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inky-duchess · 1 year ago

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Fantasy Guide to Interiors

As a followup to the very popular post on architecture, I decided to add onto it by exploring the interior of each movement and the different design techniques and tastes of each era. This post at be helpful for historical fiction, fantasy or just a long read when you're bored.

Interior Design Terms

Reeding and fluting: Fluting is a technique that consists a continuous pattern of concave grooves in a flat surface across a surface. Reeding is it's opposite.

Embossing: stamping, carving or moulding a symbol to make it stand out on a surface.

Paneling: Panels of carved wood or fabric a fixed to a wall in a continuous pattern.

Gilding: the use of gold to highlight features.

Glazed Tile: Ceramic or porcelain tiles coated with liquid coloured glass or enamel.

Column: A column is a pillar of stone or wood built to support a ceiling. We will see more of columns later on.

Bay Window: The Bay Window is a window projecting outward from a building.

Frescos: A design element of painting images upon wet plaster.

Mosaic: Mosaics are a design element that involves using pieces of coloured glass and fitted them together upon the floor or wall to form images.

Mouldings: ornate strips of carved wood along the top of a wall.

Wainscoting: paneling along the lower portion of a wall.

Chinoiserie: A European take on East Asian art. Usually seen in wallpaper.

Clerestory: A series of eye-level windows.

Sconces: A light fixture supported on a wall.

Niche: A sunken area within a wall.

Monochromatic: Focusing on a single colour within a scheme.

Ceiling rose: A moulding fashioned on the ceiling in the shape of a rose usually supporting a light fixture.

Baluster: the vertical bars of a railing.

Façade: front portion of a building

Lintel: Top of a door or window.

Portico: a covered structure over a door supported by columns

Eaves: the part of the roof overhanging from the building

Skirting: border around lower length of a wall

Ancient Greece

Houses were made of either sun-dried clay bricks or stone which were painted when they dried. Ground floors were decorated with coloured stones and tiles called Mosaics. Upper level floors were made from wood. Homes were furnished with tapestries and furniture, and in grand homes statues and grand altars would be found. Furniture was very skillfully crafted in Ancient Greece, much attention was paid to the carving and decoration of such things. Of course, Ancient Greece is ancient so I won't be going through all the movements but I will talk a little about columns.

Doric: Doric is the oldest of the orders and some argue it is the simplest. The columns of this style are set close together, without bases and carved with concave curves called flutes. The capitals (the top of the column) are plain often built with a curve at the base called an echinus and are topped by a square at the apex called an abacus. The entablature is marked by frieze of vertical channels/triglyphs. In between the channels would be detail of carved marble. The Parthenon in Athens is your best example of Doric architecture.

Ionic: The Ionic style was used for smaller buildings and the interiors. The columns had twin volutes, scroll-like designs on its capital. Between these scrolls, there was a carved curve known as an egg and in this style the entablature is much narrower and the frieze is thick with carvings. The example of Ionic Architecture is the Temple to Athena Nike at the Athens Acropolis.

Corinthian: The Corinthian style has some similarities with the Ionic order, the bases, entablature and columns almost the same but the capital is more ornate its base, column, and entablature, but its capital is far more ornate, commonly carved with depictions of acanthus leaves. The style was more slender than the others on this list, used less for bearing weight but more for decoration. Corinthian style can be found along the top levels of the Colosseum in Rome.

Tuscan: The Tuscan order shares much with the Doric order, but the columns are un-fluted and smooth. The entablature is far simpler, formed without triglyphs or guttae. The columns are capped with round capitals.

Composite: This style is mixed. It features the volutes of the Ionic order and the capitals of the Corinthian order. The volutes are larger in these columns and often more ornate. The column's capital is rather plain. for the capital, with no consistent differences to that above or below the capital.

Ancient Rome

Rome is well known for its outward architectural styles. However the Romans did know how to add that rizz to the interior. Ceilings were either vaulted or made from exploded beams that could be painted. The Romans were big into design. Moasics were a common interior sight, the use of little pieces of coloured glass or stone to create a larger image. Frescoes were used to add colour to the home, depicting mythical figures and beasts and also different textures such as stonework or brick. The Romans loved their furniture. Dining tables were low and the Romans ate on couches. Weaving was a popular pastime so there would be tapestries and wall hangings in the house. Rich households could even afford to import fine rugs from across the Empire. Glass was also a feature in Roman interior but windows were usually not paned as large panes were hard to make. Doors were usually treated with panels that were carved or in lain with bronze.

Ancient Egypt

Egypt was one of the first great civilisations, known for its immense and grand structures. Wealthy Egyptians had grand homes. The walls were painted or plastered usually with bright colours and hues. The Egyptians are cool because they mapped out their buildings in such a way to adhere to astrological movements meaning on special days if the calendar the temple or monuments were in the right place always. The columns of Egyptian where thicker, more bulbous and often had capitals shaped like bundles of papyrus reeds. Woven mats and tapestries were popular decor. Motifs from the river such as palms, papyrus and reeds were popular symbols used.

Ancient Africa

African Architecture is a very mixed bag and more structurally different and impressive than Hollywood would have you believe. Far beyond the common depictions of primitive buildings, the African nations were among the giants of their time in architecture, no style quite the same as the last but just as breathtaking.

Rwandan Architecture: The Rwandans commonly built of hardened clay with thatched roofs of dried grass or reeds. Mats of woven reeds carpeted the floors of royal abodes. These residences folded about a large public area known as a karubanda and were often so large that they became almost like a maze, connecting different chambers/huts of all kinds of uses be they residential or for other purposes.

Ashanti Architecture: The Ashanti style can be found in present day Ghana. The style incorporates walls of plaster formed of mud and designed with bright paint and buildings with a courtyard at the heart, not unlike another examples on this post. The Ashanti also formed their buildings of the favourite method of wattle and daub.

Nubian Architecture: Nubia, in modern day Ethiopia, was home to the Nubians who were one of the world's most impressive architects at the beginning of the architecture world and probably would be more talked about if it weren't for the Egyptians building monuments only up the road. The Nubians were famous for building the speos, tall tower-like spires carved of stone. The Nubians used a variety of materials and skills to build, for example wattle and daub and mudbrick. The Kingdom of Kush, the people who took over the Nubian Empire was a fan of Egyptian works even if they didn't like them very much. The Kushites began building pyramid-like structures such at the sight of Gebel Barkal

Japanese Interiors

Japenese interior design rests upon 7 principles. Kanso (簡素)- Simplicity, Fukinsei (不均整)- Asymmetry, Shizen (自然)- Natural, Shibumi (渋味) – Simple beauty, Yugen (幽玄)- subtle grace, Datsuzoku (脱俗) – freedom from habitual behaviour, Seijaku (静寂)- tranquillity.

Common features of Japanese Interior Design:

Shoji walls: these are the screens you think of when you think of the traditional Japanese homes. They are made of wooden frames, rice paper and used to partition

Tatami: Tatami mats are used within Japanese households to blanket the floors. They were made of rice straw and rush straw, laid down to cushion the floor.

Genkan: The Genkan was a sunken space between the front door and the rest of the house. This area is meant to separate the home from the outside and is where shoes are discarded before entering.

Japanese furniture: often lowest, close to the ground. These include tables and chairs but often tanked are replaced by zabuton, large cushions. Furniture is usually carved of wood in a minimalist design.

Nature: As both the Shinto and Buddhist beliefs are great influences upon architecture, there is a strong presence of nature with the architecture. Wood is used for this reason and natural light is prevalent with in the home. The orientation is meant to reflect the best view of the world.

Islamic World Interior

The Islamic world has one of the most beautiful and impressive interior design styles across the world. Colour and detail are absolute staples in the movement. Windows are usually not paned with glass but covered in ornate lattices known as jali. The jali give ventilation, light and privacy to the home. Islamic Interiors are ornate and colourful, using coloured ceramic tiles. The upper parts of walls and ceilings are usually flat decorated with arabesques (foliate ornamentation), while the lower wall areas were usually tiled. Features such as honeycombed ceilings, horseshoe arches, stalactite-fringed arches and stalactite vaults (Muqarnas) are prevalent among many famous Islamic buildings such as the Alhambra and the Blue Mosque.

Byzantine (330/395–1453 A. D)

The Byzantine Empire or Eastern Roman Empire was where eat met west, leading to a melting pot of different interior designs based on early Christian styles and Persian influences. Mosaics are probably what you think of when you think of the Byzantine Empire. Ivory was also a popular feature in the Interiors, with carved ivory or the use of it in inlay. The use of gold as a decorative feature usually by way of repoussé (decorating metals by hammering in the design from the backside of the metal). Fabrics from Persia, heavily embroidered and intricately woven along with silks from afar a field as China, would also be used to upholster furniture or be used as wall hangings. The Byzantines favoured natural light, usually from the use of copolas.

Indian Interiors

India is of course, the font of all intricate designs. India's history is sectioned into many eras but we will focus on a few to give you an idea of prevalent techniques and tastes.

The Gupta Empire (320 – 650 CE): The Gupta era was a time of stone carving. As impressive as the outside of these buildings are, the Interiors are just as amazing. Gupta era buildings featured many details such as ogee (circular or horseshoe arch), gavaksha/chandrashala (the motif centred these arches), ashlar masonry (built of squared stone blocks) with ceilings of plain, flat slabs of stone.

Delhi Sultanate (1206–1526): Another period of beautifully carved stone. The Delhi sultanate had influence from the Islamic world, with heavy uses of mosaics, brackets, intricate mouldings, columns and and hypostyle halls.

Mughal Empire (1526–1857): Stonework was also important on the Mughal Empire. Intricately carved stonework was seen in the pillars, low relief panels depicting nature images and jalis (marble screens). Stonework was also decorated in a stye known as pietra dura/parchin kari with inscriptions and geometric designs using colored stones to create images. Tilework was also popular during this period. Moasic tiles were cut and fitted together to create larger patters while cuerda seca tiles were coloured tiles outlined with black.

Chinese Interiors

Common features of Chinese Interiors

Use of Colours: Colour in Chinese Interior is usually vibrant and bold. Red and Black are are traditional colours, meant to bring luck, happiness, power, knowledge and stability to the household.

Latticework: Lattices are a staple in Chinese interiors most often seen on shutters, screens, doors of cabinets snf even traditional beds.

Lacquer: Multiple coats of lacquer are applied to furniture or cabinets (now walls) and then carved. The skill is called Diaoqi (雕漆).

Decorative Screens: Screens are used to partition off part of a room. They are usually of carved wood, pained with very intricate murals.

Shrines: Spaces were reserved on the home to honour ancestors, usually consisting of an altar where offerings could be made.

Of course, Chinese Interiors are not all the same through the different eras. While some details and techniques were interchangeable through different dynasties, usually a dynasty had a notable style or deviation. These aren't all the dynasties of course but a few interesting examples.

Song Dynasty (960–1279): The Song Dynasty is known for its stonework. Sculpture was an important part of Song Dynasty interior. It was in this period than brick and stone work became the most used material. The Song Dynasty was also known for its very intricate attention to detail, paintings, and used tiles.

Ming Dynasty(1368–1644): Ceilings were adorned with cloisons usually featuring yellow reed work. The floors would be of flagstones usually of deep tones, mostly black. The Ming Dynasty favoured richly coloured silk hangings, tapestries and furnishings. Furniture was usually carved of darker woods, arrayed in a certain way to bring peace to the dwelling.

Han Dynasty (206 BC-220 AD): Interior walls were plastered and painted to show important figures and scenes. Lacquer, though it was discovered earlier, came into greater prominence with better skill in this era.

Tang Dynasty (618–907) : The colour palette is restrained, reserved. But the Tang dynasty is not without it's beauty. Earthenware reached it's peak in this era, many homes would display fine examples as well. The Tang dynasty is famous for its upturned eaves, the ceilings supported by timber columns mounted with metal or stone bases. Glazed tiles were popular in this era, either a fixed to the roof or decorating a screen wall.

Romanesque (6th -11th century/12th)

Romanesque Architecture is a span between the end of Roman Empire to the Gothic style. Taking inspiration from the Roman and Byzantine Empires, the Romanesque period incorporates many of the styles. The most common details are carved floral and foliage symbols with the stonework of the Romanesque buildings. Cable mouldings or twisted rope-like carvings would have framed doorways. As per the name, Romansque Interiors relied heavily on its love and admiration for Rome. The Romanesque style uses geometric shapes as statements using curves, circles snf arches. The colours would be clean and warm, focusing on minimal ornamentation.

Gothic Architecture (12th Century - 16th Century)

The Gothic style is what you think of when you think of old European cathedrals and probably one of the beautiful of the styles on this list and one of most recognisable. The Gothic style is a dramatic, opposing sight and one of the easiest to describe. Decoration in this era became more ornate, stonework began to sport carving and modelling in a way it did not before. The ceilings moved away from barreled vaults to quadripartite and sexpartite vaulting. Columns slimmed as other supportive structures were invented. Intricate stained glass windows began their popularity here. In Gothic structures, everything is very symmetrical and even.

Mediaeval (500 AD to 1500)

Interiors of mediaeval homes are not quite as drab as Hollywood likes to make out. Building materials may be hidden by plaster in rich homes, sometimes even painted. Floors were either dirt strewn with rushes or flagstones in larger homes. Stonework was popular, especially around fireplaces. Grand homes would be decorated with intricate woodwork, carved heraldic beasts and wall hangings of fine fabrics.

Renaissance (late 1300s-1600s)

The Renaissance was a period of great artistry and splendor. The revival of old styles injected symmetry and colour into the homes. Frescoes were back. Painted mouldings adorned the ceilings and walls. Furniture became more ornate, fixed with luxurious upholstery and fine carvings. Caryatids (pillars in the shape of women), grotesques, Roman and Greek images were used to spruce up the place. Floors began to become more intricate, with coloured stone and marble. Modelled stucco, sgraffiti arabesques (made by cutting lines through a layer of plaster or stucco to reveal an underlayer), and fine wall painting were used in brilliant combinations in the early part of the 16th century.

Tudor Interior (1485-1603)

The Tudor period is a starkly unique style within England and very recognisable. Windows were fixed with lattice work, usually casement. Stained glass was also in in this period, usually depicting figures and heraldic beasts. Rooms would be panelled with wood or plastered. Walls would be adorned with tapestries or embroidered hangings. Windows and furniture would be furnished with fine fabrics such as brocade. Floors would typically be of wood, sometimes strewn with rush matting mixed with fresh herbs and flowers to freshen the room.

Baroque (1600 to 1750)

The Baroque period was a time for splendor and for splashing the cash. The interior of a baroque room was usually intricate, usually of a light palette, featuring a very high ceiling heavy with detail. Furniture would choke the room, ornately carved and stitched with very high quality fabrics. The rooms would be full of art not limited to just paintings but also sculptures of marble or bronze, large intricate mirrors, moldings along the walls which may be heavily gilded, chandeliers and detailed paneling.

Victorian (1837-1901)

We think of the interiors of Victorian homes as dowdy and dark but that isn't true. The Victorians favoured tapestries, intricate rugs, decorated wallpaper, exquisitely furniture, and surprisingly, bright colour. Dyes were more widely available to people of all stations and the Victorians did not want for colour. Patterns and details were usually nature inspired, usually floral or vines. Walls could also be painted to mimic a building material such as wood or marble and most likely painted in rich tones. The Victorians were suckers for furniture, preferring them grandly carved with fine fabric usually embroidered or buttoned. And they did not believe in minimalism. If you could fit another piece of furniture in a room, it was going in there. Floors were almost eclusively wood laid with the previously mentioned rugs. But the Victorians did enjoy tiled floors but restricted them to entrances. The Victorians were quite in touch with their green thumbs so expect a lot of flowers and greenery inside. with various elaborately decorated patterned rugs. And remember, the Victorians loved to display as much wealth as they could. Every shelf, cabinet, case and ledge would be chocked full of ornaments and antiques.

Edwardian/The Gilded Age/Belle Epoque (1880s-1914)

This period (I've lumped them together for simplicity) began to move away from the deep tones and ornate patterns of the Victorian period. Colour became more neutral. Nature still had a place in design. Stained glass began to become popular, especially on lampshades and light fixtures. Embossing started to gain popularity and tile work began to expand from the entrance halls to other parts of the house. Furniture began to move away from dark wood, some families favouring breathable woods like wicker. The rooms would be less cluttered.

Art Deco (1920s-1930s)

The 1920s was a time of buzz and change. Gone were the refined tastes of the pre-war era and now the wow factor was in. Walls were smoother, buildings were sharper and more jagged, doorways and windows were decorated with reeding and fluting. Pastels were in, as was the heavy use of black and white, along with gold. Mirrors and glass were in, injecting light into rooms. Gold, silver, steel and chrome were used in furnishings and decor. Geometric shapes were a favourite design choice. Again, high quality and bold fabrics were used such as animal skins or colourful velvet. It was all a rejection of the Art Noveau movement, away from nature focusing on the man made.

Modernism (1930 - 1965)

Modernism came after the Art Deco movement. Fuss and feathers were out the door and now, practicality was in. Materials used are shown as they are, wood is not painted, metal is not coated. Bright colours were acceptable but neutral palettes were favoured. Interiors were open and favoured large windows. Furniture was practical, for use rather than the ornamentation, featuring plain details of any and geometric shapes. Away from Art Deco, everything is straight, linear and streamlined.

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keferon · 7 months ago

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Chapter 3 of Jazzprowl mecha! >:D

Previous chapter

Under the cut⤵️

Jazz thinks Prowl is fucking weird.

With space around him and aliens and fucking teleportation and all that crazy shit...Prowl's weirdness isn't too obvious at first. But once Jazz stops marveling at the view outside the window, his attention shifts completely to his new companion.

And. Well.

"'Your plates are so squarish.'"

Prowl takes a break from reading something on his tablet and raises his eyebrows in surprise

"They are."

Jazz moves closer curiously

"No offense okay but isn't it... Hmm. Stupid?"

He raises one hand and lightly slaps the edge of his palm against the center of Prowl's chest.

"What's the point of making armor this shape? And with so many wide gaps? All the strikes will go straight through. It's kinda dangerous. "

Prowl purses his lips in confusion.

"Excuse me? As if your armor makes more sense."

"It does."

"You...wha...you know what. Humor me, explain what you mean."

Jazz shrugs.

"It's round. And the gaps are...uh. What's the right word. They're thin? It's very hard to grab with your teeth or get under with your tentacles. See? You are. Dude, no offense, but you're like, really grabbable."

Prowl just silently opens and closes his mouth for a couple seconds, trying to think of what to say in response. Finally he decides to focus, but not on the part Jazz might have been expecting

" You... were built to fight the Quintessons?"

Jazz nods

"Course I was. Why else?"

Prowl looks....Very worried and somehow sorry for Jazz.

That's weird.

Jazz lets this detail just linger in his mind. He's not sure what conclusion to draw from it yet. And it's very likely that his poor knowledge of the unfamiliar language is setting him up. He's not sure.

------

Prowl has wheels. Jazz gives himself a mental smack for not paying attention to them in the first three seconds, but it doesn't matter now.

Because Prowl has freaking wheels in his shoulders and Jazz has a bunch of questions in his head.

Why the fuck does he have wheels??? In a place like this??

Prowl looks up at him.

"Something wrong?"

Jazz reaches out his hand mesmerized and spins one of the wheels.

The wheel spins.

What an amazing world.

Prowl looks confused again

"Jazz?"

"What are they for?"

Prowl faintly twitches one of his weird little wings.

"To drive."

Jazz spins the wheel again

"But you can't drive them! I mean, they're...uh."

He tries to find the right words in his head to say "inside your shoulders" but. Shit. He doesn't know how to say it so he accepts his linguistic defeat and helplessly twitches his horns.

"...They're on top."

Prowl tilts his head, clearly missing the point, and turns one of his legs around

"I've got another ones here...?"

Jazz instantly squats down and. Yep. There are wheels in the legs too.

Prowl moves his foot away before Jazz can spin that wheel too.

"I can just show you if you want."

That's a great idea. A fantastic one. Jazz is hellbent on seeing how it would actually work, because all his brain offers him is "fall on your back and awkwardly drag yourself along the ground?"

Prowl doesn't fall anywhere.

Instead, he suddenly ALL starts moving and freaking folds into himself? Jazz isn't sure what exactly he was expecting to see, but watching another mech fall apart like lego sure as hell wasn't that????

Not falling apart, he realizes a moment later.

Is it reassembling? Into something else???

A second ago, Prowl was standing next to him, and now there is a

Is that a fucking car???

Jazz can't say anything more clever than a loud "HAH???"

It is indeed a car. The design is very odd and Jazz can't recognize the model, but it looks like something vaguely race-y?

He pats the roof of it.

"That's so cool!!!"

The car somehow manages to look awkward and moves away from him sideways like some weird metal crab.

What the- what the hell-

------————————-

Prowl's mech has an amazing face.

Not that Jazz is staring, but he can appreciate the amazing attention to details. The eyes, the nose, even the lips. Who and why would make a mech with such lifelike face? That ..would make sense if Prowl had to appear in front of a camera, wouldn't it? Maybe he's some kind of celebrity like Blurr?

Jazz doubts it. Prowl doesn't strike him as someone who's used to attention.

But it's a good face, yeah.

Prowl valiantly ignores his staring, but after ten minutes gives up

“What?”

Jazz shrugs. He's been doing that a lot lately.

"You have a really cool face."

Prowl chokes on air and looks confused again. If you look closer. What is this face even made of? It looks metallic but it bends??? Literally...how?? How does it work?

Jazz is taller than Prowl, so he has to bend down to get a closer look. He wants to ask if the mech's face was modeled after the pilot's, but. Shit. How do you put it into simple words ?

Man. Okay. Uh. Appearance. How do you say "real?" True-positive? Wait, no, true and false are from English, this new language must contain one state word for true and false at the same time.

Prowl watches Jazz's struggle with the patience of a true buddhist monk.

What word even summarizes the state of being true or false? Hot and cold is "temperature", heavy and light is "weight" and then..

Jazz fumbles his fingers helplessly.

"What's the word for. You know how."

He claps his hands hard, and then again, barely audible.

Loud and quiet.

"Sound-positive, sound-negative, right?"

Prowl nods.

"But if I speak. I-mouth-positive."

He claps once more, quietly, barely audible

"I-mouth-positive. Sound-positive. Word-question?

If I do “quiet” but say “loud”. If I do one thing and say another, that's called-?

Prowl twitches his little wings.

"Ah. That would be veracity-negative."

Jazz makes happy finger guns.

"Yes! This..."

He points to Prowl's face

"Appearance-veracity-positive?"

He could probably phrase it more...accurately. Jazz chews his lips in concentration and tries to elaborate

"Appearance-veracity-positive-you?"

Prowl tilts his head

" Uh. Yeah? That's what I look like. I didn't change anything. It's..."

He pauses uncertainly

"Why are you asking me that?"

Jazz gives a thumbs up

"How do you say 'impressive'? Something like "eyes-positive-emotions-positive." Or it would be "good." Good sounds kind of cheap.

Jazz decides to add a couple more positive modifiers on top just in case. He's always been generous with compliments.

Prowl's wings bounce up funny.

One of the passing lilac aliens whistles.

_______________________________

Prowl thinks Jazz is fragging weird.

Okay, to be fair. Prowl has never had to be anyone's guide to interplanetary interactions.

He'd heard that races making contact with the rest of the galaxy for the first time tended to be weird. It's alright. He can understand that. Which of course doesn't mean it's any easier for him to be at the center of it all...everything.

Jazz is clingy. Friendly. He's definitely never been off his planet before, so everything around him surprises him.

Prowl's obviously “surprising” too, but there's this weird familiarity in Jazz's attitude towards him.

Prowl thinks it's because they're both mechanical life forms. It's the only guess he has that makes sense. But Prowl realizes pretty quickly that Jazz only looks like a Cybertronian at first glance. It's the details. Small and disturbing details.

Jazz was built to fight the Quintessons. His entire body, his entire design was made for it.

Now that Prowl knows that, he's starting to see it. Now that he knows where to look, he can't stop noticing.

All the plates are either round or streamlined and sharp.

He has no face, but his head is shaped in such a way that it would be very hard to grab onto. Or to hit it.

Prowl's processor involuntarily tosses him numbers.

Every bend and edge. Every detail. The visor isn't just curved, it's arched at the most perfectly calculated angle to take hits. His chest plates have the perfect ratio of thickness and curvature so that any direct hit ricochets or slips without going through the plate directly.

And Prowl is scared to even begin to analyze the structure of those legs. He originally saw their design as something similar to Empurata's. But no. The Empurata had always made it their goal to humiliate and diminish their victims. The limbs that the Empurata created were simple and often horribly, impractically awkward.

Jazz's legs are an engineering marvel and Prowl honestly almost wants to take a closer look. They bend at...how many? Five? Six places?

He leans forward quietly, pretending to want to change his posture, trying to get a better angle. There's at least one more joint under the front plates. Seven then?

Huh.

Jazz snorts

"Like what you see?"

Prowl flinches and quickly looks away. Idiot. Just because Jazz’s head is pointed in the other direction doesn't necessarily mean that's where his gaze was pointed as well.

"I apologize."

Jazz chuckles

"Hey, don't be sorry. You're giving me a reason to show off~"

Prowl gives up. Okay. Maybe it's just that Jazz's weird openness is contagious.

"Your legs are pretty..."

"Cool," Jazz offers

Prowl nods diplomatically.

"Unusual. I think cool too."

Would it be too weird to ask exactly how many joints are in them? Perhaps yes, that's personal medical information after all.

Jazz takes a few joyful little leaps

"They let me walk on walls."

"I have to admit that's impressive."

______________

"Can I join you?"

The little furry alien folds their arms across their chest and says something that...sounds disgruntled. Jazz honestly can't understand a word of it. He just saw the aliens playing something remotely resembling cards and he got curious. He doesn't remember having a fight with any of them yet.

The alien stares at him expectantly for a couple seconds and then waves one of their limbs and switches to a language familiar to Jazz

"No. Go back where you came from."

Uhm. Rude.

One of the lilac creatures smiles guiltily

"We don't play with robots."

Jazz stiffens

"But I don't..."

His attempt to explain is interrupted by the furry alien

"I don't care what you say. Whatever's underneath the metal, whatever scientific nonsense you come up with. This..."

He gestures toward the entire Jazz’s mech.

"...it's a machine. We don't play with machines. It's an unspoken rule. So go back to your corner and stay out of our way."

The lilac alien folds his limbs in embarrassment

"Hey, there's no need to be so rude."

"I'm just stating facts!"

"You could have done it politely..."

Prowl raises his eyebrows and moves away, making more room for Jazz on the bench.

"Kicked you out?"

Jazz sits down next to him and confusedly begins to play with his own fingers

"They wouldn't even let me explain."

Prowl taps him on the shoulder.

"It's hard to explain anything to them. They think you're a soulless machine just because you look like one."

Jazz snorts

"Well, that's just stupid."

Prowl shrugs

"They think you don't have a soul, so you shouldn't participate in their social interactions."

Jazz twitches his horns angrily

"That's..fucking idiotic."

"Well yeah" Prowl picks up "how can they judge whether we're sapient or not?"

"Uh-huh!"

"Where's the evidence that they themselves have more 'soul' than mold?"

"Ye..Wait what?"

(..What the hell??)

Prowl frowns.

"I should probably be more...sorry. You're new to this topic and...I'll try to explain in an unbiased manner."

Jazz nods awkwardly

Prowl pinches the bridge of his nose

"In general. We don't really meet their standards of ''alive and sapient being'' and they don't meet ours. Because of that, we...don't get along."

Jazz senses that something doesn't add up. Something dramatically big and obvious. But Prowl already looks annoyed, and Jazz is uncomfortable stressing him out with another game of charades. Probably should hold off on discussing such complicated topics until he's talking better.

____________

Prowl finds himself mentally reevaluating Jazz.

He no longer thinks Jazz is just weird.

Jazz is terrifying.

When their transport is attacked by a bunch of Quintessons, Prowl's processor tells him they're totally screwed.

The monsters have the numerical advantage, the ship is full of tiny, fragile organics, and Prowl only has one random tourist on his side who's in space for the first time.

When Jazz excitedly jumps up and asks to be let "outside to have some fun" Prowl's processor says it's suicide. If you squint and tilt your head, the stats numbers add up into a neat little ship that goes down swiftly and surely.

Then he has no time for statistics. Because one of the organics opens the airlock for Jazz and before Prowl can say anything his space tourist is already out the window.

Frag.

Frag, frag frag frag frag frag frg

"Jazz wait!"

Prowl climbs out onto the roof of the transport just in time to see Jazz tear a limb off one of the Quintesson monsters.

The sight is...creepy.

Jazz obviously doesn't have enough strength to just yank it off, so he sort of grabs the tentacle with his hand and then very quickly rotates his forearm a bunch of times literally twisting it off. The monster screams and wriggles and tries to rip Jazz's arm off, but he just lets it clench its teeth on his plates.

Prowl is in pain from just looking at this.

The monster clenches its jaws.

Its teeth cut furrows in the armor.

Jazz doesn't even twitch.

Things only get more interesting from here on out.

Earlier, all Prowl had was Jazz's word. Jazz said his job was to fight the Quintessons. Prowl automatically assumed that to have a job like that, Jazz had to be at least somewhat good at it.

This? It's not "good". It's a killing machine.

And Prowl is, just a little bit, fascinated.

Jazz tears through monsters with more than skill. No.

Prowl's processor is speeding up, analyzing the data.

These moves aren't just devastatingly efficient. They're habitual.

Jazz rips off limbs and locks jaws. Jazz knows exactly where to strike and for how long that strike will knock the creature down.

At one point, he just takes a moment to jump on top of one of the monsters and Prowl can have the pleasure of watching the sheer panic and confusion on the face of the usually inexpressively furious creature.

Quintesson twists and twitches and struggles to throw Jazz off, but he doesn't seem at all bothered by the constantly moving and shifting surface. He's clinging on tight as a damn insecticon. In a way that Prowl himself, with his angular legs, probably never could.

He also doesn't seem to react to pain whatsoever.

Either so used to it or unable to feel it at all? Prowl's not sure.

Jazz takes dozens of hits. He's been dropped, scratched and bitten. His plates are full of fresh grooves intersecting older ones, but they go completely unrecognized.

It's creepy. It's unnatural.

Three monsters at once try to squeeze Jazz into a circle, and Prowl curses himself for not thinking to ask for Jazz's comm. There's no sound in space, making screaming impossible, so Prowl just pulls out his rifle and shoots one of the Quintessons.

The creature twitches in agony and loses all interest in the battle struggling to shake off the sudden source of pain.

Jazz smacks one of the remaining monsters in the face and quickly bounces back to a more comfortable distance from the huge teeth and looks toward Prowl. Spotting a rifle and happily making finger guns again.

Prowl looks at the fresh teeth marks on Jazz's hands and thinks...wow...that's some wild dangerous alien slag.

Then he looks at the angular visor and the little moving horns and bouncy movements and corrects himself. Not slag. And not that weird. Probably.

The weirdest thing he's seen was organic life and he highly doubts that anyone or anything can overtake it.

#maccadam #prowl #jazz #mecha pilot jazz au #jazzprowl #the moment you realize that Japanese classic mecha designs were designed like tanks #you can't unsee it #the whole thing about triangular or round chests #look at them #they're just like front parts of different war machines in real life #or armor☝#knights armor #they made to make the hits “slip”#while transformers are very square #like. sorry my guy but anything you're getting hit with? yeah it's going straight through #Mecha writing #mecha kef writing #mecha jp writing

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mournfulroses · 9 months ago

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Yosano Akiko, transl. by Kenneth Rexroth, from The Burning Heart; Women Poets of Japan

#lit #yosano akiko #japanese literature #words #moon #fragments #dark academia #quotes #writings #typography #p

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kabukiaku · 3 months ago

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ガンバッテ、アキラメナイデ!!! (✿◡‿◡)

#my art #terzo #omega ghoul #terzomega #terzo x omega #ghost band #ghost fanart #papa 3 #omega3 #i feel like im 18 again---#drawing on my 3ds + writing in japanese heheheh. my tf fandom days were no excepetion!

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dyellogin · 4 months ago

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#sorry for the shitty japanese writing #dattebayo!!#welcome to eltingville #the eltingville club #eltingville club #bill dickey #jerry stokes #josh levy #pete dinunzio

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st-hedge · 1 year ago

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I can’t believe they’d managed to animate kusuriuri’s insane character design and then decided to make it even more insane. The most character ever

#mononoke 2024 #mononoke kusuriuri #I love his new (old???) scene kid get up so much #it’s absolutely insane #I know what I drew is inaccurate I tried to piece it to together from screenshots #and sorry for posting thr process pics and then deleting them I realise I finished the painting an hour later #but anyway I seriously feel like I could write an essay about this guy #I wish I knew a lick about Japanese literary tropes #cuz there’s such insane romance to this series and the character of kusuriuri #and I don’t mean like romantic love #I mean like a courtly romance #and UUGGHHHHH A #ITS JUST FASCINATING

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luckymousey · 4 months ago

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He's the type of boyfriend that... (TWST)

⚠️ English is not my first language⚠️

Guess who still has to wait to watch the updates?

Exactly

This bitc-

So I wrote these self-indulging, fem reader, twst x reader headcanons, (or something like that)

Again, WAY TOO SELF INFULDING, PROBABLY CRINGE

And please, don't hate on me if you don't like these headcanons and don't tell me: "this character won't do this because of x reason", these are my headcanons and my own opinions, thanks

Riddle is the type of boyfriend that…is always practicing baking and cooking so that he can give you the best private tea parties

“My rose, I tried a new recipe, would you like to come over and try it?”

Trey is the type of boyfriend that…loves kissing you on your forehead

“Good morning, luv, did you sleep well? I heard you had a sleepover with your friends, I hope you all brushed your teeth before going to bed.”

I know Trey has British accent, I just know it >:3

Cater is the type of boyfriend that…is excited to take you an a date everytime a new trendy place appears

“Hey, hon! A new hair salon opened last week, and they say their workers are hot, should we go?”

Cater is also the type of boyfriend that doesn’t care if someone is good-looking or not, he blindly trusts his partner

Ace is the type of boyfriend that…over the time, instead of pranking you, he involves you in his plans

“Did you get the balloons, babe? Our names won’t be forgotten with this one!”

Deuce is the type of boyfriend that…wants to get matching things.

“Love, look! These matching tattoos are so cool! Oh, but we can get matching magic wheels if you don’t like tattoos, or rings, and, and- OHHH! MATCHING CHICK KEYCHAINS!”

Leona is the type of boyfriend that…buys anything that reminds him of you.

“What is it, pet? These? Just some gifts from Sunset Savanna….what do you mean this is too much? It only occupies half of your dorm.”

Ruggie is the type of boyfriend that…is excited to introduce you to his whole family.

“This is just a photo, bun, but here you can see my grandma, this one here is Hyaeni, the one in the right is Dae, at the corner you can see the tail of little Di, we don’t know his real name, but yeah, we call him that; and this one is Shen and the one on the…”

Jack is the type of boyfriend that…teaches you ski/snowboard when you visit him.

“Just follow me, baby, I promise you I won’t let you get hurt.”

Azul is the type of boyfriend that…is embarrassed to do so, but lets you see his baby photos.

“I can’t believe it, my pearl, what’s so good about these photos? I also can’t believe my mother had albums hidden in her room…”

Jade is the type of boyfriend that…helps you with whatever you need, no questions asked.

“So you need me to bring you shovels, a rope, hydrogen peroxide and some black, plastic bags…how big do the bags need to be, my dear?”

Floyd is the type of boyfriend that…likes seeing you wearing his things, and also likes wearing your things.

“You look dumb in my jacket, shrimpy, hahaha…what do you mean I look dumb too? I look ✨fabulous✨ in your skirt.”

Kalim is the type of boyfriend that…sends you 5000+ messages per day.

“No space left?…I sent too many photos?, don’t worry, sunshine, I’ll buy you another phone!”

Jamil is the type of boyfriend that…calls you in the middle of the night.

“Thanks to the Sevens you’re here, boo! I JUST SAW A SPIDER HIDING UNDER MY BED! HELP ME! KILL IT! SAVE ME!”

Vil is the type of boyfriend that…says snarky comments to those who insult you.

“Oh, well, at least my darling potato has a man who isn’t a cheater.”

He probably also has a black list in which he writes down the person's name to give Rook...a new mission

Rook is the type of boyfriend that…sputters embarrassed French words if you are the one saying romantic things.

“Oh, mon Dieu, s'il te plaît, attends une minute, trickster…non, non, mon amour, je suis juste un peu trop dépassé.”

Epel is the type of boyfriend that…always tries to impress you.

“Wait, sweetheart! Look! It’s you and me, my mom taught me how to embroider when I was little, but don’t tell Vil.”

Idia is the type of boyfriend that…even if he seems awkward or introverted, he is a drama queen when he’s with you

“My goddess, the light of my life, my one and only love, can you believe I lost a battle against some NPC? Who cares if it was on ‘extremely hard, really, don’t play this’ mode? I lost!”

Malleus is the type of boyfriend that…already has the wedding ring, the clothes, the rings and the guest list

“And if you would like, child of man, we can invite those little friends of yours, and that rabid familiar of yours with a bottomless stomach whom you spoil and love so much, of course.”

Lilia is the type of boyfriend that…tells you stories of some years ago.

“I remember this girl, she wanted to go to a ball but her step-mother and step-sisters ruined her pretty dress, fortunately, an old friend of mine helped her before she missed it. You remind me of her, my beloved, hardworking and beautiful.”

Silver is the type of boyfriend that…gives you handmade gifts every now and then.

“I couldn’t sleep because I was excited to give you this…do you like it, princess?”

Sebek is the type of boyfriend that…unconsciously lowers his voice when talking to you.

“HOW DARE YOU, YOU LOWLY HUMAN! YOU’RE IN PRESENCE OF- oh, good morning, human, as I was saying, YOU’RE IN PRESENCE OF THE GREAT—”

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kamaluhkhan · 5 months ago

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HER CANINE TEETH IN THE SIDE OF MY NECK

pairing: werewolf!vi x vampire slayer!reader word count: 11.1 k summary: she's a monster, and you're essentially a monster hunter. it shouldn't work, but it does. (or — you and vi decide to escape the narrative together) warnings: ooh various mentions of fighting + blood + injuries ranging from mild to life-threatening; reader and vi both smoke + consume alcohol; rough sex (fingering [vi receiving], oral [reader receiving], tribbing, biting, spitting ++ aftercare); 18+ ! vibes are basically buffy the vampire slayer with chaotic lesbians loving each other so much it consumes them both a/n: i think i've been watching too much buffy and fantasizing about werewolf!vi for like,, too long,, and this unholy mess is the result. this has been sitting in my drafts unfinished for a WHILE but tonight is the wolf moon so it felt right to post now, i really hope y'all enjoy 🖤 i'll include credit for each subtitle in the tags too <33

♪: "bullet with butterfly wings" by the smashing pumpkins; "dig me out" by sleater-kinney; "taste my despair" by lesbian bed death; "i wanna be your dog" by joan jett; "fantastic" by king princess

i. sorry about the blood in your mouth

vi wakes up with a terrible motherfucking headache, which isn’t anything new.

she doesn’t know where she is — that isn’t particularly something new, either — but what is new is the tongue slobbering all over her face. when she opens her eyes, vi sees a 50-pound black dog standing over her.

“whoa!” vi sits up abruptly, but the dog only gets more excited and jumps up on the couch, caging her in.

“sorry. she usually isn’t so enthusiastic about company.”

the voice is coming from the other side of the room, where you’re sitting on the edge of the mattress closest to the window. there’s a cigarette in your hand, and each time you exhale, you point your chin accordingly so the smoke travels outside. a crisp breeze trickles in.

“morning, killer.”

vi swallows the heart that has jumped into her throat, takes a deep breath to steady her breathing. fuck, she literally just moved here and might already need to leave. she tries to remember if something bad happened last night.

it wasn’t the full moon, was it? no, that shouldn’t be for another few weeks. but then why are you calling her a —

“killer?” she asks, swallowing the lump in her throat.

she stares at you, eyes trailing your injured jawline as she waits for you to respond. you do look vaguely, achingly familiar. whatever happened last night, you were probably part of it.

“well, you’ve got a killer right hook,” you quip. you snuff out your cigarette and twist around to fully face vi. “and i’m pretty sure you killed my reputation as a pit fighting champion. i was undefeated before you.”

fresh blood emerges from your split lip as you speak, and you’re quick to swipe it away with your tongue.

oh. right.

your tank top is torn at the bottom, just cropped enough that vi can see the imprint of her fist on your lower ribs. she now remembers the feeling of yours on the side of her face, and has a bloody, crusted eyebrow, painfully tender cheekbone, and the outline of your ring seared onto her skin forever to prove it.

what kind of pitfighter wears pure silver?

vi takes note of her surroundings to get a better sense of who she’s up against: the place is small, dingy, but has a good amount of light. you’ve got a broken mirror, old books stacked in the corner, and an open cupboard filled with clothing and various weapons, mostly daggers and some wooden stakes. an intricate glass cross dangles from the centre of the window, filtering through multicolored light. there are a bunch of dried plants next to a mortar and pestle on the sill below — nightshade, juniper, wolfsbane. on the tiny kitchen counter is a silver vase filled with more wilted flowers.

even from far away, vi can hear your heartbeat — strong, steady — as you shuffle around and gather some things. she inhales your scent. she remembers that she was slightly taken aback, in the pit when she had you pinned to the mat, that under the musk of sweat and metallic tang of blood, vi sensed something else, something delicate and floral.

your whole apartment smells overwhelmingly of dried roses and decaying fruit, too, sweet and earthy.

“did you bring me here for round two?”

“no.” you let out a short, breathy laugh. “i brought you here so that some creep wouldn’t take advantage of you. you were pretty out of it.”

“so you’re — what an enforcer?”

“no fucking way,” you declare, and vi can practically feel rage coursing through you, your heart pumping with reignited vigor. “like an enforcer would care enough to actually help the undercity,” you grumble.

you shake your head and sit down at the edge of the couch, shooing your dog away so you can drop first aid supplies in her place. she settles on the floor at your feet.

you offer vi a somewhat bruised apple. when she hesitates, you push it into her hand.

“this isn’t a fairytale,” you say, hands busy soaking a cloth in some alcohol. “i’m not trying to poison you,” you add as if reading her mind.

“there…there are some good enforcers, though,” vi tries, trained to have such platitudes at the ready.

you roll your eyes. “if there are, i haven’t met them.”

vi’s not sure she believes what she had said, either. she feels her side ache, a phantom bruise from when caitlyn slammed her rifle into the very injury she had once helped heal.

what started as you’re not like the rest of those animals. you’re one of the good ones. became you’re all the same. it’s their blood in your veins. as soon as things went downhill.

vi bites her lip to prevent herself from wincing, and it isn’t because you’ve pressed an alcohol-soaked cloth to the cut on her nose. her sharp nails break through the skin of the apple, digging into its soft flesh until juice is running down her wrist.

“eat,” you insist, but you’re focused on removing as much dirt and dried blood from her face as you can, brows furrowed in concentration. “you ruined my reputation, so you better keep up your strength if you wanna keep yours.”

“so, you’re helping the enemy,” vi, still wary of you, wonders.

your frown softens. you place a bandage on the bridge of her nose before saying:

“you’re not my enemy.”

maybe it was the sincerity of your words, or the unconditional care you’re showing her, or the fact that it’s been so long since someone has touched vi so tenderly, but she decides in that moment to trust you, whoever you are.

she takes a bite of the apple, the sweetness invading her mouth, as you lean over to search for something else in the first aid kit, mumbling to yourself about how the wound is deeper than you thought.

“you should really be more careful,” you chide. “are you a topsider?”

vi scoffs through a mouthful of fruit. “i’m from the lanes.”

“yeah, well this neighborhood is a different level of bad,” you tell her.

“i can hold my own — ouch.”

you start stitching up the cut on her eyebrow, one hand keeping her head steady. her cheek pulses against you as she chews, your skin calming and cool.

“when you’re sober, maybe.”

“you didn’t have to help me,” vi grunts. “most people would’ve gone about their business.”

“i was going about my business. i was out on patrol; vampires never sleep, you know.”

you say it so casually, almost too casually, that vi wonders if she misheard you.

“vampires?”

you raise an eyebrow at vi. “there’s a high concentration of them around here, near the hellmouth. a lot of monsters, actually —”

vi hopes you don’t notice how she shudders at the word monsters.

“ — some of whom can and will eat you alive if they get the chance,” you deadpan. “that’s kinda what i’m here for.”

“so….what are you, exactly?”

you don’t say anything for a few seconds, your expression unreadable while you finish vi’s stitches, but your heart thumps so forcefully against your ribcage, vi almost thinks she’s seconds away from hearing the bones there crack. you start gnawing at your bottom lip, let the blood gather until it starts to trickle down towards your chin. vi swipes it away with her thumb, which she then wipes against her bandaged palm.

you inhale slowly, then exhale. your heart rate eases; still a bit higher than most people’s, but to what seems to be normal for you.

“the correct term is slayer,” you finally say, watching vi carefully for her reaction.

vi isn’t quite sure what that means, but it doesn’t sound good for someone like her. she’s wondering if she should make a run for it when you drop your voice an octave or two and add:

“the chosen one standing against the vampires, the demons, and the forces of darkness.” you clear your throat. “if you were wondering.” you break out into a cheeky grin, teeth sparkling in the late morning sun.

“you’re joking?”

“most days, i wish i was. that’s the official tagline, actually.” your smile shrinks into a sigh. “i’m the slayer. i won’t bore you with all the details, but me saving you last night? that’s kinda just what i do. my destiny, so to speak.”

“do you normally take the people you save home?”

you blink away, wipe your hands half-heartedly on the white tank top you’re wearing, smearing vi’s mess of crimson and grime.

“no,” you admit.

vi narrows her eyes at you, shifts her body so there’s at least more space between you before she figures out what the hell to do. it’s possible that you’re lying but —

vi puffs out her chest. “why are you being so nice to me?”

you already have her blood on your body, and vice versa, and not just because you’d been fighting each other. it’s not quite trust, but it feels like something close. something you’re willing to share without even knowing much about the other.

an unspoken question: do you know what i really am?

because if you did, vi’s sure you wouldn’t be so….friendly towards her. so gentle.

“honestly?” you gesture towards the dog who’s busy nuzzling into vi’s leg. “fangs kinda hates everyone but she seems to like you.”

her jaw drops. “you decided to be my guardian angel because your dog likes me?”

“i already had a good feeling about you before.” you shrug. “i took it as a good omen, i guess.”

“i’m not sure you should,” vi advises.

you’re looking out for her, so she should look out for you. it’s better, for everyone, that vi be left alone.

she’s been good, had to learn how to be, in order to survive; that doesn’t mean she’s innocent.

on the bad days, she can’t control her anger. on the worst days, she can’t contain her hunger.

“okay, well, maybe i’ve got a thing for strays,” you reach your hand down, run it through fangs’ thick black fur. your lips curl upwards as you look at vi, all bright-eyed and beautiful, sunlight itself emanating from your smile.

something sparks in her chest that she thought would never light again. something that, like her, could be dangerous if it’s not controlled.

vi decides it’s probably about time that she left, though it's difficult to tear herself from your warmth.

“so, will i see you in the pit again?” she still can’t help but ask as you accompany her to the door.

“probably, yeah.” you lean against the doorframe, and vi is about to turn the knob when you add: “but, that pub you passed outside of? the bronze? maybe we can, uh, get a drink there, afterwards sometime.”

your heart skips a beat or two as you anxiously wait for vi to say something. her entire body heats up when she realizes what’s going on.

you were….asking her out.

the good thing is that then there’s no way you actually know what vi is because, well, would this even be allowed in your line of work?

“you promise you’re not just playing the long game? gaining my trust and then stabbing me in the back?”

you give her a playful but sincere smile and make a small ‘x’ on the left side of your upper chest. “cross my heart.”

“guess i’ll will call you my guardian angel,” she muses, her chest glowing. “i’m vi, by the way.”

you grin, then formally introduce yourself. you reach out your hand. vi holds it, delicately, even though your grip is firm.

“one more thing, though — keep the whole me being the slayer thing under wraps? it’s supposed to be a secret.”

“why’d you tell me, then?” vi wonders, raising an eyebrow.

you tilt your head, examining her. “like i said — i had a good feeling about you. slayers are meant to have good instincts, so i decided to trust mine.”

vi takes a deep breath, removes her hand from yours, and glances at you once more with a small smile. she promises not to tell a soul.

(she, of all people, knows that there are far worse secrets to keep.)

“thank you,” vi adds. “for saving me.”

she hears fangs scratching at the door from inside the apartment after she’s gone, along with the deep rumble of your voice telling fangs not to worry, our new friend will visit again soon, like you’re so sure vi will be back.

with the way you already have her sharp edges softening, her heart fluttering in her chest, vi probably will be.

except —

vi’s not quite human, hasn’t been since she started bleeding between her legs at 13, since her mother told her that this was a blessing passed down to eldest daughters in their family, no matter how many people will try to convince her it’s a curse.

it would be a few months later that her mother would be killed because of said blessing.

really, it’s more nightmare.

because vi knows what it’s like to pick ripped flesh from between her teeth, to have the metallic sweetness of blood linger on her tongue and throat-tearing screams ringing in her ears.

meanwhile, you — with your good instincts, strong fists and stronger heart —

it’s your destiny to end those nightmares.

you’re the thing that monsters like her are supposed to have nightmares about.

ii. you’re an angel / i’m a dog

there’s an intimacy to knowing how someone fights.

vi fights with bared teeth and burning rage, knuckles cracking against bone, elbows bruising skin without any remorse. her own wounds are half-hazardly hidden behind layers of gauze, her chest wrapped tightly to keep her heart from bleeding out. she doesn’t bother to clean the dirt underneath her nails, to wipe the blood from her upper lip after an opponent breaks her nose, to wash her face clean before smearing on more dark paint until all she sees in the mirror is a shadow of her former self.

you, on the other hand: you’re precise and quick in how you defeat your opponents, maybe even a bit bored. vi figures that when you fight monsters for a living, it must be fairly dull, knocking out some guy with a single, well placed uppercut, even if he is twice your size. your bandages are always fresh, and you always make vi a little dizzy when she catches a whiff of rose. you walk past her with a playful grin, easily replaced by the glint of your razor-sharp canines as you defeat another opponent in the arena. she listens as your heartbeat barely increases a beat, despite the inevitable adrenaline of battle.

you might not be as feral as her, but vi thinks you’re just as dangerous. she likes it, admires that your violence is always calculated rather than all-consuming.

she does wonder if you’d ever let anything consume you, curious to know what’s hiding under your armor.

so, a few days after she first woke up in your apartment, vi builds up the courage to suggest:

"whoever wins the most fights tonight picks up the tab for the bar."

your face brightens the dim, dirty sidelines of the pit as you’re both waiting for your turn, when you answer:

"you're on, killer."

later that night, both of your bodies are aching as vi tries to examine your injuries once you’re both done for the day, away from the roar of the crowd.

"guess i'll be picking up the tab," you smile, your lip splitting open even more, just like the morning after her knuckles first kissed your skin.

(she wants to kiss this wound closed, too, press her lips to your bloody ones, if you’d be willing to give her a taste.)

"i'll still take care of it, angel,” vi soothes. she rummages around the tiny locker room, a single light bulb flickering above you. finally, she finds a small first aid kit — poorly stocked, but good enough for now. “lemme take care of you first."

you must understand what vi’s implying, because your heart starts racing faster.

it’s a routine that becomes vi’s guiding light — the two of you patching each other up after a rough day (and, regardless of the fact that you’re both strong, it’s always a rough day). you share a drink at the bronze, and then you’re off slaying vampires or whatever other nightmares will keep you awake and fighting every night.

then, it’s another full moon, and the routine changes.

she’s able to prevent herself from turning even in the worst of circumstances, but she doesn’t want to risk any accidents, knowing that you’re out there on the prowl. vi is confident that you’d never hurt, let alone kill her, but that’s counting on you being able to recognize her.

vi locks herself in the basement of the bronze. spike, the bartender, let her crash in a storage closet, temporarily, no questions asked and a promise to keep it a secret.

she emerges from her isolation after three days, eyes stinging from the harsh morning sun. her first instinct is to head underground, search for you. she makes one stop beforehand, drops something off in the locker room before she’s ushered into the arena without any more preamble.

the show must go on, and you’re already center stage.

the lanky woman you must’ve just knocked unconscious is being dragged away. you spit out what looks like a combination of blood and saliva, and crack your neck before resuming a fighting stance, feet squared, bruised knuckles at the ready.

you falter when you see that it’s vi who’s your next opponent. vi picks up the increased pace of your heart, the muscle worrying against your chest.

you’ve had this conversation, though — about what would happen if you were ever up against each other again in the ring — and you both agreed: once the bell rings, the fight starts, because you both need the money to survive.

nothing personal. winner buys two rounds of drinks at the bronze. three, if there were some nasty hits involved.

you hadn’t needed to worry about any of that until now.

the bell rings, and vi waits for you to make the first move, like you tend to do.

but, you don’t.

the first time you were up against each other, vi dodged your attack and delivered a jab hard enough to make you bleed. you had looked at her with wide eyes, fingers touching your bottom lip and becoming stained with red as the crowd roared. you adjusted your posture with a newfound interest, and a glimmer of what vi can only describe as hunger.

this time, you drop your stance like you’ve already lost the fight. you ignore the shouts and groans from the crowd as you walk away.

….

vi finds you in the locker room — and you’re not alone.

“there a problem here?” vi asks, glaring at the guy you seem to be arguing with.

“it’s fine,” you answer coolly. still, vi sits on the bench nearest to the door, waits for you like a patient dog.

“fine?” the guy barks a laugh. he’s wearing topside clothes. an enforcer, no less. “you made me look like a fool.”

you scoff. “i doubt that’s hard to do.”

the guy suddenly reaches forward and snatches your arm. vi feels rage surge through her when his nails indent your skin. you must sense it, because your eyes lock with hers in a silent command not to do anything, not just yet.

“i don’t think you understand, bitch,” he seethes, face a pissed off shade of red. “i’m out more money than you’ll ever see in your entire pathetic life.”

“i’m sure you’ll manage.”

vi follows your gaze as it drops to his belt. he’s got his badge, a standard issue pistol, and a pouch full of gold coins.

“clearly i bet on the wrong fucking dog.”

you force a smile. “better luck next time, officer.”

you finally rip your arm out of his grip, push him away abruptly, effectively manoeuvring him to stumble between where you’re standing, and vi’s waiting. you gesture towards vi with a smirk, a taunting dare for this enforcer to challenge two of the undercity’s best fighters.

vi gets up just as he’s walking out, grumbling an incoherent string of swears. she not-so-subtly knocks into his shoulder and hip, her nimble fingers still quick.

“guess we can get dinner with our drinks, now,” she quips with a toothy grin. vi tosses you the pouch, but you don’t seem too thrilled, even as you catch it effortlessly.

“you can’t just disappear like that, vi.” your voice sharp, crossing your arms over your chest.

“i didn’t mean to,” vi lies, walking over to open your shared locker. she pulls out a bouquet of roses, the same deep red as dried blood.

vi pouts, gives you her best puppy dog eyes. “i’m sorry, angel.”

the only reaction she gages from you is a quickening heartbeat at the nickname, your face still hard to crack marble.

“this is serious, vi.”

“i know! but —”

“do you know what’s out there? i’m not the only monster hunter around here. you need to be careful,” you rush, walking over to her and talking with your hands. “i looked everywhere for you, and….and you just left without saying anything. i thought…i thought you’d been killed —”

your blood roars in vi’s ears, your pulse close to out of control, and vi doesn’t know what else to do except bring you into her arms in an attempt to calm you down.

“i’m okay, angel. i’m here. i’m right here,” vi mumbles against your shoulder, inhaling sweat and roses.

your heart starts beating steady against her own as you exhale.

“i was safe, i promise. i was in the supply close at the bronze.”

“are you kidding?” you guffaw, unravelling yourself from vi’s body. “that basement is a hellhole.”

vi shrugs. “it does the trick.”

you chuckle dryly, shaking your head.

“well, i guess now that i lost one of my best sponsors, fangs and i might have to move in there with you,” you deadpan.

you reach around vi to pull a jacket from the locker, slipping on worn leather that vi realizes is hers. you take the flowers from her with a small thank you, and vi adjusts the collar of her jacket on you, her warm fingers subtly grazing your pulsepoint. vi can’t help the possessiveness that sparks in her abdomen: you, wearing her clothes; you, heart beating rapidly for her.

“well…what if….i moved in with you?” deep down, she knows it’s not an ideal situation, but vi reasons: “we can pool our money together for rent. besides, what’s another stray in your home?”

you bite your bottom lip as you mull over the offer.

“well, you did buy me flowers, ask me out to dinner….seems like the logical next step.”

“so….”

vi wiggles her eyebrows at you, and you finally crack a smile.

it was only been three days apart and vi already felt deprived of the sunlight of your smile.

“okay, killer. as long as you don’t make a habit of disappearing on me.”

….

on paper, there might be reasons why you and vi, together, shouldn’t work, but the simple truth is that you do.

you still spend your afternoons engulfed in the darkness of the underground arena, patch each other up at the end of the day, share drinks at the bronze before parting ways.

now, in the mornings, you spend a few hours training together, moving furniture around so there’s enough space to spar. you try not to get distracted by how hot her skin is every time it brushes against yours, how solid her thigh is between your legs when she’s adjusting your stance, how a shattered moan emerges from her lips as you pin her to the floor after showing her a new technique to catch an opponent off-guard.

the nights are your favourite, though. like fangs, vi is able to fall asleep anywhere in the apartment, and is usually passed out by the time you’re off the clock from slayer duty. after the first few nights, you insist that vi sleep on the bed, and she begrudgingly agrees. now, you get home just before dawn, bone-tired, to find her belly up, drooling and snoring on top of the dilapidated mattress. the moonlight illuminates all the curves and shadows of her sculpted body, her skin shimmering with sweat because her body runs warm, even on the coldest nights. you can see the trail of pink hair disappear beneath her black underwear, while her dyed-black hair is a tangled mess you’re tempted to tug at, curious to see if she’d moan again for you. vi sleeps shirtless, nipples winking at you like two fallen stars with those titanium rods pierced through.

gods, you try not to drool when you slip under the covers and fall asleep dreaming of her, all the places you would sink your teeth into, all the places you wish she would do the same.

(meanwhile, vi tries to ignore the sound of your whimpers, the quick tempo of your heartbeat, and the overwhelming musk of desire between your legs as you sleep next to her, because she’s so sure that you would never dream of her.)

these fantasies of vi, all her warmth, all her chaos, gnaw at you from the inside out. it’s an overwhelming sense of hunger, but with vi, you also feel something else, something gentler and more fragile building between you.

it’s really the little things.

like, vi brings you fresh roses every week, and even though you keep telling her to save her winnings for better things, she tells you that pretty girls like you are worth it, angel. they should teach you that in slayer school.

she winks, makes you flustered, then has the audacity to blush when you leave her the ripest apples because you know that she likes them a bit sweeter.

sometimes you open the window as you share a cigarette, exhaling smoke into the starlit twilight as you exchange stories about your pasts, about the people you’ve loved and lost. she’s the first person you confide in about how weighed down you feel by the responsibility of being the slayer, a burden that’s cost you many loved ones, and the uncertainty of whether what you’re destined to do is truly what is good for the world. she tells you about her time in prison, the lonely nights lamenting the death of her father and brothers, but keeping her strength because she hoped to one day make it back to a sister she just ended up losing, anyways.

other times, the two of you play a game. you imagine that you’re elsewhere, that there are no such things as monsters, no reason to have to battle and bruise yourselves just to survive. instead, you have a life and a family and a home together, filled with luxurious parties, decadent dinner tables, and endless sunny days.

you comfort her and she comforts you through the dark, morbid world you both have been fighting against, alone, for so long.

it works. it works really well.

except — you’ve been the slayer long enough to know that nothing this good will last. it's nauseating — dangerous, even — this desire buried in you deeply like a knife to the gut, twisting and taunting you with what can never be.

you’re just waiting for the next nightmare to reveal itself.

….

vi’s hair has started to fade back to pink, so she asks you to re-dye it.

it’s easy to forget that she sits in a rickety chair in your decrepit but well-loved apartment because all she can think about is your body behind hers, solid and steady. your cool fingers work the dye through her hair, your nails scrape against her scalp, and you’re humming as fangs snores peacefully at her feet. she’s died and gone to heaven, pure bliss glowing in her chest and releasing through her throat as a deep rumble.

she closes her eyes and indulges in a little daydreaming:

just you and your sunburst smile and your soft, rose-petal skin.

there’s a firm knock that rustles vi out of her reverie, and you tell her to go rinse out her hair while you answer it.

she can hear you talking with someone through the rush of hot water. she tries not to eavesdrop, but…it’s difficult, especially once she hears:

“it’ll be fine. silver bullets usually do the trick,” you say, without much enthusiasm. vi bites back her hurt, keeps rinsing her hair, waiting for the water to run clear instead of sludge gray.

you’re not talking about her.

“i’m not sure you understand the severity of the situation,” a voice with a thick british accent replies. “i’ve been on the council for fifty years — five times longer than you’ve been the slayer — and i’ve never seen something quite this vicious.”

“my guess is you don’t get out in the field much,” you quip.

whoever you’re talking to clearly is not amused, ignoring your backhanded comment and instead offering the details of what has been witnessed in the past few days. it’s so gruesome and gory that vi herself is shivering as she turns off the shower, towels off, and gets dressed.

when vi opens the door, she almost trips over fangs, who’d fallen asleep just outside. she gets up immediately as vi steps out, her tail wagging. the owner of the stern voice — a man wearing a very pristine looking tweed suit — is handing you a crossbow, a bunch of silver-tipped arrows already splayed on the table. you notice vi first as your grip on the weapon tightens, and the man’s gaze follows.

“you know there’s a rule about slayers keeping….pets,” the man says, turning his nose up at vi and fangs from where they’re still standing at the doorway of the bathroom.

you glance back at the pair, jaw clenched, and then focus back on your unwanted guest.

“mr. travers, thank you for the heads up, but i believe it’s time for you to leave,” you clip, dropping the crossbow on the table.

“actually, i believe that we have much more to discuss, namely how you’ve allowed this mutt into your home —”

“get the fuck out of our apartment,” you practically growl. you walk towards him menacingly until his back is millimeters away from the door. “you of all people know what i can do.”

“you will be punished for this…this transgression,” travers warns, but there’s an unmistakable tremble in his voice.

you laugh in a way vi can barely recognize, sharp and bitter.

“fine. i’m no stranger to dealing with the council’s bullshit.” you open the door, flash an exaggerated, sickly sweet smile. “have a nice day.”

“i hope this animal is worth it,” travers huffs.

“she’s worth it,” you reply without hesitation before you slam the door on his ass, so hard that the walls shake, the vase in the kitchen toppling over and cracking on the counter.

vi’s seen you fight in the pit — hell, she’s been on the receiving end of some of your wicked moves — but she doesn’t think she’s ever seen you this angry.

your chest is heaving as you pace back and forth.

“so that sounds….bad,” vi remarks, heading over to the kitchen counter to gather the broken shards of pottery.

you freeze. “how much did you hear?”

vi just shrugs. “just that there’s something bad out there —”

“don’t worry about it,” you say with a forced smile. you walk over and push some damp hair away from vi’s eyes. “let’s take fangs for a walk before we leave, yeah? while it’s still light out.”

there are whispers throughout the next few days leading up to the full moon. the crowd at the arena starts to thin, most topsiders too scared to journey underground with rumors of a bloodthirsty monster on the loose.

you’re not sleeping anymore, still fighting during the day to a half-empty arena, out on patrol at night, your rosy scent fading from the bedsheets with each passing night. even if you get home before dawn, you spend your time scouring through books and scribbling into your notebook, mumbling to yourself theories about where and how you can stop this thing. vi tries to get you to take a break, or at least eat instead of burning through shimmer-laced cigarettes to keep yourself awake.

the best vi can do is convince you to sit down on the couch with her and share a snack. you settle for doing some research, flip through yellowed pages as you take a bite of an apple, juice dripping down your chin.

vi reaches her finger out, puts it in her mouth to suck off the juice, moaning around the salty-sweet taste of your skin. you let out a pleased hum, turning your attention back to your research, but angling your body to invite her closer. vi nuzzles into your side, puts her head on your lap, twitches in pleasure as you reach down to scratch behind her ear.

she looks up at you, and you finally give her a real smile — the first ray of sun after a pitch dark night.

a slice of paradise vi was certain she’d never find.

….

the night of the full moon is when all hell breaks loose.

vi tries — she begs you not to go out there, sensing that tonight, of all nights, it will be at its strongest. but you, too headstrong and too righteous for your own good, just won’t listen.

“this thing has killed eleven people in less than a week. i don’t care what phase of the moon it is — i’m ending this, tonight.”

“why does it have to be you? that thing is stronger than anything you’ve ever fought!”

“which is why i’ve been preparing,” you snap.

“can’t you – can’t you just call the fucking council, or something, tell them to deal with it?”

fangs is right there with vi, scrambling and whining as you’re meticulously arming yourself with as many weapons you can carry.

you scoff, notching a few silver blades to your belt. “it’s not their responsibility, it’s mine. where the fuck — i can’t go out only in this tank top, it’s fucking freezing — ”

vi swallows the lump in her throat.

“you’re gonna die if you go out there alone.”

“yeah, well, i’ve accepted my fate a long time ago,” you say stoically.

you’re fairly well supplied at this point; if vi was the monster you were hunting, she’d be running scared from a glance alone. you’re only half paying attention to vi’s pleas, and sigh in relief when you find what you’d been looking for.

“please, angel, don’t —”

“i was literally born for this, violet. if i don’t go out and stop this thing from killing more people, then my life is worth nothing.”

“you make me happy!” she shouts desperately, forcing you to pause as you slip on her jacket. “that’s worth something, isn’t it?”

a tense silence follows.

you freeze for a few moments, avoiding vi’s gaze. then, you walk over to the cabinet, grabbing something so quickly vi can’t pinpoint what it is and stuffing it in your back pocket. you clench and unclench your left fist, a tick of yours that vi recognizes from the arena.

you’re planning your next move.

in a daze, you pick up the crossbow, but you hesitate once more —

“fuck,” you exhale before letting the weapon clatter to the ground and rushing over to crash your lips against vi’s.

you’re kissing and kissing, teeth and tongue and a pleasure so guilty, vi’s sure she’ll be damned for all eternity. vi’s lungs are burning when she pulls away first.

“wait. you should know that i’m —”

“i still have to go,” you interrupt, voice determined and sharp, cutting right through to vi’s heart.

there’s a fear curling up her throat as you watch her, your eyes the darkest she’s ever seen them.

“then let me – i mean, i can help —”

you kiss her again. you taste so heavenly, better than she ever dreamed of, that vi doesn’t even care that it’s probably just to shut her up.

she almost doesn’t notice that you’ve cornered her between the kitchen counter and the front door, until she hears a distinct click, feels something heavy and burning against her wrists.

you pull away first this time, eyes glazed over as you back away to make space between you and what you’ve done:

vi, handcuffed to the exposed heating pipe. the cuffs are stronger than any vi has ever been bound by. must be made of real silver. the metal sears into her skin, down to the bone, as she struggles against them, screaming to the point of howling, watching as you pick up the crossbow and a handful of silver tipped arrows as a final hail mary.

“no!” she cries. the pipe you’d cuffed her to rattles, but it doesn’t give. “please, please don’t —”

“i’m…i’m really sorry,” you mumble, quickly wiping away a tear. vi flinches when you try to touch her cheek; she bares her teeth at you like a rabid beast, but you don’t give her the courtesy of a reaction.

“why are you doing this?” she growls.

“because….you deserve a happy ending, violet. don’t let anyone tell you otherwise.”

you take a deep breath. you look at fangs, affectionately pat her head as she bows her head and whines, tail between her legs. “bring her the key once it’s morning,” you instruct. your eyes slide over to vi’s, for what she fears might be the last time. “take care of each other.”

with that, you’re out the door.

vi isn’t sure how much time passes. her wrists sting, her muscles ache, but still, she keeps going. she doesn’t care how, but she’s not letting you die tonight.

a sliver of moonlight shines through the window. something claws at her ribcage.

you’re not dying tonight.

and vi’s been hungry for too long.

iii. all my devotion turns violent

the streets are empty, deserted due to fear and damp from the cold evening rain.

you search through the shadows, around every corner, play with one of your daggers just to pass the time, the blade weaving between your expert fingers.

all you can really think about, though, is vi, and how scared she was to lose you, and how terribly you must have hurt her —

fuck.

you accidentally sliced through your palm, your blood emerging as thick, black tar in the darkness. you sigh and kneel down in the alleyway, dropping your heaviest weapon so you can use your uninjured hand to wrap the other.

something pounces on you before you can stop the bleeding. the crossbow — the weapon that was supposed to deliver a fatal blow — is now out of reach.

you jab one of your silver blades into the creature’s side; he howls, but you manage to kick him away long enough to get to your feet, get a better sense of what you’re fighting. you’ve never seen anything like it before: a hulking mass roughly five times your size, wolf-like features, and chemical machinery woven throughout his body, a neon green liquid pumping through glass tubes.

the beast growls at you, lunges forward once again; you jump out of his path, roll away so run, fast, and grab the crossbow. you quickly notch a silver tipped arrow, aim at his heart; you hold your breath and fire without hesitation. then another, and another, just to be safe.

your stomach turns as you watch the creature remove the arrows as if they were nothing but splinters. he lets out a roar that shakes the earth. you’ve made him angrier.

you drop the crossbow, deciding instead to propel yourself off the wall, leap onto the beast’s shoulders and stab the glass tubes with all the force you can muster. green liquid gushes out, and the beast howls in pain, but doesn’t give up. with sharp claws, he throws you to the ground, and you shriek as he tears through the skin of your ribs.

you’re very suddenly dizzy, bleeding out on the cobblestones, yet continue to struggle with whatever strength still courses through your veins. the beast looms over you, foaming at the mouth, and your vision is getting fuzzier by the second.

that’s when you see a flash of dark fur, almost fuschia in the moonlight, jump in front of you, knock the beast out of the way, tumble to the side. you glance at the creature that saved you — a wolf with a fierce set of teeth and beautiful powder blue eyes — before you fall unconscious.

iv. stitch me up (touch me inside and out)

vi barely registers that the temperature in the apartment is dropping.

she doesn’t regret how she had to rip the heating pipe from the wall — there are nasty burns, still untreated, stinging her wrists where the silver cuffs had restrained her.

she doesn’t regret transforming from human to something wild, unrestrained, in order to save you from something much worse.

she’s still burning off adrenaline, her nervous system on high alert. it’s been a while, and she’d forgotten how exhilarating it can be.

it all happened so fast. there was something oddly familiar about the beast; he seemed to recognize vi, too. that’s the only explanation — for all the ruthless, bloody stories she’d heard, why else would he have let vi take you away and just disappear into the night without so much as a growl?

vi doesn’t have the energy to answer such questions. all she cares about is you. she can’t get over the overwhelming scent of your blood, already spilling out onto the street when she showed up. she almost lost control, blinded by rage and a desire to kill the beast — but you were there, on the brink of death, and she just wanted you to be safe, wanted to bring you home.

she just hopes she wasn’t too late.

vi hyper-focuses on your labored, disjointed breaths from where she tucked you in. she tried her best to stop the bleeding and dress your wounds with combinations of herbs and flowers she frantically read about in one of your books, desperate to keep you alive.

you’ve lost blood. a lot of blood.

vi wants nothing more than to curl up on the bed next to you, but after you saw her last night, once you realize that she’s no different than the savage beast you were so determined to kill, she’s not sure you’d want her near you.

she’ll just stay long enough to know that you’ll wake up, and then she’ll be out of your life forever.

dawn breaks. the sun shines through cracked, frost covered windows, and your eyes remain shut.

your heart’s still pumping blood, which is a good sign, but otherwise….

day bleeds into night, and you’re still out cold. vi manages to drip some water between your parted lips, and watches with relief as your throat reacts accordingly. you let out a gentle sigh, eyelids fluttering ever so slightly.

“please wake up,” vi whispers.

fangs jumps onto the bed and whimpers, nudging her nose against your arm so that she’s snuggled underneath. vi drapes a blanket over the pair of you.

another sleepless night passes.

at first light, vi changes your bandages. she struggles a bit, given her injured wrists, but she’s pleased to find you healing from what might have been a fatal injury to most humans. she tries to feed fangs, but the dog refuses.

fair enough — vi can’t bring herself to eat, either.

instead, to pass the time, vi glues together shards from the broken vase and places it back on the kitchen counter. there are no more fresh roses; vi decides she’ll bring you some as a parting gift once you’ve woken up.

you’re shivering by the time darkness starts to creep in. vi piles as many blankets as she can on you and fangs, but it’s not enough. vi accepts what she had been reluctant to do: she slips into bed next to you, uses her body to keep you warm, arms wrapped around you protectively.

vi doesn’t remember falling asleep, but she wakes up late the next afternoon, to cold rumpled sheets and an even colder empty apartment.

you must have a knack for perfect timing, because just as vi’s about to start spiralling, the front door swings open and it’s you — cheeks slightly flushed from the cold, holding a brown paper bag with one arm while your other hand grasps the key. fangs rushes through the door, too, tail wagging as she zooms around the apartment, bounces on the furniture and lets out excited little yaps.

“morning, killer.” you smile like you hadn’t been knocking on death’s door since a few nights before. “i would have waited, but you were pretty knocked out and fangs had a ton of energy to burn. clearly she still does,” you chuckle, sending a warm, fuzzy feeling through vi’s body. “i got us some food, too, and i’ll contact the landlord to fix our — whoa!”

the bag drops to your feet as vi pounces on you, engulfing your body in her arms and squeezing tightly. your heartbeat is as strong as ever, steadies her own frantic pulse.

“s-sorry.” she pulls away and takes a step back. “i shouldn’t have —”

you just shake your head and press a finger to her lips to quiet her.

“i’m sorry,” you say. “i shouldn��t have — i shouldn’t have treated you like that; shouldn’t have used who you are as a weapon against you. you saved me, vi.” you take a shuddery breath. you place a gentle hand on her cheek. “thank you.”

it takes vi a minute to process what you’ve said.

you thanked her for saving you.

you apologized for using who she is as a weapon.

what did you mean by that?

unless —

i’m not the only monster hunter around here. you need to be careful.

she’s worth it.

you deserve a happy ending, violet. don’t let anyone tell you otherwise.

“you….knew,” vi realizes, and even as she says it, she can’t quite believe it. “how….how long?”

“from the first time i landed a punch on your handsome face.” smiling softly, you run your thumb over the faded burn on her cheek, the one mirroring her tattoo, the one left by your silver ring.

“are you serious?”

“well, fine, i didn’t know what you were, not exactly, until later. i just had a pretty good feeling that you weren’t human; you had a pulse, so you couldn’t be a vampire, which meant —”

“you knew what i was this whole time and it didn’t bother you?”

you shrug. “you knew what i was this whole time and it didn’t bother you.” while vi continues to stare at you in disbelief, you bend down to pick up the fallen items. vi crouches down with you.

“that’s different,” she reasons, handing you a soft red apple, your cold fingers brushing over her warm skin momentarily.

“i don’t think so. not all monsters are evil and not all humans are good. i saved you from a human that night, remember?”

“b-but you’re you and i-i’m me.” vi scrambles to find the right words. she’s still shocked at how calm you are. is it really as simple as you make it seem? “you weren’t….scared that i’d hurt you, because that’s who i am?”

you get up and place the bag of groceries in the kitchen, lean against the counter as you stare back at vi. instead of answering, you challenge her once again:

“were you scared that i’d hurt you?”

vi blinks at you. “never.”

“there’s your answer,” you declare, giving her that razor-sharp grin you flash whenever you win a fight.

fangs has calmed down, and she’s asleep on the living room couch, her snores the only sound between you as vi processes everything that’s been said.

she feels like her entire world has flipped upside down.

this whole time…..

it went terribly when she last told someone the truth, at least anyone outside her family, and even they would sometimes walk on eggshells around her, like they were worried she might snap.

but you….you’ve sparred and you’ve bickered and you never even flinched once.

you welcomed her into your home, into your life.

you kissed her.

this whole time.

“i was scared you wouldn’t love me, if you knew,” vi admits, a whisper so soft that she’s almost sure that you didn’t hear.

except you falter then, your confident posture melting at her confession. your lips part in a soft exhale.

“well, it’s like you said; i knew this whole time, and i still….” you swallow the rest of your sentence, but you’re looking at vi with so much adoration that it’s overwhelming. “i still want you.”

her brain short circuits, and all vi can think to do is kiss you.

it starts sweet, your lips rose-petal soft. her lips are chapped, rough against yours and already bleeding from the pressure. you run your fingers through vi’s hair, swallow her moans. she’s dizzy with anticipation, imagining how you might do the same when she’s between your legs later. you kiss the scar on her upper lip, gently like you’re hoping to heal the permanent wound. then, your tongue laves over the cut on vi’s bottom lip, soothes her, pushes into her mouth again so you’re both tasting copper.

but then, you bite down, and a desire buried deep within vi is unleashed: the desire to cut herself open for you so you can love each and every part of her. even deeper down, vi hopes that you’d want the same.

vi brings a hand up to your jaw, pushing you into her mouth even more. she lodges her thigh between your legs and shoves her tongue into your mouth when you gasp. one of your hands slips underneath her shirt to trace the contours of her abdomen, meticulously outlining each one.

“it’s been days since you’ve eaten, hasn’t it?” you mumble against her lips, pulling away slightly. your brows pinch together in worry, because you already know her body too well, can tell that each muscle is more defined, each edge a bit sharper. “you must be starving, baby. let’s eat something before —”

vi whines when you start to pull away even more.

“we can do that after.” she offers you her best puppy dog eyes as she pleads: “i’m hungry for something else now. i want you.”

to prove her point, vi guides your hand to her belt. your fingers dance along the metal and she eagerly awaits your response.

“fine,” you decide. “but whoever has the most orgasms makes dinner.”

“you’re on, angel.”

her breath hitches when your hand moves down the waistband of her pants; you play with her tangle of curls, tease the tip of your fingers into her wetness. she purrs against you.

“wait —” you pause your actions. vi whimpers when you remove your glistening fingers; you take off the silver ring on your pointer finger, grinning guiltily as you toss it on the counter behind you. “that would have been bad,” is all you say before inserting two fingers into her already slick pussy.

“ugh, ah — fuck, just like that, angel,” she moans, twitching as you ram your fingers into her.

you hum, stuff another finger into her heat, stretching her so deliciously that her legs start to tremble.

“such a good girl for me. aren’t you, violet?” you coo and start sucking the skin behind her ear. “you gonna make a mess, right here in our kitchen?”

and that does it — vi’s walls tighten around you, her wetness soaks through her clothes; she’s almost sure that it drips down onto the floor. vi whines as you remove your fingers, feeling empty. you shove your syrupy fingers into her mouth instead, her tongue greedily lapping up her own cum. a string of spit follows as you rip away your fingers and press your mouth against vi’s kiss-swollen, cum-covered lips. you feel something smouldering in the pit of your stomach at her whimpers; you’re nowhere near satisfied, but her eyes, all wide and dark and desperate, are pleading at you to let her indulge in her hunger, as well.

“what else do you want?”

vi paws at your breasts from above your shirt.

“i want to fuck you,” she declares, and you nod eagerly, your body bursting into flames.

she gestures at you to wrap your legs around her hips, and she carries you to the bed as you kiss more fiercely, teeth clacking and tongues fighting to explore every crevice of her mouth. you tear each other’s clothes off; but the cold air doesn’t faze you in the slightess, because you have vi, hot and passionate, above you, keeping you going.

your teeth gnaw on her bottom lip as vi messily thrusts against you, your cunts sliding against each other; sticky, languid bliss.

vi takes her time. she wants to savor every part of this, of you — the sting of your nails scratching down her tattooed back, no doubt leaving red marks in their wake; the familiar scent of your skin, sickly sweet roses, combined with the thick musk of your desire, dripping against hers so deliciously; the hoarseness of your voice, encouraging her to go faster, harder.

she nudges her nose against the crook of your neck, salivates at how your vein pulses for her like a tantalizing butterfly. her teeth graze your pulsepoint, but she’s trembling with the amount of self control it takes not to add any more pressure.

“v-vi,” you breathe her name like a prayer. “baby.”

a guttural moan bubbles from the back of her throat in response.

you gently run your fingers through her hair, coax her to look you in the eye, the gesture a sharp contrast to the harsh squelching of your cunts against each other, melding together with each determined thrust.

“you – ah,” you gasp as vi rolls her hips into yours with even more vigor. “you can bite me, if you want.”

vi licks her lips, swallows the hunger burning in her throat because you must be too fucked out if you’re willing to let vi fully indulge in this craving.

“but then you would —”

“lycanthropy is only transmitted when you’re in wolf form,” you explain through labored breaths. “so if you bite me now….and gods, i’m begging you to…..nothing’s gonna change.”

“i have never been more thankful for your slayer training,” she growls. “you really want that, huh? for me to mark you up really good, show everyone that you’re mine?”

“o-only if i can do the same,” you manage a smirk. “or are you all bark and no bite?” you tease, buck your hips upwards. vi is willing to die for your knife-like smile alone, so of course. she’d let you eat her whole, if that’s what you really wanted.

vi finally sinks her teeth into you, rolling her eyes back at how absolutely luscious you taste. like a good girl — your good girl — she follows your orders and bites. she bites down your neck, across your shoulders and collarbones, relishing in the imprints left in her wake.

vi knows now that she calls you angel for a reason. it’s a religious experience, watching you throw your head back against the pillow as your orgasm crashes through you. vi follows a few seconds later until you’re covered in her — she drenched the curls of your bush, her cum dripping down on your own wet pussy as she watches from above. vi can’t help it; she bends down, and you jolt slightly when her cold nipple piercing brushes against your clit. she does it again a few more times just to appreciate how you whine, rut your pussy against her perky breast, begging for more.

but, vi’s on the hunt for something else — she splits your folds with her sharp tongue, sucks any and all of your shared essence. she lets it slosh around in her mouth before hovering over you once more, silently ordering you to part your wet lips; when you comply, so obedient, vi spits into your wanton mouth, thick and velvety.

“swallow,” she orders, voice rough with lust. you do so quite eagerly.

and just like that, you’re back to grinding on each other, leaving a delectable mess along the skin of each other’s thighs. the tension in vi’s abdomen snaps when you wrap your lips around her nipple, suckling at your own wetness until drool dribbles from the corner of your mouth.

after feeling her gush against you, a feral impulse rips through you. you release her nipple with a distinct pop, the cold metal still burning on your tongue as you yank vi’s hair, exposing her tender skin, glittering with sweat in the dark golden light as the sun starts to set. you pull her close, bite around the tattoo on the side of her neck, hard. vi howls in pleasure as you taste salt and iron and her, reaching your peak.

vi waits patiently as you come down from your high, chest heaving, your neck still engraved with the outline of her teeth while yours are stained red. you crash your lips onto hers, chaotic and insatiable, kissing her like she’s your last meal. in turn, she licks into your mouth, tongue tracing your canines to savor what you’ve consumed of hers.

“you sure you’re not a vampire? that would be quite the scandal,” vi jokes later when you’re sitting in her lap, taking time to clean each other up. vi’s only wearing a shirt, but you’ve doubled up on clothes, the apartment growing colder as night approaches.

you already tended to the burns on her wrists (and apologized profusely for causing them; you also scolded her a bit for not tending to herself sooner). now you use disinfectant to wipe down her neck, where you broke skin; you quickly place a bandage that soothes the sting and vi presses a grateful kiss to your sternum.

you hum around the unlit cigarette in your mouth, which you had rolled beforehand with dried rose petals. with your hands unoccupied, you reach for your lighter. vi tilts her chin to gaze up at you; you’re backlit by the evening twilight, a silver halo around you as flowery smoke billows from your mouth.

“i’m sure they won’t be thrilled to know that a slayer’s fallen in love with a werewolf, either,” you muse, beaming at her.

vi clicks her tongue. “sounds like we’re breaking some bylaws.”

“oh, she’s worth it; i’d do anything for my charming, sexy, handsome werewolf.”

you lean forward and exhale smoke into vi’s parted mouth, lips brushing against each other as you share the same breath. you sit back once your lungs are burning and admire the view.

vi — normally all rough edges and dark shadows — blushing a delicate pink as you praise her.

“she’s got a killer right hook, too,” you continue. you offer vi the cigarette and she nods; you hold it, place it between her lips as she takes a drag. “a body so hot that it’s honestly unfair. she’s a fighter, which i love, and some people might think she’s just a scary dog, but i think she’s beautiful and brave and a total softie —”

“okay, okay,” vi coughs, the tips of her ears red. she takes the cigarette from you and stubs it out on the makeshift ashtray by the windowsill. vi rolls over so she’s on top of you, cupping your face in her hands. she pecks across your cheeks until you’re giggling; you try to turn the tables, and the two of you just end up wrestling in a tangle of sheets and laughter and tender kisses.

eventually, you both calm down.

“you hungry?”

“not really. you?”

vi shakes her head. “we’ll make breakfast together in the morning?”

“sounds heavenly.”

it’s dark outside, but the stars are out and the waning moon shines bright. vi positions herself behind you, her body curving into yours, chin notched over your shoulder and arm secure on your waist.

fangs must feel left out, because she shuffles under the covers for warmth before immediately falling back asleep, her fur tickling at your feet.

your thumb rubs against the gauze on vi’s wrist. you can’t help but feel regret, heavy like lead in your stomach.

“baby, i’m fine,” vi assures, already knowing what you’re thinking.

“i….i just hate that i did this to you,” you mumble, bringing her wrist up so you can kiss it.

“you were trying to protect me. it’s what we do, yeah? protect each other?”

when you hum in agreement, vi guides you to turn around so you’re facing each other. on instinct, she parts your legs with her thigh. your sweatshirt has ridden up, so vi starts to rub circles onto your exposed hip bone, her touch soft as velvet.

“next time you go out there, i’m coming with you.”

your breath hitches as you trace the tattoos licking up her arm. “vi….”

“this isn’t up for debate,” vi declares. she reaches her hand up to caress your cheek, thumb delicately rubbing the shadows under your eye. “you almost died. whatever almost killed you is still out there. you’re strong — gods, you’re the strongest person i’ve ever met — but you don’t have to face any of this alone. not anymore.”

you let out a surprised laugh.

“what?” she murmurs shyly, her eyes the soft, pale blue of moonlight, star-like freckles dazzling her sculpted cheeks.

“no, it’s just….anyone who’s known that i’m the slayer either calls me delusional, runs scared, or expects me to do it all by myself. hell — that’s how it was written, how it was destined to be."

vi nudges her nose against yours. her breath tickles your lips, heats up your entire being with a warmth so divine, you wonder if you actually have died and gone to heaven.

you’re both alive, though, a bit bruised and wounded. the world is dark and cold, but here’s this beautiful, strong girl with a beautiful, strong heart who holds you close, parts her full lips — like two rose petals, kiss-bitten and crimson — and vows:

“fuck destiny. it’s you and me now, angel.”

v. my heart is black and beats for you

TWO MONTHS EARLIER

it’s a quiet night. you spent most of it lamenting how you got your ass kicked earlier and fantasizing about the woman who did it, when you see a shadow of a person passed out at the corner of the street, and another trying to steal from them.

someone has to stand against the forces of darkness and evil, and the universe somehow determined that would be you — a fate you’ve had to accept through bruised ribs and broken hearts and bloody prophecies, but one you’ve had to accept nonetheless.

if that goes beyond vampires and demons, so be it.

after you’ve managed to send the creep on the run, you recognize the person you saved:

it’s her.

she looked more intimidating in the pit, honestly — all harsh and dark, furrowed brows and vicious snarls.

it takes you kneeling in front of her to be able to really see it through the black face paint. you take a little pride in the bruise that blossoms on her cheek and the cut through her eyebrow, thinking that at least you got a few shots in before she took you out with a killer right hook.

your jaw still aches and you still taste copper thanks to her, but without the roars from the crowd or the pressure of hefty prize money that you need to survive, you can see her more clearly. she’s bleeding through her bandages; she’s shivering because, gods, it’s freezing this time of year and all she’s wearing underneath a flimsy leather jacket is scrap fabric that would not be counted as a shirt; and she looks like she hasn’t eaten in days despite reeking of alcohol.

that’s when you see a burn on her cheekbone, too, just about where your silver ring would have collided with her skin. you hold your breath, lean in closer to her chest and listen closely to check — the thumping of a strong, steady heartbeat; the gentle rush of blood flowing through her veins.

so, not a vampire. maybe a human with a silver allergy, but what’s more likely is that she’s….something else.

“hey.” you whisper. when she doesn’t respond, you cup her face in one hand and tap her bruised cheek with your thumb. her skin is warm; if she were a human, you’d think she had a fever. “wake up.”

you resist the urge to jerk away when she softly takes your hand in hers, the gesture a sharp contrast to her knuckles bloodied from earlier.

“five more minutes, cupcake,” she whines, her voice echoing down the empty alley.

“look, it’s late and freezing. we should really go before —”

“please. just stay with me. i promise i’ll be good.”

your chest aches at her sincere tone. did you sound the same, when you made a similar promise before to the people you’ve loved after they found out who — what — you are? did you also look so broken, so bruised when they left?

you know the council wouldn’t approve of what you’re about to do.

but you also know well enough from years of studying and training and fighting as the slayer that their judgement should not be taken as scripture.

in other words: fuck the council.

(plus — you need a friend, or just….someone. it’s lonely, being the chosen one. and this girl, in front of you — when you fought, her body reacting to yours so fluidly, you had somehow never felt more understood.)

you manage to get her to her feet.

she mumbles something incomprehensible into your neck, her breath hot against your skin. you let her lean into your body after a weak attempt at holding herself up. it’s not much trouble for you, though. it’s a cold night, anyways; her body, solid and warm, is almost comforting against yours.

you trust your instincts and carry her home.

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