#but just for his annual

[theborzoiarebackintown]

There’s a reason borzoi aren’t supposed to have prick ears

[yooo-lets-go]

what sort of music does simon listen to- and what are the others’ opinions on it when they inevitably discover it?

They probably wouldn’t share a playlist

Plus Roach:

[cometrose]

zhongli is so fucking funny when hes avoiding people like venti last year and neuvillette this year he can’t catch a break he moves like they’re his ex husbands 😭

[iraprince]

sometimes i gotta bask in the knowledge that teen me would be so stoked if it knew what i look like now

[b4kuch1n]

myth of the bare palm

text:

Our kind used to be hulking things of feathers and claws,

more gods than animals, roaming the snowed planes endless,

until we found each others

and in jubilant relief reached out

claws retracting,

feathers shedding,

so the moment of contact branded heat against bare skin.

[jasontoddenthusiastt]

Batman Annual #25

Before Talia took him in, before he was dunked in the pit to have his memories restored, even when operating purely on survival instinct, he always split a meal with the other homeless people. It may not have been essential to his survival, but caring about and helping other people when he couldn’t even help himself was just always such an intrinsic part of Jason’s core.

[bonchobrick]

(angst alert !! death + slight blood tw !!)

Tim is stuck in a sticky situation and has to call a certain 'spooky' friend for help.

Jason would probably call him a dumbass for trying to do something so stupid. Well, atleast thats what Tim thinks Jason would do, he isn't for sure though, he isn't certain.

Because Jason's laying on the ground with a flat pulse and he wont be giving him any answers anytime soon.

---

“Don' look so weird replacement, its just anoth’r day in gotham.” His brother slurs with the slight quirk of his lips

"Jason don't fucking do this to me!" Tim hisses tears cursing his eyes

And Jason, oh that bastard—bleeding out on the pavement and in Tim’s arms sends him his classic beaming Robin Smile. 

"Love ya' little bro take care of yo'rself, kay?" he says eyes fluttering

"Jay," Tim cries, "You dick."

For all the joy and hope and belief his smile conveyed for the first time in a long time—his red blood muddled what should’ve been such a nice sight. Tim held him on the pavement with someone yelling on the comm mic on the floor that he just can’t bother trying to pay attention to. 

The pavement is cold. The air is cold. His brother is cold. It’s all so cold tonight. 

All the younger boy does close his eyes and slowly, In. Out. In. Out.

He lets himself breathe for a minute. Lets the horror wash over him. Lets himself absorb what just happened,

Then he gets back to work. 

Like a switch his brain is back online running at a hundred miles an hour–what is the best scenario, what should I do when my brother's wrist is limp and his eyes are shut, what do I do if he’s dead again, what can i do, how can I Fix. This.

Thoughts cloud his mind, whirring around his head like layers and layers of messy documents has just been dumped on his desk and he’s shuffling through them panicked trying to find the right file because its somewhere here, there is something and he just needs to sort. it. out. And–

Then it all becomes clear. 

His desk is back to clean and stationary. All of the papers are gone back into neat piles in neat manila folders, stored away in tidy filing shelves–

Everything is gone aside from one little yellow sticky note in the center of the desk.

“Well, Jay?” Tim chuckles with a cracked voice, “Second times the charm right?”

In his mind, at the center of it all, on a yellow sticky note lies the words in green ink: ‘Contact The Ghost King.’

Slowly he shifts and with a loud grunt he lifts up Jason, “Up we go!”

“--im? Why do you have Red Hood’s Comm–Tim what happened! Tim!” the comm speaker plays faintly in the background of his head, “Tim! Whatever you’re thinking off doing, don’t!” someone Tim can’t think about hisses

Tim hums absentmindedly towards the mic, almost automatically, “Don’t worry Babs, I’ve got it covered.”

Walking away from the roof he thinks to himself, I wonder where Jason would wanna wake up? Perhaps his apartment? Yea, i think that would go well by him–let’s head to the apartment.  

And just like that Tim leaves a crime scene—shuffling away with a dead body over his shoulder and a plan.

“Jay,” Tim murmurs to the corpse on his shoulder, “You’re really gonna hate this, but i’m doing this for you anyways cause I love you. So dont be too hard on me when you wake up okay asshole?”

Tim stumbles off into the stairwell making his descent and sometime as he walks away Barbara faintly catches him on the comm saying

“-Your gonna love Danny and making your lame 'im a dead guy' jokes with him man .”

[fimbry]

It's Tobiko's 6th birthday!! HAPPY BIRTHDAY TOBIKO! Rotisserie chicken is just about his favorite thing, second only to peking duck.

[boyfriendgideon]

as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.

and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.

and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.

and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).

but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.

and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.

it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.

and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.

[rmbunnie]

Red Hood Characterization

This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.

I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?

This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!

tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.

Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.

[violetbumblebea]

Bruce Wayne, sobbing on his knees while clutching his parents grave during a thunderstorm and screaming at the universe: Can I be happy?!?

The universe, throwing a brick with a sticky note on it at the back of his head: No <3

[soup-child]

Hello yes, Ron Stampler is asexual. He told me himself. He also does have sex he also told me that. It was a wonderful conversation.

[martyrbat]

sorry but im still just thinking about how batman 105 (aka the comic where bruce gets his tits out and asks khoa to stay) begins with them having a sloppy breakup in the rain and khoa offering bruce to travel and save the world together, they'll live lavishly and gather resources. and then MAYBE they can tackle gotham together. hes trying to convince bruce to stay and that hes going to get himself killed because of his stupid bleeding heart and how he blames himself for every loss. that together they can conquer so much more. and bruce responds by calling him broken and telling him he's angry that bruce is always going to care about the people he saves. he's still determined to go, still choosing gotham over his best (and only) friend.

but he tells him this as theyre in the rain and khoa is still trying to convince bruce to change his mind despite the plane being there and knowing that bruce wont. bruce is one of the only people thats seen his face and knows his name, the only person that truly knows him—yet all those years they spent together still isn't as important as that vow bruce took as a mourning 8 year old boy. so he demands for bruce to never say his name again—he doesn't get that right or the one to see his face ever again. and bruce still doesnt change his mind, leaving khoa behind without so much as a glance behind him.

while batman annual 2021 is khoa bragging about his greatest feat—taking down madame midas, the woman who laughed as his mother was killed and as her father strong-armed his father's independent business. he doesn't tell bruce this but it still ends with bruce pointing out there has to be a reason he cared and spent so long on it. khoa denies it, of course, repeating back what he tells himself constantly. he doesnt care about anything (and, by extension, about anyone). but the comic literally just showed us, the reader, between those two pages that this isnt true! he had a personal motive, he recired back the words she told him all those years again! but after khoa says he doesnt care about anything is the first time on panel that bruce calls him khoa again (as far as i remember :p)

but then khoa is suddenly changing the topic!! not allowing bruce to continue, not even acknowledging the name or all the years it nust have been between the last time someone called him that—the last time BRUCE called him that. and its only after the accusation of khoa caring like how he does—of khoa not being ‘broken’ like how he said the last time he attempted to use that name!! AND that this is their last chronical interaction (on panel) before khoa is the one leaving bruce behind to train bao...

im sure bruce used it off panel before this (and it was probably during sloppy old man sex) but this being it on paper has been making me go >:3c!!!!

[finexbright]

i am honestly so in awe of how when louis first announced the away from home festival, he did it completely for free and the logistics of handling that must've been insane and now, he's been able to take it to two entirely different countries, on different continents and the venue he has now is literally four times bigger than the first time. this time next year he'll either be doing a full blown 80k capacity venue or doing a proper weekend festival and it honestly fascinates me how when louis puts his mind to something, he never half arses it, he gives his all to it and it always soars so high

[alice-ness]

ignore the logistics of them all going to prom together but... prom!!!

im cooking up so many highschool headcanons for them rn but it's getting too long for one post so pls... ask me abt any of ur faves in hs pls

[soullessjack]

i know we’re balls deep in destiel again But since revival talk is upon us again can i possibly pitch to anyone my jack guesses . Pretty please