#which never actually manifested in the final game

[verygayandverytired]

i want to live in the world where dragon age inquisition got to have the in-depth strategy / political organization sim elements bioware obviously wanted it to have where your decisions in managing the inquisition actually meant anything for how it operates and had effects on the game world. sadly we live in the universe where art needs to make profit

[ironunderstands]

All of Aventio’s implications that I can remember because someone has to compile them 

Massive disclaimer: the purpose of this slideshow is not to prove that Aventio is canon (even if I personally think it is), but rather to demonstrate the relationship these two have in canon, as well as disprove the misconception that they hate one another, because no, they absolutely do not. This list is also in no particular order so expect a lot of jumping around in the story. I hope you enjoy reading! 

Dr. Ratio added gambling to his update for the Simulated universe, and said a certain gambler would enjoy it, despite Ratio’s known dislike of gambling. 

He put his all into carrying out Aventurine’s betrayal plan, and Aventurine trusted him to execute it correctly, despite the plan/going to Penacony having no obvious gain on Ratio’s end.

Dr. Ratio gave Aventurine this note urging him to keep on living despite the pains of his past and the agony of the present, wishing a man who is already known for his luck the best of it, something which helps Aventurine survive the manifestation of IX. I am insane about this note and could yap on and on about it, but I will spare you the delusions for now haha. 

Dr. Ratio wears his headpiece around those he finds to be unintelligent and not worth his time, but he has never once on screen worn it around Aventurine, signaling that he finds the man to be both intelligent and worthy of his attention. 

Aventurine doubts his own intelligence and worth in his voiceline about Dr. Ratio, believing that the scholar doesn’t care for him. However, in Ratio’s voiceline about Aventurine, he commends Aventurine for his competence and skill, pointing out that his success is not in-fact just due to his luck, and if he keeps doubting himself he will meet the fate of those praying on his downfall.

Aventurine is also the only person to actually have voicelines about Dr. Ratio so far, despite Ratio having interacted with many others, meaning he’s the closest in canon to Aventurine, seeing that he’s the only one who talks about him. (Hopefully Screwllum has a line on Ratio when he comes out bc I am starving for Ratio content lmao). 

Aventurine’s first eidolon name is Prisoner’s Dilemma, which refers to a game theory in which two people can only achieve the best outcome of their situation if they put their faith one another while being unable to communicate/physically separated, and it mirrors the dynamic Ratio and Aventurine had on Penacony while acting out the betrayal plan. Which could mean nothing. 

His 6th eidolon name is Stag Hunt Game, which refers to another game theory based on trust, and is again, reminiscent of Ratio and Aventurine’s plan. Basically, they trust each other a hell of a lot, to the point where his eidolons are named after similar games of trust, which is no accident, as well, there’s countless game theories, and hoyo went with the ones specifically centered around trust between two people. For example his E4 is another one of those theories, but has nothing to do with trust, so they specifically selected his first and last eidolon to be about it, interesting.

The name of the 2.1 quest that just involves Ratio and Aventurine is Double Indemnity, which not only refers to the legal matter but also a famous romance and thriller movie in the 1950s by the same name. Notably, it shares a lot of plot points with that of the 2.1 quest as a whole, and the fmc is always portrayed as blond, just like Aventurine. 

There is also a scene within Double Indemnity that shares a lot of parallels between itself and the Final Victor lightcone. However in the movie scene she is holding the gun, whereas in the lightcone Ratio is, even if Aventurine is holding it to his chest.

Also if you want a more in depth analysis on how this movie relates to them, this person made a great one on tumblr :@anominous-user. (without the period, also it’s long as hell though be warned). 

You receive the track “Spellbound” after completing the Double Indemnity mission.

It is also the name of a 1945 film by Alfred Hitchcock, which is a Thriller, Noir and you guessed it, features romance as a major part of the plot. Its story also seems to have parallels to Aventio’s, but I’m not gonna get into that for now.

Notably, spellbound also means to hold the complete attention of someone, which is more often than not romantic, as only people you love/admire can captivate you like that. 

The bathtub couch Aventurine gets Ratio during his demo (and is the only time the seating ever changes in demos) is reminiscent of the bathtub couch from Breakfast at Tiffany’s, and you guessed it, its another romance.

He constantly flirts with Ratio in the pinball section of the Double Indemnity trailer, even going so far as to a) have the “Doctor you’re huge” line become a massive meme in the community b) he literally says the view is breathtaking when the only view is the giant Ratio he’s staring at. Honestly this entire section is so chock full of romance tropes (seriously what writer let their size difference kink into the story) that I have no idea how it passed censorship.

Aventurine also flirts with Ratio in the 2.0 scene by asking where his alabaster head is, which means he’s seen him wear it before. However, even when Dr. Ratio is acting, supposedly yelling at Aventurine for being a useless fool, he doesn’t wear the mask meaning he doesn’t truly feel that way.

They also have designated nicknames for one another, that are exclusive to them only. Dr. Ratio only ever calls Aventurine “gambler” while in his presence, and although Aventurine calls him Ratio sometimes, he often refers to Ratio as Doc/Doctor (Professor too in the CN) when talking to him. What’s interesting is that nobody else seems to refer to either of them with these names, meaning they made them for one another.

Despite the fact that throughout Penacony, Dr. Ratio’s job is to sell the betrayal plan, he still apologizes to Aventurine in the 2.0 argument scene, and looks away during Aventurine’s sentencing presumably out of guilt/to not break his poker face when the other looks at him. He also not so kindly tells Sunday to visit a shrink (therapist), which should tell you how much his actions concern and upset Ratio.

He also breaks his act again to check in on Aventurine. Hmm. 

Anyways time for the Aventurine keeping up with starrail speedrun because OH LORD, I’m gonna number these by image so I don’t exceed the count LMAOO. The first few are numbered by image, and the next are numbered by the columns of images, and I can clarify in the comments if you’re confused!

1) Owlbert calling them good friends (which Mr. Tsundere denies, although he says Aven isn’t awful to work with) 

2) PRAISE OWLBERT

3) This line is very significant because only 3% of Dr. Ratio’s students ever pass his classes, in which they become experts in their fields. So, if Aventurine earns a passing grade in Dr. Ratio’s book, that means he’s exceptional to him as almost nobody does. 

1) Ratio says his flashy outfits just make his job harder which ??? What do you mean by that sir do you not like seeing other people lay eyes on Aventurine serving cvnt? Why are you so worried about how his jobs go? Hmmm? Throughout the whole video he also keeps saying Aventurine shouldn’t take up fights in the first place, and the more logical thing to do would be to run away. Worried about our dear gambler Ratio?

2) How well do you know this man that you know his personal motto 😭 look genuinely idc if you leave this shipping them or not, how the hell are you gonna deny their friendship after this at the very least. 

Ok homoverse/j Anyways basically what’s going on here is that the little showcase of Aventurine’s kit ended and Ratio gave him a compliment. Owlbert says it seems like there is some mutual respect between them. Interesting, instead of denying it, Ratio asks, “What did he say about me?” implying that Ratio respects Aventurine, but he did not realize the other respected him back. 

1) Which causes Owlbert to spill this, which speaks for itself, Aventurine believes Ratio is the person who knows him best, so he invited him to be on the show. 

2) Which results in perhaps the greatest display of Ratio’s tsundereness to this day, also Owlberts face I can’t 

1) It seems Ratio didn’t think Aventurine knew him so well, but oh boy it gets better (worse for Ratio though LMAOO)

2) Caught your ass in 4k, also please just go and listen to this demo again I don’t think Ratio could sound more flustered if he tried. 

Apologies for the fuckass title card getting in the way no I don’t know how to remove it, but if you look closely in the first one, you can see a little sweat drop by Ratio’s face, which is again, another common trope with Tsundere’s when they get called out on their bs. “I really can’t tell what the deal is between you two,” me too Owlbert, me too.

Aventurine knows Ratio is in the council of Mundanites, information that is only a rumor to the rest of the galaxy, and Ratio trusts him with this information.

Acheron calls them friends, thank you Queen louder for the dumbasses in the back! Apparently there’s also a note somewhere in Penacony that talks about her, Argenti and of course Ratio being the ones to save Aventurine, so if I can find it, I’ll include it in the next part. 

Oh and don’t you think I’m done w this ridiculous lightcone for one second. I’m  well aware it’s a display of Aventurine’s su1c1dal tendencies, hell I was and still am the biggest supporter of that, however I also have eyes and yeah this fucking thing is really h0rny oh my god. “He provocatively looks at the man before him,” ok, could have picked any other wording but you picked that one 😭.

Also, a key detail of this lightcone that people miss is that it’s, well, a lightcone. A lightcone we get in 2.0 as soon as it drops, and since lightcones are canonically condensed memories, this happened way before the events of 2.0, and is likely how Aventurine convinced Ratio to join him jn the betrayal plan. 

Moreover, Aventurine says “remain amicable,” meaning this isn’t their first meeting, and him and Ratio had at least been talking to one another for some time before this, which could mean their friendship/partnership/whatever the hell this is has dated back to perhaps even prior to 1.6 when we meet Ratio for the first time, but ultimately that’s just speculation. 

Lastly, for this mini lightcone rant: the animated version of it. Oh lord. 1) Camden and Jordan put their all into it istg 😭 2) Ratio pulls the gun back but Aventurine stops him, meaning that a) Ratio didn’t want him to get hurt, but he b) accepted Aventurine’s provocation, 3) Aventurine LEANS CLOSER to him while teasing him with his whole “why not doctor~,” sh1t and 4) if you look closely at both the animated and still versions of it, there’s a tiny spark of light in Aventurine’s normally dead eyes, which is just, yeah. 

Ratios party voiceline for Aventurine. This is a complicated one because it is meant to be b1tchy in both languages (this is a tumblr post on it by @devxoid which goes over the nuance surrounding it. The TLDR is: directly translated, it means “take care of yourself, gambler, I need not your worry/concern,” but its actual meaning is far closer to the “fuck off” vibes in the CN. However, two this complicate this, 1) he sounds far calmer/neutral in the CN and 2) Ratio is the biggest goddamn tsundere on this planet, so even if he sounds mean, he does genuinely want Aventurine to take care of himself, as Ratio’s tried and true method of getting people to better themselves is by being rude to them, so it’s actually fairly in character, it’s just I think the way the line was directed in EN was a bit too harsh and threw some people off 

Finally, here’s some more silly ones that don’t really mean anything on their own until you put them into the context of everything else:

Their status as package deal do not seperate in both the data bank and the profile pictures is extremely funny because they have no reason to be next to each other like that, they just are.

Their kits are also designed to synergize perfectly with one another, and in the livestream Ratio was put in the team to demonstrate Aventurine’s kit because well, they are made to work together. Aventurine is by far Dr. Ratio’s best sustain unit due to the debuffs he provides (alongside everything else) which only gets better with eidolons + his signature lightcone, and if you have ever played Ratio you know how much he likes debuffs. As for Aventurine, his arguably  best team is the FUA one with Robin, Topaz and well, Ratio, who is the main dps of the team. Honestly besides trying to zero cycle MOC there is no reason as to why you would run Ratio with any other support unit if you have Aventurine. 

I hope you enjoyed reading! Also, this is absolutely not everything, just all the stuff that’s easy to point out, and I’m not even getting into an actual analysis of the plot and how that demonstrates their relationship. Moreover, I don’t expect you to leave this shipping them if you don’t already like them, but I at least want to demonstrate that they are without a doubt close friends in canon, and there’s no denying it. I definitely missed some so feel free to point out more, as I might make a part two, as these are just all the ones off the top of my head. Continually, for the people who like Aventio, hopefully this serves as some sort of guidebook/reference to their implications/interactions, and if you have any moots who love this ship, I’d recommend tagging them in this bc I think they would love it! Have a good day :D

[star-girl69]

If You Lie Down With Me

Caroline (KK) Harvey x Fem!Reader

—-

synopsis: away game shenanigans

a/n: guys have i mentioned that i’m a genius… from this ask!! i hope you all enjoy!! this is like literally so bad i cant 😭😭

If You Lie Down With Me - Lana Del Rey

warnings: I KNOW NOTHING ABOUT COLLEGE OR HOCKEY, pls forgive me for inaccuracies 😞, texting again, phone calls blah blah, but some people might hate that so here is your warning, swearing and the usual, like mentions of kissing and some suggestiveness, cringey tik tok prank idc i think it’s cute, mentions of violence and black eyes, lmk if i missed anything!!

—-

Someone’s on top of you.

It’s early in the morning, so early that you would probably be insane to call it morning. The darkness presses around you physically, keeping your eyes shut even as an alarm you barely noticed before comes into focus- blaring loudly.

“I don’t want to go,” someone moans.

Is someone on top of you? Or is that just blankets? Or maybe it’s a physical manifestation of your exhaustion.

You open your eyes, feeling like you might actually die with just that little motion, trying to roll around and stretch- but you can’t. Yes. Someone is definitely on top you.

KK? You try to ask, but you’re so tired that the only thing that comes out is a garbled “K.”

“I don’t want to go,” your girlfriend repeats, pushing her face into your neck and wrapping her arms around your body.

Your eyes drift shut for another second, the alarm fading into the background. It takes another minute, in which KK falls back asleep on top of you, for you to fully wake up and for your brain to start working. You reach out towards the bedside table, fumbling with KK’s phone until you can finally see the alarm, the time of 4:30 A.M., and the name of the alarm-

flight at 7 wake up

“Fuck,” you gasp, trying to push your girlfriend off of you. She pouts and hugs you tighter, and all of that hockey muscle is simply dead weight when she’s asleep. “KK. KK, get up, I’m serious.”

It takes a few hard shakes, but she finally wakes up, adorable pout still stuck on her face.

“What the fuck could possibly be going on?” She groans.

“You have a game, KK. Get off of me.”

She reluctantly rolls off of you, quickly shuffling around. You would be stupid to think she’s actually getting up, so it’s no surprise when she simply presses her face into your neck and wraps her arm around your waist.

“Fuck the stupid fucking game.”

Why on God’s green earth did you agree to sleep over?

You wouldn’t call Caroline overly clingy, although her main love language is probably touch, she’s more into the little things. Hand holding, your feet in her lap when you’re sitting on the couch, arm around your waist in public- laying completely on top of you when you’re sleeping.

She’s always at her worst the day before away games, forcing you to sleep over and smiling so sweetly when she asks you can’t even think about saying no. She spends the entire night with you wrapped up in her arms, trying to soak in as much time with you as she can.

It’s horribly early on Thursday morning, and she won’t be coming back until Sunday night.

And you don’t blame her. Away games are hard, but it comes with the territory of dating a D1 athlete. She was so sweet about it when you first started seeing each other, claiming she understood if it was a dealbreaker but you knew you were too far in to say no.

You thought you could handle it, just a few nights away from her, but just doing every daily task knowing that she’s so far away from you just makes everything feel wrong. And when there’s a time difference, she’s often not just a phone call away.

Caroline, when she’s away, takes it upon herself to text and call you so much it sometimes feels like she’s never really left, until you’re on FaceTime with her at the end of the night and the sound of her voice is almost enough to make you cry, because she’s almost there with you- but not really.

She kisses the side of your neck, and you fight the urge to roll your eyes.

You’re going to miss her so bad. But it’s hard to remember that you’re going to miss her when you have to deal with her perpetually late self.

“Can you turn off that alarm?” Oh. You forgot to turn it off.

“KK,” you sigh. She frowns against your neck. “Get. Up.”

“Noooooo, Y/N, please. Five more minutes-”

Someone bangs loudly on the door. “Turn it off and get up!”

That grumpy voice can only belong to Laila.

They’re normally very happy people, you try to convince yourself. And normally you aren’t this cranky either- but it’s so early. And you would be lying if you said you weren’t going to miss KK too.

You slowly reach out and hit snooze on the alarm.

The blaring blessedly stops, and KK smiles and pulls you even closer to her. “Five more minutes.”

“I’m going back to sleep,” you mumble.

KK’s hand slowly runs down the side of your waist until she reaches the hem of your shirt, slipping her hand under it so her warm hand is pressed up right against your skin. You shiver a bit at the feeling, and she still hasn’t wiped that satisfied smile off of her face- you can feel it against your neck.

“Okay, baby,” she mumbles back, thumb rubbing back and forth against your skin.

She’s going to be late again, you resign. She’s going to make Laila late, and then you’ll have to listen about how bitter Laila is until they make up, and then until KK eventually makes her late again- it’s a vicious cycle.

“I’m gonna miss you,” she whispers. Fuck.

Now you miss her. You miss this slow moment already, and you haven’t even left it.

“I’m gonna miss you too. I hate away games.”

“I know,” she hums, pressing another kiss against your bare shoulder. “I hate ‘em too.”

“You gotta get up, seriously,” you say. Even if you dragged her out of bed right now, all of you know that KK is probably still going to be late, and Laila by extension. “You’re gonna get in trouble if you’re late again, babe.”

“Okay?” She scoffs. “Worth it.”

“No, actually, not worth it.”

You open your eyes at the new voice, too tired to question how the hell Lalia has silently appeared in front of you.

She pulls the blanket off KK, and you, causing you to gasp and shoot her a glare. She shoots one right back, before animatedly fake gagging at the sight of KK’s hand under your shirt and the fact she’s actively trying to burrow under your skin.

“Laila,” KK groans. You almost laugh at how much moaning and groaning there’s been this morning. “I’m saying goodbye.”

Lalia rolls her eyes before smiling wide, completely fake, sleep evident on her face. “Bye, Y/N! I love you so much, you’re the best girlfriend ever! I’m going to be so, so miserable without you and your lips and your attention-”

“I do not sound like that,” KK huffs.

“Oh, you do. Anyways, goodbye, Y/N. See? I just did it- not hard at all.”

“Y/N,” KK says.

“You do kinda sound like that,” you shrug.

“Both of you are assholes,” she says, finally letting go of you and sitting up. “I’m getting up, okay?”

Lalia stares at her expectantly, waiting for KK to actually get up.

You laugh as she mutters something under her breath, again being all pouty, probably cursing you and Laila out.

“Goodbye, my wonderful, very talented hockey players,” you sigh, waving before pulling the sheets back around you again. “Good luck!”

“Bye, Y/N!” Laila says, seemingly much more happy now that KK is at least out of bed.

KK smiles down at you before pulling the blanket over you, tucking it around you as she leans down and quickly kisses you.

“Goodnight, baby,” she whispers.

“Good morning,” you whisper back, unable to help yourself from wrapping your arms around her neck and pulling her down into another kiss. When you pull away, you smile at her, feeling so in love that annoying as being away from her is, you wouldn’t trade it for anything. “Good luck, babe. Although you don’t really need it.”

You softly squeeze her bicep, knowing a good stroke of her ego is probably the best going away present you could give her.

“Call you tonight?” She whispers, not even gone yet but already planning the next time she can talk to you.

“Obviously.”

—-

hockey queen: r u alive

you: surprisingly yes

you: life is colorless without u and i can taste sounds

hockey queen: really bc i can hear tastes

hockey queen: anyways our flight landed

you: thank god. i was terrified

hockey queen: haha. u love me

you: 🧐

hockey queen: i hate u ttyl

you: ☹️

you: ☹️

you: ☹️

you: ☹️

you: it’s been 10 mins… no answer… might die

you: ☹️

you: ☹️

hockey queen: i’m not responding to people who don’t love me and don’t care about my safety

you: ily and i care about ur safety

hockey queen: and suddenly i don’t hate u anymore

—-

hockey queen: just got back to hotel

hockey queen: practice was hell

hockey queen: pls can i call u now

hockey queen: pls y/n

hockey queen: y/n

you: one sec sorry almost done w hw

hockey queen: ok cool idc

Incoming call from: hockey queen

Call Declined

you: I SAID ONE SEC

Incoming call from: hockey queen

Call Declined

you: omg i’m so serious i’ll block u

Incoming call from: hockey queen

Call Accepted

“You are literally the most annoying person I have ever met in my entire life.”

You prop up the phone against the lamp on your desk, seeing a flash of your girlfriend’s face in an otherwise dark hotel room.

“You know you love me.”

You resist the urge to say something mean back, remembering earlier today when she had ignored you for entire 10 minutes, despite your persistent sad emojis, she’ll probably be petty and hang up on you.

And you want to hear her voice.

“Yes,” you say through gritted teeth. “I love you!”

“Aw, just what I wanna hear.”

Finally, you look at the screen, seeing KK smiling widely at you, and your stomach does an embarrassing flip. That fucking smile.

You smile back, feeling heat rise to your cheeks with the way she stares at you adoringly.

“The plane ride was really pretty this morning, with the sun rise. You would have liked it a lot.”

“And to think, at the same time I was probably looking at your ceiling.”

She hums suggestively, and you roll your eyes.

“Fuckin’ freak. Ok, I’m done,” you sigh, finally setting your pen down and stretching your hand out.

You sigh, grabbing your phone as you stand up, stretching and not caring about what unattractive angle your phone is currently catching you in. You flip the lights off and climb into bed, thankful your roommate had decided that tonight she was taking an everything shower and would probably be gone for a long time.

“How was your day?” KK asks as you get into bed, holding the phone a foot in front of your face against the bed as you lay on your side.

“Hm, it was okay. Kinda boring, really.”

“Cause I wasn’t there?”

“…Yeah, sure.”

KK frowns. “You’re actually so fuckin’ mean to me. Laila too. I don’t deserve this, for real.”

“I’m teasinggggg,” you smile. “I love you. My life is miserable without you. I can barely function without you. I miss you so much it’s consuming me. I-”

“Babe, shut up.”

“So you don’t love me?”

“I love you,” she scoffs. “My roomie’s gonna be back soon, though. And I’m exhausted, sorry.”

“It’s okay,” you reassure. “I just wanted to hear your voice for just a little bit. I’m tired too.”

“I miss you,” KK says, dropping her voice to a whisper, making it sound like she’s admitting a deep dark secret.

You could tease her about how it hasn’t even been a day. But you miss her too.

“I know. I miss you, too.”

You stare at her through the screen, watching as she smiles sleepily at you, eyes drooping.

“You’re so pretty,” she says after a second.

“Maybe try telling me that when your eyes are actually open, babe.”

“Don’t need it see you to know how beautiful you are. I can feel it through the phone.” Now, her eyes are fully shut and if you were there with her, you could imagine hearing her breathing even out if your head was pressed against her chest.

“Goodnight,” you smile. “I love you. So much, baby.”

Your heart sometimes feels like it’s literally going to burst. Maybe you have an unknown heart condition, but knowing that KK loves you, the way she shows it, and just… KK. How beautiful she is. How she makes you feel and how you make her feel. Her loving you and you loving her feels so impossibly perfect. So good, so right. The feelings you get when you’re with her don’t even have words in the English language.

You feel everything with her, happy and sad and whatever- but under all of it there’s this layer of belonging, of calmness. You belong with her, to her, and you wouldn’t have it any other way.

You stare at the screen with a smile, that same smile slowly fading when she doesn’t answer.

“KK?”

Silence.

“Caroline. Caroline. You didn’t say I love you.”

Her sleeping face is beautiful, but you just want to hear her say goodnight and that she loves you back.

“Okay, fine. Whatever. Wait until tomorrow.”

—-

Call ended by: hockey queen

hockey queen: it was so amazing to wake up to ur drooling face on my screen this morning. felt like i was right there with you

hockey queen: we have a workout super early today but text me when u wake up pls

—-

you: super busy all day but i’ll text later

you: also i don’t drool

hockey queen: what r u doing on a friday without me

you: i have friends and school yk

hockey queen: ok be safe and call me later i miss ur face

you: look at a picture then??

hockey queen: i am rn but it’s not the same

you: u r actually so clingy when u go away it might fr be a medical problem

hockey queen: ur fault bc ur so hot 😫

you: thanks…

hockey queen: you’re welcome ❤️

When you finally get home after a busy day of lying to KK that you were out doing something, your friend in your first class had actually helped you come up with a good plan to get back at her.

You had actually forgotten about the fact she didn’t say goodnight or I love you when you woke up, but when you saw that she didn’t even say an actual “good morning” to you… would it really hurt anyone to do a harmless Tik Tok prank?

It would probably scare the shit out of Caroline, which is exactly what she deserved.

You put on your best pouty face, taking a picture with the filter on. It actually was a pretty convincing black eye.

You had kinda failed by letting yourself text her back like everything was normal, but the element of surprise was probably a good thing.

you: *picture*

you: 🤕

hockey queen: what the actual fuck

hockey queen: r u ok???

hockey queen: wtf who did this to you

hockey queen: y/n r u ok

hockey queen: text me

hockey queen: y/n

hockey queen: what the fuck happened

One missed call from: hockey queen

Two missed calls from: hockey queen

hockey queen: y/n i’m so serious answer ur phone

hockey queen: u can’t send that and then not answer

Three missed calls from: hockey queen

you: *picture without filter*

hockey queen: what

you: i’m sorry it was so funny 😂😂

hockey queen: r u serious

hockey queen: i actually hate u

hockey queen: i was so scared

you: ik it was so fucking funny i’m still laughing 😂

hockey queen: i’m blocking u don’t talk to me

hockey queen: why did u do this fr

hockey queen: i don’t deserve this

you: u forgot to say goodnight last night

you: and didn’t say good morning either

you: karma 🤷‍♀️

hockey queen: r u serious

you: deadly

hockey queen: and i’m the clingy one?? ur lucky i love u

hockey queen: ok i have to go get ready for the game but i’m calling you later just to say goodnight

hockey queen: i think u gave me a heart attack

you: aw ur so sweet 🥹

you: ok srsly goodbye ily ur gonna do amazing good luck 😘

hockey queen: thank you baby

hockey queen: ilyt

hockey queen: goodbye

hockey queen: ok make sure you see that goodbye my heart can’t take another stupid prank

you: yes ma’am i see it and no more pranks 🫡 maybe

—-

hockey queen: go to my place

you: huh

hockey queen: flight gets in at 11 ur gonna sleepover

you: so when did i agree to this

hockey queen: when i asked u to be my gf and u said yes look over ur contract

you: oh silly me i see it right here

you: “due to caroline’s excessive clinginess and obsessive tendencies, she reserves the right to force y/n to sleepover at any time”

hockey queen: 🙏

hockey queen: just go hang out at my place u can order dinner and i’ll pay

you: awww how sweet

hockey queen: i love my gf 🔥

—-

You wake up to the feeling of someone cupping your face, pressing a kiss to the tip of your nose. The feeling of someone hovering over you.

“Wha?” You mumble, stretching, opening your eyes into the darkness but seeing nothing. You eyes slowly start to adjust, but they don’t need to.

“Sorry, baby, I didn’t mean to wake you,” Caroline whispers. She smooths your hair back, and your eyes drift shut again at the calming motion. “Go back to sleep, okay? I’ll be back in a minute.”

“KK?” you ask into the darkness, mind foggy.

“Yeah, baby?”

“I missed you.”

She laughs a bit before kissing the top of your head, hand drifting down to cup your cheek again. “I know.”

You unknowingly latch onto her wrist, holding her hand in place against your face. “Come to bed,” you mutter. “I missed you.”

She softly detangles herself from you, and you feel like a child about to throw a tantrum. “One second, okay, baby? I still gotta get ready for bed, I just wanted to see you.”

You groan but let go, the darkness of her room pressing around you similarly to the morning when she left. Your mind drifts back to that, to how good it felt to wake up next to her, how utterly right. You think about how mean you’ve been to her since she left, using sarcasm to cover up the way your heart literally beats crookedly when she’s away from you.

Wow, maybe you’re the clingy one.

You think about the sound of her voice on FaceTime as she’s falling asleep, and you think about how good it will feel now right in your ear. You think about your empty bed back in your dorm, sleeping lonely even in her shirts that smell like her.

You roll over onto your stomach, blankets sliding off of you as the sound of the sink running in the bathroom makes you so fucking impatient.

“K,” you groan, deciding she’s taking too long.

“Calm down,” she whispers, voice very amused, and it feels so right when you suddenly feel the covers pull back and someone slip in next to you. She runs her hand along your upper back where her last name is printed on. “You look so sexy in my shirt.”

“Thanks,” you mutter, already half asleep again and shifting around as her arms slide around you, pressing yourself back up against her. Too tired to flip back around but still needed to be touching her as much as possible.

“Was your dinner good?” She asks, kissing your neck.

“Yeah,” you yawn. “Thank you for paying, babe.”

“Mhm,” she hums, squeezing the arm wrapped around your waist. “Come closer.”

“I am closer.”

“Fine,” she mumbles, yawning herself as she settles against you. You can hear the smile in her voice when she speaks. “Goodnight, Y/N,” she enunciates.

You almost laugh at how petty it seems to prank her for not saying goodnight.

“Goodnight, Caroline,” you say back.

Maybe you’re both just really annoying and really clingy, but when you’re wrapped around each other like this, and everything feels so perfect that you can’t even imagine her ever being away from you ever again, pieces of her always carried in your heart, you can’t be bothered.

Maybe you’ll regret this in the morning, though, when KK doesn’t let you leave her bed until noon.

—-

[darqx]

Snakes on a post

Another particularly long answer dump since i, once again, have a backlog of things to potentially answer |D

❗️For commonly asked qs please see my BTD FAQ

Got jumpscared with my own old art for a hot minute there LAUGHS.

(For those wondering, the naga doodle from here was attached to the ask)

That is every other Royal that exists in the Nether and also at least some of the demons that challenged him for his Royal title lol.

Believe me, no one was or is more surprised then me XD;

So, the thing about where Rire's ichor manifests is that it kinda exists and doesn't exist at the same time. Meaning that his upper back is where the manifestation point is anchored, BUT it can still manifest with a bit of space in between it and his back hence why it will manifest over his clothes and not through them.

So if you touch where the manifestation point is sans the ichor, than you are just straight up touching his back. With the ichor, he still gets sensory input from the tentacles to his back but it's a lot more soft and muted esp the further away it gets from him. As you've seen implied though, he would feel a very sharp pain if a great deal of damage was done to the ichor where it clusters at the manifestation point, since he'd DEF be feeling that straight in his back lol.

He is definitely a top and the only way he would bottom for anybody is if they somehow forced him to.

Ah i knew i'd answered this a long time ago [finally found it]! Holy crosses (those that have been blessed) can also burn him but they would need to be in contact with him the entire time. Being a Royal he also has more of a tolerance to these than normal demons.

Well, unless said person actually has the undeniable ability to make good on their words, Rire would just stand there rather genially with that little smile he sometimes has and let them finish.

And then he might use them as reverse suggestions for dealing with said person (why would you give him any ideas!!?)

both

In BTD canon it is quite possible that they actually haven't in person. But we are using creative license here haha.

Rire heals a lot faster than a human. Cain is not my character so I don't know how his stacks up.

I've grouped these asks cos they kind of have similar answers - 360° (jk sorry sorry to the second q that is just a very common spelling mistake and I couldn't resist XD; )

Now, even though we mashed all the characs together in BTD, they all actually come from different storylines and so their canons outside the "BTD canon" may differ. This tends to bleed in. With this in mind:

The rules of Rire's canon (eg the concept of Battle Royales and how to become a Royal) don't apply to Cain. Anyway, they don't live in the same place either.

Cain is canonically the oldest and most OP character in BTD lol so yes he is stronger than Rire - you might've noticed, but Rire is never in the same drawing as Cain voluntarily. I play with this along with the "natural weakness" aspect - which I've also referred to as scissors-paper-rock rules XD Basically; demons beat humans, angels beat demons (purely because demons have weakness against holiness).

It would (be insane) but I hope you are not looking at me to fulfil this :d

Not really

His coronation day is a public holiday in his sector so yes XD

Aww thank you very much for your interest! ≧(´▽｀)≦ It's really cool that some of you guys want to actually fund such a thing - I'd have thought you'd have enough of him killing you in BTD1 XD Unfortunately, I have no plans for a Rire game at the moment as I'm working on a webcomic which looks like it will take up all my free time (that being said, he will be in the webcomic at some point).

Nope! Although i can kinda see why you might think that lol.

Whatever that one is where he doesn't particularly care what someone else identifies as. It really makes no difference to him or how he will act.

There are viruses in the Nether that if contracted could potentially kill you, yes. Part of being a Royal is becoming a lot more robust than normal Demons though. As for if/when Rire dies, I dunno maybe either in a Battle Royale somewhere thousands of years down the line or by old age (which is rare for a Royal but not impossible if you play your cards right).

If you are asking if he has a heat/rut of some sort, he does not |D

[byooregard]

x men tumblr dashboard simulator

bluebabadee

THIS BLOG IS A SAFE SPACE FOR NON-HUMAN PASSING MUTANTS. HUMAN PASSING MUTANTS DNI

10 notes 📌Pinned Post

sparklejays Follow

based on your likes!

every time I see a human talking about "how cool it would be to have superpowers" or some shit like that I loose it a little bit more. do these people realize that being a mutant isn't just fun powers. like even beyond the shit I deal with trying to get jobs or all the relationships that have been ruined once people realized I'm a mutant. abilities aren't just fun and games, I have a friend who can't touch people without nearly killing them, I burned down three buildings before someone finally taught me to control my abilities, and these people are all like "wouldn't it be great to fly to work every day??" just admit that you see us as comic book characters and not real people with real struggles

#actually mutant #jay .txt

276 notes

scamperpamperblog reblogged spocktism

🏙️tilleys-brain Follow

self diagnosing is great and all but most of you people aren't telepaths, you're just hyperempathic

#actually mutant #actually telepathic #hyperempathy #crosstagging i know but some of yall need to see this #tilley speaks #it can be dangerous to go around acting like you know peopels actual thoughts when its just your brain

1,657 notes

oh-you-pretty-things

.

#vent post #sometimes I get really mad at magneto #like I think he's done a lot for mutant rights and stuff #but I'm so fucking tired of everyone assuming that I'm evil just because of my powers #like jesus not all of us are trying to start atomic wars #some metallokinetics just use their abilities to make cool sculptures #but I can't get a spoon from across the room in front of strangers without someone mentioning jfk

3 notes

mutantbuffy reblogged muntantpollscentral

🩻mutantpollscentral

*physical mutation meaning something that is ALWAYS physical, not just something you can turn off and on whenever

#ig my mutation IS technically physical its just not visible to people most of the time so i feel weird claiming that #but like i was born with the tattoo marks #the powers didnt come till later tho #so idk which to pick

668 notes

sploimsh reblogged jesterjuleses

🎹pussy-truck-faggot

HEY! shout-out to people with *weird* mutations. Mutations that don't look cool, mutations that are gross, mutations that are dirty, mutations that you can't tell people about because they always cringe. You're just as valid as every other mutant out there. Your powers don't need to be palettable to humans for you to be treated with respect.

#THIS!!! #rb

5,678 notes

rosetvler

god i am so tired of the hypocrisy in this community. the double standards are insane. its okay to have 'scary' powers but the moment someone's abilities are scarier than like, pyrokinesis you're evil and dangerous to be around. 'acceptance' for you people only means nice mutants who've never hurt or scared anyone ever.

rosetvler reblogged rosetvler

non-mutants can reblog this btw

#srb #actually mutant #getting real tired of this

18 notes

katiedidnt reblogged morelikesexmen

🩻magicsteele27 Follow

okay like. i get that were all about acceptance and pride or w/e but no one in this tag has ever had friends irl i swear. if someone asks you not to read their mind you shouldnt. honestly you shouldnt be using telepathy on people at all without their permission. mutant abilities dont disclude you from respecting peoples boundaries

🌌rosetvler Mutuals

i swear to god you people are such hypocrites. its all 'mutant and proud' until someone has a power you dont like. its always about keeping the humans feeling comfortable instead of thinking about how it feels to never use your powers because theyre breaking 'boundaries' that were made up by humans in the first place

🩻magicsteele27 Follow

dude do you hear yourself right now

🎆jade-the-pyromancer Follow

Hey, I like your point op, but maybe you should stop trying to speak over actual telepaths and let them decide how to use their powers themselves???

🩻magicsteele27 Follow

i. i am a telepath.

#duddeeee telepaths are insane #used to be friends with one SO glad i broke that off before it went too bad

15,678 notes

[vickyvicarious]

Jonathan's decision to play along today was very difficult to make. But, in the end, it was the right move. He set aside his anger and impulse to rebel... perhaps as much or more out of fear rather than just logic, but we do see his reasoning and it makes sense.

And honestly, I think he pushed his luck nearly to the limit anyways. Look at how Dracula asked. First, he waited a few days after everything that went down with the vampire ladies, perhaps to see if Jonathan would bring up the topic. If Jonathan does, maybe he had plans to lie to him again, to gaslight him about either never sleeping outside of his room, or about Dracula finding him dreaming somewhere else and helping him back to his own bed. Still, Jonathan's reaction to such a lie could very easily force an end to all this pretending. But since he never brings it up at all, Dracula knows he can continue his game. In fact, Jonathan is proving to be a very resilient player, one who has just enough struggle in him to make it more interesting, without being too unmanageable or ever close to actually get away.

Dracula gives Jonathan this 'request' "in the suavest tones" - he's really emphasizing his charm here, being extra friendly as he tries to make Jonathan feel even worse. But then, contrary to what he's seen thus far, Jonathan hesitates.

I would fain have rebelled, but felt that in the present state of things it would be madness to quarrel openly with the Count whilst I am so absolutely in his power; and to refuse would be to excite his suspicion and to arouse his anger. He knows that I know too much, and that I must not live, lest I be dangerous to him; my only chance is to prolong my opportunities. Something may occur which will give me a chance to escape. I saw in his eyes something of that gathering wrath which was manifest when he hurled that fair woman from him. He explained to me that posts were few and uncertain, and that my writing now would ensure ease of mind to my friends; and he assured me with so much impressiveness that he would countermand the later letters, which would be held over at Bistritz until due time in case chance would admit of my prolonging my stay, that to oppose him would have been to create new suspicion.

I think he must have been sitting there making these arguments to himself in real time. Wrestling with his fear and his outrage and possibly losing most of his control over his expression and body language as he did so. And at first, this is fun for Dracula. He wants Jonathan to struggle like this. It's fun to watch. But then, the longer it goes on, the more real becomes the possibility that this will be Jonathan's breaking point. And if it is, if he outright says "no" even this once, then Dracula's entire game is ruined. He's just committed to wanting to keep Jonathan around for another full month. Jonathan passed the test with the other vampires. Dracula has been looking forward to this. How dare he spoil this -

Dracula's rage rises as he finds himself forces to make excuses and be convincing when he likely assumed he no longer needed to put in that much effort. Jonathan finally does agree, but he didn't do so right away. And it's a very fine line, because continuing to do this does in fact make him more interesting and fun in the long run, and thus perhaps allow him to live longer. Maybe after they separate for the evening (morning, being nocturnal) Dracula would actually look back on this moment with indulgent enjoyment. He pushed perhaps right up to the limit of what Dracula would tolerate, but he didn't quite cross it, so the game can continue. But at the same time, pushing like this (or rather, resisting being pushed before giving in) is extremely dangerous in the moment - because in the moment, there's still a chance Jonathan could cross the line. Dracula has a temper and he will take it out on Jonathan if he decides he's had enough.

It's that tightrope again. More of the same. But I just... love imagining this moment. Dracula's sickly-sweet smugness at the start, his utter confidence in his victory once again. And Jonathan - pausing. Saying nothing in response. Thinking it over, taking so long to do so, trying so hard to keep a neutral face but not fully succeeding, maybe keeping his head bowed so his expression can't be seen. Dracula's anger building along with almost a sort of desperation, as he lays out all this bullshit reasoning, maybe losing control of his own tone somewhat as he gets more aggressively vehement. The absolute tension rising, up and up right until the moment Jonathan looks up and agrees, when it suddenly dissipates. But the aftermath lingers, even in Dracula's victory. Even as Jonathan writes the three letters, one after another under Dracula's watchful eye. Dracula takes them from his hand, squeezes his shoulder in ostensible thanks, but such a clear threat. Jonathan's face twitching, a little spasm of fear and despair, at the contact.

It could be SUCH a good scene in an adaptation that emphasized the abusive dynamic here.

[shuttershocky]

When I say "when it comes to Type-Moon lore you should think about the whys and not the hows" I mean things like it's absolutely pointless to ask "How did Merlin get Saber and Fate route Shirou to meet again in Fate/Stay Night's epilogue? That should be impossible." and I'm sorry but you're never going to have a real answer to that beyond Merlin vaguely saying "You must be able to wait forever and he must chase you forever"

Nasu never bothered thinking about the how at all. The reason it can happen is because Fate loves the idea that the connection between two souls can exist as a fundamental force of the universe that rivals space and time, and Merlin is a fuckin wizard. To love even as time has stripped their name and face from you, to have forgotten everything but the knowledge that there was love once, wouldn't it be beautiful to witness it outlast eternity? Wouldn't it be beautiful if for your whole life and afterlife you become a nameless, wandering hero, only for the star you've been chasing forever to finally call you home by name?

There is no real answer for How. All there is, is symbolism of the story's themes and a participating wizard.

How did Mash come back after being incinerated by the fire that burnt all of time? Her heart never wavered which meant her shield never did, proving that she too could be every bit a hero as all the souls saved in the Throne despite having never lived a normal human life, and this act moved the heart of a creature every bit a Beast as the demon that destroyed all of time. Why and wizard.

How does Hakuno even manage to summon a servant and participate in the Moon Cell Holy Grail War despite actually being an NPC and thus not even being alive and human? Well Fate/Extra wants you to question what being "real", being human, really means. If you wish to live, enough to cry for help and for a hero to come to your rescue and to feel gratitude to them, does that make you human? When you fight for your life in a death game even when you realize there's no existence for you outside of the machine, are you human? Why, and a conceptual, really big wizard in the Moon Cell.

How did Mikiya meet the manifestation of the Root and be offered a single omnipotent wish? Well you see everybody in this entire literary world kills each other and all passersby for a chance at glimpsing the source of all existence so it would be incredibly ironic if a normal ass man who's sole thing is being a wifeguy and getting beaten up a lot is offered the entire universe by doing nothing, thanks to his wife turning out to BE the Root itself, thus being the wizard behind wizards.

[getvalentined]

Thinking about Vincent's involvement in the Queen's Blood storyline and how it's the perfect explanation for everything going south with the game in fairly recent history even though the game has canonically been around for decades. It's genuinely so clever, I'm in love.

So, for anyone who hasn't done the full questline, Vincent is the highest ranking Queen's Blood player in the entire game prior to facing off against the Shadowblood Queen herself and the completion of the questline. (After this, ranks are adjusted worldwide because of game mechanics; Nanaki is rank 10 in the QB Arena at Gold Saucer.)

A lot of people have poked fun at this, like Vincent apparently learned the game really fast and was just naturally really good at it—but no, actually, Vincent played the game before. He's this good because he was champion level back in the 70s, back when he was human.

We know this to be the case because when you match against Lidrehl, he says "the Emerald Witch sleeps in Nibelheim with a monster of chaos, and that is where it will remain." This means that Vincent already had the card when Hojo killed him. It's not clear how the Emerald Witch came into his possession, but you don't make his rank without being a very active player, so it's clear that he was very prolific in the scene back then!

And back then, it was just a game. No mysterious deaths or disappearances. The myth of the Shadowblood Queen and the Emerald Witch was still there, as Lidrehl developed the game based on the story, but everything was fine.

This is definitely because Vincent was active in the scene, and he had the Emerald Witch. The Rebirth Ultimania implies that the Shadowblood Queen is a piece of Jenova (which I thought was pretty obvious since she calls Cloud a "puppet" and he's also apparently the only one capable of facing her head-on), and the Emerald Witch is the soul of a Cetra that serves as the silent warden to her imprisonment within the game. (Imprisoning monsters in cards is not new to the series, either, since FF8 literally allowed players to turn monsters into cards rather than fighting them.) Vincent being so active in the circuit allowed him to spread the Emerald Witch's influence through the scene and kept the Shadowblood Queen quiet, reminded her to keep her head down, kept her from trying anything at risk of being spiritually shitmixed again.

But then Hojo killed Vincent, and the Cetra warden Emerald Witch was in his deck, and that deck was tucked away with his things in Nibelheim. And so she spent thirty years unable to perform her ongoing duty to assure the safety of the planet. This time allowed Jenova the Shadowblood Queen to regain the power and confidence to manifest and start wreaking havoc again, finally building up enough strength to directly possess her current holder—during the period that Sephiroth is calling for Reunion, which presumably helped to really draw her back to full consciousness.

There's a whole detailed storyline here that makes perfect sense, with Vincent's murder literally being the catalyst leading to the resurrection of the Shadowblood Queen, and Hojo never having a clue what he'd done.

This is super interesting to me not only because it actually showed some of the more far-reaching consequences of Vincent's death, but also because it indicates that Hojo has unwittingly been Jenova's most loyal emissary for decades. He gave her his wife, his son, himself—and the first murder he ever committed served to imprison the only power holding a piece of her thought lost to history at bay, allowing her to manifest decades later with her own will and personality completely intact, something that she can't do through Sephiroth.

As it turns out, Hojo and Vincent have been opposing forces in supporting fate's "chosen ones," the forces around them capable of choosing the final fate of the planet, for much longer than either of them ever thought.

Still not a huge fan of the card game itself, but I adore the way it's been woven into the story, and strengthened it as a result.

[delululand]

hii could you please do enha love languages? ty! <33

hii! this question has been in my inbox for a couple of months so thanks so much to this anon for the question and patience, i finally finished it!!

heeseung world of affirmation & physical touch

perhaps this is just my subjective perception, but i wouldn’t say that heeseung has a very noticeable love language that would immediately catch the eye, however, the words of affirmation seem to me to be his most noticeable love language. he really looks so happy and embarrassed when members or fans compliment him on his gaming skills or ask him to sing and admire his vocals. and this seems to be not only the language in which he chooses to receive love, but also the way he gives love. he always tries to praise and support the members and i’m sure that he would really be for his partner that person who constantly reminds you of what a wonderful person you are, really appreciates any of your skills and abilities, expressing his proud of you, never criticizes your ideas and always ready to listen and support. and physical touching seems a little less obvious, but he often casually touches participants by patting them on the back/head, patting them on the shoulder, and many other manifestations

jay act of service & physical touch (actually it’s seems like he has all 5, but i choose the biggest one)

the most visible language of love that immediately catches the eye is acts of service. he's literally the guy you don't need your brain with at all. you don't have to worry about ANYTHING. if you are going to go somewhere or even go on a trip, he will collect all the information, take into account everything you like to eat, drink, what you would like to see and experience, and based on this he will create an ideal route, all you need is your presence. if you are together, he will do absolutely everything for you, such as prepare food for you, set the table himself, serve you whatever you want, serve utensils, complete all-inclusive, i swear this guy is one step away from starting to feed you himself. cooking, cleaning, fixing anything, he is a wonderful housekeeper and knowing that you are tired, he will gladly free you from any household chores by doing everything himself. in any everyday matters, he is literally the most reliable person i have ever seen. at the same time, i cannot remain silent about how gentle he is in physical touch, he always treats members with such tenderness and is very responsive (?) to the desire to touch him from others. idk It sounds a little strange, but for example, i’m talking about that video where Jongwon was nervous and started to grab jay’s finger and jay immediately took his hand and allowed him to pull his arms, fingers, poke his knees and whatever he wanted as much as he wanted. there's nothing special with it, but it makes my heart melt. and as i mentioned above, he literally has all 5 love languages. we see how much he tries to spend time with the members the way they love, going bowling with niki, shopping with sunghoon and jungwon, playing with heeseung and so on, he really values ​​quality time together. and he also often mentions the importance of spending time together, as he talked about how nice it would be to go on a trip with his family or how he imagined relaxing by the fireplace with a jungwon during the winter holidays. we see him constantly paying for the maknae, taking his mom shopping and always trying to buy her whatever she wants (+ quality time). and speaking about words of affirmations, i think it’s important to emphasize not only that he’s really very responsive and loves not only to talk but also to listen, which is very important, but also how attentively he treats his words. for example, when they were cooking something in one of the episodes of en o’clock, he wanted to joke that they weren’t doing very well and jungwon replied that he had crooked hands, jay thought it was because of his joke and was afraid that jungwon wouldn’t accept this is at his own expense, so he immediately said that his hands are crooked and jungwon does a good job. how much more confirmation do we need that he is literally husband material? (+some additional)

jake physical touch & world of affirmation

okay i think physical touch is more obvious. we see how he loves to hug members from behind, stroke their backs, smell their hair, and even inanimate things he always treats with some tenderness (like how he strokes pillows and all that). but he also has another side that is not talked about as often. he is really very good with words of affirmations!! members often mention that jake is the person they are most likely to want to talk to when they are feeling down or worried about something. they mentioned many times that he listens very well and knows how to choose the right words of support, and can not only provide moral support, but also gives good advice. and the way he supports the participants is always so touching and funny at the same time, like when jay teased sunoo that he wasn’t funny, jake immediately told sunoo “don’t listen, tell him let’s see how funny you are”. he is the person who will not only console and support you in private, but will not remain silent in public

sunghoon quality time & gift giving

i would like to say that his love language is teasing but i really feel like this guy is often underestimated behind the mask of a cold, frightening, unemotional person and he may seem like that, but only at first glance. he cares so much about his members and it often looks like his love language adapts to the other person. jake loves physical touch and sunghoon often touches him by patting him on the back, high-fiving him, or patting him on the back. jay likes to talk a lot and sunghoon listens to him (even if he teases him after...). heeseung loves to hear praise and sunghoon tries to praise him in all sorts of games and stuff. sunoo loves to giggle and sunghoon makes him laugh. engine want to speak to him in different languages ​​and he tries every time even if he’s embarrassed by his english pronunciation. he always tries to take care of the people around him even if he does it unnoticed. and if we talk about his personal love language i would rather highlight quality time and gift giving, we all see that he is not very good at expressing feelings with words, so he would try to make up for it with actions. like just being together, even if you are not talking right now and everyone is busy with their own affairs, he would feel peace from the very fact that you are doing this next to each other in the same room. and speaking of giving gifts, he just constantly sponsors you with anything, but unlike jay, it wouldn’t be something expensive or something like that, just random things that he gives you with the words “nothing special, just went home, saw it and decided to buy”. i really hope that one day more people will see how much feeling and warmth really lies behind his cool exterior

[connorsnothereeither]

“And now it’s time for a breakdown…” /ref

Welcome to my (fairly long lol) breakdown of the thought process behind the Ulysses CMV background!! ✨ I’m gonna go through it shelf by shelf because I think that’s easiest, so… buckle up! :D

TOP SHELF:

On the far left, we have an Assassins Creed Apple of Eden! Most of the soundtracks to the Ulysses vods came from AC: Odyssey, and AC: Origins! The Ancient Greek and Egyptian music fit him perfectly, who’d have thought. Including the main song from Ulysses epilogue, “Reunited” from AC: Odyssey. Behind that is of course my hand-bound copy of On the Brink of Scientific Discovery. I had to work out a way to get my earliest entry into the Fable Fandom in there somewhere. Beside it is the skull, and a copy of Frankenstein, by Mary Shelly, which I’ve spoken about being an inspiration for Ulysses. Along with, of course, Homer’s Iliad and Odyssey, and Herodotus’ Histories (Herodotus being the main inspiration for epilogue Ulysses and who he became towards the end)! And naturally, James Joyce's Ulysses. I had to. Besides that again is another copy of Frankenstein, along with more Ancient Greek works, specifically Euripides’ Medea and the works of the poet Sappho! And a copy of Moby Dick, since Ahab and Ishmael were both concept names for Ulysses during character creation! Besides those, the smaller penguin books, are some of my favourite details but some of the harder to spot because they’re so small. One is another poem by Sappho, Come Close. But the OTHER is The Fall of Icarus by Ovid, which I absolutely had to put in there. Impossible to see, but I know it’s there, and it makes me happy. Of course, once again on the theme of writers is a bust of Shakespeare, but behind him, is actually the set of D&D dice I bought inspired by Ulysses, which are made to look like they have kelp and seaweed inside them! ✨ and finally on the top shelf is a ship, in reference to his sailing and ship in the epilogue art, and a mini Greek style amphora.

MIDDLE SHELF:

On the far right, at the bottom, is the black knight chess piece, the same as Ulysses tattoo!! A reference to both the Trojan horse and him being a piece in the Telchin’s game. Behind it, the tiki mug, is a somewhat vague reference to the Sea Dragon Tavern! It’s never explicitly stated that they serve tiki drinks, but it certainly feels like a place that would. Tucked in, barely noticeable, is the Egyptian Book of the Dead. Both a reference to more ancient mythology, but also, in a little way, a reference to Lenarius. A book on the treatment and care of the dead. I think it would suit him. Make Len happy. More Greek texts (the Iliad and Odyssey again) this time including Ovid’s Metamorphosis, and Virgil’s Aeneid, a reference to both the mythological epic itself and to my little guy Virgil, from SkyBound SMP. Propped against those are a boatswain’s whistle, which I like to think is a little gift from Vorago and Casus. A captain’s call, to get someone’s attention no matter where you are on the sea, along with a small canon, which is actually from St Augustine Lighthouse, and felt very nautical. Behind those is a set of tarot cards, displaying the Magician, a symbol of manifesting and living to your true potential, which is fitting for Ulysses. All of that is of course propped on ANOTHER copy of the Odyssey. The full moon, as a little reference to his bestie Fenris, and a bear statue, which is a little nod to the fact I also voiced Deltavera (and the statue was actually a gift Jamie got me one of the times we met up)! Beside that is a handful of little bottles! The dice inside are mostly just because… that’s what I keep in those little potion bottles, but maybe they’re a reference to Wheel Not Fake or something too, who knows lol- and a little white axolotl plush. My son. My own personal little Perseus, I bought him the second I saw him akgsksgs ✨🫶

BOTTOM SHELF:

Almost done lol. The globe on the end, both a reference to the cartography/travel, and the fact that it’s turned to just show the ocean, rather than any countries. The sea is his home, after all. Another axolotl plush, peeking out from behind yet ANOTHER copy of the Iliad and Odyssey, which is balanced on a copy of Dante’s Divine Comedy, as another little reference to Virgil from Bound SMP. Behind that is a whisky bottle, which is empty in the photo but not in the CMV, as a reference to the Kelpin’ alcohol! And finally, the stack of books in the corner. The folio society set of The Greek Myths are some of my favourite books I own, and I had to include them, along with a few more potion bottles, which actually include the dice from various Cantripped One Shots (I have special dice for characters and one shots when I can)! The stack of books behind the scrolls and lanterns also include Madeline Miller’s The Song of Achilles (one of the inspirations behind Ulysses & Vesperae’s relationship) and Circe (more Odyssey references), along with world myths and Icelandic Sagas, and The Decline and Fall of the Roman Empire by Edward Gibbon, which was an early and incredibly influential historical text about the Roman’s (which somewhat inspired the structure and lore of the broader Telchin society!), on top of which is more mythology like the Welsh Mabinogion, the Norse Poetic Edda, and a horror anthology titled The Great God Pan and Other Horror Stories, many of which inspired Brink!! The lantern is, in all honesty, the only there not there for a specific reason… I just thought it looked cool :)

So yeah! That was my overly long analysis of my overly detailed Ulysses set background! Barely any of it is visible in the CMV, but for my little farewell to the character and world I had spent so long falling in love with, I wanted to make the background something special 🫶

[clanwarrior-tumbly]

Hi clan if you want to can you do a friendly alternate!reader who befriends Adam and Jonah before volume 2 and saves them both?

Wooo yeah BPS bois coming up!!!

......

First Meeting

During one of Adam's and Jonah's BPS missions, they encountered you, an Alternate hiding in some video game console/TV.

The two (esp Jonah) freaked tf out when they saw your silhouetted figure pop up on the menu screen after they started messing around with the game.

But while Jonah ran out of the room, Adam stayed and learned you're actually nice and don't wanna take over anybody's identity, refusing to hurt any humans.

In fact, you used to befriend the kid who owned this gaming system before they fell victim to M.A.D by another Alternate, and you missed them a lot :(

You expressed guilt in failing to protect them, which surprises Adam.

He then suggests you joined BPS. Since you're a benevolent Alternate, you could probably answer some of his questions and protect him and Jonah during investigations!

You were very eager to accompany them, seeing this as your way of "atoning". Maybe you can convince the Alternates they encounter to be kinder, too.

Ofc, you knew what happened to Adam's mom (as well as his true nature), but choose not to bring it up.

Obviously Jonah's not a fan of you hanging around them, at first, but Adam keeps telling him to "stop acting like a pussy" (a phrase you wind up mimicking, much to the former's ire).

Sometimes you accidentally scare tf out of him when you speak through the radio/GPS, or if you're sitting in the back of the van.

Tbh Jonah forgets you're there like 80% of the time.

"So what kinda pizza you want? Cheese? Pepperoni-?"

"Can we get cheese?"

"JESUS FUCK-"

Never let this man drive bc he WILL slam on the gas/breaks if you startle him like that.

Volume 2

You knew the client who offered the duo $500 per night was an Alternate dead set on isolating them.

But ofc many humans are inherently greedy, so the boys take the bait, with Adam confident they can handle it.

You stay in the car with Jonah for the first night, keeping him company and assuring him you'll protect them both..though he insists on having a bad feeling about the house.

While Preacher stalks them, you basically tell her to back off, pretending they're your victims to claim.

But unfortunately, Jonah became paranoid that you called her here to kill them both.

After he and Adam have that nasty argument, you stop him from leaving in the car by physically manifesting in front of him, grabbing his shoulders and saying friends shouldn't be treating each other like this.

He tries shoving you away, shouting hurtful things about you were "just like the rest of them" and never gave a shit about him, Adam, or that kid you once knew.

But you don't budge, and he quickly gives up and just starts crying, begging to go home.

You hug him, trying to mimic how humans comforted each other, and it shocks him enough to calm down and finally believe you.

In the end you convince him to stay, waiting inside the car until Adam finally emerges from the house unscathed, saying he's got enough footage.

You just stare at him until he notices Jonah, with the two apologizing to each other before you all headed out to get much-deserved pizza.

The boys let you choose the toppings as a way of saying "thanks for saving our asses".

[that-ari-blogger]

Can't Argue With Crazy (Hollow Mind)

I’m going to open this with a question to Dana Terrace herself: Why? Did you wake up one morning, look at your audience, and think “I will break you”? What happened to the goofy series with the body swap episode and the playground game of thrones?

In all seriousness, I have been mentioning a lot that the Owl House features a runup to its final arc to get its mind into gear and fine tune the tone and pacing. In my opinion, that final arc kicks off in a big way with Hollow Mind.

Let me explain.

SPOILERS AHEAD: (The Owl House, Frankenstein, Moon Knight, Bladerunner)

In 1818, a book called The Modern Promethius was written. It’s one of those books that people like to say they’ve read and is a founding piece of science fiction, arguably the first book in that genre.

This is a practice called obfuscation. I was being honest with you here, but there’s some key information that I am leaving out, and it will change how you understand this post. At the moment, there’s a chance that you think I am cleverer than I am, as I have read a book you have never heard of and statistically, obscure fiction leads to a higher level of intelligence.

Alternatively, if you have heard of this book (Or looked at the spoiler warning), you know exactly where I’m going with this.

In this case, the missing information was the book’s author, and it’s full title: Mary Shelly, and Frankenstein; Or The Modern Promethius, alternatively known simply as Frankenstein.

However, I’ve already employed a few more deceptive techniques, and I’m interested in seeing who caught them.

First up, obscure fiction doesn’t actually lead to a higher level of intelligence. I’ve twisted that statistic a little. The link between reading in general and intellect is well established, but there is extremely little evidence for the obscurity having any effect on that. There is, however, a link to perceptions of intelligence, which I drew upon to base my claim.

This is an advanced technique known as lying. But it’s also social engineering, or more specifically pretexting. If I establish something that makes me seem more intelligent, a reader is more likely to believe me when I start espousing facts. I can then use this to talk bollocks to my heart’s content.

Notably, one side effect of this opening statement is that, depending on who you are, it either made you more likely to trust my opinions or more sceptical of me. I have artificially made myself seem more honest in comparison to a nebulous statement. But I have also pulled the rug out from under you, and that’s not a trust that can be built up as easily as it was eroded. Remember this.

In Moon Knight, a key reveal of the series is that Steven was not the real person. That he was the alter ego, made up and kept in the dark. It’s a harrowing reveal, and it plays with perception of reality in what I think is an interesting way.

Steven assumes that his reality is the truth because why would he think otherwise. I challenge you to find someone who doesn’t share this bias. You assume you are just like everyone else until proven otherwise. Just like you assume the sun will rise tomorrow and be roughly the same size and shape because nothing has given you reason to suspect otherwise.

This is Occam’s Razor, a tool that essentially declares the simplest answer to be the correct one. In this case, it is simpler to expect yourself to be a standard issue human being than a manufactured split personality of someone else. Or, that your memories aren’t manufactured and that you are the original personality.

It is also a bias founded in reality. Here, things usually repeat unless force acts upon them or they are instable by nature. This is how the science works, and since that is the study of reality, I defer to it in matters of real-world happenings.

In the case of the sun rising tomorrow. The sun has risen every day of a millennia, the likelihood of a force suddenly manifesting to change that is so infinitesimal that it isn’t worth dwelling upon. Even then, there are very few things that can affect the rising of the sun, and most of them we would know about in advance.

In short, you can expect reality to continue as it always has. There are rules to the world, and the world tends to play fair.

Linking to my point about Moon Knight, this can be manipulated through obfuscation. If you take away important information, a person will assume that they have the whole picture and act accordingly. Again, Steven assumes that he is the same as everyone else, and the audience of the series assumes the same thing. They have also not been given all the information. Even when the split is revealed, you are primed to think of the perspective character as the originator because why would you think otherwise.

Worth commenting on, is that the final scene of the series introduces a third personality, and this doesn’t come across as nearly as surprising, because we have been primed to expect a twist just like this. It’s the same thing happening again, just in a different way.

If we cycle back a little bit, did you catch how I referred to Steven as I started this section? I described him as not a real person, and I’d like to reverse that claim.

The following statement is not up for debate, you may disagree with anything else, but this is ironclad: Personhood is not anybody’s to ascribe or take away. You cannot declare that someone is not a person because you dislike them. You cannot refuse to accept someone's personhood because you believe them to be bellow you. Personhood is immutable, and everyone has the right to it, no matter how different from you, no matter how evil you find them to be. I am not willing to argue this point.

What this means has provoked a decent amount of speculation from philosophers and writers. Science fiction does this through its question of what is qualified to be a person. If you’ve read a story with a robot in it, you know what I’m talking about here.

However, if we substitute the terminology for a moment, we can notice that this is more widely used than you would expect.

The idea of a soul is often used synonymously with personhood. Basically, people have souls. Fantasy and mythology does this a fair bit, and its where the word “soulless” originates. A place with this adjective restricts agency and therefore expressions of individuality and personhood. An act that is soulless is one that forfeits personhood, used synonymously with “mindless”.

I would argue that anything with internal thoughts has a soul and therefore is a person, or vice versa. But I don’t think that’s the important question here.

I think the more important factor of this question is the faith of it. Not religiously, but in terms of a good or bad faith argument. In other words, why a person is making their case.

For example, the robot story archetype of “this group of individuals has claimed personhood, does that mean we have to give them rights?”

These stories rarely dispute the autonomy of the individuals, just the reaction to it. Therefore, in my opinion, the creation and intended purpose of the robots is irrelevant, they are people and should be treated as such. The story establishes that the robots can think, and that falls into my argument above.

Bladerunner adds onto this the idea that artificial life forms, or replicants, look exactly like humans, and explores how that affects the perception of them. The moment when Decker stands over the corpse of what looks like a human being and who has acted like a human being up to this point is sobering. But it also points to the fact that all it took to get people to be ok with not respecting the personhood of robots in the Star Wars franchise (who act just like humans), is the fact that they don’t look like us.

As a side note, I originally had to watch Bladerunner for school, and the prescribed version of it was the Director’s Cut. I only found the original version afterwards. So, if you despised the original because of how gratuitously redundant parts of it are, I would advise the other version. It quite literally gets rid of the bad things and explains the elements that felt unclear.

Specifically, it implies that Decker might be an artificial life form, which throws you for a loop entirely because it means that humans and replicants are functionally identical except for how they are created, and how long replicants are allowed to live for.

Humans will, however, always find a way to spot the difference, and in Bladerunner, that is through the eyes.

I haven’t watched the more recent film, so I don’t know if it’s been clarified. But the original doesn’t make it clear what the deal is with those eyes. Are they unique, somehow? Do they move in a weird way? We are only shown the reaction to the difference, not what that difference actually is, implying that the significance might be disproportionate to what is observed.

I ran this post by a few friends before posting it, as I usually do, and one of them commented that this is like being trans. To her, gender is like personhood, it has ideas attributed to it, but in reality, all you have to do is claim it and functionally speaking, it's yours to do with what you will.

She noted that the difference between a trans person and a cis person is disproportionate to the reaction to it. In all the ways that matters, a trans man is a man. But because a trans man was assigned female at birth, that means that people feel ok disallowing his masculinity.

She also highlighted the idea of bad faith arguments in this field eroding important discussions. The example she gave was how the transphobic cries of “what makes a woman?” undermine the fact that conversations about femininity and masculinity and how they are presented are important to have, especially because gender expression can take so many different forms.

People transition for a reason, and understanding what that is can help people in the future understand themselves, which at the very least has massive mental health benefits. But instead, the question is used to gatekeep something that isn’t anyone’s to gatekeep.

For context, I am not trans, I am nonbinary, so I cannot do justice to this idea beyond “this is what somebody who knows more than me told me”. I asked her if I could include what she said, and she said yes. But I still recommend checking out literally anyone else who has actually lived this experience.

I am actually rather tentative about this segment because of how little I know. But this is a blog about analysis, and leaving out the fact that there is a trans reading of a story feels disingenuous. Besides, I think it’s better to start discussion about important ideas than leave them absent from places they are relevant. If I’m wrong, please correct me and I will make adjustments. I always want to know more.

Speaking of trans readings, Hunter is first shown to the audience of The Owl House through his eyes.

The title sequence of the series’ second season features a wall of three figures looking menacing. Lilith, Kikimora, and the Golden Guard, then the scene is flipped. Lilith looks remorseful, Kikimora has lost the plot entirely, and the Golden Guard is… taking off his mask.

What strikes me about this is that this was revealed long before Hunter was shown off. The fans learned that this was a kid long before Luz did. There’s dramatic irony there, but also a display of theme.

The mask is a signifier of Hunter’s purpose. It was given to him by his father figure, along with the role of the Golden Guard. He doesn’t get any say in it at all. Similarly, he doesn’t get any agency when it comes to losing the identity. The mask falls off when Kikimora attacks him, the role gets taken from him by Darius later on. Hunter doesn’t get free will. He has been reduced to a role, a tool. He has had his personhood taken from him, and as I established, that act alone is enough to make Bellos the villain of Hunter’s story.

But the intro features Hunter taking off the mask willingly to reveal his face. In my mind, that links most closely to a scene in Hunting Palismen, when he removes his face covering to say:

“My name is Hunter.”

His name is treated the exact same way as his face, and in this case, he immediately puts the mask back on to face down Kikimora.

So, the two ideas are linked, the reveal of his name and what he is showing to the audience. Combine that with the fact that Kikimora’s and Lilith’s portraits both show their character development over the series, growing more insane and emotional respectively, the intro alone tells us that Hunter’s story will be about the removing of that mask and the learning of who he is.

Except, in this episode, the intro is cut short. The audience doesn’t see Hunter take off his mask, because now the script has been flipped. Not only does the audience learn who Hunter is, but so does Hunter.

“What a shame. Out of all the Grimwalkers, you looked most like him.”

The term “Grimwalker” is, as far as I can tell, original to The Owl House. But breaking down it’s etymology, it’s a fusion of two words. “Grim” and “walker”. Please hold your ghasps of surprise to the end of the post.

However, the word “grim” has connotations of gloom and seriousness. It’s not a nice word, essentially. Telling someone that they look grim is not a compliment.

It also has connotations of death, most likely linked to the Grim Reaper, and has become part of an overly edgy naming convention that has taken up root in certain parts of the internet and for a very specific group of TTRPG players. I challenge you to find two Shadow The Hedgehog fanfics out there that don’t have a character named “Grimsword” or “Axblade the Grim” or something similar.

This is not a criticism, it's an observation. I honestly find it quaint.

As such, a Grimwalker is someone who moves in death, a zombie, a wraith. A being created from the corpse of another. Alternatively, if we take it more metaphorically, a Grimwalker is a creature that exists as part of a deceased person’s legacy. Walking in the space they left behind.

Once again, however, the difference here is less important than how people respond to it. Because functionally speaking, Hunter is just like Luz and Amity. There’s a tiny difference in the way he casts magic but come on. He walks like a Human, bleeds like a Human, has mental breakdowns like a Human.

The fact that I could substitute out “Human” for “Witch” here makes my point even clearer. The benchmark doesn’t matter in the big scheme of things. They are all more similar than they are different.

For the record, Luz, Amity and Hunter, despite being different species of creature, are all people. They think, therefore they are. I refer you once again to my core argument above.

However, all it takes is that one detail for Bellos to deem these others unworthy of personhood. Although, the way he does it isn’t as pompous as he thinks it is.

Bellos is a megalomaniacal villain with a martyr complex. But his motivation is pathetically small. It never occurred to this man that these others could possibly be people. He didn’t have to decide that Witches or Grimwalkers were less valuable than him, because to him, they never even came close. He’s an eejit who cannot comprehend the world as anything other than a hierarchy with himself at the top, and he’s too scared to change his mind.

He's a witch hunter, someone who believes that personhood has to be earned, and to whom it does not occur that he is sacrificing anything when he kills Hunter. The child is just a tool he can throw away.

Which brings me all the way back to Mary Shelly, and Victor Frankenstein. Because the book isn’t titled “Adam”. It’s not about the created creature, it's about the chaotic narcissism of one human disaster. The book is very much about the monster, and that monster’s name is Victor Frankenstein.

I want to take a moment to point out how good Frankenstein is as a story. As in, classics have a reputation for being overly impressed with themselves. So, it’s worth noting that Frankenstein is a classic because of how enjoyable of a read it is.

There’s an almost tangible building dread where you can see the plot coming and the titular character won’t do anything about it because he isn’t aware that there are other people around him.

Like every story, it’s not for everyone, but in terms of craft, there’s some really good stuff going on in that book and I would highly recommend you give it a read for yourself.

But hold on, Frankenstein isn’t aware of the people around him? That’s eerily similar to Bellos. Even in the ways that operates.

The person whose had their face scratched out of every painting sure looks a lot like Hunter.

Frankenstein doesn’t care about people who want to know if he is ok. He uses Clerval like a butler, talks to his family when he needs them, and is ok with the death of an innocent person because it gets the blame for a crime he directly caused to go away. He views people as tools.

He also creates a creature with weirdly coloured eyes, and then bails despite having created life, because it’s not a perfect creation. He doesn’t stop to contemplate what the creature will do or think at all during the story.

When he is told that the creature will take away his love like he did to its would be wife, it doesn’t occur to Frankenstein to check on the woman he loves at all. People aren’t people to Frankenstein.

Bellos, uses people like tools, etc. etc. creates a person with weird eyes. He even named the creature after its purpose. “Hunter.” This creature hunts things for him, therefore that’s what he calls it.

People aren’t people to Bellos.

The justification he gives for righteousness is Hunter’s appearance. That’s why he was expecting him to last longer. Because he looked most like “him”. Aesthetics are more important to Bellos, which is hilarious because of how monstrous he himself looks.

Introspection is another thing that doesn’t come naturally to Phillip Whittebane.

“It hurts every time he chooses to betray me.”

“What did you do to the other guards? To our family? It wasn’t wild magic, was it?”

Luz and Bellos represent light and darkness, as the series plays with that concept and duality. But instead of good and evil because heaven and hell, the story revolves around the function of the two. Light reveals, darkness conceals. As such, evil in the series is defined mainly as wilful ignorance. Everything else comes as a result that.

To Bellos, the worst thing Hunter could have done was ask questions, and it’s not because Bellos is scared of what he might find. Bellos isn’t ashamed of his actions at all. Bellos just despises the idea of critical thinking.

Notice how empty Bellos' eyes are. Everyone else has that bit of light, but he is hollow. Dead and unmoving. A man whose view of the world hasn't changed in fifty years.

This leads back to what I keep saying about Bellos and his evil in that it is self-sabotaging. Bellos could have kept Hunter as a loyal advisor. He could have turned around and said “no, this was because of Wild Magic. They were all killed in battle.” He had established trust with Hunter. But the simple act of asking questions was all it took.

Bellos isn’t clever, he’s petty. That’s an incredibly important part of hit characterisation, and it carries over to what we will continue to learn about him later on in the series.

"I'll do anything to save humanity from evil."

This is why defining good and evil is important. Because otherwise you end up with stuff like this. Bellos defines evil as "not like Bellos", which means that any act of interiority amongst his tools is a questioning his motives. It means that curiosity and change are evil.

The Owl House as a series fundamentally disagrees with this premise. That's important to understand. Showing a worldview doesn't mean you agree with it, especially when the entire purpose of your story is proving that worldview to be utter bollocks.

Regardless of specific details, the discovery that you are expendable is not one that people are prone to take well. I think a lot of what sells Hunter as a character is Zeno Robinson’s masterclass in acting, and once again, that is on display here. Hunter doesn’t scream, he doesn’t cry, he doesn’t get angry or in denial. He goes through too many emotions at once and hyperventilates. That’s affecting writing, and its impeccably well-acted.

The episode ends on a cliffhanger. The question of what to do next. What can Luz do with the information that she helped Bellos become the emperor? What can Hunter do now that his view of himself has changed?

Bellos places immense significance on a human using his name, because he likes the sound of it. But how is Luz any different sounding than any of the Witches. Hunter and Amity have closer accents to Bellos than Luz. Could it be that Bellos' bigotry is founded in absolute nonsense and is working backwards to justify itself rather than accepting all the evidence in the world that it is wrong? Could it be that bigotry itself is inherently dumb as all hell?

The two reveals hurt the characters because they undercut their entire worldviews. Luz believed that she was special, and yet she was duped just as easily as everyone else, and Hunter…

I started this post with a thing about deceptive techniques, specifically obfuscation. Hunter believed that he was in the right because the actuality of what he was doing was hidden from him. If you look closely at previous episodes, Hunter has even gone out seeking materials, notably the Selkidomus scales, to make another Grimwalker. He could have been let go at any time, but he believed he was safe because he wasn’t told about his purpose.

He also had his trust manipulated. Bellos gave Hunter a reason to believe him. The Titan had decreed that Bellos was smart, therefore he must be trustworthy, and yet that wasn’t the case.

So now, Hunter doesn’t feel safe with the Emperor, and he doesn’t fully trust Luz and Eda yet because of course he doesn’t. That leaves only one place he has found where people are willing to show him kindness.

Final Thoughts

I’m not going to argue that Hollow Mind isn’t one of The Owl House’s best episodes after devoting nearly 4000 words to explaining one element within. I barely referenced Luz and Eda’s development, or the fact that the hooded figures are so obviously Raine, Darius, and Eberwolf.

However, I want to dwell on one of King’s lines from earlier on in the episode.

“No one wants to think they've wasted their life following the wrong person. You just gotta find something big to change their minds.”

The sunk cost fallacy is one of the most influential out there. It says that if you’ve walked down a path for a long time, it’s easier to keep following it and brave the consequences than to go back and try again.

But choice isn’t always an option. Sometimes the path ahead of you stops, and you have to go back, start from scratch, and forge something new.

Next week, a light hearted episode. Them’s the Brakes, Kid, an episode I definitely remembered existing. Definitely didn’t forget an important episode of the series at all. Not me. Never. Stick around if that interests you.

Previous - Next

[stardust-sunset]

imagine paul and darry as best friends because they met in fifth grade due to both being team captains on field day. they’re both competitive little shits and yelling insults at one another until the teachers have to make them sit out for a little bit. they get to talking and find out they have a lot more in common than they thought. so from that day on they’ve been best friends

until high school hits.

once high school hits paul and daddy are competing for the same position in football; quarterback. obviously, paul is a soc. and a filthy rich one at that. paul has a personal trainer. he has someone who will help him. while what does daddy have? he has his father and that’s about it. and who ends up getting the quarterback position?

darry.

this kinda resonates with paul because he thinks darry gets everything in life. i mean…yeah, paul is filthy rich. but his parents just feed into whatever he want. all he has to do is throw a bit of a fit and he gets what he wants. darry on the other hand…darry worked for what he got. darry worked his tail off in school, in sports, in clubs…darry was a sweetheart. darry was everyone’s favorite. darry got all the academic awards and all the athletic scholarships while paul barely got anything.

this jealously kinda manifests into something a lot more ugly. he’s downright envious. darry has everything he wants. darry has it all made for him. but now, darry lost his parents. and a sick, sick part of paul is actually somewhat happy that darry lost everything. because darry gave him about fifty percent of his scholarship money, which he regretted doing because paul didn’t technically need it. paul just lied about his parents cutting him off. paul actually had it made and was trying to squeeze darry out of everything. and the final blow?

the final blow comes when darry confesses how afraid he is of the tracks. so paul and his friends are waiting at the tracks with flashlights, planning on scaring him by making him think a train is coming. They know his brothers are with him too. he sees darry’s old beat up truck and something catches his eye. darry looks so…so tired.

darry never looked like that. darry could go to school and olay football for five hours right after and still play a game without batting an eye. darry was never this tired, even when the two smuggled alcohol in the back of paul’s house. darry never looked that tired. and it all hits him.

darry lost everything. his parents. his money. his academics. hell, he might’ve been on the brink of losing the only family he had left. his brothers. and paul realized that darry never had it made for him. but before he even knew what he was doing, he commanded his friends into doing the horrible prank. and now he’s watching darry’s truck swerve into a ditch and flip over. he’s hearing the screaming of his two brothers in the back. and all paul can do is run.

[rewritingcanon]

next gen fav games:

albus: there’s two sides of him— dead by daylight (he forces scorpius to play just so he can bully the shit out of him and hear him scream on his mic when he gets jumpscared) or omori (someone check up on him maybe…)

scorpius: minecraft (he likes to be the housewife making his house look pretty whilst albus goes out and mines for their family of mushroom cows) and little misfortune (yeah he also needs a check up)

rose: sims 4 (how she deals with her god complex)

james: silent hill (says it’s because the protag is named after him but he’s actually very mentally ill and resonates with the manifestation of self-punishment)

lily: mortal kombat 11 (for the fatality, but mostly for mileena)

hugo: fortnite (bro is a toddler and likes to attend the concerts) and my singing monsters (bro was feeling… musical)

teddy: hades (local pansexual genderfluid sillyman lets himself get slain by the hot villains again) and baldurs gate 3 (for literally the same reasons except add character customisation)

victoire: cooking dash (she likes to feel stressed) and the witcher 3 (shes never played another witcher game)

lorcan: fnaf (he always thinks hes done with it and then a new game or dlc comes out) and it takes two (he forces lysander to play with him obvi)

lysander: little nightmares 2 (only game that had him shook)

fred: detroit: become human (loves story-based games and choose your own adventure) and batman: the telltale series (same reasons)

roxanne: telltale’s the walking dead (simply cant move on from any of the games except the third one)

dominique: the last of us (she’s an elitist and will yap about this game at any given chance)

louis: played doki doki literature club when he was 12 and that was it for bro (….core memories were made)

molly: resident evil 3 (she likes them all but is obsessed with jill) but also life is strange (she’s probably gay)

lucy: when asked will tell you its pathologic (which she still loves a lot and is an elitist about) but it’s secretly danganronpa (she likes feeling smart when she connects clues leave her alone)

yann: final fantasy 7 (hes obsessed with the world and its the only game he can play)

polly: amanda the adventurer (to no one’s surprise)

karl: roblox (he’s been banned on so many different servers for bullying little children and is one of the most infamous hated users in his continent)

craig: league of legends (he’s a bit of a loser) and injustice: gods among us (he needs to win the challenges and unlock the characters)

sophia: stardew valley (she wants to live in a world without conflict (she will get stressed over it anyway))

delphi: couldn’t play video games (she would’ve loved fran bow though)

alice: episode (she spends an embarrassing amount on gems)

frank: arkham knight (he’s literally batman guys) and what remains of edith finch (he has range guys)

auggie: project sekai (they need to go take a shower)

[2hoothoots]

Revisiting P2 since the docu epilogue dropped and your AMV (<3) popped up as a sign for me to ask something that hopefully you haven't already spoken about years ago: What did you think of the in-game psych explanation for Maligula, that she's the primitive savage part of the mind? P2 is a weird mix of sketchy Freud/Jung concepts that Tim likes meshed with modern psych, and Maligula's deal seems like something they probably wrote a lot of different versions of but never quite solved elegantly

yeah, i think you totally hit the nail on the head - it's always felt like one of the parts of the story that they couldn't quite give enough polish to before they had to finalize it and move on with development. like - i went to go get my artbook to see if it had any insight into the writing process, and did you know that Nona and Maligula being the same person was apparently added way later in development? that's wild! i didn't know that until literally right now! i may or may not have skipped straight to my favourite characters when my artbook arrived and then put it on my shelf without reading the whole thing

ANYWAY, retrospectively i think it being a twist that was added later actually makes a lot of sense in the context of everything you mentioned. the Maligula problem, to me, is the fact that they're trying to juggle a bunch of different things that she has to be in the story. there's Maligula, the ruthless big bad, and Nona, the beloved grandma, and if you suddenly have to also make them both the same person... well, it ends up being kind of a thorny writing problem to make that work, haha.

here's some art i made so this isn't just a wall of text, rest of the answer under the cut

i think one thing they could have done when they needed to rehabilitate a mass-murderer into a lovable old lady was pull back on either end of the spectrum. make your villain softer and more sympathetic, or give grandma a mean streak like she's one bad day away from a tragedy at the crochet club. and to give the story credit, i'm really glad they didn't. Nona is relentlessly sweet and endearing - and that's great! she needs to be in order to make the audience care about her, otherwise the emotional beats are never going to land. likewise, Maligula is a great villain, she's vicious and ruthless and at the culmination of her arc we see she simply does not give a shit about murdering hundreds of people. i love that for her, honestly, you go girl

but then, like - how do you connect the dots? how do you frame grandma having a violently murderous streak in a way that doesn't make the ending of "but she's over it now" feel kinda weird and hollow? and how do you do that while also being sympathetic to the game's themes around mental health? Maligula's informed by the traumatic things that happened to Lucrecia during the war, but she can't just be a manifestation of trauma, because the moral of the story being that trauma makes you a mass-murderer (until you beat up your trauma and shove it in a giant pit) would feel... really tonally dissonant!

so i think you're totally right that the sprinkling of pop-psych concepts we get ends up feeling a little bit like an awkward band-aid. Maligula's story is about how the horrors of war can shape you into a terrible person, who does terrible things - ...but there's also, like, special circumstances, so it doesn't feel weird that she goes back to being Raz's sweet grandma afterwards. special psychic circumstances! she's not just any war criminal, she's the fight or flight response gone out of control!

which - i dunno, i think that line in particular always stood out to me, because that's not really what the fight or flight (or freeze or fawn) response is, right? it's a temporary boost of adrenaline to the system to rev you up for getting out of a dangerous situation. an overactive fight or flight response is called chronic stress and anxiety. i know the games are pop-psych and not actual science, but it always stood out to me as a little awkward.

if it were me in the writer's seat - with the benefit of all the time in the world to workshop it, and no looming deadlines, and the hindsight of having a full completed game in front of me to think about - i might have tried to frame it around connection. i think you could swing the lens to instead focus on how violence, stress, trauma etc., make it harder to understand and empathise with the people around you. the tragedy of Lucrecia's story is that she came home to try and help her countrymen, the people she cared so dearly about. but the more time passed, the less she cared, the less she was able to see them as people. after Marona's death, the Maligula that remains is one who's unable to even care about killing her own sister. the alternative is too raw, too painful - instead, she sheds her last vestiges of remorse, and throws herself into the easy relief of violence. (we see this again, when Nona "awakens" as Maligula - when confronted with the baggage of her past, she chooses to wash it all away with force, unable and unwilling to care about the people she used to call friends.)

and i think shifting the focus like that ties it in thematically, too. a big theme (of both games, but especially the sequel) is how important connection is, how being able to understand and reach out to and rely on other people is a lifeline during hard times. PN2 touches on how there aren't really "good people" and "bad people" - everyone has the capacity to do wonderful or terrible things, and i think Raz's line to Maligula about how "everybody's got something like you" works. Lucrecia was never a monster, no matter how everyone tried to pretend she was. she was just a person, the same as everyone else - and just like everyone else, she could be pushed to extremes under the right circumstances. it just feels kind of odd when the implicit context is "everybody's got a mass-murderer hidden in the primal recesses of their brain", hahaha.

but like, again, that's the privilege of hindsight, right? i've definitely also been on the other side of the creative process, stuck with something i suddenly need to make work in a story and having to come up with a solution that feels like a band-aid. sometimes you just gotta call it good enough, and move on. and i think the game is overall much stronger for having Nona and Maligula be the same person - it plays into the wider themes, it sets up some great emotional beats, and i think it's overall well-executed, even if there are one or two hiccups in the writing.

anyway, great ask! thank you for the invitation to ramble, this is something that stuck out to me on my first playthrough of the game and it was fun to sit down and get my thoughts in order

[lonelywretchjervistetch]

Okay, you like birds and you like superheroes, so you seem uniquely qualified to answer a question that’s bothered me for awhile: WHY is Red Robin named that when there’s already a Red Hood AND a Robin. It just. . . Blends with the rest of the post robin personas so poorly

(If the Crow wasn’t already taken I would have suggested that since Tim has that whole thing going on with the court of Owls and those two species notoriously hate each other.)

So if you could redesign Tim Drakes vigilante persona what would be your pick?

Hoo boy, now there's a goddamn question, isn't there? I answer it at the end, I promise, but I wanted to explain my reasoning. So, yeah, scroll down if you want the answer quick.

But OK, I can answer your first question really easily: why is Tim Drake called Red Robin if Red Hood already exists? Easy: because Red Robin came first. And I don't mean that as a concept or nursery rhyme or expression; I mean that a Robin, one of Batman's sidekicks, taking up the identity of Red Robin, existed first, complete with the costume. BEHOLD! Mark Waid and Alex Ross' brilliant comic book Kingdom Come, one of the most important DC Comics stories ever published, and arguably one of its most iconic near-future stories!

First published in 1996, this story came out after Tim Drake was introduced in comics, and well before Jason Todd came back to life as Red Hood. And...is actually Dick Grayson in the future, not Tim Drake. In fact, Tim never appears in Kingdom Come for some reason, but a future version of Damian surprisingly does! Ask Mark Waid, not me. Anyway, when DC introduced Damian Wayne into the main continuity, they realized two Robins weren't going to do. SO, they reintroduced the identity of Red Robin, and this time gave it to...Jason Todd. Yeah, Jason actually picked up the identity in main continuity first, during the Countdown to Final Crisis storyline. He was given the costume by Batman from an alternate universe that was a utopian society yaddayaddayadda, you get the point. Jason had it first.

But, that didn't last very long, and Jason became Red Hood again after that event was done. And so, Red Robin was eventually picked up by...Ulysses Armstrong. Yeah, the identity was stolen by a Nightwing and Robin villain previously known as the General, who was basically a child genius that used the identity to...well, kill Robin. Ulysses is an asshole, it's a whole thing. Anyway, after this event, FINALLY, Tim Drake takes up the mantle of Red Robin. So, yeah, Tim is the THIRD Red Robin in continuity. Which, now that you mention it, DOES make it odd that Tim would adopt the identity after it was stained by Ulysses. But, DC editorial wanted the Red Robin character to exist in canon, and Tim was the only character that made sense to wear the mantle. It's a reference for reference's sake, which isn't great, admittedly.

But, OK, you're asking me what I would do if given the reigns to Tim Drake's identity after Damian Wayne essentially steals the mantle of Robin. OK, Anonymous, I'll play your game. And I actually do have an answer to this question. First off, what does Tim Drake represent amongst the Robins, especially compared to the others and their superhero identities? All of the Robins are reflections of Batman himself, often somewhat unintentionally. Their superhero identities similarly reflect this. Let's give the two most prominent examples.

Nightwing is the superhero. Dick Grayson, originally, was the kid sidekick of Batman, and embraced that with a lightness that Bruce could never manifest. As a result, his ideals were that of the traditional superhero: the day-saving good guy who does the right thing for the disadvantaged, old chum. So, his adult persona reflects this. It's a reference to Superman (Nightwing was originally a superhero and Krypton that Superman told a young Dick about early in their friendship), and it's a sort-of cheesy heroic name that also references Batman. Nightwing, savior of Bludhaven! Has a ring to it.

Red Hood is a vigilante against the law. Jason Todd, originally, was a little street punk who stole the tires off of the Batmobile. He's a criminal. When he becomes Robin, he embraces the vigilante identity by also embracing his temper, becoming a rougher-around-the-edges Robin who doesn't follow the rules very well. And then, he dies at the Joker's hand. When he comes back to life, he embraces the idea of being a brutal vigilante that doesn't care about the rules or morality, essentially becoming a criminal in the process. And so, when he has to choose the name of a criminal, why not name himself after the man who created him: Joker. So, he names himself Red Hood, which is also the Joker's old identity before getting acid dipped. Maybe this was on purpose, maybe it was subconscious, but it doesn't matter. He wants to be a lawbreaker, so he gets the identity of a lawbreaker.

Damian Wayne is the martial artist. To be fair, Damian still hasn't come into his own as an adult, since he's...well, a teenager. Because of that, we don't know what his identity is going to be, other than...well, Batman. Yeah, he's quite literally the son of Batman, so it does make sense that he'd become the next Batman. But again, that is yet to be seen. In terms of being a reflection of his father, though, he's the overdisciplined and overserious martial artist, and also...a child. Yeah, no offence to Bruce, but he's still in many ways a child in a mask. And so, Damian originally represented that. But now, as he's grown older in comics, he instead reflects the self-assured determination of his father, as well as the superior martial arts skills. And that finally leaves one major aspect unaccounted for, and you know what it is.

Tim Drake is the detective. Look, Tim is known as the "smart Robin" for a reason...because he is. He's the smart Robin. But in terms of being a reflection of Batman, he represents the Dark Knight's more Holmesian aspects. He's the inquisitive analyst, the tactician, the observer, the planner. So, whatever Tim's adult persona is, it should reflect him as a detective and tactician. And here's a question: should it be a bird at all? I mean, Nightwing only evokes a bird, and Red Hood definitely isn't a bird. So maybe Tim should actually be the only one to keep the bird thing in earnest. But if he does...maybe he could be a little smarter about it.

Y'know, I like your suggestion of "Crow", Anonymous. Smart bird, love the enemy of owls point, too. But Crow feels...off. It's not a great superhero name, as you pointed out. Of course, we're really looking for the name of a good detective. So, maybe you have the right family, just the wrong member. SOme people I've seen suggest Jackdaw, which...come to think of it, may just be a Reddit joke, but either way, I don't like it? So, instead, how about...

The Rook (Corvus frugilegus) is a Eurasian corvid known for its ability to solve problems. It's often seen in the presence of similar, related birds (like the Jackdaw), and lives in nests called rookeries. They have the ability to use complex tools, and even understand the concept of gravity. But perhaps the biggest reason why I think Tim should take up the name Rook, other than the fact that his hideout already has a name now (the Rookery), and the fact that he can keep the "R" on his costume, AND the fact that Rook is also a pretty good codename for a detective or spy...is the double meaning.

After all...I feel like Tim is the kind of person who plays a lot of chess to harness his skills in planning and tactics, amongst other games. He probably has played a lot of games with Alfred, maybe with Bruce. And another name for the castle piece is, of course, the rook. A double-meaning, and BOTH work for the character. And for some reason, I've never seen anybody suggest this as a name for Tim Drake. Maybe I haven't looked in the right places, but thinking on it now...I honestly really want this name for him in the future. Give him a dark costume, maybe replace the red with blue, or even give him the Red Robin costume, recolored to reflect this identity instead! The possibilities abound, really.

Hopefully that was a satisfying answer for you! May not work for everybody, but that's what I would do if I were in charge of Time Drake! Definitely not Drake, or Sparrow, or the other names he's been given in the last few years, just sayin'.