#i wanted to write but i cant

[littlelightfish]

This... this is a whole different kind of psychic damage here. When nightmares got Marcille, we get to knew that her's biggest fear is outliving her friends. This isn't even canon probably, but look at this. This isn't a "I don't want my friends to die" kind of dream. This is a "I'm terrified of loosing my daughters, of something killing them, and being incapable of stopping it" kind of dream. It's so simple yet it explains perfectly the whole of chilchucks character. He loves, he cares, deeply. But he, or doesn't acknowledges, or doesn't know what to do with that knowledge.

Besides that. Someone had to wake him up after this. Imagine the devastation in this man after he wakes up. He just saw his three little babys murdered corpses (or maybe he saw them die, wich isn't better). He would possibly not talk about it, and that would worry the hell out of the party, because we'll, they see him all down and only one of them knows what he saw. Imagine being the one to pull him from that nightmare. Seeing this man, usually so composed, fuking staring with tears and terror in his eyes to the composes of what you can only assume are his daughters. It would be heartwrenching.

Idk, I love this man so much...

[bamsara]

Concept doodles for the after-Kallamar-battle scene in Trod that I've been rotating in my mind for almost a year, that go with the past doodles I've made

The Lamb has a breakdown outside what this comic shows, Narinder gets closer to the truth, and they both become closer as a consequence.

[bishy437]

he won

bonus:

[slutabed]

idk what’s going on but i am like unwell today lmao. last night i was like running a mild fever, but i took a covid test yesterday and again today and they’ve been negative. i took a nap yesterday that turned right into me falling asleep for about 14 hours, so i missed my lexapro, so i’ve been getting brain zaps all day today and had to lay down again tonight bc i’m too dizzy to do anything else.

i wanted to get ahead on some work for the school year or even just like. write some fanfic tonight but i just watched a taylor swift music video and started crying and then opened up tumblr to see a pic of steve and robin that made me start WEEPING. like. unwell levels of emotion.

i started birth control about a week ago so idk if that’s my problem??? if i’m just overwhelmed rn with emotions?? but i’m just :(((((((( and i don’t like it

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[seamistgale]

Of @ghostreblogging, Where Danny has the same tax evasion skills as his parents. Kind of a coffee shop AU, but well, its gotham.

[tofifee789]

just them but in their tarot card outfits <3

[courfee]

it's been exactly a year since the last chapter of Operation Walburga's Arbitrary No Kissing Ever Rule and I still miss it. This scene is probably one of my favourite things I've ever written and I've wanted to draw it for forever, so now seemed like an appropriate time

[choccy-milky]

sometimes you gotta lure your overly-studious ravenclaw gf into spending time with you 🥰 📚 ( from 'Every Teardrop is a Waterfall' by Kat_12739 on ao3, GO READ IT!!! the first story is about seb falling sick and still pushing himself/not admitting he's sick until he ends up in the hospital, the second story is about the birth of seb and clora's daughter and seb's reaction to clora almost dying in childbirth, and the third is about dealing with a fussy newborn lewis😭🥹THEY'RE SO GOOD AND SWEET AND SOMEWHAT SAD (not to mention beautifully written) so go check it out!!💖💖 )

[dukeofthomas]

Here's my controversial opinion; if you're trying to write Bruce as a non-abusive, good parent, you should also write him respecting his kids' privacy, boundaries, and not stalking&surveying them.

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[inkskinned]

i keep thinking about hobbies and how i often spill over myself to pick up new ones. i have adhd, i end up trying something for like a month and then just getting far enough in it that i move on, satisfied.

and that should be fine; but it's never fine.

i am a pretty decent artist; but i can't just make art for my dnd campaign, i should be selling dnd maps and character designs and scene setting pieces. i can't just make my friends matching earrings, i need to get an etsy and ship them internationally and take bulk orders. i make pretty good props and decorations and use them to throw my friends parties - but i should be running a party planning business and start taking paying clients and networking and putting my skills to actual use.

for some reason, i never figured out the specifics of pottery. it was a fun class and i enjoyed myself - and still, i'm embarrassed, years later, that i put in all that useless effort. everything i make has to be stunning. stellar. i should have applied myself more. maybe i'm too lazy. maybe i'm broken and selfish and needy. actually creative people would have kept going; they would be bettering themselves at every possible opportunity.

we find ourselves in this trap, even accidentally: we need to commodify our time, because it is a commodity. if we spend our efforts and our time not earning, isn't that the same thing as burning free money? and god forbid you ever take up a hobby that ends up being more expensive than you thought. you sit in your car and you look at the receipt and in your head you hear a conversation that isn't even happening - your mom or your friend or your partner all saying oh great. not this shit again. it's always something with you, and it never actually means anything.

i have realized this horrible thing, recently - i'll get excited to start a project, pick up a new hobby. and then i just... stop myself. i start thinking about the amount of time it will take, and how it'll look in my monthly budget. what if i can't even produce a good enough final product. sure, it's exciting to think about how i could make my friend her own custom dice. but i'm just polluting the earth if i don't get it right. better not bother. better not try.

restless, i get caught in the negative space. the feeling that oh god, i want to create. and that horrible sense - yeah, but i don't have the time to just put to waste.

[iindigoeyed]

saw this dress and purse and i KNEW i had to draw this, it's so her!!

[deoidesign]

I'm so mad that post was misinformation because there is actually an EXTREMELY important conversation to have about the production schedules artists are forced into. There's no need for exaggeration, the conditions are bad.

I work for webtoon. My publication schedule is weekly. While publishing I'm required 10-15 pages a week. Fully colored.

This means I'm finishing a 150 page fully colored graphic novel every 10-15 weeks.

When my comic is not updating, I am not getting paid. Any time writing, editing, or off is out of my own pocket. I don't get healthcare. They do not provide any assistants. They expect me to promote myself; they chose to deprioritize me before I even launched and gave me an end date half a year in. I never had a chance.

And this is the industry standard! Every company has artists forced into crunch hours, overtime, and burnout. Artists are literally dying early due to it. So many of my friends can't afford to go to the doctor.

It's unsustainable and untenable, and it's also the expectation our audiences have.

If we want to have this conversation, there's plenty of conversation to be had with the realities of the situation. It's bad as is.

[afewproblems]

Eddie downs the last of his beer and tosses the empty red cup into the kitchen sink, right between a couple who were clearly gearing up to claim one of the spare rooms upstairs. 

Eddie snickers and winks as the girl tells him to fuck off while her boyfriend flips him the bird, god he loves highschool parties, and this one is no exception.

It's Halloween and business is booming for Eddie Munson.

He imagines Dian Fossey felt similarly, wandering through the Congo studying the great apes' behavior patterns and social structure from within rather than observing from afar. 

So far Eddie's observations have paid off in spades and he's managed to sell out most of his stash by targeting the basketball team and their girlfriends. No one wants to get high all by themselves after all, it's almost too easy the way these sheep all flock together. 

Eddie leaves the kitchen behind him, but not before snagging a can of something cold from a nearby cooler of half melted ice. With a decent buzz going, what's one more? He's done working for the night after all. 

Eddie climbs the stairs, dodging drunk teens left and right as they make their way past him, shirts ruffled and hair messy. Eddie snorts, ignoring the wistful pull in his chest as a tall boy on the swim team pulls his girlfriend closer to press a chaste kiss to the top of her head before smoothing her curls away from her forehead. 

Unfortunately no one Eddie would be interested in would accept him brushing their hair like that without punching him in the face.

He shakes his head and continues forward, he's an observer, nothing more. 

Eddie passes a closed door on the second floor and pauses as a raised voice splits through the wood.

"It's bullshit, you're bullshit," the voice slurs out and Eddie feels a wide grin pull at the corner of his mouth. 

He takes a step closer, nearly pressing his ear to the flat of the door.

"Like we're in love?" Another voice says softly, a guy, "you don't love me?" 

A small part of Eddie knows he shouldn't be listening to this, he can hear the waiver in this guy's voice like his heart is slowly cracking in his chest. Shit, he almost feels bad for this guy. 

But the people that go to these stupid parties, the Hawkins elite, the gorillas in the mist, deserve their bullshit --to use this girls turn-of-phrase.

The only reason they didn't mess with Eddie was because he was these highschool shit-heads main source of weed. 

Its karma, plain and simple, Eddie reasons as he presses even closer now.

"It's. Bullshit". The girl hisses emphatically and for a second Eddie hears nothing.

It happens so quickly after that. 

The door swings inward, causing Eddie to stumble into a tall firm chest as the bathroom guy collides with him.

"What the fuck?" The guy says as he pushes Eddie away from himself and --no way.

"Harrington?"

Steve blinks once, his wide hazel eyes red rimmed and shiny in the dim light of the hallway, the tip of his nose is pink as he reaches up to pinch it roughly before swiping across his eyes as well.

Even though Eddie's fairly certain that he and Steve are the same height, he seems smaller like this, deflated, standing in the hallway while a party rages down below them both. 

A cheer rings out, startling Steve into action.

He steps widely around Eddie, enough that his shoulder connects with the wall in his haste to take the stairs down, two at a time, as though Hell is hot on his heels. 

And Eddie should leave it, go back to the party, see if there are any snacks left before calling it a night, but something pushes him to follow the path Steve took.

It's like he's possessed, the haunted look in those hazel eyes forcing him forward until he's outside on the lawn.

A few other teens are outside, including a couple making out on the porch, Eddie steps over them and jogs to the end of the driveway.

He spots Steve down the street sitting on a large rock at the end of another neighbor's lawn with his face in his hands.

He looks up as Eddie gets closer and curses softly.

"Seriously? It wasn't enough that you were listening, you're following me now?" His voice cracks on the last word as he wipes his eyes again, he can't quite hide the way the moonlight catches the tear tracks running down his cheek and neck though.  

"Oh come on Harrington," Eddie says, walking up to Steve. He sits on one of the other rocks and takes a crumpled pack of smokes out of his vest pocket, "it's no fun if you're sad".

"What is?" Steve mumbles after a beat, wiping his eyes again as he stares at the ground. 

"Making fun of you," Eddie shrugs as he takes a cigarette and puts it between his lips, he smiles at the startled bark of laughter from Steve.

"You're a prick," he huffs softly, the barest of smiles slowly blooming across his face.

Eddie can count the constellation of freckles and moles across his face, giving the blanket of stars above them a run for their money. His hand twitches at the thought of touching the ones on Steve's throat.

Eddie coughs once, mentally tallying the number of drinks he must have had for those kinds of  thoughts and shifts on the rock to adjust his pants. 

He holds out the pack to Steve who looks at the nearly empty sleeve before his eyes shift to the house behind Eddie. 

"Nance hated cigarettes," Steve murmurs as the corner of his mouth twitches into a terrible frown. It's gone in an instant as Steve blinks once and reaches out for the pack.

"I got something stronger if you want?" Eddie offers, he shrugs when Steve looks up at him with suspicious eyes. 

"Come on Harrington, I'm not gonna keep kicking you when you're down, you need a pick-me-up and then I can get back into it," Eddie stands up and without thinking, holds out a hand towards Steve, "what do you say?"

Steve stares up at him, his eyes flick once to the outstretched hand before he snorts dryly and slowly takes his hand. 

It's warm in Eddie's own. The fingers squeeze gently as Steve uses it to hoist himself up until he's once again eye level with Eddie. 

From this close Eddie can see the way his eyelashes have clumped together with leftover tears and the flecks of gold in his hazel eyes

Oh…this, this was a bad idea. Eddie swallows roughly as Steve finally nods.

"Lead the way Munson," Steve says with the barest of smirks as he wipes his face one last time, "and if you tell anyone about this, I'll slash your tires".

Eddie cackles at that, "there he is!"

He claps Steve on the back as he leads them towards where he parked his van down the road, "our chariot awaits!"

Eddie ignores the small voice that whispers in his ear, the one that sounds remarkably like his uncle, as it asks him just what the hell he thinks he's doing with Harrington of all people? 

It'll be fine, he tells himself.

Besides, what's the worst that could happen?

Part Two

[sceletaflores]

Advantage, Duncan.

pairing: stanford!tashi duncan x fem!reader

summary: tashi duncan doesn’t get on her knees for anyone, but she did for you. after that night she knew there wasn’t a chance in hell she’d let you slip away from her.

—or: tashi needs you to understand that she doesn't give a fuck about patrick.

word count: 2.7k

contains: 18+ SMUT MDNI, girl kissing, oral (fem!receiving), fingering (only barely but fem!receiving), somewhat public sex (in a locker room lmao), cheating but not really, love confessions kind of, lowkey manipulative!tashi but barely, patrick getting shit on like always, porn with a dash of plot, no use of y/n.

author’s note: back on my wlw cheater bullshit! so glad to be here! i centered this whole fic around a locker room sex scene. it just sort of spiraled into this cause you know i love being messy. once again no one requested this i'm being selfish lmao but i need more tashi fics on my masterlist! hope you love it! okay bye mwah xoxo.

Tashi’s sneakers squeak quietly as she makes her way back to the locker room. Sweat drying on her brow and adrenaline still buzzing in her veins despite the match being over. It was an easy win, Northridge had been slipping down the ranks the longer the season went on and the girl had a shit backhand.

The first thing Tashi did after shaking hands and posing for pictures was text you. She left the locker room door cracked open for you. The thought of you sitting there alone waiting patiently for her behind that door made her almost giddy enough to skip the rest of the way down the hall.

This was something like a tradition for you guys now, meeting in the locker room after her matches. Something that started a little after the two of you met a couple months ago. It was the last tournament she had before the fall semester started. The court was owned by some snobby Northern California country club that your dad happened to be president of. He stuck you in the ball crew for the summer so he could watch you keep you busy and make sure you stayed out of trouble, joke's on him. 

You were the first thing she noticed the second she stepped on the court, but how could she not? You in your cute flowy linen shorts and matching white top. A light blue visor strapped to your head. Tashi immediately got why guys have that primal, desperate urge to impress pretty girls they just met. She showed off more in that match than she had in a long time, running the girl on the other end of the court ragged.

Tashi wanted you to notice her, to see how dominating she was, to be impressed by her. Every time she hit a perfect shot, her eyes would dart to you, checking if you were watching, and you were. 

You were practically gawking at her, eyes all wide and admiring as your head snapped back and forth with every smack of the ball. 

It was perfect, you were gravitating towards her more with every new set exactly like she wanted you to. By the time she won you were watching her with stars in your eyes, gaze trailing after her every move like you were a sunflower and she was the sun. And even though lots of people have looked at her that way, you were the only one she looked back at. It made Tashi’s skin buzz with something she’d never felt outside of tennis. 

She was swept away for pictures and press before she could talk to you, but there was a party later that night thrown in honor of the players at the club's banquet hall. Tashi was standing at the bar when you slid up next to her, introducing yourself with adoration swirling in your eyes and a shy smile on your glossy lips. Tashi let herself smile right back as she shook your hand for a little longer than normal.

Two hours later and she had you in one of the hall’s many bathrooms with your Dior dress hiked up around your hips and her tongue on your pussy. She can still remember every detail of that moment. The fruity notes of your perfume, the way you tasted, how sweetly you moaned her name with your voice so breathy and desperate.

Tashi Duncan doesn’t get on her knees for anyone, but she did for you. After that night she knew there wasn’t a chance in hell she’d let you slip away from her.

Now, as she pushed open the locker room door and saw you sitting on the long bench in the center of the room, just like always, she felt a surge of possessiveness and longing. The sight of you waiting for her, so patient and devoted, made something dangerously close to love burn hot in her chest.

“Took you long enough,” you tease, standing up to greet her. You’re wearing one of her shirts, DUNCANATOR stretched across your chest in blocky red letters.

She dropped her bag at her feet, quickly crossing the room until she was close enough to pull you into a tight hug, burying her face in your neck. She was still sweaty but you didn’t care, arms coming up to wrap around her shoulders.

“I missed you,” she murmured, her voice a little too intense, her grip a little too tight. 

You laugh, your hands giving her shoulders a tiny squeeze. “It’s only been like an hour, Tash.” 

An hour felt like a whole year to her at this point. Tashi hated being away from you, hated not knowing what you were doing, who you were with, what you were thinking. She wanted to be the center of your world, just like you were so quickly becoming the center of hers. Steadily elbowing tennis inch by inch just to try and make enough room in her heart for something else. 

Tashi pulled away from you, taking a second to scan her eyes over your face. You were so beautiful, so perfect and sweet for her. She raised her hand to cup the side of your face, thumb swiping across the skin of your cheekbone a few times. You were flushed from sitting out in the sun, skin warm and soft to the touch.

She leans in without thinking, pressing her lips against yours. You taste like coconut lip balm and Pepsi. Tashi’s hand tightens its hold on your waist, pulling you in impossibly closer. She felt you sigh contently against her lips, lazily kissing back as easy as anything. Tashi felt like if she focused hard enough, that she could feel your heartbeat pounding where your chest met hers.

She swipes her tongue across your bottom lip, her hands making their way down to the small of your back to slip her fingertips under the waistband of your shorts. Your lips parted the slightest bit before you were pulling away with a small whine, pushing off her shoulders to create distance between the two of you. Tashi let her hands fall from your body as you take a small step backwards, immediately missing the warmth you took with you.

She was confused by the sudden shift in your mood until she saw the look on your face. The absolute picture of guilt, your brows furrowed enough to make a tiny crease in the middle of your forehead with your lip drawn between your teeth. Your eyes are droopy and sad as you wearily gaze at her from a few feet away. Tashi suppresses the overwhelming urge to sigh, brow raised as she stares back at you, waiting.

“I…” you trail off, wrapping your arms around yourself slowly. “I actually needed to talk to you, Tashi.”

‘Here we go.’ She thinks dryly, internally rolling her eyes. She can already tell she’s going to have to talk you down, again. She really should have expected this, you bringing up Patrick, you’ve done it enough times to be a trend. It’s been so long since the last time you said anything she was hoping you finally dropped it, apparently not.

Tashi doesn’t respond right away, just tilting her head slightly as she watches you. You shuffle uncomfortably in place, your eyes looking anywhere but her. She can see you take a steadying breath, trying to hype yourself up before you speak again.

“This is wrong,” Your voice is unconvincing, meek and soft. Tashi would laugh if she didn’t want to hurt your feelings. “What we’re doing, it’s wrong. It’s not fair to poor Patrick.”

It’s almost funny, how genuine you're being, how bad you truly feel for Patrick.

Poor, poor Patrick. Yeah fucking right. 

‘Poor Patrick’ is on tour right now probably sticking his dick in anyone that’ll let him. He’s nothing. A momentary lapse in judgment when you and Tashi went a few weeks without talking. She was hurt and vulnerable, two things she’s not used to feeling. She needed to feel in control of something again to stop her from going crazy, Patrick was easy enough.

When the two of you started talking again, she shut that shit down immediately. She was reminded of what a monumental waste of time Patrick is and pushed him to the furthest, most unimportant corner of her brain. She didn’t need him anymore, not when she had you again.

Tashi finally lets out a small sigh, more out of impatience than exasperation. She steps closer, her gaze hardening. "You really think he cares?" Her voice is low, controlled, but there's an edge to it. "Patrick doesn't need your pity. He's fine. He always is."

Your eyes widen at her words, the guilt on your face deepening. "But—"

“No.” Tashi cuts you off sharply, jaw set stubbornly. “Listen to me, Patrick is nothing. He’s just dick. He’ll never be more than just dick.” She takes another step towards you, closing the gap you made. “He doesn’t care about us, about this.” She motions between the two of you, her voice raising slightly as she speaks.

You swallow hard, arms tightening around yourself defensively as you stare at her with watery eyes. 

Tashi's whole demeanor softens, the anger draining from her body at the hurt look on your face. She would never speak to you like that, it’s just Patrick that really pisses her off. He’s not even here and he’s still managing to fuck with her. She steps even closer, her hand reaching out to gently lift your chin, forcing you to look at her. 

Your name falls from her lips, warm and wrapped in velvet, her thumb traces along your bottom lip slowly. "We have something real," she whispers fiercely, grip tightening on your chin just a fraction. "Something he could never understand. Don't let him ruin that. Don't let him ruin us."

You nod slowly, eyes big and shiny with unshed tears. It’s not good enough, Tashi can tell that you’re still apprehensive. You’re still worried, still guilty even with her reassurance. She can’t have that. If she doesn’t get you to drop this, you’ll let it consume you enough to try something stupid, like leaving her. Tashi refuses to let that even be an option.

If she can’t convince you with words, she can convince you through her actions. 

Tashi needs to drive home the point that sparing Patrick’s feelings isn’t something you need to be worried about, clearly tough love isn’t going to work on you. If she has to get on her knees to help make you understand, then she will.

She leans in slowly, pressing a small kiss to the corner of your mouth. Your breath catches slightly, held for only a second before you finally relax. Not completely, just enough for her to feel it. She keeps going, dragging kisses from your cheek up to your ear.

“Patrick is nothing compared to you.” she whispers directly into your ear, dropping your chin to start sliding her hand slowly down your front. “You’re so much better than him,” her hand stops at the hem of your shorts, tugging the button open with one sharp yank. You gasp sharply, hand flying up to grip her bicep tightly. Your eyes flick to the door, open and unlocked, but you’re not pushing her away, not trying to stop her. 

Tashi leans down, trailing kissing across the soft skin of your throat. “You’re everything.” She slips her hand into your shorts and down the front of your soft panties, her fingertips barely graze the slick skin of your pussy before you’re moaning.

“Fuck.” your hand squeezes her arm tighter, nails digging little crescent moons into her skin as she slides her index finger through the wetness gathering at your entrance. 

You’re so wet, completely drenching her hand in seconds. She teases you, barely pushing her finger past your tight hole as she licks a dirty stripe up the center of your throat. You whine, a desperate, too loud noise that bounces off the walls. Slowly, she breaches your entrance, sinking her finger up to the knuckle in the tight warmth of your pussy.

She watches you, takes in the needy look on your pretty face. So worked up for a single finger, so desperate for it that your hips cant down to get her deeper inside you. The wet squelch of her finger thrusting in and out of you sounds even dirtier, amplified by the room's echo. 

“You’re so beautiful.” Her tone is soft but final, like she’s stating a fact. She stares at you as she fucks her finger faster in and out of your fluttering pussy, gaze intense and unwavering. You stare back like a deer in headlights, silent except for the sharp pants falling from your slick, parted lips. That’s okay, you don’t need to do any of the talking anyway.

Tashi nips at the sensitive skin of your collarbone once before she’s dropping to her knees on the cold concrete. Her greedy hands gripping the waistband of your shorts and yanking them down your legs roughly, your lilac panties quickly follow. You gasp sharply, the cool air of the room hitting your bare pussy. “Tash-” 

Tashi cuts you off, leaning forward to slip your clit between her lips. You throw your head back, your loud moan echoing through the room. She swirls her tongue over the sensitive skin of your clit, exactly how you like it. You’re already so worked up, she knows this won’t take long.

Her mouth works you over expertly, licking and sucking and mouthing hungrily at your dripping pussy. She teases the tip of her tongue along your clenching hole, so desperate to be filled by the strap sitting in a old box on the highest shelf of her closet. Her thighs clench at the thought, you bouncing on her dick, wrecked and spent on the sheets of her bed. She pushes the idea to the back of her mind, you always have later for that. Right now, she’s focused on making you come on her tongue. 

Tashi can tell you’re getting close. Your breathing changes, gets heavier, even more little moans and whines falling from your lips each time her nose presses against your clit just right. Your fingers slide into her hair as you start to roll your hips, chasing her mouth. 

“God, Tashi–!” Your thighs shake on either side of her head, hands twisting her hair in your grip roughly. “Shit, yes–fuck! I’m gonna come–” Your hips start to grind against her tongue even faster as you got closer to the edge.

Tashi lets you use her face to get off, her hands sliding up and down the side of your thighs soothingly as you come. She works you through your orgasm, her tongue sliding along your sensitive skin until you’re physically pulling her away.

Tashi presses one last kiss to your hip before she stands, pulling your shorts and panties back up your legs as she does. You’re still trying to catch your breath, leaning up against the lockers as she buttons your zipper for you. Your face is flushed and sweaty, your eyes are glossed over and hazy. She smiles, giving you a soft kiss with your release still coating her lips and tongue. You kiss back regardless, slow and sweet like molasses. 

Tashi pulls away first, giving your cheek a quick tap before stepping away to pick up her bag up off the floor. “Come on,” she offers you her hand, nodding her head towards the door. “Let’s go get frozen yogurt.” 

You smile, making your way across the room to slide your hand into hers. Tashi goes to push the door open, but you stay in place, tugging her hand back. When she turns to face you, there’s a look on your face she hasn’t seen before. “You’re everything too.” 

Your tone is so sincere, so genuine that she feels her heart grow three sizes. Your eyes sparkle as you stare at her like she’s a God. It’s exactly what she wanted. She smiles, giving your hand a hard squeeze and finally dragging you out of the locker room.

Duncan: Game, Set, Match.

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