#i was so proud to be with you

[datshitrandom]

Klaine moments by episode | 3.05 The First Time

[pocket-size-cthulhu]

I'm a cryptid in Stardew valley. I live on the outskirts of town. I disappear for days on end, purchasing daily one-way tickets to the calico desert. Nobody knows where I go while I'm there. Can occasionally be found fishing at random spots throughout town. I am never not running on at least one triple shot espresso. I take the abandoned minecarts to get around and am frequently seen disappearing into the sewers. I carry a sword for some reason. Once every week or two I will stride into your bedroom to deliver you your favorite meal. I'm a self-made millionaire. I attend all the town events and will go to your concert in the next town over. I have donated approximately 2583 items to the local museum and singlehandedly revitalized the town community center. There are rumors I can talk to junimos. I'm friends with the local wizard

[cozystars]

!!! BUILT LIKE BILBO BAGGINS !!!

[hinamie]

mentor

[doctorsiren]

Gravity Falls AU where everything is exactly the same except Bill’s parents are alive and well, and they’re just so proud of their chaotic dream demon son

[daydreamerwonderkid]

RIP to Bruce. Can't get a single night to himself smh

[pebblume]

pots n picks week day 7: free day

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[amalgamezz]

ALT

[mydairpercabeth]

I really love the way they have written Sally and Percy’s relationship in the show. Sally being the mom of a neurodivergent kid and feeling like shes constantly failing. Her being isolated because she doesnt have anyone to talk to about this as a single parent. And she makes mistakes, she feels human. Then we have Percy feeling like a burden to his parent. He cant understand why none of his parents want him around even though its for his wellbeing. It’s so heartbreaking but so real.

[umblrspectrum]

so like is it specifically planets the solver craves or can it get by with just eating dirt off the ground

[datshitrandom]

Klaine moments by episode | 3.05 The First Time

[fanaticalthings]

While I do find it funny that henchmen in Gotham probably warn each other about the Red Hood because he's a bat who will actually kill you. I think it would be better if Jason was actually seen as some sort of savior or idol to like 90% of the goons scattered around Gotham. Doesn't matter who they work for, they all know Jason, former crime-lord that took over majority of Gotham's underground in one night.

---

Jason, years after the events of UTRH, now fighting crime alongside the batfam, except every goon he runs into immediately recognizes him, stops fighting, and starts begging.

the first time it happens, Jason assumes they're begging for their lives only to hear them begging for him to return to the crime lord business so they can work for him and not Gotham's current money-stingy, abusive rogues (Black Mask lol)

---

Jason showing up to patrol as backup for Dick in an overrun warehouse full of Two-Face's henchmen and as Jason's about to interfere, one of the men stops dead in their tracks and stares really hard at Jason until:

Goon: Oh my God, boss, is that you?

Jason, pulling out his guns, about to shoot:

Goon: Mr. Hood, sir???

Jason, halfway about to pull the trigger: Wait a min–Jeremy? Oh wow, it's been ages! How's the wife?

Goon (Jeremy): Oh my God it IS you, holy shit where have you BEEN? Me and the guys miss you, man!

Dick, with a knife at his throat: What is happening right now

Jason: Ahh, well, crime-lording just wasn't fitting in on the daily schedule. Tryna turn over a new leaf and all that

Goon (Jeremy): Aw, that's disappointing. We really liked working for you, right guys?

[Chorus of enthusiastic "YEAHS" from the rest of the henchmen (even the one holding Dick at knifepoint)]

Goon (Jeremy): Well, anyways, I can't beat you up knowing you're my old boss! You gave us the best health benefits! We'll just let you take the evidence and leave.

Jason: Aw, thanks guys :)

---

And that's why 95% percent of Jason's missions in Gotham end in success. Not because he's willing to kill people or because rogues are terrified of him, but because 90% of the rogues' henchmen once worked for Jason and fuckin love him lol.

[e-turn]

again a link to translation under the cut

Публикую последнюю часть великолепной серии фанфиков "желание умереть"!!! ААААА!!! (+ маленький бонус)

[missmisnomer]

it's always a good day to wake up and choose violence

More Rise silliness [ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ]

[rayveneyed]

sukuna ryomen is somewhat of an infamous bachelor.

it’s not surprising to see him with a new beau every few months, if not weeks — almost trope-like in their frequency, his image bouncing between playboy and manwhore. he doesn’t take it personally, and he makes sure to let people know: he’s young and sexy and he has two oscars, for fuck’s sake, so he thinks the world can cut him some slack when he wants to mess around. and mess around he does.

between obvious paparazzi shots of panties tucked badly into his back pocket, and instagram posts with fellow actors and models pressed tightly against his chest, most are divided between thinking it’s either damn good pr, or a simple man living a life most would wish for. regardless, nobody is surprised when sukuna arrives alone at the mugler show for paris fashion week, and leaves with someone on his arm.

the only thing that came as a bolt from the blue was that it was you hanging from him.

the photos are undeniable, a story in parts; sukuna finding his seat in the front row, you on one side and kendall jenner on his other. his eyes drifting from the models to your face, as if taking a clandestine peek. you, meeting his underhanded gaze with a smile as sweet as spun sugar — and, gasp, sukuna returning it. the display is so out of character for him it feels almost voyeuristic to see it plastered all over twitter.

you, with your vintage, girl-next-door-esque image, big hair and big eyes and demure, calf-length hems, a voice that evokes the memory of helen forrest or ella fitzgerald. him, with his smudged eyeliner and tattoos and all-black attire, persistently typecasted as the panty-dropping bad-boy or devil-smiled brute. it shouldn’t work. for all intents and purposes, he should be spotted with a new supermodel the next week, leaving you in the dust of his philandering. most expect it, wait for the other boot to drop — expect an album of heartbreak from you, but—

a month passes. and another, and another. and suddenly sukuna ryomen, notorious rake, is photographed backstage at your shows. suddenly there’s an anklet hanging from your ankle, his initials in garnet. it’s early morning paparazzi pictures of you both in sweatpants and hoodies — yours, suspiciously oversized — one of his hands engulfing yours, the other holding a bag of takeout from a local breakfast spot, a lit cigarette in his mouth. hickies on your neck and a shit-eating grin on sukuna’s face. candid snaps taken at intimately sized parties, with his chin hooked over your shoulder and his large hands cupping your stomach. tiktoks of you both on the red carpet in the background of somebody else’s interview, sukuna leaning in close to brush an eyelash from your cheek.

neither of you confirm anything, but then — you don’t need to, do you?