you're cooking when you notice him. you finish dicing the onion on your cutting board, and when you look up, you smile when you see the looming shadow that takes up the space behind your curtains. (mercenary!ghost x fem!reader, 18+)
"hi, spooky skeleton," you giggle, turning around and dropping the onions into the pot. the sizzle warms your apartment, and when you turn back around, you smile wider when he's come out from the shadows, closer, already on the other side of the kitchen island and only a few steps away from you.
he's geared up. vest thick and heavy strapped to his chest, the hood of his rain jacket over his head to further conceal the skull mask he wears. he stands tall, back straight and eyes narrowed, what little you could see of them. you put the cutting board down, twirling the kitchen knife you hold in your hand before holding it out in front of you, putting the sharp tip against the center of his chest.
"slow down there, big boy," you coo. "did you do as i told you?"
he snarls a bit before fishing a phone out of his pocket, tossing it onto the counter. you look down at it, watching the video playing. it's your mark, slobbering in tears, begging for his life. he pleads, holds up his hands, shakes his head, says that he's sorry in every language he knows until there's a satisfying hole in the middle of his forehead, a lone trail of blood making its way down his face. you think it looks like he's crying tears of blood. it's oddly poetic.
you look back at him, meeting his dark eyes, and you draw your hand back, setting the knife down. with your other hand, you drag your knuckles down the side of his masked face, puckering your lips and blowing him a dramatic kiss.
"such a proficient one, you are," you murmur. "what is that? third one this week?"
"want m'prize," he growls, and you step closer hooking your fingers into the collar of his vest and blowing him another kiss. then, you reach for the kitchen drawer next to you and pull it, taking out a thick envelope and handing it to him.
"you're making them very happy, ghost," you tap the plastic of the skull, giggling. "they like you a lot. got time for another?"
he clicks his tongue, tilting his head to the side, and you squeak when he reaches down and grips both sides of your ass with two big hands. you laugh, but it turns into a breathless moan when those hands slip under your skirt and tug at the lace of your panties.
"i want the real prize, want wot 'm owed," ghost says lowly. you stand up on your toes, pressing your mouth to his over his mask. you let your hands fall, pressing on the backs of his hands, encouraging him to slip a few fingers under the lace and prod the entrance of your sticky cunt.
"you want it, baby?" you whimper. "do you?"
"yes--" you feel him bite from under the mask, and you stick your tongue out, licking over the line of his bottom lip, your pride swelling when you feel how shaky he breathes as you tease him. "give it t' me--"
there it is. now i have you.
"well..." you press your pelvis to his, rocking against his fingers, and he hisses when he feels the way you soak the fabric of his gloves. he wants to eat it, he wants to have you, he wants what he was promised. "gotta do somethin' for me first, ghost. gotta job for you. can't pay you for it though, not the way you like."
you think you see him smile under the mask, the corners of his eyes crinkling as if he likes what he hears. as if he knows what it is you will give him if he just does as you say.
"y'know wot it is tha' i want, don't you, swee'eart?"
yes, you think, and you respond by giving the front of his mask a kiss, one you think he reciprocates by the way he cradles the back of your head.
i know what it is that you want because...i want it, too.
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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Awkward sex prompt: homelander figuring out how to control his strength with a human reader, who still wants rough sex, but would prefer to be alive at the end of it.
[Masterlist]
18+ Only | 1.2k | Homelander x gn!Reader | Realistic sex. Communicating during sex. Choking. Penetration (but not specified). Fluff at the end.
“I don’t want to hurt you.”
“But I want you to.”
It really should have been no surprise to Homelander when you requested he goes a little rougher on you in bed. At first he was taken aback, stopping the pace he was fucking into you with, jerking his head back as if offended, choking on his breath in surprise. You know who he is, bringing up the use of his strength is no small ask. But you’ve shown the signs before. He could hear the spike in your heart rate anytime he’d showcase the incomprehensible strength he possesses. Whether it was him moving heavy objects, accidentally bending steel frames in his penthouse or breaking furniture—like that one time he ripped the headboard off during a particularly fine blowjob—you loved it. Though he never thought that your dirty little thoughts went straight to him using that strength on you.
“What if I can’t hold back?” He looks down where you’re right below him, all flushed and spread out for him. He’s been giving you a damn good time but it’s like you can never get enough of him. Always wanting more, more, more.
“You can. You’ve been doing it your entire life. Adding a tiny bit more pressure isn’t gonna change anything.”
The one thing Homelander loves about you the most is the pure trust you have in him. After all you’ve seen of him you still believe that there’s no world in which he would purposefully hurt you. So to hear you all but beg for him to use strength that has more than decimated many gets his heart soaring. The feeling of acceptance and unconditional love blooms warm in his chest spreading all the way out to the fingertips currently wrapped around your neck.
“Come on, what’s the point of being the strongest man in the world if you can’t rough me up a bit? I’ll tell you if it’s too painful okay?”
Your hand sat on top, your fingers tracing over his as you squeezed your hand.
“A little more.” You guide him verbally and manually. Your hand is still squeezing around his own until you reach a point where you’re satisfied with his confidence to do this himself and you pull your hand away. “Yeah, that’s it.” You squeak out a little breathlessly as he restricts your airflow.
“That’s good?” He asks, choking on his words halfway at the way you squeeze around him while he’s still lodged firmly inside you. He jerks with his movement, giving you a very short snappy thrust but after your little intermission where you taught him how to choke even this little sensation made you moan.
Homelander’s eyes widen when he realizes the sheer potential of your request. Not only could he hear your heartbeat, your shaky breaths and moans, he could now also feel them. Right against his fingertips. The moan vibrated against his hot skin, your heartbeat constantly thrumming all around him. He felt it in the way you were tight and clenching around him and now he felt it under his grip.
He released his hand a little, settling the palm of it in between your collarbones.
“See? Wasn’t that good? I love feeling your strength, let me have a little more of it.” You say it with such conviction, inviting him in, accepting him exactly—no, especially—because of the way he is.
The last thing Homelander wants is to not be able to fulfill your needs. As much as the thought of hurting you—actually hurting you—kills him, if it’s something you find excitement in he’ll be damned if he doesn’t deliver.
He pulls you down the length of the bed a little bit to give himself more space and with a grin he pins your wrists above your head, holding them down against the mattress with little effort. He knows he’s doing something right when that startles you, you let out a cute yelp that quickly turns into a moan. God, he could eat you up with the way you’re looking at him. But he’s gonna need to leave that for round two. Now he’s here to fulfill a wish.
He slowly picks up the pace. He’s thrusting slow and deep while his other hand freely explores your body underneath him, giving it generous squeezes as he goes. He’s testing the give of you. Learning where he can apply the pressure you so desperately crave.
He’s fucking into your faster now, grunting at the sheer heat of you surrounding his cock with every slide. His hand glides up your body, settling back on your neck. He gives you a look as if he was warning you of what’s to happen. Yet he still manages to catch you off guard. With the snap of his hips and the iron-clad grip of his hand your eyes widen in what Homelander only translates to fear.
Immediately, he lets go.
“Why did you stop?!” You look at him, your own hand gliding across where his hand was squeezing a second ago, as if to chase the phantom feeling, recreating it yourself.
“Why did I stop? You got scared and I don’t want to fucking kill you!” He sounds angry but it’s mainly to hide the genuine worry that comes with this irresponsible play. It’s already hard for him to hold back anytime you’re having normal sex. Wanting him to rough you up conjures very different imagery in either one of your minds.
“Baby, the scary part is the best bit. I know you’ll stop before it’s too much. You can feel the give of my body. Let yourself feel that, okay?” You say softly, soothing his fears. In your entire relationship he’s not managed to hurt you, you don’t imagine it was about to start now.
“Now come on, I wanna cum with your hand around my neck.” You give him a cheeky smile that breaks him out of any doubts he had about manhandling you the way you’ve requested.
He’s given you exactly what you’ve asked for. Just enough squeeze and pressure that you feel so overwhelmed with the greatness of his presence pinning you down and nearly squeezing the life out of you that you succumb to your release. Homelander follows you there, unable to hold off after seeing the way you look at him with such adoration right after he let your airways open fully and you regained your senses.
After you’re both beyond blissed out you snuggle up to one another, locking the jigsaw pieces of your bodies together.
Homelander traces a finger across the bruised finger marks wrapping around your neck. Part of him relishes in the way he’s managed to brand you where you won’t be able to hide it easily. Even with a scarf or a turtleneck, any slight move of the garment will expose the impressive size of your lovingly placed bruises.
The other part of him isn’t that happy about it.
“I hurt you.”
“Duh! I wanted you to!” You scoff as if it was the most obvious thing.
His fingers trace over them some more before he leans in, placing a soft kiss against the marred skin.
“You’re fucking crazy.” He lets out a little disbelieving laugh as he pulls you closer into his arms.
“Yeah, you’ve been rubbing off on me.”
“Nope, this is all you.”
“Maybe. Hey, can we try spanking next?”
Taglist (you can add yourself to be tagged anytime I publish a new Homelander story): @infinetlyforgotten @rafecamsgirlll @nervoussystemss
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