#where robin is the troll

[razzle-zazzle]

3682 Words; Discolored

AO3 ver

“Poppy, did Branch crash at your pod last night?”

Poppy turned to look at Floyd as he ambled over to her, cane and tail working together to keep his balance. He came to a stop and sat down on a nearby mushroom, and Poppy smiled. Floyd was making great progress with his recovery! He wouldn’t have made it to that mushroom in a single go last week.

“No, I haven’t seen him since yesterday.” Poppy responded. “Was he not at home last night?” That was pretty unlike Branch—either he slept in his bunker or he slept somewhere else he considered safe enough, which was pretty limited.

Floyd shook his head. “I haven’t seen him since yesterday afternoon.” He looked out towards the rest of the village, frowning. “Is that…” He swallowed, his eyes not meeting Poppy’s, “That’s not normal for him, is it?”

Poppy’s tail lashed behind her. For all that Branch was eager to have his brothers back in his life, they’d been gone for so long that they were essentially strangers. As much as she wished everyone could fall back into familiar routines and get along, the world just didn’t work like that. Once again, she was confronted with the fact that, for all that he was living with him, Floyd still didn’t know Branch as well as she did.

Poppy shrugged off the annoyance—it wasn’t her issue to resolve, and it was well on its way to fixing itself—and focused in on the important parts. “Did he leave any notes on where he was going?” While he didn’t do it as often these days, Branch could still disappear into the forest for days at a time in search of supplies and other materials for his stockpiles. But he never left without some kind of indication of where he was going—not after his and Poppy’s adventure to Bergentown that ended with the formal end to Trollstice.

Floyd’s grip tightened on the handle of his cane. His tail curled around his legs as he spoke, “Not that I could find. He was acting really evasive all day, too.”

Poppy’s tail smacked the ground. Okay, now things really weren’t adding up. “I’ll go ask around,” she decided, “and see if anyone else has seen Branch.” Her duties as Queen took her all over Pop Village and Trollstopia as a matter of course, so she was bound to stumble upon some answers eventually.

Floyd nodded. “I’ll go see if John knows anything.” He decided, standing up. Poppy almost offered to go with him, but Floyd didn’t even spare her another glance as he went on. If something went awry, there was no shortage of Trolls who would happily help him out, so Poppy resolved to put her focus to where it would be most useful.

Her daily rounds were pretty routine at this point—after the morning song, Poppy went around to check on her people, letting them voice opinions, concerns, and even just happy “Good mornings!” Though not a social butterfly, Branch still had a few friends throughout the village and in Trolltopia, so it was just a matter of collecting what information she could and putting it all together.

Everywhere she asked, she got the same response. Nobody had seen Branch past yesterday evening—most Trolls hadn’t even seen him after the morning at all. Floyd seeing Branch in the bunker yesterday afternoon was the latest that anyone had seen him, it seemed.

The market was bustling with activity when Poppy arrived, sun high in the sky. Trolls of every shape and color walked around through the stalls, exchanging goods and gossip in equal measure. Poppy beelined for Smidge’s stall—the stoutberries were in season, and her Right Paw Troll had no shortage of eager customers.

“Good Morning Poppy!” Smidge greeted, passing a mug of stoutberry juice across the counter to an eager Troll. “Here, have a mug on the house.”

Poppy took the mug with one paw and reached into her hair with the other. “In that case, have THIS!” She handed the bag of cookies across the counter. “On the house, of course.” She smirked. It was a routine exchange, but no less genuine.

Smidge giggled, taking out one of the cookies before re-tying the bag and slipping it into her hair. “Oh, yeah,” She passed out another mug, and Poppy shifted to the side so she wouldn’t get in the way, “A pair of Pop Trolls came up to my stand the other day.” Smidge started.

Poppy leaned forwards. Smidge wasn’t one for frivolities—outside of the usual frivolities Trolls concerned themselves with, of course—and Smidge’s tone implied there would be more to the story than face value.

“I didn’t recognize them at all.” Smidge elaborated, passing another mug out to another customer. “But they were nice enough and they bought plenty of stoutberry juice.” She shrugged, pleased at the successful sale.

“Huh.” That was weird. Poppy knew everyone in Pop Village, and was well on her way to knowing everyone in Trollstopia, as well. As her right paw, Smidge should also be able to recognize every face, if not know them all personally. “Maybe they were Putt-Putt Trolls?” Poppy was still familiarizing herself with Viva’s people, after all.

Smidge hummed. “One of them had wild enough hair for it, but I don’t think so. The rest of the details just don’t line up.” She lifted her paw to her mouth, her brow creasing in contemplation. “Come to think of it, one of them had eyes just like Branch’s. Like, uncannily so.”

Poppy frowned. It wasn’t unheard of for Pop Trolls to be out wandering the world—Branch’s brothers had been doing exactly that for years—but something about the timing of it all felt off. Two strangers showing up barely a day before Branch’s… Poppy didn’t want to call it a disappearance—Branch was tough, he was probably fine. But the fact remained that nobody she’d talked to had seen him since yesterday, and nobody had any idea why. It reminded her of years past, before peace with the Bergens when Branch barely involved himself with the village at all if he could help it. But he had come so far since then!

“Speaking of Branch, have you seen him?” Poppy asked, already anticipating the answer.

Smidge hummed. “Last I saw was when he bought some stoutberry juice yesterday morning.” She handed out three mugs to a pair of Trolls. “I don’t know where he went after he left the market.”

Right, just as Poppy had feared. She sighed, and turned to Smidge with a grateful smile. “Thanks, Smidge.”

Smidge’s eyes narrowed. “Have you seen Branch?” She asked, already intuiting the reason behind Poppy’s question. It was just like her to pick up whenever Poppy had a problem. Poppy didn’t know what she would ever do without Smidge.

Poppy shook her head. “Not since yesterday.” She responded. “And everyone else is saying the same. I’m gonna check his bunker for a note after doing my rounds in Trollstopia.”

“That’s unlike him…” Smidge put a paw to her mouth, thinking. “Once I’m done here, I’ll go see if Milton has any snoutsniffers in his care, see if I can’t track down any leads.”

“Thanks, Smidge,” Poppy grinned, “You’re the best!”

Smidge laughed. “Don’t I know it!” She waved as Poppy stepped back, reaching for another stoutberry to refill the pitcher with. “Have a good day!”

“Of course!” Poppy laughed as she skipped off. Like she could ever have a day that wasn’t good in some way—there was always a bright side to everything, even when things got bad. There had to be.

With that thought in her mind and a spring in her step, Poppy went on to continue her rounds.

+=+=+=+=+

“Any luck?” Floyd’s voice greeted Poppy as she returned to her starting point, the sun having long disappeared behind the trees. Floyd was sitting on a mushroom, cane leaning to his side, his arms folded in his lap. His tail curled in on itself.

“Smidge offered to borrow a snoutsniffer from Milton to help investigate.” Poppy responded, sitting down next to Floyd. “But other than that? Nothing.” She leaned back and stretched her arms above her head, her tail and legs stretching as well. There hadn’t been a note in Branch’s bunker—at least, not where he’d usually leave notes. But it could take weeks for Poppy to dig through the entire bunker, and Branch wasn’t the type to leave his notes where they couldn’t be found. So here she was, sitting next to Floyd and looking for something more concrete to do.

“John hasn’t seen him either,” Floyd shook his head, “But he said he’d go looking.”

Poppy brightened. “Oh, that’ll be a great help!” She hadn’t known John Dory for long, it was true—but it was already clear that he had a skill for finding people. He’d managed to find Floyd’s prison in Mount Rageous and Branch at Bridget and Gristle’s wedding within days, after all! For all his… well, Poppy didn’t want to be so mean as to call them faults, and it wasn’t really her place to say, but John Dory definitely needed some work—for all his… rough edges, Poppy trusted that when John Dory put his mind to something, he’d find it.

Floyd nodded. Poppy waited in case he wanted to say anything else, but no words were forthcoming. That was fine, though.

“Queen Poppy!” And there was Smide, approaching with a snoutsniffer in her hair! Poppy stood up excitedly, her tail beginning to lash in anticipation.

Smidge set the snoutsniffer down. “Meet Petunia.” She boasted, “Milton says he’s the best tracker in the litter.” Her chest puffed out as she spoke, pride welling up in her eyes as she thought of her boyfriend.

“He’s. So. ADORABLEEEEEE!” Poppy was already on her knees, tail whipping behind her. With a squeal she brushed her paws over Petunia’s periwinkle carapace. Petunia whuffed in response, shoving his face into Poppy’s paws to demand more attention. “Ohhhh my Troll, who’s adorable? Who’s the cutest wittle snoutsniffer in the world? Is it you? Yes! It’s you! AWWW!” Poppy’s paws were covered in slobber. Her heart wanted to burst right out of her chest. She couldn’t stop cooing—Petunia was just! Too! CUTE!

Behind them, Floyd chuckled faintly, standing with a grunt of effort. “Are we ready, then?”

Smidge nodded, and Poppy stood, tearing her paws away from Petunia’s perfect periwinkle carapace. They started by the bunker, Petunia sniffing at a shirt Poppy had retrieved from within before puttering off to find the scent. Smidge unclipped the leash to let Petunia work more efficiently.

“Does…” Floyd closed his mouth, mulling over his words. “Does Branch ever just disappear like this?” He made a face the moment he finished speaking, ears flushing slightly. Poppy opened her mouth to speak—

“Not really?” Smidge answered, as Petunia kept puttering around. “A year ago this would have been pretty normal—Branch only ever came into the village when he needed something. We’d go days without seeing him at all sometimes.”

“Ugh, and he used to never leave his bunker at all during winter.” Poppy added, flicking her tail. “So we wouldn’t see him for months.” She crossed her arms at the memory.

“Yeah, and you’d end up bundling all the invitations you made him into a basket for him to find in the spring.” Smidge giggled, paw over her mouth. Her tail flirted behind her as she turned to face Poppy fully. “Oh, and that first year when you just piled them all on his welcome mat!” She mimed a big pile falling down with her paws, making a whoosh noise. “He told me about that a few months ago, said the whole pile fell on his face when he opened the trap door!”

Poppy snickered, face flushing. She hadn’t heard about that part! But it made sense; though fifteen-year-old Poppy hadn’t known that the welcome mat was the entrance to Branch’s bunker, that didn’t change the fact that she had basically buried Branch’s door in invitations.

…maybe she should apologize for that. What if Branch had been unable to open the trapdoor?

“Huh.” Floyd was gripping the head of his cane rather tightly, his tail starting to curl around his legs. “...all winter?”

Poppy nodded. “He’s really come out of his shell since!” And she would never not be proud of how far Branch had come. Finding his true colors again, braving the trials and tribulations of developing a healthy social life, reuniting with his family—Troll, Poppy could gush about how proud Branch made her for hours! She almost turned to her side as if to nudge Branch, but—

But Branch wasn’t here. He wasn’t here for Poppy to watch his face flush and ears flutter in the way they did when he got flustered, blue tones creeping up his paws to his chest in that way that made Poppy’s heart melt. Branch wasn’t here, and he was probably definitely fine because he could take care of himself and get through almost anything when he put his mind to it—

But that was fine because Poppy would find out where he went and it would all work out! Her tail straightened out behind her, taut and rigid like a cord ready to break. Of course she was worried, he was her boyfriend, she’d worry about him always because that was what it was to care about someone—

Petunia’s barks snapped Poppy out of her spiraling thoughts.

“Oh my guh, Petunia found something!” Smidge called out. Poppy rushed over to the Petunia, kneeling down to see what he had found.

It was Branch’s Hug Time bracelet, half-buried in the dirt. Poppy leaned down and picked it up, examining the cut in the cord. The flower looked like it had been stepped on—no, stomped. The petals had withered, and the timer was shattered. Poppy had almost missed it entirely—it looked no different from regular forest floor detritus.

This… Poppy tucked the bracelet into her hair. She couldn’t tell how recently it had been cut, but—surely she was overreacting. Branch probably caught it on something without noticing; he could get really single-minded when he was in the zone. Yeah. It was fine. Everything would be fine.

But Poppy still couldn’t shake the feeling clinging to her fur. It hung off of her tail and hair like a foreboding miasma, implacable in its surety. If Branch were here, he’d be doing all the worrying for her. But he wasn’t here, and all Poppy had was a cut Hug Time bracelet to show for it. So far, of course. She would totally track him down in the end, of course.

Yeah. Poppy clenched her paws. She was sure of it: they’d find Branch by the end of the week!

+=+=+=+=+

It had been weeks. Poppy saw neither hide nor hair of Branch, and nobody else did, either. It was official; something had happened, something big.

She’d already told Bruce and Clay and Viva, and John Dory was coming in and out of Trollstopia to tell her how his search was going—

(Not super well. Rhonda could track, but she wasn’t a snoutsniffer. Whatever Branch was doing, he was moving around a lot, and every time Rhonda found a lead it only lasted a few days at most.)

—Poppy had done about all that she could, at this point. Petunia and the other snoutsniffers were earning a lot of treats and attention for their work combing the forest for clues—

(not far from the Hug Time bracelet, Petunia had found critterbuss tracks. They were similar to Rhonda’s, but not quite the same.)

—she’d gotten the word out to her fellow leaders in case they know anything, including Gristle and Bridget—

(even after a full year of peace with the Bergens, Branch was still wary of the ones he didn’t know, and didn’t like going into Bergentown alone. But that didn’t mean he couldn’t be near Bergentown; Hole ‘N Fun was in the same general area. None of the other genre leaders had any news, but they agreed to help spread the word around.)

—and between all of that and her regular duties as Queen of the Pop Trolls and Pop Ambassador to Trollstopia, Poppy was outright exhausted!

But even as she settled down on her bed with a sigh, limbs spread out as she stared at the ceiling of her pod, a nervous energy hummed in all of her veins, crackling and stinging with the need to do something. Poppy’s head fell to the side as she considered her crafts table. Maybe scrapbooking would calm the fire in her paws?

Ughhhh, this was way too much worrying! Worrying was Branch’s thing, because at least he knew how to turn his worrying into something productive! When Poppy tried that, she ended up worrying all over again once she was done. She kicked her feet and huffed, glaring up at the ceiling. Maybe if she worried hard enough, Branch would just show up and this whole worrying thing could be done with!

With a groan, Poppy rolled off her bed and stood, stretching for a moment before going over to her crafts table. She sat down, flicking on the radio with her tail as she contemplated what to scrapbook. The radio was a recent acquisition, custom-made by Rhythm and Blues for her last birthday. A song that Poppy hadn’t heard before was playing, upbeat melody drifting into the background as she opened her current scrapbook. Well, it was one of her current scrapbooks, set right between the one she started to chronicle Branch’s disappearance and the one about Rock Troll agriculture that she had been working on and off on. But the scrapbook before her was her current Feelings Scrapbook: a place to work out everything she felt. It didn’t need to be organized, or follow a story—she cut fabric into shapes and drew nonsense lines with glitter glue, pushing pieces together and making something purely for the sake of it.

The radio continued to play, the song having ended. An ad segment started, making Poppy’s tail lash in minor annoyance. Ugh, maybe she could shift to a different station until the adbreak ended—

Wait.

That—

Poppy’s eyes widened. She set down her scrapbooking supplies, not even bothering to tidy up her workspace as she put her full attention on the radio. That was—

Poppy stood, and ran for the door of her pod.

+=+=+=+=+

“Sooooo what’d you drag us all the way up here for?” John Dory asked, pulling himself up to Poppy’s doorpetal with his hair. Floyd came up behind him, mostly-recolored hair pulling him up with no visible strain. He’d really come far, these past weeks—he could go for a lot longer without getting exhausted!

Poppy brought them inside without preamble. John Dory tracked in dirt as he went, not even bothering to wipe off his feet on the mat like Floyd was currently doing. Poppy didn’t care. The radio was still playing, right there next to her crafts table, on the same station she had left it on. “Listen.” She said, as the current song came to an end and, thankfully, an adbreak started instead of the next song.

John Dory listened for all of two seconds before frowning. “It’s a radio.” He said. “I don’t see what this has to do with any—”

“Just listen!” Poppy insisted. The ads were playing out in roughly the same order as before, which meant the ad they needed to hear was coming up. Indeed, the ad about stage makeup ended, and the next ad began, the speaker talking at a rapid clip.

“Hey ho! Tired of single-genre shows for single genre venues? Looking to hear some new talent on stage? Then you’re in luck! Come see Robin Lily LIVE on his tour throughout the genres! Hear music from all corners of the world, including the new hit single ‘Candy’!” A clip of music started playing, the abrupt start making it clear that it was taken from the middle of a song. “Hey, ho! Here she goes! Either a little too high or a little too low! Got no self-esteem and vertigo, ‘cause she thinks she’s made of candy!” The clip cut off there, the rest of the ad playing out, but—

It was unmistakable.

“That’s Branch!” Floyd gasped, his tail thumping against the ground. “That’s—that’s him singing!”

“What in the world is he doing?” John Dory put his paws on his hips, giving the radio a consternated look. “Running off on his own without telling anyone? Is he really that immature?”

Poppy shot John Dory a look, then decided to ignore it. He and Branch were still getting to know each other, after all. Instead, she pushed forwards. “The next concert is tomorrow, right?” She looked at John Dory. “Can Rhonda get us to Garden Grove Theatre by then?”

John Dory grinned, tail waving behind him. “Uh, yeah, of course she can!” He turned to leave, reaching up for his goggles. “C’mon, let’s get going!”

“Wait!” Floyd interjected, gripping the head of his cane. “Aren’t we going to tell Bruce and Clay?” With Bruce back at Vaycay Island and Clay hopping between Hole ‘N Fun and Trollstopia on a regular basis, it would probably take a while for the news to reach them, and even longer for everyone to convene at Trollstopia. It was a valid concern, but Poppy already had that handled.

“We’ll send them crittermail on the way!” She grabbed Floyd’s paw in her own, waiting until he squeezed back before she started to pull him along. “C’mon, we got a concert to catch!”

“Hair yeah we do!” John Dory whooped, already making his way down the tree, goggles over his eyes. With a grin, Poppy followed him down, Floyd following her down with a yelp and a startled laugh.

Now she could say she’d find Branch by the end of the week—and she intended to! He wasn’t getting away from her that easily!

If only the worry trickling down her fur could agree and go away.

[blogalreadydoesntexist]

guys i havent seen any spider-(blank) movie, show, or comic, but that villain mf with an eerily similar name to the villain from the lorax is,,, fairly attractive and my best friend (whos way more into the series) is terrified of all of you

[im-totally-not-an-alien-2]

The press was going wild. Headlines like, "A bat unmasked?" and "Bat kid gone wild!" which Danny thought was uncalled for. He didn't even do anything that bad. All he did was rescue those kids and preformed a perfect flying kick to the mans jaw! He didn't even knock out a tooth!

Oh. And he wasn't even one of the bats.

Danny had only been in this dimension for a day and had no idea what was going on. He didn't actually have plans to stay in this world long so when he saw a guy around his own age being held hostage by guys in ski masks he just acted. He just flew invisibly to the hostage and took them.

By the time the captors realized thier hostage was missing they were long gone.

Turns out the guys name was Tim and he was rich, which honestly explains the kidnapping. Tim had a lot of questions and Danny just wanted to know where to drop Tim off at.

Later that night he gets to meet the bat himself and of course he trolls Batman and makes the man chase after him around the city. This turns out to be a big mistake. As Phantom Danny wouldn't dare use any of the fighting techniques his mother had thought him. His mother had trained in a very exclusive dojo by a legendary master who only ever took 7 pupils in his lifetime and his mom taught this stuff to Danny up until the accident. So if Phantom used these techniques his mom would know immediately that it was him.

But here no one knows who he is.

No one knows about him or Phantom.

And he doesn't plan to stay...so why not go ham? Thus Danny play fighting the bat across streets and rooftops, through bars and crowded shopping districts all while giving witty banter.

It probably didn't help that he was a very Robin shaped boy...so naturally all those photos of him and the dark knight wound up in the papers. Danny thought it was hilarious until he had his fill of chaos and tried to leave...only to realize he couldn't.

He was trapped in this dimension with the mess he made. Uh oh.

[mfshipbracket]

welcome to ghost mod's thought experiment, the m/f ship bracket bonus round where every single m/f ship from the original round is pit against reylo of the 97/3 #shreksweep infamy.

why, you ask? mostly cuz of this.

they're going from lowest to highest per the original rankings, starting off with our newcomers adam/eve. 9 polls per day will roll out on queue throughout the est evening from may 12th-18th! after polls are closed one week later, i will post the final rankings of who swept the hardest (or failed to sweep...)

all polls can be found under the #bonus round tag, and this masterpost also contains links to each specific poll. there is also a spreadsheet with current bonus round standings and stats from the original bracket if you like numbers. :)

disclaimer: not a reylo hater. i'm just ardently devoted to the bit

DAY ONE

1. Adam/Eve (The Bible) VS Kylo Ren/Rey (Star Wars) 2. Barbie/Ken (Barbie) VS Kylo Ren/Rey (Star Wars) 3. Branch/Poppy (TROLLS) VS Kylo Ren/Rey (Star Wars) 4. Hori/Kashima (Gekkan Shoujo Nozaki-kun) VS Kylo Ren/Rey (Star Wars) 5. Naegi/Kirigiri (Dangan Ronpa) VS Kylo Ren/Rey (Star Wars) 6. Fakir/Ahiru (Princess Tutu) VS Kylo Ren/Rey (Star Wars) 7. Jake/Amy (Brooklyn 99) VS Kylo Ren/Rey (Star Wars) 8. Sonic/Amy (Sonic the Hedgehog) VS Kylo Ren/Rey (Star Wars) 9. Vax'ildan/Keyleth (Critical Role/TLOVM) VS Kylo Ren/Rey (Star Wars)

DAY TWO

10. Barry Bluejeans/Lup (The Adventure Zone: Balance) VS Kylo Ren/Rey (Star Wars) 11. Westley/Buttercup (The Princess Bride) VS Kylo Ren/Rey (Star Wars) 12. Lucas/Max (Stranger Things) VS Kylo Ren/Rey (Star Wars) 13. Bella Swan/Edward Cullen (Twilight) VS Kylo Ren/Rey (Star Wars) 14. Kaz Brekker/Inej Ghafa (Six of Crows) VS Kylo Ren/Rey (Star Wars) 15. Zagreus/Megaera (Hades) VS Kylo Ren/Rey (Star Wars) 16. Greg/Rose Quartz (Steven Universe) VS Kylo Ren/Rey (Star Wars) 17. Orpheus/Eurydice (Hadestown) VS Kylo Ren/Rey (Star Wars) 18. Sans/Toriel (Undertale) VS Kylo Ren/Rey (Star Wars)

DAY THREE

19. Megamind/Roxanne (Megamind) VS Kylo Ren/Rey (Star Wars) 20. Inuyasha/Kagome (Inuyasha) VS Kylo Ren/Rey (Star Wars) 21. Mamoru/Usagi (Sailor Moon) VS Kylo Ren/Rey (Star Wars) 22. Anne/Gilbert (Anne with an E) VS Kylo Ren/Rey (Star Wars) 23. Mako/Raleigh (Pacific Rim) VS Kylo Ren/Rey (Star Wars) 24. Nancy/Jonathan (Stranger Things) VS Kylo Ren/Rey (Star Wars) 25. Wanda/Vision (Marvel/MCU) VS Kylo Ren/Rey (Star Wars) 26. Aragorn/Arwen (Lord of the Rings) VS Kylo Ren/Rey (Star Wars) 27. Rayla/Callum (The Dragon Prince) VS Kylo Ren/Rey (Star Wars)

DAY FOUR

X. Kylo Ren/Rey (Star Wars VS King Charles/Camilla (United Kingdom) 28. Anakin/Padme (Star Wars) VS Kylo Ren/Rey (Star Wars) 29. Anthony Bridgerton/Kate Sharma (Bridgerton) VS Kylo Ren/Rey (Star Wars) 30. Percy/Vex'ahlia (Critical Role/TLOVM) VS Kylo Ren/Rey (Star Wars) 31. Kyo/Tohru (Fruits Basket) VS Kylo Ren/Rey (Star Wars) 32. Batman/Catwoman (DC) VS Kylo Ren/Rey (Star Wars) 33. Tenth Doctor/Rose (Doctor Who) VS Kylo Ren/Rey (Star Wars) 34. Cassian/Jyn (Star Wars) VS Kylo Ren/Rey (Star Wars) 35. Joyce/Hopper (Stranger Things) VS Kylo Ren/Rey (Star Wars) 36. Aang/Katara (ATLA) VS Kylo Ren/Rey (Star Wars)

DAY FIVE

37. Mermista/Seahawk (She-ra and the Princesses of Power) VS Kylo Ren/Rey (Star Wars) 38. Robin/Starfire (DC/Teen Titans) VS Kylo Ren/Rey (Star Wars) 39. Tamaki/Haruhi (Ouran High School Host Club) VS Kylo Ren/Rey (Star Wars) 40. Mulder/Scully (The X-Files) VS Kylo Ren/Rey (Star Wars) 41. Glimmer/Bow (She-ra and the Princesses of Power) VS Kylo Ren/Rey (Star Wars) 42. Zuko/Katara (ATLA) VS Kylo Ren/Rey (Star Wars) 43. Steven/Connie (Steven Universe) VS Kylo Ren/Rey (Star Wars) 44. Han/Leia (Star Wars) VS Kylo Ren/Rey (Star Wars) 45. Beast Boy/Raven (DC/Teen Titans) VS Kylo Ren/Rey (Star Wars)

DAY SIX

46. Edward/Winry (Fullmetal Alchemist) VS Kylo Ren/Rey (Star Wars) 47. Peter/MJ (Marvel/MCU) VS Kylo Ren/Rey (Star Wars) 48. Katniss/Peeta (The Hunger Games) VS Kylo Ren/Rey (Star Wars) 49. Marinette/Adrien (Miraculous Ladybug) VS Kylo Ren/Rey (Star Wars) 50. Kim Possible/Ron Stoppable (Kim Possible) VS Kylo Ren/Rey (Star Wars) 51. Darcy/Elizabeth (Pride and Prejudice) VS Kylo Ren/Rey (Star Wars) 52. Roy/Riza (Fullmetal Alchemist) VS Kylo Ren/Rey (Star Wars) 53. Miles Morales/Gwen Stacy (Spider-Man: Into the Spider-verse) VS Kylo Ren/Rey (Star Wars) 54. Zelda/Link (Zelda Series) VS Kylo Ren/Rey (Star Wars)

DAY SEVEN

55. Twilight/Yor (Spy X Family) VS Kylo Ren/Rey (Star Wars) 56. Sokka/Suki (ATLA) VS Kylo Ren/Rey (Star Wars) 57. Hunter/Willow (The Owl House) VS Kylo Ren/Rey (Star Wars) 58. Chidi/Eleanor (The Good Place) VS Kylo Ren/Rey (Star Wars) 59. Ms. Piggy/Kermit (The Muppets) VS Kylo Ren/Rey (Star Wars) 60. Rapunzel/Eugene (Tangled) VS Kylo Ren/Rey (Star Wars) 61. Howl/Sophie (Howl’s Moving Castle) VS Kylo Ren/Rey (Star Wars) 62. Percy/Annabeth (Percy Jackson Series) VS Kylo Ren/Rey (Star Wars) 63. Morticia/Gomez (The Addams Family) VS Kylo Ren/Rey (Star Wars)

[everwistfully]

So we all know that, in reality, Dick was the most violent and biggest menace of the Robins but everyone also thinks he’s the golden child.

With that said, you cannot convince me that he doesn’t use that fully to his advantage and absolutely troll the heck out of the batkids.

He’ll pull pranks on the batkids and they’ll all blame someone else even though Dick was conveniently in the “wrong place at the wrong time” but all the kids are just convinced it couldn’t be Dick based on the nature of the prank alone.

This continues to go on for years! And each time Alfred of Bruce walk in on the aftermath, they’ll take in the scene and then either stare into the invisible camera Office Style or they’ll just make eye contact with each other, sigh and walk away.

Finally he genuinely gets caught in the act and he ALMOST gets away with it still! Because of how in denial the kids are. But he doesn’t get away with it and this starts a whole blown out argument where everyone gets called in so they can confront Dick while he just kinda smiles sheepishly and shrugs. Until Alfred or Bruce walk in and just mutter under their breath a “finally” and this starts the argument all over ten fold where no one is left unscathed.

[hannibals-favourite-meal]

Secret's Out

Bruce Wayne x plus size gn!reader

Bruce gets a crush on Dick’s tutor but is hesitant on letting them into his life because of you know, the whole running around as a bat thing.

Warnings: FLUFF, references to struggling in school, the usual batman injuries and angst

WC: 1.4k

Minors DNI

The life of the Batman was often lonely. Late nights and early mornings meant Bruce didn’t have a lot of time for anything other than his son and making rare appearances in public so a relationship was out of the question. But dear god did he crave that intimacy.

He wanted to wake up beside someone, have someone share the load of being a parent to a very energetic child with him. And sex, but that goes without saying. But there was too much at risk. What if they got hurt because of his nightly activities? If he shared his secret would they leave him and expose it to the public? Would they break Dick’s heart?

So he resolved to be lonely for the rest of his life. It was too bad that his heart had a mind of its own though.

Dick had been struggling in school, he found it difficult to connect to the other kids in Gotham Academy and thus his grades were slipping. After a particularly heartbreaking melt down from the small boy after another child rejected his friendship, Bruce and Alfred had a very difficult conversation. 

They decided that homeschooling one on one with a tutor for at least a semester would help Dick become more secure in his academics and interact with someone outside of his family. So, each night, while Batman and Robin cleaned up the streets of Gotham, Alfred trolled through the internet and newspapers, trying to find someone suitable for his grandson.

Eventually, he did. You had more than enough qualifications, a masters in education with specialisation in science and english, a long list of glowing recommendations, and a small collection of special skills that made him smile. Dick had been wary when they approached him about you, he was scared that this new teacher would treat him the same as the others, pushing him down and making him feel bad about himself.

But after a long trip to the Gotham pier complete with him and his father consuming their weight in ice-cream, he came around. And thank god he did.

You were a life-saver. You not only became his teacher but you also became his best friend, his confidant, his greatest supporter and his partner in crime. The usually silent and morose halls of the manor were now filled with the childish giggles of his son, a sound that had been gone since Bruce himself was that young.

You also became a shoulder for Bruce to lean on. You joked around with him, getting him to actually smile and not the usual cocky grin he used in public. A real smile that made his cheeks hurt and his chest warm with affection. You were brilliant at helping around the house and organising galas, which wasn’t part of your job description yet you still helped.

He hated when you left for the day, getting in your crappy car that you refused to let him replace with a newer model, to travel back into the city where you lived. He wished he could have you live with them but it was too risky. He couldn’t have you learning about the Bat.

Tonight had been tough to say the least. The penguin had gotten a damn good shot in and now Bruce was sporting at least two broken ribs and a wicked bruise around his abdomen. Dick was also very sick, a bad stomach bug that Bruce blamed himself for because it was raining the night before and they still had gone out. And to top it all off, Alfred was on vacation.

Too consumed with his mission, he had called you. He asked if you would spend the night with Dick since he had an emergency he had to attend to and wasn’t sure when he would be home. You didn’t hesitate in answering with a resounding yes. You walked into the house barely ten minutes later (you definitely broke some speed limits driving over) with a bag full of medicine and tolerable food for the young boy.

“I should be back by morning. Are you sure you’ll be ok by yourself?” His veins were alight with nerves, this was now so far past the line of professionalism he had promised you when you were first hired. You just smiled kindly at him as you laid out your supplies in the guest bedroom closest to Dick.

“I’ll be fine and so will Dick. I’ll call you if something happens but I honestly doubt that it will.” Bruce sighed, a weight lifting from his chest. “Go on, we’ll be ok.” He nodded and turned to leave the room but not before hearing you call out, “Stay safe.”

He wished he had just called in Clark for tonight. He was distracted, worried about his boy, worried about what your words meant. He decided to call it an early night after ensuring that Penguin was safely in the hands of the GPD, he crawled back to the cave. Maybe if Dick was still awake, they could all watch a movie together to lift his spirits. 

As the batmobile rolled into its designated space in the cave, Bruce noticed that the many computer screens had been turned on and were flicking through various security camera footage. Had Alfred come home early and taken his place as overseer of Gotham? No, he would have been with you and Dick if he had returned.

And Dick was too sick to make it down the stairs from his room let alone get into the secret elevator that he was still too short to reach the button for on his own. That left only one plausible option.

The blue light from the screens illuminated your face beautifully, bathing you in a gentle glow that made his heart beat faster in his chest. “Welcome home, Bruce.” You softly called out, your voice both tired and slightly teasing. 

“How’d you figure it out?” Your hand came to rest on your considerable chest as you gasped in offended shock. The action made the butterflies in his stomach swirl in a storm of pure tenderness. His mind was yelling at him that there was no way to know if you could be trusted but his heart yearned for you, wanting to spill all of his secrets at your feet.

“Mr Wayne! I am not as dumb as I look!” He chuckled, shuffling closer. The blanket that had been draped around your shoulders slipped down, pooling around your wide hips. You smirked at the taller man as he came closer, coming to a stop right in front of you, the tips of your bare feet touching his armoured ones. “Besides, who else has the money and technology to be Batman but you?! Also, you always disappear mid-parties, leaving me to the wolves.” You shrugged.

“I figured it out about two days after you hired me, Dick also talks in his sleep.” Bruce sighed, releasing a breathy laugh. He pulled his cowl off, not missing the way your breath caught in your throat at the sight revealed before you. His dark hair stuck up in a hundred different directions, his bright blue eyes shining in the dim light of the computers.

“And you haven’t told anyone?” You shook your head.

“Who would I tell, besides this is the best paying job I’ve had in years, I’m not giving this up just because my boss likes to run around like a depressed Superman.” His smile fell into a very immature pout.

“I’m not a depressed Superman, he’s a bootleg Batman.” You threw your head back in laughter. Bruce couldn’t help but chuckle along with you, glad to have this huge secret out in the open. He could share the burden on his shoulders with someone he was coming to truly care about.

Your laughter soon died out into the occasional giggle that made his heart skip a beat. “Well then, let’s get you patched up and tucked into bed with your boy.” You slipped from his chair, grabbing the pre prepared first aid kit on the desk as you did so. “I do have one condition about this whole thing.”

Like the lovesick puppy he was, Bruce followed you to the medical bed in the corner, eager to agree with anything you would ask if it meant you stayed. “Anything.” He replied without hesitation.

“Get me Aqua-man’s autograph, I think he’s really hot.” 

“You what?!” But you just laughed and walked away, leaving him in a pool of self-pity and unwavering adoration. Maybe, just maybe he wouldn’t be alone anymore. After he killed Aqua-man of course.

Request: She cracked the identity of Batman. “Come on, who else has the money and technology to be Batman but you?! Also, you always disappears mid-parties too many times.”

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[imagitory]

@andrewmoocow Personally I find them to be misguided. There is a very well-done analysis video I've cited before that talks about the animation and why it ends up looking like AI, and I think it really addresses this argument better than I could --

-- but TL;DR, the animation looks "fake" largely because of stylistic decisions (l.e. turning off motion blur with the thought it would look "more like 2D") that weren't well thought-out. And I actually think the film's writing issues run into the same problem.

Because here's the thing -- writing high fantasy is not as easy as it looks. I can testify to this because I myself am writing a draft for a high fantasy novel right now.

All these years, Disney has been in an advantageous position with their animated films largely being adaptations of previous works, since they're already given a lot of the parameters a writer needs to build a world, plot, and characters. In a Snow White adaptation, for instance, you need a vain queen, an innocent princess, a prince, seven dwarfs, a magic mirror, and a poisoned apple, as well as a fairy tale world where these things fit comfortably. And since so much mainstream fantasy is largely inspired by medieval Europe, that aesthetic remains very familiar with audiences to the point that you need a lot less explanation for things. We don't really need an explanation for the political landscape of Cinderella because we see "fairy tale kingdom" and immediately know it's an absolute monarchy led by generally amiable rulers. We're not surprised when fairies appear in Sleeping Beauty, or when a magical sword predicts who should be king in The Sword in the Stone, or when Tiana and Naveen are turned into frogs in The Princess and the Frog, or when trolls appear in Frozen -- all of these magical conventions fit within the usual fantasy aesthetic and really don't need any explanation or backstory. I'd hazard to say that most people -- aside from those nitpicky critic types who get all hung up on how many servants are in Beast's castle just because they saw a bunch of extra silverware in the Be Our Guest sequence -- just don't bother questioning these things. And the original material also gives some shape and form to the adaptation's story, characters, and overall feel. It doesn't matter how close the finished product matches the original idea or even how familiar the audience is with that original material -- it still provides a jump-off point and sense of focus for the writer(s), the same way fanfiction (even an AU fanfic) can, in contrast to original content.

All right, well, what about those Disney projects that aren't fantasy? Well, in the case of stories like Treasure Planet, Robin Hood, and Mulan, they're still based off preexisting properties that people will find familiar enough that the writers can focus more on the adaptation's unique additions and not focus on detailed backstories and explanations about how the world and societies depicted in the story work. It's a lot easier to just focus on the fantastical elements like the space tech, talking animals, or Mushu and the ancestors if the rest of the story and cast are relatively easy to understand. Even in the case of original stories like The Lion King (which admittedly was largely inspired by Shakespeare's Hamlet, but I digress), Lilo and Stitch, and Lady and the Tramp, they still exist in a non-magical world that closely resembles ours, with only superficial changes like animals being able to talk or the existence of aliens. Even quasi-historical settings like The Great Mouse Detective and Atlantis: The Lost Empire look enough like our real-world equivalent that their settings are largely recognizable to us.

In just about all Disney animated films, the screenwriters didn't have to world-build that much. They didn't have to put the character development and plot on hold to explain the rules of the universe these stories take place in that often -- not unlike how writers like Rick Riordan didn't have to explain as much about the country his hero Percy Jackson lives in, because his books are an urban fantasy where our real world is just "plused up" with magical elements. We don't need to know if gravity works on the story's characters the way it does for us. We don't need to be told about the political landscape, history, or terrain of our location. We don't need to ask whether dying is something our characters can come back from.

Wish, on the other hand, is an original story in a high fantasy setting that doesn't resemble our world. People might try to claim it takes place in the Iberian Peninsula, but come on -- Rosas is a completely fictional country in a world that has magic we don't know the rules of and countries that faintly resemble cultures from our world, but we don't know the histories of or how similar they actually are to their real-world inspiration. We also have a cast of characters we've never met in any other media and a story and messages that we know nothing about beforehand. This means that we have no preexisting framework going in for what's possible and impossible in this world; no frame of reference about who these characters are and what their histories are; and no parameters that the plot, characters, and themes must fit inside, whether based on the fantastical story being adapted or a real-world setting that's a lot like ours. And I don't think that Disney really thought through just how challenging it can sometimes be to tell this kind of a story without stuffing the script with a lot of "tell" and not "show," which, as just about any film person can tell you, is the exact opposite of what you generally want. In film scripts, you want to show your audience a lot more than you tell them -- this not only takes full advantage of the visual medium and communicates your point in a much more natural and artistic way, but it also lets your audience think for itself and come to its own conclusions.

Now of course, can you write a high fantasy original story that's easy to follow and evokes a lot of emotion in your audience? Of course! But it does take time and a lot of careful and creative world-building. J.R.R. Tolkien was the king of such things. George R. R. Martin has done it. Neil Gaiman has done it. Ursula K. Le Guin has done it. Even the writer of the Nimona graphic novel, ND Stevenson, did a good job of it! But I think it's quite clear that Wish's script was not in the works that long -- development of the original idea started back in 2018, yes, but it wasn't until January 2022 that it was announced Jennifer Lee was writing it and Julia Michaels was brought on to write the songs, so the film's current trajectory likely wasn't pinpointed until then. And if the film was released in November 2023, then that means Wish's script was finished in under two years. Although there are successful Disney scripts that I daresay needed only that much time (Frozen, for instance, was quite rushed, by all accounts), once again, those scripts were done for stories with some sort of preexisting framework that allowed the writers to skip explaining certain visual or contextual short-hand in favor of focusing on their own creative flourishes in character and story. They were written with a tighter focus on the plot and its players without the need to build a complete stage under them.

The reason some people want to cry "AI!" when they look at Wish's writing is that they're looking at a script that makes the rookie writing mistake of exposition-dumping in an attempt to make its audience care, rather than evoking emotion. That kind of exposition-dumping is something that most novelists usually have to trim and rewrite in future drafts of their work: it's a mistake done while the writer is trying to world-build enough that their audience understands all of these original rules, societies, locations, and characters they're not familiar with. This exposition is then often trimmed down before publishing, and when adapted for the screen it's often trimmed even further or even completely rewritten, in favor of more visual methods of conveying the same information. The Wonderful Wizard of Oz writes about Dorothy traveling down the Yellow Brick Road and about the long journey that takes her and her friends through a lot of side adventures on their way to the Emerald City: it's the famous film adaptation that cuts out the Kalidahs and puts the whole trip to jaunty music for the characters to sing and dance to. Wish could've communicated to us the importance of the wishes to their owners through more visual means, but instead feels the need to reiterate this idea over and over through written dialogue. And again, this is a common mistake by writers when they're inexperienced in creating completely original content, as opposed to spin-offs, sequels, or adaptations of other people's work.

AI writing is generally known for repetitive phrasing and sentence structure, lack of accuracy, and lack of a personal touch. As much as I'll agree that there are a lot of character and world-building choices in Wish that don't make sense, I don't think that's the same thing. There clearly was a story someone (or multiple people) wanted to tell about a person hoarding the precious ideas of other people away, even if it means those ideas can never be shared with the world -- it just wasn't a story that ended up being told that well. And I think this is why Wish is almost worth seeing -- it serves as a good example of why certain writing decisions work better than others and how writing for fantasy projects and/or "family entertainment" is an art form that's worthy of respect when it's done right.

To sum up my stance on the matter -- I think Disney just bit off way more than it could chew and then didn't give its writers enough time to properly digest it.

[thethingaboutnapkinman]

au's where Tim doesn't become Robin but just continues to troll the batfamily from next door are my actual favorite

he's just some kid. and it's amazing.

[thestobingirlie]

Robin stole Steve’s red sweater. He bitches about it but never actually asks for it back. They now have a little joke where, rather than just telling Robin that it’s cold out, Steve will enquire after the sweater’s well-being. I haven’t seen I for a while - is it doing okay?

Robin wore it once in Dustin’s presence, observed the meltdown he was clearly experiencing (Steve drive him to the Snow Ball in that sweater - he *knows* that sweater!) and now uses it to troll him (“what are you *talking* about? This isn’t Steve’s, my aunt knit this for me last Christmas!”)

robin deserves all of steve’s cute sweaters. and she’d look so good his red s2 sweater.

obsessed with steve’s bitchy little: “how’s my sweater doing? is she okay with all this cold weather recently? no moths?”

dustin would start obsessively cataloguing all of stobin’s clothes, so he’d always know when they’ve swapped. what’s he doing with all that information? …don’t worry about it.

[thatthirdtriplet]

Relationships:

Batman & Robin - Relationship Dick Grayson & Bruce Wayne flash & Wally West Barry Allen & Wally West flash & Kid r & Dick Grayson Dick Grayson & Alfred Pennyworth Dick Grayson & Alfred Pennyworth & Bruce Wayne Dick Grayson & Clark Kent Superman & Robin Barbara Gordon & Dick Grayson Dick Grayson & Justice LeagueRobin & Justice LeagueDick Grayson & Wally West kid Flash & Robin Dick Grayson & Roy Harper & Wally West speedy & Kid Flash & Robin batgirl & Robin Jason Todd & Bruce Wayne Dick Grayson & Jason Todd Alfred Pennyworth & Jason Todd Barbara Gordon & Jason Todd Tim Drake & Dick Grayson Tim Drake & Jason Todd Tim Drake & Bruce Wayne Cassandra Cain & Bruce Wayne Cassandra Cain & Barbara Gordon Cassandra Cain & Tim Drake Cassandra Cain & Jason Todd Batman & Robin & Batgirl Tim Drake & Dick Grayson & Jason Todd & Bruce Wayne Tim Drake & Bruce Wayne & Jason Todd & Dick Grayson & Barbara Gordon & Cassandra Cain

Characters:

Dick Grayson Robin (DCU) Bruce Wayne Batman Alfred Pennyworth Jim Gordon black Canary superman Clark Kent flash (DCU) Barry Allen Green Arrow - Character batgirl Barbara Gordon Wally West Roy Harper Speedy (DCU) Kid Flash Two FacePenguinJoker (DCU) Bane (DCU) Talia al Ghul Ra's al Ghul Jason Todd Ace the Bat-Hound Tim Drake Cassandra Cain

Additional Tags:

Alternate Universe - Pre-Canon pre-Canon origin Story Racism Batfamily justice League as Family kid Dick Grayson big Brother Dick Grayson Bruce collects orphans uncle Clark Kent UNCLE CLARK Troll! Dick Grayson Troll! Robin Troll! Wally genius Dick Grayson Terrible Trio uncle Barry aunt Iris Watchtower - Freeform Robin knows all mentions of Damian Wayne kid Jason Todd Batbear Zitka the Elephant BAMF Robin Batfam as kids Kid Cassandra Cain kid Barbara Gordon kid Tim Drake cross-Posted on FanFiction.Net

Summary:

In one night six year old Dick Grayson loses everything. In the audience Bruce Wayne feels something he hasn't in a long time and he knows he just can't standby and watch.

Bruce takes in Dick and soon the kid is an integral part of the Justice League's world and all of the heroes. Robin becomes a staple as the first kid sidekick but that doesn't mean Batman doesn't have more.

This is a prequel to Young Justice in a universe where the Batfamily is already all together. Their family grows from Dick, Bruce and Alfred to add Barbara, a flying alien Uncle, a snarky former thief, a kid genius and a little ninja girl among others.

Second in A Flying Robin series.

[redgoldsparks]

September Reading and Reviews by Maia Kobabe

I post my reviews throughout the month on Storygraph and Goodreads, and do roundups here and on patreon. Reviews below the cut.

The Princess and the Grilled Cheese by Deya Muniz 

Lady Camembert is the only child of Count Camembert, but as a daughter she cannot inherit unless she marries. She refuses, and after her father's death takes up a different life in the capital city, far from her hometown: she pretends to be the male heir to her father's title. This feels like the perfect solution, except then she meets Princess Brie, and as feelings begin to develop between them, Cam despairs that her secret identity means she can never be anything more than friends with the Princess. This is a beautifully drawn book, sweet and silly, full of cheese puns and historical anachronisms.

The Yakuza’s Bias vol 1 by Teki Yatsuda 

Yakuza member Ken Kanashiro's life is changed when the daughter of the clan leader he works for takes him along to a kpop concert. Ken is moved by the kpop idol group's commitment, hard work, passion, and loyalty to each other and their fans. His introduction to fandom, and new social media friends, bring a breath of fresh air into his violent and dangerous life... and like most fervent fans, he starts trying to convince the people around him to stan the group to greater or lesser success. This manga series is very much in the same tone as Way of the House Husband but I appreciated the slightly longer chapters and the growing ensemble cast. It's a silly concept but with moments of genuine feeling as it shows how loving something can connect you to a whole new community.

Of Thunder and Lightning by Kimberly Wang

This is a beautiful, meta deconstruction of battle-robot manga; it plays with POV, with format, and theme. Two corporate nations struggle for dominance in a ruined world. Each spreads propaganda about the other; each has developed a pop-star like AI robot avatar, which battle each other in televised combat with custom costumes and snappy catch phrases. These robots, Magni and Dimo, exist only to destroy each other, but also find in each other their only equal. They both savor their violent encounters, but both are pushed by their creators and handlers to destroy the other. The story is half devastating elegance, half tongue-in-cheek satire. This title is most easily available through the publisher's website and I highly recommend it.

Blackward by Lawrence Lindell 

Four friends, Lika, Amor, Lala, and Tony, bonded in a bookclub over being Black, queer, weird and punk. They clearly see the need for a community space for folks like themselves, but struggle with how and where to build that space. After their first attempt is ruined by trolls, they ask for guidance from a local bookstore owner and zine fest organizer. So the idea for the Blackward Zine Fest is born, an event to showcase creativity, make new connections, and maybe even find dates. This book doesn't shy away from the negative sides of existing and creating as a minority in public, but it is also a celebration of friendship and community and the power of comics!

Assassin’s Quest by Robin Hobb read by Paul Boehmer 

What an exciting, explosive end to this trilogy! Fitz starts this book as low as a man can be, having returned from near death, with nearly every person who has ever known him believing him dead. He has to learn how to be human again, and learn how to care, and figure out his plans now that he has hypothetical total freedom. But the Red Ships are still pounding the Six Duchies shores, and Regal has withdrawn the strength and wealth of the Duchies inland. Verity is still missing on his endless quest. The beginning drags a little, but after the mid point of this book it is CONSTANT action and adventure, with so many twists and turns, and such a payoff at the end. If you like high fantasy, I highly recommend this series, and I'm so glad I chose to revisit it this summer.

I Thought You Loved Me by Mari Naomi

This is a long, thoughtful look at a friendship breakup, told through prose, letters, diary excerpts, collage, and comics. Mari met Jodie in high school where they bonded as rebellious teens seeking freedom from parental and academic rules. They loved the same music, both dropped out of school, and moved in the same circle of Bay Area folks for years. They were best friends- until Jodie cut Mari out of her life suddenly and unexpectedly. Years later, Mari was still trying to piece together what had happened, from lies, misunderstandings, secrets, affairs, communications lost in transit or responded to by the wrong recipient. Friendship breakups can be equally as devastating as romantic breakups- sometimes even more, as there's no societal norms on how to mourn them, and because we often expect friends to remain in our lives forever. This memoir was honest about how memory fades, how easy it can be to remember only the good or only the bad of a person colored through a specific lens, but also hopeful about the possibility of reconnection. No memoir is over while it's characters still live, and this one took more twists and turns than I was expecting! Beautiful and thought provoking.

Enemies by Svetlana Chmakova 

This fourth installment in the Berrybrook series is just as charming and warmhearted as the previous volumes. This one focuses on Felicity, an artist who struggles with time management and deadlines, and with comparisons to her hyper-organized, science-fair winning younger sister. Wanting to prove herself, Felicity joins a competition for kid entrepreneurs. But coming up with a winning idea proves more difficult than she expected, especially when her partner keeps suggesting completely impossible ideas. Also, one of her best friends from elementary school stopped talking to her and now glares daggers at Felicity and she has no idea why. It's hard to keep your head up in middle school with all of the swirling emotions, homework, personal projects, and still maintain high scores in the most popular new online multi-player combat game. But Felicity has the love and support of her family- all she has to do is be willing to ask for help.

Skip by Molly Mendoza

The art in this book is absolutely gorgeous, and the page layouts are stunning. The story opens with a child, Bloom, and a nonbinary adult, Bee, surviving in a post apocalyptic world. But Bee goes off to help a stranger and then Bloom falls through an Alice-in-Wonderland like rabbit hole into multiple different trippy, strange settings were they are generally much tinier than all the other inhabitants. There's a nice through line about friendship and trusting yourself, but ultimately I found the story too ungrounded and loose to have a deep emotional impact.

Alexander, The Servant and The Water of Life book 1 by Reimena Yee

I am so impressed by the scope, artistic skill, and inventiveness of this work! The author weaves together multiple, at times conflicting, tales of Alexander the Great. It's drawn in rich colors and a wide variety of styles, many of which reference specific historical manuscript traditions from medieval European to Islamic to East Asian. I love the way the flashbacks are worked into the frame narrative, I love the shifting art styles, I am awed by the size of this project. And you can read most of this first volume online for free here on the author's website.

Ocean’s Echo by Everina Maxwell read by Raphael Corkhill 

This is a creative and gripping follow up to Winter's Orbit. Set in the same larger universe but focusing on a new set of main characters in a new sector of space, this extremely slow burn romance is satisfyingly dense with military and political intrigue. Tennal is the nephew of the Legislator of Orshun; he's also a Reader, or someone who can telepathically read the emotions and surface thoughts of the people around him; he's also the black sheep of his family, a party boy and general fuck up. His aunt forces him into an army position with the intention of having him permanently mind-linked to an Architect, a soldier with the flip side of Tennal's skill- the ability to control people's minds. Tennal is horrified and begins to think of every possible way he can avoid this fate. But much larger forces are at play around him, from the mystery of a semi-destroyed scientific lab relocated in the middle of chaotic space, lies about the creation of Readers and Architects, and a coup in the making. This book is heavier on the sci-fi elements than the relationship progression, but that suited me just fine and I look forward to hopefully reading more installments in this series!

Sunshine by Jarrett J Krosoczka 

When author Jarrett Krosoczka was in high school he had the opportunity to volunteer for a week at a camp for kids with cancer, their siblings, and parents. Jarrett had no idea what to expect, but he packed his sketchbook and an open mind. The experience changed his outlook forever. He had his own problems back home: a family affected by addiction and absent parents which lead to him being raised by his grandparents. But in the company of children facing life-threatening illnesses his own concerns fell away. He built relationships with some families that lasted for decades after his time at the camp. Painted in soft gray with hints of yellow and orange, this book offers an honest look at families facing the very worst circumstances and still heading out into woods to find community, friendship, and a breath of peace at a nature camp.

The Out Side: Trans and Nonbinary Comics edited by The Kao 

A really charming collection of nonbinary and trans stories! Most focus on coming out, but a few talk about a later in the process piece of trans life, such as getting top surgery. I enjoyed seeing which pieces of the stories echoed each other, appearing universal, and which stood out as unique to an individual's experience.

Hard Reboot by Django Wexler read by Morgan Hallett 

Set far in the future, this sci-fi novella follows a researcher from an extra-terrestrial human settlement on a scientific tourist trip back to "Old Earth". A misunderstanding leads to her accepting a very large bet on the outcome of a mecha battled, and when she losses and can't pay, she has to team up with a mecha fighter to try and win the next round to get her money back. I was able to predict the majority of the twists of this story within the first quarter of the book, but it was still fairly entertaining as a short audiobook listen.

Best. Ceremony. Ever: How to Make the Serious Wedding Stuff Unique by Christopher Shelley 

I just officiated a wedding for the first time in my life, and this book (while cheesy) did actually help me get started writing the ceremony speech. It gave me the general outline of the beats I needed to hit, and some smart ideas of little touches or moments to include. The book is very inclusive of same-sex couples, which I really appreciated. Its also padded out with a completely unnecessary 50 page glossary of terms, so I only really read/skimmed the first three quarters of it, but I'd still recommend it if you are either planning or officiating a wedding.

[iamstartraveller776]

Feel free to ignore, but you mentioned that the fandom landscape has changed drastically from twenty years ago, and I’m curious what that means for you. I’ve seen lots of posts on the topic, but am interested in your experience if you want to share.

I absolutely can share!

Twenty years ago, I found fandom through bulletin boards or message boards (depending on what you called them). Trekbbs was my first one, and it's still standing. High speed internet was relatively new, and it was easy to keep up with "threads." Whenever you logged in, it would take you to where you left off with any given thread so you could catch up. (Discord does this...kinda, but Discord moves at warp speed where BBS's moved at impulse power.) It was easier to stay connected, to get to know people. Also, the boards were (and are) heavily moderated. Trolls were banned, and folks who got too heated under the collar were usually temporarily banned until tempers cooled. So it was generally a safe environment.

Oh, and I forgot to mention that the vast majority of the boards were grown-up only. That's not to say that minors didn't sneak through, but they were on their best behavior lest they get found out and kicked off the board.

And from the boards, we learned where to find fanfic. Back then, even though FFN existed, fic was primarily archived on private sites. There were no such thing as likes and kudos back then. It was fandom etiquette (at least for my corner of the Trek fandom) to leave a comment/review if you read a fic (and be nice about it!). It was the era of Kink Tomato (your kink is not my kink and that's okay) and don't like don't read and simply fun. We had challenges, did round robins—where someone would write a chapter of a fic, then another author would write the next, and so forth.

Even when I made the switch to posting more on FFN, it was pretty normal to send a message to someone to thank them for favorite-ing your story even if they didn't comment. And often they would message back, telling you what they enjoyed. I have some friendships born from this! It was normal. Writers weren't called "needy" and "self-absorbed" for hoping for more interaction with their readers. We were all in this together.

I also did yahoo groups for a time, and had a fantastic time with my friends in an email chain.

LiveJournal was kind of the peak of fandom, IMO. I think it was the first "public" website, rather than something privately owned, where we could build communities (private or public) as well as have our own pages (private or public). Some of the best fandom events happened on that site. But LiveJournal ended up imploding. (Cyber attacks then the new owners started wiping out entire communities without warning for violating the new terms of service. It was horrible.)

So we all moved to Tumblr. (And we were slowly moving to AO3. Some also moved to the site formerly called Twitter.)

Tumblr was pretty awesome back then. Because fandom people took the same community with them when they came. We didn't have replies back then, but dagnabit we screenshot tags or reblogged comments and posted them with replies. It was easier to follow tags and even some fandoms created blogs that were archives for fics. (Myself included.) The downside was, and continues to be, lack of moderation. Not that I think fandom should be gatekept, but it isn't as easy-going when you do have to worry about putting up with trolls as a rule rather than the exception.

Alas, life happened and I had to step away for a few years. When I came back...it's so much quieter. Significantly less interaction. Less comments on fics. There's just...less connection in general. People tend to flit in and out of fandom more often. And on top of that, there is the odd movement that fanworks shouldn't contain anything that would make a reader/viewer uncomfortable or is unrelatable to the general masses. As a fanworks creator, there have been times I felt more like a monkey dancing for a demanding audience rather than a squee-ing fan sharing things with fellow sqee-ing fans. I seriously questioned for a long time whether I would bother anymore.

(This also doesn't mention how streaming and binge-watching series rather than weekly releases have affected fandom. It's different when you get one episode a week for an entire season of 20-24 episodes than when a streamer releases the entire 8-10 episode series at once.)

A part of this is me, too. I don't have nearly as much time to invest in fandom as I used to. I can't be too critical of the changes in fandom, but it is different.

And so I hang onto a few of the friends I've found (like you!) and continue to find here and there. I write whatever I want and delete rude comments. I always reply to the others. And I keep plugging on!

Thank you for asking! And thank you for being part of what I love about being on Tumblr even after all these changes! (Sorry I got a bit verbose!)

[justgottafinishthischapter]

The Subcategories of Fantasy

As an author who loves Fantasy, I wanted to help my fellow writers understand all of the different elements that fantasy can fall under, ranging from the well-known to the specific. I figured that doing so could help other writers like myself understand exactly what sort of story they’re writing, and how these stories differ from one another. I’ll also be giving examples of these types of stories, as well as my own thoughts on the different genres at the end.

What is Fantasy?

Fantasy in its simplest term, is any form of media that diverges from the mundane reality of our ordinary everyday world in one facet or another. A story does not need to have magic, or dragons, or princesses to be called a fantasy story. While those are common motifs, in truth, all it takes to be considered fantasy is to not adhere to the real world in one form or another. Good Omens is a fantasy story, despite having no dragons or princesses anywhere. A Song of Ice and Fire has dragons and princesses, but magic is scarce and seldom ever seen. The Song of the Sea has a lot of magic, but a lot fewer dragons.

MEDIEVAL FANTASY

 The story takes place in a fantastical world of the author’s design with a medieval or renaissance inspired setting, world view, and/or political structure. Renaissance Fantasy doesn’t really tend to exist on its own, so any setting with Renaissance aspects tends to just get lumped in with Medieval Fantasy. I don’t even really need to explain this one to you. It’s the most common subgenre of fantasy. A medieval fantasy does not have to be set in the real medieval period of Earth’s history, but rather, a medieval fantasy is any story set in a fantastical world that makes use of a medieval-based society as its setting.

HISTORICAL FANTASY 

This is a story in which fantastical elements are included in real world historical settings. This is any historical setting where there’s a King of England but also a dragon or trolls to deal with. There’s almost this sort of unspoken rule that any story set in Ancient Greece will inevitably be Historical Fantasy. Arthurian Fantasy, Mythology Fantasy, and Fable Fantasy could all be considered subcategories of Historical Fantasy, since most instances of these genres would be classified as Historical Fantasy, though there are exceptions. As an example, Once Upon a Time and the Fables comics series are both Fable Fantasies, but are not Historical Fantasy. Likewise, Rick Riordian’s Percy Jackson-verse is clearly Mythology Fantasy, but is not Historical Fantasy. Classic examples of Historical Fantasy would include tales like Beowulf, The Journey to the West, and Robin Hood. It’s worth mentioning that technically, a story is not Historical Fantasy if it’s set in the era it was written in. However, the Illiad was set in Mycenaean Greece, Robin Hood’s rivalry with Prince John was a later addition to the folklore, and most Arthurian mythos was penned long after the supposed real world figure might have lived and died. But, any story set in a contemporary modernity, such as Percy Jackson, will eventually become Historical Fiction as time moves forward, though it clearly was not written to be that way.

MYTHOLOGY FANTASY

Angels, Demons, Gods, the Underworld, mythological heroes, this is a supercategory that encompasses everything from The Chronicles of Narnia to Supernatural, as well as Good Omens, American Gods, Sandman, Rise of the Guardians, Percy Jackson, Paradise Lost, Helluva Boss and Hazbin Hotel, Smite: Battleground of the Gods, Teen Titans, Dante’s Inferno, and Lore Olympus. Some people get squeemish about lumping Judeo-Christian ideologies in with Mythology (even though it is a mythology) such that the Christian sub-category sometimes gets called Religious Fantasy or Bible Fantasy. But regardless, this is the category for any sort of fantastical work in which supernatural forces are at work. Some divide this section differently. For instance, some will say that since faeries are part of Irish mythology that faeries count as part of mythology fantasy, while others will argue that this is more for the religious aspect of fantasy, with things like vampires and faeries relegated to a subcategory of more generic fantasy creatures.

ARTHURIAN FANTASY

The story revolves around Arthurian mythos. Whether it’s set in the real world of Britain, a fantasy counterpart to Britain, or in some author-created setting, King Arthur is still King Arthur. Sometimes, though very rarely, Arthurian stories have little to no magic, fusing this subgenre with Historical Fiction and not Historical Fantasy. While Arthurian mythos has evolved over the years, the big players are practically household names. Most people are unfamiliar with Sir Galehaut and Sir Dinadin, but almost everyone recognizes Arthur, Guinevere, Lancelot, Merlin, and all the other big players in Arthurian folklore. However, Arthurian myth effectively spans the entire breadth of the Medieval Period, first being mentioned in the Annaels Cambriae which places Arthur in 6th Century Britain, and his stories continued to be written until Le Mort d’Arthur in 1485. Keep in mind, the Medieval Period is from 476 - 1500, and Arthurian mythos spans about 800-900 of those 1,024 years. Due to his story spanning so much time, many elements of Arthur’s story have been forgotten or quietly put aside over time. Try to tell someone that Arthur put every newborn born in the month of may on a boat and sank it to prevent the prophecy of Mordred from coming true, and you’ll probably get a bunch of horrified looks from people who swear up and down that the Good King Arthur would never do anything so cruel. Even other elements shifted around. Ask who mordred’s parents are, and you could argue Arthur, Morgan le Fey, Morgause, Anna, King Lot, and more. Depending on how deep down the rabbit hole you’re willing to go, you can read stories of King Arthur fighting his nephew Oberon for control of Fairyland. Arthurian mythos, like mythology fantasy, tends to get the curbside drive-by approach. People repeat the elements they’ve heard a million times, while never dusting off any of the lesser known elements that would give the story a breath of fresh air.

FABLE FANTASY

Technically, all Arthurian Fantasy falls under this umbrella. Fable Fantasy is the genre term for fantasy based on fables, folk tales, and folkloric figures. Robin Hood, Reynard the Fox, Fairy Tales, Mother Goose, Baba Yaga, if it has persisted through generations of storytelling, and has had a lasting impact on the cultures that know the story, it can be considered a Fable Fantasy. Any story that pulls from these elements can likewise be considered Fable Fantasy because they are pulling from these fabled origins. So, a retelling of Beauty and the Beast is a Fable Fantasy... unless the storytelling has twisted the story so much that it’s no longer in the Fantasy genre. For more variations of this genre, well-known pop culture characters, much like Robin Hood and Fairytale characters, can be considered Fable Fantasy. So, Frankenstein’s Monster, Dracula, Santa Claus, the Grim Reaper, Peter Pan, the Phantom of the Opera, the Wizard of Oz, and other commonly retold folk characters can be thought of as more contemporary Fable fantasies. As such, both Wicked and The Phantom of the Opera can be considered Fable Fantasy musicals, as well as the more obvious Into the Woods. Once Upon a Time and the Fable comic series are both modern Fable Fantasy stories. Not all Fable Fantasy narratives are retellings of classic folktales. Peter Rabbit, Alice’s Adventures in Wonderland, Peter Pan, and The Wizard of Oz have all become widely considered folkloric staples, despite being written in the 19th and 20th centuries. Over the Garden Wall, a Cartoon Network miniseries from 2014, is considered to be a modern fairy tale, despite not being an adaptation of any other story, but instead using the tropes and ideas common to traditional old-school fairy tales. When they enter the public domain, I suspect that Dr. Seuss’ characters will likewise be effectively Fable Fantasy, well-known characters that see use and reuse over and over again in other media. Shrek and Disenchantment take a satirical approach to Fable Fantasy, poking fun of Disney and other fairytale narratives and tropes. 

HISTORICAL ROMANTICISM

This setting often goes hand-in-hand with Arthurian Fantasy and Fairy Tales. This is any story that romanticizes and glorifies life in a historical setting. Popular variants include Medieval Romanticism, stories which romanticize medieval settings, Victorian Romanticism or Edwardian Romanticism, for stories that romanticize the time period between 1837-1913, and Period Romanticism, which is more of a blanket term that glorifies the eras popular with Period movies, namely, the 19th century, but sometimes earlier as well. Full of handsome princes, fair damsels, large palace-like castles, and knightly codes of honor, historically inaccurrate period gowns, debutante balls, and steamy Jane Austen-style love affairs, this story paints the past with the most optimistic and flattering image possible. Everything is flowery, poetic, and awe-inspiring. This is the type of setting Sansa Stark thought she was in at the start of A Game of Thrones before G.R.R Martin pulled the rug out from under her and revealed Westeros to be a Cynical Low Fantasy. By the very virtue of the company’s child-friendly marketing, Most Disney movies, and by extension, most movies set in the past aimed at children can likewise be categorized as Historical Romanticism, as they brush the darker side of history under the rug. The Princess Bride, Bridgerton, Don Bluth’s Anastasia, and most versions of Robin Hood and Arthurian mythos fall into this category. For contrast, Downton Abbey is not Edwardian Romanticism even though it tries to make life in the 1910s look glamorous, it’s also not afraid to blatantly point out the economic and socio-political issues that were going in in the world at the time. Downton Abbey does not sugar coat the darker side of history, and can therefore not be considered Historical Romanticism.

HISTORICAL CYNICISM

The exact opposite, Historical Cynicism is the name I give to settings that use the trope “The Dung Ages”. Like Historical Romanticism, the most popular variant of this category is Medieval Cynicism. These settings seek to make life in historical time periods look as miserable and depressing as possible. They are designed to make life seem bleak, undesirable, and disgusting. Monty Python and the Holy Grail and Disenchantment take a comedic approach to this, while A Song of Ice and Fire gives a more Epic Fantasy take. Sweeney Todd makes life in Victorian London look positively putrid, and that’s without the cannibalism subplot. The Witcher games seem to merge Medieval Cynicism with Dark Fantasy and Horror Fantasy. This subgenre hinges on Dark Fantasy, but the two are distinct from one another. Expect plenty of plagues, muted color pallets, a cruel aristocracy that enjoys crushing the lower classes under its heel, and mud or dung on everything.

HIGH FANTASY

 Magic and fantastical elements are abound in this setting. Expect wizards, dragons, fantastical races, and more. Very frequently overlaps with Epic Fantasy, though they are different. The Lord of the Rings is classic High Fantasy. Most Dungeons & Dragons settings are also High Fantasy, as is The Legend of Zelda. Avatar: the Last Airbender is a High Fantasy Wuxia show, though Legend of Korra veers more toward Historical Fantasy, Steampunk, and Magitech Fantasy with its 1920s Shanghai meets New York City hub location of Republic City. The Elder Scrolls is also a High Fantasy, with plenty of elven races, the Beast Races, and star signs that actually impact those born under them. Each province has its own sort of vibe or subgenre, with High Rock being more Medieval Romanticism while Skyrim is more Dark Fantasy or Medieval Cynicism, but as a whole, Tamriel falls under the High Fantasy umbrella.

LOW FANTASY 

A medieval setting where magic and fantastical elements are rare, if not nonexistent. A Song of Ice and Fire is an excellent example. Magic is real and does exist, but it only rarely comes into play. Magic is extremely scarce, and most people one might meet are humans. Even the sight of someone casting the simplest spell is so rare in Westeros that it’s practically unheard of, and the few supernatural elements that do exist in the setting live far out into the wilderness, rarely being seen by people. It’s quite rare to find completely fictional fantasy settings with no magic whatsoever, but they do exist.

EPIC FANTASY 

This is any fantasy story on an epic scale. I’m talking well over 50+ named characters. A Song of Ice and Fire, The Wheel of Time, Lord of the Rings, all of these are Epic Fantasy. Yes, these stories usually end up with long book series and a lot of words behind them, but I am defining a genre, not a reading level. Epic Fantasy is about scope, not page length. Common sights in Epic Fantasy are grand battles, multiple POVs, world-spanning events, extremely high stakes, very powerful players in the narrative, and The Final Battle Between Good and Evil.

QUEST FANTASY

Any fantasy work which is primarily driven by The Epic Quest. Often overlaps with Chosen One narratives. Lord of the Rings, Eragon, The Legend of Zelda, Avatar: the Last Airbender, and the Percy Jackson books are all examples of Quest Fantasy. The bulk of the narrative is centered on The Journey and the trouble the heroes run into along the way, or are otherwise all about The Adventure, not the destination. Our band of heroes have a goal given to them and the story is focused on following the heroes on their journey. However, this is not strictly a Chosen One category. The Legend of Korra is a Chosen One Fantasy, but is not a Quest Fantasy because Korra’s main objective changes every season. Percy Jackson toes the line due to the Oracle’s prophecies, but I wouldn’t call him a Chosen One because his birth wasn’t written in the stars or anything. He just happens to be a child of Poseidon and at the center of the story. If you switched him out for Nico di Angelo or Jason Grace, the story is still functional. In Lord of the Rings, Aragorn is the True King, but Frodo is the protagonist, so I wouldn’t call Lord of the Rings a Chosen One Fantasy either. This can also tip into other genres. Monty Python and the Holy Grail is a Quest Fantasy. The entire premise of the movie is Arthur and his knights questing for the Holy Grail. Likewise, The Princess Bride is all about Wesley’s quest to rescue Princess Buttercup from Prince Humperdink. Treasure Planet is a steampunk quest fantasy telling the story of Jim’s search for Flint’s treasure, where the journey there is the bulk of the story. Sinbad: Legend of the Seven Seas is a quest fantasy with elements of Historical Fantasy and Mythology Fantasy all about Sinbad’s perilous voyage to the edge of the world to save his friend’s life.

DARK FANTASY

It’s like normal Fantasy, but bleaker and darker. The Witcher and Skyrim are good examples of Dark Fantasy, where monsters roam the wilderness, and people live in fear of the unknown beyond the safety of their villages. The general tone is more cynical, desolate, or hopeless. Some Dark Fantasy is more about just being gloomy or creepy. The movies Labyrinth and Dark Crystal are two good examples of a Dark Fantasy that’s less bleak as they are weird, yet still dark. The Black Cauldron is a perfect example of a Dark Fantasy with a dreary and macabre aesthetic paired with a genuinely horrifying necromancer villain. Pan’s Labyrinth is another good example of a Dark Fantasy. Over the Garden Wall and A Tale so Dark and Grimm are both Dark Fantasy stories as well as Fable Fantasies, reveling in the darker aspects of Grimm fairy tales.

HORROR FANTASY

It’s like Dark Fantasy, but scarier. Expect there to be horrifying monsters unlike any seen on earth. Your protagonist is probably either hunting or being hunted by something horrible. Either a monster is trying to kill them, the world is trying to kill them, the gods or demons are trying to kill them, or magic is trying to kill them. Again, The Witcher is a great example of Horror Fantasy. Geralt is a hunter of monsters, and often fights things like Werewolves, ghouls, wraiths, and lesheys. Red Riding Hood (2011) is a great example of a vaguely medieval Horror Fantasy. Depending on where you stop the line at what’s horror, what’s fantasy, and what’s Horror Fantasy, you could justify just about anything as Horror Fantasy. From The Elder Scrolls V: Skyrim with its undead Draugr and vampire clans, to Resident Evil VII with its vampires, or even certain Scooby-Doo! media (though Scooby-Doo! is certainly on the mild end of horror.)

PARANORMAL FANTASY

Unlike Dark Fantasy or Horror Fantasy, Paranormal Fantasy takes horror elements and spins them to be more romantic. This is where you’d slot in romantic or atmospheric ghost stories. Tales of witches and vampires in a macabre setting where they’re not the villains. The Addams Family fits the Paranormal Fantasy, as does Sweeney Todd, Sleepy Hollow, The Phantom of the Opera, Hotel Transylvania, most Scooby-Doo! media, Beetlejuice, the Halloweentown movies, The Nightmare Before Christmas, or Hocus Pocus. Basically, if it could be a child-friendly Halloween story, or was made by Tim Burton, it’s probably Gothic Fantasy. I guess you could also call this Monster Fantasy, Gothic Fantasy, or Spooky Fantasy.

CONTMPORARY FANTASY

The setting is medieval with castles and princesses, but there’ll also be modern conveniences or nods to pop culture in the land and setting. Dave the Barbarian is a good example of this. The royal family are all barbarians (which basically just means vague warriors that wear fur loincloths), but then they also have malls, and Dave made a megaphone out of a squirrel, some string, and a megaphone. Shrek does this too, especially in Far Far Away with nods to Starbucks and Burger King, among other modern franchises. Disenchantment also uses this as a basis for comedy. Typically, Contemporary Fantasy only uses modern conveniences in a medieval setting as more or less sight gags, punchlines, or to poke fun of corporations and consumerism. These are also the fantasy stories most likely to reexamine tropes and shine a critical light on the genre, whether by showing the farm-boy turned king being royally inept, the mental issues caused by locking the princess in a tower for years of her life, or how quickly princesses married the first man that came along without so much as a conversation beforehand.

URBAN FANTASY

The wizard has a smartphone, the prince has a Grindr, and the city watch patrol the streets on motorcycles. A standard fantasy world has come to the modern age, with skyscrapers, internet, cars, and cellphones. The familiar world gives the audience a firmer foot to ground themselves in this sort of story, compared to something set in the past, but it has its own hurdles. Namely, a modern world still needs a rich history. You also need a story that can’t be solved with a gun and an internet connection. Urban Fantasy is a very broad genre, from Hidden World Fantasy like Percy Jackson or Harry Potter, to Merged World Fantasy like RWBY. There’s also some head scratchers like the Warriors Cats books. It’s definitely Urban Fantasy. A cat society living in the forest is a fantasy, and the story is set in our modern contemporary world. But labeling the series beyond Urban Fantasy is where it gets tricky. Isekai borders on Urban Fantasy, as the magical overlaps with the modern world. The Magic Treehouse and the Arthur Spiderwick Chronicles are two great examples of Urban Fantasy in children’s literature. Goosebumps is Urban Horror Fantasy.

ISEKAI FANTASY

These are stories in which an ordinary human (or group of humans) are transported to another world in order to learn a lesson, grow, and come back home wiser, stronger, and ready to face the problems they ran away from. The Wizard of Oz, Peter Pan and Wendy, Alice’s Adventures in Wonderland, as well as movies like Stardust, Coraline, and Spirited Away, or TV shows like Over the Garden Wall, The Owl House, and Amphibia are all prime examples of this type of story. The Chronicles of Narnia is an excellent example because as the series goes on, the older Pevensee children stop needing to go back to Narnia. By Voyage of the Dawn Treader, Peter and Susan have learned all they need to from the other world, and don’t go back, leaving only Edmund and Lucy to go with their cousin instead. Because their arcs are over, they have no reason to return.

ROMANCE FANTASY

It’s a romance novel with supernatural elements. Usually, it’s a human falling in love with something inhuman, which we often call Paranormal Romance. However, this can also include stories of a fairy falling in love with a dwarf, so there’s a wider net here. This isn’t just a story with a romantic subplot, this is your Romeo and Juliet type love stories. Your Beauty and the Beast retellings. The romance is the main plot, and the supernatural elements simply make the romance more exciting or the problems of the couple more entangled in cultural baggage. Obviously, Twilight is a popular example, as is The Cruel Prince, The Captive Prince, and Of Beast and Beauty by Stacey Jay.

MAGITECH FANTASY

This is when a fantasy setting has magic-powered  technology. The guardians and Divine Beasts from Breath of the Wild are a fantastic example of Magitech in a medieval fantasy setting, as are the steam-powered automatons of the Dwemmer in The Elder Scrolls. The Legend of Korra sort of fits here. The world of Avatar has advanced to include airplanes, cars, and radios, none of which are powered directly by bending, but benders do work in power plants, performing lightning bending to generate electricity. It’s certainly a middle ground between steampunk and magitech fantasy. However, the world doesn’t have to necessarily include technology, any setting where magic is a power source for anything can work. Jak and Daxter: The Precursor Legacy is a great example of Magitech Fantasy. Eco is a natural magical resource that give magical powers and effects. So, having doors that open when exposed to the electrical energy of blue eco makes sense. And while it’s never stated, Jak II has many automatic doors in Haven City that may very well run on an electric power grid fueled by blue eco veins. But eco largely gets dropped in the sequel games in favor of guns, though the guns themselves may actually be powered by eco as well. So it’s hard to say. RWBY surprisingly fits into Magitech Fantasy. Like Eco, Dust is a magical natural resource that can be used to create magical effects. The world is full of airships, shape-changing weapons, bullets and other weapons being infused with dust to give them magical effects, and Penny, a definitely real girl.

GASLAMP FANTASY

This is what happens when Steampunk has just enough fantasy elements to land in the Fantasy section. Gaslamp Fantasy is any fantasy story set in the era of gaslamps, while still incorporating fantastical elements. Dracula, Springheel Jack, Mary Poppins, Peter Pan, Sherlock Holmes vs Dracula, basically, as long as it’s set in a Victorian setting and has supernatural elements, it counts as Gaslamp Fantasy. However, it’s definitely one of the less popular subgeneres, and I couldn’t really name any others.

WUXIA

A fantasy setting that focuses more on East Asian history, folklore, and mythology to craft its setting. Wuxia is a broad term, including everything from Spirited Away to Crouching Tiger, Hidden Dragon and Dragonball. However, often times in fantasy, European-inspired regions are complicated and diverse, while Asian-inspired regions are homogenizing, if not orientalist. We can differentiate Irish, Scottish, and Welsh folklore from English, but somehow, not treating all Asian cultures like they’re the same is too taxing for some writers. So, if you’re going to tackle writing Wuxia Fantasy, do your homework, try to make the cultures thorough and intricate, and don’t profess yourself an expert on another person’s culture if you’re not Asian yourself.

[envysparkler]

I'm curious about this Uno reverse batfamily adoption fic idea. What is it going to be about? All the batkids parents are alive and try to coparents Bruce and the robins?

The story starts when a newly minted Batman goes to a circus. He runs into a panicking baby Dick before the show starts, who claims that there's a bad man doing something to the ropes. Bruce rushes off to stop him, gets lightly stabbed, and decides to buy Haly's Circus so this kind of thing doesn't happen again.

The Grayson family happily adopt him. No amount of persuading will convince Dick Grayson that Bruce is not his new older brother. Alfred is happy to have more people looking out for Bruce. Bruce is defeated and resignedly accepts his new parental figures, since it appears that Haly's Circus is going to stay in Gotham.

[you can insert subplot about court of owls here or not.]

Bruce Wayne is in Crime Alley on the anniversary of his parents' death. He gets mugged, which causes a flashback and a panic attack, and a kind passerby coaches him through it while her son scowls at him the whole time. Catherine Todd invites him up for a cup of tea and Bruce meets her husband. He can see where Jason gets the scowl from. Willis gives back Bruce's wallet and keys without saying where he got them from. The car's tires, however, are a lost cause.

[honestly the dramatic tension here from Batman running into Willis as one of Two-Face's lackeys would be delicious. also feat Willis finally revealing Catherine's medical issues which of course leads to Bruce paying for treatment and Jason starting to trust him.]

This Batman has no Robin. This does not stop little Timmy's fascination with nighttime photography, which Janet encourages. Children need to spend time outside, she can brag about her baby's talent, and honestly all the traveling means she's up at odd hours when she's in Gotham anyway. But all that Bat-watching gets Janet thinking and she figures out that Bruce is Batman in a couple of months. Tim is his mother's son, after all. Janet, previously very annoyed with Brucie Wayne, now realizes the whole thing is an act, and is very amused. She can use this to troll Gotham's snooty high society and get a good laugh out of those stuffy galas. Jack is always game to go along with a good joke.

[The Drakes, frequent visitors to the circus ever since little Dick Grayson picked up baby Timmy and proclaimed that he'd do a special flip just for him, find out that the Graysons also know Bruce. They meet the Todds on another trip. If Bruce knew that there were three different sets of Gotham parents conspiring about him, he'd probably flee permanently to the Watchtower.]

Talia...well, it would be a bit awkward for Talia to adopt Bruce. But you don't have to change much to have Ra's be the kind of father that's obsessed with that One Boyfriend you brought for dinner five years ago and won't stop asking when he's coming back.

[Why, yes, Ra's does join the monthly meetings of the Bruce Wayne Protection Squad. If only to weigh in on the "who should Bruce date" debate. They're going to be his future in-law after all.]

Batman runs into David Cain and Lady Shiva on two separate missions, both of which end in injuries for Bruce, but a little girl sticks bandaids with colorful print on him so he guesses it's okay. Her parents have split custody of Cass and now apparently Bruce too, if the way they grouse at him about the proper way to take on assassins is any indication.

Batman ends up in the hospital and Crystal Brown is the nurse that's assigned to his care. The only thing that stops a delirious Batman from trying to get out of bed is Stephanie Brown's detailed stories. Some time later, Cluemaster kidnaps Batman--not to unmask his identity, but to interrogate him on his postoperative care because his wife and daughter were worrying.

Gordon's already pretty much adopted him, so nothing has to change there.

Bonus: Bruce is a fantastic babysitter. He's attentive and careful. Also, all the kids think he's super cool because he's Batman, which is very flattering. And whenever one of them starts making noises about joining him in fighting crime, he can drop them back off at their parents.

[cephalog0d]

Batkid Drabble - "Knock"

((For @dangerousdan-dan, because it made me laugh too hard not to write it. AU where instead of being immediately offered Robin, Jason doesn't actually know about the vigilante stuff yet, so instead of his first interaction with Dick being with Hypercompetent Vigilante Nightwing while out crime-fighting, it's at a public event with Harmless Airhead Dick Grayson, and Jason is Unimpressed. Except then during some Gotham Typical Bad Events Jason sees Dick doing some decidedly not harmless things and becomes determined to catch him doing Ninja Shit again. Unfortunately for him, Dick is very good at playing dumb, and also a giant troll.))

Jason watched Dick’s elbow bump into the bowl on the counter, knocking it over the edge. Dick twisted with shocking speed and agility to catch it without spilling the contents.

“Ah-HA!” Jason shouted triumphantly. “I caught you!”

Dick froze and stared at him, then looked at his bowl, then rolled his eyes.

“Don’t you start, too. Cereal doesn’t have to be only for breakfast.”

“What? No! I mean the ninja stuff!” Jason pointed emphatically at the bowl. Dick frowned in obvious (too obvious) confusion.

“Is cereal a ninja thing?” he asked as he picked the bowl up and took a bite.

“I’m not talking about the fucking cereal!”

“Language,” Dick chided, wagging the spoon at Jason.

“I’m talking about this!” Jason pulled a pen from his hoodie pocket and flung it straight at Dick’s face. In one smooth motion, Dick dropped the spoon back into the bowl and snatched the pen out of the air.

“See?”

“One of my babysitters was a knife thrower, you know,” Dick said, twirling the pen in his fingers before tossing it back.

Jason caught it, glaring.

“I’m onto you.”

“Sure, Jay.” Dick just smiled like he had no idea what Jason was talking about.

((Cross-posted to AO3))

[priscilla9993]

Robin: Make a wish! Just not for another troll.

Robin, after Alice blows out the candle with obvious heart eyes: So, what did you wish for?

Alice: You know that's not how it works, but I've got a good feeling about this one.

Robin has been pulling fast ones on Alice all day, stumping her with modern items, lingos, and idioms. But this special moment is significant, as it's the first birthday in years since Alice got separated from her papa where she isn't alone as Robin's stuck by her side. Alice knows entirely how birthday wishes work, (plus or minus hers actually being magical) the traditional superstition of how telling someone your wish will make it not come true.

Alice is on the same page as Robin for once and won't fall for any accidental secret giving. She KNOWS what Robin is up to and cleverly evades the playfully innocent and teasing question. Alice isn't going to quickly profess her love or want of Robin to be in her life/herself to be part of Robin's life. So cute and cheeky, makes me want to go just tell her already!

All gif credits go to @leiandcharles since tumblr gif finding system is whack and they make such pretty gifs. The candle lighting shot with a modern day lighter lives in my head rent free. Robin could probably live in the woods, on a farm, and hunt, but for love of life won't start a fire without her handy dandy lighter from Storybrooke.