stuff to boost your chances” you looked to your boyfriend, who went suspiciously quiet…quieter than usual. “Jack?” 

You could feel how Jack immediately stiffened at his name before he slightly yelled out his response “Right, got it!” 

Stifling your laugh, you made yourself comfortable as you continued with your gaming. Although, you couldn’t stop yourself from smiling when you felt a pair of muscular arms wrapping around your waist, and a fluffy tail resting on your legs.   

Another clueless but supportive partner. 

Kalim’s really glad you have something you really love and is happy to hear you talk for hours about anything and everything related to the game and your favorite game character. 

“He can do that? Wow!” “What? That’s such a sad story, poor guy!” 

He understands why you would like this character, seeing how jovial and sweet-natured your ult fav seem to be. 

“What a real nice guy, you must really like these types of guys, huh?”

“Yea…guess I do” 

He’ll go to conventions with you, even wait in long lines with you, and listen to fan theories while not understanding a single thing, all because seeing you so happy is worth it.

You will have to be the one with self-control because the moment Kalim finds out there’s merch out there, he’s buying them without hesitation. 

Even the less…subtle merchandise out there 

“Kalim…where did you get this?” 

“Do you like it? I saw this while searching for stuff you might like” 

You questioned what Kalim thought of you if he assumed that this would be something you like, because you’re faced with a large body pillow of your bias character laying on your bed, with your boyfriend joyously showing it off. The picture printed on the cover showcased your favorite character in a cute pose, which you were honestly grateful for because you wouldn’t know the best reaction to have if Kalim bought a less than school-friendly image. 

“It’s…wow” despite the insanity of the situation, you started to smile in amusing absurdity “I mean…I never thought I would have the chance to hold a body pillow, let alone have a cute looking one” 

Kalim, oblivious as ever, grinned as he assumed you were happy with his purchase “Right?! I heard from some people at the convention that pillows like these were really popular!” 

Ah, so that’s where he learned about this side of the fandom. Kalim is such an easy guy to talk with so he would occasionally start conversations with other convention attendees despite being a “normie”, so to speak. 

“I managed to get one commissioned with the fluffiest pillow I could get.” Grabbing the pillow, Kalim proudly held it out in front of you. “Here, feel it!” 

You did what your boyfriend asked, and your eyes widened at luxurious sensations under your fingertips. “Holy crap, this is so soft! And the picture quality is super good too” 

Any experience or expectations you had about body pillows is now blown out of the park as you can’t imagine anything ever beating the softness and quality of this body pillow. Heck, your regular pillows can’t be compared to the feeling of heaven you’re feeling. 

Kalim grinned at you, satisfaction and joy clear on his cute face. Gently, the tanned man pulled you onto your bed, making you lay onto the mattress with your boyfriend and your new body pillow. Wrapping his arms around you, you were now sleeping between the Housewarden and your printed-out ult bias. 

“See, even if I can’t be here, you still have something with you when you’re tired” Kalim’s ruby eyes shined with affection. “Though I don’t ever want to leave your side, I wanna make sure you’re never alone even if I can’t be with you”    

Internally screaming, you swore to protect this cinnamon roll.

[shadow4-1]

bro this MIGHT come off as the cringiest thing ever known to mankind but im probably the biggest game geek god has ever laid hands on so;

part time game developer!reader (or something like that anyways) was bored one day and decided to start to yk develop a game - in this au the cod games ovbi dont exist - but she makes a little demo of cod.. and when one day on base soap or some1 catches reader writing ideas and such (obviously not the actual missions they go on - that’s confidential) something in a note book he tells the others (more like gaz) and they get curious and bug reader until she tells them that she made a game demo including the 141…

and idk maybe she gives them the file so they can play it and they kinda like rate the things they say in the cutscenes or smth idk have fun with it

but yeah thats the idea thats been swarming through my mind for the past couple of days since i’ve found your account (WHICH I BTW LOVE i love how you portray all of the characters and shit)

byebye

Oh my gosh not cringe! This is such a cute idea!!! (Also thank you for the really cute gif! I love puppies :3)

I'm such a huge fan of weird meta stuff in my fanfictions. Like, the characters know but they don't know they're in a videogame? Haha, ngl I've had some thought about this too! Lemme add to your imagine real quick:

You spent all of your early adolescence learning how to code and make lil' games on your shitty old laptop. Now, with the more advanced tech the 141 had provided you, you take to making even more cool things during your (limited) free time.

The first game you felt confident enough to show off was a rough prototype of a fighting game. It only had two characters loosely based off of both Ghost and Soap. You showed it to Gaz as more of an offhanded joke, but he was excited. He too knew some things about game development and decided to help you out on the project.

It still wasn't a polished game, per se, but it was playable. Soap caught wind of your game and begged to try it out. With Gaz's help, you set up the firmware using an emulator and the jailbroken game console in the rec room. You felt so shy showing off something you did for fun.

And it was a huge hit!

Even with only two characters recruits and officer's alike spent hours playtesting and figuring out how to make combos. The room erupted into cheers when Soap figured out the first finishing move!

"Oi, Bonnie! I think you migh've made something really special here!"

[harrylovesspaezle]

what to comment under fan art if you have no idea what to say!

artists love seeing a comment or tag under their art, but what do you say if you're not used to doing that?

just a simple heart emoji is always a winner

a 'wow!' or 'lovely!' will go a long way!

comment on a specific detail you like! "i love the eyes/colors/details" you name it!

ask about their process! how long it took, what stuff they use. Artists love being excited about that kinda stuff

also. just saying 'ough' or 'my heart' or even a key smash will bring a smile to the artists face

how did it make you feel? tell them!

ask them what their inspiration for that was!

remember: it doesn't have to be gushy(but if you want to go ahead), it can just be one word or a small compliment

anything in all caps is so lovely to read

if you're particularly stunned and you know their name, call them out specifically and tell them "_'name'_ this is amazing!" or anything of the sort. It always feels extra special to see your name being used as an artist. it's so personal.

it doesn't have to be big, but commenting on art truly makes people's day, just like commenting on cool fics or meta does! happy complimenting! <3

[silverskye13]

how do u write fighting or do u have any tips? i have an idea for a fanfic not mcyt related but im terrified ill write the fight scene poorly as it makes up a majority of the fic.

Fighting and fight scene tips! I have a couple I guess! The tricky thing is fight scenes are really subjective. It's hard to give a "and here's all the puzzle pieces you need for a good one" kinda answer. But I can at least tell you the stuff I think about while I'm writing.

You know the drill, writing tips under the cut:

1. Research

I feel like I put this on every tip list. Research the thing you're doing. The Internet is your greatest friend and confidante. Look up YouTube videos of fighting competitions. Look up the weapons your characters are using. Figure out how many bullets are in the magazine for the gun type your character is using. Research how far you have to be to survive that explosion. Figure out if the cool sword breaker was actually useful in combat and why. Get a reasonable measure for how much blood your blorbo can lose before they pass out. This will help you paint a clear picture for yourself about what needs to happen, and why. Your readers don't necessarily have to have that clear picture, but the more you, the writer, know, the more likely you are to write a consistent, understandable narrative.

2. Character POV is important!

What does your character even know about fighting anyway? <- the most important question to ask of your POV character. This establishes what your character can tell your audience about what's going on. Has your character never fought before? Are they familiar with the weapons used? Do they know counters for fighting styles? Do they even know how to throw a punch? Do they have a high pain tolerance? These things will inform how the character informs us, the readers, about what's going on. Generally speaking, lack of consistency is what makes fight scenes frustrating, in my opinion. Sitting there and going "hey wait, how did that teenager know better battle tactics than the general they're fighting?" Takes you out of the moment and ruins whatever cool thing that teenager just did. Going "hold on, what do you mean the sniper didn't realize he was out of bullets?" Does the same thing. Keeping the characters consistent stops your readers from questioning the validity of the scene.

3. What can your readers see, and is it the same as what the characters see?

Similar to above, but a little more meta. Fight scenes are often played for drama. You're putting the character in peril, and that peril is for a reason: to make the audience have an emotional response. Can the readers see an ambush because of your 3rd person omniscient perspective, but the characters can't? Is that a good thing? Will it ruin the shock and surprise of the ambush, or will it induce dread and up the stakes? The enemy has a poisoned sword. Is this obvious to the audience in a way that isn't for the character? This is playing with suspense in a fight, adding and subtracting stakes for the readers, and it needs to be balanced against what the characters know.

I'm mentioning this as a thing because revealing your hand to the audience can be a really interesting way to add suspense, but if the audience feels like a character should've been able to see it coming [ex. How come the assassin didn't anticipate someone poisoning a blade during a fight?] it ruins the immersion of the scene, and makes it feel like you the author are shoving the characters in a direction. Generally speaking if the readers can see the hand of the author moving, it breaks immersion.

[Notably, I don't write in 3rd person omniscient. I write in 3rd person limited. I don't often have a chance or reason to reveal information to the audience that the main character doesn't know, because the audience is observing the world through that character.]

4. What are the guys in the back doing?

Everyone knows the Main Character has to fight the Antagonist at some point, but normally the MC isn't alone. They have friends and allies, or their pet dog. They have a supporting cast, and that supporting cast wants to help the main character. So... where are they exactly? A pitfall I see in Big Final Fight Scenes pretty often is, the MC brings an army, or their crew, or their super friends or whoever, and yet somehow, they end up fighting the bad guy alone, and the writer just... Doesn't address the other people in the room. And you the reader are left going, "Wait, why is no one intervening?" This gets especially immersion breaking when the main character inevitably starts losing their fight [because drama, few fights are easy]. Our MC might die! Why is no one trying to run even a basic distraction on the Antag? This isn't to say you have to have your supporting cast get involved in the final fight -- sometimes you need that solo showdown! But you do have to have a convincing reason to keep the rest of the cast away. If we the readers are under the impression there's six other people in the room just standing there, because you the writer forgot they were there, it gets kinda awkward.

5. Zoom in! Feel it. Zoom out! See it.

Okay so, you now know: Basic information on how your character(s) fight, what your POV character(s) know, what the readers can see (either the same or different from your characters), and you know where everyone is and what they're doing. You have your god's eye view ready. How do you show it?

Zoom in, zoom out.

There is a balance to fight scenes, in about the same way there is a balance to an art piece. There is a foreground, middle ground, and background. Each have importance, each need focus. The foreground is what is happening immediately in front of your POV character, it's their thoughts, what their weapon feels like, any wounds they've taken. It's bullet time, and observations, and right in their face. The middle ground is the surrounding 5-10ft. It's the people beside them, it's what's just past their opponent. It's the rest of the room, or the sound just out of view, or the object just out of reach. The background is everything past that. It's distant explosions. It's their friend getting wounded. It's an archer on the next rooftop.

How much of that you want your audience to see, how you want to vary that, depends on what you as an author view as important. If you want to focus more on the character, their struggle, their opponent, you will write most of the fight scene in the foreground. Focus on what the character feels, the sensation of movement, the pain, fear, exhilaration. Focus on the words they're saying [or not saying]. Focus on what they know, what they're telling the audience. If you want to highlight the battle, how the main character is working in their surroundings, you will focus on the middle ground. This is what the character looks like from an outside perspective, how they fight against their opponent. This is them trying to reach an item, or shove their opponent into something. This is running, and kicking, and trying to figure out if your friend is still by your side. This is seeing your comrade go down out of the corner of your eye, or admiring someone's fighting style, or screaming orders at someone. The background is anything further away, a distant problem that is putting on pressure. A ticking time bomb. This is the building catching fire, the lightning in the storm overhead. This is superman fighting off the alien army while your MC is trying to kill the general. This is you reminding the audience the rest of the world hasn't stopped turning while the MC has been doing MC things.

Generally speaking, I like to move through all three spaces several times during a fight scene? The main character is hurting and holding onto their sword, and breathing is hard. The antag is pressing the advantage, trying to back them through the space. But they can't lose too much ground, because their friend is fighting the second antag over there, and they're bleeding from a fresh cut. They have to win, they have to escape, because the sound outside says the building is groaning on its foundation-- and the main character stumbles as the building rocks. [And I've just moved through all three types of ground, giving the audience a clear view of what's happening].

You don't have to bounce reliably through the space. Not showing the background for a long time means you can surprise your audience with a new hero or villain swooping in! Or leave us in suspense about that magic ritual we're supposed to be stopping. Not showing a middle ground side character implies your MC is so distracted they won't know their friend is hurt until it's too late -- etc.

If it helps, I like to imagine there's a little invisible camera panning around, taking dramatic shots of everything, like you're making a movie, and writing accordingly.

Uhm!! Hopefully that's helpful?

Some broader quick tips:

Fight scenes are very fast, and generally happen over a period of a few minutes. That time will feel significantly longer because it's jammed packed with Stuff Happening, but the fact remains, it's only a few minutes. Keeping the timing in mind helps you figure out if backup can arrive to help, or if it's reasonable for someone to miss the fight happening, etc,

On that note, if it's a battle specifically, battles [especially medieval ones] are short. They don't last all day, unless they're a siege, and even then, sieges are long periods of digging in and waiting with short clashes peppered around.

This might just be me, but try not to overuse metaphors? We get it. The swordsmen look like they're dancing. But not everything they do is graceful or dancer-y. Sometimes you can just say "and he punched him in the face." Unless your writing style is naturally super flowery, in which case, do continue. Consistency is key.

Do some basic research on wounds. Suspension of disbelief can only carry so far, and pain is genuinely debilitating. Also, yes coughing up blood is a very dramatic "the character is dying" cue, but in real life it only happens on very bad lung/throat wounds. If what you're writing is Super Realistic, maybe don't throw that in there.

Write confusion with care. You might not want your audience to know what's going on all the time, but if your audience genuinely can't figure out what's going on, why something is happening, or who it's happening to, you will eventually lose your immersion.

Write comedy with care. If your fight is non-serious, or if your character in a serious fight doesn't normally take things seriously, jokes are allowed to happen. But sometimes if you don't take it seriously enough, you will chop the knees off your drama. Maybe save some of the jokes for after the life-threatening battle is over.

I think! That's everything I can think of just now! I hope it helps :'D

[carlyraejepsans]

i feel like uty improves on things undertale did but it doesnt have the same strong foundation as the original. like all the qol tweaks and secret shit and meta flowey are all super impressive but as a whole i agree i didnt find it cohesive or consistent

eh, sorry but i don't really think UTY "improves" much of... anything from Undertale? you can make an argument for the visuals, which are more detailed and certainly better animated, but i would argue right back that undertale's rougher, retro, "kinda ugly" graphics are a deliberate design choice on Toby's part that he stuck to for a reason. not to mention, even in their ugliness, the original main cast managed to display more variety in shape language and size than the entire UTY one, which seemed unable to break past the "tall, skinny, anime proportioned humanoid" figure for anyone beyond the occasional side NPC (which, credit where it is due, DID have some really creative designs).

the secret shit is part of my critiques, actually! while conceptually cool, i don't think they appropriately distributed their story and lore at all. i feel like if we got to the end of the pacifist run and were wholly confused as to why dalv was even a character in the story, the whole "human attack" backstory was... not delivered properly. now, there's no problem with having secret lore, gaster is right there. but if you DO have it then it shouldn't be... yknow... tied to the main backstory conflict that literally set the story in motion? lol? it felt like a game with dataminers in mind, rather than players. which was unavoidably detrimental to its storytelling.

the bullet patterns and attack designs were very visually creative but what they improved from the original in their cleverness they tanked with their execution. WAYYY too unfair, counting too much on memorization and giving you no time to accustom yourself to the mechanics (shout-out to the gun tutorial that... didn't teach us how to shoot. at all. we figured it out on our own in the axis fight LMFAO)

the meta flowey stuff was a fun idea that only really delivered in the neutral run and didn't amount to enough anywhere else to justify his presence in the game imo. like, i lost my shit during his fight too, don't get me wrong, i like when fan stories let him be a little FREAK. but everything else was just so... wasted? i almost didn't see the neutral ending at all because the way pacifist handled flowey disappointed me so much.

uhhhhh running was a good addition and the music fucked hard. can't say anything against those two, nossir. not sure it'd go so far as to call them improvements tho, just nice touches

[nyaagolor]

Howdy again, if it's the meta world VS "real world" thing in Umineko that's got you stumbling, don't worry. The assumption Ryukishi and co. seem to be going with is that the meta world IS real, and everyone's just chilling in a happy magic afterlife post-series (hence how episodes 7, 8, and 9 can even happen). The "07th Expansion All Characters Settings Collection" guidebook even has little epilogue blurbs for the cast, I can link you the translation hosted on the wiki if you want. It's still bleak in the sense that, yknow, everyone was dead from the start and the whole journey was more of a "coming to terms with what happened" kind of deal, but I think it works given stuff like the Divine Comedy references going on (if you read Battler as Dante and Beatrice as uh, Beatrice, a lot of Umineko'll start to make sense). The way I see the split is kind of an "as above, so below" type deal - while Tohya is down in the land of the living trying to write and solve things, Battler and friends really are up there fighting for their lives in purgatory, and the two reflect each other. Of course if that's not the problem you have, I'd love to hear what you're thinking!

hiii thank u for the ask!! (sorry this will be a Long One). I'll admit the meta world / real world stuff tripped me up at first, because looking at episodes 4 and 8 it really seemed to be implying that the metanarrative was the coping mechanism of Ange+Tohya and their way of pretending like their loved ones got the happy endings they didn't get in life rather than something we can actually assume happened. However extra content implies this is not the case, Ryukishi doesn't feel like the author who would do that especially after the thesis of Higurashi, and tbh even if he did there was enough plausible deniability that I would just imagine the Golden Land as real because You Gotta Cope Somehow. I love the "as above so below" vibes too, that's a fun new aspect to incorporate

My biggest hangup with the ending was basically in the idea that Sayo's narrative is fundamentally doomed. I was under the impression that the boat scene was implying that Sayo couldn't be happy even if she did escape due to the burden of the truth / her trauma. The positive framing of the catbox remaining at the bottom of the ocean initially struck me as a "her death is the happiest ending you can hope for because of how fucked up this all is" which is already a nihilistic narrative but downright unbearable when given to an intersex trans woman. I just don't vibe with hopeless trans narratives at all, and felt like I had misinterpreted smth bc Ryukishi isn't really a nihilistic guy. I'll admit I got a little soured to the narrative as a whole when I looked around online and saw people talking about how Sayo getting a happy ending was "missing the point".

After talking to @heartgold I realized that I had reversed the causality a bit. I was under the impression while playing that Ryukishi's insistence that "things had to happen this way" was him not just saying "oh everyone is already dead, the end result is already the same bc we're looking back at past events" but also "it doesn't matter what individual actions people took, it was always going to end in tragedy". I realize now it's more of a "this was totally preventable in so many ways but it already happened and now we have to grieve and cope in whatever way we can manage" kinda thing rather than a "this is fate and Sayo was screwed regardless", so I'm cool with that aspect. (Also I won't lie I prefer to imagine the boat scene as almost entirely metaphorical and more of a representation of the fragmentation of Battler's consciousness due to trauma in a similar way as what happened to Sayo, but that's neither here nor there)

The other part of it, and the thing I'm still really hung up on, is the question of whether or not the Golden Land is actually a happy ending and, if it is real, whether we're supposed to view it as a sorta perverse tragedy. On one hand, the alters are all implied to be separate people and they get their happy endings (yay), but on the other hand that doesn't really fix nor address Sayo feeling like she needs romantic love to be fulfilled (also The Incest(?) I'm genuinely unsure if the whole "alters becoming separate entities" negates the incest or not). The idea that Sayo was so far gone that even the fantasy created from her best memories does not allow her to truly be happy is just so insanely depressing to me, so I find myself stuck with that friction of wanting Sayo to have her prince and her white horse and her fantasy happy ending while also not wanting to downplay the truth. Having this little moral dilemma feels like the point of Episode 8 and really gets us into Tohya's head, which is awesome, but also gives me a lot of mixed feelings. Knowing that Sayo's truth literally has Beatrice married to Battler makes it even tougher bc I can't just use plausible deniability and say they're platonic bc they are uh. very much not as far as Ryukishi is concerned. I'm still working out my feelings on it, mostly because I desperately want Sayo to have everything she's ever wanted but also having to contend with the little part of me that's whispering "it can't and shouldn't happen and you know it". Alas. Umineko.

PS: thank you for telling me about the character booklet, that's SO cute!!! I love the little details about everyone and the cat-ear Bern is everything I've ever wanted

[magpod-confessions]

I’m sorry but I need to rant somewhere, don’t read if you like tmagp

I have completely stopped listening to tmagp. I stuck it out for like 14 episodes, hoping it would grow on me, but no. I have multiple (very personal) issues with the podcast, that I understand are not general issues, just my personal preferences.

1. I can’t fucking hear what they say. Tma had sound distortion, sure. I didn’t catch a word of Jared Hopworths statement. But tmagp got it bad. I probably have some sort of audio processing issues, if there’s too much background noise or “graininess” I can’t decipher what they’re saying. That on top of heavy accents (as someone whose first language isn’t English) can make it really hard for me to hear and understand what they’re saying (not saying that accents are a problem, obviously. Just gotta make that clear). As I said, tma also had some of this. But tmagp has people talking a distance away from security cameras, phones in someone’s pocket etc. It’s grainy, muffled, distorted and I genuinely can’t hear anything. The effects are cool, the concepts are cool but I have to constantly rewind entire conversations and listen carefully to make out what is going on.

2. The episodes feel absolutely jam-packed with stuff and the statements kinda take a backseat. The thing that drew me in with tma was the short horror story type stuff they had going on. Sure the plot became more and more important later on in the seasons but especially in the beginning the statements were the star of the show. We got some stuff on the side, like character interactions and info but what really mattered was the statement. I feel like the statements in tmagp are an afterthought, crammed in between plot-heavy scenes and interactions. The statements themselves are alright, they have some interesting elements which I have to give credit for. But it feels like this is more about the characters and what they do instead of the stories. Tma started with the stories, drew me in with the almost creepypasta-esque stuff and then introduced the meta-plot. I came for the short horror stories, I stayed for the interesting meta-plot. Tmagp just absolutely bulldozes you with info and character stuff and plot-stuff.

Now, as mentioned, I get that these are just personal preferences, so don’t come for me because of that. I also know that tma and tmagp are different podcasts that do things differently. I went into tmagp knowing and expecting it to be different. I’m just not a fan of how it is doing its thing.

.