#how does one summarize a year in one post

[drunknillawafer]

right down the line: zuko x firebender!reader | part 7

You grew up close to the Royal Family due to your father's position as a General, but you ran away from home after the agni kai against your best friend, Zuko. Now, you've joined the Gaang and plan on doing your part in ending the 100-year war.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6

hi part 7... picking up right where we left off... i think I'm going to post a masterlist & keep it linked on my pinned to make it easier to sift through and find, esp since i do plan on posting other fics once i finished my very first >.< also i want to post the songs i listen to while I'm writing and some visuals hehe... just to make it much more immersive. again i do not own these characters and they are not mine! (except my mc i guess) like comment reblog if ya like... enjoy! about 1785 words

⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙

We’re standing on a sand-colored platform of a structure currently being renovated or changed to fit Fire Nation standards. The usual for when they occupy lands that don’t belong to them. Aangs in front of me, with Sokka to my left and Katara to my right. We form a triangle and I'm thankful for the partial covering.

I’m thinking of the best way to summarize the threats ahead of us, just in case they try to change the plan. There’s a good chance this will go south.

“Mai, in the center, has good aim with her blades, but it’s Ty Lee, on the left, you should keep an eye out for.” I try to give my friends the run-down on my, I guess, old friends one would say. But we’ve only got so much time before all three of them realize that I’m here.  

They lower King Bumi from the top of the building using a metal crane. They’ve got him in a coffin-shaped cage with only his head showing.

“You brought my brother?” Mai speaks first, breaking the silence between the two groups. She squints at the sight of me, but I’m too far away for her to be sure it’s me.

“He’s here.” Aang solemnly replies. “We’re ready to trade.” In these moments, he’s got the grace of a 112-year-old.

Suddenly, Azula speaks to Mai in a hushed tone we can’t quite hear. Fine is never fine with Azula, nothing is ever the way it should be with her. There’s bound to be some trick up her sleeve that only feeds into her misery.

“I’ll help with the girl on the right, she’s the most vicious,” I warn them. I briefly make eye contact with Sokka. We haven’t talked about what was said and now wasn’t the time, but I couldn’t help but yearn for his gentleness. A reminder that I wasn’t like the enemies in front of us, but someone new. Someone he couldn’t hate.

Then, Mai steps forward. “The deal’s off.” With a lift of her gloved hand, King Bumi is raised once again by the crane.

“Bumi!” Aang cries out for his old friend and starts heading towards him, defying the laws of gravity bestowed upon the rest of us. It’s enchanting to see an air-bender. It’s so different from the rest of the elements. He looks like he’s flying.

As he does so, Azula strikes, and I see her blue flame for the first time. She must’ve perfected her oxygen levels for complete combustion; but if she’s the Azula I’ve always known, I know how to beat her. This time, I won’t go easy. I won’t make that same mistake again for nostalgia.

Aang’s head covering flies away as the air moves around him and his arrow is exposed.

I look down at Azula’s reaction and she’s close enough now to hear.

“The Avatar. My lucky day.” The princess smirks, re-organizing her plans for Omashu in her head.

“Remember, don’t let Ty Lee touch you!” I warn Sokka and Katara and dash toward Azula, offering Aang some support against the crazed fire-bender.

I follow her upward, burning the knot on the pulley to cause the rope to lift.

Azula can see me through the grids as the ropes pull us to the top of the building, and I can see her in real-time realize who I am.

“Well, if it isn’t the Royal traitor. Seems like you and Zuzu still share a brain.” She gloats.

“Leave the Avatar alone, Azula. I mean it!” We break through the ceiling made from wood and reach the roof of the building under construction.

She attacks Aang with a blue blast, causing him to break the metal chain. Aang instantly heads downward with King Bumi. He cushions their fall with an air bubble, and they land on the well-known ramps of Omashu. Azula quickly follows them using a cart, and I’m on her tail. If only I had Sokka’s boomerang right now, it makes so much sense to carry one in these situations.

We catch up to Aang, giving Azula the chance to strike him and Bumi.

I distract her with my own fire-blasts, making sure to lean forward and crash into her cart.

“Out of practice?” She questions.

“Out of patience.” I growl, punctuating my sentence with a blast from my right hand.

As we continue our fight by speeding through the ramps, I see Appa in the distance. Relief washes over me as I conclude Sokka and Katara must have gotten away from Mai and Ty Lee.

Aang attempts to lift Bumi onto Appa’s saddle with his bending, but he miscalculates and Bumi’s off to land on the ground. But his friend won’t let him go on his own. Together, they land on another ramp and head down to ground-level.

Azula’s right behind them, and I’m right behind her.

She attempts another attack, but a rock blocks her offense and bursts her cart into dust. I leap off mine before the impact breaks my cart too and we both land on our feet, an homage to our identical upbringing.

She lets Aang go for a reason I can’t quite put my finger on until she turns around to face me. We're still standing on the ramps.

“The key to never losing is knowing when you’re beat.” She says with her hands in defense, signaling that she’s waving the white flag.

I’m still in fight mode. I’d never let my guard down around her, not now, not ever. “You’ll always be beat as long as I’m here.”

She pauses to truly grasp my presence. It’s been three years since we’ve seen each other, and everything’s changed. We used to be on the same team, never friends but bonded by our birthplace. It’s the first time we no longer owe each other pleasantries. Azula, however, uses sweetness as a weapon. “Where have you been, Y/N? You’re missed at the Royal Palace.”

“I doubt it.” Zuko and his mother haven’t touched that home in years, making it impossible for anyone there to actually miss me.

“Your father misses you.”

“I know you’re lying, Azula.”

“You’ve never trusted me; I’ve never liked you. Now we don’t have to pretend do we?”

“Leave us alone,” I get in my fight stance. “Got it?”

“Fine. Loud and clear.” She dashes away in her infamous run toward the unfinished building, probably to catch up with her friends.

Fine isn’t fine. It’s I’ll get you somehow. I think to myself.

I watch her figure fade into the distance, when it hits me: “Seems like you and Zuzu still share a brain.”

Did Zuko abandon his ship?

Is she lying? She would have no reason to lie about something like that, other than to get to me or Aang. I can’t pinpoint a motive. I still won’t believe her 100 percent, but I’ll keep it in my back pocket.

I slide down the ramp Aang took and find the both of them at the very end, standing on a platform in another unfinished building. Once I’m off and my two feet hit the floor, Bumi bends rock to lift his metal enclosure up the ramp in a fit of laughter.

We both watch him go. “Your friend is very… eccentric.” I tell Aang, as he’s standing with Momo on his shoulders.

“Yeah.” I turn to face him, something’s wrong. He’s disappointed.

“He’s not going to teach you earth-bending?” I assume.

“No, he has to stay here to protect Omashu. I guess I got to find another teacher.” Now, he looks like a twelve-year-old boy with the weight of the entire world on his shoulders. There’s no way he’s meant to do this alone. I’d rather be here helping him than with Zuko.

“We’ll find one in no-time.” I reassure him.

“Who were those three girls?” He changes the subject.

“They were old friends too. Azula is Zuko’s sister.”

“Wow.”

“I know.” I sit on the edge of the platform, waiting for our ride with my feet dangling. Aang sits next to me, and for now, we’re just two kids talking, staring at the beautiful Earth Kingdom in front of us.

“What was it like… to grow up with them?”

“It was easy with Zuko. Azula… not so much.” I wince.

Aang’s face contorts, as if he’s remembering a distant memory. “Was Zuko good? Yaknow, back then?”

A smile creeps up on my face. “He was.”

“Do you think he still could be?”

Aang and I stare at each other. We’re choosing to live in the moment before my answer. The moment in which the possibility of Zuko changing his mind, realizing his mistakes, and helping us stop his father exists.  

“I don’t know.”

☆

The heat and the prickly bushes are upsetting him further with each and every single step. Looking for food when you’re used to someone cooking for you is daunting, Zuko realizes. How is he ever supposed to live like this? How did Y/N?

As he’s walking back to let Uncle know he couldn’t find anything edible, he touches the side of his hair. It’s grown back a bit since cutting it, slicing off his ties to the Fire Nation. Trading in the red for green, hoping to camouflage with the land and the Earth Kingdom people.

What a stupid idea, he thought. How could anyone ever confuse him with anyone else with the scar on his left eye?

But it seemed to be working so far. His sister hadn’t found them, and they haven’t been arrested for their crimes against every other nation.

In the humid morning, on his long walk back to where his uncle was staring at a tea leaf, he thought about the Northern Water Tribe.

He wondered if Y/N was okay from his strike. Maybe the water-bender girl could heal her, and she’d be okay again. He didn’t mean to. He’s been this hard and heavy with everyone else for the sole purpose of returning home, he forgot Y/N was his home. He’s been in fighting mode for so long, he’s forgotten to turn it off.

She wasn’t home, though. She was with the Avatar. Defending him and betraying her nation. How did she get there? He wondered. He had so many questions about everything. Zuko’s sure she had just as many questions for him.

Could he find her now that he was labeled a traitor?

Where his mind led made his empty stomach drop.

If he found her, he’d find the Avatar. Then, he could go home. But if Y/N was not there, would he still want to go back? Did his father’s acceptance matter above all else? It didn’t for Y/N, but she was always braver than him.

Zuko wasn’t ready for that thought, so he pushed it away.

It wasn’t hard to do when your stomach was louder than your thoughts.

------------------

tag list <3: @camilleverreault @staygoldsquatchling02

[fuckyeahgoodomens]

HELP - Good Omens Season 2 DVD - HELP 🥺❤📀

It's been more than half a year since the S2 of Good Omens came out and there are still no news of the DVD. I think it's time to let Amazon and BBC know that there is the market for it!!! :)

UPDATE! - BBC does not own the rights, so the one to write/call is Amazon!

I deleted the BBC parts from the post.

The plan 📋:

Please help - let's use multiple ways ❤ 🐍😊:

We need to tell BBC and Amazon that we want the DVDs - after S1 DVD was announced with no commentaries we wrote to BBC and it worked and they made commentaries! :)

Classical post - physical letter

If you can spare a coin for the post stamp please write them physical letter, physical letters are very good :).

Amazon Studios address:  AMAZON STUDIOS, 1620 26TH STREET SUITE 4000N, SANTA MONICA, CALIFORNIA, 90404

2. Phone

This is the option for those comfortable with calling :) <3. Call them and let them know we want the DVD (with commentaries)

Amazon customer service: 1-888-280-4331

3. E-mail

With amazon this is a bit tricky since I am not sure what are the proper emails to use, for amazon the customer service one is cs-reply@amazon.com, also there are emails on the amazon studios page but those seems more for media enquires ? amazon-pr@amazon.com, aws-pr@amazon.com.

Edit: on insta alexis.frykman.smith said: While talking with Amazon customer service several months ago, I was told that the correct email address for requesting the show be released on disc is primevideo-catalogsupport@amazon.com They do not actually reply to emails sent, from my experience, but it’s worth sending the plea.

4. Social media

Not sure how much this will help, but #GoodOmensS2DVD could be a nice tag + tagging amazon studios, and prime video on the social media of your choise :) <3

What to write/say ✍️

I am writing something along the lines:

Hello,

I am a big fan of the BBC+Amazon series Good Omens. I have bought several pieces of merchandise including the Good Omens Season 1 DVD and Blu-ray but there is no announced Good Omens Season 2 DVD. Please make Good Omens Season 2 DVD/Blu-ray for this wonderful series and put commentaries on each episode (ideally by Neil Gaiman, David Tennant and Michael Sheen).

(apologies if this is the route to say this, please redirect to the correct hands)

Thank you and have a wonderful day.

To summarize :)

Write emails

If you can, send physical letters

If you can, call

Tag social media for Amazon with #GoodOmensS2DVD hashtag

[foodfightnovelization]

ROTTEN: Behind The Foodfight

Holy chips! It's an exciting time to be a Foodfight! fan, because ROTTEN: Behind The Foodfight is finally out! This really is THE definitive documentary on the insanity behind the movie, and it finally answers the question of just what was going on behind the scenes during production. Since I helped out with research (and I even get a short line of dialogue at 45:19) I've already seen everything that was shown off, but had to keep quiet until all the interviews were conducted and the documentary was finished. But now it's out and everything has been made public, the cat's out of the bag (the Fat Cat Burglar?) and I can talk about all the production material that's been shared.

Before I get into any of that though, I'd highly recommend you watch the documentary for yourself. It's insanely well researched and put together, and having worked together with Ziggy Cashmere (the documentary's creator) I know how hard he dedicated himself towards making this all possible. If it weren't for him, the most interesting Foodfight! discovery would've been finding the novelization, and we would have never gotten any real insight into how this movie came to be. It's also a documentary that really speaks for itself- I don't want to say too much about what it reveals since it's all expressed far better through its narrative and the interviews with people who actually worked on the project. My favorite is the interview with texture artist Mona Weiss- she tells such horrifying stories about how she was treated by Larry and other crewmembers, yet does it all with a sense of humor that makes it clear she's enjoying getting to talk about her crazy experiences. It's clear Foodfight! was an unmitigated disaster from start to finish, and there's nobody to blame for that but Larry Kasanoff himself. The movie was rotten from the top down and despite the countless talented animators and artists working on it, nothing could fix the fact that it was fundamentally mismanaged in the worst way possible. I think the quote from producer George Johnsen summarizes it best: "Foodfight! was a good idea that unfortunately lost its way during production. The technology, the art, and the direction were not in sync. Many very talented people gave their all to make the picture, but more understanding of process from the top was needed for it to succeed."

But if you saw the documentary, you already know all that, right? So instead, let's talk about the behind-the-scenes material that's finally been shared! You can find everything I'll talking about HERE on archive.org-

It's worth following the link and checking it out for yourself- there's so much it'd impossible to discuss everything. Artwork, storyboards, bloopers, models, a nude render of Lady X, an interview with Larry Kasanoff, the list goes on and it's still being updated! Despite the documentary already being out, people who worked on the movie are continuing to share new material! It's pretty incredible- for the past year I've ran this blog all I've really had to discuss are two tie-in books, and now there's so much Foodfight! material I can't even keep up with it.

I mean LOOK at all this, isn't it fantastic? The character art by Jim George showing off just how much better these designs originally were, the countless environments showing off just how stunning Marketropolis could've looked as well as the strength of the core idea "what if a supermarket came to life at night", and insanely detailed storyboards for a 7-minute pitch reel that was used to sell the movie to investors. Normally, I'd be ALL OVER this because it's all just incredible, but there's something far, FAR more fascinating than any of it.

There are even multiple drafts of the script (one from 2005 and one from 2007 respectively) and normally I'd be insanely fascinated by those too, making extremely detailed posts explaining the differences between the drafts and how they compare to the novelization, but there's something else that was found that blows ALL of this out of the water and is easily one of the most monumental lost media discoveries of ALL TIME.

That's right, a rough cut of the ENTIRE movie from 2005 has been found, containing nearly ALL the completed animation from earlier on in production. I mean, that's mindblowing right? We first got sent this around a month ago, a little while before the documentary came out, and I literally stopped everything I was doing at work to just sit and watch this. This is the closest we're ever going to get to the "original" version of Foodfight! after all- only 7 minutes of footage was ever actually made before they switched to mocap, made solely for the aforementioned pitch reel, and this workprint contains practically all of it! On top of that there are some great storyboards in here, as well as some truly hilarious ones cobbled together from 3D renders, and the plot is far better than what we ended up with, a lot of the more inappropriate jokes being absent. This rough cut is actually pretty similar to the novelization in that regard, and it also contains scenes that we'd previously only read about in there.

For example, in the novelization there's a snowmobile chase through the mountains, with Brand X soldiers on snowmobiles and a heavy avalanche close behind. This scene was completely left out of the movie itself, but in this workprint it's here! ALL the previously novelization-exclusive scenes are included, and this rough cut is seemingly based on an even earlier draft of the script than that- here Brand X are still defeated by a flood, whereas by the time of the novelization it'd been changed to a lightning storm. There are SO many exciting differences in this workprint, the snippets of original animation we get to see are SO good, and it's SO much better than the movie itself that I think it by far deserves the crown as the DEFINITIVE version of Foodfight! There's so much in it I want to discuss, that there's no way I can fit it all into this one post...so stay tuned, because in the next few days I'll be doing a FULL analysis of the 2005 workprint, pointing out all the extra brand mascots not in the finished film, and generally just gushing about how amazing it is.

I mean, this is it. Just take it all in for a second- the original footage was considered lost media for over a decade, and now it's practically been found in its entirety, embedded in an early cut of the whole movie...isn't that just phenomenal? All the mysteries have been unraveled, all the questions have been answered, and now we can relax, take a deep breath, and watch Foodfight!...the REAL Foodfight! Make sure to enjoy it, and join me next time for my analysis!

[ganondoodle]

totk rewrite- botw2 edition

been thinking about the other totk rewrite again (the one only based on botw in which the sonau stay a mystery while being expanded upon)

i talked about it before but heres a lil breakdown (im reusing alot of mechanics from the villain rauru rewrite bc they work too well to be discarded for this one)-

(edit, about five hours later .. its not a little breakdown, its a pretty complete summarized breakdown of the entire new rewrite that i didnt intend to spend the last hours of my sunday on but here we are .. long post, but with pics bc theres lots of concepts im reusing or reviving)

okay START:

zelda and link explore the caverns below hyrule castle bc the shiekah tech has been losing power and their research as to why lead them here

they discover ganondorf and through zeldas curiosity break the, already weak, seal on him (no enigma stone here, the seal was done by an ancient queen of hyrule)- he wakes up attacks them, breaks the mastersword and miasmas/malices links arm off (also idea is that you have to fight him but meant to lose horribly lol) and then have to play an escape sequence (or watch a cutscene of it) in which zelda drags link after herself running from gan

(remember this old first idea drawing i made when i started to think about a rewrite? yeah im reviving that, except theres no totk sonau in this anywhere)

they get out and immediately afterwards a heavy earthquake runs through the land, completely, and actually, changing the map (also using the idea of devastating the regions climates- gerudo desert is flooded, death mountain collapsed inwards, the zoras realm is dried up, rito village has completely frozen over - ACTUALLY frozen over, everything encased in thick ice, the temperature has a special new low point, the winds too strong to glide anywhere-, mountains and rivers shifted, caves are revealed- oh and most of the main villages have tried to flee somewhere saver so theres no literal 1 to 1 repeat of points of interest from botw; also no uh .. miasmas holes that are literally jsut like drilled out bc what?? i want the access to the underground be few and hidden to make it more special to discover)

links arm gets amputated and replaced with a shiekah tech one (maybe using the botw shiekah stone/slate since they still dont know how to make them and its the best self sufficient piece of tech left that doesnt rely on the breaking fuel structure) (reusing this concept from the villain rauru one, with the difference beign that theres no corruption of link -or maybe it does have an effect to have shiekah tech literally hooked up to yourself *thinking emoji*- the abilities remainign the same)

when link wakes up some time has passed (so its more logical that the other regions have tried to cope with everything happening) you get a tutorial by purah and other shiekah (bc with zelda in charge theres more shiekah doing tech stuff again! cool!) and now have a magic meter (functions like in the previous pic, recharges over time depending on environment! bc i find that idea so cool for interstign puzzles and storytelling- like i said in an older post, a place where lots of people died might be richer in spirit energy recharging your magic faster- others have been hollowed out of luminous stone which slows down the recharge) and you are left to decide where to go

both zelda and you have a shiekah stone/slate replica but its incomplete since as mentioned the knowledge on how to make it is still lost so it only has the basic functions, such as the map, journal, camera and teleport

zelda is your companion from the start, in the years since botw she trained in basic self defense and can use her sealing powers as a shield to protect herself (though reluctantly since she doesnt want to rely on them) so you dont need to babysit her- you can tell her to be aggressive in encounters, supporting you (occasionally shields you or heals you a little?) or stay out of it/only self defend if an enemy targets her (in case you dont want any help) - she also copies your movement in a way, when you glide around she will too etc- in cases where you go very fast to one thing, like the hookshot, she will grab onto you

zelda also acts as your mobile crafting station, to put it bluntly, as she can craft and repair weapons, which is at first limited but can be expanded upon by doing quests (like the options of spear crafting being hugely expanded by a zora quest- fitting their fight style), when she does it you need the material needed for it though it costs no money- theres new little smith shops around the world that can repair and craft as well in which you can spend money instead for material you are lacking (and a little fee for the work you know)

(one of the first rough concepts for a pair of smiths, one is at the shop (green lady, the scars on her arms are her missing fins bc she burned them or lost them in battle), the other walks around it like terry (beedle) does and from whom you can buy already crafted simple things, like arrow types-

oh yeah, arrow types return and get more options bc theres no way in hell id make anyone scroll through that awful menu just to fuse one arrow at a time (the old types return, but theres new ones and all are craftable in bulk, here and old rough sketch)

(also theres no new 'in the same location jsut a few steps to the left' towers that shoot you into the air bc it just destroys the entire world design- even if there is no sonau tech in this one so no gliders- i want the sky to feel as dangerous and mystical as the underground)

the sky has to be reached via the hookshot, its got big islands mostly with old shiekah ruins, including that broken titan prototype i drew before, and the bird mechanic (you can tame birds and register them at a location there, idk if im keeping the idea of a lone shiekah there, but the birds will stay)-which is if you tamed a bird you can call it when gliding to gain a little boost in height, enabling you to reach islands further away (since no building, yeah that mechanic is better used in a game actually built around it, which totk just isnt- do not argue with me about that- to really let it shine instead of just being a tiktok viral funney build simulator that adds nothing meaningful to the game and actively makes it worse due to its implementation just not fitting there) or save you from falling if you barely missed the edge of one - theres few points of teleportation up there so the world map isnt made skippable, theres no shrines there (and in general, there are no shrines, just minidungeons- ACTUAL minidungeons- integrated into the world, like really big caves that are each unique and filled with challenges- and much fewer of them) (the islands being mostly made nigh invisible from the surface bc clouds gather on their underside)

perhaps different glider types?! and you can switch their design via zelda too

the old botw shrines are non fucntional due to loss of power, either overgrown or broken into pieces due to the ground breaking open, some might be infested with malice/miasma and comes alive like a weird mix between guardian and miasma crab (which also goes for guardian wrecks that hadnt been taken apart for research yet), some are fallen into caves that got revealed or got swallowed by the ground with only the tip remaining- the titans (divine beasts) are all repurposed (like in the other rewrite ideas i had)- the rito tried to flee the blizzard using medoh but sicne no one has piloted it and unstable connection to them causes them to crash in the hebra mountains, unable to leave it due to the storm and thus on limited time; vah rudania was perhaps made into a temple, or training ground but fell into the underground when death mountain collapsed (imagine ... malice/miasma infested rudania being an actual boss itself, chasing after you in the underground); vah ruta was absolutely made into a place of worship and after their domain dried out a few remained there praying to it convinced their faith would save them- its not able to move but manages to produce a little water still; vah naboris might have been used as a stronghold/lookout but due to the desert flooding (which is in fact, bad) its one of the 'islands' people now reside in

new weather types, including storm and darkness caused by mushroom spores that are invasife to the surface

theres at least six dungeons, one for each region (but not in the exact place as in botw bc that is literally just plain stupid though i might use the zora sewer/water system idea for an actual dungeon instead of .. a single button- bc how cool would that have been?? no no lets put the fish people in the sky and put a single button in the coolest part of it that only activates a waterfalll .... coming out of a tiny island in the sky- all just by of the visual neatness of swimming up??- anyway) plus a yiga one that is in and below the akalla citadel- also might put hyrule castle into the underground and inaccessible for a good portion of the game- and one in the forest of the krogs that was corrupted (which i thought was the reaso nfor the backpack krogs, but no, they literally have no goal and serve no purpose than to make funney videos with em, and then even the forest is nothing more but a reused lame fight agaisnt phantom gan- im starting to rant, sorry)

the abilties of the champions will be similar but there are changes, as in tulins (who i might just change to teba bc lets be real he was the one you interacted with in botw really..) isnt a gust of wind, since its both contrary to revalis whole deal of how difficult it was for him to create the updraft and then tulin can just do an almost exactly the same thing as like, a 12 year old- also its little usefullness after me adding in the birds for the sky and different glider types- maybe ill make it a strong windcut forward like in the other rewrite, like the yiga officer windattack but on steriods id also consider most of them not having the innate ability for it anyway, except for yuno maybe since he literally inherited daruks shield and as my idea was could make a variation of it adding the roll an fire to it but still having the shield, bc it kinda makes them like a boring copy of the botw champions and also lessens both their impact in a way (perhaps bringing dungeon items back?? idk,so still working on that)

each dungeon has a unique boss, at least on of which being a corrupted friend (PROPERLY DONE not like poor yuno in totk >:I ) bc each being just some monster tm is kinda boring (like twilight princess was so cool for how it mixed its bosses tbh)- also want satori to have a dark (also nice) counterpart that you might have to fight first bc you are trespassing into its domain (an old sketch gonna revisit it at some point)

new armor sets of course, and you still own YOUR house in hateno, zelda either has her own one in the spot where landa (the funky building lad that you bought your house from in botw) had the 'example' houses or yours got an additional building added onto it for zelda (and you can customize like, trees around it and have a lil farm spot too!!) and in your house theres a chest you can store armor sets in so you dont have to sell them to avoid inventory clutter

POUCHES return!! you can find some but most are locked behind quests (since logically people likely would have pouches) making them a really good reward and dont force you to engange with krogs if you are tired of them, it also avoids making you go back to them over and over just to expand inventory (you can choose for which part you want to use the pouch for, weapon or shield slot etc)- krog seeds are now its own currency for a lil shop you unlock in the forest, one of the highest rewards being the eponator zero (the motorcycle from botw)

also BOTTLES return! the main way to store healing, which also has to be consumed in real time (like in skyward sword, select in on a wheel so link takes it in his hands and 'a' to use it) avoiding the pause and spam apples into your mouth problem-

now cooking is NOT removed, it has even better effects than potions BUT it cant be stored and has to be consumed where you cook it (hear me out-); the cookbook in totk i find pretty annoyingly useless so, the cookbook is now a proper book you can fill out and when you want to cook a recipe you select it there and cook it with what you have (it shows if you dont have it all and also if you wanna swap an ingredient that would end with a similar effect) AND since you cant store it, theres special NPCs that reappear throughout hyrule (like a group of chefs that have one in each region at least) that let you just cook whatever you want without it wasting your materials, and if you hit a recipe it unlocks and is saved in your cookbook (you have to have the materials you want to cook with but it wont consume them, so you cant jsut spam it and fill the entire book out in one go- maybe the chef can give you subtle hints with expressions if something might be good or not before you try it out so you dont waste ages just cooking the same shit over and over xD)

(also possible idea for an item or big quest reward, a portable pot you can set up to cook with -with wood and fire- on the go without having to rely on finding them in the wild, and zelda can act as you chef giving you hints ... honestly i love this idea, remember all the cute botw art of them travelling and cooking together?? make that real you idiots!)

to upgrade your health or stamina you have to get spirit orbs still, but this time you get big ones that each can be traded, since thers fewer minidungeons but they are 4 times bigger than shrines they also give you 4 times the reward- but still one where you can choose which one you want bc i find that an important bit of freedom (idea still is that you free trapped souls and they give you the orb as a reward, majority of which are in caves in the underground or in the surface caves) which encourages you to vary your gameplay and not focus just on one area bc you probably want all those things, go for quests for puches and bottles, for minidungeons for health/stamina etc

oh yeah, the underground houses several dungeons, the weird gravity effect is in either the entire underground or in parts of it- it does not span the entirety of the map, isntead its smaller and often enclosed areas that each are more detailed and 'finished', theres different bioms and enemies you dont find anywhere else, and some enemies on the surface (like the miasma hands but like .. less easy and no phantom ganon bc that got boring rly fast) that sport those hands can grab you and drag you underground- which can either mean doom for you or .. discovering a new area down there hmmmm a risk to take isnt it :3 (also wanted there to be a mount there but idk if i will use this old concept of the dongos or if i want it to be a crab like thing bc of the underwater theme i want to go for)

LORE/STORY

so as you explore you may discover caves and areas in the underground containing sonau architecture (the type from botw, not totk) most of which heavily damaged, but theres few that are in 'better' shape bc they have been in selaed off caverns that werent yet discovered-

you find out the sonau, which you only vaguely knew from ruins in the overworld, were in fact real (but no you dont suddendly know they fucked with hylians and even their names of untold thosuands of years ago that you just so happen to have read in a book all of the sudden like it was an always known fact and not at all a myste- .. rant alarm .. ), and given the ruins underground they must have originated from there, but there are no scriptures that survived and all sculptures are in very bad shape, alot of which seems intentionally destroyed- slowly you and zelda piece together through vague clues (VAGUE game VAGUE, let people THINK) that they had knowledge of the past and the nature of the ever repeating return of disaster to hyrule; the biggest reveal beign that they knew the cycle wasnt natural at all and that it keeps being repeated only through the structure of how this land operates, the beliefs of the people that rule it, altered history etc.

the ancient shiekah under the rule of hyrules royalty found out what the sonau had discovered/knew and persecuted them (parelells to what the king would do to them later on, anyone??) since the divinity of the kingdom must be upheld by all means necessary- which is why the sonau had disappeared so entirely, with little of their culture left and none of them, and by doing so the ancient shiekah also discovered the previously lost knowledge of the gerudo king having turned into the biggest threat to the kingdom in the past (which the sonau had kept secret, knowing what consequences it could have if not handled carefully), which starts up a whole other betrayal plot of the kingdom planning to imprison gan before he can become a true threat (im gonna guess the relations between the gerudo and hyrule havent been that great even before since hyrule was still the main empire)

gan finds out before the plan goes through and assasinates the king of hyrule, the ancient queen declares war (yes, the queen for once) and in the end sacrifices herself to seal him away, more for revenge than any prophecy, but it nevertheless leads to the cycle doing its thing yet again

calamity ganon is a product of ganondorf trying to break free of his seal- and perhaps in an attempt to weaken his unbreakable will the shiekah discover they can use his spirit as a powerful source to their newly invented tech- which previously ran with processed luminous stones (yes battery theory will never let me go idc) and essentially use his own power against him by beating the calamity with their tech

(this knowledge is also how you get the yiga to work with you, using your knowledge of the past as leverage and zeldas ability to negotiate - and bc i thinks it would be cool to see her develop that way, and no i dont mean it as they all gonan fix it uwu either, its hard to go into more nuance here, its already way longer than i wanted- and yes this also ties into the koga is one of the ancient monks that made himself basically immortal through malice experiments HC of mine)

he attacks the regions bc they too sided with hyrule, he drags you to the underground bc its where he has spent thousands of years in agony, hes only out for revenge, an understable one and one you can sympathize with, but one you cannot negotiate with, its been too long, too much, no amount of apology could sate the desire for payback (which keeps the whole link and zelda defeat ganon formular alive BUT gives it nuance, right?? more tragic really, i hope that comes across)

he attacks link and zelda, breaks the masterword bc he has seen it all before, the original calamity, through the eyes of malice, he knows what you will do, inevitably so, you too will come for him, again

at the midpoint of the game you will reach hyrule castle (underground? perhaps it depends on how much health you have, getting grabbed and dragged into its depths losing hearts and if you have enough you survive until you are inside the castle and let go, you cant teleport outside - oh and zelda is either absent for the fight bc you got separated or she held onto you and protected herself with her power- honeslty kinda like the seperation idea bc after having her around all the time its gotta be super creepy to be suddendly alone) and will have a fight with him, that you kinda lose but are saved by the rest of the crew that zelda had banded together and brought here after being seperated from you- maybe without koga yet bc he would be locked to late game i think

there will be a quest to reforge the mastersword, which if you havent already gone to the forest will now lead you there (oh also some of the krogs you find outside the forest now will tell you that they had to flee, but maybe warn you not to go there yet if you are still in early game, others might not know bc they left to plant new forests, windwaker style, maybe a quest there too! to give them purpose beyond being your plaything and then just disappearing- ahem .. )

(old concept for the krog forest/dekutree boss)

the dekutree will tell you to restore it it will need the blessings of the three dragons (who might not have appeared yet, or slowly disappeared one by one, they might need to be rescued bc gan probably knows you are gonna try and repair the sword) (oh look more old concepts still relevant!)

in the end it will .. end with you defeating ganon, just like always (unsure of the place where it will will be but OH LOOK old concepts- here it was still with hyrule castle in mind but that might be jsut for the midpoint fight now- maybe id put the end fight on the forgotten plateau, to round it up nicely, ending where botw began ... ;3

i really like this one .. even more than the villain rauru one, though that one is fun bc a twist like that is pretty neat and fighting with ganondorf is also rly cool- but sicne i just dont like the totk sonau and much prefer them remaining mostly a mystery im very fond of this (also .. im so sick of ancient people with high tech bs now..)

the aim with this is to .. make a botw2 that actually feels like a botw 2 (for me), shiekah tech is still there but little functions still, logically bc its main powersource is breaking off of it, the sonau are a mystery and kinda negatively talked about bc the shiekah persecuted them just like they would later be - also explains why there are shiekah things in every sonau building, of course they would overtake their places and try to erase a much as possible of them (the thunder plateau might have been a place of worship to farodra or for research- now look its a puzzle for a shrine to strengthen our hero to defeat the thing we caused :)) ), the sonau are expanded upon WITHOUT destroying their mystery (none of them are shown, there are NO memories in this game, everything happens in real time and what you can learn about the past is mostly vague clues pieced together by nerd zelda!)

it gives more depth to the shiekah as well as add an important ounce of nuance to the yiga and shiekah, to ganondorf as well while adressing and fixing the things that needed work in botw in ways i would find enjoyable (instead of making it WORSE)

i also dont want to go too hard on 'zelda is totally agaisnt the monarchy bc monarchy BAD', its not meant to come across like that, i just wanted to do sth interesting that does question everything and bc i like to think she could be lead to a different way of thinking, especially if so through her own research and discovery of previously buried history, being confronted with her own biased views by her passion for her interests

anyway, if you read through all of this, i probably forgot stuff, buts its very late and i spent alot of time writing this (bc i cant stop once i started i guess) and theres lots of things repeated that i already talked about BUT if yo actually read through it all, i cannot even begon to express just how much that means to me, and id i dare request, do tell if you like it!!! and thank you so much!!! it might not seem like much but this is also very important to me, i still dream of gamedev after all and i see this as a sort of practice, are my mechanics and stuff actually better os does it just seem like it to me etc -

(though keep in mind, this is in part self indulfent bc hey, its not real and is never gonna be so i might just do what i want- and yes i do believe it is doable, even if this all sounds alot, the magic lies in making it less but make that 'less' more dense and detailed, hence the underground being like at least cut in half in size and the building mechanic being removed (to give to a game where its better used than totk) alone should free alot of time and space for the things i described here)

-thanks again for reading, posts like these rarely get much attention so uh ... its pretty much never worth the time i spent typing designing and writing it (even if theres still lots missing here, like the dungeons and details to the champions ..) so every bit of commentary weighs alot more <3

[maximumzombiecreator]

Since I've had a few people asking about megadungeon stuff recently, and I am an avowed megadungeon megafan, I thought it might be fun to walk through an actual example of megadungeon play that exemplifies what I like best about it.

This post is going to be the first in a series talking about a room from a megadungeon that I ran over 20 years ago (brushing past that fact quickly lest the horrors set in.) It was a major room, probably the most complex and important in the dungeon, and the players passed through it frequently throughout the campaign. In this post I'll introduce you to the room, and then in later posts I'll talk about what it does well and how to use that lesson more generally. Below the cut is a reproduction of the map as I remember it.

Without getting into The Lore too deeply, some dwarves accidentally dug into hell, as one does. Classic trope, nothing wrong with using them. They quite sensibly shut the mine down and sealed if off, but word got out. A human king heard about this, and took over the mine, expanding it into a temple complex to curry favour / barter with hell. It went badly, as such things do.

This concourse connects several wings of the dungeon, spanning several floors. An enormous devil face statue emerges from the northern wall, above the second floor balcony and below the fourth, and a column of light shines through a hole in the ceiling onto the center of the floor. Several floors of balconies overlook the chamber, though the stairs to the fourth floor balcony have long since collapsed.

This chamber was not too far from the main entrance, with the party first encountering it on their second delve into the dungeon, though it would take two more delves for them to gather the courage to enter it. At the time they first encountered it, it was swarming with imps and other little devils worshipping the big face.

I'll summarize the key:

A. Hallway from the Entry Chambers, the first and easiest section of the dungeon.

B. Doorway to the Pilgrim's City.

C. Doorway to the Unholiest of Unholies. Sealed and warded against simple spells.

D. Doorway to the Old Dwarven Quarters.

E. Doorway to the Nobles' Section. Barred from the far side.

F. Portcullis to the Pilgrim's City. The mechanism has rusted out and no longer functions.

G. Doorway to the Halls of the Clergy.

H. Doorway from the King's Inner Sanctum.

I. Doorway to the Archive.

J. Doorway to the King's Inner Sanctum, locked.

K. Doorway to The Indulgences.

Stairway from floor 1 to floor 2.

Light from the hole in the ceiling.

Broken stairs from floor 2 to floor 4.

Big ole devil face. Its eyes are a one-way illusion, allowing anyone within the face to view the room below.

Okay that's a lot, thanks for sticking it out. While I don't want to wander too far off topic into the rest of the dungeon, I'll just briefly note that the Pilgrim's City and Old Dwarven Quarters are easier sections of the dungeon, the Nobles Section and Halls of the Clergy are slightly more difficult, the King's Inner Sanctum, Archive, and Indulgences are very dangerous, and the Unholiest of Unholies is, as one might expect, where the worst things (and best loot) in the dungeon are. This was 2nd edition AD&D, so there was not a presumption of fights being balanced, and traipsing through more dangerous sections of the dungeon at lower levels wasn't uncommon. The players also understood the varying levels of danger fairly implicitly, since the custom at the time was that any time you went a level further away from whatever the ground floor was, things got more dangerous. The only exception to this is the Unholiest of Unholies and I think we can agree that when it's beyond a magically sealed door under a giant devil head the danger is telegraphed.

Next post I'll start talking about what made this room work so well in practice.

[thesmollestsnek]

Death echoes

So a while ago, i found this dp x dc post that had a really interesting lore headcanon for Danny’s ghostly wail. Idk if I’ll be able to find it again, I’ll link it here if I do, but essentially it posited that every ghost has something called a “death echo”, which is an ability unique to them based heavily on their deaths. These echoes are the most powerful move in a ghost’s moveset, but they’re also extremely volatile and draining, typically damaging the ghost in some way when used, with Danny’s being his Wail because he died screaming. The original post then went on to some really cool halfa!Jason ideas based on these death echoes, but for this lil snippet with an extremely long intro I’d like to focus on Danny a bit more.

Edit: Apparently I may have extrapolated a lot of the actual lore behind these death echos myself? The inspiration post was a lot longer in my memories. Or I might've mushed multiple posts into one mental box and then forgot lol. So a lot of the actual detail from this point on is seemingly mostly original material? I think? Idk man, sometimes my brain spits out information without giving me any clues as to where it got that information. Anyway, this post got kinda long and since I'm... decently sure this is where I shifted from summarizing @ailithnight's post to writing all my own thoughts I figured here would be a good place to throw the cut lol.

So! with all of the context-for-the-context out of the way, let’s move on to the actual context for what I’m writing cause I can’t be bothered with writing an intro XD

Essentially, this is an au where Danny is an established member of the Justice League, or maybe one of the teen hero teams? I’m a slut for eternal teenager Danny, but maybe he’s enough of a powerhouse to be on the main team despite him both looking and acting like the dumbass fourteen year old he died as. Either way, he’s on a League/League-sanctioned mission and things go bad. Like, everyone-almost-dies bad. And so as a final desperation attack, Danny uses his Wail, a power he’s never told anyone on the league he even has. And it works, and they make it out, but after the fact everyone has. Questions. And because in this au death echoes are deeply personal, Danny dodges those questions, but the league coughbatmancough isn’t satisfied with that. So they push for answers. Answers Danny’s not willing to give, because. In my mind death echoes aren’t just based on how a person died, but also their experience of that death. What their last thoughts were. When Danny died the only thing that he could process beyond just an all-encompassing painpainpainpainpain was the sound of someone screaming. His screaming. And so his death echo is the sound of a fourteen year old child screaming in deathly pain and terror weaponized, which definitely gave the league Even More Questions than they would’ve had already. Which finally brings us to the actual snippet, which is a conversation between John Constantine, who was brought in for his experience with the supernatural once it became clear Danny wasn’t going to talk, and Danny himself. 

~~~~~~~

“So, kid. Batsy tells me you’ve been hiding some of your abilities, wanna tell me what's up with that? Call it an occultist's intuition, but somethin’ tells me you’re not just being stubborn for the hell of it.”

“It’s... complicated. And not anyone’s business, either!”

“Kid...”

“Why does it even matter?! It’s not something I want to or am even able to do on a regular basis! I saved the mission, can’t they just accept that and move on???”

Sighing, Constantine reached up to start massaging his brow. “Kid, you and I both know that ain’t gonna be enough. Now I know that some things are better left alone, but the rest of these idiots? They can’t accept that, Batsy especially. That man’s never left bloody well enough alone in his life”

He looked up just in time to see the otherworldly teen shrink into himself, looking every bit the child he was. “I know but... why? Why do they need to keep asking questions? And why do they only ask the ones that hurt to answer?”

A sharp glance. “The fuck kinda questions are they asking? Batman was speaking in more grunt than word, so I didn’t really catch all the details of what this power you’re supposedly hiding even is.”

Phantom shrinks even more into himself at that, and responds in a voice so small it’s more sigh than speech. “I... I can scream. And it breaks things and pushes people back. But it, it sounds. Bad. And it brings up bad memories and I don’t like to do it or listentoitoreventhinkaboutitandtheywon’tletmeforgetand-”

“Breathe kid. I know you don’t need to but just take a deep breath with me. Don’t you go getting lost in your own head on me now., Constantine reassured the kid automatically, the sheer hopelessness prompting action long before the words themselves could be understood. Then the rest of him caught up, and he had to pause. Looked up at the kid, saw just how distressed he was. A picture was starting to form in the back of his head, and Constantine didn’t like what he saw one bit. A last-resort power that the normally open Phantom was strangely reticent about. A scream so horrible sounding the rest of the league would not to stop asking questions about it. Terrible memories to match said scream. And one truly miserable child who couldn’t bear to even think about any of it. 

“Phantom... is that your Echo? Screaming?”

A miserable nod is his only response, the tears that had been welling up in the kid’s eyes finally starting to fall. Cursing softly to himself, Constantine stood to leave, bracing himself for the Bat’s inevitable questioning. “Well then you just take all the time you need love, and leave the rest to me. I’ll make sure the rest of those idiots know not to ask you about this ever again.”  And with that Constantine turned and strode towards the door, leaving the quietly sobbing child to collect himself in privacy.

~~~~~

I had a whole-ass lore dump conversation between Constantine and Batman planned here, explaining how death echoes are deeply personal, and asking about one is a taboo on par with, potentially even worse than, asking a ghost about their death outright. Because they are formed from an amalgamation of how a ghost died, their last thoughts, and their final emotions, in some ways asking a ghost about their Echo is like asking them to describe their death in painstaking detail. But uhhh... inspiration bug left. So yea. Side note, I’d like to apologize if my depiction of Constantine’s accent was Bad, I’m but a lowly USAmerican whose only exposure to British accents is through tv ^-^’

[laughhardrunfastbekindsblog]

Okay, in the past few years with different Bad Batch discussions on various social media platforms, I've come across a few too many comments questioning Wrecker's intelligence, saying that Wrecker "isn't smart," he's only "emotionally intelligent," and even (rarely, but it's happened) straight up "he's stupid."

Of course, there are different levels/types of intelligence; my point is that these comments about Wrecker are completely unfounded.

I may make a longer post about this later, but in the meantime allow me to summarize:

(Okay yeah I'm starting with what's probably a headcanon here but I think there's enough unstated evidence in the shows to back me up) Wrecker being a fully commissioned soldier means he is at least as "smart" on average as any of the other clones

His applicable understanding of physics and engineering is such that he is the squad's explosives/demolitions expert, including constructing a weapon on the fly in the middle of a battle

He may not know hand signals or immediately recognize plan numbers, but he DOES know the plans themselves

Relating to the above, Tech describes a plan as "what we did on Felucia" and Wrecker instantly remembers and recognizes it, which to me indicates his memory is outstanding

A few other points:

Being "kid-friendly" does not mean Wrecker is less intelligent overall than his peers

Behaving "childishly" sometimes does not mean Wrecker is less intelligent

Being loud does not mean Wrecker is less intelligent

Being impulsive does not mean Wrecker is less intelligent (spending less time thinking over how to tackle a problem does not mean he's less capable of thinking)

These traits and intelligence are not mutually exclusive

Intelligence does not and should not involve fitting into one "box" or definition

[thr0wnawayy]

Midoriya's Delusion

This is post that builds upon my previous one, I've copied many of the points I made there to here. Albiet with some corrections and tweaks.

To summarize, I have a bit of a crack theory that chapter 430 isn't as real as we've been led to believe. (As for when this actually takes place, that's up to you but I like to imagine the start of his third year marks the beginning of his mental decline.)

(As an update, I find it dubious whether 8 years have actually passed or if that's also a part of the fantasy. I can see Midoriya becoming so attached to the lie that his reference of time begins to warp)

This theory mostly comes from some inconsistencies in regards to the hero rankings and some other things I've found.

Corrections:

It's left ambiguous whether Best Jeanist and Endeavor are still active. However the fact that people view these two in a postive light (especially after Dabi and the war) still seems absurd.

2. Midoriya wasn't outright abandoned, rather their busy schedules make it hard for their days off to coincide. This falls apart when you look at this panel

"The rate of new villains keep decreasing and the number of heroes have stabilized"

Besides Ochaco who's funding a quirk counseling project, the rest of the class should be able to make time. Again it's stated that they aren't actually fighting.

There's no real threat to face. Besides PR and Community Service there's bot a whole lot else (besides the occasional natural disaster)

One could argue it's because the scope of what heroes do is increasing, thus keeping them busy. But again, we see heroes doing exactly what they did before, PR, Advertising and (implied) Showboating.

This leads me to believe that the lack of contact is based in reality, to some extent.

Whether it was by choice or forced by their (1A's) respective PR teams to preserve their images (can't be seen around the "freaks" for too long, now can we?).

The lie comes in the form of busy schedules.

Now whether that's what Midoriya tells himself or what he's been told, I cannot say for certain.

Disturbia:

For those of you who didn't read my last post, you may be wondering, so what's going on?.

Simply put:

Midoriya's having a breakdown fantasy to cope with the fact that he won't be becoming a hero due to the loss of his quirk.

Im aware it sounds crazy but consider the following:

1. Midoriya subconsciously knows the way he's been treated was wrong.

This manifests within the escapists fantasy in Bakugo's drop in the rankings + the attitude surrounding him (as well as his damaged hand never fully healing)

He meets a kid who just so happens to be in a near exact same position as he once* was (and still is to an extent). One could take this as his mind's way of trying to cope and heal itself, by having Midoriya do what he does best and help others, henceforth working though his trauma by using the kid as a stand in.

*Even the kid's "bully" seems to be a warped version of Bakugo (perhaps this is how Midoriya tries to fool himself into believing how it was)

2. We see Kota.

I believe that here, Kota serves as what Midoriya thinks he could have been had he not failed. Kota is the idealized version of Midoriya here, the unobtainable.

3. A lesson ignored

Apparently people forgot the connection between Endeavor and Shoto. You'd think this would be a good thing as Shoto would be able to become his own person.

This falls flat when you remember that also includes people forgetting the reason and happenings behind Shoto's existence, it feels like Midoriya is trying to have his cake and eat it too

To elaborate, this is a major copout, it allows Shouto to be unaffected by his family's past bith career wise and emotionally. While also feeding into Midoriya's rather toxic belief that forgiveness is required to be a good person.

(The fact that killing Tomura violated this only adds to my theory that this whole thing is an escapist coping mechanism.)

(You can also add the idea that Tomura didn't forgive society for what they did to him and his friends. That likely broke all the "rules" that Midoriya knew.)

4. The Mech Suit is a massive cope, it's the dying whimper of Midoriya's childish hope that All Might will save the day.

This time there's no magic quirk, no garrish mech suit, no plot twist.

No. There's only Midoriya and the consequences of his, his classmates and hero societies actions. It doesn't matter how shiny and seamless the illusion, how sweet the lie.

You can't hide the blood.

Concerning Aspects:

That was mostly the revised stuff, let me introduce you to some new points

1. A Frozen Lake

Something I noticed was certain characters seem to be almost frozen in time, as if someone tried to continue a story using scraps of the original text.

The curious case of Rei Himura:

This scene seems almost stagnant, what was most noticeable was Enji's bandages still being on and Rei still being there.

It's as if Midoriya hasn't seen them in years (or perhaps doesn't want to acknowledge what happened). So his mind uses what he last saw/heard of them, creating a sterile, static scenario. Little better than props.

Those surrounding her (with the exception of Hawks) also seem to be stuck in the past.

It's definitely strange.

2. See No Evil, Hear no Evil, Speak No Evil

Shigaraki is a representation of Midoriya's repressed guilt and his fears. I believe deep down Midoriya knows that, inevitably the cycle will repeat, so long as the system is allowed fester and wallow in it's complancy.

I find the fact that he's behind Midoriya to be ironic, as if to say: don't look back, don't think about what you've done.

A Symbol of Stagnation:

I should warn you that it does get lengthy from here, however I think it's important to get the full picture. Even if I tend to ramble here.

It's implied here that Lemillion's the top hero. This is awful for a variety of reasons. Mirio is a horrible symbol.

All Might was flawed for a variety of reasons, but a majority of these were byproducts rather than directly being his own doing.

Mirio on the other hand, has such a cancerous philosophy that it actively harms all who interact with it.

Mirio is a follower, he follows orders first and asks questions never.

Eri is the best example of this. Even after Nighteye's death, Mirio never truly reflects on the damage his actions could have caused ( only saved by the narrative, seriously it's a miracle Eri trusts anyone besides Midoriya after being abandoned like that)

You see, the difference between Toshinori and Mirio lies in their actions and principles.

Mirio left Eri to die, all for the sake of the "mission".

For all the heroes knew, Eri could have been a trafficking victim and either have been killed or relocated. But no, appearances and "gotta catch em all" take priority even after knowing Eri is in the Yakuza's clutches.

Lemillion made the worst decisions possible. He followed a known murder into a secluded, restricted area (with a hostage mind you) bringing his pupil with him.

Willingly ignored blatant signs of abuse (just look at the girl) and played hooky with thre leader of a criminal organization, who is known for his short fuse and willingness to kill.

He did all of that, when he could have easily detained Overhaul at any point (his quirk being a direct counter)

Toroshinori would fight tooth and nail in that situation. Consequences be damned if it meant saving Eri.

Part of the reason Toroshinori was so effective as a hero was 1. His sense of justice and 2. His compassion.

Mirio is a symbol that can be controlled, a weapon if you will.

The fact that Mirio is at the top shows that things haven't changed and are even beginning to decline. So this brings me to my next point

You may be asking, if Midoriya's losing it in his own mind, what's the outside world look really like?.

Allow me to set the stage.

4. Speculation

Within Midoriya's muddled mind, Lemillion represents both his toxic optimism and a subconscious understanding that nothing has changed. It represents denial and acceptance, a dysfunctional middle ground that's easy enough for Midoriya to stomach.

The truth of the matter is, delusion or not, the reality is soon to sink in.

Something that I don't see discussed is the lack of reactions from other nations or really any insight into how they were affected by everything that happend.

Here's the idea: Most likely they are foaming at the mouth.

Particularly it's the countries who suffered under Imperial Japan in the past (Korea, China, Singapore etc), however this also applies to every nation Nedzu brow beat into aiding with the rebuilding efforts, albiet their reaction would be latent.

Not not only is the attitude painfully reminiscent of how Japan handles it's past atrocities, Japan has had them clean up their messes. seen below:

(you cannot tell me Big Red Dot over here is having a good time)

From an outside pov. The Commission never told anyone about AFO, rather they suppressed any information, locked him up in Tartarus and then sat on the whole situation until it blew up in their (read: everyones) faces.

He then proceeded to: kill over 8000 people (+ those killed during the Blackout period), kill the top hero of one of the world's most powerful nations and incite mass panic. Destroyed massive amounts of infrastructure and transport nationwide, broke thousands of criminals out of prison, destroying those prisons in the process.

Meanwhile the heroes:

Abandoned civilians in mass by quitting in the middle of a war.

Left the public in the dark for months and allowing crime and paranoia to grow rampant, even (forcibly) bringing someone they knew was being targeted by AFO and his forces to the one place they could find shelter.

Mutilated a seven year old girl. Who has a history of being mutilated for the gain of others and patted themselves on the back. (Also having no holdup on how that may effect her physically via her quirk or mentally via her trauma)

Mic: tried to kill a docile prisoner who could be considered in comatose, based off of his emotional attachment to a dead man + viewing it as justified if it meant Spinner couldn't get to him.

Used hospital staff and patients as meatshields (Central Hospital) during a riot.

Most had no qualms supporting a child beating eugenicist and implied marital rapist, even with his one of his victims exposed him and citing it as his main reason for turning to villainy.

Held an illegal questioning* with said abuser while ignoring his main victim (Rei, who is probably the most reliable source of information there)

(*which effectively is like conducting an investigation on yourself and declaring you are not guilty)

And so much more! (But this post is getting too long)

My point is by the time everything was said and done, it seemed everyone but Japan was paying for it.

It's outright stated that the US president risked national security by sending every hero they had to help Japan. (Impeachment worthy if you ask me)

Endeavor's little plan to kill himself and Dabi in a blaze of death ended up disrupting the weather. Very likely it'll end up resembling an El Niño phenomenon, only vastly off schedule and even more destructive than normal.

For Reference [https://oceanservice.noaa.gov/facts/ninonina.html]

Very likely it'll lead to an agricultural drought in the northern America's and mass flooding in southern America's, likely starting at the west coast and bleeding inland. Leading to a domino effect where cost of living surges due to the sudden displacement of people and the rapid loss of products.

Worse still, because the US had no heroes (likely for months on end), crime has likely surged in the America's, which will further impact the rest of the world.

The rebuilding efforts likely emptied the wallets of most participating countries, leaving them unable to help anyone, including themselves.

Also keep in mind that Japan incriminated themselves with the Business Course footage. I don't think the general public (outside of Japan) is going to take too kindly to a known murder and abuse apologist being in charge of a system already known for it's corruption.

The end result is likely be a world that detests Japan, either from a moral perspective (Rei's treatment + the treatment of those society abandoned), a financial perspective (we can't afford shit and you contributed to that) or historical perspective (you do this everytime and ignore the consequences).

A world divided by struggle and united by an immense loathing for the Commission's Japan and the culture surrounding it.

Oh, don't forget there's no finding left for quirk research. Meaning that it's very likely no one will be prepared for quirk singularity to start manifesting in the upcoming generations (Thanks Nedzu).

_______________________________________

Update: Can I just say that Aizawa's lack of ownership infuriates me even though this is likely a fantasy and not grounded in reality.

Like what the fuck do you mean "with the way he talks, it was pointless" Fantasy Aizawa.

Because "Hey Asshole", You deliberately ignored his attitude and offenses!. And what? Now your just gonna shrug it off like it wasn't your fault. To hell with that you had two years, most teacher are said to only get one. As you so graciously mentioned at the start of this shit show of an epilouge.

Heres the moment I'm referring to btw:

While we're at it. Are you telling me it was too hard to get Momo some proper attire all three fucking years she was at UA for.

Not to mention Toru is still naked, how the fuck hasn't she died yet, she is literally exposed to the elements (and lord help her of she gets a cut)

Kirishima's costume is still his biggest liability considering it exposes his chest and back (also seeing as even when hardened he can't repell bullets)

Does Denki still fry himself with his quirk?

Before we move on Aizawa. How's that daughter you neglected, her horn still broken?.

Speaking of which let's look at the rescue team:

What the hell is this!?

Let's see, we got a guy who can only do damage (and his sweat detonates on contact, destroying whatever it touches.)

A brainwasher who only got into the hero course via nepotism and who can only brainwash people who directly respond to him!. A person trapped underneath rubble either frantic or groaning in pain isn't going to be able to respond or even just give consent.

(On a side note what are the laws regarding mind control quirks, does some sort of waiver have to be signed, can a person sue for being controlled against their consent?)

Oh, but wait there's more.

Midoriya running headlong with experimental tech that has, very likely never seen the light of day. Let alone preform in an actual high stakes situation before.

You're trying to carry someone and oops! Something malfunctioned or was miscalculated, now there's an even bigger mess (hooray!)

Who could forget Mezo "they'll come for your kids" Soji. Who climbed the ladder and pulled it all the way up.

Yeah forget that Heteromorph's were getting hate crimed long before the war, ignore the fact that you yourself were maimed by an angry mob after doing one of the most heroic things a person can do. Dismiss Spinner's comment about being sprayed with Pesticide for walking in public.

Nah screw it, let's all sing Kumbaya while the Creation Rejection Clan runs wild outside the reach of the cities, then ignore that the discrimination still is prevalent in the countryside and it's only a matter of time before somone gets fed up and takes matters into their own hands. (talons, claws, you get the picture)

But your a hero now Soji, you got your's. So fuck the rest of 'em

And don't even get me started on Hawks. Congratulations you ignorant bastard, way to kill time and by that I mean for everyone but the heroes.

"Yeah life is great!, everyone hates us, we're rapidly falling into debt from all that rebuilding 8 years back."

"Speaking of which some of those buildings are staring to fall apart due to being rushed to meet deadlines set within the month they were started."

"Social darwinism is on the rise and people are becoming more complacent that ever before due to heroes applying bandaid solutions on decade long, deeply ingrained problems."

"All so the average person doesn't have to think about what's festering beneath society's floorboards, so thank you Safety Commission. Here's your star of positivity ⭐️." - Some random anti-hero civilian

So much for greatest heroes, huh.

_______________________________________

UPDATE 2:

A dark thought I just had, is that the main reason Izuku killed Tomura was because Tomura broke the rule of "Forgiving Your Abusers makes you Good".

When Tomura refused to relinquish his hatred, when he stood his ground, that is when Midoriya decided he had to die. If not to "stop" him, then to preserve Midoriya's perception of the world .

Shigaraki + The LOV by their very ideals went against everything Midoriya has had beat into him by Bakugo and Aldera over the years.

Makes me wonder how'd he react to a person refusing to forgive their abuser. If he interacted with Natsuo or Rei, I could see that delving into a complete mess.

Now that I think about it, The Midoriya we know now, he would have never tried to hold onto Eri back when they first met.

Ironically, he became what he named himself after, a Deku. A puppet attached to thorns of liquid gold, glistening and burning hot.

A slave to his own biases and belief system, now trapped in a stage of his minds own making.

First bound by his past, then by legacy and finally, now by his own hand.

木偶.

[shikai-the-storyteller]

Who is Vegetta?

Had to wait until my hands stopped shaking for this one, I love Vegetta so much. He was recently — miraculously — announced for the QSMP, so here's a rundown for English fans of both who he is and his lore. 

Vegetta777 is a Spanish Youtuber who is one of, if not THE biggest pillar of the Spanish community. He's been doing content for over 15 years now.

He's the creator of the Karmaland series, which he started when he was around Quackity's age.

I cannot emphasize enough: Vegetta doesn't do series or events or tournaments EVER, so him accepting the invitation is a huge deal. This was his exact commentary on it:

Vegetta: Quackity me invitó hace tiempo y le dije que no suelo entrar a series que yo puedo controlar, pero le he dado ese voto de confianza, además le pregunté como sería la serie porque no quería nada competitivo y quackity me dijo que no me preocupara por nada. [...] Si yo confíe en quackity y él confío en mi para Karmaland pues yo le doy ese voto de confianza para esta serie que está haciendo y además se le veía emocionado al chaval, si te soy sincero, Quackity el hijo de Rubius de cierto modo Translation: Quackity invited me a while ago and I told him that I don't usually enter series that I can't control, but I have given him that vote of confidence, I also asked him how the series would be because I didn't want anything competitive, and Quackity told me not to worry about anything (does this confirm QSMP is an RP server? 🤔) [...] If I trust Quackity and he trusts me for Karmaland, well, I give him that vote of confidence for this series he's doing. And also the boy looked excited, if I'm honest, Quackity's the son of Rubius in a certain way. (🥺💕)

Vegetta is very fond of Quackity after interacting with him in Karmaland 5, and he's spoken multiple times about how much Quackity's impressed him. He also said Quackity will be bigger than him someday :') He's very supportive of the new generation, and he spoke highly of Spreen today too.

Vegetta is one of the most talented Minecraft builders out there, and he's fast

While most of the other Karmaland boys were still living in basic houses, Vegetta built a CASTLE within a super short time

Vegetta loves cats. In Karmaland he had an entire cat rescue with 50+ cats (and yes, he’s named every single one of them). IRL, he shares lots of adorable cat photos and videos. 

His skin, like his name, is based on the Dragon Ball character Vegeta. Vegetta777 is basically the yassified version of Vegeta (just like Phil is the yassified version of Uruhara).

In Karmaland 5, Vegetta was a bit of a wizard, and he had a flock of crows / ravens (remind you of anyone?) 

Vegetta is sometimes called "the father of Minecraft", so many people (myself included) are ESPECIALLY excited to see him and Phil interact because they have a lot of similarities.

Vegetta is one of the heroes of Karmaland and the unofficial leader of their group. In terms of lore, he's essentially a demigod / minor god, though it's not as direct as Sapo  Peta's contact with them.

Vegetta is typically a staunch rule-follower, however, since he's not in control of the series, he said: "I feel like Rubius: 'Let's see what I can do to destroy everything, let's look for all the legal loopholes,' get ready Quackity, I'm the new Rubius!" (LMAO)

Vegetta’s the king of “stay in your own lane” he never gets into drama or gets involved in controversies, he just watches the dumpster fires from the sidelines like the rest of us

He almost never wears a shirt in the series (and honestly? Good for him)

His character is also, canonically, absolutely shredded

It's impossible to talk about Vegetta's lore without also talking about Rubius, so buckle in because this one's a doozy. I can't cover everything without this post becoming longer than it already is, but I'll do my best to summarize what I can:

Starting with Karmaland 4 and continuing into Karmaland 5 and beyond, Rubius and Vegetta have created the world's most torturous slow-burn telenovela-esque love story.

Rubegetta (Rubius x Vegetta) is the most popular Karmaland ship that, to some extent, has become an inside joke between the boys and the community. I'll elaborate on this more in Rubius' post.

To simplify years and years of lore and drama, Rubius and Vegetta love each other, but they are incapable of being in an actual relationship. I've talked about it in depth before, but Vegetta said it best in this metaphor-filled exchange with Sapo Peta and Willy: Sapo Peta: I wanted to ask you about your relationship with that Rubius guy. Vegetta: Oh, yes well Rubius likes to be with me a lot, but at the same time he likes to snack everywhere, and he never finishes eating the morcilla (blood sausage). Sapo Peta: So he rejects you? Vegetta: It's not that he rejects me, it's that it doesn't finish clearing up, you know? We could say that our relationship is like a hamburger. WiIIy: You prepare it and he doesn't eat it. Vegetta: Exactly, he doesn't finish you know?

Or, as another person phrased it:

The fault doesn't just lie with Rubius however; Vegetta himself can be pretty oblivious.

In Karmaland 4, despite the fact Rubius and Vegetta had a kid together and got married, it still didn't resolve anything. As soon as the vows were said and they were married, Rubius revealed it was all just a ploy to get Vegetta's diamonds and immediately asked for a divorce.

You can watch a translated animation of the entire wedding here.

In Karmaland 5, after deciding he'd had enough of Rubius' BS, Vegetta decided to marry someone else (Lolito), but Rubius burst in at the last moment to stop the wedding. We all thought he'd finally confess his love and stop being so emotionally constipated, but instead he proposed to Lolito solely so Vegetta would remain single. (They're a mess, what can I say)

To quote a meme shared by another Spanish fan, Vegetta's reaction to that was basically: “You don’t want me to be with you, and you don’t want me to be with someone else. How miserable do I have to be for you to be happy?”

I do want to emphasize that even though Rubius and Vegetta sometimes have relationship issues / communication issues, it doesn’t diminish their friendship in the slightest. Even after both wedding disasters, they were back to speaking to each other the next week, being flirty and laughing together. Yes, they have issues, but their love for each other remains – despite everything.

(I should also note here that, even while engaged to Lolito, Vegetta was still flirty with Rubius).

Vegetta is very close friends with Luzu, who supported him during the fallout from both failed marriages.

In Karmaland 4, Rubius and Vegetta had a son named Brayan Dobluque (a mix of both their names).

There's too much Rubegetta lore for me to cover everything, but Glay has a massive thread of translated Rubegetta clips I highly recommend watching if you'd like more context.

One clip I recommend is the Meteor date, which is one of the few instances where Rubius is honest vis-à-vis his emotions with Vegetta.

As a whole, their friendship / relationship is a romcom novela for sure, but sometimes they'll catch you off-guard with some romantic BS that'll make your heart ache. They really do love each other; they just don't know how to commit.

Vegetta is bi! (Both real life Vegetta and character Vegetta). Pretty much every single character in Karmaland is on the ‘ol rainbow spectrum somewhere.

Lore aside, I feel like Vegetta, and pretty much all the Karmaland boys in general, have the least machismo (toxic masculinity) I've ever seen. They're all genuinely sweet guys who aren't afraid to be flirty and play gay characters in their queer little telenovela Minecraft series. (With the exception of Willy, who we like to joke is the "token straight friend"). Vegetta's a cool guy, and he's a great addition to the QSMP. I'm excited for you all to meet him!

Other info posts:

Who is Sapo Peta? | Who is Luzu? | Who is Spreen?

[raven-at-the-writing-desk]

I read the post where you answered why you didn’t like Malleus and remembered that you placed Leona really highly on your favs list, and Leona is my favorite so do you mind me asking why do you like Leona?

[My TWST character tier list is here.]

[Anon is also referencing this Malleus post.]

THERE’S A REASON WHY L*ONA IS IN “Unfortunately Enjoy” TIER 😭 I think for like... over a year (2020-2021)? Probably closer to 1.5 years?? I really disliked him and swore up and down that I'd "never in my life simp for the fake cat". This was largely in part due to book 2, which to this day I believe did Leona a HUGE disservice and made him look very unintelligent and uninteresting. Then I was drip fed new Leona content as it steadily came out (vignettes, voice lines, event stories, his return in book 6) and my opinion of him vastly improved. Book 2 was just a really bad introduction to him and it greatly soured my first impressions. sjfyofqebfeiafns B-But now I'm too embarrassed to openly declare, "Yeah, I like a sad muscular l*on man. So what?" Some would say that's tsundere behavior... BUT I SAY I'M COMPLETELY JUSTIFIED FOR ACTING THIS WAY BECAUSE IT ISN'T EASY TO CONFESS WITH YOUR WHOLE CHEST THAT YOU LIKE KINGSCHOLAR OF ALL TWST CHARACTERS

... Anyway! For a much more expanded explanation, I'd recommend this post! It already states a lot of my thoughts, and I don't want to repeat them in yet another lengthy lion-related post. What I'll do instead is summarize the key points for you, plus add some commentary about Leona and Malleus at the end.

Admittedly, he is pretty. VERY pretty. I'm saying this as someone who normally really dislikes hair longer than shoulder length, the "wild"/bad boy aesthetic, and kemonomimi. Leona breaks ALL the rules and still somehow manages to wear everything and anything well because of his sheer confidence and natural grace. His physical features are also very striking... The sharp bright green eyes, the small waist and large chest (there's NO reason why he HAD to be built like that), his stupid smirk, etc.

His pettiness and sarcasm. Leona has, hands down, some of the funniest lines 🤡 I love that he has the balls to speak callously to everyone, including fellow dorm leaders and royalty. His best moments, however, are when he whips out the sarcasm on statements which are so patently untrue--like when he says he is a 'delicate prince' and a 'lost child', both moments from book 6. It's also hilarious whenever Leona speaks in a formal way, showing that he does have the education and the knowledge of how a prince should present himself, but just actively chooses to not make the effort and only does so mockingly or when social grace calls for it.

HIS BIG BRAIN FOLDS, HOLY COW (err, book 2 aside). Leona works smarter, not harder!! He's always one step ahead of everyone else, even if he appears sleepy or disinterested at the time. He figured out the trick behind the "indestructible" golden contracts, he sussed out Jamil WAY before book 4 ever came out (saying that Jamil has "eyes that always glare" and implying that Jamil poses a threat to Kalim's life; this is from Jamil's School Uniform vignette), he takes what he learns in textbooks and so easily translates it to real-world experiences (ie advising the first years on how to more efficiently mine magestones in Vargas Camp), etc. Additionally, Leona knows when to step in and when to be hands off. It's not done out of cowardice or laziness, but rather because he's thinking strategically. For example, he could have resisted capture at the hands of the Ferrymen, but he didn't because it would be smarter to just go with them willingly. It saves everyone a lot of time and energy, and it’s this kind of intelligent thinking that makes Leona really stand out.

He knows how to lead. There are many different types of beastmen, each with own beliefs, values, and traditions that are unique to their own group. As a result, it is very difficult to unify all beastmen within the Sunset Savanna under one rule. Guess who doesn't have this problem? THAT'S RIGHT, IT'S LEONA. There's a variety of beastmen in Savanaclaw, and he effortlessly rules over them and commands their respect.

He actively thinks about how to improve the Sunset Savanna. Leona's ideas are not always the best (like, yeah, you could introduce new technology to the country but expect significant social pushback from the people, who prioritize living in harmony with nature). However, I can really appreciate that he did not entirely turn his back on the people who feared his powers and talked him down. I think he eventually realized the flaws in his way of thinking and actively chose an energy and mining lab internship in hopes of researching ways to slowly implement changes that will benefit the Sunset Savanna while also remaining respectful of the people's beliefs. He is concerned about Falena's lax way of ruling and consistently brings up ideas in various voice lines about how they can improve the Sunset Savanna and its relationships with other countries and tourists. In spite of everything he went through, Leona never wants to hurt those who hurt him with their comments and comparisons to his elder brother. He does not ever want to tear down the system that kicked him down again and again, only wants to challenge it by proving his own merits and the merits of the other downtrodden that he leads.

As much as he wants to deny it, he cares about his underclassmen and goes out of his way to help them. There are sooo many examples of this that it cannot possibly fit in one bullet point. (I would really recommend reading the elongated post linked above, as I go into more detail on this.) Suffice to say, Leona has been shown guiding, instructing, and mentoring many other characters including, but not limited to: Epel, Ruggie, Jack, Jamil, and various Savanaclaw mob students. This really hits me in the heart because I love reliable big brother characters 😭 EVEN THOUGH LEONA IS TECHNICALLY A YOUNGER BROTHER...

He understands his strengths—and he understands others' strengths too. This man is fully aware of his magical might and powerful presence. He uses every last bit of it to full effect and to attain his goals, whatever those may be. One of my favorite uses has to be In Fairy Gala!! He distracted some pixies by simply demanding water and their attention so his partners in crime could escape—and what’s more, this was a plan he came up with on the spot because their mission was being jeopardized by unforeseen events. Leona is also good about pinpointing people’s best attributes and then helping them hone it. This happens a lot during club practice, bur it also occurs in book 6 between him and Jamil. Speaking of…

THAT WHOLE BOOK 6 CONVERSATION WITH JAMIL DESERVES ITS OWN BULLET POINT. This part was peak mentor mode Leona 😭 Sure, maybe he wasn’t the kindest with his wording, but I felt this was the wake up call Jamil needed to hear. What really got me though was the part where Leona tells Jamil there’s still hope for him… “unlike me”. (I believe this part was translated differently in EN to make Leona’s ego sound more inflated (ie “I’m not like you”) which saddens me immensely.) It paints the image that Leona is still struggling to believe his efforts will amount to anything and that he believes more in his juniors than in himself :(( (which informs my headcanon that Leona mentors younger students so that they can have the bright future he doesn’t think he can have for himself).

Emotional complexity. When you get down to it, what started off as a very basic story of jealousy and inferiority complex actually resulted in a deeply flawed, traumatized, and scarred individual who continues to doubt and put himself down but is slowly recovering. Leona is smart and charismatic—he is everything a leader should be, but he doesn’t truly see his own worth. (Ironically, the only people who do are the ones who look up to him and follow him.) And now… Leona’s actually got his eyes set on graduating! He has his internship plans set! I think he’s made such big strides since book 2, and it’s been so rewarding seeing him regain his willingness to try and succeed return to him.

Looking back on it, it’s so ironic how things ended up working out. Initially, I was totally on Lilia’s side when he insulted Leona and said he would never be the kind of leader Malleus is. Now I’m realizing how Leona does many of the things I don’t see Malleus doing (despite Lilia claiming Malleus is more fit to be king than Leona is).

Malleus isn’t harming his people by any means, but it’s more like he’s… stagnant? Complacent? He’s satisfied with the status quo and is comfortable resting on his laurels. And because of that, Malleus doesn’t really seem to consider what he, as a leader, can do for others, be it for his dorm members or doe his country. (Part of this is also how isolated and opposed to change Briar Valley is, of course! That kind of culture definitely shapes Malleus’s thinking.) He tends to avoid situations which involve navigating social complexities rather than dealing with them himself. Think of Ghost Marriage, when Sebek proposes in his place. Think of Fairy Gala, when Silver is the one that ultimately resolves the conflict between the diurnal fae (who have historically not been friendly with nocturnal fae) and NRC. Malleus is so sheltered that has not truly been put in situations where he has to make tough decisions or where he has been challenged. He has never had to claw and scream and beg for people to see his worth.

Leona has been through that emotional wringer, and though he’s been hurt so badly, he still came out the other side. In running from the shadow of his family—of his older brother—Leona found solace in this new kingdom, Savanaclaw. It’s a place to build himself up, to stew over the ideas he has that have yet to be realized, all with a safe mental distance from home. It’s through the many hardships he has experienced that has refined his wit and given it a place to practice, to be used.

When it comes down to it, Leona and Malleus are two sides of the same coin. Both arrogant princes, the second born and crown prince, respectively, wishing for the other’s circumstances. Leona desperately wants that respect and recognition that Malleus has. Malleus longs for the intimacy and camaraderie that Leona is so easily able to cultivate and command. Leona has been forced to adapt, to learn, to grow from his scars. Malleus struggles with the concept of change (understandable, given his background) and actively denies reality if he finds the truth to be unpleasant. He’s not used to facing dilemmas that cannot be solved with magical strength, and has not ever been challenged in such a way. Malleus doesn’t know how to deal with that, which is partly why be panics and loses himself to emotions in book 7. (By the end of it, I’m sure he’ll be given the chance to see the error of his ways though 💦 or at least I hope he does??)

Their characters are very different, and that’s not a bad thing!! If anything, it makes their dynamic so interesting to observe and it offers varying interpretations of the same “prince” trope. I definitely know which of the two I prefer 🤡

[powerfulblob]

puts on my clown hat

behold, as requested: The Trans Franky Essay. Like most of this is still jot notes and I wrote this when half-asleep so like. I don’t know

Please don’t shoot me.

Section 0: Most importantly...

Due to the Somerton stuff, I really am trying my best not to plagarize.

Unlike TikTok user @theyboss._.franky, I’m not planning to talk about if he’s trans based on physical features, personality, etc.

I’m here to talk about the narrative in particular, and allegory.

also kudos to @punkitt-is-here

[ID: A screenshot of an X post by @punkittdev that reads “this is also partially why i am a franky one piece trans man truther” It features Franky, a cyborg with a shirt that reads “I HRT”.with a sun between the words “I” and “HRT” Franky is a tall man with tan skin and blue hair, and has part of his arms replaced with blue metal with a star at the end. end ID]

Section 1: Cyborgs are inherently trans

I’m literally just going to link The transgender cyborg: an inexhaustive primer because the article does a much better job than I can, but to summarize:

Trans people are not only cyborg-adjacent because of the transphobes who call us that, but primarily because we are used in the same way cyborgs are in text: As a talking point, a disruptive metaphor about humanity as a whole.

That brings us onto the next place...

Section 2: Cyborgs are extra trans in this case.

The reason why I latched onto this in the first place is this character’s backstory.

Franky, who eventually becomes the Straw Hat’s shipwright, starts as a joke character in the Water Seven Arc.

He’s a 40-ish year old man who runs around in a speedo and shoots lasers at people, making a living off of dismantling ships.

However, as more information is revealed, the story starts to humanize and give him a backstory.

quotes from Chapter 358:

“My body got wrecked and parts of it weren’t working anymore... So I transformed myself using scrap metal. It’s how I survived!” 

“Waste wood, scrap iron... I fit right in. First I’ve got to... ... Do something about this useless body of mine!” 

What do these have in common? Retrofitting the self, and rebuilding the body. I think there’s something trans there but IDK

Deadnames (partially joking here): As said by another character “Cutty Flam of Tom’s Workers is dead. As long as you don’t use that name... ... There’s nothing connecting us”  (for context, Franky was changing his name to evade government capture, but shhh let’s just pretend we’re talking about deadnames)

Actual Section 2: The Boats are trans now

speaking of the self as a construct...

I think it would be giving Oda too much credit for doing this on purpose.

But, he also accidentally created one of the best analogies I’ve ever heard for gender identity and against gender essentialism:

And of course, it has to be boats.

chapter 353: “Franky, there’s no such thing as blueprints for a pirate ship!! If the sailors who board that ship run up a skull-and-crossbones, then it’s a pirate ship. If they fly a seagull flag, it’s a navy ship. Build whatever you want to build, Franky.”

Like again: It’s the idea that there’s no instructions for a person, it’s what you decide to create out of oneself?

Alright. So, in terms of most manga, he actually does a rather good job. One Piece is primarily a series about misfits and outcasts: The series is goofy and over-the-top as a rule. So, one could argue the extreme way in which he portrays trans people up until the Wano arc is just a part of the series.

yeah idk

[pessimisticpigeonsworld]

On the "Choose a Side" Discourse

With HBO leaning veryyyy heavily into "pick a side" for their promos, the "no team" people are crawling out of the woodwork. I want to preface this post by saying that I'm not saying people shouldn't have favorite characters who aren't mine, nor that people should just be totally invested in fandom discourse.

I already made a post about the issues with the arguments of the "no team" people, so I'll just summarize my thoughts from that real quick. A majority of their arguments and metas are thinly veiled anti Rhaenyra thoughts. That's still true of this new wave of this group.

Now, one thing I will agree with them on is: GRRM did not write this story to be one of choose a side. However, that is not because the Blacks and the Greens are equally bad or the Targaryens are all evil. No, it's because the Greens were always in the wrong and GRRM makes this abundantly clear to us in F&B.

Let's look at some facts from the Dance. While male primogeniture is tradition, it's not the law; the king's word is law, something ASOIAF has established time and again. The Greens took the throne through underhanded ways. They left Viserys' body to rot for days while they prepared for Aegon's coronation to prevent Rhaenyra from learning and coming to KL. They forced the smallfolk to attend and most didn't cheer for Aegon, with some even calling for Rhaenyra while most were confused and angry.

Aemond drew first blood by killing the unarmed thirteen year old envoy, Lucerys Velaryon. A majority of the realm declared for Rhaenyra; 53 houses supported her, while only 28 supported Aegon. The Greens committed the greatest atrocities of the Dance: Aemond burning the Riverlands and Daeron massacring Tumbleton. They also committed the greater number of atrocities.

The Greens also lost the war. The Blacks weren't just fighting for Rhaenyra, they fought for her heirs as well. This is why they swore to her and Jacaerys; later for Aegon III after the deaths of his older brothers. The Black forces continued to fight after Rhaenyra's murder and took KL. Aegon was murdered by his own men when the Blacks were marching on KL; in other words, the Greens knew they were beat, so they killed Aegon in an attempt to save themselves. Since Aegon left no heirs aside from Jaehaera, Aegon III was crowned and married to Jaehaera. The Blacks won the war.

Aegon the Usurper's bloodline is destroyed with the deaths of Jaehaera and Gaemon Palehair. This is the final affirmation of the Greens being in the wrong. GRRM's books punish usurpers by wiping out their bloodlines; Maegor and Robert Baratheon being the most obvious examples. Aegon and all the Greens have no descendants, their bloodline is dead.

Rhaenyra's bloodline, on the other hand, continues all the way through to the main series. Daenerys Targaryen, the most powerful character in the series, is her descendant, as is Jon Snow (unconfirmed as of now in the books) who is another of the key five. Rhaenyra may have died, but her faction won the war and her bloodline will save the world through her two greatest descendants (alongside the rest of the key five).

The Dance of the Dragons is, ultimately, a story of the damage the patriarchy does and how misogyny is destructive to the world. The Dance caused the death of the dragons and a great loss of power for women in the realm. Queen consorts after Rhaenyra had markedly less power and there was a drop in female leaders of the great houses. The loss of the dragons caused the weakening of magic in the world as a whole.

The Dance isn't about who your favorite war criminal is, nor is it about the evil of the Targaryens. It's about misogyny; something HOTD seems to have forgotten. Even before they started pushing TB vs TG so hard, they still missed the point.

It doesn't matter that Rhaenyra isn't a perfect, or even a good, person. It doesn't matter that Rhaenyra is non-conforming, plays the political game, and exploits her father's favor. Rhaenyra could have been as pious and well-behaved as Naerys and the Greens still would have usurped her. Rhaenyra could have had children with Laenor, and still the Greens would have usurped her. HOTD tries to paint the usurpation as partially being on Rhaenyra and her choices, but nothing Rhaenyra could have done would have been good enough.

The Blacks are the protagonists of the Dance. Are they perfect? No. Are they heroes? No. GRRM loves his gray characters, the Blacks are no exception. If you people want a story with black and white morality and perfect protagonists, go read another book. Just because people aren't perfect and don't operate exclusively in what's right according to our modern standards doesn't mean they aren't the protagonists.

In conclusion: there isn't a TB vs TG discourse in the Dance because the Greens are the antagonists and completely in the wrong. The point of the Dance is that the misogyny of the Greens damaged the realm. Rhaenyra is the rightful queen, there is no actual argument for Aegon or any of his allies.

Rhaenyra is the rightful queen to Westeros, go cry to George if you don't like it.

[mattiebluebird]

Yk that post that's like ‘signal is the spiritual successor to nightwing’ bc I DO & IVE BEEN THINKING ABOUT IT NON-STOP.

And the comics pretty much confirm it (To Me) in Grayson #15.

So in this issue each of the Robins, minus Steph (RIP Steph) get paired off with one of the We Are Robin gang and give them their own advice on what it means to be Robin.

Tim—whose main problem with this whole thing is that they don't know these kids, how can they trust them?—gets paired with Andre Cipriani, a mob kid whose dad was murdered by a rival gang when he was eight years old. Tim trains Dre by having him fight blindfolded. He tells Dre that being a Robin is about truth and investigation, which makes sense, right? Tim became a Robin by figuring out Batman and Robin’s secret identity (keep this in mind, all the Robins’ advice links to their origin).

To be a Robin, you have to understand what you don't know. And then you must seek to know it. You must always ask: how can I see into the dark? Batman once told me, being a Robin can be summarized into one word: investigation.

These two were an interesting choice to pair up. I would've thought they'd put Dre with Jason, given their violent tendencies—Dre is smart, but at this point in the comics doesn't strike me as particularly investigative. Then again, right after this arc he goes undercover in a gang, so maybe he learned something?

Speaking of learning something: at first I thought they should've paired Dre with Steph (#teamcriminaldads lmao), and while that would be an interesting team, Dre did learn from Tim. If Riko were present in this issue, she would've been a good fit for Steph, as she idolizes the Batgirls and Steph was both a Batgirl and a Robin. Plus, Steph and Riko are both brave & have mean streaks, something that Riko has trouble showing because of her shyness. Steph’s advice probably would've been along the lines of “being a Robin is about defiance”.

Besides, if Tim and Dre weren't paired up, we never would've gotten this interaction.

— You like Liszt.

— What?

— Franz Liszt. The composer. You play the piano. I looked you up. People who play the piano like Liszt.

Points to Tim for the most autistic small talk ever. ‘You like this, which I know because I researched you in a totally non-creepy way.’ Amazing. 10/10.

Dax gets paired with Jason. They're interesting parallels. Dax is the inventor/mechanic of the team, but also sort of the wild card with very strong morals, like Robin!Jason in a way. Like Jason, Dax’s father is (implied to be) a crook, though they took different moral directions because of that—Dax is completely opposed to gun violence.

Anyways, Jason's main reservation is that you can't have Robin without Batman. And I guess he decided to solve this issue by just becoming Batman & making the WAR crew relive his origin story by stealing tires from the mob.

Y'know, kid, Batman once told me, being a Robin comes down to one word: confidence.

Jason Todd, the Crime Alley street kid who had the balls (and the skills) to steal Batman's tires and get away with it. Sort of. Confidence, indeed.

Damian's problem with the Robins is, of course, that they're weak, and strength (according to him) can't be trained; you either got it or you don't. He gets paired with Izzy, who probably has the toughest home life of the WAR crew. Her brother's in a gang (that he regularly beats her up for not joining), and she's failing all her classes because she's too busy working night shifts at her mom's restaurant to sleep or do homework.

So Damian's advice to her is pretty apt:

Batman told me that there is one word that captures the essence of being Robin. Suffering.

Damian and Izzy are both outwardly surly, stubborn characters who have had to fight to survive. Notably, Izzy is the first of the crew to almost resort to killing/guns (in WAR #6). She's also probably the best fighter in the WAR crew after Dre and Riko. She does dancing, gymnastics, judo, and kick-boxing.

And, finally, we reach the point of this whole post: Dick & Duke.

Duke deduces Dick's secret identity in like .5 seconds.

— I've solved a lot of hard in my time. This ain't hard.

— No. No, it wasn't hard. Not for you. Again, Duke Thomas?

Dick: You discovered my secret identity!

Duke: What? Like its hard?

After scoping out their strengths and weaknesses, Dick sends the Robins on individual assignments: Dre and Tim to investigate, Dax and Jason to cause a distraction, Izzy and Damian to apprehend Robo-Batman/Gordon.

Dick brings Duke on to a roof for a stake-out, where they have this exchange.

— You think only the originals understand how to be Robin?

— Nope.

— Yeah. Me neither.

Then it turns out that Dick actually turned them all in to the cops because he wanted them out of harm's way. He's been watching Duke for a while and he knows he's scared of heights, so he led him onto a roof he knew he couldn't get off of. Just before they part ways, Dick imparts his Crucial Robin Advice:

Batman once wais to me that being a Robin is about one thing. Family.

(I find this whole thing super ironic considering Dick's whole aside concerning the Robins was the fact that it doesn't matter if people know you're manipulating them as long as it works.)

The point of Robin? Family. Dick and Duke are alike in this way. Dick only became Robin to get justice for his parents’ murder. Duke only joined WAR to find his parents.

Their origins and motivations are similar, and so are the characters themselves. Dick is often called the world's second-greatest detective next to Batman himself. Duke is a child prodigy—one of our first introductions to his character is when he tried to solve the Riddler's riddles in Zero Year. He loves puzzles. He's an amazing detective.

And, of course, one of the things we know and love about Nightwing is his inherent kindness, something that's present throughout Duke’s entire character arc. Even their hero names, Signal and Nightwing, are parallels of each other (light and dark). Batman’s first sidekick and his last. And, like Nightwing, Signal formed his own team (WAR) with no help from the others (except Alfred ig).

Of course, the entire point of Signal’s character is that he's not just a Robin. He's something different. It reminds me of that post that's like—’poor dick grayson, originator of a legacy he never meant to be a legacy, crushed with guilt and jealousy when he looks at all those who came after’. To me at least, it makes sense that Nightwing’s successor would've never been a Robin at all.

[hamletthedane]

Hamlet’s Age

Not to bring up an age-old debate that doesn’t even matter, but I have been thinking recently how interesting Hamlet’s age is both in-text and as meta-text.

To summarize a whole lot of discussion, we basically only have the following clues as to Hamlet’s age:

Hamlet and Horatio are both college students at Wittenberg. In Early Modern/Late Renaissance Europe, noble boys typically began their university education at 14 and usually completed at their Bachelor’s degree by 18 or 19. However, they may have been studying for their Master’s degrees, which was typically awarded by age 25 at the latest. For reference, contemporary Kit Marlowe was a pretty late bloomer who received a bachelor’s degree at 20 and a master’s degree at 23.

Hamlet is AGGRESSIVELY described as a “youth” by many different characters - I believe more than any other male shakespeare character (other than 16yo Romeo). While usage could vary, Shakespeare tended to use “youth” to mean a man in his late teens/very early 20s (actually, he mostly uses it to describe beardless ‘men’ who are actually crossdressing women - likely literally played by young men in their late teens)

King Hamlet is old enough to be grey-haired, but Queen Gertrude is young enough to have additional children (or so Hamlet strongly implies)

Hamlet talks about plucking out the hairs of his beard, so he is old enough to at least theoretically have a beard

In the folio version, the gravedigger says he became a gravedigger the day of Hamlet’s birth, and that he’s be “sixteene here, man and boy, thirty years.” However, it’s unclear if “sixteene” means “sixteen” or “sexton” (ie has he worked here for 16 years but is 30 years old, or has he been sexton there for thirty years?)

Hamlet knew Yorick as a young child, and the gravedigger says Yorick was buried 23 years ago. However, the first quarto version version of Hamlet says “dozen years” instead of “three and twenty.” This suggests the line changed over time. (Or that the bad quarto sucks - I really need to make that post about it, huh…)

Yorick is a skull, and according to the gravedigger’s expertise, he has thus been dead for at least 7-8 years - implying Hamlet is at least ~15yo if he remembers Yorick from his childhood

One important thing sometimes overlooked - Claudius takes the throne at King Hamlet’s death, not Prince Hamlet. That is mostly a commentary on English and French monarchist politics at the time, but it is strange within the internal text. A thirty year old Hamlet presumably would have become the new monarch, not the married-in uncle (unless Gertrude is the vehicle through which the crown passes a la Mary I/Phillip II - certainly food for thought)

Honestly, Hamlet is SO aggressively described as being very young that I’m fairly confident the in-text intention is to have him be around 18-23yo. Placing his age at 30yo simply does not make much sense in the context of his descriptors, his narrative role, and his status as a university student.

However, it doesn’t really matter what the “right” answer is, because the confusion itself is what makes the gravedigger scene so interesting and metatextual. We can basically assume one of the following, given the folio text:

Hamlet really is meant to be 30yo, and that was supposed to surprise or imply something to the contemporary audience that is now lost to us

Older actors were playing Hamlet by the time the folio was written down, and the gravedigger’s description was an in-text justification of the seeming disconnect between age of actor and description of “youth”

Older actors were playing Hamlet by the time the folio was set down, and the gravedigger’s description was an in-text JOKE making fun of the fact that a 30-something year old is playing a high-school aged boy. This makes sense, as the gravedigger is a clown and Hamlet is a play that constantly pokes fun at its own tropes and breaks the fourth wall for its audience

The gravedigger cannot count or remember how old he is, and that’s the joke (this is the most common modern interpretation whenever the line isn’t otherwise played straight). If the clown was, for example, particularly old, those lines would be very funny

Any way you look at it, I believe something is echoing there. It seems like this is one of the many moments in Hamlet where you catch a glimpse of some contemporary in-joke about theater and theater culture* that we can only try to parse out from limited context 430 years later. And honestly, that’s so interesting and cool.

*(My other favorite example of this is when Hamlet asks Polonius about what it was like to play Julius Caesar in an exchange that pokes fun of Polonius’ actor a little. This is clearly an inside-joke directed at Globe regulars - the actor who played Polonius must have also played Julius Caesar in Shakespeare’s play, and been very well reviewed. Hamlet’s joke about Brutus also implies the actor who played Brutus is one of the main cast in Hamlet - possibly even the prince himself, depending on how the line is read).

[yukidragon]

Sunny Day Jack - Drunk Headcanons

First ramble of the new year. Whoo! I was considering what would be fitting, then I wound up thinking about all the drinking that happens at New Years’ parties and figured, why not go with some drunken headcanons?

Content warning: this post contains talk of drinking, negative experiences with drinking, being drunk, and maybe some smut as well.

Talking about drunk headcanons also gives me the excuse to break out the drunk Jack art drawn by the ever awesome Sauce, since it’s very relevant. Credit as always goes to them for their amazing work and for being cool with me using their art in my rambles about the awesome characters they’ve created.

Isn’t Jack such a cute drunk? Funny how he’s only drunk when MC is though… possibly. After all, pictures like these don’t technically count as canon unless they’re in the game or on one of the official Sunny Day Jack pages, which you can find conveniently listed here.

Speaking of, why not consider supporting the SnaccPop Studios Patreon? If you sign up, you’ll get to see all sorts of exclusive pieces of art and sneak peeks at the lore, as well as amazing audio dramas. It’s well worth joining, in my humble opinion. Just remember to please not share anything privately posted on the patreon. Reposting paid content only hurts the team.

Anyway, back to the topic of drunk Jack, and specifically the teaser art by Sauce that may or may not be canon still.

I’ve talked about this picture before, particularly what it suggests for Jack’s powers, how it probably means he can be influenced by MC’s hormones, and how much he might be affected by MC’s state of being and vice-versa. To summarize, I believe that Jack and MC can sense how the other is feeling, both physically and emotionally, but it’s not quite as strong as the other is experiencing it, and it can be blocked out or minimized. I’ve alluded to it in Sunshine in Hell, as well as some of my short stories, especially the one where Alice is in a lot of pain.

So, as this picture suggests, if MC gets drunk, Jack does too. It makes me wonder though if he broke character and drank alcohol, he could be the one to get both of them drunk instead? The possibilities of these implications, canon to the game or not, are quite intriguing.

Of course, we can’t talk about drunk headcanons without considering what kind of drunk Jack and the rest of the crew might be. As they say, drunk words are sober thoughts, and alcohol does lower inhibitions…

Naturally, it’s kind of dangerous for a yandere character to be drunk. Self-control would be lessened, if not thrown out the window entirely if he’s totally hammered. I think Jack would be a clingy sort of drunk, hanging off his sunshine, shamelessly needing their warmth and reassurance that they love him and need him just as badly. He’s also a possessive and protective drunk, not wanting anyone else near MC. He’d probably insist on carrying them around everywhere even while he’s stumbling, though it’d take one near fall for him to decide that sitting with them in his lap is the better option. He needs to keep them safe, keep them close.

If you think Jack can be clingy normally, he is like glue when drunk, or at least I think so. Even if he was dutifully staying home like MC wanted them, once the drinks hit him through their connection, he’s got to be with them, no matter where they are. Suddenly there’s a clown in the club or party checking to see if they’re okay and wanting to take them home, hanging off them like a big warm blanket while trying to convince them to go and keep them safe from anyone that might take advantage of them.

Once agreeing to leave, Jack would probably forget about any implications or issues that might arise from carrying MC in a crowd of people. Hopefully no one is sober enough to film anything that might complicate things when he’s whisking MC away off into the night. He’s certainly not in any state to really consider consequences.

Well, maybe if they’re lucky any such videos would be assumed to be hoaxes. There’s certainly no shortage of fake “ghost” videos online. Maybe Shaun could use it to promote an upcoming movie…

Of course, if the relationship between MC and Jack is rocky, his desperation is cranked up while drunk. He needs them so, so badly.

Worse, if MC is getting physical with someone else, showing them love instead of him… Jack might not be able to hold back his yandere impulses to make sure that no one steals his sunshine away. He’d certainly have a lot of work to do once sober to convince his sunshine that he was just protecting them from being taken advantage of while drunk, especially if things escalated to outright violence. The level of intoxication, and the intensity of the moment would likely decide how far things might spiral.

Of course, you know me and how much of a sucker I am for my OTP being happy, so let’s swing back around to the fluffier extreme. If MC and Jack are in a relationship, that’s when Jack is drunkenly telling them how much he loves them, and that they should just go home together. There’s not even a token resistance to hold back his true feelings for them. He’s already got them whisked up in his arms, kissing and murmuring sweet words of love. MC is going to have a pretty hard time talking Jack into letting them stay, especially when they’d be more drunk than he is.

Naturally, the type of drunk MC becomes would affect things. Since there are way too many variables there, let’s use that as a segue to how my MC Alice is like when drunk. She’s not the biggest fan of alcohol, disliking beer, and only drinking sweet flavored mixed drinks socially before the breakup with Ian. Even then, it was rare that she got drunk at all.

After the breakup, the idea of drinking scares Alice, especially to the point of being drunk. She almost died after all. As such, the only way she’s getting sloshed in the present day is if she’s unaware that what she’s consuming has alcohol in it until it’s too late.

It’s kind of a shame, as Alice is a giggly, affectionate drunk. She stops caring about people around them and just wants to cling to her partner, giggling between kisses, occasionally gnawing on them or licking them playfully and saying silly things. Ian got quite embarrassed by how overly affectionate she was the few times she got tipsy when they were out with friends, though he certainly enjoyed the attention.

Needless to say, when Alice got drunk after finding out Ian cheated, she was anything but giggly or affectionate. Though the less said about that the better for now. Let’s keep this to fun headcanons, shall we?

Alice is also affectionate to her friends when drunk, telling them that she loves them, giving big hugs and saying what she loves about them. It was very hard on Shaun’s heart the one time he was around when Alice was drunk. She glomped onto him and told him she loved him soooooooooooo much while giggling happily~!

Of course, it was cut into by Ian crying because he was also drunk and thus more sensitive to things, so Alice went over to reassure him that she loved him mostest of all. It was a hard night for Shaun to be the sober driver.

Jack would sadly not get to experience this side of Alice. At least, not under normal circumstances. Knowing she doesn’t drink and isn’t comfortable even drinking a little bit, the moment he felt her get drunk, his protective instincts would kick into overdrive. What if someone spiked her drink? What if they had awful intentions? Even if he found out it was an innocent mistake, probably even a mixup, he would still be very concerned about her.

Well… until Alice latches onto Jack, squeezing him tight in a big hug as she tells him that she loves him. Oh how his heart would feel ready to burst, especially if they’re not together yet at the time. He longed to hear those words from her for so long… it’s just a shame that she’s saying them while drunk. Still, you better believe that his tipsy butt is going to tell her he loves her too. That would send Alice into a fit of happy giggles as she snuggles into his chest, since, let’s face it, her guilty impulses are on full display and his chest has always felt so nice and soft to cuddle.

Jack would be struggling to hold himself back and retain some sense of sobriety, to not ruin things, but it’s so hard when Alice is being so affectionate with him. Yet, he worries that her love for him isn’t the same as the love he feels for her. This is especially true if she was hugging and loving on other friends when he showed up.

Of course, even while drunk, Alice wouldn’t be open to physical contact with just anybody, only those she trusts. Being touched by someone she doesn’t know/trust would result in her fleeing to her nearest trusted friend/loved one to hide behind them, maybe even insisting they protect herrrr, and telling the person who tried to touch her to go away! Shoo! Shoo!

Naturally, if Alice was drunk while she and Jack were a couple, it would be a very strange sight for anyone else there to see her cuddling up to thin air, kissing, licking, gnawing, etc. It’d be even more outrageous to see her scooped up into the air! Hopefully Shaun isn’t there to see it and have his heart broken further. Though if he was around while Alice was drunk, and he was still sober, he would be getting her to drink water and getting her out of there since he knows she doesn’t want to drink alcohol anymore. So he’d be stepping in to help her out until Jack swooped in to steal Alice away from him… again.

Speaking of Shaun, he strikes me as a giggly drunk as well. Though he turns it more into a performance. He’s talking about stories he knows to anyone who will listen. Or anyone who is not listening, since he’d be drunk off his butt. I’m talking grand gestures, booming voice, passion thrown into it as he cries over touching moments in a movie he saw, or what he was directing. Oh, his actors killed it in the beach scene! He’ll tell you all about it, then get interrupted by a different thought halfway through the story, probably something he thinks will be a good idea for another film that he has to scribble onto a napkin. Of course, it becomes a weird scrawl that’s barely legible and makes no sense, but it was certainly exciting to him in the moment!

Of course, Shaun enjoys a good buzz. It makes him want to purr, so it’s a good tell for when he’s getting tipsy. He’s very responsible when he’s the designated sober person, but when he’s ready to cut loose, he’s a tomcat ready to play!

While Shaun is a more bubbly and fun drunk, I think that Ian is the opposite. When he has a nice buzz, he feels pretty good, but when it goes too far and he starts getting drunk… that’s when everything goes downhill. This cropped picture drawn by Sauce makes me think that when Ian gets drunk, that’s when his guilt and self-loathing hits him hard.

Poor guy needs therapy. Also, if you want to see the full picture, which is very NSFW, check it out over on Sauce’s twitter. While you’re there, send them some love for all their amazing art and characters!

I think Ian needs constant reassurance while drunk, especially from his partner. He clings to MC and feels lonely even if they’re a foot away from him. He cries at the drop of a hat, even for silly things like how tragic that is that snakes don’t have legs. Why don't they have legs? It's unfair! He’s going to be needing help not to get dehydrated from all the crying and the alcohol, and his hangover the next day is a bitch.

Needless to say, when Ian and Alice were drunk together, it was a very mushy scene. Ian would be down on himself, then Alice would smoosh his cheeks and tell him to listen to her because he is a prince. Prince Charming! No one else is better. That’d get the waterworks going, and he’d cling to her, crying. She would then start kissing his tears away.

I figure this too also happened when Shaun was around because I’m very mean with the guy and his unrequited crush. Sorry, Shaun, but it’s just too much fun teasing you, haha. Don’t worry though, he’s going to find his own happy ending in Sunshine in Hell with a partner or two who love him more than anything else in the world. Eventually.

On that note, let’s move on to the final love interest, Nick. Nick strikes me as someone who is very smooth when tipsy, but an absolute mess when sloshed. The filter is gone. He’s got opinions, and by God is he going to give them, even if they don’t really make sense. He especially has strong opinions about bad BDSM. That popular book series they made a movie about called, what was it again, 500 shades of fucked up or something? That is not BDSM. That’s abuse pretending to be BDSM. Do you have any idea what that mess has done to the BDSM community and how many people have done stupid things because of it? And don’t get him started on what an awful idea it is to tie someone up with rope from a hardware store of all places!

I see Nick as the type to start recording himself once his inhibitions are dropped. The people need to know! His thoughts have to get out there! His followers need to know the truth! This is why he makes sure that he has to put in several passwords before he can actually upload anything. He learned his lesson that he can’t trust drunk Nick with his socials the hard way. The fans are still making memes and using clips out of context from that embarrassing old video. At least he bounced back from it by joking about it even if inside he’s still dying of mortification.

Speaking of a drunk with complaints, I had the image of Barry really unloading all his grievances when he’s drunk. Fortunately, he knows better than to get sloshed with any of his employees, but if he did, they’d have a hard time escaping from him insisting that he knows what’s wrong with the service industry and customers and how the hell did his latest marketing gimmick fail?! Can’t they see how cute the new mascot is? He paid way too much to the graphic designer! Do you know what artists charge nowadays? It’s highway robbery!

Since we’re going into employees of Yogurtopia, why don’t I touch real quick on the other people on staff who I expanded upon a little in my earliest headcanon posts? Things have changed since then of course, such as the boss having an actual name now. Needless to say, I’m not going with what I came up with for that post, but let’s do a little rapid fire mode with the rest of the employees I want to use for Sunshine in Hell.

Carol is a flirty drunk, which is a big problem if she’s actually in a committed relationship at the time and the person she’s flirting with isn’t her partner. Though I’m sure she’d give her partner permission ahead of time to have sloppy drunken makeouts and sex with her.

Liz isn’t really a drinker so much as a stoner. Though if drunk they would be doodling on napkins and finding the ceiling tiles fascinating.

Susan is underage and isn’t much for breaking the rules, so it’ll be a few years yet before she’d have to worry about how she’d be as a drunk.

I know I haven’t touched on these characters a lot, but I figured why not expand on them when I can, even in small ways. If nothing else, it should make it easier for me to come up with more ideas of what parts they could play in the bigger picture of Sunshine in Hell.

Speaking of my OCs, why don’t I touch on the rest of the King family while I’m at it?

Mama Lycoris enjoys herself a nice glass of wine with good company, most notably her husband, whose name is still undecided. (I’ve narrowed it down to Eden, Seb, Luan, Yuri, or Heliotrope. Picking character names is hard sometimes.) It’s rare for her to get drunk, but when she does, she seeks out her husband, even if she just lost track of him for being out of sight. She’s the type to do the meme where she’s crying while texting them that she misses them while he was just in the bathroom. Once she finds them, she’s crawling in his lap telling them how much she loves him~

Papa King usually is the sober one at a party, embarrassed by his wife loving on them when she’s tipsy. Sometimes Lycoris pretends to be tipsy just to get him flustered. They do occasionally have a glass for a special occasion, like toasting at his anniversary or a special holiday. When drunk, they’re a sleepy sort of drunk, pretty out of it and just off in his own little happy world. They haven’t yet been drunk before though, or even gotten tipsy, as he drinks very responsibly.

Barbie isn’t one for drinking, even socially. Though that’s probably not surprising considering she’s not a very social person. If she did get drunk though, she’d be a mean drunk, eyeballing anyone who looks at her funny and ready to jump into any excuse to fight. It’s probably a good thing she doesn’t drink!

Though, I suppose if Barbie was drunk around Bo, she’ll probably let her dom side out more, ordering him around and getting a bit rough with him. Good thing Bo is a big strong alpha and can’t get drunk due to being an AI, so he’ll be able to take care of his puppy even when she’s gone a bit feral due to alcohol.

Coraline also doesn’t drink, but that’s because she can’t due to medical reasons. It interferes with her prescription medications, so it’s probably best if she sticks with non-alcoholic beverages. If she did get drunk, however, she would probably be similar to her father, being off in her own little world, looking at things as if they were fascinating. She would probably be very keenly interested in holding Elias’ head and examining his neck stump up close, which I’m sure her poor groom wouldn’t quite be comfortable with. He would have to make sure to redirect her focus elsewhere until she sobered up.

Of course, I can’t just end things there. I haven’t gushed nearly enough about Jack and Alice having some drunk shenanigans in a more specific sort of scenario. It might turn into some writing, or it might not, but it’s my post, and I can ramble on longer about my OTP if I want to.

As I said earlier, Jack would be very concerned upon noticing that he’s starting to get tipsy. At first he would probably be confused as to how lightheaded he is, until he realizes that it’s because of his sunshine’s influence. The immediate order of business after that is to find Alice and check to see if she’s okay. With lower inhibitions, it would be hard for him not to worry that someone spiked her drink or something.

While someone spiking Alice’s drink would make for some interesting drama, and a target for Jack to go yandere on for taking advantage of his sunshine… I think I’ll stick with something more innocent for this post and say that there was a mixup with her drink or Alice was unaware something someone brought at the party’s potluck had a high alcohol content until it was too late.

Though if y’all want me to chase that darker and more dramatic plot bunny of Alice getting her drink spiked by some unscrupulous character, and Jack has to save her, do let me know~ ;3

Back to the lighter scenario. While it is intriguing to imagine how torn Jack would be if Alice is loving on him while they’re not together, and she means tells him she loves him in a clearly platonic way, which wrenches his heart… At the moment, I’m more drawn to how much of a cock block it’d be for him if Alice was getting frisky with her affection and turning Jack on, forcing him to hold back his urges and stay responsible even though what he wants to do is take her and fill her with his love until her legs are too wobbly to allow her to stand anymore. He might be tipsy too, but she’s outright drunk, and he’s not going to take advantage of his sunshine in an inebriated state!

Of course, Jack’s first order of business is to get Alice home. It doesn’t matter if they’re in the middle of a party full of people, he’s carrying his sunshine home. Alice doesn’t protest being scooped up by her boyfriend, just giggling in delight before peppering his cheek and neck with kisses now that she’s in range. She also makes sure to tell Jack how she just loves him so, so, so, so, soooooo much~!

Jack does try to be discreet in getting Alice away from the party. He might be pretty tipsy, and his steps a little unsteady, but he needs to protect his sunshine. He needs to take care of her, be responsible. It’s what he’s there for after all.

It’s just a little hard for Jack to focus on walking straight when Alice keeps nipping at his skin. Her giggling tickles his ear too, and it’s hard for him not to melt when she tells him she loves him and that he tastes so sweet.

Having a hardon would also make it difficult for Jack to focus on walking straight. Poor guy. Alice doesn’t think about what she’s doing as she keeps kissing, licking, and nibbling on him, her hands wandering and squeezing his chest despite him trying to gently redirect her attention. He needs her to stop, since he can’t focus, but at the same time he really wants her to continue.

The first order of business once they get back home is to make sure Alice sobers up with some water and food. By the time they’re home, Jack feels like he’s going to go crazy. Like her drunkenness affected him, his horniness affects her, and those playful affections become more lusty as her inhibitions are lowered and the idea of teasing Jack and making him feel good becomes more and more appealing. Eventually it gets to the point that she’s being much more blatant in her teasing, such as tracing his nipples through his shirt with her fingers. Maybe even copping a feel lower down when they’re at the apartment and teasing him about the bulge in his pants.

Needless to say, Jack would be having a very hard time holding himself back. It’d almost be a relief when Alice abruptly nods off due to the alcohol. Of course, he’d have to give himself some real relief, imagining what it would’ve been like if she had sobered up so they could continue. All the while, he’s also swearing to himself that in the morning - provided Alice wasn’t in pain from a hangover - he was going to pay her back for all the love and affection she showed him tonight in spades.

The next morning, Alice is indeed hungover, though not quite as bad as she would’ve been if Jack didn’t have her eat and drink something last night. Of course, Jack is kind and cheerful, endlessly gentle and supportive of her, giving her some painkillers and making her a nice, mild breakfast. She remembers what she did last night and is too embarrassed to talk about it, just thanking Jack for helping her get home.

Though past the embarrassment, fear would slowly build as Alice woke up more and it sunk in how easy it was for her to accidentally get drunk at the party. It was so easy for her to lose control… for something to happen… Jack picks up on her worries right away and reassures her that he’ll always be there to take care of her and keep her safe. He’ll always protect her and make sure nothing bad happens to her. He made sure she got home safely last night, after all.

Jack won’t ever let Alice suffer through anything as awful as the night Ian broke her heart ever again.

Some reassurance and cuddles goes a long way, and Alice is able to let go of her fear and embarrassment to just appreciate how much Jack cares for her and takes care of her, even when the unexpected happens. She melts into his soft and reassuring kisses that soon turn hot and steamy. Suddenly the breakfast dishes are off the table, and she’s the one getting eaten by her very pent up boyfriend.

You better believe that Jack planned to feed Alice then do the deed with her as soon as possible. The moment she shows that she’s receptive to his affection, he starts enacting all the naughty fantasies that he had while giving himself relief the night before, making sure that Alice is the one being driven crazy this time. He won’t rest until she’s begging for him to make love to her. Repeatedly.

Needless to say, if Alice has work that day, she’s missing it. Jack would’ve turned her phone off after sending a text that she’s sick, just in case. There’s no way Jack is letting Barry cockblock him again. Not after he spent a night getting blueballed by a too sexy sunshine that was too drunk to make love to.

Fortunately, in the light of day and fully sober enough to consent, Jack gets to enjoy every inch of Alice, as well as a nice memory of just how fun and affectionate she gets when her inhibitions are lowered. He also has a goal to strive for, to encourage his sunshine to feel freer with him like that when they’re both fully sober so that they can enjoy every second of their lovemaking.

Well, I think that’s a good place to wrap up these drunken headcanons for now. I hope you enjoyed the silliness. It seemed like a good way to start off the year, and it certainly would be a fun start of the new year for these two!

@channydraws @earthgirlaesthetic @sai-of-the-7-stars @cheriihoney @illary-kore @okamiliqueur

[pumpkinpaix]

Regarding #EndOTWRacism’s summaries of 2023 OTW Board election candidate positions

Before I begin, let me say now that while I am a volunteer with the OTW, my views are personal and should not be taken as any kind of official statement from the org, its leadership, or other volunteers, especially not the candidates in question. My focus here is on the Asian candidates for obvious reasons, but this post is not meant as endorsement or disavowal of any of the candidates, whose bios and platforms can all be read here.

Do not take this as an excuse harass the mods running EOTWR. I cannot make myself clearer.

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I am making this post to express my extreme disappointment with End OTW Racism’s post purporting to summarize the platforms of the candidates for the upcoming Board elections. It is no longer rebloggable, but can be read here.

The way that the candidates with Asian names were spoken of is deeply insulting when compared with how candidates with English-language names were discussed. Asian candidates had their platforms misrepresented, their expertise downplayed, and their lived experiences reduced down to “bringing an international presence” to the board, which was then further caveated with, “diversity alone is not going to solve the issue of racist harassment currently allowed in the OTW’s policies and enforcement practice”. While it is true that diversity alone is not a solution, it’s pretty offensive to essentially have “remember! Just because they aren’t white doesn’t mean you should vote for them!” tacked on to one of the Asian candidates’ platforms. 

End OTW Racism seems more concerned with whether or not candidates used the buzzwords they wanted to hear rather than with how racism is discussed holistically within the statements. While I can appreciate that EOTWR has a specific agenda, to say things like, “[s]he does not mention racism, racist harassment, or hiring a DEI consultant in her platform, so outside the outreach and support she mentions, there is not enough for us to conclude that these would be priorities for her” regarding Zixin Z.’s position, directly following the statement, “[s]he also mentions the need for outreach towards non-English-speaking fans and has a desire to provide support to volunteers from minority groups” is fucking laughable, especially after the initial mistake of stating that Zixin Z. only wanted to do more outreach to Chinese-speaking fans. Again, I understand that people make mistakes and that this mistake has since been corrected, but I hope it prompts some reflection on the sort of biases that would lead to such a mistake in the first place. It may have been completely innocuous, but in charged discussions about racism, please understand that it gives an impression that is difficult to shake. I do thank you for not trying to hide that this happened. 

Why is Anh P.’s lack of discussion on TOS/PAC a point against her, while Zixin Z.’s years of experience on PAC, her role as a mod on Weibo, and her background in nonprofits don’t even warrant a mention? For that matter, why did none of the Asian candidates’ skills or experience warrant mention? Qiao C. and Zixin Z. have both been volunteers with the organization for several years now, and Anh P. has years of moderation and volunteer experience elsewhere prior to her work with the OTW.

It is so fucking frustrating that despite each one of these candidates specifically talking about the need for diverse voices, they had their platforms essentially passed over because they didn’t use the right words, and it is particularly fucking aggravating to see that EOTWR will use Chinese issues as props when trying to press OTW leadership on the racism that occurs within the org, but then completely fail to connect the dots on why these candidates are running because the wrong language was used. Zixin Z. is one of the Weibo mods, for fuck’s sake. 

The entire post feels like an exercise in virtue signalling, from every time it was brought up that a candidate did not provide pronouns in their platform statements, despite every one of them having pronouns provided in their bios (why mention this detail at all? You could have simply used the pronouns), to what felt like willful obliviousness to the anti-racism stances in the Asian candidates’ platforms. It feels like the concern starts and ends with racism in Anglophone terms, on Anglophone terms.

I can respect the driving ideas behind EOTWR, even if I disagree with the way that EOTWR pursues their goals. I do believe that we want the same things in the end, and therefore chose not to interact with the many posts I have seen about the protest. However, I saw the summary post and could not let it pass without speaking.

For a protest group supposedly dedicated to ending racism in the OTW, this felt incredibly hypocritical, conscious bias or not. In my most charitable frame of mind, I can see this as misjudging and overcorrecting to ensure that there was no favoritism shown to the obvious non-white candidates lest EOTWR be accused of tokenizing– again, it is true, that diversity in and of itself is not a solution to racism. 

In my least charitable and most bitter frame of mind, I feel inclined to wonder if EOTWR, much like the OTW itself, is uncomfortable with the lack of influence they could exude over an international candidate. It would be much, much easier to push their agenda forward with more culturally familiar candidates, particularly white ones. Guilt and public scrutiny are powerful weapons and easy to wield against those with perceived privilege in our current atmosphere, often to the detriment of the actual discussion at hand in my experience. I know that’s cynical. It’s hard not to be. (For clarity's sake: I do not know the other candidates' races. This is a hypothetical.)

This isn’t a demand for an apology. I think we fetishize the capital-A Apology to the point where I find them sort of meaningless unless they are given freely. I don’t need EOTWR to agree with me, and I don’t really want to keep talking about it. Rather, I would prefer that EOTWR take action to do better as they continue in their campaign. What that action is is their decision. If they truly mean to stand against racism in the OTW, then I’d like them to demonstrate it.

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DO NOT HARASS EOTWR MODS. I AM FUCKING SERIOUS ABOUT THIS.