#they take so long to make

[beeb-oob]

~the deep below~

[purringfayestudio]

Wolves!

Since I'm thinking about wolves... here some of my favorite outdoor photos of the wolves I've made.

None are for sale except the work-in-progress at the end, which will be going into my shop once I resume selling.

Akeila (the neutral colored wolf, top 3 images) is my personal wolf so she has lots of photos in general. I'd also be amiss not to show how her footprints look in the snow:

I took a long break in making wolves because those paw pads are sewn individually by hand and take 10+ hrs per wolf to finish. Very tedious. But I've finally finished the paws to this guy below so I'll finish him soon! He'll be available once I resume selling.

People have been calling him the Cookie n' Cream wolf which I think is adorable.

[poorly-drawn-mdzs]

Expertise can't help you here.

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[strongermonster]

why is this written like it's trying to hypnotize me into making a batch of caramelized onions, and more importantly, why is it working

[kerrtesy]

Was hoping to post this before the Mario movie dropped but oh well. 

I’m going to see it next week and I am so excited for it! 

[reds-skull]

I really should draw Soap more with his red mask, as you all can tell I love it

[ink-the-artist]

Rabbits

Some bonus art, I initially started making this in a totally different art style but changed my mind about halfway through lmao, here are the parts I finished

[blainke-omens]

So it turns out getting positive reinforcement on a drawing every 10 minutes for the better part of a week really does wonders for my dedication to finishing it and pushing myself on the details. who woulda thunk. Anyway. Ive been having an absolute blast drawing this and slowly creating the studio space here and I can't wait to draw all the fun new ideas yall gave me !! Crowley does pottery !!!

[flamingpudding]

Guys it's just merch

Danny watched with a smile hidden behind his mug of hot cocoa his new family. Originally he was only going to mess with them a little, since he wanted to keep his civilian live he gained with them but at the same time wanted to kind of provoke them to tell him about their night time jobs on their own.

Not like he could just flat out tell them he knew about their vigilantes lifes and that would be embarrassing to explain.

It's not every day that Danny's powers fluked on him, but with the stress of the past months, it happened. Right at a moment, he had to be clumsy and trip over his own feet and accidentally phased through a grandfather's clock, finding a hidden passage. Well at least he learned that way that Batman hadn't placed him with some other rich fruitloop that wasn't his godfather but well... with Batman himself and his family out of mask.

Yeah no, he did not want to explain that and hoped they would do that themselves. But apparently, they took Danny's statement of wanting a normal life a bit too serious.

Which brought him back to his current entertainment in the form of messing with his siblings.

"I don't get what the problem is guys. It's just merch." He chuckled slightly at the face Damian was making. While Jason chose to kick Tim under the table.

"Soooo how much merch on Red Robin do you have with this shirt now?" Dick asked instead with a bright smile, Danny still hadn't figured out how to tell what emotion he hid behind them sometimes.

"I think this is my third shirt of him." Danny mused, placing his cup back on the table and tapping his lip in a thinking motion. "Though I was going to pick up a couple of custom-made jackets of Red Hood and a Nightwing plush later today."

He acted like he did not hear the triumph like hiss of 'yes' from Jason as well as the very upset huff of Damian.

He just grinned at the amusement about how they apparently were competing over how much merch he owned of each of them.

When he found a Robin figure and several Robin pins mysteriously placed on his desk the next morning, he broke out laughing. Yet still just to mess with them gushed about his newly gotten merch to his family while sharing a knowing look with Alfred who knew he was just messing with them.

If there was a surprising amount of Batman merch, suddenly mixed into what he already owned the following week without his knowledge. Well, he wasn't going to complain about free stuff.

But he still would get a good laugh out of their reactions on the day he decided to full on dawn every piece of Batman merge instead of theirs.

[oh-gh0st]

i heart these rivals so much. maybe they'll kill each other. maybe they'll kiss. maybe they'll make ou

[cheese-water]

he is the only funny person on the damn app

[windwenn]

This started out as a joke but then i realised the hight difference is kind of accurate💀

[brother-emperors]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[wuntrum]

happy crash wednesday

[ruporas]

the blank ticket in your hand is just waiting to be filled in.

happy birthday vash! (ID in alt text)