#Jazz and Identity
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omegaphilosophia · 10 months ago
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The Philosophy of Jazz
The philosophy of jazz is a rich and complex topic that encompasses the cultural, social, and musical dimensions of jazz as an art form. Jazz is not only a genre of music but also a way of thinking and being, reflecting values such as spontaneity, creativity, individuality, and community. The philosophy of jazz explores these themes, often connecting them to broader philosophical questions about identity, freedom, expression, and the nature of art.
Key Themes in the Philosophy of Jazz:
Improvisation:
Spontaneity and Creativity: Improvisation is central to jazz, emphasizing the importance of spontaneous creation and the ability to express oneself in the moment. This process challenges traditional notions of composition and performance, highlighting the dynamic interplay between structure and freedom.
Philosophical Reflection: Improvisation in jazz can be seen as a metaphor for life itself, where individuals must navigate unpredictability, make decisions on the fly, and adapt to changing circumstances. It reflects a philosophy that values flexibility, responsiveness, and the capacity to create meaning in real-time.
Freedom and Expression:
Artistic Freedom: Jazz has often been associated with the idea of freedom, both musically and socially. Musicians are encouraged to express their unique voices, experimenting with form, harmony, and rhythm. This freedom of expression is a core philosophical value of jazz.
Social and Political Dimensions: Jazz has historically been a voice for marginalized communities, particularly African Americans. It has been a medium for expressing resistance, resilience, and the struggle for civil rights. The philosophy of jazz, therefore, often intersects with discussions of freedom, equality, and social justice.
Individuality and Community:
Balancing the Individual and the Collective: Jazz is both a highly individualistic and a deeply communal art form. While it celebrates the unique contributions of individual musicians, it also depends on the interaction and collaboration within the ensemble. This balance reflects a philosophy that values both personal expression and collective harmony.
Dialogical Nature: The interplay between musicians in a jazz ensemble can be seen as a form of dialogue, where each musician responds to and builds upon the others' contributions. This dialogical aspect of jazz fosters a sense of community and mutual respect, where each voice is heard and valued.
Innovation and Tradition:
Respect for Tradition: Jazz has a deep respect for its roots and traditions, drawing on blues, gospel, and earlier jazz forms. Musicians often pay homage to past masters while exploring new directions, creating a dialogue between the old and the new.
Philosophy of Progress: At the same time, jazz is characterized by its constant innovation and evolution. The philosophy of jazz embraces change, experimentation, and the breaking of boundaries, reflecting a commitment to progress and the exploration of new possibilities.
The Blues Aesthetic:
Emotional Depth and Authenticity: The blues is foundational to jazz, bringing with it a philosophy that values emotional honesty, resilience, and the ability to find beauty in adversity. The blues aesthetic in jazz emphasizes the expression of deep, often painful emotions, and the transformation of those emotions into something meaningful and uplifting.
Existential Reflection: The blues, and by extension jazz, often grapples with existential themes such as suffering, loss, and the search for meaning. This reflects a philosophy that acknowledges the complexities of the human condition and the power of music to address and transcend those complexities.
Time and Rhythm:
Philosophy of Time: Jazz’s approach to time and rhythm, with its syncopation, swing, and complex rhythmic patterns, reflects a unique philosophy of time. Jazz often plays with the conventional understanding of time, stretching, compressing, and manipulating it in ways that challenge the listener's expectations.
Temporal Experience: This manipulation of time in jazz can be seen as a reflection on the fluidity of time itself, offering insights into how we experience and perceive time. It highlights the possibility of multiple temporalities coexisting, resonating with broader philosophical discussions about the nature of time.
Cultural Identity and Global Influence:
Jazz as a Cultural Expression: Jazz is deeply rooted in the African American experience, and its philosophy often engages with issues of cultural identity, heritage, and the diaspora. Jazz reflects the blending of African, European, and American musical traditions, creating a unique cultural expression that speaks to issues of identity and belonging.
Global Impact: Jazz has become a global phenomenon, influencing and being influenced by musical traditions around the world. The philosophy of jazz includes an appreciation of this cross-cultural exchange, recognizing the music's ability to transcend cultural boundaries and create a shared human experience.
Ethics and Aesthetics:
Moral Dimensions: The philosophy of jazz also includes ethical considerations, particularly regarding authenticity, integrity, and respect for the music and its practitioners. Issues such as cultural appropriation, commercialization, and the role of the artist in society are relevant to philosophical discussions about jazz.
Aesthetic Values: Jazz challenges traditional aesthetic values by embracing dissonance, irregularity, and complexity. It often defies conventional notions of beauty, proposing instead an aesthetic that values the raw, the real, and the unexpected.
Jazz and Existentialism:
Existential Themes: Jazz, particularly in its emphasis on freedom, individuality, and the search for meaning, shares affinities with existentialist philosophy. Both jazz and existentialism explore the human condition, the experience of alienation, and the quest for authenticity in an uncertain world.
Living Authentically: Just as existentialism advocates for living authentically in the face of an absurd or indifferent universe, jazz musicians often strive to find and express their authentic selves through their music, creating meaning through their art.
Jazz as a Way of Life:
Philosophy in Practice: For many musicians and fans, jazz is more than just a genre of music—it is a way of life, embodying a particular attitude toward life that values creativity, spontaneity, and the pursuit of excellence. This philosophy encourages living in the moment, embracing uncertainty, and finding joy in the process of creation.
The philosophy of jazz is multifaceted, touching on themes of freedom, individuality, community, creativity, and cultural identity. It reflects a way of thinking and being that is deeply intertwined with the music itself, offering insights into both the human experience and the nature of artistic expression. Jazz philosophy encourages an open, responsive, and innovative approach to life, celebrating the beauty of improvisation, the richness of diversity, and the power of music to connect, challenge, and inspire.
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flamingpudding · 6 days ago
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Dan's Rage Room
It all started as a little Joke for Danny. Jazz mentioned Dan needing a place to decompress and that resulted in Danny getting a crazy idea while he sat in the Buisness Class Course of his Highschool. It wasn't supposed to become a serious business but somehow the little warehouse in Amity Park he secured, through blackmailing Vlad cause the man owns him after all he was put through. Became an official big store, once Dani put up a sign saying 'Dan's Rage Room' as joke.
People of Amity Park apparently thought it was a legit store. And damn... Danny shouldn't have been as surprised as he was when more and more people appeared and asked how much an hour costed. It was Sam and Tucker that then convinced him to make it a legitimate Business, Jazz and his mother helped him fill out the form. And so 'Dan's Rage Room' became Danny's very own Business. Though he did try to push splitten ownership onto his clones/time selves/ cousins/ clone siblings / clone kids (It's complicated okay? Danny still hasn't figured out how to categorise Dan and Dani, but hey they were family.) But Dan and Dani refused to take any sort of owner ship, even when everything originally started as a place for Dan to unwind.
Eitherway his Business grew, and Danny ended up expanding to other cities, figuring out that if Amity Park's people needed this, others would too. With a bit of help and unwilling on his part teaching from Vlad. Danny opened up more Stores, Central City, Metropolis, Star City. Unintentionally Danny made enough money so much that he didn't knew what to do with it and suddenly felt a new kind of understanding for Sam. Despite being sure his parents likely already did that Danny made money Fonds for Jazz, Dan and Dani. He didn't have much hope to go to collage himself considering his grades but that was fine with him. (According to what clockwork let slip and he hadn't told anyone, he would become King of the Infinite realms anyway, no need for a college degree for that, right?)
And wenn his sister decided she wanted to go to university in Gotham, the most crime riddled city known? None of the three D's hesitated to follow. Danny opened another branch of 'Dan's Rage Room' deciding that would finance their live in Gotham and still be an outlet for Dan.
What Danny didn't expect was the amount of people that weren't just 'goons' like he expected paying to let loose in there. Not that he recognised them but some of Danny's new regulars made sure he knew who some of the apparent Big Names showing up to his store were.
Jason at first thought that a new drug place had opened up at the border to Crime Alley, but after observation and seeing not just Goons but also regular Gothamites frequenting the place. Jason gave it a cautious shot, he wallst into the place completely geared up as Red Hood expecting some muscular unkept drug dealer or something at the reception, but what he found was a boy that didn't look older than Tim, small lanky and looking weirdly tired. That took the wind out of his sails as he stared stunned at the kid for a moment.
"Ah... I see guns. A bullet room then? You seem new too, first time? An hour costs 50 bucks added 5 for every additional half an hour." The boy looked up briefly before looking back down at the book he was reading, muttering something about his sister making him visit online classes.
Jason was just about to say something when someone walked in behind him and he blinked. A fucking dump truck of muscle walked in flaming white hair looking ready to rip something apart. The kid didn't even look up as they held up a green card and the guy stomped past him into a door, Jason assumed lead to the... rage rooms?
It took a moment but once he composed himself again, Jason opened his mouth again only to get interrupted by a little girl stomping in next, screeching about a fruitloop and stupid galas and stupid boys. Again the boy at the reception didn't even loop up, holding another green card to the girl who then proceeded to go through the same door the other guy had.
Once again it took Jason a moment to compose himself again, before he spoke, gruff and voice modulated. "One hour... gun room." He would snoop around if he could but if this really was just a rage room business... well he had some unresolved frustrations with B stocked up he could let loose.
Jason quickly became a regular at that place, he kept visiting it, even when he found out some of their big Villains frequented the place too. Though apparently the Joker was band. One day a big ass sign appeared on the side of the building spelling out 'NO CLOWNS ALLOWED'. When he asked Danny, he had gotten to know the boy at the reception desk by now and found some uncanny resemblance to his little brother, the boy had just shrugged and said "I hate clowns." Laughter barked out of Jason for no reason and he took his regular room card chuckling a "You and me, and 99% of Gotham kid."
That place quickly became one of Jasons safe heavens. Even if he ever only went there in full Red Hood gear. This place helped him manage his rage and anger. Some of his siblings started to use that room too, he knew Damian went there too. In full Robin gear mind you but apparently they had a room where he could fully test out his swords skills. Good for the kid.
But what stung though was Bruce, that man still didn't trust the place, something about background checks not adding up.
Jason was going to refute that, that was until one day he noticed an unusual amount of white van all around Danny's store. And only moments after he entered the store guys completely and ridiculously dressed in white stormed the place holding what Jason thought was futuristic Guns at the Danny's head who appeared somewhat unfazed. Well no one could place Jason for pulling out his own gun and holding it onto the dressed in White guy's head while the man spewed some nonsense about ghosts and more. Like hell he was let these people destroy a new safe heaven.
If Jason spread the word in the underground and suddenly, villains, goons and gothamites as well as vigilantes (his overprotective brothers really, Dick was not going to let someone destroy a place his little wing and baby bat loved to frequent...) started a reverse hunt on people ridiculously dressed like them. It wasn't his doing. And he certainly loved the frustration it caused Bruce too, seeing as even Gordon and the police force, corrupt or not, were in on it too. Governmental institution or not, Jason would make sure the GIW would be going down soon enough.
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astronnova · 7 months ago
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danny phantom cast explorations and thoughts :v
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emacrow · 4 months ago
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Sam Manson dropped a black credit card on his lap..
"I know what you do in gotham, but you will have to stop temporarily.. until we can find some ground after this.."
She was willing to pay anything because she had heard the stories between him and Walker family and what he does in gotham as a villain. He was incredibly good at hiding from his own family during family reunion, considering he was half related. He was smart enough to nearly best batman, but with a Tucker, her, Jazz, and Jack. They can hide indefinitely until they built another portal after permanently sabotaging the one at the fenton house, Tucker already had the blueprints in a usb port.
Hide them for now, Tucker already making fake ID in the back of the seat, and she'll buy an apartment large enough in gotham. Just help them keep danny safe until they figure out a plan to contact the Justice league after making sure they aren't connected to the GIW.
Edward Nygma stared back at Sam, his eyes narrowing a bit as he held the black card that held more money, he thought, considering it was Danny's inherited by clockwork once he got the throne of the infinite realm, before glancing at the rear view mirror of the car.
"I'm not doing this for you, Jack, but I'm doing it for them." Edward said softly, glancing the side where Jazz was asleep in the passenger seat. Toddler danny, newborn babies, danta was asleep with ellen innocently looking at him with her grayish blue eyes far too similar to Danny when he was born for Edward's comfort.
Edward Nygma would be dead to the world for now. Eddie Mockingbird Walker was back from a long 15-year disappearance after losing The Chopin Competition.
He took a long, heavy breath that nearly stuttered, the old, nearly forgotten memories resurface of soft, smiling elderly Meemaw Gretchen Mockingbird in a baby green blouse sitting in the audience among thousands.
A young Eddie plays his final performance, as the crowd silent only for Meemaw to never stood up like she usually did, remain seat with a soft smile and her eyes close.. then the lady next to her cried out for the ambulance as she was not getting a pulse.
Eddie stared in silent shock of the sudden chaos, waiting and hoping for Meemaw to get up and yell that was her grandbaby Eddie that was going to win this tournament in the middle of his performance like she always did in every single one.
He kept his eyes on the road, tightening his jaw as a single tear drip down his eyes. His arms tightened on the wheels as he ignored his heartache...
Part 2 here <- part 4 -> here
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bluerosefox · 1 year ago
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Genie Gave Me a Brother AU
-Slams DPxDC door open and tosses AU idea on table-
Tim's parents send home an artifact that is said to able to grant wishes! While being curious about it Tim messes with the artifact and when he 'solves' it, according to legend one must solve it to get a wish, he wishes he wasn't alone anymore.
The object glows bright and as he shields his eyes he can hear.
'So you have wished it, so it shall be!'
He gets his wish in the form of a recently reincarnated ghost!King (who entered the DC world for a reincarnated vaycay... he should had known something was going to happen because CW was encouraging the break) Danny whose just a baby/toddler right now.
Basically, big brother Tim and baby Danny adventures in Gotham after that.
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keferon · 4 months ago
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Two Peas in a Pod: part 4/?
Hopefully the dialog isn't confusing.
______________________________
"Still dizzy?" 
"Not really," Jazz answered with a comfortable smile, though stole a quick glance over to the gate. The first since Blaster had arrived for the morning routine. The other mer wasn't awake yet last he saw, but he was shifting more. The medication had obviously long worn off by now, but Jazz still hoped they weren't in too much pain. 
But Blaster noticed and it prompted him to pause his checks to ask, "did he wake up last night?" 
"Kinda? He could have been talking in his sleep though." 
"Hm, there's a good chance he'll be up soon, then." 
Jazz's expression of his usual cheerfulness shifted, just slightly and if it had been anyone other than Blaster, they would have missed it. He flipped the clipboard over in his lap and rested his elbows against his crossed legs. 
"You're nervous," Blaster pointed out gently and gave Jazz an encouraging smile. "Is this about their injuries, or is this about making a friend?" 
The mer's face soured and he looked away. "I thought I wasn't supposed to ask." 
"That was about the gate, and I'm sorry about that." It was just the two of them on the pier, but Blaster still practised a surveying sweep of the area with what looked like stretching. Then with a lower voice, he continued, "The Vet Chief wanted to fully isolate them from you, to keep them in a transfer-crate, at least until the injuries had a low risk of reopening. I argued that it would put them under a lot of undue stress, and you because you knew the Mer was here. Which is part of why it took so long for–" 
"–and it's fine to say this now?" Jazz snapped and turned back to him with a small scowl. 
"Jazz, how many staff members were in your area yesterday? When we talked about the gate?" 
He paused, trying to recall. Blaster was with him and the group that went into the bay had five… seven? 
"There was thirteen, Jazz," he supplied, knowing that any answer coming would be incorrect. It was a lot of people, and with Blaster already known for making waves on the regular, the sudden addition had eyes and ears on him. That, and because he had fought so hard against the 'great idea' brought up in the first meeting after emergency treatment had ended. "You didn't even clock the vet on standby at the pier entrance." 
Jazz huffed and laid out flat, resting his chin on his crossed arms. Okay, so he wasn’t paying attention to who was around. "Then what is it about the gate? I get the bit about climbing the walls, but…" 
"That one is on me, I was – am – being overly cautious. Not of you, but of others misunderstanding your excitement or anxiety as aggression. And I know how persistent you can be when something catches your interest. But that's not the point, what is, is that if the team reports you showing signs of aggression, they'll… remove him." 
Now looking worried, Jazz glanced from Blaster to the gate. "But what if he shows aggression?" 
"We're expecting that, at least at first." Blaster wanted to reassure him, but there were still too many unknown variables. "Unknown place with an unfamiliar face, and likely limited communication. There is bound to be backlash." 
Jazz looked down with an expression of growing despair, before dropping his face against his arms. His words muffled, "so whether he stays or not depends on me being able to talk with him." 
Blaster reached out and placed his hand on the orca's shoulder. "Listen, buddy, this might be hard to hear. But let me explain, okay? … So far it looks like there are no issues and the current plan is to have him released once he recovers." As he feels Jazz tense, Blaster frowns in understanding and begins to rub his shoulder to comfort him. "There is only one reason that the aquarium wouldn't go through with it, and honestly, I don't want that to happen. It's all sorts of fucked up and would only make things worse– but I don't want you to distance yourself from him. I want you to try and befriend him." 
"… why," Jazz asked weakly, cursing him for telling him the truth – for reminding him of the truth – for breaking his small piece of hope of not being alone anymore. If he was going to be taken away, if he was just going to lose him no matter what, then it would hurt less if he just ignored him. 
All sorts of answers bounce around in Blaster's mind. From wishful thinking – because I want you to go with him. To long term goals – anything we could learn could help Mers everywhere. But he settled on as close to the truth as he could. "Because I'm trying to make sure that no matter what happens, it's the best result for both of you. But I can't do that if the two of you can't at least work together. So, I'm asking you to try." 
"Right," because he doesn't need to be kept here to survive… he just needs time to heal. Where I – "–right. Okay, I'll try… but where do I even start?" Jazz took a deep breath to compose himself before he lifted his head. 
"Well, why don't we see if sleepy-head is waking up? Maybe he'd like breakfast." Blaster offered, first with a reassuring smile, but then twisted it into something more mischievous. "And maybe you could find out if he's got a beautiful name, too." 
It took a second to realize what Blaster was getting at, and for the first time in his life Jazz felt bashful. "W-what are you talking about?" He hid it terribly. 
"He's beautiful~" he whispered dramatically, and Blaster learned that mers could in fact blush. 
— 
When Blaster left to get food for the wild mer, Jazz calmly made his way over to the view port. Only to be taken by surprise, he was looking directly at Jazz. Though, glaring, might be more accurate with how his face was pulled tight with focus and the sheer intensity of his stare. 
But otherwise, they were completely calm. Jazz wasn't sure if that was a good sign or bad. Yet, it didn't stop his nervous excitement from returning. He waved with one of his best smiles – one without teeth – and greeted him with a friendly, "hello!" 
What he got in return was a slightly more intense furrowing of their brow – irritation or confusion? 
"Oh! Sorry, habit." Jazz switched to mer. {Hi!} 
The tension didn't leave his face, but there was slight movement and, again, Jazz didn't know how to interpret that. But he did answer, {||၊|။||||•။၊|။|။|၊|။||၊၊၊|?} 
"Uh…" Yep, didn't understand any of that. 
Then the door opened on the edge behind them and Jazz for a moment thought that it would startle the wild mer. But they didn't even flinch. And while their eyes remained on him, Jazz was fairly sure now that they had been using their sonar to track the human's movement. 
"Are they still asleep?" Blaster asked, puzzled. 
"Nope, very much awake." He shifted lower to try and get more than the man's boots in his sight. 
"Ah…" He sounded uneasy and began to make small careful steps around the edge closer to Jazz while he spoke as calmly as possible. "Well, I'm going to keep talking, just so you don't think I'm trying to sneak up on you." 
When he reached the point where he was straight across from the wild mer, they lifted their head to turn their glare on the human. Blaster to his credit did not flinch, but he did freeze. "Whoa– that's – wow, t-that's quite the look." 
A series of slow clicks came from them, but their lips did not move. Jazz didn't think it was echo-speak, as it reminded him of his own searching clicks when he was trying to get a better picture. "Oh! I think he's trying to see what you have." 
The wild mer glanced to Jazz, becoming silent once more before looking back up at Blaster. 
"Fair enough, alright new buddy, I'm going to be real slow about it okay?" Back to narrating his actions calmly as he knelt down. Showing the long pole with a thin, blunt hook, "just an arm I don't mind losing if you decide that you don't like the breakfast I brought," and poured out the fish from the bucket. 
Still the wild mer glared, unblinking and watching every little movement. 
"Okay… I'm not sure what to make of this, so far everything has been nothing like previous encounters." 
"Ya, didn't you say he'd be freaking out?" 
"You got anything to calm or reassure our new buddy here that I ain't going to hurt him?" Blaster was doing his absolute best at trying to remain calm, but even his hands were starting to tremble under the pressure the wild mer was giving him. He wasn't even moving, just watching, but it felt like the human was being stalked. 
Honestly, Blaster was probably one bad move from being lunged at. Though, if that was the case, he had maybe one chance to get away. The hammock would throw him off on the first strike, the supports could probably take two or four hard thrashings before it snapped under the mer's strength. Injuries be damned, this mer was in peak physical condition. 
Jazz gave a small chirp to try and gain the other's attention, and failed, but continued with trying to talk. {It's okay, you're safe.} 
He was given a very tiny dip of his finial facing the gate – a tell that he had heard him? 
{You're safe,} Jazz repeated. 
The mer didn't look away, but he did at least respond. {•၊၊|•|၊|။။၊|။•|||။||||။၊|။•၊၊||၊|။||||။•၊|။•၊၊||၊|။||||။၊|။•} Though, far too fast for Jazz attempt to understand. 
"I'm hoping you two are talking about your favourite fish." Blaster joked to cover his nervousness. 
Jazz sighed and admitted the truth, "I haven't a clue to what they're talking about…" 
"Just let me know if I should run, kay?" He shifted slowly on his knees, trying to find a comfortable spot without making himself too vulnerable. 
But Jazz hadn't given up yet. {Hungry?} He tried instead. 
More chirps and clicking that didn't translate. 
{Hungry? Yes? No?} 
The heavy huff that came from them caused Blaster to flinch, but the mer finally focused on Jazz. There was clear irritation in their face now on top of glaring. And the damns broke, he started ranting at him loudly. 
"Hey, don't yell at me, I'm trying okay!?" Jazz glared back, not backing down. Though wasn't all that intimidating with him just having a little porthole to look through. 
"Jazz, buddy, please don't aggravate him." He, after all, was the one in the room with the wild mer. 
"He fuckn' started it!" 
Silence came quickly as the wild mer plunked his face into the soft floaty that had been his pillow. Blaster would have found it utterly hilarious if not fearing for his life currently. With another heavy and long huff, the wild mer looked back at Jazz, still glaring, but slightly less than before. {•|||။||||။၊|။•၊၊||၊|။? Yes? No?} 
Jazz blinked at him for a moment, depending on the question, no could be a yes. {No…?} He answered tentatively instead. 
{It's safe? Yes? No?} And he pointed his nose towards Blaster briefly, but clearly wasn't happy about it. 
{Yes!} Jazz nodded vigorously and smiled for extra encouragement. Out of all the staff, Blaster was safe, Jazz held some trust in the human after all. {[Blaster] safe.} 
"What about me?" 
"He asked if you're safe and I told him you were. Relax a bit or something to show him." 
Easier said than done. Blaster cursed, but did his best to ease the tension from his shoulders and smile a little. Even, daring to slowly lift a hand to wave. 
The mer did not seem convinced, but his glare lessened some more and looked over the human with more curiosity than before. 
{Hungry? Yes? No?} Jazz tried again. 
There was a long pause, but they sighed and answered. {… yes.} 
"Progress!" He cheered and then stuck his hand through the little window. "Blaster, hand me one of the fish. He's hungry, but I have a feeling that he'll trust you more if he sees me eat what you have." 
"Okay." He made sure that it was clear as possible what his intentions were. Taking a fish under the gills, Blaster looped the blunt hook in and out the mouth. Then, very slowly, began to feed the length of the pole towards Jazz's waiting hand. Once Jazz felt the tail touch his palm, he grabbed it and waited until Blaster twisted enough for the fish to slip free. Then the pole was just as slowly drawn back. 
The whole time the wild mer watching the exchange intensely. 
Jazz pulled the fish over to his side, chirped for the other's attention before he swallowed it whole. Smiling once more as he said, {safe.} 
Blaster had to admit, he was surprised when the mer shifted slightly in the hammock, and then cautiously held out his right hand. The glare never left, but this one felt like a threat, that if he messed this chance up, there would not be another. 
Though this was the first time Jazz had been able to see any of his injuries. The colourful tape-bandages almost covered every inch of his skin from his hand up to his bicep. It reminded him that just yesterday he had been mortally wounded. Which was probably a key reason the wild mer seemed so calm, they had only started to recover and every action was either painful or exhausting. Likely both.
Jazz watched closely as Blaster went through all the careful steps as he had with Jazz and held the fish out. The only difference, was that the human's grip was loose, just in case the wild mer decided to try and yank him into the water with it. But they didn't, doing exactly as they saw before, allowing Blaster to release the fish and retreat. The whole process was so slow that the wild mer's arm started to shake from being held out. 
But both Jazz and Blaster let out a breath of relief as there had been no backlash. 
He eyed the fish in his grip with a mild sneer before he swallowed it and then held out his shaky hand for another. It was clear that the pain was getting to him, but nothing in his expression showed weakness. 
The feeding got easier and quicker as Blaster relaxed a bit, not fearing that a normal pace would come off as threatening to the wild mer. 
When the shaking got bad enough, the mer rested his arm back in the hammock, but kept his eyes on the remaining fish. As if to convey he wasn't finished, just needed a break. Blaster was more than happy to comply and gave him a few praises, even if they didn't understand. 
"Hey," Jazz called gently, chirping for the other's attention. He waited until they looked his way, then pointed at himself. "Jazz," and then to the human, "Blaster," and back to himself once more, "Jazz," before pointing to the other mer with a questioning tilt of his head. He hoped it was clear what he was asking for. 
When the silence stretched on for a bit, the human also joined in. "Blaster," to himself and to his mer, "Jazz." 
There was a brief moment that Jazz could see that they were working over something, opening their mouth a few times before the sound of a sharp zip came out. "… 'tzz?" 
Jazz snorted, before breaking into a few chuckles. "Ya, missing the Ja, but you'll get there. I'm Jazz." He placed a hand over his heart. 
The gesture was reflected, {•၊||၊။} 
It was his turn to try and work out the sound in his head. Jazz tried the word out soundlessly on his tongue once. It was like a popping roll? {•၊||၊၊၊၊၊?} 
{•၊||၊။} they repeated, firmly correcting him. 
"Nice to meet ya, {•၊||၊၊၊၊၊}!" While the mer scowled at him for not even trying to fix his pronunciation, Jazz just smiled brightly.  
"So... what is his name?" Blaster asked for a translation, very interested in the development between them.  
Jazz laughed, "I have no idea." 
______________________________
Don't ask about my attempt to make sound-wave-like-text, it's gibberish, lol, and going forward only •၊||၊။ (Prowl) & •၊||၊၊၊၊၊ (Prowler) will be used until Jazz has a English (common?) name to attach an understanding to.
Keferon, I just wanted to say that every comment or tag you leave on the fic is like serotonin being injected into my veins. Every silly little image is like rolling down a grassy hill in the warm sun while I laugh with manic joy. When you add art, it's like an adrenaline shot to the heart that makes me want to run across the globe just to frantically wave hello with both hands, give you a hug and run back to get started on the next part.
And the next part will be Prowl joining Jazz in the main pool and Jazz learning just how fast he is, even while injured. >:)c
-GLC
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Me looking in my inbox and seeing that there's two peas in a po
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Odjndgdjdkfhdkm PLEASE. Blaster is so nervous EVERYONE IS SO NERVOUS Ooohhhnooo he's gonna freak out and kill everything he can reach oh no we all know how all those wild stupid creatures are oh no watch out While Prowl is trying to blow their pancakes with mind
And I juswannasay I love it so much ehehejgknfbfkdn THE SOUND WAVE SPEACH? I LOVE THE LOOK OF IT EHEHEH
Always a big fan of creative ways of showing imaginary languages. This thing?? ||ll•|Il It looks hella stylish >:O
Aaannnndd I got excited and made some art hehe
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#maccadam#transformers#apocalyptic ponyo#jazz#prowl#jazzprowl#blaster#Blaster is slowly but steadily growing on me....huh#kinda torn apart with his design because technically all staff has to wear swim suits around pools. But also the whole Blasters design?#it screeeeammms “big hoodies and jackets”. he is SO blocky in canon. I can't imagine him in a swim suit lol#also IM SO FUCKING EXCITED FOR JP TO GET IN A SAME POOL OHOJFNFB ITS GONNA BE SO FUN#I love how you write them#I LOVE how I read the fic and from time to time I go#“huh I didn't consider that before”#like. I loooove when characters in a fic can do stuff in a way that is smarter than what I expected#and I have this little “oh wow okay” moment#it's not even about big plot. just. little things haha#also ahahahah I love how Jazz keeps “talking” to Prowl while simultaneously having NO idea what are they even talking about#like of course they have to have their first argument before they can even properly understand each other. My favorite JP flavor right here#fuck wait I need to add important tags before I run out of the space for them#ponyo jp writing#GLC#............I just realized I drew almost identical sketch with Jazz and this tiny ass window......#the pose is literally the same but it's drawn from scratch. lmao. oh well#Blaster is actively fearing for his life is the only real one here😔✊#Ohhhhoho Prowl is about to see how fucked up Jazz's situation is#everything. how he is too thin how his fins are curled and fucked how he has to perform for humans EVERYTHING#This fic is a fucking national treasure of this blog I tell you
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starry-bi-sky · 4 months ago
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im dedicating this to @detectivedarling. i felt inspired after seeing their little ficlet yesterday sadhjfl 🫶
-
Danny's grip on his cane tightens.
"What—"
His voice cracks. He stops, clears it, then tries again in spite of the nausea twisting in his gut. "What are — you, uh, watching, Bruce?" He sounds horribly far away.
Bruce doesn't look at him, his attention laser-focused on the screen. Which is— fine. It's usually not a problem, Bruce gets like that when he hyper-focuses on a case, and unless it's urgent — or he's been at it for hours — Danny sees no need to pull him away from it. He likes the quiet camaraderie they have, it's companionable and unique to the two of them.
He wishes he was right now though. Looking at him, that is.
That way he wasn't watching what was clearly one of Danny's ghost fights. One of the nastier ones, if the collateral damage and rubble on the street is of any indication.
Danny tries to remember which one that is. He shuffles a little closer to the desk, ignoring the rock in his stomach or the ugly weightlessness in his arms. It's not the blood blossoms, that much he knows. He just recently had an injection so it shouldn't be bothering him this soon—
So it's just nerves. Perfect.
Most footage of his fights are— messy, at best. Unusable at worst. Amity Park was obsessed with appearing 'normal' when they first started happening, and typical news stations censor the worst of the fights anyways for publishing, since they can get pretty gory at times. And ghosts move too fast to be caught on regular standard cameras, not including distance and light and—
That is to say— finding usable ghost fight videos is hard.
Danny wonders how Bruce got his hands on this one, and then stops wondering.
The audio is muted, which is - good. Good, because the fight is ugly and chaotic and clearly this was taken on someone's phone. Fuck, he can't remember if he ever saw that before — clearly not. They're hiding behind an overturned car, and Danny grits his teeth so he doesn't tell that idiot to run.
The camera turns up, and focuses on two figures in the air. It takes a few seconds, but when it does, Danny gets hit with a wave of vertigo. His grip tightens and he leans heavily on his cane, he waits for the black dots to disappear.
He- uh, he remembers this fight now. Uh, sort of.
He remembers being twelve at the time, and he remembers some of the injuries he got out of it. His eyelid spasms abruptly. This ghost wasn't one of his regulars, so he doesn't remember whatever name they had, barely remembered what they looked like up until- uh. Now.
Was he always that small? Well— Phantom's never been particularly big, perks of being a dead kid, but— it's - different. Seeing it from an outsider perspective. Was he that small? Or is it just because he's wearing a jumpsuit clearly too big for him that casts the illusion of being small?
Doesn't really - matter. Now. He can't access his ghost form, and he already knows the answers to his appearance.
Phantom is clearly bleeding, viscous and violently green like the bubbles of a lava lamp, clutching onto a limp shoulder that's missing an arm from the elbow down. Half his face is drenched in similar blood, the eye on the drenched side is closed — not because he can't see through the ectoplasm.
Danny's memories of that fight slowly come in a bit clearer. Right. He took a pole to the eye in that one. That had - hurt. A lot. Getting an eye gouged out usually does. It and the missing arm took hours to grow back.
He rubs his eye with his palm for no other reason than it itches.
The other ghost isn't untouched of any injury either, but he's not in a state of dismemberment like Phantom is.
Danny drops his gaze down at Bruce, whose sitting in his chair with his hands threaded together, looking so tense that Danny half expects to meet solid steel if he were to touch his back. His face is - blank. Terribly blank, with an intensity in his eyes that Danny doesn't see often.
He looks terribly distressed.
He opens his mouth, and finds that nothing comes out. His throat is thick with an ugly, tar-like feeling that makes his eyes sting. Kinda reminds him of when someone wraps their hands around your throat and presses. He closes his mouth, then tries again.
"B—" hhhhhh, "Buzz."
Finally Bruce looks at him, one hand slaps the space button on the keyboard, and the video pauses. His expression doesn't shift, but there's a weight in the lines of his face that reminds Danny of a set of weights sagging.
He looks quite like he's grieving something.
Bruce opens his mouth, his voice comes out terribly soft and heartbroken: "He looks like you."
Which is— a terrifying sentence in and of itself. One that makes Danny's legs shake and ignite his ragged, poison-chewed nerves alight with the need to run. An instinctive urge to deny, deny, deny.
How could he? He could say, that's a ghost, Bruce. I'm not a ghost. He could crack a joke, and ask, 'do I look dead to you?' or say something about how he knows that his parents studied ghosts, but that didn't make him one.
He could say that, and he could say it knowing full well that Bruce would see right through it. He'd probably let Danny too.
Danny closes his eyes. They sting, you see? So does his nose, right in the back like someone popped him in the face. And his throat is thick and gross and like someone stuck a spider, the big fat tarantula kind, right down into his esophagus.
He breathes in — through his mouth, because his nose stings and so it'd be best not to irritate it further with air — and it's terribly shaky and uneven. But it clears a pathway to his lungs big enough for him to say — whisper, really:
"You know, I think you're the first person to notice that."
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sucrecube9 · 11 months ago
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ew-selfish-art · 2 years ago
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Dp x Dc AU: Jason and Jazz have been dating for a while and... Danny presumes that because he knows about Jason being Red Hood that Jason knows about Phantom. 
Danny got a text randomly in the afternoon from Jazz’s boyfriend. Which was inherently a strange experience considering Jason was typically dead asleep in the afternoon from all his ‘evening shifts’ and Jazz was in class. Stranger, the message just asked if Danny would be free to meet up today for a short chat. Jason doesn’t reply to Danny’s response of “Anything for my sister’s BOO <3.” 
Normally, Jason would start launching into a rant about Danny’s coffee choice being too like his little brother’s when they met at cafes- right now Jason looks deadly serious. 
“Look. I’ll cut to the chase of it all. I want to ask Jazz to marry me and well, your folks are shitty but it feels weird to not ask for permission.” 
“...Okay?” 
“So do I have permission?” Jason asks, a bit of a glare and Danny can see the RedHood’s famous attitude peeking out with the abundance of anxiety Jason must be feeling. 
“I mean, Yeah! She loves you and I know she’s been subliminally messaging you to find your balls and ask her already.” Danny rolls his eyes and laughs. His brother-in-law to be sure was a strange guy, but he liked him all the more because of it. 
Jason sighs in relief and his normal literature nerd, easy going and plucky ‘cool guy’ attitude comes back. They start chatting about the ring he bought for her, how they’re probably going to have to do a small wedding with his family members to appease his grandpa figure. Its all very cute and optimistic. 
“Love it! She mentioned your grandpa’s rose garden before and that’ll be perfect for human family events before the big ceremony.” 
“Big Ceremony?” Jason sounds unsure of where the conversation is going. 
“Yeah, you know. Plus now that I’m thinking about it, it’s probably for the best that you asked me, the observants would totally turn this into like, an interdimensional faux pa or something if I don’t give them a heads up.” Danny laughs at the idea of it causing an incident, but he can see Jason straighten his shoulders and his eyes attempt to pierce through him. 
“Danny. What the fuck are you talking about?” Jason looks more pissed than he looks concerned, and Danny is just confused. 
“Cause... You Know.” 
“If you don’t give me a real answer I’m going to-” At least Jason was taking deep breaths. 
“Hey man, chill out! I guess Jazz keeps it on the DL but my night shift has-” 
“Night shift? You’re an engineer.” Jason cuts him off and the fact sounds accusatory. 
“And I’m the Ghost King? You knew this?” Danny relents, he hated saying it out loud cause it sounded lame, but he’s not sure why Jason is so up in arms all of a sudden. Jason looked like he might have an aneurysm and Danny knows his expression is declaring Jason is the biggest Dumbass in the world. 
“Danny ...what the fuck are you trying to say to me right now?” 
“That you and Jazz have to have a royal wedding in the Infinite Realms or my counsel and advisors will throw an absolute fit.” 
Jason doesn’t reply so Danny decides to add “You know, ‘cause my title translates to the Family’s royal lineage and if you marry Jazz you’ll become a Prince. I guess you don’t technically have to have a big wedding but if you don’t it’ll just mean shit loads of paperwork and a huge fucking headache on my end. Which I can survive but... I’m sensing that you’re frustrated. Let’s call Jazz.” 
“Let’s do that.” Jason sounds like he’s being strangled. Danny thinks it’s a bit dramatic but is excited to help Jazz wedding plan. 
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alkallier · 2 months ago
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How about a family picture of: Jason X Jazz and Roy X Danny with children Lian and Ellie, they are one big family raising their two kids (the kids are really Roy and Danny's, but they take all the help they can get), like all of them cuddling on the couch sleeping?
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Who said we can only have one set of parents?
Ok, sorry it took so long to reply, but I HAD to finish it first before I replied; what I learned from this piece? Perspective +crowed+kids is a combo I need to improve, note more on the crowd&perspective aspect.
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quadrantadvisor · 3 months ago
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Pairing Off, in which the Waynes meet the Fentons, just not all at once. 2,443 words
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Damian feels less than positively about the new girl in his grade.
Danielle Fenton has already garnered a bit of a reputation. Her uniform is clearly second hand, and rumors abound about whether she has joined them at Gotham Academy on a merit scholarship or as “one of Wayne's charity cases.” Neither is true; Father has offered no fiscal support to the Fentons, and yet both she and her older brother attend the Academy, leading Damian to believe they've somehow paid their own way.
Her lower class status and midwestern accent ought to make Fenton a target, but her response to being cornered or talked down to by other students was an unsettling combination of cheerful and aggressive. She is now mostly left to her own devices, despite her notoriety. 
Damian has no interest in the girl. While it is true that she excels in both mathematics and social studies, her performance in English and science are unremarkable, and she poses no challenge to his rank at the top of the class. If he finds himself pushing harder in certain classes this semester in order to maintain the edge, it's no one else's business.
Now if only she would leave him alone.
Damian preemptively slams his sketchbook shut, just as a brash, inconsiderate, annoying girl hops up to sit on his desk. “Hey Dami, what're you drawing?”
“It is none of your business,” Damian seethes. “Remove yourself from my personal space before I-” he isn't allowed to threaten classmates with bodily harm, imply that he has brought weapons to school, or use words that are derogatory to women “-do so myself. By force.” He would avoid her altogether if he could, but Fenton is annoyingly (suspiciously) sneaky. He can only ever seem to sense her when she's just about on top of him.
Fenton merely laughs, high, bright, and joyful, and Damian grits his teeth. “Did you draw me yet?” she asks, and doesn't move an inch.
“No, I have not drawn you. I never said I would, and I have no plans to. Stop asking me.”
She shrugs and kicks her feet. “Maybe you'll change your mind. Can I see what you're working on?”
Damian pulls the sketchbook a tad bit closer to himself (a protective reflex that shows his weakness, he should be better than that by now.) “Never, imbecile.”
Fenton sticks her tongue out at him like a child. “Mean,” she says, still smiling. “I wanna see your art. It's so good!”
Damian tilts his nose up at her. “Of course it is, plebeian, I have standards-” he starts, but is cut off by the teacher entering. Fenton slides off his desk and heads to her own seat. Damian stows his sketchbook in his bag and tries not to think of the unfinished work inside, featuring a girl with dark hair, light eyes, and a mischievous grin.
-
There's this brownstone on the outskirts of Crime Alley, an old townhouse recently converted into commercial space. There's a coffee shop on street level, a tattoo parlor down the stairs, some sorta wine emporium on the second floor, and on the third, a little second hand bookshop
It's outside the border of Jason's territory, but he feels sorta responsible for it, given that he frequents the place.
It's a little out of his way, but the atmosphere is nice, alright? Clean, with soft lighting, but not sterile or corporate like the bigger places downtown. The owners are an older couple who Jason has met a couple of times, and they seem pretty happy with the new location. They're collectors, really, who run the shop to make ends meet.
Mostly, Jason talks to their employee. Jazz.
Jazz works in the afternoons and evenings, after her classes. She goes to Gotham U, double majoring in pre-med and psych, on top of a full time job, because she's almost as insane as a bat. She assures Jason that she does alright, gets a little downtime to study on her shifts.
She always makes time to talk to Jason.
Jazz is an interesting person to talk books with. She cares less about plot and literary themes, and more about diagnosing every character with their own personal malady of the mind. She dissects their thought processes and behaviors, ruthless in her analysis.
She's gonna be a brain surgeon someday, open people up and see what really makes them tick. Jason doesn't doubt it for a second.
So maybe Jason is a little bit in love with her.
It's not a big deal. Obviously it's not going anywhere. It's just nice to have something normal, to talk to someone normal, about normal stuff like books and college and sibling antics.
Jazz's stories about her sibling, Danny, rival Jason's own, and his family is fucking disastrous. Jason isn't actually sure if Dan is older or younger than Jazz is, or, for that matter, what pronouns he should use for them, since Jazz mixes it up pretty regularly. He knows that Jazz absolutely adores them, though, and it's heartwarming, the way she smiles as she talks.
All of that to explain why Red Hood is keeping an eye on a brownstone that technically falls outside of his territory.
There's a girl inside that he needs to keep safe.
-
“Hey bud, late night?” Dick asks the man lying prone in an alley, a block away from the Iceberg Lounge.
The response is slurred with sleep and muffled by a cheek pressed hard into asphalt. “S'at you, Dick?”
“Sure is. We've got to stop meeting like this,” Dick tells him, and means it.
The guy's name is Dan. No last name offered, which was fair, since Dick hasn't mentioned his.
What was weird was that Dan didn't give Penguin his last name, either, when he signed his employment contract. Just Dan.
Penguin has been trying to expand his influence into Bludhaven, and Dick's been trying to figure out why. Cobblepot is a very Gotham sort of gangster, all wrapped up in the city's ideas of style and respectability; Dick honestly would've thought that Blud was beneath him. He needs to figure out who he's contacting and what they're offering him, and he needs to do it before Penguin can get a foothold on his turf.
Running into Dan was a side effect. Dick didn't mean to keep doing it. It's just that Dan has this weird habit of completely disregarding trivial concerns such as his own health and safety, and doing weird shit like, as a random example, getting tired, laying down, and passing out. In the middle of the street. In Gotham.
The main part of Dan's job seems to be bouncing at the club. It makes sense—if you wanted to hire a guy as muscle, you couldn't do much better than Dan. He's at least 6 and a half feet tall, with a chest wider than Jason's. 
But Dick has also seen Dan traveling with Penguin before. Add in the fact that it's almost impossible to dig up info on him, and that tailing him is somehow even harder, and a picture starts to come together. A very vague, very suspicious picture.
It's too bad that Dick sort of likes him, and that he's incredibly hot.
Dan has removed his face from the alley floor, and is in the process of pushing himself up. “Not your business, man,” he retorts. “What are you, a cop?”
Dick can't help a wry chuckle at that. “Not anymore.”
“No shit?” Dan asks, hauling himself to his feet. He towers over Dick like that, but it's hard to be intimidated by a man whose cheek is red and pockmarked by little bits of gravel. Dick is legitimately embarrassed that he finds it charming. He needs to get better taste in men. “Yeah, no, that makes sense,” Dan continues, looking Dick up and down. “No way they could keep your ass on the force.”
“Oh yeah?” Dick asks.
Dan snorts. “I can smell the idealism on you from here.” He starts walking, heading straight past Dick, who falls into step beside him. “You remind me of this kid I know.”
Dick gives an interested hum, hoping that if he doesn't interrupt, Dan will elaborate, but no dice.
“So, where're you taking me this time?” the big man asks, still leading, and Dick stifles a grin at how silly the whole thing is.
“Maybe if I take you out for coffee, you won't faceplant onto any more concrete,” he says, reaching up to brush off some of the little rocks. Dan stutters to a stop as Dick touches his cheek, letting him, then strides off again as soon as he's done.
“Don't care, as long as you're paying.”
Dick stops him with a tug to his arm. “Coffee shop's this way,” he explains, pointing, and Dan doesn't hesitate, pivoting to take the lead once again. Dick rushes to keep up with his not-date, a criminal who he literally picked up off the street and who has no idea where he's going. He can't see his own smile, but he knows from experience that it is both delighted and a little manic. He admits to himself, begrudgingly, that he likes his men with something wrong with them.
-
The biggest reason that Tim played so much Doomed with Ghost_Boy, a couple of years ago, was that they were the only player he knew who kept hours as weird as his were. There were worse reasons to form a friendship. Ghost_Boy was a great player, and was always funny in chat. They were upbeat when things went well, and they were sarcastic but not bitter when things went poorly. Playing for the game's sake eventually changed to booting up the game to hang out with Ghost_Boy. They talked about how different their lives were, with Ghost_Boy in the midwest and Tim in the crime capital of America, and they talked about the things they had in common, like falling asleep in class. It was Tim's favorite form of stress relief, back then, when being Robin was new and overwhelming.
Then Tim got busy. No, that wasn't true—Tim had always been busy. More like, Tim's life fell to shambles, over and over again, and he stopped making time for stress relief when the very concept seemed out of his reach.
That was over dramatic. Tim fell off the game, and didn't keep in contact with his friend. That's all there was to it.
That was all there was to it, until a few nights ago, when he booted up his old Doomed file for nostalgia's sake and found a message from Ghost_Boy, sent a couple months back, that said he was planning to move to Gotham and, if Tim wanted, he'd be happy to meet up.
Tim immediately replied in the affirmative, and then he freaked out that he'd done that and started cyber stalking the guy. He couldn’t be bothered to pretend to be embarrassed by this behavior. He knew who he was.
Daniel Fenton was, in fact, a real teenager from a real midwestern town (Amity Park, Illinois.) He had moved to Gotham right when his message said he would, and lived with his older sister, Jasmine (who had custody over him,) and his younger sister, Danielle.
And that was where Tim was planning to stop his research, for the sake of his friend's privacy. Once he confirmed that he wasn't being catfished by either a supervillain or a run-of-the-mill creep, he was going to stop looking.
But Danielle Fenton's situation was incredibly weird.
Apparently, she had never lived with Daniel, Jasmine, and their parents before. Instead, after she was born, she'd been adopted by the kids’ godfather, eccentric billionaire Vlad Masters, and he was still her legal guardian. It was only after the Doctors Jack and Madeline died that she moved in with her siblings and started attending Gotham Academy, states away from her adoptive parent.
Vlad Masters was a man of eclectic tastes. The stories about him in the news were always covering some weird investment he had made, like purchasing a cheese castle in Wisconsin, or buying up property in Green Bay just to have a stake in the Packers, or pouring money into experimental forms of alternative energy. He was always refined in his public appearances, but he had the desperate edge of new money wanting to fit in with the old. Tim knew of him, but had never given him much thought before. He'd never made a move into Gotham, after all.
But the whole story was bizarre. Masters had gone to college with the Fentons, the three of them creating their own field of study in “Ectology,” before Masters had been contaminated in a lab accident, bedridden and unable to finish his degree. Jack and Maddie had continued their research, garnering just enough interest in their work to receive the funding needed to keep afloat, until some sort of breakthrough a few years ago added validity to their theories. They were practically celebrities in the niche forums Tim skimmed through. Masters, meanwhile, stopped working directly in the sciences and instead turned to networking, gaining some generous help from the friends he made and playing the stock market like a fiddle, until he was one of the most well known and lucrative investors in the world. He owned a few companies publicly, and managed some others under the table (Tim had to snort at the ridiculous naming of Dalv Co.) 
And then the Fentons had kids, and they raised two of them (seemingly quite happily, if the photos on their memorialized facebook accounts meant anything.) And then, for some reason, they named the third one nearly identically to their second child and gave her straight to Vlad. Masters raised the girl in Wisconsin, until suddenly relocating to Amity Park and becoming the town's mayor. There he stayed, until the Fenton's recent passing in a lab accident of their own.
Tim doesn't know what it all adds up to. But there was something going on, with both Vlad Masters and the Fentons, and if there's something nefarious in Masters’ actions or his wealth, it could be entirely possible that Daniel was a plant—a way for him to get an in with the Waynes. Tim has to be cautious, and he has to get to the bottom of this.
That's why Tim is waiting in a coffee shop, pretending to be engrossed in his laptop while keeping an eye on the door, waiting for the appearance of a teen with black hair and blue eyes.
Tim idly thinks that Bruce had better not adopt this one.
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caffeinatedvigilantewriter · 10 months ago
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DC X DP Soulmarks AU. Everyone has a soulmark somewhere on their body. The mark heats up if you’re in the same city as your soulmate
So Dani is around 17. Her soulmark is the green silhouette of Cujo just above her ankle. She been traveling for around 5 years now. Jazz (23) lives in Gotham as a therapist. The Anti ecto acts are in place.
Damian is also 17. His mark is on his hip, just below his shirt hem. It doesn’t really matter if he’s Robin or a different vigilante. Attends Gotham academy as a senior. Damian was always taught to believe that his soulmate was a weakness.
Dani stops by Gotham for the first time since Jazz moved there, and she decides she to stay after her soulmark heats up. After a little bit of forging, she attends GA as a senior. She covers her soulmark with pants and stuff like that.
She and Damian have a few classes together, and they get paired up for a project.
They go to library to study and found that they both enjoy each others company a lot more than they thought they would. They keep hanging out until they start to have a small crush on each other.
Damian doesn’t mention Dani to the Wayne brood in case they might pester him and stalk him and ruin his chances with Dani.
One day, they are hanging out and Dani’s pant leg slides up a bit and Damian saw Dani’s soulmark.
That same hour, Damian’s shirt rides up and Dani see his soulmark.
They essentially have the same reaction.
Dani: Damian is literally perfect and I’m so happy he’s my soulmate but we can’t be together because I’m a halfa and the AEA are ongoing so it’s too dangerous to tell him
Damian: Dani is literally perfect and I’m so happy she’s my soulmate but we can’t be together because I’m a vigilante and my mother is very deadly and it’s too dangerous to tell her
They just hide their feelings and continue like nothing every happened
At around the same time, Danny comes to Gotham tour the university when he meets Duke and they realize they’re soulmates.
After a couple of dates. Danny takes Duke to meet Dani and Jazz (Duke knows about Danny’s halfa status)
Duke sees Dani’s mark and asks her about it, thinking it’s a bit familiar.
Dani tells Duke she’s found her soulmate, but they can’t be together for now.
Duke comes home and (after making sure that Damian’s soulmark is the same as Dani’s) tell Damian that he knows who his soulmate is.
Damian confirms that he knows, but can’t be with her because he a vigilante.
Cue the multiple (failed) attempts by Duke and Danny to get them together
Useable as long as you tag me :))
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thenightwolf51 · 2 years ago
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What if Jack and Maddie Fenton were actually Jack and Janet Drake?
The Drakes are their actual identities but they created the Fentons as a why of letting loose, of getting to be their truest most unhinged selves and pursue their true passion without the eyes of high society Gotham judging them.
Whenever the Drakes are supposedly out of the country on archeological digs they are actually in a little no where town in the midwest.
The Drake wealth is perfectly capable of funding their experiments and prototypes and every now and then they do show up to a dig for a week or too, but the Fentons are who they truly are.
So of course Gotham never finds out about Janet's first pregnancy and little Jasmine is welcomed into the world as an Amity Park Fenton, not a Gotham Drake. Janet's second pregnancy however.
Well as i said, the Fentons are who they truly are at their most unhinged and unfiltered. And upon finding out that their having a set of identical twins, well, can you really blame them for passing up this perfect opportunity to test Nature vs. Nurture.
One boy would be a wealthy Drake raised as an only child in a hostile city, the other would be a Fenton raised with his older sister in a peaceful small town.
That's what they decide and thats what they do, and everything is as cannon goes. Tim doesn't know that his parents "archeological digs" are really an excuse to spend most of their time as the Fentons, and Danny and Jazz don't know that the longer "ghost conventions" are an excuse to handle Drake affairs and check on their unknown brother.
At least until things start to get complicated.
(Im not sure if Maddie fakes Janet's death or if she really dies, and if Jack's coma is fake or real and he lost his Fenton memories. Or maybe the death and coma dont happen at all and the truth comes out some other way like Danny finding the Nature vs. Nurture notes or a school trip to gotham or maybe Jazz desides to go to college in Gotham and it comes out that way somehow.
This obviously works best as a "bad parents Jack and maddie" though how bad they are can be entirely up to you. Maybe everything comes out sometime after a "reveal gone right" and Danny and Jazz think their parents are getting better only to be smacked in the face by the betrayal of "secret billionaire parents who essentially abandoned their brother"
Dont know but im tossing it to the void.
To me the most important scenes in this idea is Tim angst at the fact that his parents were never actually too busy to be there for him and had instead chosen no to be there, the somewhat bitter consolation of learning that even when their parents were physically there they still weren't there there for his siblings, and then some good ole slightly unhinged sibling bonding.
Maybe the measuring of ecto contamination and debate in if their parents presence did more damageto their health or less
They honestly might be tied on mental and physical scars. All three kids tend to come with headcanons about neglect and malnourishment)
@hdgnj @omnicrafts @im-totally-not-an-alien-2 @tathartiel @0mnicrex @ailithnight @little-pondhead
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daily-dose-of-danno · 3 months ago
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Can I give you a challenge? I fee like Tucker's side profile is one of the rarest things, I can't find any references for it 😭💔
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Season 2, Episode 5 - The Ultimate Enemy
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Season 2, Episode 6 - Identity Crisis
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Season 2, Episode 17 - Reality Trip
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Season 3, Episode 11 - D-Stabilized
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Season 3, Episode 12 - Phantom Planet
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keferon · 5 months ago
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I love when JP fics are like
Here’s Prowl. He’s an inforcer. Or tactician. Or detective. Maybe you want something exotic? He’s a mer. Or demon. Or prince. Whatever.
And then there’s Jazz. Or wait. It it him? Maybe not. Look how he performs identity acrobatics on you and everyone. It was Jazz over there, but now this one is also Jazz. Meister is Jazz but Jazz isn’t Meister. Or is he? Ricochet is Jazz’s brother? HAHA get trolled, they are the same person. Bet you feel stupid now? Good. Because Ricochet IS actually Jazz’s brother, they aren’t the same person. But there is only one of them now? Which one? Haha GOOD LUCK. Which one of them was Meister? Which one are you looking at right now? Does Jazz even exist? Strap to your fucking seat we are shipping Prowl with the concept of Jazz
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murphy-kitt · 9 months ago
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Ectober Day 4 - Came Back Wrong
Word Count: 1,645
Tags: Angst, Character Death
AO3
Jazz didn’t hate the ghosts at first.
But now she loathes them.
Back when her parents research was merely myth, Jazz hadn’t bothered to focus on the theories or speculation they spurred out. Why would she?
Every waking minute at Fentonworks was spent talking about ghosts. Ghost this, ghost that. What new weapons they had conjured up (to her, it’d seemed stupid. Why did you need defence against things that weren’t real?).
Her own mind didn’t need plagued by ghosts all hours. But now, admittedly, it’s all she thinks about. She doesn’t think of them in the way her parents do.
The hatred may be the same, but the science—that doesn’t matter. She doesn’t want to cut them up or learn what a core is.
All she wants is revenge.
Because it was the ghosts that killed Danny, in the end. That stupid, stupid portal.
And in a right mindset, she’d blame her parents, their negligence. The practicality of it was, that it had been her parents fault. She was aware enough to know logically that Jack and Maddie Fenton had been the reason.
But the reason for their portal? Was their obsession with ghosts. And so it became deliberate ignorance.
Directly it might’ve been her parents, but if their obsession with ghosts hadn’t happened then portal would’ve never existed and her baby brother wouldn’t be dead.
The night is dark as Jazz sits by her desk, blinds open as she watches for any sightings of ghosts outside. Her eyes are heavy, a mix of academic drag and grief. Which one prevails, she doesn’t know.
She knows Danny would want her to keep going academically. And although Danny was never spiteful, merely witty, it feels important to do this. To..get justice…closure?
Jazz picks up the ghost scanner with a trembling hand. It constantly buzzes, a malfunction that her parents never fixed, but she doesn’t care. It’s the one bit of tech she trusts to be reliant.
A rare moment of determination, she’d stolen it from the lab when they weren’t looking. Her dad would probably think he’d misplaced it.
“Come on, come on.” She narrows her eyes, feeling as frustrated as she had on her last exam. Her mind doesn’t work the same way anymore.
Once studying was done with a breeze, but now this plagues her. Danny’s death. The emptiness. Her parents are constantly working.
Of course, she still gets good grades, despite being told she’s relieved of all assignments for the year. But it feels more like an obligation, than something she used to enjoy.
Perhaps this is what the burnout Danny used to describe is. Danny was never as academically competent, always slower but eventually getting there.
Now justice is all she lives for. Any will do. Any target.
She just needs…violence? To rant? Anger? She doesn’t know.
Just something.
Something to feel anything but the deep dread weighing down on her, tethering her to an endless cycle of grief.
And then the scanner starts wailing, making Jazz tense slightly. She relaxes, before checking the small screen.
“A loud noise, so a powerful ghost surely?”
And she’s right.
Ghost: Phantom.
Power Level: 7.8
Current Core Usage: 80%
Jazz interprets, given the ghosts core usage, that it’s currently in a fight with another one. Plays hero, of sorts.
Phantom’s the worst one for her. He’s never done anything to her—but she hates him.
He’d appeared a few weeks after the portal had opened, whilst everyone was still reeling over Danny’s death. Yet, at that time Amity couldn’t ever have expected the paradigm shift Phantom was about to throw them into.
Ghosts everywhere. Constant fights. Damage. Already grieving and to blame parents wearing themselves down even more to defend the town.
Albeit, not very well, but she didn't dare say that. They’d already lost Danny, they didn’t need to lose the ghost hunting too.
Without another word, Jazz slips on her winter jacket, slipping open the door and down the stairs. Scanner in one hand, compact ectogun tucked into her belt.
She can hear her parents' snores echo from upstairs. Good. They won’t miss her for a while.
Cold air freezes her to her bones as she steps out into the street, instantly looking up at the sky. Dark blue and empty, only a few stars twinkling.
She’s sure if Danny was here he'd tell her what constellations they were.
“Where are you?” she grits out, watching as the small screen on the scanner shows a bright green dot, about two blocks ahead. There’s another dot too, smaller and weaker, before it disappears off the map. Jazz presumes Phantom has captured or weakened the ghost, whatever he does.
So she needs to be fast.
Within less than a minute, Jazz makes it to the street where the scanner showed, then shoves the scanner into her pocket. She doesn’t need to alert her presence.
And there he is.
Phantom is smaller up close than she’d initially thought, although no one at Amity has ever got a good glance. His back is facing towards her, the black of his jumpsuit glistening under a street lamp.
Something cylindrical in his hands has captured his attention, probably why he’s not noticed her yet. Jazz strains her neck to look, but can’t see.
Phantom. The ghost that’s put her parents through so much hell.
The ghost that’s, whilst Amity was still reeling from Danny, racked up the problems on their list by causing destruction to infrastructure and pointless money. All with a side of witty banter.
“You.” Jazz tries to steady her voice, feeling the grief trickle through. All this, for her brother.
She never got to grieve properly. No one did. How were they supposed too, with ghost fights all around?
Phantom’s reaction is immediate. His back stiffens and he swivels around.
The eyes. They’re a piercing lime green, just like the portal. The portal that killed Danny.
“What do you want?” Phantom’s asks, tone initially surprised but flattening. He’s younger than Jazz expected. Fifteen, at most.
Near the same age as Danny.
“What do you think?” Her eyes narrow, reaching for the ectogun attached to her belt. She doesn’t expect a logical answer.
Of course Phantom won’t know why she’s here, or what she’s after. He’s just a ghost with an obsession of being some copy-paste comic hero.
“I—I don’t know.” The ghost mumbles, eyes now averted down to his left hand. He tucks the cylindrical device under his shoulder before tracing a round shape on his left palm.
That’s…strange. Jazz thinks. Not the answer, but his behaviour. Is he thinking of something in the past? Better yet, he’s still here. Usually Phantom, at least to news reports, is enigmatic, and never likes being filmed.
So the fact he even turned in the first place is perplexing.
But then she thinks of Danny. Buried in the cemetery, grave stricken of flowers due to the quickness of their grief. Amity bombarded with attacks on the constant, never any peace.
All Phantom’s fault. At first, perhaps (the attacks) not. But over the months, he’s gotten quite a reputation. She’s sure he has some sort of control over Amity. That ghosts come to Amity now just for the sake of fighting him.
When he’s really just a five-foot nothing skinny teenager like her brother.
If Phantom is gone, she’ll finally get a break. Get to grieve for Danny. Danny can get the justice and tribute he deserves.
The ectogun is sleek in her hand, tucked under her coat. She knows what she’s doing, having received multiple lessons from her parents after Danny’s death. They didn’t want to lose her too.
Unlatch the safety trigger, quickly aim, shoot.
It’s that simple. She points.
”Please! Please—don’t do that!” Phantom pleads, “You don’t know what you’re doing—please, put it down!”
“Please, Danny! I need you!” She cries out. She’s in Danny’s room, the bed still unmade, clothes still strewn about.
Untouched from when Danny had last left it. He’d gone into the lab, and that was it. Electrocution, they told her.
He’d been barely hanging on at the hospital. And then his body couldn’t take it any longer.
Her brother is gone.
The next thing Jazz knows is the cold pavement underneath her body, sitting with her knees drawn up to her chest on the curb. The ectogun is a few feet away, glittering in the lamplight.
”I can’t—“ she sniffles, not even realising it. Her cheeks are damp, eyes stinging.
”What’s wrong?” An echoey voice besides her. Phantom. His eyes are narrows in concern. He sits near her, but leaves a gap.
Why’s he still here? He should’ve gone long ago.
“What’s wrong? My brother is dead and his body was barely cold before you waltzed in with your stupid puns and caused damage everywhere!” The anger radiates through Jazz’s body as she scowls at him, “My brother’s death was cast aside because of you. My parents never got time to grieve, none of us did. Too busy expecting another ghost attack or repairing damages.”
“Your brother?” Is all Phantom responds. Wiping her eyes, Jazz takes a glance at him. He’s hunched over, grimacing with an expression she can’t quite read.
”I just want Danny back.” She chokes out, wiping her eyes again, feeling the tears fall.
He’s gone. Only fourteen. What sort of age is that to die? Killed at the invention of their own parents. She’ll never hear his (admittedly annoying) chatter about space, nor have their petty arguments again.
Even the times he got on her nerves meant something.
”Jazz, I—“ Phantom starts to say, but freezes.
As does Jazz.
”How do you know my name?” She tilts her head, voice sharp.
She wipes her eyes, again, blinking back the bleary vision.
Then looks right into Danny’s green eyes.
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