#this was sent to jon

[ashes-in-a-jar]

Youtube video titled "hi." that has Elias picking up a ukulele singing in the most upbeat tune 🪕 "hello Jon, apologies for the deception but I wanted to make sure you started-" 🪕

[betterthanbatman1]

HOW DID I NOT NOTICE THIS BEFORE

[howboutsleep]

lena would struggle so hard to stop from giggling if she still had any capability of expressing emotions. imagine this dumbass who explicitly stated that she "wants your job" coming back from literally the first assignment looking like a wet malnourished cat storming into your office "What. The hell. Was that." like girlie my dear gwendolyn "he can read??????" bouchard its like lvl 1 Horror you havent even got to the real Horrors yet

[charlietheepicwriter7]

One of Jonathan Crane's last patients before he began his experiments with fear gas was a young boy, barely out of his toddler years, who'd wake up every night screaming from intense nightmares.

Jonathan could still recognize that boy over a decade later as the boy was wheeled into Arkham Asylum, strapped to a gurney. Danny Fenton shot him a tired grin. "Hey, Doc! You mind if we start holding sessions again? I got a lot more tangible fears I need to work through this time."

[saintbleeding]

[ID: Various digital drawings of Jonathan Sims from TMA, all set during season four. He is a tall, thin British-Indian man with receding and unruly curly grey hair. It Is long and usually tied back half-up, half-down. His skin is covered in a variety of scars, some fresher than others, and he wears rectangular glasses. In the first drawing, he is staring with focus down at the cigarette he is lighting. In the second, he is shown in profile, wearing a noticeably oversized mustard-coloured jumper, the neck of which he holds to his mouth and nose, with a tear visible in his eye. In the third and fourth drawings, his eyes glow red as he looks down with a sardonic smile, then at the viewer with a grave expression. Beside these there is a transcript excerpt that says “ARCHIVIST: (flatly) Or perhaps you could answer some questions.” In the last, he is shown sitting against an unseen wall, seemingly asleep, with his glasses tucked into the front of his shirt, and his head propped against his hand. Amongst the drawings are a cassette tape that has the note “recording by Martin Blackwood” and little hearts surrounding it; a lit zippo lighter with a spiderweb design; a clean and disembodied human rib; and a smartphone with a cracked screen. Above the phone are a series of texts sent seemingly from Jon to Martin: “do you hat e me pleas be honest”/”iM only yipts i PORMISE MAETIN”/”i;m sor ry for inconvcebie d.Ng you :’(” Then, there is a timestamp for “today, 9:34am”, followed by more messages: “Sorry. I want to reiterate that I’m still very worried; I don’t trust that you’re safe.”/”Let me know if I can help you.” The last message is a single heart emoji, but it is showing as not delivered. End ID.]

two of them

idk what to tell u. in s4 this man simply has a certain pathetic rizz. a wet dog je ne sais quoi.

[atopvisenyashill]

not to keep harping on but definitely the complaint i see that really sticks in my craw is that the only reason or the main reason robb planned to banish catelyn to seaguard was because of their argument over jon. it’s certainly a factor but they have spent the entire war arguing over every decision robb makes! ned tells robb “keep your mother in your council” but robb really does not! he has her there, yes, he lets her speak, yes, but oftentimes he will disregard her advice without any appeasement, misstep badly, and be worse off politically in the exact way she warned him of. she’s not the only person he blows off - he’s not exactly nice to edmure either, for example - but cat is right when she suspects there’s an element of “kings are not supposed to have mothers” and “wedded to his war" and she clocks this long before the argument over jon! robb tries to get rid of her at the beginning of a clash of kings when all cat has done is urge him to continue peaceful negotiations with the lannisters!

robb is angry because he’s in over his head and he knows it, and it's got very little to do with jon! robb is losing this war and his best friend was the son of a man who crowned himself and lost the war!! robb knows exactly what’s going to happen to the north if he loses and despite everything, he cannot seem to win despite being a near prodigy in battle tactics. and here his mother has been this whole time, fighting him on every front - just like the lords but he cant punish them for disagreeing can he? - and being so frustratingly right about more things than his lords, and now they’re picking at this wound in their family that has never been allowed to heal and a lot of resentment that both robb and catelyn are feeling at their general situation gets focused in on each other. this is such a tully thing too (pls remember these are canonically unpleasant people!) because look at lysa projecting years of resentment onto sansa, look at the entire cat, hoster, edmure situation, or even hoster & blackfish’s relationship. family is so important to them but in times of stress, “doing everything for family” becomes an anchor pulling them down, until the only thing left is to lash out at each other.

most of the lords are happy to let this nonsense play out! catelyn does not even have the privilege maege & dacey mormont do at being head of their own house - she’s just a wife, just a mother, just a first born daughter. when she disagrees, they don’t see an equal arguing with them, they see a woman sticking her nose where it doesn’t belong. they do not give a single solitary shit about like, ~the plight of bastards~ they just believe, like robb, that sansa is currently “tainted” by her marriage to a lannister and can’t be allowed to inherit, that arya is dead, that the boys are dead, that jeyne is not yet pregnant, and a bastard boy castle raised who looks like ned is better than no boy at all (see edric storm, addam of hull, and larence snow). these men have not spent the last fourteen years cooking in their resentment over this situation the way catelyn and robb have!

jon is a reason. but so is rickard karstark, jaime lannister, willem lannister, tion frey, renly baratheon, walder frey, and theon greyjoy. ned is a reason as well, and bran, sansa, rickon, arya, hoster, edmure, perhaps even lysa and sweetrobin. jon is the final straw but robb isn’t (only) sending catelyn away because of some righteous fury on his brother’s behalf! he’s sending her away because she is an easy, socially acceptable target for all his frustrations and failures and fears that he can project on, and punish, in a way he cannot punish his enemies, his lords, or himself.

and catelyn is as always very aware of the deeper motivations in her son’s mind, and resentful that she doesn’t have the power to push back; she’s just a mother, after all.

[jonmoxleys]

Congratulations dear boy, you out villain'd a villain. I wouldn't of expected anything less. Bravo. ★ from FCW to AEW: 2011 – 2022

[nextstopwonderland]

“We’re forcing Wheeler to read” - move over BCC group chat, there is a BCC BOOKCLUB!

(See another edit from this interview here)

[your-fave-isdoomedbythenarrative]

Jon and Martin TMA are doomed by the narrative

Jon and Martin from The Magnus Archives are doomed by the narrative and trying to escape.

(Art credit from here by @officialspec. The asker recommended me to use this because Jon and Martin don't have a canon appearance; if you want me to take this down, just ask!)

[dudethatsmyundeaduncle]

I think if the Batfam were to hand Damian the aux cord everybody would think he's gonna play like classical music or heavy metal or something but with no fucking hesitation they are now speeding thru gotham to the Ben 10 theme song.

[emprcaesar]

you know how to make a girl fall in love with you

you have a deep conversation about the dynamic of jon snow and daenerys and how they are twin flames connected by a red thread. their stories are interwoven. they were interwoven even before their conception. they are destined for each other.

[f1-birb]

*chef kiss*

[cinematicnomad]

I EXCHANGED NUMBERS WITH MY CRUSH!! AND!! He joined my and 2 friends/coworkers for dinner after originally turning us down. And the way he decided to join us?? Was by calling me and asking if we were at the bar we’d mentioned and if it was ok for him to join 🥰🥰

[barbieaemond]

So the Snow spinoff is not happening.

Thank God.

[thelaurenshippen]

lucasfilm was so sick for being like "we're going to give you a stone cold killer who is good at every form of combat and put him in impenetrable armor he never takes off, he is going to be so cool" and then casting pedro pascal who has those EYES and giving him a CHILD

[saintbleeding]

May I request Martin struggling to find a sufficiently dramatic way to propose to Jon?

[ID: An eight panel comic of Martin and Jon from TMA. Martin, a fat man with long, wavy hair worn half-up, half-down, circular glasses, and a t-shirt with the slogan "Fish fear me. Who am I." agonises over how best to propose to Jon for the first three panels. As he does so, he says: "This is so stupid. Sooo stupid. Compels me tho. He'd hate Disneyland. Paris is too crowded. Could do it under the stars, but then it can't be far from home (I can't fuckin [caps] drive [end caps])". In the fourth panel, he is scribbling notes, and text beside his head says "brainstorming" and "unsuccessful". In the fifth panel he is asleep on the table, with text beside him reading "tuckered out". From offscreen, Jon says "Darling..." In the sixth, Jon's hand is on Martin's shoulder and he says "Probably this is not the best place to nap." In the seventh panel, Jon, a thin man with short, curly hair, a beard, and many scars, cups Martin's cheek in his left hand. Martin gazes sleepily up at Jon and says "D'you wanna marry me." to which Jon replies "If I say yes, will you come to bed?" and Martin says "Yeah." The last panel is a close-up of their linked hands. Jon says "Then yes." and Martin says "Cool." End ID.]

task failed successfully!